at some point it's just like. do they even fucking like the thing they're asking AI to make? "oh we'll just use AI for all the scripts" "we'll just use AI for art" "no worries AI can write this book" "oh, AI could easily design this"
like... it's so clear they've never stood in the middle of an art museum and felt like crying, looking at a piece that somehow cuts into your marrow even though the artist and you are separated by space and time. they've never looked at a poem - once, twice, three times - just because the words feel like a fired gun, something too-close, clanging behind your eyes. they've never gotten to the end of the movie and had to arrive, blinking, back into their body, laughing a little because they were holding their breath without realizing.
"oh AI can mimic style" "AI can mimic emotion" "AI can mimic you and your job is almost gone, kid."
... how do i explain to you - you can make AI that does a perfect job of imitating me. you could disseminate it through the entire world and make so much money, using my works and my ideas and my everything.
and i'd still keep writing.
i don't know there's a word for it. in high school, we become aware that the way we feel about our artform is a cliche - it's like breathing. over and over, artists all feel the same thing. "i write because i need to" and "my music is how i speak" and "i make art because it's either that or i stop existing." it is such a common experience, the violence and immediacy we mean behind it is like breathing to me - comes out like a useless understatement. it's a cliche because we all feel it, not because the experience isn't actually persistent. so many of us have this ... fluttering urgency behind our ribs.
i'm not doing it for the money. for a star on the ground in some city i've never visited. i am doing it because when i was seven i started taking notebooks with me on walks. i am doing it because in second grade i wrote a poem and stood up in front of my whole class to read it out while i shook with nerves. i am doing it because i spent high school scribbling all my feelings down. i am doing it for the 16 year old me and the 18 year old me and the today-me, how we can never put the pen down. you can take me down to a subatomic layer, eviscerate me - and never find the source of it; it is of me. when i was 19 i named this blog inkskinned because i was dramatic and lonely and it felt like the only thing that was actually permanently-true about me was that this is what is inside of me, that the words come up over everything, coat everything, bloom their little twilight arias into every nook and corner and alley
"we're gonna replace you". that is okay. you think that i am writing to fill a space. that someone said JOB OPENING: Writer Needed, and i wrote to answer. you think one raindrop replaces another, and i think they're both just falling. you think art has a place, that is simply arrives on walls when it is needed, that is only ever on demand, perfect, easily requested. you see "audience spending" and "marketability" and "multi-line merch opportunity"
and i see a kid drowning. i am writing to make her a boat. i am writing because what used to be a river raft has long become a fully-rigged ship. i am writing because you can fucking rip this out of my cold dead clammy hands and i will still come back as a ghost and i will still be penning poems about it.
it isn't even love. the word we use the most i think is "passion". devotion, obsession, necessity. my favorite little fact about the magic of artists - "abracadabra" means i create as i speak. we make because it sluices out of us. because we look down and our hands are somehow already busy. because it was the first thing we knew and it is our backbone and heartbreak and everything. because we have given up well-paying jobs and a "real life" and the approval of our parents. we create because - the cliche again. it's like breathing. we create because we must.
you create because you're greedy.
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If there's anything I've felt about ace attorney since playing through the original trilogy, it's how cheated I've felt about the fandom interpretation of it. Y'all were so caught up with your gay boys and your Miles Edgeworths I didn't realize how much of this game was about WOMEN. THE CORE OF ACE ATTORNEY IS IN ITS FEMALE CHARACTERS. From Mia jumpstarting Phoenix and guiding him throughout the whole trilogy even after her death, her presence being the primary connecter of Phoenix and Maya, Maya and Godot, heck even Dahlia and Iris and the whole lot of them. From Franziska's earnest faith and consolation of Miles Edgeworth, even begrudgingly, pulling him out the trauma of his childhood with the face to face confrontation of a bullet wound in the same spot as the man who killed his father. Lana and Ema dragging Phoenix back into the thing he does best. Lana and Ema who's tragic story lies in a pair of sisters ruined by the heinous law system and their unconditional love for each other. Dahlia and Iris with a different version of sisterly tragedy, struggling through generational trauma in separate settings and support systems. The matter of the Fey tradition looming over the entire narrative and all the legal and social terror that comes with it. CAN WE TALK ABOUT THE ACE ATTORNEY WOMEN.
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My favorite thing about Annabeth is her wardrobe.
Cause like, Rick simplifies her clothes in a way a man would, and you can tell.
Cause in EVERY book, from The Lightning Thief to Chalice, she’s in the goddamn CHB shirt. With like some shorts or cargo pants. Nothing more, nothing less.
He’s made improvements over the years, giving her some other clothes. But he’ll always come back to old faithful.
Like, he most definitely did it on accident, but he made her so Adam Sandler and I love it
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regina spektor is a violent zionist, but i don't think it's constructive or honest at all for people to be like "well her art was always bad anyway." some terrible people have made great art. This idea that artists with unsavory morals can't make good art (1) only feeds into some people's mindset that if they dislike something, that MUST mean there is something ideologically wrong with it, and (2) some people then take longer to realize the true colors of their favorite artists because... good artists can't be ethically bad right?? and so they hang on to their faves and pretend they are so righteous and defend their every move when sometimes. sometimes you just gotta accept that your favorite art was made by somebody you don't agree with, and you have to identify how much you are willing to support someone like that and what lines you have that can't be crossed
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Simon has always been confused on why you gift him toys. Sure, most of the gifts you gave him were some of the things he liked. Bourbon, masks, gloves, make up for him to smudge his eyes with, some daggers and knives. Things that we're useful for him, just him. But later, you gifted him a toy airplane. He makes a comment about it, saying he is not a child anymore and you were better off giving it to Johnny instead.
"No, this is specifically for you, take it."
When he gets to him room, he walks toward his trash can, opening it with the tip of his boot. He gives one more look at the toy, his mood souring before throwing it into the trash. He goes on about his day, training, signing paper work, drills. Doing anything to ignore the pain stinging memories that the toy brought back. Emotions that were buried thousands of feet deep it could reach hell itself. Later, he lies awake in bed, staring at the ceiling, avoiding looking at the cylinder shape that's calling for him in his peripheral.
Fuck.
He pulls the covers off vigorously and stomps over to the trash can. He is standing over it like he's trying to intimidate it, as if it was an enemy he's trying to get rid of in battle. To anyone else, the scene would look comical.
He sighs to himself and reaches down to take out the toy he so cruelly threw away. He sets it on his desk and quickly walks toward his bed, facing away from his desk.
The next day, he wakes up feeling different. He swears he sees his room more vibrant, more lively. That energy follows him through out the day, having his other teammates notice his rather bright mood.
You catch him in the hallway. Pulling him aside to ask him about the paper work you left at his desk this morning. Of course, he notices the way you smile brightly, more so than usual. But he notices that you're not looking at him. More like looking at something next to him.
"What's got you so cheery?"
You turn to look up at him, feeling a bit embarrassed.
"I just..." You take a quick glance at the spot next to him, before bringing your eyes back upon his.
"I just hope you liked your gift." The same bright smile appearing on your face.
He stares at you, examining your words. Your expression.
You think you see his eyes crinkle a bit.
"Yea,"
"I liked it."
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My favorite thing about Sweeney Todd is that Sweeney gets into the killing-and-baking people business because he’s a deeply broken man destroyed by an unjust and corrupt system that cost him his freedom and family and has been driven mad by revenge.
And Mrs Lovett does it because somthin wrong with her <3
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Several weeks ago one of my coworkers called me over into her cubicle and gave me a very unexpected gift. Her mother passed away recently, and she'd been packing stuff up at her condo to give to relatives and sell, so the home could be sold. The mother was an avid knitter and crocheter, and when my coworker came upon her stash of equipment, she told me, she "immediately thought of me as someone who might get some use out of it."
So, I have inherited a varied collection of knitting needles and crochet hooks, cable needles, sewing needles, and, best of all, now-out-of-print pattern books, mostly for blankets, because that was what this lady loved to make most. Plus, I also have a bunch of gauge swatches she made, pinned to little bits of card covered in perfect schoolteacher handwriting setting out the patterns they were made to test.
And also...
My coworker brought another bag, full of yarn and...knitted blanket squares.
Her mother's last started project, before she got too sick to continue.
And she asked if there was anything I could do with it.
It turned out, there are twelve completed squares, and I quickly located the pattern book they are from amid those given to me. It's a book of 60 patterns, meant to be put together however the maker wishes into blankets of 20 squares. I figured out which of the numbered patterns were already made, and selected eight more that I thought might go well with them.
So now!
I am working on completing!
My coworker's mother's last knitting project!
And I really am feeling very good about doing it.
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