"Oh no, someone's attracted to the aesthetics of my -punk movement but doesn't know the praxis and history behind it like I do--"
OK. Tell them. Make it a teaching moment. Everyone who's in your movement learned the background from somewhere at some point, maybe this is that point for that person. Give them a jumping off point that they can dive into later.
"Oh but I shouldn't be responsible for teaching baby -punks about the history and the how-tos and--"
OK. Then don't tell them. You don't have to be responsible for teaching people with a budding interest in your group the ins and outs and how-tos. That's fair and valid! It can be a lot of work. Someone else will handle it
"But I'm annoyed that they would try to claim to be part of/be interested in my community without knowing all the details that I know after being in it for months/years/decades, they're dumb, they're posers, they're--"
OK. Then don't engage with them, if it's that bad. Maybe someone else will come around and tell them the history, maybe they'll pick it up on their own, maybe they'll just enjoy the fashion elements for awhile.
"But they shouldn't claim to be part of the -punk community if they don't know the--"
I feel like we have a few options here. People can either talk to them, share the history, share the values, share the praxis. Or they can just chase off anyone who even thinks about dipping a toe in their community, and then wonder why it's dying off later down the line.
I dunno, maybe I'm too naive and patient or whatever. But if people are entering your -punk spaces without knowing The Rundown of what you feel they need to know, maybe being nice about it and informing people instead of immediately assuming stupidity and malicious intent could help you make a new friend. Even the loudest voices in a space had to learn from somewhere, and not everyone has the luxury of being in the space as the History was Happening--whether it's an age thing or a not being aware of the space thing. Or maybe I just don't see what the big deal is behind people hating people who like the aesthetic of something and don't know the behind the scenes history about it yet.
Because I believe in the word 'yet.' No one comes into this world knowing everything about everything, and we're all constantly learning new things. I'm not gonna degrade someone and call them a poser for not knowing what I know. Because if it were me, interested in a scene but getting chased out and called a poser? I wouldn't hit the books and study up, I'd go 'that fuckin sucks, those people sucked' and then avoid anyone and anything having to do with it.
So chase people off and call them posers if you want. But if your community starts dwindling, don't be fucking shocked.
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Ok not to be mean, but I think I’ll genuinely be most mad if Brett wins the Emmy lol. Like if it’s not him or Phil I can be like “ok I didn’t watch those shows that person was probably great.” But if Brett wins it means they watched the same episodes I did and decided he was the standout performance and not Phil??? Like Brett was good but it was nothing we haven’t seen from him before and honestly I don’t think they have him Emmy winning material this season (not like rainbow or literally every episode of season 1). Idk I think the voters should also give it to Phil just so they don’t have to have a hair trigger on the bleep button during the speech lol
If we're doing honesty hour I didn't want Brett to win it for season 2, either. I thought and still think Nick Mohammed should've won. 🫢
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so my friend and i are currently chatting about how i just discovered me referring to weed as "pot" makes me sound like a suburban mom even tho i didn't realize it was an "old-timey" term (??? it sounds just as normal as "weed" to me???)
and i just realized the reason i say pot is specifically because 1. watching kids in the hall (and other things from that era) and 2. talking about pot with the kids in the hall (the ones i know irl still use that word)
so for everyone's information i do NOT sound like a suburban mom for saying "pot" i sound like an old canadian gay man!!!!
but anyway that conversation moved on to talking about weed and the kids in the hall and now i must bring a poll to tumblr
(even if you have smoked before this is about placing yourself in the hypothetical situation i'd be in bc i've never been stoned before and my friend and i were joking about how my first time getting high would be with one of the kids in the hall lmao)
also in your opinion is saying "pot" weird???? literally so confusing to me like damn i guess all my interactions with weed are through the lens of 1. media from the 90s or 2. people who were young adults in the 90s
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a possessive kiss that is meant to stake a claim .
kiss & tell | oooh @ofurizen wants chiyo soooo bad ≖‿≖
" 'm sorry i didn't listen. "
the words are tired and spoken between rasped breaths as chiyo holsters her pistols. her arms and legs feel like jello -- a side effect of nearly meeting her end at the gruesome hands of a hulking demon. but there isn't a drop of concern for herself in the pools of brown gazing at v. it's all for him. she'd watched as the creature trampled over shadow, barreling towards the man with such ferocity, and as griffon snatched v out of harm's way, chiyo fired without a second thought. her onslaught drew the demon's attention to her, as she wished, but she didn't have an avian companion to save her from being squashed.
she didn't need one. a well-placed bullet ( read: lucky shot ) sent the demon tumbling to the ground, giving nightmare enough time to manifest and v to finish the job. and thank god.
as v's hair turns from white to black again, chiyo worries she's made him angry. at the very least, she expects to be reprimanded after her reckless display. she's only human. a fragile thing like her shouldn't take risks that aren't in her favor, particularly when she was told to stay back.
green eyes finally meet her own, and chiyo shifts uncomfortably beneath the intensity of v's stare. the need to justify her actions rises in her chest, forces words out that aren't as careful as they typically might be. she cares too deeply to hide it very well anymore. " but that thing wasn't gonna give you a break. i couldn't just stand there. what if you got hurt? " the distance between them is rapidly closing with v's long strides. like she always has, chiyo stands her ground and does not move, brow furrowing and mouth twisting into a frown.
but it is not an argument that v wants. he enters her space not to intimidate her but to pull her closer, eliciting a gasp as his gloved hand grasps her jaw and arm wraps around her. he wants her. the realization winds chiyo, steals the breath from her lungs seconds before v has the chance to, and it's almost embarrassing how easily she melts and molds into his touch then, how readily she stands on her tiptoes so that he doesn't have to bend down quite so far. if he wants her, he'll have her.
his kiss is a hungry, greedy thing, and chiyo is nothing but willing to feed it. he need not tilt her head for a better angle because she does it for him, presses closer without the encouragement of a tighter embrace, though she does relish in it. he need not be insistent for she wants him, too; he must understand that when she is so eager to surrender to his touch. take what you want, her body sighs. one hand slides up tattooed skin to rest delicately at the base of v's throat while the other tangles itself in dark strands and doesn't let go. her mind grows fuzzy, unable to think clearly even as their lips part for air, and chiyo meets v's gaze with half-lidded eyes. she feels the rise and fall of his chest, wonders if his heart beats as fast as hers does.
yours. all yours, her eyes seem to say as she takes hold of the hand that held her jaw and turns her head to press a kiss to his thumb, tilt her face into his palm. a smile tugs at her mouth, bashful and teasing all at once.
" maybe i'm not so sorry. "
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my friend asked me to put together all the ways oumen & apoptosis are connected as songs today & i love those two so naturally ive been on this since i woke up & after really going thru the lyrics Yet Again i think i FINALLY have my answer about tenshi's song right.
so basically we know the nami no ne no motif from aru sekai shoushitsu being present in a song means whoever in the song is still a "person"/still has their free will & gets to continue into the next loop. standard info. in all the other songs this is mixed into the instrumental, the only times its sung are in shoushitsu of course & in oumen mokushiroku. didnt think much of it when the song first came out bc like yeah thats just whats in series songs. but more & more across various songs, shoushitsu, apoptosis, kanon, oumen itself it talks about sacrifice & implies that sacrifice was a permanent death. oumen as a whole is her not wanting to accept that sacrifice role, she doesn't have a choice in it, but she doesnt want it either, (& apoptosis being it was originally that girl who was supposed to be the sacrifice but she pushed it off on someone else, therefore is the reason tenshi's song goes the way it does in the first place)
so then why does she have the motif if everything else including her herself say that she dies permanently.
i propose to u my newest theory.
the whole song is her wishing she had more time, not wanting to do it, she wants to live. so. since she's specifically singing it. im willing to bet its a last wish of hers. that somehow, someway, she still has enough free will to counteract the act of sacrifice, if she wishes hard enough, if she holds enough of her own desires, then maybe against everything, she'll get to live on into the next loop. basically, not a sign that she Does live, rather, just that she desperately WANTS to
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