#i mean it might as well not exist the most recent post on my dash is from oct last year

[fitzrove]

God that post reminded me. Potentially controversial rant

If I have to see one more post going "men are so amazing, it's totally valid and revolutionary to love and prioritise the men in your life!! women (especially lesbians) are so mean and prejudiced about men and need to be nicer and check their biases", I'm going to..... well, I'm not going to do much but I'll be super annoyed and unfollow whoever puts it on my dash 🤣

Disclaimer: this isnt about anyone in my tumblr sphere lol you guys are cool. But anyway.....

I have many male acquaintances/casual friends IRL, through school. I tend to get along with people regardless of gender. And yet, YET, no matter how polite, friendly, funny, educated and smart they are, with most people (exceptions exist, but this is MOST people), there are inherent problems that come from existing in or alongside Guy Social Spaces as a woman. And Guy Social Spaces wouldn't exist without the guys that uphold them......

In my guy-dominated environment I actually manage to avoid most forms of (non-benevolent; benevolent sexism still sucks and makes me uncomfortable though, and I don't actively befriend guys irl because of how commonplace it is) sexism because I'm openly gay. Not being seen as an object of sexual interest and being able to fit into a bit of a "not like other girls" social role means that I don't actually have to deal with the baggage that comes with heterosexism and the heterosexual sphere (I use heterosexual to refer to all non-platonic relationships between men and women here, btw - for these purposes it doesnt matter what the sexualities of the people involved are). But like.......

I recently went to dinner with some girls and found out that the guys at my school - people that I've found all-around decent and extremely friendly and respectful to me - treat the women they date as objects. Like it's a conquest thing when they """bag""" a good-looking girl, and everyone (literally everyone) shakes hands and congratulates the guy for "getting" an attractive girlfriend. As if she's not right there (she was, she's the one who told me about what happened) and as if she didn't have 50% control of the decision to begin a relationship. And the way they talked about her body and appearance too... It's really gross and objectifying and I didn't know about this because I get to exist outside of it!! But that's really only one thing. Even outside of that, the way that people who don't have to worry about sexism or discrimination treat women and talk about them behind their backs manifests in a million small ways. And the thing is, these guys are ostensibly among "the good ones"!!! These people have intelligent conversations about social justice and equality in class and treat me with respect as a peer because I've proven both my academic and professional cred, that I can take a joke, that I'm funny, that I know enough nerd culture stuff to not be a boring ditzy fake. (The fact that these things are necessary for me to be seen as a peer is, by the way, fucked up.) But their progressive views just don't seem to apply to day-to-day social interactions and relationships....

So idk i dont think this is super eloquently put but yeah. Fuck you if you think being wary or bitching about people in places where they can't see it (ie tumblr rant posting) is a form of hatred lol. Especially when the patriarchy still exists....... you can't "guy positivity<333" yourself out of that one. I don't hate men but the people who say they do must have a reason to. And ugh about this one post that I hated in particular, I hate how it was formulated like "hating men hurts trans women too :(" bestie trans women suffer even more under the patriarchy because they (often) have to interact with guys (including sexist guys and Guy Spaces) growing up and might lose a lot of friends/have things go sour when they transition, I bet a lot of trans women online post about hating men too lol. (That latter point also goes for nonbinary people and guys who don't fit into Guy Spaces for some reason, or who don't perform masculinity in the hetero-ascribed way.) But overall yeah posts shaming me/women/lesbians for not being nicer about men (when in fact a lot of critical posts are intended to be against the system, not on all people everywhere just based on their gender identity, and a good faith reading would make this abundantly clear) are only going to make me more of a bitch sorry

(Also re: the guy loving positivity posts. Those are just boring and annoying to me sometimes sorry 😭😭😭 they frame it as some revolutionary thing that people get oppressed for when it's really not, I promise if you go outside everything is about men and everyone is obsessed with men. In my city the gay spaces are (despite claiming to be inclusive) only for gay men and every merch item sold and every song played is about dick. Men (with he/him pronouns and an openly declared guy identity) are on women's dating apps and you can't filter them out without paying. Almost nobody understands me when I first come out to them as a lesbian, they have to ask and double check if I really only like women or if I'm actually bi. I promise if you're a woman and like/date men there are like 0.00001 queer spaces where you might get a mean comment about it but UNFORTUNATELY IF YOU'RE A WOMAN WHO ONLY (or currently!) DATES WOMEN THAT IS 99.9999% OF EVERYWHERE 💀 i mean its still nice that those posts exist, its good for people to be able to find community, but i swear to god at some point im going to purge my dash to the point that the only man anyone is allowed to love and cherish in my field of vision is crown prince rudolf of austria. Taaffe is on thin ice xD 😌🤣)

[not-poignant]

Hi Pia! I was rereading one of your works and was wondering if you’d maybe wanna discuss the quotations for dialogue? I know both are correct, but I just got a little curious about it the usage of ‘spoken words’ vs “spoken words” and your preference for one. Usually when I’ve seen the ‘spoken words,’ it’s been for older works.

Hi anon,

My preference is that I'm Australian, I learned writing at university many many years ago now (I am an old), and I was taught correct Australian grammar there! And while I still make mistakes on some things, dialogue isn't it.

Some people use the US "" instead of the Australian '' - and that's now okay simply because so many people were doing it, the editors of Australia were like 'fuck it, you can do it' (with exceptions) - but like, most of the Australian copies of international books that I have, actually don't use " " for dialogue at all.

I'm going to get some examples, because this is something you've likely never seen, because publishing houses change the grammar based on the country. This means that books that have double quotation marks everywhere else in the world for dialogue, have single quotation marks in Australia if you're picking them up in Australia or they've been published through most Australian publishers. Because buying books is more global now, Australians will likely have a mix of double quotations and single quotations books. Many Australians don't even realise there's a difference, they're so used to it.

Here's an Australian book:

(Skins by Sarah Hay)

So that makes sense for an Australian book by an Australian author.

What about the classic The Collector by John Fowles. Surely, that not being an Australian book, that'd have double quotation marks right?

Not if it was published here:

What about something a little more recent? Like The God of Small Things by Arundhati Roy?

I'm not sure how to explain it beyond: 'Literally almost every book we pick up here that was published here does this, and it's not a like quirky preference, it's literally what we grew up seeing and reading. To us, double quotation marks is unusual and seems more 'quirky'.'

This is less common now as an attitude simply because of globalisation and the internet existing. But for most of my life, buying books meant only seeing dialogue like this. Right up until I was in the 30s, I think. Purchasing books online changed that, and people who grew up with the internet from the very beginning are going to be more used to seeing double quotation marks.

But many Australian publishers will still insist on correct Australian grammar with preference given to Australian grammar.

Our grammar is quite strange, and sort of a mix between US and UK but with some unique aspects of which you've probably noticed the single quotation marks is one.

That's because Australian grammar is built on journalism, and anything that saved space in a newspaper was prioritised. So Australian grammar eliminates double spaces at the end of periods. It eliminates double quotations because they take up extra space. There are dash rules designed to eliminate space that an article might take up.

And you know, I'm quite proud of that grammar. :D It does get me some heat when I publish something, usually from grammar puritans from the USA, which is why I now just post a blanket 'this author uses Australian grammar so you may notice some departures with dialogue grammar' caveat.

Anyway, the reason/s most newer works have double quotations is because a) they're being purchased en masse overseas and that's cheaper than publishing here, b) those Australians are young and have learned to write based on overseas writing, c) they don't know actually know Australian grammar, it's not actually taught well in our curriculums, d) it is just something they prefer, e) they publish with overseas publishers and because they have to edit their works to UK or US grammar anyway, they just adopted it because it's easier that way, f) someone erroneously corrected them for doing the right thing and they changed to another country's dialogue grammar, g) it really is okay to just pick the one you like best now and stick with it, h) some screen readers cannot cope with single quotation marks (which imho, is something screen readers need to address if it means ignoring an entire country's/continent's grammar style).

And finally, here's the Australian Government Style Guide, which still doesn't permit double quotation marks at all in dialogue.

[whoiwanttoday]

The Met Gala was last night and if there is one thing the world waits for, it's my take on the Met Gala. By the world I mean literally no one but two to three people might be mildly interested in what I have to say. Basically the world. Anyway, I thought it was a strongly solid event this year. That is in the sense that so far nothing has stood out as like an all timer Met Gala look. I could be wrong, sometimes it takes time in both directions as there is stuff that I once was huge on that I still like when I see it but had forgotten existed in between and stuff that over time has moved into one of my favorite looks for some people. This time though what really stood out is there was nothing that was terrible. A lot of years there are some real stand outs as, "That's a mistake". It helps that this year was a lame, lazy theme. Just a fashion designer as a theme sorta allows people to just wear nice clothes. Which they did. Some honorable mentions before I get to this are Ke Huy Quan who just makes me happy every time I see him and I was so glad to see him looking cool and happy and it really didn't matter what he wore cause seeing him at the Met Gala was enough to remind me of the year he's having and let me go, "Man, good for him. I'm so happy for my favorite Goonie". Billie Eilish and Kendall Jenner also both get shout outs as being on my shortlist and I liked them both. Billie stood out as it looked ok in long shots. It was a black dress, nice enough. But on close ups it blew me away. She looked beautiful head to toe and the all black dress was fascinating up close. Just great. Kendall Jenner seems less popular but after wondering for a bit why I liked it I realized the entire thing is cut like a superhero costume from some indie comic. Like... change the color and it's basically Atom Eve's costume. Also it's shiny. A nice blue as well. I liked it. There were other good ones but if you want a look into my mind and why it's so late for me to post know these are the names I slowly whittled away at and it lead to two people who I have just kept going back and forth on. Jenna Ortega and Anne Hathaway. Both looked great but I went with Anne for a few reasons. First, I have been into Anne Hathaway for so long and she looks so good still. It's been like 20 years she's been one of my favorite celebrities and it's sorta crazy what a ride that's been from people being like, "The Disney Princess" and teasing me for being into a Disney Princess to her being a big deal then dealing with a backlash to now her comfortably being an elder statesmen that most people seem ok with. It reminded me of some of her other old Met Gala looks I really liked and so you know what I did? I sprinkled some of them in with more recent stuff. Second, as I was still deciding an old photoshoot of Anne popped up on my dash and I was like, "Man, she's so beautiful". I took that as a sign. Then finally because @thunderstormofoblivion told me to and anyone who knows me knows at the end of the day I do what @thunderstormofoblivion tells me to do. So I am posting Anne Hathaway. Today I want to fuck Anne Hathaway.

[babybulls15]

Heyho hello, I am Mia and I have finally accepted my fate! 🤪

After living in denial for the longest time, I have finally accepted the fact, that my random fandom sideblog has slowly but surely turned into my F1 RPF blog.

And because this is also where I promote my own writing, it might be time to actually introduce myself.

So here we go, I guess...

💫About Me💫

There's actually not very much to be said about me specifically.

I'm Mia (on the internet at least ;D) and I run this Tumblr account, thx byee :))

jk, here are some Tumblr-relevant facts about me:

🙆‍♀️ I'm a cis woman, going by she/her pronouns

💬 I speak English, German, French and a bit of Spanish (I don't tag posts language-specific, though)

⌛ I started my fandom journey on Wattpad and am now very happy to have deboarded that particular train for Tumblr xD

💻 I actually don't have any other social media, because I'm very susceptible to doom-scrolling (but I want memes, so I'm very thankful for Tumblr and my saviour the chronological dash lmao)

❤️ my offline hobbies include but are not limited to: reading, writing, singing, music, photography, knitting, Magic: The Gathering, nature (whatever that means)

📚 I am an indiscriminate enjoyer of all things written down, whether it be traditionally published books, comics or fanfiction

✏️ I wrote some fanfic in my teenage years, switched to poetry for a while, before coming back to long-form fandom writing

🏎️ I've always been really into motor sports of any kind, but kept it mostly offline and regional, F1 has only recently been added to the list and I am actually very surprised by how much I enjoy it (it also managed to get me over my almost decade long writers block so I think I will stay for a bit)

⁉️ Although I am an advocate for Don't like it, don't read it!, I recognize that sometimes it's not that easy. I myself have clear boundaries of what I am and am not comfortable seeing. Therefore, although I do post F1 on my main blog, I've decided to keep the rpf-side of things confined to this sideblog.

💌 I am always delighted to meet new people and make new friends, so if you want to chat, please don't hesitate to send me a DM or an ask!! <3333

💫About this blog💫

Drivers I support a bit more than the others:

🦁 MV1

🌶️ CS55

👑 LH44

💚 NH27

🐨 OP81

I don't hate anyone, these are just the ones I care/post about the most. :))

Posts about particular drivers are mostly tagged with a shorthand just like in the list. :)

Ships that live in my head rent free:

🦁🌶️ Versainz (hence the url ;))

🦁👑 4433

🦁🚗 Lestappen

🌶️🧡 Carlando

🦁🦡 Maxiel

👑👱 Brocedes

🌶🐨 Carcar

🧡🐨 Landoscar

and whatever else tickles my fancy :))

My own two cents are organized like this:

✨ #mia screams into the void but in a different direction for original posts

✨ #mia throws writing into the void for my writing (can also be found on Ao3)

✨ #oh don't go breaking my heart for all the heart-break

✨ #wtf did i just witness for all the mind-break

✨ #oh…oh no for all things 'this is very funny but also wtf people'

✨️ #lights out and away we meme for...well...memes

✨️ #*write write write* for general fandom and writing related posts/memes

✨️ #artsy for anything art (drawings, writing, edits, gifs, ...)

I might come up with some more things to differentiate between stuff.

If you have read this far I am very grateful! Thank you for giving me the time of day, I am so glad you exist! (also pls come and chat with me if you want) 🥰🥰

[sineala]

How would you say fandom culture has changed over the years? What are some differences you notice between older and younger fandom folks?

I’ve been thinking for a while about how to answer this, and I’m not sure I have a really good answer, but I’m going to try.

I’ve been in fandom since approximately 1995. Maybe 1994. At that point, the world wide web was a relatively new part of the internet, and the fandoms I was in had most of their activity on privately-hosted mailing lists (predating eGroups/OneList/Yahoo Groups) and on Usenet newsgroups, with fiction beginning to be available on websites as part of either fandom-specific or pairing-specific archives as well as authors’ individual pages. Fanfiction.net did not yet exist. LiveJournal did not exist. AO3 definitely did not exist. If you wanted real-time chat, there was IRC. I was coming in basically at the tail end of zine fandom; zines were no longer the only way of distributing fanfiction, as fandom started to move online. So I have a selection of zines from 90s-era Western media fandoms but even by then zines weren’t where I was doing most of my reading.

I think in terms of generally “what it was like to be in fandom,” the big-picture stuff hasn’t changed. Fandom still produces creative fanwork and likes to, y’know, get together and talk about fandom. Also, almost every fight or complaint that fandom has about something is a thing that has been going on for actual years. People complain that, say, the kudos button is ruining comment culture because back in the LJ days the only way you could comment on a story was, well, by leaving an actual comment, or sending an email on a mailing list, and this might mean that people who would have otherwise commented have left a kudos instead. But back in the LJ and mailing list days, people were complaining that commenting was going downhill since the days of zines, when in order to comment on a story you had to write a real paper letter and mail it and because you had to do that, the quality of feedback was so much better than you got nowadays because people could just dash off a quick email or comment. You get the idea. Top/bottom wars are not new either. Pairing wars are not new. If you’ve been in fandom a while, you will pretty much have seen all the fights already. I think one thing that is new, though, is the fandom awareness of things like privilege and intersectionality and various -isms, as well as things like “providing warnings might be nice” (do you know how much unwarned deathfic I have read? a lot!) and I sure won’t say we’re perfect at any of this now, but I think fandom is trying way way more about all that stuff than it used to.

There are some fights we actually don’t have anymore, as far as I can tell. I feel like it’s been years since I’ve seen the “real person fiction is wrong” battle, but also I don’t hang out in a whole lot of RPF fandoms, so it’s possible that’s still going and I just don’t see it.

There also used to be a recurring debate about whether gay relationships that were canonical were slash or not. When slash started, obviously this wasn’t a question because there weren’t canonical gay relationships in fandoms, period. But as gay characters began to appear in media, people started to wonder “does slash mean all same-sex relationships, or does slash mean only non-canonical same-sex relationships?” Now, you may be reading this and think that sounds like an incredibly weird thing to get hung up on, but that’s because what appears to have happened is that the term “ship” (originally from X-Files Mulder/Scully fandom) has, as far as I can tell, come up and eaten most of the rest of the terminology. Now people will just say, “oh, I ship that.” For any pairing, gay or not, canonical or not. Fandom seems to have decided that for the most part it no longer actually needs a term specific to same-sex relationships as a genre.

Similarly, there are a few genres of fic that we used to have also pretty much don’t exist anymore. There are also plenty of genres that are well-entrenched now that are also extremely recent -- A/B/O comes to mind. But there are some kinds of fic we don’t write a lot of now. Like, I haven’t seen smarm in years! I also haven’t seen We’re Not Gay We Just Love Each Other in a while. There was also a particular style of slash writing where you’d basically have to explain, in detail, what made you think that these particular characters could be anything other than straight. You’d have to motivate this decision. You’d have to look at their canonical heterosexual relationships and come up with a way to explain why all those had happened in order to reconcile how this one guy could have romantic feelings for another guy. When had he figured out he wasn’t straight? Who might he have been with before? How does he interact with people in ways that make you think he’s not straight? That kind of thing. You had to, essentially, show your work. And these days a lot of fanfic is just like, “Okay, Captain America is bisexual, let’s go!” It’s... different.

Fandom also used to skew older, is my sense. A lot older. I don’t know, actually, if it really was older, but I get the sense now that there are some younger people who are surprised that adults are still in fandom. I have seen people saying these days that they think they’re too old for fanfiction because they are not in middle school anymore. And I think a lot of this has to do with the fact that the barriers to access fandom are a lot lower than they used to be. You used to basically have to be an adult with disposable income (or know an adult with disposable income who was willing to help you out; but even then if you were reading explicit fiction you also had to swear you were 18+, usually by sending in an age statement to whoever you were buying the zine from or to the mods of the list you wanted to join, so a lot of fandom was very much age-gated). Internet access was not widely available. Even if you had internet access, you maybe didn’t have your own email address, so you couldn’t sign up for mailing lists; free email providers didn’t exist. If you wanted to buy zines, you had to have money to buy them. If you wanted to go to cons, you had to be able to afford the cost of the con, travel to the con, et cetera. If you wanted to have a website you had to know HTML. Social media did not exist. You want to draw art? Guess what, you’re probably drawing it on paper! You might be able to upload a picture to your website if you have a digital camera or a scanner, but both of those things are expensive, and also a lot of people don’t have the capability or the money to download pictures from the internet (some people have data caps with overage charges, and some people have text-only connections!), so they won’t get to see it. Maybe you can sell your piece at a con! You want to make a fanvid? We called them songvids, but, anyway, you know how you’re doing that? You’re going to hook two VCRs together and smash the play and record buttons very fast! If you want anyone else to watch them, you are either making them a tape personally and mailing it to them or bringing your vids to a convention. Maybe you can digitize them and upload them, but it’s going to take people hours to download them!

(Every three hours my ISP would kick me off the internet and I’d have to dial in again. If it was a busy time of day, it might take me 20 or 30 minutes to get a connection again. And that was assuming no one else in the house needed to use the phone line. Imagine if your modem went out every three hours now.)

And now, for the cost of my internet connection, I can read pretty much whatever fanfiction I want, whenever I want it. I can see all the fanart I want! I can watch vids! Podfic exists now! Fanmixes exist! Gifsets and moodboards exist! If I want to write fic I can write it with programs that are completely free, and as soon as I post it everyone in the entire world can read it. If I want to draw or make vids that may require some additional investment, but I may also be able to do it with things I already have. Do you have any idea how good we all have it?

There are a couple of kinds of fan activity that don’t seem to exist anymore, though, and I miss them. I know that roleplaying still goes on, but I feel like these days most people who do real-time text roleplay have switched to things like Discord. I know that in the LJ days, RP communities were popular. But I really miss MU*s (MUDs, MUSHes, MOOs, MUXes..), which were servers for real-time text-based RP with a bunch of... hmm... features to aid RP. There were virtual rooms with text descriptions, and objects in virtual rooms with descriptions, and your character had a description, and they could interact with the objects as well as with other characters, and you could program things to change descriptions or emit various kinds of text or take you to different rooms, and so on. Just to, y’know, enhance the atmosphere. It was fun and it was where I learned to RP and I’m sad they’re pretty much gone now.

I also don’t think I see a lot of fanfiction awards in fandoms. Wonder where they went.

Going back to the previous point, the barriers to actually consuming the canon you are fannish about are way, way, way lower now. You can pretty much take it for granted that if right now someone tells you about a shiny new fandom, there will be a way to read that book or watch that show or movie right now. Possibly for free! Of course you can watch it! Why wouldn’t you be able to?

This was absolutely, absolutely not the case before. I’m currently in Marvel Comics fandom. If there is a comic I want to read, I can read it right now on the internet. I have subscribed to Marvel Unlimited and I can read pretty much every comic that is older than three months old; the newer ones cost extra money. But I can do it all from the comfort of my own home right now. I was also, actually, in Marvel Comics fandom in the nineties. If I wanted to read a comic, I had to go to a comic book store and hope they had it in stock; if they didn’t, I had to try another store. Not a lot of comics were available in trade paperback and they definitely weren’t readable on the internet. I used to read a lot of Gambit h/c fic set after Uncanny X-Men #350. I never found a copy of UXM #350. I still haven’t! But I did eventually read it on Unlimited.

Being in TV show fandoms also had similar challenges. Was the show you were watching still on the air? No? Then you’d better hope you could find it in reruns, or know someone who had tapes of it that they could copy for you, otherwise you weren’t watching that show. It was, I think, pretty common for people to be in fandoms for shows they hadn’t seen, because they had no way to see the show, but they loved all the fanfic. The Sentinel had a whole lot of fans like that, both because I think it took a while for it to end up in reruns and because overseas distribution was probably poor. So you’d get people who read the fic and wrote fic based on the other fic they’d read, which meant that you got massive, massive amounts of fanon appearing that people just assumed was in the show because it was a weirdly specific detail that appeared in someone’s fic once. Like “Jim and Blair’s apartment has a small water heater” (not actually canonical) or “Blair is a vegetarian” (there’s an episode where his mother visits and IIRC cooks him one of his favorite meals, which is beef tongue).

Like, I was in The Professionals fandom for years. I read all the fic. I hadn’t seen the show. As far as I know, it never aired in the US, and it certainly never had any kind of US VHS or DVD release. I’d seen a couple songvids. I eventually saw a couple episodes in maybe 2003, and that was because my dad special-ordered a commercial VHS tape from the UK and paid someone to convert it from PAL to NTSC. I didn’t get to see the whole show until several years later when I got a region-free DVD player someone in fandom sent me burned copies of the UK DVD releases and then I special-ordered the commercial release of the DVDs from the UK myself. But if I were a new fan and wanted to watch Pros right now? It is on YouTube! For free!

I think also one of the things about fandom that’s not immediately evident to new fans is the way in which it is permanent and/or impermanent. There are probably people whose first fannish experience is on Tumblr or who only read fanfic on FFN and who have no idea what they would do if either site, say, just shut down. But if you’ve been in fandom a while, you’ve been through, say, Discord, Tumblr, Twitter, Pillowfort, Imzy, DW, JournalFen, LJ, GeoCities, IRC, mailing lists. And sure, if Tumblr closed, it would be inconvenient. But fandom would pack up and move somewhere else. You would find it again. It would, eventually, be okay. Similarly, if you’ve been in a lot of fandoms, if you’ve made a lot of friends, drifting through fandoms is like that. You’ll make a friend in 1998 because you were in the same fandom, and then you might go your own ways, and ten years later you might be in another fandom with them again! It happens.

But the flip side of that is that I think a lot of older fans have learned not to trust in the permanence of any particular site. If you like a story, you save it as soon as you read it. If you like a piece of art, you save it. If you like a vid, you save it. Because you don’t know when the site it’s on will be gone for good. I have, like, twenty years of lovingly-curated fanfic. And I feel like people who have only been in fandom since AO3 existed might not understand how much AO3 is a game-changer compared to what we had before. It’s a site where you can put your fic up and you don’t have to worry that the webhost is going out of business, or that the site might delete your work because they don’t allow gay fiction or explicit fiction or fiction written in second person or fiction for fandoms where the creator doesn’t like fanfiction, or whatever. Because all of those things have absolutely happened. But, I mean, I still save pretty much everything I like, even on AO3, just in case.

So, basically, yeah, fandom is a whole lot more accessible than it used to be. I think fandom is pretty much still fandom, but it’s a lot easier to get into, and that has made it way more open to people who wouldn’t have been able to be in fandom before. There is so, so much more now than there ever was before, and I think that’s great.

[parachutingkitten]

Y'all suck at dissecting Kai's character, so I guess I have to do it.

And I'm not even a Kai stan. He's a bottom tier ninja for me, which I guess means you can trust me, cuz I'm not biased, but also why am I the one doing this? I don't know about y'all, but recently on my dash, the method by which Kai fans try to make him sound good is... saying the writers hate him, ignore him, and that he isn't written well? Which... I mean there is a little bit of truth to, but like yikes guys, is this the best you got? Kai is a wonderful character with plenty of attention from the writers, a meaningful piece of the cast when put in secondary rolls, fairly consistent character writing with actual progression and valuable qualities that help the team without having to be the smart one- despite what some posts might tell you.

Let's get one thing cleared up: Ninjago isn't the best written show. By high level Hollywood standards, most the character arcs are kinda weak or too heavy handed, character consistency can be iffy, and most things serve the plot rather than the characters. There is no character you can point to and say "wow, this character is written so well! No complaints!" Nya and Jay were butchered by their weird love plot, Cole's one season doesn't actually give him an arc, Zane's been nothing but the robot numbers guy for like 10 seasons now, and Lloyd seems to be incapable of doing anything but relive the same one piece of dad angst for depth. Sorry, it's true. All the characters suck when you look at it from a large scale writing perspective. So when I say Kai is well written, I mean by ninjago kids show standards- cuz that's the scale we're working on. No, you couldn't drop Kai into a well written drama, but as far as ninjago goes... he's got a lot going for him, and by no means is he the biggest victim of poor writing.

(fair warning, wall of text below)

The title is a bit disingenuous. There are plenty of good Kai character break downs. What I am presenting here is a more positive perspective. On the whole, I will tend to give the writers the benefit of the doubt, and credit for what they do right writing is hard guys. That's what I'm doing here. I don't see much sense in getting mad the writers on behalf of Kai, or any other character. Ninjago is a simplistic ensemble show that works because of the identifiable simplicity of its main characters with some deeper layers hidden underneath if you keep watching. They've given us a damn good show with some damn enjoyable characters, so here are some criticisms I feel are a little flawed:

First, let's get the 'focus' thing out of the way. Apparently there are people saying Kai doesn't have a season yet? Which... what? I mean, I get that the pilots aren't a full season, the first two seasons, though he is the central protagonist, aren't "Kai seasons" as we've come to define ninja focus seasons, season 7, though he gets majority focus, he shares with his sister. But like... did y'all just forget about season 4? You know, the season where he had the title card, was on the box sets, got the love interest, and the majority of the A-plot? not to mention it's the best season don't @ me Like... if season 4 isn't a Kai season, I can make a damn good argument that season 3 isn't a Zane season, and I doubt anyone wants to go down that rabbit hole. I really can't wrap my head around this one. And I get that the fandom hates season 11 for some reason, but like you can't just pretend it doesn't exist. Kai has a consistent arc across 30 episodes in which he takes his powers for granted, loses them, and learns that, not only does he have value within the team without them, but that his element is intrinsically a part of him that he reclaims, bringing them back more powerful than ever, and with new respect for them. That's one of the most solid arcs in the whole series- the location is even thematically connected to his element. That's some good stuff right there! (Quick plug for season 11 if you haven't watched it in a while. Give it a rewatch, you might be pleasantly surprised)

Not to mention the writers give him fun side stuff all the time. Lots of fears of tech and water to overcome, a deep protective streak with Lloyd, becoming a chancellor, having a true potential actually relevant to the plot as a whole, blacksmith responsibilities, befriending dragons, hanging out with his dad. Not to mention actual focus stuff we haven't talked about yet, like his whole "my dad is evil" phase, and his "I might be evil" phase with him and Skylor. And on top of that, even when he doesn't have an explicit side plot, he's always just a fun and dynamic side character to make jokes or give exposition.

Now, into character stuff. Let's start with Kai's hot headed-ness. Some people say he's been loosing this quality, and I will admit, that's true! But those that claim this makes him inconsistent... I strongly disagree. In early seasons, Kai's temper would lead him to snap at his friends or make stupid decisions that set the team back (see episode 2 Zane freak out)- these are bad things. These are character flaws, yes? Now, in newer seasons, people say that he's inconsistent, cuz sometimes he'll be hot headed, and sometimes he won't. I'd say, this is exactly how being hot headed... works? It flares up without warning, and as an individual gets control of it, it'll pop up less and less often because they're channeling it into productive things - like say directing the anger towards an enemy (see season 11 end freak out). Kai has gained control of a character flaw, and though it still pops up on occasion, the fact that it's a once in a while kind of thing speaks to his growth. I have a little brother who has this exact personality, and watching him grow up, I can tell you, this is how it is. He used to snap all the time, and he still does sometimes, but much less frequently, because he's a more mature person with better control of his emotions. This is a good thing. This is overcoming personal flaws. This is progression we're seeing.

And while you're hyper focused on this one aspect of him, things like his cocky confidence haven't changed a bit. I mean, that season 3 bit between him and Pixal, and his season 11 "fire maker" streak have the exact same energy. You can not convince me otherwise.

Another adjacent quality that hasn't been dampened is Kai's impulsiveness. This can be a good quality of his, he'll get into a fight without thinking, getting the jump on the enemy. Good stuff. But, this has become such a well defined trait of Kai's that it has been used in a comedic capacity. This is what happens when a character is extremely consistent to the extent that both the audience and the characters in universe would be able to predict their actions. Kai's impulsivity used to be a more serious quality that put himself and others at risk, and was a big power move whenever he did something rash, but it's become such a staple of the show that it's now being used for comedy. That isn't Kai's impulsivity going away, that's Kai's impulsivity being recontextualized for the sake of the show. The season 9 "Who's stupid enough to jump on that thing" isn't a joke at the expense of Kai just for being dumb, it's a joke at Kai's being so predictably impulsive that everyone already knows he'll be the one to put himself in an insane amount of danger without thinking twice (you know, something stupid that might get him killed). But because in this instance, the danger is warranted, this is bravery. It's a complement to his character- it's what ends up defeating the colossus. Why are some people so bothered by this joke?

Oh right, cuz for some reason people want to peg Kai as the smart one? Look, Kai isn't stupid, none of the ninja are. All of them have smart moments (all of them have dumb ones too) and Kai can certainly handle himself, but "smart" is definitely not one of his defining characteristics- I think some people are confusing smart for his actual strength. Connected to his impulsivity, Kai has very good simplistic instincts. He sees the big picture and looks at the most surface level solution- which when the situation calls for it, that does indeed make him smart. But the same logic that led him to think "This snake has a glowing target on its head, lets hit it" also led him to think "I'm in a video game, therefore I am immortal." Are you really going to look at me and say he figured out Lloyd was the green ninja through logical deduction and a careful consideration of the facts? No. He had a gut feeling, and he trusted it. Instincts- instincts paired with his impulsive following of said instincts is what leads him to solve problems- and sometimes, that can be extremely effective. This goes for other ninja too. Jay isn't the smartest ninja- I would really only classify Zane and Nya as having intelligence define them (hence their ship name). But Jay is extremely creative and crafty. He also knows his was around mechanics, and as such, this will lead him to come up with creative tech based solutions which are smart. But, idk about you, if I had to point to another ninja as being 'dumb' it would 100% be Jay. Kai is a lot of things. He's passionate and determined and confident and persistent. He's a good improvisor, he's powerful and he's charming! These are all wonderful qualities, he doesn't also have to be the smart one. I am the worlds biggest Pixal stan, and she's a smart, sassy, powerful character, but I'm not gonna sit here and tell you she's also hilarious and adaptable and strong willed. She's a straight man to all the ninja's antics, extremely tied to her samurai x suit, and lets people push her around all the time. That doesn't mean she can't be funny, or self interested, but when she does act these ways, it stems from her other more prominent qualities. That make sense?

And while we're clearing up what Kai isn't, please stop characterizing Kai as an overly protective brother - especially romantically. The only two times he's been romantically protective to Nya are in Wu's Teas which I mean, come on and in the pilots when Jay is literally a stranger. For crying out loud, by the end of the pilot, he's smiling when Jay and Nya hug. That's not overly protective, that's just normal, any reasonable person would react this way, protective. And it's such a great stereotype break for a kids show like ninjago, having an older brother who actually trusts his younger sister to be her own independent person who can make her own decisions. I mean, I guess it's fine if you HC differently but like... idk, I don't buy it.

Now, is there still room to criticize the writers? Yes. Hell yes. But not to an extent greater than any other character. Could he have had more of a defined reaction to events of the most recent season that I won't name for the sake of spoilers? Yes. But could Zane have reacted for more than .5 seconds at being an evil war lord for apparently 60 years? Yeah. Has Kai taken a back seat in the past 4 seasons? Yeah. But so has Lloyd- and he's literally the main character of the show. Not to mention two of those seasons have gone to people who had to wait over ten seasons to get one to themselves, and one of them is a 40 minute special. Kai's doing just fine.

Anyway. Kai is great. He's a fun, stereotype breaking, impulsively driven, ball of energy and confidence who gets a good amount of screen time and some fun side plots.

One last thing to clear up: no hate to anyone. This isn't targeted at anyone specific, this post has been a long time coming, I've just seen some weird overblown claims on various platforms over the past few months and I finally sat down to write about it.

I like the Kai content we have. After all, if the writers were really that bad at writing him, then no one would like him.

Wow this was so much longer than I thought it would be. Um... if you have other long winded rants you'd like to see from me... let me know I guess?

[coolnerdyandalone]

on FIMQ deleting her content and COVID-19 (and a gratuitous larry fic rec)

@freddiesmyqueen first of all queen i hope you’re doing ok although i know some shit must have gone down for you to delete/private list all your videos and i hope you know that the larry community supports you always. Also your talent is TRULY unmatched in the world of video editing - no one makes edits quite like you and that’s why your loss impacts the community so profoundly. 

secondly, i know at least i was hoping to turn to rewatching all of FIMQ’s videos while i’m being quarantined due to the coronavirus. and i’m willing to bet that i’m not the only one. this is a scary time and for people like me who feel profoundly alone right now, the only way for me to calm my nerves and fears is by reverting to the content and community that helped me feel not so alone when i was in middle and high school. For me, that looks like watching FIMQ videos and reading my favorite larry fanfics (which i will also link below).  because of this i thought it might be helpful to repost some links that were posted by @bluemoonlarryandkaylor for a signal boost (if my teeny-tiny account can be called a signal boost). 

link to a google drive with FIMQ videos: https://drive.google.com/drive/folders/1ONwfLOd_IYvAL5OUDqDb_LLgQsDpd9il

link to an acct with some FIMQ re-uploads: https://www.youtube.com/user/Joana3961/videos

link to FIMQ vids with spanish subtitles: https://www.youtube.com/playlist?list=PLIouodFhArMkQhOHxv2t2NgxTwl6KvXAT

and now if you want to look at some good old fashioned larry fics that are my ABSOLUTE faves and could 100% be actual novels/movies, keep reading:

And Then A Bit** by @infinitelymint aka the best fanfic ever written (basically larry fakes a relationship for publicity with each other and it could be cannon if you really wanted to hope upon hopes): https://archiveofourown.org/works/1415272/chapters/2972746 (159k)

“We’d like to give the fans what they want.” Magee states, placing his hand on the table in front of him and leaning forward. “We want to give them Larry Stylinson.”

Or, take a parallel universe where Louis and Harry were never together, mix in a two year hiatus and an impending comeback, pour in a dash of lost fans, two tablespoons of strong friendship and a Modest! employee with a good idea. Add a squeeze of pretending to be a couple, lots of kisses and a tattoo or two. Stir. Serve: the mother of all publicity stunts.

(aka Harry and Louis fake a relationship for publicity. Eventually it becomes a lot less fake and a lot more real.)

Escapade** by @haydolce aka the Jack McQueen fic: https://archiveofourown.org/works/4034197/chapters/9071932 (146k)

In the grand scheme of things, finding a date for a wedding should be no problem for Louis Tomlinson. He's rich. He's handsome. He's reasonably well behaved. But when the wedding is for his lifelong best friend (and former boyfriend), and is happening in under a month, finding a date for the ceremony and accompanying festivities becomes more of an adventure than he ever could have planned for.

California Sold** by @isthatyoularry​ : https://archiveofourown.org/works/5157680/chapters/11877494 (123k)

Notoriously closeted boyband member Harry Styles is famous on a global scale, meanwhile Louis, as his best friend, is back home in Manchester, living the typical life of a 24 year old. When Harry needs Louis with him in LA, a publicity stunt gone wrong changes their friendship forever.

A fake-relationship AU between two lifelong best friends.

Bring Your Body Baby (I Could Bring You Fame) by @theboyfriendstagram : https://archiveofourown.org/works/4263903/chapters/9652944 (84k)

Eighteen year old Harry Styles just graduated high school and landed a summer job as a waterboy for his favorite football team. His job description is simple: be ready to hand water and towels to players if needed. That didn’t seem to include Louis Tomlinson though, a twenty-three year old, recently transferred Paris Saint-German player, who seems to like making Harry’s job much more difficult than it has to be.

OR  

A self-indulgent AU that takes place over the summer of 2015. 18 year old Harry hates pining after people he can't have, and 23 year old footballer Louis loves flirting with people even though it never means anything.

Pull Me Under** by @zarah5 : https://archiveofourown.org/works/870766/chapters/1672104 (140k)

AU. As the first British footballer to come out at the prime of his career, it helps that Louis Tomlinson is in a long-term, committed relationship. Even if that relationship is fake. (Featuring Niall as Louis' favourite teammate, Liam as Louis' agent, and Zayn as Liam's boyfriend, who just happens to be good friends with one Harry Styles.) 

You You You** by @isthatyoularry : https://archiveofourown.org/works/846690/chapters/1617212 (137k)

“Infamous boybander leaves club together with unknown,” read the headline. Underneath were pictures of a boy with dark curls, green eyes and very tight pants. They both studied the article for a moment, reading it through quickly. “Is that…?” Louis frowned. That guy almost looked exactly like... "HOLY FUCKING SHIT!" "Louis," Niall said, looking absolutely fucked over. "You just fucked the most wanted guy on earth. You just fucked Harry Styles of One Direction."

Or, the one where Harry and Louis meet at a club and Louis takes Harry home, only for him to realize that the boy who just made him breakfast half naked is Harry Styles from One Direction.

Like an Endless Summer by @horsegirlharry : https://archiveofourown.org/works/11365494/chapters/25442085 (87k)

“You just wanna go fawn over Styles as soon as possible,” Zayn grumbles.

“I do not. Plus, he probably got ugly this year. Eighteen is an awkward time...I bet he’s got acne and one of those terrible fuckboy haircuts all the hipsters are getting these days, with the shaved sides? Just watch, the first year we’re gonna get any time together is gonna be the first year I don’t have a stupid crush on him.”

---

Or, Louis is a riding instructor at a summer camp, and Harry is a fellow counselor who he’s been successfully managing his crush on for the last two summers. That is, until Harry shows up this year leveled up and lethal, and all Louis’s formerly perfected veneer of nonchalance melts like a popsicle in the sun.

Three French Hems by @100percentsassy and @gloriaandrews : https://archiveofourown.org/works/3064493 (20k)

In which Louis is a designer at Burberry and Harry spends December wearing Lanvin… and Lanvin… and Lanvin.

The Dead of July aka the Marvel Fic by @whimsicule  : https://archiveofourown.org/works/3594570/chapters/7928520 (117k)

Being an Avenger means continuing to be Captain America and smiling and being honorable for the public and Harry does his best. But it doesn’t give him time to figure out who he is supposed to be once he takes off his uniform and puts the shield to the side. Just being Harry had always involved Louis, and Harry fears he doesn’t know how to exist without him.

or: Harry is Captain America, and Louis’ been dead for 70 years.

Gods & Monsters by  @mizzwilde : https://archiveofourown.org/works/2090982/chapters/4550871 (201k)

The instructions were simple: seduce and destroy Harry Styles. Not once did they discuss the option of Louis actually falling in love. So, naturally, that's exactly what he did.

Love is a Rebellious Bird aka LIARB aka the orchestra fic aka dont hum bolero by @100percentsassy and @gloriaandrews : https://archiveofourown.org/works/1162438/chapters/2362331 (135k)

AU in which the boys still make music. Louis is the concertmaster of the London Symphony Orchestra, Harry is the New! and Exciting! interim conductor/ex-cello prodigy who "has made Mozart cool again" according to Esquire Magazine (Louis hates him immediately, which is definitely why he internet stalked him in his dark bedroom late at night that one time), and Niall is the best. Zayn and Liam are around too.

Don't hum Bolero.

My English Love Affair** by @isthatyoularry​ : https://archiveofourown.org/works/1873962 (19k)

The thing about sleeping with a member of a famous indie band is that the inevitability of having a song written about you is most likely a hundred percent. The second thing is that in the end, nobody's supposed to find out it's about you.

The one where Harry writes a song about his English love affair and Louis sleeps with someone in White Eskimo and all he gets is a stupid song written about him.

Soft Hands, Fast Feet, Can’t Lose by @haydolce : https://archiveofourown.org/works/5799241/chapters/13366498 (113k)

American Uni AU. Harry Styles is a frat boy football star from the wealthy Styles Family athletic dynasty. A celebrity among football fans, he knows how to play, he knows how to party, and he knows how to fuck (all of which is well known among his legion of admirers).

Louis Tomlinson is a student and an athlete, but his similarities to Harry end there. Intelligent, focused, independent, and completely uninterested in Harry’s charms, Louis is an anomaly in a world ruled by football.

A bet about the pair, who might be more similar than they originally thought, brings them together. Shakespeare, ballet, Disney, football, library chats, running, accidental spooning, Daredevil and Domino’s Pizza all blend into one big friendship Frappucino, but who will win in the end?

Wild and Unruly aka the Cowboy fic by @100percentsassy and @gloriaandrews : https://archiveofourown.org/works/2723093/chapters/6099611 (124k)

Harry is a cowboy sitting on the biggest oil reservoir in Wyoming, and Louis is the paralegal assigned to pressure him into selling his land.

For As Long As I Can Remember (It’s Been December)** by @greenfeelings​ : https://archiveofourown.org/works/15051122/chapters/34892210 (128k)

After recovering from a severe accident that causes Harry to lose his memory of three years, he moves to London to start his life over as a star chef. Little does he know that when he falls in love with Louis at first sight, it’s not the first time they meet.

Featuring an unintentional game of hot and cold, Harry chasing memories that won’t come back, Louis burying himself in work to try and forget what he can’t forget, Liam being torn between two of his best friends, Zayn as a moral compass and Niall saving the day with good music and brutal honesty.

the boys of fall** aka the american football fic by @godgavemelou​ : https://archiveofourown.org/works/5443037 (21k)

“And everyone, this is Harry Styles. He’s going to be our starting quarterback this year.”

Louis looks at him, the tall and lanky Harry Styles, and takes it all in. He’s got hair to his shoulders that curls at the ends, tattoos all down his arms, and a bright smile on his face as the team cheers him on. He’s lean and fit, and absolutely beautiful, and Louis hates him to the core.

OR an american football au where the boys play for the university of tennessee, and harry and louis quite hate each other.

** indicates that the fic is a log-in required fic, but if you want the pdf i can send it to you

[boku-no-obsessedwiththisshow]

red on red, nothing on everything - world maps

Hello hello! Welcome to the first reveal of the world of red on red, nothing on everything, my ongoing Kacchako A/B/O fantasy fanfiction. Last chapter, I asked readers if they wanted a map of the world to help visualize things, and one (1) whole person said yes, which was all the excuse I needed to clean up my already half-made maps and post ‘em. 

If you’re not reading the fic, none of what’s below will make sense. But if you’re sticking around for shits and giggles anyway, all the better - hope you enjoy! ;)

I conceptualized the world long before I made any drawings, but I have little artistic skill so I wanted a software or online tool that could make really detailed, highly customizable maps. I found and used this really cool fantasy map generator for the base; it’s probably the most complicated, but also the most effective, worldbuilding tool I’ve ever come across; and while it’s not perfect, it has some really powerful functionality especially for the physical characteristics of maps. In addition, for my own clarity I added modifications, including the colouring and political delineations of the different regions, in FireAlpaca on my own by working on top of the baseline from the map generator. 

PLEASE CLICK THE PICTURES FOR BETTER QUALITY. 

Map #1 - Big Picture, “The Land” 

This world of this story does not have a name (at least not yet; I’m not sure it ever will). There are different regions that have been referred to in the story. Clans, essentially noble families, have settled down and split the territories by grouping themselves according to bloodlines. There are multiple clans within a given bloodline region; some are made up of fewer, like Lightning, while others, like Dawn, have numerous clans. The current regions of the world include: Fire, Ice, Wind, Dawn, Stone, Lightning Dust, and Twilight Bloodlines. 

Black lines indicate bloodline borders; dark grey lines indicate a current clan border; light grey lines indicate former clan borders (for clans that do not exist at present); finally, red lines indicate the current borders of No Man’s Land, the disputed region in which outlaws and bandits thrive. 

No Man’s Land stretches all the way from the north to the south, and forms the border region between the two groupings of allies in this world: Dust, led by King Shigaraki, allied with Lightning, Twilight, and Stone; and Fire, led by Todoroki Clan, (much more loosely) allied with Ice, Wind, and as of the current story moment, potentially Dawn. 

The scale in the bottom indicates what two hundred miles is like on the map, but to be quite honest I might have changed this in the meantime and I’m really not sure if it’s accurate anymore. 

I’ve been approximating The Land as a whole to be about the same size as the US state of Texas.

Now, zooming in somewhat where the action takes place.

Map #2 - Major Clans

These are all of the clans that have so far been named in the story. From west to east:

Fire - Todoroki Clan; Dawn - Utsushimi, Jirou, Yamada, Uraraka, Yaoyorozu Clans; Lightning - Kaminari, Tesura Clans; Stone - Kirishima, Imasuji Clans; Dust - Shigaraki Clan. 

(Not Pictured is Twilight - Chisaki Clan; but it is visible in the first map in dark purple in the south-east, next to its allies in lilac). 

Capital letters indicate that that clan is the Master Clan of that particular bloodline. These clans are considered the most powerful and important, and act as leaders (or in worse cases, controllers) for the rest. At the moment, Todoroki Clan is the Master Clan of the Fire Bloodline; Kaminari Clan for Lightning; Imasuji Clan for Stone; and Shigaraki Clan for dust. (Chisaki Clan for Twilight, but it doesn’t fit on this map). Dawn is a splintered region and has no clear Master Clan. 

Getting a bit closer, we can also see that No Man’s Land eats much more into the territory of Shigaraki-allied regions than it does into the territory of his enemies. Lightning and Stone in particular have large swathes of disputed territory.

Next, looking at the relief.

Map #3 - Major Locations and Natural Features 

Starting with the major locations, we can find the cities/towns that have so far been named in the story. 

Starting in the west: Musutafu, the capital and seat of power of Todoroki Clan, the location of Castle Endeavour; Aichi, the largest city in Jirou Clan; Rozaryu, the largest city in Uraraka Clan; Shizuoka, the largest city in Yaoyorozu Clan. The Midoriya home sits on the border between Yaoyorozu and Uraraka Clans, and neither really knows to which the cottage belongs. Esuha is the largest city and capital of Kirishima Clan; Gunga is this for Kaminari Clan. Kamino (now destroyed), the city where the Bakugou Summer Estate was located. Deika, the capital and seat of power of Shigaraki Clan, where King Shigaraki and his Blackwitch reside in their castle. 

Datsugoku is the capital of Imasuji Clan. It has been referred to in the story, but has not been named (you get a freebie if you’re reading this). The name is literally just Japanese for Muscular’s second villain name (Jailbreaker); I picked it because the man has no named notable locations associated with him and I got a little desperate. Plus it sounds kind of cool. Pretend it doesn’t mean anything in the context of the story lol.

In addition to these major cities, on the map we can see the shitty town in the south of Dawn where Katsuki and his pack first spy the undercover caravan that they end up ambushing in Chapter 1. It is located in Yamada Clan, and as mentioned in the most recent chapter (7), it is where Hawks intercepted Aizawa as well. We can also see the seedy town in Tesura Clan that was mentioned in Chapter 6; this is where Dabi missed a contract, but ended up having a wonderful evening with a barmaid and bartender who skipped out on their work to get in his pants. 

The mountains are also labelled on the map. Yes, all of these names are taken from canon DnD material. They sound cool and that’s all that matters.

The majority of our action so far takes place in the Storm Horns, which curve around in Lightning territory. The three overpasses are also labelled; the eastern and western ones are well-known, while the central is not. In addition to these, several other mountain ranges are mentioned in the most recent chapter. In the far north we have the Spine of the World. Both that range and the Sword Mountains in Stone extend beyond what is visible on the map. The Star Mounts are also present in the mid-eastern region of Dust, and the Greypeaks and Cloud Peaks are in the south, going through Lightning, part of Dust, and Twilight.

Finally, I thought it might be useful to take a look at where the characters have moved thus far. 

Map #4 - Major Locations and Character Movement

I’ve split this into different sections, as labelled on the map. It might be a bit hard to see, but click for better quality. 

Part 1 (white) - Ochaco travels from Rozaryu to Musutafu for her wedding to Shouto, a trip of just over 200 miles, escorted by Aizawa and a caravan of Todoroki Clan fighters. She passes through Aichi (Jirou Clan) and several other Dawn Clans.

Part 2 (red) - The Todoroki caravan is intercepted around the halfway point with a night ambush by Shigaraki fighters. Ochaco is taken. They swing south and end up in the shitty town in the south of Dawn (Yamada Clan), where katsuki and his pack spot them. This is roughly 130 miles.

Part 3 (red and white) - Katsuki and his pack move ahead on the road, crossing into Lightning Territory (Kaminari Clan) to set up an ambush for the Shigaraki caravan. It’s about 30 miles of travel, which is also traversed shortly after by the Shigaraki caravan itself. The ambush goes well, they take the caravan, and move.

Part 4 (white) - Katsuki and the pack discover Ochaco in the caravan. They decide to move up the mountains for added safety, stopping halfway up the Storm Horns. This is roughly another 30 miles, part of which is mountainous ascent. They interrogate Ochaco, and at that point Imasuji Gouto and his warriors attack. 

Part 5 (dashed red) - After surviving the attack and spending some time separated on the mountainside, Katsuki and Ochaco meet and agree to travel together to follow the pack. Katsuki proposes they take the central overpass, move very quickly and cut the pack off on the road they will take back to Datsugoku (labeled as Planned Ambush). This would be approximately 60 miles.

Part 6 (dashed cyan) - The path Katsuki deduces Imasuji will take. Imasuji will double back, take the eastern overpass, and head straight north to Datsugoku, allowing Katsuki and Ochaco to ambush them on the way if all goes according to plan. 

Of course, all does not go according to plan. 

And that’s it! I had a lot of fun worldbuilding for this story, almost as much as doing the actual writing, and I’m glad I got to share even a part of it with you guys. My ask box is always open to answer any questions about it!

And of course (ha!), you can find red on red, nothing on everything right here on AO3.

If you’ve made it this far, thanks for reading! :)

[the-ghost-king]

different anon but i know this is a little more what you hc for nico and i adore it and maybe the other anon will too: headcanons for nb nico who is fairly fem? idk feminine nb nico makes me so happy 🥰 i love that you make a fair amount of content for it i truly love to see it on my dash, i appreciate you so much

Firstly, thank you for the compliments; and yes anon, you would be correct, femby Nico is something I'm so down for:

So originally Nico doesn't know he's trans, he doesn't even know the word trans exists

He's one of those people who is like "most people don't care about gender it's not a big deal it doesn't matter" and he's quite confused when people enforce rules based off of sex/gender

He's stands there going, "okay?? but it doesn't matter?? it's not real??"

Gender just straight up confuses him

Anyhow, I think Nico definitly gets his further slightly more in depth explaination of queerness from Will, and Will is like "yeah then trans people-" or maybe Will is trans and tells him after they've been dating a short while

Either way Nico is like "oh, that's cool!"

Anyhow Nico doesn't really think about it for a long time, and kind of carries on without thinking about gender much.

If Will is trans in this as well, then Nico learns more about himself through learning about Will's gender... But if Will's not trans then maybe Nico finds out Lou Ellen is trans (I have a whole bunch of trans Lou Ellen and trans Will headcanons I need to write with Cecil too)

Anyhow basically Nico knows someone who's trans and there's a conversation of gender at some point where Nico's like "but gender isn't real?" or something similoar because he just doesn't understand the idea of feeling male or feeling female, it confuses him

So eventually he has a conversation with some friends who are cis, and he realizes that even they know they're a boy or girl, and so Nico is confused because "why does everyone have this figured out?"

So he starts asking more questions, and finds out about nonbinary and he gets nervous because he knows Will likes boys, but what if Will won't like him anymore because he's not 100% a guy

So he does eventually work up the courage to tell Will how he might be feeling and Will is super chill about the whole thing and he's like "Nico I like boys and girls, and most of all I like you" and Nico's happy because Will isn't going to break up with him

Anyhow they have a long conversation where Willl is like "please don't worry about coming to me with stuff I love you very much okay?"

Eventually Nico begins to try out different pronouns but just when alone with Will because he's not comfortable telling everyone yet

He decides he likes he/him, but she/her is nice too, and he dables in xe/xem pronouns but he has mixed feelings on them

In my last trans Nico post I said Nico would like alternating pronouns but maybe I don't think so... I think he would tell people what pronouns he wanted when/what day or he would say "you can use he/him or she/her" or something

and some people would use one set, and some people the other, and some people would mix his pronouns

So Nico starts getting more involved in fashion around this point

Mitchell and him are friends and Mitchell's dad is a fashion designer so free stuff!

Anyhow Nico finds all of this stuff fun, and eventually one day she gets the courage to try a skirt on and it quickly becomes her favorite type of clothing

Nico likes to wear skirts with tights and combat boots

Nico also falls in love withe leggings because "they're just so soft!"

He never really comes out he kind of just chooses to live life and if people know or find out whatever

Like he'll be somewhere with Jason and someone would ask for her pronouns and she'd be like "he/him or she/her is fine" and Jason is getting whiplash from how fast he turned his head to look at Nico and Jason's stumbling over "he/him" while looking at Nico because he wants to say congrats so bad

Or maybe Will is like "my girlfriend" and Percy's like "you have a girlfriend too?" and Will's like "no??? I mean Nico??" and Percy is confused af because he didn't even know people could be gay until recently- but people can be trans too?

(Percy has his own gender questioning that happens, although a bit smaller and he decides he/they and that dresses and heels are fun)

So Nico's friends all eventually know but they just sort of find out rather than a big coming out (this is how they all found out Nico was gay too, Nico was like “yeah so me and Will Solace are dating” or “my boyfriend” because Nico has a hard time saying “I’m gay” or “I’m trans” so he finds ways around it to make himself more comfortable).

Nico struggles a little bit with the concept, not as much as he did with being gay but there’s still obsticales there for him to overcome

When Hades finds out he’s just like “mhmm good for you okay love you… daughter?” and that makes Nico happy because he’s still trying to be a good dad

Anyhow immediately after Nico leaves Hades runs to find Dionysus or Apollo and is like “trans what does it mean? Daughter was the correct word right? I’m sorry tucking is what now??”

He’s confused af but also supportive af

“Nobody says that about my son-err daughter?”

“Both are fine, Papa”

And Will and Reyna are in the background silently giving Hades thumbs ups

Sometimes Hades buys Nico weird shit and is like “it’s for your gender” and Nico doesn’t need the stuff but his dad cares so she appreciates it

Dionysus is super chill about the whole thing when he hears it through the grapevine (ha!) and he’s like “new name or same one kid?”

Nico’s like “oh um, same name, just new pronouns”

And Dionysus is like “great sit your ass down you have therapy to do”

(Dionysus always gets trans kids name right and never even jokingly messes it up so he always asks)

Also, Nico loves little hair clips, you know the little ones that tik tokers wear? Yeah those he has hundreds of them!

Cloth headbands are also her best friend, she has so many of them… (they’re like square cloth pieces you tie and wrap a specific way and roll your hair around it… I don’t know the right word they were popular in the 50s)

Nico ends up growing out his hair because he likes being able to put it in a messy bun on top of his head and he likes having it in braids down his back too

She learns to do makeup from Hazel (Hazel had a makeup face and likes kpop I don’t take criticism on that) and it looks great tbh

Also in public all the time when people see Nico they’re like “Boy? Girl?”

And he’s like “yeah both is good, but also neither, I have all the genders and also no gender”

And Will’s standing in the background laughing his ass off at the confused look the cashier has on their face

Just imagine Nico and Will’s kids calling Nico both Mama and Papa interchangeably ~

She does end up changing her name from Nicolò to just Nico because Nico is gender neutral

So much jewelry… so much of it, Nico loves it

Nico ends up getting a leather jacket with “give us our roses while we’re here” printed/painted on the back of it and little roses built into the actual jacket as well

Nico always seems to have some new hair length going on, like sometimes her hair is down to her waist, sometimes it’s at her shoulders, and other times she has a mullet, while other times she has an eboy cut

He ends up dying his hair all the time, at first he does gold and silver highlights in really small spots so it looks like his hair sparkles with glitter when he moves

After that Nico does half of her head in blonde and the other side in black like a split down the middle type dye

And he ends up drying his hair a swirled blue and pink color as well when it’s short

When he grows his hair out long, he dyes it with the little egirl dye in the front

She also does that thing where you have a rainbow under your hair and a normal color on top

Nico gets an undercut at one point where she leaves enough in the center top to put it up in a bun or leave it down to her shoulders

He dies his hair a blue-green one time while lit’s long too and Will gets an ombre at the same time using his natural blonde and a bubble gum pink in his like “bangs” area (Will has like a halo of pink hair when he does that dye)

And yeah idk I’m out of ideas but nonbinary Nico is great actually

[blackswaneuroparedux]

Anonymous asked: I really enjoy your erudite and literary posts about James Bond in your blog very much. Your most recent post about Connery as best cinematic Bond and Dalton as the best literary Bond was brilliant. Although the PC brigade have been inching towards making Bond a woman or even non-white, Ian Fleming’s legacy of a suave but cold hearted English gentleman spy hasn’t been completely trashed. As someone familiar with Fleming literary lore can you also tell me where was James Bond educated? Was it Oxford or Cambridge? I was having a discussion over Zoom with friends and the Oxonians like myself thought it was Oxford because in Casino Royale with Daniel Craig it’s made very plain it was Oxford. Your thoughts?

I appreciate your kind words about my posts on James Bond and his creator Ian Fleming. It’s very hard to ignore the cinematic James Bond because he is very much an icon of our modern culture that needs no translation to transcend across cultures. Alongside Sherlock Holmes, another British literary and cinematic export, the name alone speak for itself.

James Bond appeals to both genders very well.

For the men, Bond dresses well and lives in a care free way. He is both ferociously intelligent and resourceful to get out of any tight corner. He drives incredible cars (from the incredibly stylish Aston Martin DB5 to the incredibly awful AMC Hornet) and uses awesome technology (he is the archetypal boy with toys). He's not afraid to get down in the dirt to fight or engage in lethal gun-play and spectacular car chases. He sleeps with beautiful women, regardless how strong and independent they are (or even lesbian if we’re being honest about Pussy Galore).

For us ladies, while he's not averse to action, he's also a cultured gentleman with suave and sophisticated manners. He's also a generally pretty good looking guy. In many ways, he's a conventional male ideal. So while his conventional good looks and manners aren't for everyone, they hit right the sweet spot of what women like. For everyone, he's a spy! Not at a grey real world nondescript spy, but a cool spy fighting larger than life bad guys whose bland sartorial choices scream mad super villain. It's a very black and white world that James Bond lives in. These bad guys truly are villainous in the desire to re-order humanity, and we need a debonair British MI6 agent to save us from these mad men who want to harm us by laying waste to a bonkers Armageddon.

When all is said and done I think that what makes James Bond so iconic across gender and generations is what Raymond Chandler wrote back in 1959, “every man wants to be James Bond and every woman wants to be with him”.

That sounds about right. Men want to be him, women want to be with him.

I know my first introduction to James Bond was through my grandfather on my  Anglo-Scots father’s side who was a dashing gentleman in his day with a long rumoured hush hush work for Her Majesty’s government firmly shoved under the carpet to avoid further discussion that he - being self-effacing and humble - would find embarrassing that would paint him in any heroic light. Years later he had bought his Bahamas beach pile in Harbour Island out in the Caribbean for the family to rest up from cold winters in Britain. Amongst his immense stack of books dotted around the place were (and still are) first editions of Flemings novels which a few were signed by the author as he on occasion met Ian Fleming when he would sail over to Jamaica (they were also OEs which helped). We were not allowed to touch these but instead picked up the dog earred paperbacks that still retained their 60s musty smell.

On my teen sojourns there I would spend time along with my siblings just reading anything we could find to take to the beach or lounge around in a hammock or a chaise longue. That’s how I came to read the Fleming books - really out of necessity to avoid boredom on a beach (which isn’t really my thing as I prefer the rugged outdoors). But I was pleasantly surprised how well written the books were and I actually enjoyed the stories; it was a refreshing change from the more heavy literary tomes I was trying hard to wade through. As for the Bond films, I watched them on film nights at boarding school; I remember having a school girl crush on Connery, Dalton, and Brosnan.

There are many reasons for the successful longevity of James Bond in popular culture and literature but perhaps one of the most pertinent to our discussion is that James Bond is actually a blank slate and therefore malleable as a character and so he can capture the current zeitgeist in time.

This ability of the film to adapt to different generations while remaining relevant is an important factor for its longevity. For example, the early James Bond films were unashamedly sexist with characters using women as objects and discarding them. In the most recent James Bond films, certainly starting with Timothy Dalton, there is a subtle change in attitude with a few chauvinist attitudes.

James Bond today is more serious, seduces fewer women, and is more respectful towards women in his life, including his boss. This shows how the film changes concerning the rise of feminism in the West. For example, Miss Moneypenny used to be a minor character in the very first James Bond films. Today, she is more formidable and doesn’t tolerate sexist remarks.

Perhaps it is precisely because of this blank slate malleability that has allowed different actors that have been cast to play James Bond their own way - rather than get a straight like for like Scottish sounding actor to replacing Connery for example the film producers went across to Moore via Lazenby for example  - and letting each actor imbue the super spy with different moods. They each added their own colour from the same broad palate to create different tones. However, each of these characters maintained the essential character that defines James Bond. The actors have broadly stayed true to the inherent mix of character and class associated with James Bond.

For this reason I have some empathy towards your concern that Bond would be held hostage to the current zeitgeist of white washing or genderising everything so as to avoid being a victim of cancel culture. But it’s only empathy because I feel there is a danger of misunderstanding just who James Bond is and what he represents.

What do I mean by this?

I mentioned James Bond is a malleable character to the point he’s presented as a blank slate. This is ‘literally’ true - certainly as far as the books go. Ian Fleming doesn’t tell us much about Bond other than his appearance in his books. Indeed - as I mentioned in my past blog post on Connery as the best Bond - Fleming wasn’t convinced by Connery as Bond. He was reported to have said, ‘I’m looking for Commander Bond and not an overgrown stuntman’ and even dismissed Connery as “that fucking truck driver”. Fleming has good reason to rage. His Bond as written in the books was someone like him.

Like Fleming, Bond was an Eton educated Englishman; an officer and a (rogue) gentleman who was a lieutenant-commander in Naval Intelligence. As Connery began to wow and win over Fleming as Bond, Fleming had a change of heart. Fleming in his later Bond books re-wrote a half-Scottish ancestry for Bond as a tribute to Connery’s portrayal. Bond’s Scottish father was a Royal Navy captain and later an arms dealer, Andrew Bond from Glencoe; and his mother, Monique Delacroix, was Swiss from an industrial family. Bond himself was born in Zurich. Bond isn’t English at all but half-Scots and half-Swiss according to literary canon.

So I mention this because the question who can play James Bond is not as straight forward as it might seem.

But clearly we now have a canon of work, both cinematically and in the literature, where we have base line of who Bond is - or what audiences could possibly suspend their disbelief and go with what is presented to them as James Bond.

I do vaguely remember the hullabaloo and hand wringing around Daniel Craig playing Bond because he didn’t conform to the traditional tall, dark, and handsome trope of James Bond super suave spy. People couldn’t get past his blond hair. Some still can’t. But in my humble opinion he has been an outstanding James Bond and has reimagined Bond in a fresh and exciting way. Craig is in fact mining the Fleming books for his characterisation of Bond as a suave, gritty, humourless killer of the books. Dalton got there before him but that’s a moot point. To our current generation Craig has modernised Bond and dusted 007 down from being a relic of the Cold War to being a relevant 21st Century super spy.

Can anyone play James Bond OO7? Yes and no. It’s arguing that two different things are one and the same. They are not. James Bond is separate from OO7.  

Can a woman play Jane Bond or a black woman or non-white man play Black Bond? Respectfully, no. That’s not who James Bond is.

James Bond is a flesh and blood character with a specific genealogical history - whether in the books or on the screen. This Bond has literary back story that is canon and makes him who he is. Bond does transcend time - he can’t be 38 years old for over 75 years in the real world - but at the same time his character only makes sense when rooted in a specific historic context we know existed (and still exists) and not some wishy washy make believe fantasy of British society. He’s an Old Etonian and therefore an upper middle class male product of the British establishment that is identifiable in a very British cultural context.

Jane Bond would have to have gone to Cheltenham Ladies College, Benneden, or Roedean I suppose if we are talking about equivalence - but such girls’ boarding schools were not the breeding ground for future spies (more likely they married them or became trusted secretaries in the intelligence services as well as flower arranging in their Anglican parish church).

I believe they are letting in black pupils on bursaries at Eton these days to be more inclusive but again it’s an an exception not the rule and Eton doesn’t even get public credit for the inclusive work they try to do because it’s not well known.

Moreover we know Bond loses his Scottish-Swiss parents in a skiing accident. I don’t mean to sound racist but I ski a lot in Switzerland and I can say you don’t really find droves of non-white skiers on the slopes of Verbier or Zermatt. Of course there are a few but it’s the exception and not the norm. Again, I’m not trying to be racist but just point out some obvious things when it pertains to the credibility of character that underlines who Bond is. You pull one thread out of the literary biography and the danger is the rest of the tapestry will unravel.

Of course one could try and go for a Black Bond on screen and then hope there is a huge suspension of belief on the part of the audience. But I suspect it’s a bridge too far. It just doesn’t fit. Audiences around the world have an image of who Bond is - British at the very least but also male (damaged and flawed in many ways) and coming from a specific British social class background that serves as an entree to a closed world of English gentleman clubs, Savile Row, English sports cars, and the hushed corridors of Whitehall.

Any woke film maker with an ounce of creative vision and talent and one who is invested in this would be better off creating a new character entirely - with their own specific biography that is both believable and relatable. Can you imagine an American James Bond? What a ghastly thought. Or worse a Canadian one? Canadians are far too nice and far too apologetic to produce a cruel cold eyed killer. But look what clever film makers like Spielberg and Lucas did with Indiana Jones and even later Doug Liman did with Jason Bourne - both fantastic creations that are part of the cultural zeitgeist now.

Or look at Charlize Theron who plays a MI6/CIA/KGB triple agent in Atomic Blonde or Rebecca Ferguson as Ilsa Faust in any of the Mission Impossible movies. I would eagerly watch any movies with these two badass women on the screen. All this talk about making Bond a woman or even coloured is just lazy thinking at best and at worst kow towing to the populist tides of PC brigade.

But I firmly believe one can have a female and a person of colour portraying 007. This is because James Bond and OO7 are two different things entirely. Many mistakenly believe 007 is Bond’s own code name and specific alias to him alone.  

007 is a license to kill for a very specialised kind of intelligence officer. Bond has that privilege for as long as he serves at the service of Her Majesty’s pleasure. His 007 license can be revoked - and it has been in the past Bond films - and he’s back to being a just another desk jockey civil servant in Whitehall. So my point is OO7 is not sacred to Bond’s identity. Bond could continue to be Bond even if M took away his 007 license to kill.

The origins of the Double O title may date to Fleming's wartime service in Naval Intelligence. According to World War Two historian Damien Lewis in his book Churchill's Secret Warriors, agents of the Special Operations Executive (SOE) were given a “0” prefix when they became "zero-rated" upon completion of training in how to kill. As part of his role as assistant to the head of naval intelligence, Rear Admiral John Godfrey (himself the inspiration for M), Fleming acted as liaison to the SOE.

In the novel Moonraker it’s established that the section routinely has three agents concurrently; the film series, beginning with Thunderball, establishes the number of OO agents at a minimum of 9. Fleming himself only mentions five OO agents in all. According to Moonraker, James Bond is the most senior of three OO agents; the two others were OO8 and OO11. The three men share an office and a secretary named Loelia Ponsonby. Later novels feature two more OO agents; OO9 is mentioned in Thunderball and OO6 is mentioned in On Her Majesty's Secret Service.

Other authors have elaborated and expanded upon the OO agents. While they presumably have been sent on dangerous missions as Bond has, little has been revealed about most of them. Several have been named, both by Fleming and other authors, along with passing references to their service records, which suggest that agents are largely recruited (as Bond was) from the British military's special forces.

Interestingly, In the novel You Only Live Twice, Bond was transferred into another branch and given the number 7777, suggesting there was no active agent 007 in that time; he is later reinstated as 007 in the novel The Man with the Golden Gun. As an aside, in Fleming's Moonraker, OO agents face mandatory retirement at 45 years old. However Sebastian Faulks's Devil May Care (an authorised Bond adventure from the Fleming estate and therefore arguably could be considered canon) features M giving Bond a choice of when to retire - which explains why Roger Moore (God bless) went past his sell by date.

In the films the OO section is a discrete area of MI6, whose agents report directly to M, and tend to be sent on special assignments and troubleshooting missions, often involving rogue agents (from Britain or other countries) or situations where an "ordinary" intelligence operation uncovers or reveals terrorist or criminal activity too sensitive to be dealt with using ordinary procedural or legal measures, and where the aforementioned discretionary "licence to kill" is deemed necessary or useful in rectifying the situation.

The World is Not Enough introduces a special insignia for the 00 Section. Bond's fellow OO agents appear receiving briefings in Thunderball and The World Is Not Enough. The latter film shows a woman in one of the 00 chairs. In Thunderball, there are nine chairs for the OO agents; Moneypenny says every 00 agent in Europe has been recalled, not every OO agent in the world. Behind the scenes photos of the film reveal that one of the agents in the chairs is female as well. As with the books, other writers have elaborated and expanded upon the OO agents in the films and in other media.

In GoldenEye, 006 is an alias for Alec Trevelyan; as of 2019, Trevelyan is the only OO agent other than Bond to play a major role in an EON Productions film, with all other appearances either being brief or dialogue references only.

In Casino Royale with Daniel Craig’s first outing as Bond, we see in the introduction the tense exchange between Bond and Dryden, a section chief whom Bond has been sent to kill for selling secrets.  

James Bond: M really doesn't mind you earning a little money on the side, Dryden. She'd just prefer it if it wasn't selling secrets. Dryden: If the theatrics are supposed to scare me, you have the wrong man Bond. If M was so sure I was bent...she'd have sent a Double-O. Benefits of being Section Chief...I would know of anyone being promoted to Double-O status, wouldn't I? Your file shows no kills...and it takes - James Bond: - two. (flashback of Bond fighting Dryden's contact in a bathroom.)

The OO is just a coveted position and nothing to do with who occupies it. Ito use a topical comparative example it’s like a football team in which a new star player would be given an ex-player’s shirt number e.g. Messi wears Number 10 for Argentina which is heavily identified with the late great Maradona. So conceivably there would be no problem having a woman or anyone else play 007. I think it would be an interesting creative choice to have a woman or someone else play OO7 and Bond is out of the service and yet he has to work together with this new OO7 - the creative tension would be a refreshing twist on the canon. 

Your question about James Bond’s Oxford or Cambridge education is more easier to answer.

It really depends again which Bond one is talking about. The literary James Bond or the cinematic Bond.

In the Fleming books, James Bond’s didn’t go to Oxford or Cambridge or any of the other great universities of Britain. In the books Bond’s education is not gone into much detail. We know he was raised overseas until he was orphaned at the age of 11 when his parents died in a mountaineering accident near Chamonix in the Alps. He is home schooled for a time by an aunt, Charmain Bond, in the English village of Pett Bottom before being packed off to boarding school at Eton around 12 years old. Bond doesn’t stay long as he gets expelled for playing around with a maid. He is then sent to his father’s boarding school in Scotland, Fettes College.

Bond is then briefly attends the University of Geneva - as Ian Fleming did - before being taught to ski in Kitzbühel. In 1941 Bond joins a branch of what was to become the Ministry of Defence and becomes a lieutenant in the Royal Naval Volunteer Reserve, ending the war as a commander. Bond applies to M for a position within the "Secret Service", part of the HM Civil Service, and rises to the rank of principal officer. And that’s it.

In the cinematic Bond universe things get more complicated and even contentious as you alluded to in your question. It’s never made quite clear which of the two - Oxford or Cambridge - Bond attended because it depends on how much weight you attach to the lines being spoken in each of the films where it is raised.

In Tomorrow Never Dies, Bond is up at Oxford (New College to be exact since his Aston Martin DB5 was parked in the courtyard at the entrance). He is seen bedding a sexy Danish professor, Inga Bergstrom, to brush up on his Danish (to which Moneypenny on the phone retorts ‘You always were a cunning linguist’). But it’s definitely doesn’t mean Bond studied there as an undergraduate. 

Casino Royale is the film many think yes, James Bond went to Oxford because it is mentioned by Vesper Lynd (Eva Green) as she sizes up Daniel Craig’s Bond on the train. Here is the full quote as said by Vesper Lynd, “All right... by the cut of your suit, you went to Oxford or wherever. Naturally you think human beings dress like that. But you wear it with such disdain, my guess is you didn't come from money, and your school friends never let you forget it. Which means you were at that school by the grace of someone else's charity - hence that chip on your shoulder. And since your first thought about me ran to "orphan," that's what I'd say you are.”

The thing to note is that it’s Vesper Lynd taunting Bond and even then she takes a wide stab by saying ‘Oxford or wherever’ because she doesn’t really know and Bond doesn’t oblige her with an answer.

That whole scene struck me as strange because she’s guessing by the cut of the suit it must be Oxford (or Cambridge). Bond is wearing an Italian suit (Brioni to be specific) and not and English Savile Row one that presumably someone of Bond’s taste and background would be sporting.

A more plausible answer if we are going by the cinematic Bond universe is Cambridge. Indeed it is stated explicitly by Bond himself. Can you guess?

You Only Live Twice which is has the distinction of being the only Bond film (as far as I can tell) from being set in just one country - Japan.

You remember the scene. Lieutenant commander James Bond has just had a briefing with M on board a submarine and is naturally flirting with Moneypenny on his way out. Moneypenny playfully tosses him a Japanese phrase book, saying he might need it.

“You forget,” Bond responds with an expression just short of a smirk as he tosses it back to her, “I took a first in oriental languages at Cambridge.”

So it seems James Bond is a Cambridge man.

A first means - as any British university student would know - first class honours. It’s the highest classification grade one can get in their undergraduate degree ie a ‘first’. Although at Cambridge, like Oxford, you can also get a double first in the part I and part II of the Tripos. Both universities also award first-class honours with distinction, informally known as a ‘Starred First’ (Cambridge) or a ‘Congratulatory First’ (Oxford).

Another oddity is he says ‘oriental languages’ when one got a degree in ‘oriental studies’ at the Oriental Faculty at Cambridge. That is until 2007 when Cambridge bowed to public and student pressure and chose to drop its Oriental Faculty label and instead adopted the name the Faculty of Asian and Middle Eastern Studies. Oxford still hangs on to its name the Faculty of Oriental Studies.

My only reservation about crowing over an Oxonian is how truthful was Bond being with Moneypenny in this scene?

Is this line meant to be taken seriously or ironically? Most people seem to take it seriously, despite much of Connery's dialogue being obviously ironic and playful. Certainly, Bond is shown to have never been to Japan before and is incapable of saying anything in Japanese other than the odd "sayonara" and "arigato." But then again Bond does know the correct temperature sake is meant to be served at. So there’s that.

Or it could be Bond was speaking a half-truth. I know speaking from experience as someone who very nearly read asian languages instead of my eventual choice of Classics that ‘Oriental languages’ at the ex-Oriental faculty in Cambridge can mean many other languages e.g. Sanskrit, Hindi, Farsi, Hebrew, Arabic as well as Korean, Japanese and Chinese. It opens up so many other delicious possibilities for Bond. If he read Arabic then perhaps he’s being deeply ironic with Moneypenny (after all she would have drooled over read his MI6 personnel file).

If you think I’m losing my mind then ponder on the fact it was Roald Dahl who penned the screenplay of You Only Live Twice. Dahl was not above snark. Indeed pretty sure he would have got a starred first in snark at any university.

Of course the most obvious explanation is that it’s plot armour as a way for Bond to just get on with the story by suspending the audience belief. Why wouldn’t Bond know Japanese? He seems to know everything else imaginable.

However if it ever was it’s now become canon as EON - the production company behind the Bond films - have stated officially for the fandom that Bond’s official bio has it that he went to Eton and Cambridge, where he got a first in oriental languages. So that seems settled then.

In hindsight it makes perfect sense that Bond went to Cambridge since historically Cambridge has provided the bulk of the spies not just for Her Majesty’s service but also for the other side, the Russians - the so-called Cambridge Spies of Philby, Maclean, Burgess, Blunt, and Cairncross, and a host of other traitors. We seem to be an equal opportunities employment service.

I’m sorry to disappoint you and other Oxonians that despite what you might think James Bond didn’t attend Oxford. Believe me as a Cantabrigian it gives me no pleasure to say this…..too much.

Thanks for your question.

[bleekay]

hiii i’m the anon from before, kind of a follow up? is it weird being in a fandom that is (mostly) about minors when you’re not one?

are you asking if it’s weird i’m in a fandom of a show where the characters are kids or are you asking if it’s weird being an adult in a fandom that has fans who are kids? i mean, i don’t think either is weird, but i can’t tell if there’s supposed to be some hidden passive aggressive accusation in your question or if you are just genuinely curious

this show came out when i was a teenager. i’ve been a fan of it for over 10 years, and it was so good that i roped my mom into watching it with me back then, too. she also has loved it all this time, enough to binge rewatch it with me when it was released on netflix! for all its flaws, atla’s a good show, with interesting, complicated characters, a great plot, and some incredibly fun and memorable episodes and lines. it’s always been one of those comfort shows i’ve gone back to. there are quite a few other cartoons i love as well! some i watched when i was a kid, some that have come out in recent years. there is nothing wrong with enjoying these shows no matter how old you are. there’s something to be said for shows that have heart, that aren’t weighed down by some of the issues found in most “adult” TV shows. i’m not gonna stop liking something just because someone else might think it’s weird. i mean the show was,,,, literally made by adults. the kid characters were made by adults, the canon romances between the kid characters were made by adults, some of the voice actors were adults when they voiced the kid characters. without adults, this show would not exist in the first place. same goes for any cartoon, any YA book, all those animated films, etc. adults have always been involved. like. how many adult fans do you think there are in, say, the harry potter fandom? it’s really not a new concept

as for being an adult in a fandom that also has fans who are minors, i guess it’s only weird in the sense that it’s brought up to me so much? i was in fandom when i was a minor, too. i wrote fic and drew fanart, and interacted with other fans, and age didn’t really come up for the most part. back in my day 👵🏻 then, people didn’t post personal info on their bio like nowadays, so there was no question (at least to me) if i should be wondering how old these other people were. i didn’t really care, tbh, i just wanted to read and write and draw and chat about the shows i liked. i was on deviantart and livejournal and a couple of fanfic sites, and for all i know, i was surrounded by adults in those spaces. most of the writers and artists i know on here (not all; but most) are adults. plenty of fans here on tumblr, on AO3, on various other platforms, are adults. the whole idea that adults shouldn’t be allowed into fandom spaces where minors also exist is... honestly really strange to me? up until joining atla fandom on tumblr, i had never encountered this particular attitude. i’ve said it on here a couple times, but like, if you’re a minor, and being in fandom with adults bothers you, you’re welcome to block me, i don’t mind at all. that’s why my age is in my bio. and if there’s any minors i’m following that don’t want adults following them (not everyone lists their age in their bio; understandable) then i’m also okay with y’all reaching out to me and asking me to unfollow and/or to not interact; like no questions asked i’ll do it. i’m not out here specifically aiming to make anyone uncomfortable. but as for just existing here? i’m just hangin, my dude. tumblr is my fun space. no one is obligated to follow me or other adults if they don’t wanna

curate your dash, babies. block, filter out tags you don’t wanna see, blacklist, mute, unfollow, do whatever you need to to make your dash what you want it to be; but it’s not on individual bloggers to leave or drastically change their involvement in fandom because you don’t like them there

[thelightofthingshopedfor]

lol okay so I dashed off most of this the day of and then kept not posting it because I kept thinking I needed to add stuff, but then I ended up adding more stuff mostly in reblogs instead (should all be under the “my meta” tag if anyone’s curious) and now episode 2 is technically coming out tomorrow night in my time zone so obviously I need to just post this. bullet points of disconnected thoughts, some of which are probably at least slightly outdated by now but whatever, here you go

seems very possible Mobius left the tape with him on purpose because he figured Loki wouldn’t be able to resist looking at it

would have to check the timing but I’m pretty sure he started looking terrified as soon as Thanos came onscreen without really knowing the context (aside from the very basic outline of “it’s been several years and he reconciled with Thor”), which at least underscores that they weren’t buddies--Loki knew something awful was about to happen the second Thanos showed up sadly this is not true, the clip he sees first is him trying to stab Thanos, so...yeah it stands to reason that he’d know it was about to end badly no matter what

other people have mentioned this but I love that we got to see Loki just like...existing?? like I know he’s never been the protagonist before and seeing him as the protagonist has always been one of the things that’s excited me most about the show, but now that it’s here I’m just kind of struck by how HE’S THE PROTAGONIST so we’re getting all these emotions and little gestures and moments when he’s alone that we only got in tiny, sadly easy-to-overlook snatches before (and it also occurred to me that I don’t think we’ve ever seen Loki eat anything, which is something else that might change)

also his projection is fascinating, and so is the fact that he explicitly turned it around on himself, which seems relevant to all the theories about a lot of his other statements (”freedom is life’s great lie,” most of what he said to Natasha, etc.) being things that were drummed into him on Sanctuary rather than stuff he just came up with on his own, so that seems to cover a lot of the stuff he says in Avengers and here

on the other hand it seems unlikely we’re ever going to get confirmation that Bad Stuff happened to him on Sanctuary aside from what we already saw in Avengers, which is frustrating, although to be fair I also wasn’t expecting to see Loki crying about his family in the first episode (and the most I’m really hoping for, still, is that nothing will explicitly contradict the idea, so...we’re good on that thus far, I guess)

so the first half of the episode was...ehhh, I don’t know, but the second half was amazing. I know some people didn’t like that part either, but I felt like...okay, I don’t love him being humiliated so I would’ve preferred different framing for some of this BUT a lot of casual viewers still see Loki as a cackling caricature without having picked up on any of the stuff that very clearly showed otherwise, and this show wants to treat Loki as a person, someone worthy of audience sympathy, so they kind of had to go in hard and fast on that aspect to get everyone up to speed. like, yes, fans who’ve been paying attention know that Loki’s a person, that he’s wounded, that he doesn’t hurt people just because it’s fun for him, that he feels things very deeply, that he loves his family, but somehow the mainstream perception of him has missed like 85% of that, and the show’s just not going to have much impact unless it gets everybody on board with those very basic ideas. in terms of story structure it probably doesn’t make sense for this to be his lowest point, but starting from the bottom and eventually getting somewhere better is fairly standard, so at this point I can imagine tons of ways things could improve for him

yeah I do hate the whole Sacred Timeline thing, see also my posts about how much I loved that Endgame canonically (I thought) established multiple timelines where everything was fine, so yeah I’m pissed about that because it means those timelines were canonically pruned

like I don’t...hate it as a storytelling device? I just hate it for fandom reasons, and I’ve hated it in other fandoms when canon did something that seemed to open things up to all this incredible possibility and then went “actually no, we’re boxing it up again into this one specific Way That Things Happened” and for fanwork purposes it doesn’t matter all that much, I don’t think it’s actually that much harder to do AUs or go “okay well in this universe the TVA doesn’t exist, whatever” (in fact I wouldn’t be surprised if AO3 quickly develops a new canonical “not TVA compliant” tag for basically all Loki fic), but it is annoying that it’s now like “canonically, every AU is Not Allowed”, and if that ends up sticking as the status quo with the TVA considered good guys or at least a necessary evil then yeah, I’m going to be annoyed

HOWEVER

I don’t think that’s inevitable for a variety of reasons

this whole show is going to deal with multiverse shenanigans and so will Dr. Strange 2, so it seems completely possible that the end result could be a status quo of “there’s a multiverse actually and that’s fine” (...although yes, I’ll be doubly annoyed if the end result of this show is a restored multiverse of some kind and the end result of Dr. Strange 2 is condensing it back down to a single timeline)

the multiverse is a long-running comics tradition, which still seems to be the case even after...whatever event it was that collided a bunch of them and tried for a Highlander thing, look I wasn’t really following it and I know some characters ended up in other universes from where they started but I’m pretty sure we still have a multiverse of some kind

almost all the recent Loki-centric comics have focused on questions of fate and agency

Agent of Asgard in particular was about Loki eventually going “fuck you I won’t do what you tell me” and forging a new path (and, okay, it does seem like runs other than AoA have been the most influential here but again we’ve only seen one episode)

Loki, specifically, is an agent of chaos and change, like that’s his whole thing going way back to mythology, because sometimes stagnancy is death and chaos is healthy, and of course myth!Loki (and earlier versions of comics!Loki) is always responsible for triggering Ragnarok, which isn’t just the end of the world but is also a natural, crucial part of a cycle of renewal, and yes the MCU already did Ragnarok but that doesn’t at all mean they can’t play more with those ideas

Tom Hiddleston has brought up this specific point several times in recent interviews, that sometimes chaos is the one thing that's really needed

also, on Jimmy Kimmel the day of the episode, he kind of...planted a seed about the TVA maybe not being uncomplicated good guys because seriously what gives them the right to make these decisions for literally everyone

so at the very least I think it’s completely possible that things aren’t quite what they seem, and that for instance we’re supposed to discover that Mobius is consciously manipulating him to turn him into the type of tool the TVA wants him to be

also “the timeline wants to break free” shows up on a lot of merch, which does seem to indicate a free will vs. predestination theme

I’m not at all familiar with comics!TVA, although I understand they’re considered villains (although to be fair, so were the Skrulls, and at least thus far that’s been inverted for the MCU), but their whole thing reminded me of a few other entities in a way that could be relevant:

the tape running out was like the Norns cutting the thread of somebody’s life

Those Who Sit Above In Shadow in AoA (and also maybe whatever was below the God Quarry in Infinity Wars although I’m less familiar with that)

the gods in Cabin In The Woods, who were also kind of audience proxies in that they really just cared about the sacrifice being entertaining, which kinda seems like the only logical reason for the Timekeepers to prefer any given series of events over another

my personal hope for the series: the Timekeepers are ultimately the Big Bad and the rogue Loki variant is ultimately right in trying to wipe out the TVA (because sure I realize it’s maybe dumb of me but I still don’t want any Loki to be completely a bad guy!!); the major named TVA characters realize they’re the baddies actually and team up with a whole army of Lokis to take them down and GIVE US BACK OUR MULTIVERSE

[rpbetter]

Thanks for your thoughts. Nope, I don't have another problem with the psa. It's the subtle word choice pretty much, but nothing else. I don't mind if people use me as a meme farm, so when I see psas like that or comments like that, I get upset because I associate it with people who make other blanket assumptions about all rpers, I have it linked in my head with people going around saying "rp is a hobby not a jobby" and making other assumptions about how all rpers do their thing.

Thank you for answering those questions!

The assumptive quality of the RPC can seriously be annoying as hell, especially if you're in the minority on any particular issue. When that's the case, the PSAs are so rarely geared toward you and any issues you might be experiencing that it's legitimately upsetting. I absolutely feel you on that!

I mean, obviously. Obviously lol I do. It couldn't be much clearer that I have a serious issue with the constant bombardment of PSAs insisting that we normalize shitty behaviors that are the damn norm, that we're all just losers RPing on tumblr so no one should be anxious about anything ever (instead of, you know, maybe trying to legitimately boost people's confidence, radical thought), or that anything that isn't being hostile to oneself is being hostile to everyone else.

I think the issue is that, while there is obviously a majority set of takes/issues/experiences (though, those, too, absolutely can skew toward one's particular RP corner and style), there's no way to address every instance and variable of an issue. Particularly not when anything other one paragraph is too lengthy for a lot of people here to engage with in a meaningful way.

So, I know I have to frequently ask, "is this a legitimate or hostile sort of blank-statement, or is it just addressing the majority experience? If it's the latter, is it genuinely enough of a problem to address?"

Like, did they mean that this is an experience most RPers have, or did they mean this is the only experience/is the correct and only way to do things? And that's not always answerable, of course, but when I feel like it is, it's usually found on OP's blog and RPC itself.

If OP has expressed things that are not the majority experience, expressed that they do not agree with blanket-statements, and doesn't imply with every rule, PSA, point on the DNI, and so on that to approach and proceed with RP in a way they do not is to commit some manner of terrible IRL crime? It's almost certainly that they were just expressing a majority experience and nothing more.

And in this case, yeah, as I'm sure you've noticed from being on the opposite side of this, it is the majority experience. I don't recall ever seeing very many RPers who do not espouse having an issue with having their memes and aesthetics reblogged without some manner of (rules specified if they're not a dick) interaction/relationship with the other mun. (Such as "mutuals are okay to reblog" or "I expect reblog karma and practice it.")

I don't know if there has been an influx of newer RPers or those who have migrated from more relaxed areas of the RPC, but recently, there really has been an increase in at least my corners of muns being used as resource blogs when they do not wish to be. They've all expressed in their rules their particular boundaries for that, have made overall posts politely but firmly asking that people who do not write with them and haven't even read their rules not do this, and have gone directly to the worst offenders to ask them to stop. And it continues to happen. So, I imagine that is why you might be seeing an influx of PSAs about the matter in response.

For anyone watching this conversation that might not understand why some muns are so against this, some reasons are:

clogging up their notifications

the aesthetic was their picture, edit, quote, etc. and not meant to be shared off their blog/only by the partner(s) tagged in it

when you reblog from someone, their URL is obviously attached, spreading them to another dash full of people - they might like you, but not want some of your mutuals following to their blog

their muse doesn't get much interaction, but other muns keep reblogging memes/aesthetics from them when they won't write with them or send anything in

they feel used for the above reason or any variety of other reasons

I'm really sure you know that, Anon, but I think it's important that we all understand where we're coming from because there are so many different preferences and experiences. It's really not good enough to just feel like everyone can do whatever they want, so long as it isn't harassing anyone else/they're being respectful of others. Because can feel that way all we want to while still getting upset when we lack the understanding of preferences that are extremely different, or even in opposition to our own.

We can't effectively respect each other without that sort of understanding of even the things that annoy us, you know? So, I try to promote that understanding and explain things for people who might simply see this on their dash.

Like the "hobby not jobby" thing! I don't get that, I think it has some concerning IRL connotations people are not recognizing, and it's a great way to treat other muns like shit while justifying the behavior. It's in opposition to what I do not because it exists, but rather, because it is weaponized in order to excuse bad behavior and vilify muns who do not engage with the hobby in this way. It doesn't have to exist in hostile opposition to how I enjoy RP, the use of it has made it this way, is what I'm saying.

But I understand where it came from and what it means for the more rational, adult muns here who feel this way. To them, it's just that this is an ultra casual hobby. The way I engage with RP is like a full contact sport lol it requires a lot of effort and engagement, and the effort and engagement is fun. They way they engage with RP is an act of disengaging, it is more like what watching TV is for me - they're just here for some light, quick entertainment.

Understanding this difference is understanding that not everyone who feels so casually about RP is a jackass insisting that everyone else better feel the same way, that their way is the only correct and good way. I'm still not interested in writing with them, it's far too different for that to work out, but it allows for delineating who is enjoyable on my dash/OOC that is into casual RP and who needs to stay behind a block somewhere because they think anyone who has RP as a primary hobby is trying to ruin it for them somehow, attacking them by existing, and the following list of terrible things as a person.

I think that all problems in the RPC could be drastically mitigated by a combination of understanding and mutual respect. People who are alright with others treating them like a meme resource absolutely can and should interact with people who don't feel that way without a problem, for example - all that takes is being aware of your mutual's rules and respecting them.

Damn near 100% of the PSAs out there honestly should not ever have to exist, they come down to the same factors of just exercising some easy respect for each other.

Again, the trouble often comes in at those very differing factors we need to be mindful of. When we feel like the weird one out in the RPC constantly, whether something is actually othering us or not, it starts to feel like it is. We start finding reasons and evidence, and much of the time, at least among those whose first inclination isn't to label OP as various terrible shit as a person, that takes the form of "not everyone."

Well, of course, not everyone! But unfortunately, when we are of the minority opinion/experience, we sometimes have to just realize that very thing. It isn't personal, and that while someone has caused issues coming from this side with that difference, we are not for our mutuals, so this isn't about us. We're actually doing the thing the PSA is speaking of by not pushing our preferences on others. If that PSA is just speaking from a place of the majority experience and nothing more, we're just annoyed with it for that reason and nothing else when it comes right down to it. We're just kind of sick of being in the minority opinion on this issue, and now are geared to feel like we're being hounded by most PSAs.

It's not an easy thing to get over or work with, it's not even something that gets to be faultless, but it definitely makes the experience less irritating when we can get to a point of stepping back and analyzing the situation without those emotions intensely in play. Seriously, if I allowed the issues I have with most PSAs out there to be evident by reblogging them with refutations or anger? That's all I'd spend my time doing, that'd be my hobby and not actual RP...and I'd absolutely be the most hated and blocked mun on tumblr in short order no matter how valid my points were. (And, I think, with good reason, I really do not support reblogging that sort of thing with negative commentary.)

What helps? Make your own positive PSA about your experience! Make one of those "reblog if" posts, I have never seen one that says "reblog if...you are alright with your mutuals reblogging memes and aesthetics from you without reblog karma."

I'm being dead serious, I encourage you to do that! It's great when you're of the minority opinion and do something like that because you can literally see not only that you're not alone at all but also that it's made other people feel seen. If you do that, let me know, I'll reblog it, even.

[autumnslance]

how do you get into roleplaying on a ff server? like how do you do it and how do you know if your character is lore compliant? ;A; pls youre a big inspo to me

*Hugs Nonny* Getting into RP on a FF server can vary; I don’t actually RP much these days, outside of some friends I already have connections to--and that in itself can be difficult just due to Life! It can take time, and patience, and some fits and starts.

And this gets...really really long, so buckle up and go below the cut, please. :)

The cut got broken by an edit. Sigh.

In game there’s always the RP status tag, and just doing RP with folks in public spaces. There may be trolls now and then, but they can be ignored. I personally find Balmung’s Quicksand area too busy and anxiety inducing and not actually all that conducive to actual RP, even “meet at a tavern” walk-up type. But unless you already have a ready-made group of friends/FCmates willing to RP more than some random walk-ups with you, it may take some legwork to find folks you can and want to write with.

Social Media There are a couple of RP community blogs, like @mooglemeet​ and @ffxiv-crystal-rp​  and plenty of server-specific ones. There’s also some Discords for these communities. They host and advertise events and reblog people who are looking for RP contacts. Some of them have running gdoc calendars and in game linkshells and fellowships as well.

Shofie has a good post about Tumblr/social media RP blogging.

@shofie-ffxiv

It’s a fact now that social media outside game is a way to make contacts, or even a medium for RP itself. There are few centralized websites/forums for server RP communities anymore. Making connections over your social media, like Tumblr and Twitter, can help find RP. You can’t just throw your own character info out there or reblog prompts hoping others bite, though; you have to put in some work and show interest in others, too. This can be difficult and even scary. That’s OK.

RP is about collaboration and creating with other people, which means finding folks you can write with, and who see you as someone interesting but also interested in them and their OCs. If you want to keep it a solo endeavor focused on your own OCs, write fanfic (which I’ve actually made friends and gotten RP interests that way too through comment interactions, so hey).

If you reblog a prompt from someone, see others on your dash reblogging prompts, if people reblog that prompt post from you? Send them asks! Alternatively, don’t wait for prompts, just send asks, comments, or chats saying hello and things you notice or like about their blog/character/posts they make. Try to form connections with people you think are genuinely interesting and might be fun to talk with. Social media should be, well, social.

BUT respect boundaries, too. Don’t try sarcasm or jokes with people you don’t actually know, it tends to go over poorly. Unless someone’s specifically posting a naughty meme/prompt, keep stuff you others send clean and polite, especially if it’s unsolicited and you’re not already friends (doubly so if you don’t know how old they are IRL, there are laws you do not want to break). Respect if people aren’t open to random asks or chatting with new followers, or say “no” to RP, and know it’s not personal--it’s just what they have time, energy, and emotional/mental capacity for. Don’t give up on other people, though. This stuff can take time and effort to find those you click with.

Respect and communication with RP partners is pretty key.

Do curate your feeds and don’t be afraid to unfollow/mute/block folks, either. I’m selective in who I follow and remove as needed, too, for my own mental health. I miss so much of the discourse and drama and that’s fine by me. Also it costs nothing to not step in on a lot of the drama when it does pass in sight.

Profiles I have static RP profile pages for my girls here on Tumblr (and a lot of other static links and pages, but I’m weird about organizing like that). This way, if people want to write with me, send me prompts, if I sent them prompts, or they want to otherwise interact with my characters, the information is handily available. For some folks, this makes all the difference in who they choose to interact with: how easily can they find even basic info about your OC?

Some people make Carrds. Some folks have gdoc links, or use Dreamwidth, etc. Just keep the links in the blog’s sidebar menu, and/or in the blog desc so people can see ‘em on mobile. There are templates out there, or you can make your own. Feel free to snag mine if you’d like. A lot of times people also copy their profiles to rebloggable posts when looking for RP contacts. Profiles are a good way to let folks know just the at-a-glance basics about your character(s).

I picked a simple theme with a simple layout that makes it easy to add and show off links. I put them in the blog desc to make them easy to find on mobile, too.

[Images: links from my blog sidebar menu showing how over organized I am]

RP, Stories, Lore Post some stories or RP logs (with permission of others involved) or even just random little blurbs and headcanons, as well as any screenshots, art, aesthetic posts for your OCs. Have something of interest to show for your character, too, so some of those folks your interacting with have something of their own to see and ask about!

If possible, try some light RP with friends and FC Mates who are amenable. Go to events, even if just to lurk at first. When you do get up the nerve to talk to people, don’t try to throw a character’s entire backstory at them, or try to steal the limelight--RP is collaboration, back and forth, and a lot like real conversation. Maybe come up with little light things to talk about if asked; a recent adventuring job, a silly shopping incident, etc. They can break the ice or just give you something to reply with for a few minutes.

Lore Compliance is Variable. Some people really want lore compliance, others are OK bending it here and there, while still others throw it out the window entirely. If you want to be super lore compliant...read. There’s a LOT of information, in game and out, for finding lore; from official publications and website material, to tools like Garland Tools site, to compilation blogs like @mirkemenagerie.

Note what’s important for your concept. Narrow it down. Characters aren’t going to know or be or do everything, so only worry about what’s necessary for the base idea. And be flexible; it’s SE’s sandbox, we just play in it, and they can change things any time. They usually do it in the guise of characters not knowing/having all the correct information, at least, but also some places just don’t exist in game yet so we don’t have info.

I’m unspecific about a lot of elements of Aeryn’s childhood, for instance, other than “traveling merchants near Thavnair.” I don’t have to be super specific. I can keep most details vague, and focus on her family and those relationships.

Dark, as my first character, has a fairly simple backstory that I’ve expanded on and adjusted over time as I learned and came up with new info. I also bet no one remembers I originally said Dark was from the North Shroud. I’ve changed things (now from East Shroud, due to the proximity to Gyr Abania and its Hellsguards) as I learned more about the world and my character. You don’t want to change things willy-nilly, but sometimes being flexible and smoothing down some rough edges and making small changes can be fine, especially as one gets more lore over time.

Iyna has a pretty detailed backstory, that came from a basic idea, and checking dates in the pre-Calamity timeline. I based her being taken and trained the way she was not only on what info we have about Garlemald’s imperial practices with conquered provinces, but borrowed a bit from real life and the re-education schools many Native Americans were forced into (though I haven’t gone into detail on that yet, either). I tied the turning point in Iyna’s life to a major event that wasn’t the Calamity, and have left plenty of space in between for me to fill in as time goes on and I learn more about her and the world.

The world isn’t static, and is bigger and more diverse than what can be shown in the game. There’s space in the margins for plenty of weird stuff and contradictions or unusual cases. So read up on what you can, ask questions, and then find where in those spaces your OC fits. Then, find people who enjoy similar tastes in lore compliance (or non-compliance), and who enjoy playing with you and your OCs, and not worrying about the rest. Can’t please everyone, nor get along with everyone, so don’t try; just find what works for you, and who works with you, and don’t police anyone else’s pretendy fun times, either.

There’s no magic answer on the “right” amount of lore compliance, or how to quickly and easily find RP partners or break into the broader RP community.

I hope this helps at least a little bit! Good luck in finding your niche for RP, and maybe I’ll see you sometime at an event :)

[thefloatingstone]

Last time I made a playlist of recommended youtube channels to enjoy while in lockdown or self quarantine, I focused on individual videos while also recommending other videos from the same channel.

I thought I’d make another list only this time I’m going to be recommending playlists or series on youtuber instead of just individual videos.

This is gonna go exactly like last time, so check out any of these that might seem interesting to you, and hopefully I can give you something to look into if you want something to watch but don’t feel like watching a Netflix or Crunchyroll show.

Last time I tried to put this under a read more break but it didn’t work and I ended up posting this long-ass post on everyone’s dash. Well I decided to do so again here. hit J to skip to the bottom of the post if you don’t feel like reading this whole thing. If you’re on tumblr mobile; why?

In no particular order;

Cinemassacre movie reviews and topics

All of you already know James Rolfe as the AVGN. I started watching him before Youtube was even a thing, before he was even signed on with Screwattack. Back when his videos could only be seen on his own website (or for some reason included on the free DVD you got with the local video game magazines). However, I eventually outgrew the outrage style humour of the AVGN episodes... but then James started doing Monster Madness where he would talk about his love for horror movies, and this where I learned about his vast knowledge about movie history and even films I had never even heard mention of before! I think it’s safe to say, he got me to be interested in movie history just as much as movie production and film as a viewing experience.

I recommend this playlist which is a hodgepodge of James talking about old horror movie franchises, talking about his first experience with Power Rangers as someone who didn’t grow up with it, or how Bob Ross is a childhood hero of his. It’s an excellent play list that’s really laid back but you learn a lot of stuff from it. James is very informed for the most part and it leads you to wanting to check out a lot of these things too, just because he’s so passionate about it.

If I ever get over my weird hang up about speaking out loud, these are the kinds of videos I’d like to make.

Vinesauce Vinny: The Neverhood

Vinny is by no means a new Let’s Player, having been on Youtube for over 10 years now, but I only started watching him a few months ago. I started with this playlist when I saw he was doing The Neverhood, a game I had heard about but never seen played before. The Neverhood is a bizarre game, as a point and click PC game from the 90s where the entirety of the video game was made with stop motion and clay. Something that sounds so insane you would say it’s impossible if not for the fact that it exists. The claymation itself is extremely well done, and the game has a really weird and absurd sense of humour. Just the strangest things happen in this thing. Now couple that with Vinny’s very dry and straightforward delivery and you have probably one of the funniest Let’s Plays I’ve watched in a long time.

This is also “short” for a Let’s Play series. With only 4 parts to it, the longest video only being a bit under and hour and 30 minutes. It’ll still take up a good chunk of your time, but it’s not as daunting as some of the other Let’s Plays I’ll mention on this list.

Team Four Star: Pokemon Shield Nuzlocke

Exactly what it says on the tin. The guys from Team Four Star play Pokemon Shield with Nuzlocke rules. They’ve done several Nuzlocke runs in the past, but I find the Pokemon Shield is the best one they’ve done. Especially since a lot of the needless fluff and grinding has been edited out. So unlike some of their previous series you don’t see a lot of Kieran and Grant running in a circle for an hour trying to catch a specific pokemon or trying to get to a certain level.

It’s also hilarious as they have a lot of “house rules” for the Nuzlocke often involving the exercise bike they.... have..... for some reason.

It’s very good and the gym battles become SUPER hype with the Nuzlocke rules and the music.

Baywatching

Having been going to a few years now, watch Allison try her very best to go through and do a video series where she talks about summarises every episode of Baywatch.

.... Ever. Single. Episode.

She’s not even close to done yet (and now she’s introduced Baywatch Nights AS WELL) but her trying to explain the batshit insanity of this show, it’s over the top characters, it’s insane plots and behind the scenes weirdness with all the enthusiasm and love for this slice of 90s is amazing. Please enjoy a good thick chunk of inside jokes, silly character voices, and a whole lot of ?????

Brutal Moose: Shenmue

Probably one of the most chill channels on all of Youtube, Brutal Moose aka Ian, prefers playing games you wouldn’t think would make for good Let’s Plays. And maybe they don’t, objectively. A collection of playlists covering Truck Simulator, Nancy Drew, Hidden Object games etc etc, spliced in with old commercials from drive in theaters from the 50s,60s and 70s. Ian’s Let’s Play channel is great for just putting on and letting play for company while you’re drawing or grinding in a video game or playing Stardew or something.

I recommend his Shenmue playthrough as Ian completely fell in love with the game and went on to play both the sequel and the newly released third game. Ian genuinely adores the weird voice acting and all the menial tasks and mini-games you can do. I watched this a lot in 2018 when I was going through a rough time, and it really helped me in a strange way to just put Ian on and listen to him talk to the chat and drive a forklift around for like 4 hours straight before going to Tomato Mart or wasting all his money on the gacha machines.

A Measured Response to “In Defense of Dark Souls 2″

At some point, big name youtuber Hbomberguy made a video called “In Defense of Dark Souls II”. I’m not subscribed to Hbomberguy but I enjoyed his video on why Sherlock (the BBC show) is trash. (come to think of it I should have added that to the first list). And it seems the video on Sherlock was really good and well argued.... and it seems his “In Defense of Dark Souls 2″ video... was not.

Using subjective language, bad representation of facts, or simply outright getting certain information wrong, Hbomberguy′s video on Dark Souls II is, at best, a man trying to argue that he likes Dark Souls II because it is “Objectively good”, rather than simply accept he likes it... because he likes it.

MauLer is kind of an asshole, but I have learned more about dissecting someone’s argument and deconstructing what they have said watching his response series than I have in any english or debate class I have ever had.

The response is over 10 hours long, but this is because MauLer takes time with each and every statement he takes umbrage with, discussing what is being said, discusses why it is false or dubious, and then compares with actual facts and research.

If you ever want to know how to to distinguish subjective opinion from objective fact in someone else’s argument regarding... ANYTHING really, I highly recommend this series.

I may not like MauLer as a person, but DAMN if he doesn’t know how to deconstruct an argument in a logic, emotionless way.

John Wolfe: Maize

Maize is a stupid game. a Stupid stupid game.

It involves sentient corn, and underground secret genetics lab, a Russian bootleg teddy bear that hates everyone, sentient corn, and a crumpet.

This game IMMEDIATELY went on my wishlist after watching this playthrough. Please watch John try and figure what the actual fuck is going on in this Monty Python-eque weird black comedy. It’s stupid, it’s weird, it’s bizarre and it’s honestly one of the funniest games I’ve seen streamed.

Hollywood: a Celebration of the Silent Era

This is not a youtube playlist. I mean it IS, but what this actually is, is a TV series released in the UK in 1980 covering the Silent Film era. As it was made in 1980, it includes interviews with many of the silent film stars who were often still alive during this documentary’s production. Each episode covers a specific theme of the silent movie era. One episode is about comedies, one is about WWI, one is about Westerns etc etc.

It’s a fascinating series, because it focuses on the silent era which, in modern day, I think many people unfairly think of as “those first few years of movies before movies really became a thing.” And that’s such a shame and really not true. The artistry, camera tricks, and raw nature of this early era of film making is so important and produced films which can still be watched today easily, possibly even easier than a few modern movies as often the very fact that the films are silent means they are universal, regardless of what language you speak.

I think an episode or two might have been turned to private or copyright claimed in this playlist, but I know if you do a search on youtube you can find the episode uploaded by someone else.

Diamanda Hagan: Bonekickers

Bonekickers is the show Mathew Graham made before he went on to work on the new Dr. Who. It is about archaeologists and it is God-fucking-Awful.

It is.... look. Ok. I like Archaeology a lot. But this isn’t a show that’s bad “if you like history” or “if you know things about archaeology”. This show is bad because it doesn’t make a single fucking lick of sense, all the characters are awful and terrible, and even if you understand what’s going on in the story you’re still going to be screaming “WHY????” at the screen as each new baffling stupid piece of the puzzle slots into place.

Diamanda Hagan has 0 time for this garbage and she’s going to walk you through each episode to show you how truly horrible this piece of garbage is.

Cry Plays: Ori and the Blind Forest

With Ori and the Will of the Wisps releasing recently, now is a great time to go and watch Cry playthrough the first Ori game. an absolutely gorgeous piece of work with a beautiful soundtrack and really likeable character designs and a sweet story, Ori is a great game to put on, sit back, and just let it wash over you. Cry’s playthrough is also great because although its a Metroidvania game, Cry fast forwards the parts where he backtracks for a long period of time, so you don’t get stuck watching him run back and forth as he tries to figure out where to go next or anything like that.

Cry also recently started playing the sequel as well!

If you enjoyed this list at all, please consider tipping me for a coffee

☕️ Ko-fi ☕️

[typewriterghcst]

Title: But For Me It Was Tuesday Rating: also G-ish, but some allusions to probably what we would consider child abuse in the modern day lbr Characters: one (1) OC, Baron, Natori, Yuki Summary: The events of The Cat Returns, but told through the eyes of the smallest-- oh, sorry, my mistake— the youngest kitchen maid in the service of the Cat King. No romantic pairings. A crush or two may be mentioned, though. Notes: Written for the 2020 TCR Birthday Bash, even though I emphatically missed the deadline rip. This one was for the prompt of ‘Movie Extra’, which I took to mean, well, pretty much just what I wrote— the events of the movie as a backdrop to another character’s everyday life, lmao This is another one that isn't Entirely Finished, but I've been working on it since June-ish and I've just lost all motivation to finish it. Though, unlike the last one I posted that was unfinished, the only part missing from this one is the ending.  There's also a part in here involving Natori that needed to be changed, but I liked the wording and imagery of it, and never did get around to figuring out where else to put it, so some of the pacing in here is Off rip

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She oversleeps. That's the first unusual misfortune that happens to her on this particular day. Opens the day, no less, she  thinks to herself as she forlornly stokes the ovens' gently smoldering fires. Her ears are still ringing from the boxing she'd received— the fact that Cook had had to include a little hop to even reach them means what little pride she has feels just as bruised.

Were she a more superstitious, flighty sort, she might even have taken this setback as the first of likely many portents of an upcoming stressful day. But instead she is only Topolina, the youngest (but emphatically not the smallest; more on that later) kitchen maid currently languishing away in the employ of the illustrious royal castle of the Cat Kingdom.

Of course, it’s there she stops herself. It’s only the chaos of the morning that has her using such bitter language. She should try harder, she tells herself, not to linger on the unpleasant aspects of her current existence, and instead focus on… on… well, she supposes there’s something to be grateful for in all of this. 

Like…

Oh! She has a home. A relatively nice bed to sleep in. And meals, every day.

...Meals which she is most often forced to wolf down in the kitchen in solitude as she tends the fires and keeps a watchful eye on the simmering pots.

Ah.

Perhaps she needs a bit more practice with this gratitude thing, is all.

It’s entirely possible her recent light resentment had begun with her very name, Topolina, a name which had been quite fitting when she stood at least two heads shorter than all the other kitchen maids, one she'd even perhaps viewed with some fondness for its endearing quality. And yet, alas, it now exists as a name which seems only heavily ironic— that is, now that she's hit the tender age of fourteen and found herself towering over all but the very tallest of cats. It feels to dear Topolina like some massive, omnipresent joke that she remains her old timid, meek self, still eager to fade into the background and disappear... now without even the faintest hope of being able to do so.

Metaphorical salt in the wound is the undeniable fact that her pinafore's hem, once perfectly aligned with her ankles and cutely poofy, now drapes awkwardly far above its original position. Perhaps it’s comparatively trivial atop all her other complaints, but when she finds herself thinking back to her old unassuming silhouette, she can’t help but feel at least a little crestfallen. Nowadays, she feels quite akin to a pitifully overgrown shrub, no matter how many well-meaning words to the contrary she receives.

All in all, she imagines such a thing might make anyone feel rather less than appreciative.

It’s as she’s sitting there alone before one of the nine stoves in the palace kitchen, contemplating her rotten luck, that she hears— well. She’s not sure, exactly. It’s something of a crunching sound, like rusted metal grinding against itself, and she can’t imagine what its source could be. She stands, and gingerly inspects the oven itself from every angle she can think of. She even studies her fire iron. Yet still she comes up empty-handed.

Defeated, she flops back down in her original spot.

And then— she squeaks, because the ground under her is moving, slowly twisting back and forth as if she’s sitting on a lazy top. She leaps (falls is more accurate) off the emerging ground once her mind comes back to her, once it stops panicking, and stares in confounded shock as the very spot she’d been settled atop transforms into what appears to be a long-forgotten manhole covering. How long had that been there?! She’s never been made aware of an old servant’s tunnel in this area!

Her perplexion only deepens when she spies just who has made use of this abandoned tunnel— a cat much like herself, though she thinks that he looks quite a sight better than she would have had she just crawled through a dirty tunnel. His off-white suit is pressed and smart, for one, and hardly has a tear nor even a wrinkle to show for the abuse he’s no doubt just put it through.

His sharp gaze falls then on her, and she’s suddenly acutely aware of her ill-fitting, nearly threadbare pinafore, the scuffs of dirt and soot smattered across it, and her probably unkempt fur, smudged and mussed from fire-tending. Oh, if she could just will the earth itself to open its maw and swallow her up—!

“Ah,” he starts, in a much gentler voice than Topolina had expected, turning to her and offering a hand to help her up, “I apologize. It was not my intention to startle you.”

“N-No, it’s okay,” she stammers, taking his hand without thinking. (Were she in a right state of mind, she’d never do such a thing— the very last thing her poor Young Maiden’s Heart could stand is for a handsome gentleman to struggle to lift her.) He pulls her up with little difficulty, though, and in her chest she feels a very peculiar thump, and then a flutter.

“A-Are you here for the king..?” She asks impulsively.

He doesn’t answer immediately, appearing to think that over for a fleeting moment, perhaps aware of the myriad of ways the pairing of her question and his response could be interpreted, before he makes his decision.

“Yes. I would like to have an audience with him. It’s a matter of utmost importance.”

“Y… you’re not here to kill him, are you?” She whispers, perhaps irrationally afraid that the king himself might be listening in on her. And yet, not too irrational— she’s seen his spying Cat’s Eye floating languidly about the castle on more than one occasion.

There’s something pitying in his gaze, she thinks, but he replies graciously enough. “You have my word, miss. I am not here to usurp or otherwise harm your king.” Then, while dusting some nonexistent dirt off his clothes, “I do believe I will need a change of wardrobe, however. It won’t do to adress a king while clad in anything less than my finest, will it?”

He says it without flinching, and in such an earnestly straightforward fashion, that Topolina herself is almost led to believe there really is some flaw with his clothing that she simply can’t see.

“Oh!” She says then in sudden inspiration. Without explaining herself first, she scampers to the open alcove behind him, separated only by an unfinished wall. The kitchen servants have long used the area as a makeshift coat rack, and one particularly bizarre ensemble has been there for as long as she can remember. She comes back around the wall bearing the large hat and cloak before offering it to him, embarrassed now that she realizes that, judging by her actions, this is what constitutes ‘his best’ for her: an absurd hat and a dusty, worn cloak.

He himself appears no less than enchanted at her offering, however, and when he stands before her with the hat cocked just slightly on his head and azure mantle thrown over his shoulders, Topolina finds she’s again being assaulted by those odd, vexing heart palpitations. Is she really such a nervous thing? ...Yes, she answers herself firmly. Yes, she is. But she’s far from convinced nerves are to blame in this instance.

“Oh,” she breathes eventually, clasping her paws together and resting them against the edge of her cheek. “You look like you came out of a storybook.”

Well… that was more childish than she meant it to be.

“Then it’s perfect,” he says succinctly. Then, removing the hat and inclining his head to her, he adds, “Thank you for your assistance, ah—”

“Top— erm, Lina.”

“Miss Lina, it is. I’m quite grateful for your help. I am sorry only to startle you and then run without so much as a token for your assistance, but it’s imperative I make good time.”

Topolina shakes her head. “It’s okay— I-I don’t mind!”

And with a final bow, he leaves her and the kitchen behind.

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Peculiar dashing stranger aside, the rest of her day passes in relative normality. There’s a clamor about the servants some time later, and she catches snippets of an excited buzz about something happening with the prince (something that ties in with a group of special guests, but she’s yet to put together how) as she goes about her duties, but in all, for how bizarre the day started out, it all strikes her as rather uneventful.

She’s instructed eventually to scour the floors in the audience chamber in preparation for a banquet, which means filling an old rusted tub with hot water and soap, and then carting it to said room. She’s no stranger to the task, of course, and thinks nothing of trudging through the hall with this metal burden in her arms.

Perhaps as penitence for her lack of investment in the day’s continuing  Wonders, another ill-fated obstacle is tossed onto the tracks before her. In this case, literally. 

Earlier that day, a courier had accidentally overturned a loose stone in the hallway floor. Scratching his head, staring down at the disturbed piece of clay as though it had personally insulted him in the most obtuse way possible, he’d eventually looked from one end of the corridor to the other and quietly snuck it back into place, hoping it wouldn’t be noticed.

Unfortunately, Topolina notices.

With a decidedly unfeline-like squawk, she trips over the rogue stone; the tub in her arms ends up the victim of gravity, as we all so unfortunately are.

And who should turn the corner then but Natori, just in time to be the unwitting second victim of her bad luck— drenched by the ensuing sheet of warm, sudsy water and so jarred by it, it seems he can do little other than look rapidly from his own sodden person to her no-doubt horrified countenance for near a full two minutes. In the fraught silence that follows, his glasses clatter to the earthen floor, and the tiny sound echoes in her ears like a gunshot. Trembling, Topolina instantly drops to her haunches, paws clapped together in desperate and tearful pleading.

"I-I'm so sorry, sir! Please, I beg your pardon— I didn't mean— i-it was an accident!"

"...Topolina," Natori finally interrupts quietly, gently, even, but the hum of exasperation vibrates just underneath his patient tone like a trapped butterfly, "—retrieve a mop and a towel, please.”

“Of course, sir! R-Right away!”

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It’s afterward, as Topolina does her best to mop around him while he tries to dry himself without incurring any extra… floof, that Natori deems an appropriate time to address his reason for coming this way in the first place.

“It’s possible that Cook may have instructed you about this task already, but the kitchen staff will likely be needing every pot and pan that can be spared for today’s dinner, so do ensure that you tend to the ones that have been, er, languishing in... that corner.” When she chances a glance at him, she sees that his gaze is inconspicuously trained on a particularly infamous corner of the palace kitchens, one where abandoned cookware is just shy of creating its own ecosystem by now. For a brief, heart-pounding moment, some measure of indignation rises in her; she’s so very close to telling him she isn’t the one to blame in this instance! ...At least, not the only one.

Ah. Alas, once more. Her courage withers in the face of this culpability, small as it may be. Instead, she goes back to her doleful mopping. Still, there is at least enough nerve left in her to present him with one continuing question on the topic.

"Is it... is it for the special guests?"

Natori pauses, giving her something of a searching glance. "...It is, yes." Then, after a few seconds spent appearing to think this over, he continues ringing out the bottom hem of his robe. It seems at some point while she was distracted, he’d laid the drenched towel at his feet. "I see word spreads fast through the kitchens."

To herself, she thinks that he has no idea how true that is, nor precisely how fast it truly does.

Finally satisfied with all that the towel can accomplish in drying him off (and evidently feeling his now damp robe will no longer leave any puddles as he wanders through the castle), he returns it to her. "Now, Topolina, please try to keep the mishaps to a minimum. We do have an exceptional guest today, after all."

She only nods frantically, all too aware of her ears flapping up and down. To this, he gives an approving nod of his own, and then finally turns on his heel and leaves. Secure in her admittedly paltry position for at least another day, Topolina breathes a sigh of relief as she puts the mop away.

...An exceptional guest, he’d said. Curiosity flares again, this time stronger than before, and she can’t stop wondering just who they could be. For the most fleeting of seconds, she remembers the cat who had interrupted her delayed routine this morning, but he’s quickly waved away.

Honored guests did not arrive to their own commemoration by climbing through old servants’ tunnels.

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Once the dirtiest, most grime-caked pots and pans are finally scrubbed to perfection, she peeks around the corner in search of Cook or Natori, wondering what other (insignificant) part she may have to play in the care of these exceptional guests. To her consternation, however, the kitchen aside from her seems rather empty, present only to the sound of a maid or two prepping extra portions of stuffed mice on the off-chance they’re requested.

Cautious as always, Topolina all but tiptoes through, still careful not to draw attention to herself, and— once she’s certain she’s not being scrutinized— peeks out of the kitchen itself into the servers’ hallway. There’s music playing, muffled, down the hall in the great dining room— something elegant, bouncy. A waltz, perhaps. She wonders distantly who it is that might be dancing, and if the well-spoken cat she’d crossed paths with earlier is anything of a dancer himself. She could imagine him dancing… Oh, the flutter is back.

“Lina—”

“Yes!!”

She jumps impressively high, her hackles on edge and tail fluffed out in alarm.  Yet, when she whips around to face her unexpected company, she’s met only with Yuki. Another of the kitchen servants, Yuki has existed as a consistently friendly, warm presence, to the degree that she’d willingly adopted Topolina’s attempts to shorten her, well, newly embarrassing name, something a few of the other servants (and Natori…) were still having trouble with. Her fright abated, Topolina tries to greet the smaller cat with a smile, but it wavers.

“Oh— Yuki, it’s you.” She’s carrying a large glass bottle, freshly-filled with some unfamiliar pink-tinged liquid, Topolina notices.

“I’m sorry,” Yuki starts in reply. “I didn’t mean to scare you.”

“I-It’s okay!”

“What were you looking at?”

Oh. That.

“I was looking for Cook,” Topolina admits reluctantly. “Or maybe Natori. I’ve finished the dishes they wanted me to clean earlier today.”

“I saw The Corner was all clean. It must have taken a while.” Yuki sounds impressed, perhaps. Topolina doesn’t mention it, of course, but deep down she’s a little tickled. “Natori’s already taken his place in the dining room, though, so I don’t think you’ll have any luck getting more directions from him.”

“Oh…” Thinking back now, she realizes she should have surmised that already. At least, if the banquet has progressed to the point that entertainment is warranted. “What about Cook? Have you seen her?”

“Sorry, I haven’t.”

After a short silence, it suddenly occurs to Topolina that Yuki seems… a little distracted. Troubled, even. Fidgeting, she gathers her resolve for the third time that day.

“...Are you okay? You look like… um, something’s on your mind.”

Just the mention of her evident disquiet is enough to erase its presence from her expression; Yuki almost instantly brightens some, shaking her head gently.

“No, no. I’m fine.” And then, before Topolina can press the issue, “How about this? Stay here— I have to go back in and serve refills. If I see Cook, I’ll ask her what else she wants you to do and then fill you in when I come back. Okay?”

Topolina is just about to enthusiastically agree (leisure time in the sparsely occupied kitchen? Not being the one to personally ask Cook for more work? Of course she’d be on board!), but a sudden eruption of screams and breaking glass from the direction of the banquet room means the two of them are turning their startled attention to the ruckus instead.

“Wh— what could it be..?” Topolina wonders aloud, shaken.

[ and that's it rip the ending i had in mind was that yuki tells topolina to find a safe place, topolina cowers probably in the kitchen the whole time, especially upon hearing an Explosion. and the next day there's all kinds of rumors and tall tales about baron and The Daring Rescue he pulled off. topolina connects the dots and. well basically becomes haru 2.0 crushing on him and indulging in fantasies where she's also swept off her feet by a dashing hero fjfjkda; ]