#i think it's important that even though we all have different feelings towards ships

[yamujiburo]

Why I Love Hanamusa

I get this question very frequently but have never given a really in depth, definitive answer. All just kinda implied through my comics and spread out asks. So here's this I guess! Long post ahead:

First, as a Pokémon fan in her mid 20s, I love seeing a ship where the characters are both in their mid/late 20s. Already, they’re much more relatable to me and my current experiences. Most Pokémon ships are between preteens, which can be cute but ultimately don’t interest me as much as they used to when I was a kid myself. Not enough to get super invested in and draw a lot of fanart for anyways haha.

I’ll also start by saying that canon doesn’t always influence whether or not I’ll ship something. I’m much more drawn to potential. Could the characters work together? Do their personalities work together in a nice way? I feel like this so much of fanon is anyways. Especially with queer relationships because they’re rarely depicted in the first place. A lot of the context for these ships is usually up to the fans to piece together or make up in general. And that’s the fun part to me!

Jessie and Delia have only met in the anime a handful of times. Any interaction they’ve had has either been pleasant, or just a typical Team Rocket interaction, with Delia dismissing them/not seeing them as a threat. Already a great jumping off point for me since, truly, they don’t have any actual beef or true, ill feelings towards each other. It’s not TOO out of the realm of possibility for them to potentially fall for each other. “But Jessie chased Delia’s son around trying to steal his Pokémon!” That’s where that dismissive and aloof attitude that Delia has comes into play. I’ll go more into Delia’s whole deal a bit later but I do think this aspect of her personality is a large reason why this ship can work. It’s not that she doesn’t care that Jessie has a bad past, but she can tell that, on the inside, Jessie’s a good person. And, in a scenario where Jessie is trying to become a better person, is forgiving enough to give her a shot. I feel like this is such a solid foundation for a ship. A character who has done wrong but is trying to be better and another character who is willing to help them be better. A classic dynamic!

It’s not just one-sided though; where Jessie is the only one benefitting and learning from the relationship. I believe Delia could get a lot out of being with someone like Jessie. To understand why, I think it’s important to know these characters’ respective backstories.

Jessie is an orphan/foster child who grew up in poverty. Her mother Miyamoto (from The Birth of Mewtwo) was a Team Rocket operative herself, who went on a mission to find Mew. In order to do this, she had to leave Jessie when she was just a toddler. Unfortunately, Miyamoto went MIA on her mission leaving Jessie to more or less fend for herself. Jessie went through life with zero stability, evident by her MANY different careers and constant moving around. It’s implied in the show that she went from foster home to foster home, and later in life tried being an idol, weather girl, florist, wine connoisseur, actress, most notably a nurse and finally a Team Rocket field agent. And even while in Team Rocket, she, James and Meowth were always doing odd jobs to get by. We see that Jessie used to be a sweet kid, and even adult, but the world and her circumstances repeatedly did her dirty, leading her to become the character we know today. Hot tempered, mean, selfish, etc. But despite this, her soft side does still shine through for the people and Pokémon she cares about. She is incredibly loyal.

Delia, unbeknownst to a lot of fans, also had a rough past (see Pocket Monsters: The Animation). Like Jessie, she had a lot of dreams and aspirations like wanting to be a model and even a trainer. But when she was 10, her mother didn’t let her, telling her that she had to stay home and learn to run the family restaurant (she’s an only child). Delia’s father left her and her mother to be a trainer, and never returned. When she was 18, she married Ash’s father and became pregnant shortly after. But right after Ash was born, he also set off to be a Pokémon trainer. And soon after that, her mother passed away, leaving Delia with just the restaurant and baby Ash. This gives so much context to Delia’s attitude in the show. We see that Delia is pained whenever Ash leaves on a journey, but she never shows that pain to anyone. ESPECIALLY Ash. She’s very quick to shoo him off when he shows any sign of wanting to go on another journey and even when he returns home, she acts more excited to see Pikachu than him almost every time. Without all this backstory, it’s easy to just read this as a funny gag, BUT with context, I think it really shows how quickly Delia shuts down and detaches in order to not confront her own feelings. She’s afraid of losing people and getting hurt again.

All that said, I think Jessie and Delia provide each other with EXACTLY what the other needs. 

Aside from becoming rich and famous, Jessie’s biggest aspiration is to get married. In my opinion, this is more so an underlying want for love and stability. There is no one more stable in the show than Delia. Delia’s lived in Pallet her whole life, she’s worked at the same restaurant since she was young and she is always there when Ash comes back home. She has all the love, patience and stability Jessie needs and craves. While forgiving, Delia’s not stupid and can keep Jessie in check. Delia’s also just an angel, which I feel, would make Jessie want to be better. And on top of all this, on more of a surface level, Delia’s a chef and excellent cook. She shows love through cooking and Jessie, who grew up poor, regularly starving and eating snow, happily receives that love. Jessie’s able to live a happy and healthy life with someone like Delia.

Delia, as stated, is very stable. Likely pretty monotonous and solitary, especially living in such a small town like Pallet. This isn’t a bad thing but it’s a little sad when you consider that Delia also had dreams of traveling, being a model and a trainer. She had to give up so many dreams in order to fulfill her duties as a restaurant owner and mother. And even now, when Ash is off on his journey, she feels the need to always be home and be that stable pillar, leaving behind any ambitions she had, thinking it’s too late for her (she’s only 29 btw). But then along comes Jessie, dangerous, passionate, an absolute firecracker. Someone who’s whole life has been about chasing dreams and either, never giving up on them or finding a new dream to chase. Upon learning about Delia’s past aspirations, I could see Jessie pushing her towards them, letting her know that life’s too short and she has nothing to lose from trying. On top of this, Jessie’s also loyal. She, James and Meowth are depicted as doing anything for anyone who gives them food or shows them kindness. Delia does both so there’s no way Jessie would leave her. This fulfills an essential need for Delia, who is afraid of the people in her life leaving her.

There’s so much potential for mutual growth and learning between these two and I adore that. They compliment each other, they help each other and they bring out the best qualities in one another.

I’m not really sure how to end this and I could truly talk about them even more but I don’t want this to be tooooo long haha. OH I could end it with maybe the most funny aspect of this ship that I've brushed over and also what drew me to it in the first place. Jessie. As Ash’s stepmom. THE END.

[moonydustx]

I look better under you

Based on the song Snooze - Sza

Roronoa Zoro x F!Reader

Warnings: smut, mentions of scars, jealousy. Doesn't exactly follow plot canon.

Summary: After two years apart after the incident with Kuma in Sabaody, you and Zoro meet again.

A/N: I was thinking about doing some stories based on songs, especially in the future using one from Cowboy Carter for Ace because it makes so much sense to me. While that doesn't happen, we're left with Snooze, which is one of my favorites from Sza.

requests open | one piece masterlist

Long as you dreamin' 'bout me, ain't no problem

I don't got nobody, just with you right now

Tell the truth, I look better under you

I can't lose when I'm with you

How can I snooze and miss the moment?

You just too important

Nobody do body like you do

Your body itched when you saw a handful of greenish hair appearing on the horizon of the Sabaody archipelago. It was two long years without seeing each other, without talking, without the little escapades in the crow's nest where you spent hours tangled up in each other. Before you could prepare to talk to him, Sanji and Luffy also appeared in your field of vision, running in some direction you hadn't noticed yet.

"Let's go!" Luffy passed you who immediately started running to keep up with them.

"Finally a beautiful and real woman." Sanji's eyes practically threw hearts in your direction. "So beautiful, so fragrant, so..."

For a few seconds you thought Zoro was going to complain about Sanji, like they always did, but he remained quiet just as he didn't show any reaction when he saw you.

Your companions didn't know about the little escapades the two of you had and for a long time it was what made sense to you. Until your eyes witnessed Kuma erase Zoro's existence before your eyes, at least that's what you believed for a while.

"Isn't that the pretty girl from Thriller Bark?" Sanji caught your attention. A few meters away you recognized the pink hair and the gothic style.

The woman's face was almost glued to Zoro's as she yelled at him. Too close to be just a coincidence. "Why haven't you left here yet?" "I brought you here for nothing." Perhaps your vision was obstructed by the anxiety of being back - which now became a bitterness on your lips. Apparently the two years passed differently for him.

Ignoring the confused feelings, you and your companions ran towards the Sunny and before the navy even thought about reaching you, the ship was already sailing towards the next island.

"It's so good to have everyone back!" Nami hugged you tightly in a hug. "Come on, tell me what you were doing this whole time."

Islands with carnivorous plants, strange laboratories, giant birds, a castle with a certain girl with pink hair. Zoro was sitting next to you. As they listened to everyone talk, something about his posture seemed to show some discomfort in being there.

Everyone seemed to accumulate stories and adventures to tell and despite the small puddle of hurt that accumulated in you, you were happy to see your friends again.

"And you." Robin turned towards you. "What challenges have you encountered?"

"I went to a village that was being attacked by venomous insects. We had to keep shooting at them all the time and maybe that improved my aim." You took one of the small knives from your waistband and threw it past the small gap between Nami's neck and hair.

"Shown off." Zoro murmured next to you, attracting your attention for a brief second.

"Did the animals do this?" Usopp pointed to your arm.

Attracting everyone's eyes, you turned your arm, showing the scars that started on your fingers and went almost to the height of your shoulder.

"No." you smiled sympathetically as the shooter looked on attentively. "Let's just say not everyone on this island was nice or interested in the end of the demonic insects."

The others nodded and it didn't take long for them to engage in another story, paying attention to all the news. Even though you weren't looking in his direction, you could feel yourself being watched the entire time.

After a long conversation, everyone decided to explore Sunny. Review what they left behind, prepare for the next challenges. Before you could do the same, you felt an arm pulling you towards one of the rooms.

"What the hell is this." you saw Zoro in your field of vision. One of his hands closed the door and the other rested on the side of your head.

He tried again and saw you repeat the gesture. It took his brain a few seconds to process all the possibilities.

"It's been so long." he murmured, his face seeking the direction of your lips. Begrudgingly, you dodged his kiss. "What?"

"I understand." he started walking away. "Two years is too long, I understand that maybe you found someone else."

"I did this?" The tone of his voice was shrill and full of indignation. "Says the guy who was with the goth girl there. Did you enjoy your enchanting romance in an incredible castle?"

"Are you crazy?" Zoro analyzed you for a few seconds, seeing how safe it was to approach you. His hands found your chin and when you tried to move away from his touch, Zoro held on even tighter. "You know I had nothing to do with her. You know no one is like you."

Your own hands found his and went up to your face, relief was written on your face. Gently, one of your fingers traced the scar that closed his eye.

"Who made this?" you whispered, wanting to hold that little moment between the two of you.

"No one that matters now." He turned his face, kissing one of your hands. His gaze soon reached your immense scar. "About what you said outside, who was the bastard that hurt you?"

"No one that matters now." You smiled, enjoying his touch on your face. "You know I hate her, don't you?"

"Perona?"

"I wish I had killed that bitch in Thriller Bark!" you grumbled, earning a laugh from Zoro.

He wanted to kiss you, heavens he wanted to be able to take you there but he had missed hearing you too much and seeing your eyes shining in his direction. Everything else could wait.

"You only say that because she was playing with the ghosts and you."

"Exactly." your hands went down to the back of his head, pulling him closer. "I'd kill that bitch again just to think of her stealing what's mine."

You could feel Zoro's laughter almost on your skin, given the proximity. "So jealous" he murmured and before his lips stole yours, the two of you were interrupted when you were thrown from the door and the presence of a euphoric Luffy appeared.

"Let's eat! Sanji is going to make a huge feast for you and us." he pulled you by the shoulders. "Can you get your knife between Brook's ribs, say yes, please."

"Does he know you want to do this?" you asked him, taking advantage of Zoro's support to stand up.

"He said he'll accept it, if you let him see the color of your panties." Luffy spoke with a naturalness that brought laughter from you and a groan from the swordsman.

"He won't see, but..." you warned, tugging at the waistband of your pants. "It's pink, with white polka dots." Brook's scream outside indicated that he had heard the entire conversation and had probably combusted.

"Hit his head." Zoro grumbled, leaving the room before you.

A lot of thrown knives, a huge feast made by Sanji - and considering that Luffy ate more than half of it claiming he missed the food the cook made. You watched some of your friends retreat to your quarters.

"Has anyone seen Zoro?"

"He said he would be upstairs if anyone needed him." Chopper warned you and you thanked him, leaving him behind.

Knowing he would probably be alone, you walked up the stairs to the crow's nest and entered unceremoniously. Zoro was lying down, contemplating the ceiling.

"I thought it would take longer." He stood up, coming towards you.

"It's just that everyone is going to sleep, I think we can talk properly now." the words barely had space to leave your lips before Zoro reached you and crashed his lips into yours.

Your hands were against his chest and even though you wanted to move away to at least try to talk before finding out what happened during this time outside, Zoro's lips took yours in an intoxicating way. Honey, drinks and longing mixed in your mouths.

"We can talk later." he murmured, almost reading your thoughts. "I just miss you."

"Me too." your lips heaved as you felt his arms lift you so that your legs were wrapped around his.

Such a movement was made only so that Zoro could take you to the ground in a strange delicacy on his part. The green threads became your fingers' favorite path while his hands removed the few pieces of clothing that your body still had.

"No one that matters now?" he traced some scars that adorned your back and watched you twitch. "I'll still kill the bastard."

"This someone is no longer here for you to take revenge on." you took his lips as a distraction for your hands to slide over the shoulders hidden in the kimono.

"That's my girl."

Scars, bruises, nothing would take away the pleasure of Zoro's contemplation. The long two years didn't really seem that long until he saw you. How can you wait so long? How did he not go crazy and come back even if he swam to Sabaody?

"Hi greenie." You caught his attention by letting your hands caress his cheek. "Are you ok babe?"

"You are so beautiful." The words came out suddenly as if it were common for you to hear that every day.

If it were up to him alone, he would make a point of repeating that all night and for the rest of the next nights as well. Your eyes looking down at him asking for attention to your body, your legs closing against his body, small sighs as you felt him touch you. You underneath him was one of the best sights Zoro would have for the rest of his life.

His lips traced every contour of your skin. Every shiver was swallowed by a kiss, every shiver was trapped between his lips. The damp fabric of your panties didn't last long as a hindrance to the swordsman who turned you into tatters. It was like enjoying a feast after years of scarcity, drinking the divine honey that flowed from you.

"Still delicious." "I missed you so much."

Zoro couldn't contain a light laugh when he saw you cover your mouth with both hands, avoiding the screams that hit your body as you poured yourself onto his lips. Your waist took on a life of its own with the sensitivity of your pussy against his tongue.

Without any effort, Zoro turned you around and, handling you, placed your body on top of him, in a lotus position. His cock brought friction against your clitoris, your belly burning with pure anxiety and his hands made your hips move against him without even penetrating you. Your lips already hurt from the pressure you used to not let any noise escape.

"Let me hear you, please." One of his hands caught your hair, placing your head against the back of his neck. "Moan just for me baby. I need to hear you."

"Zoro, fuck, don't torture me. Just fuck me, please."

Hearing you beg was the closest thing a devil like him would get to heaven. Wrong, so wrong. Feeling your pussy contract with every inch he put in, that was paradise.

Despite feeling like you could explode at any moment, you moved slowly, not wanting the night to end. The grips against your ass, the eager hands pressing you against the base of his cock. Neither of them seemed to be able to last long.

The peak reached you first, your lips against the sweaty back of your neck, your fingers prickling the green strands begging for more and more, it was enough for Zoro to sink his teeth into your soft skin, containing his own moans and filling you up.

He lay down, still keeping himself inside you and allowing you to lay against his chest.

"You have new ones too." Your fingers traced some new scars.

"You don't like them?"

"Still beautiful, as always. Zo?"

" What do you need, sweet?"

"I know it wasn't our choice, but... Promise that if we get separated again, we'll find a way and find each other." Your eager eyes drew a sigh from the man, who pressed you even tighter against his embrace.

"This is the easiest promise I've ever made."

The sun began to rise when you could no longer keep your eyes open. With your body tied to Zoro's and covered by his kimono, without worrying if anyone would arrive, the two of you both took a snooze.

[creativity-deficient]

Anywayssss I genuinely think this is one of the most important creek scenes we have so far and I don’t see a lot of people talk about it so let’s get into it

So it all goes back to this scene-

I know it’s generally agreed upon amongst the fandom that Tweek and Craig were only fake dating/doing it for the town at first, but at some point their relationship became real, and it’s easy to see why, I mean, it is left pretty vague in all fairness.

I, however though, don’t believe this to be the case? Like YES, the town shipping them together is absolutely what brought them together in the first place, and they did not seem to have any interest towards each other before that, that’s indisputable. HOWEVER I don’t think that necessarily means their relationship was “fake” either. I do think it took time and work to get to where they are now, but I also think that the whole situation, as crazy as it was, not only helped them both to be more open and honest with themselves about their sexualities, but also in the end, DID genuinely bring them closer together.

One thing I have always found super interesting about Tweek in this episode (and this could just be me) is that unlike Craig, he doesn’t seem to struggle as much with accepting his sexuality but rather, how he will be perceived because of it. His first thought when finding out about all the yaoi art is “what if my parents find out?” He’s afraid and anxious of what others will THINK of him if they know.

But in this scene, it’s clear that he’s no longer afraid, and I feel what he says to Craig here sums it up pretty well-

“I’m so sorry Craig, you made me believe in myself in a way I never have before. I didn’t think it had any of that in me but, you were right! I can do more than I think. You CHANGED something in me and I want to fix whatever’s hurting you now.”

It’s because of CRAIG that he now has this newfound confidence, and I truly believe it changed his perspective of him. Obviously I don’t think he full on fell in love with Craig right there and then, but I DO think that Craig being the first person to ever really make him believe in himself has made him start to see him in a different light, acting as the catalyst for what was about to come (in more ways than one, but that’s another rant)

It’s no secret that Tweek lives a pretty tough life. He’s abused, neglected, and no one really takes him seriously

But Craig?

Craig is the first person who has actually made feel Tweek SEEN. Like he’s MORE than what others, including himself, think that he is

It’s such a brief scene, but I feel like it says SO much, because even just being there, sitting together on the couch and being able to talk about WHATEVER without feeling like he’s going to be judged because of it is probably WAY more than anyone else has ever done for him

And you can tell it means the world to him

[curtsies-from-princess-ashlyn]

I cannot for the life of me understand why the writers are still dragging the Claire storyline out. If we, the audience, are supposed to feel as anguished as Carmy is over losing her, I think the writers really failed. I really didn't see that their connection was so deep that Carmy would be this distressed over their breakup - even if it was due to something insensitive he may have said. Having multiple characters continue to push him to rectify his relationship with Claire feels so forced, as well. If their relationship was something that I truly believed could be lasting, then I could probably connect to that emotional tension, but I had thought the entire purpose of his S2 storyline was that a step towards Claire was a step away from fulfilling his responsibilities to Sydney and their restaurant. His relationship with Claire was in direct conflict with his relationship with Syd, and he continually let her down until he finally realized he was letting himself be pulled in two different directions. His making amends with Claire should've been finished in the first few episodes - she's not a main character (she's not even a character who's developed outside of Carmy's POV), and I'm pretty sure she had more screentime than Marcus. These writers cannot write a manic pixie dream girl and expect audiences to actually believe in the strength of her relationship with the lead so much that they root for them. (I also still don't understand how Claire is supposed to have all this free time when she's a hospital resident)

If the goal was to sow this division between Sydney and Carmy, which will force them both to seriously examine their relationship next season, I get it and that can be fine. That's also sort of what happened in S2 already, but they can still further develop that idea in a meaningful way. I'm gonna be honest, I'm here for the writers to pair up Sydney and Luca for a time as a plot device ship. They have excellent chemistry, and I would love to see Sydney exploring a new relationship until Carmy figures his stuff out. It can be reinforce the strength and importance of Sydcarmy's relationship to each other.

Just to warn you all, though, Sydcarmy could either be headed the Rina route (Ricky and Gina from HSMTMTS) with a planned slowburn executed beautifully, or this could end up being a Bellarke situation (Bellamy and Clarke from The 100) where the writers have a vendetta against the romantic pairing, despite obvious romantic undertones. Whichever one happens is anyone's guess, at this point

[moonblastbitch]

Yellow card update

Hi ya'll! So I barely use tumblr nowadays, but considering some stuff going on I thought it would be good to do a quick little come back.

So hi! I'm Kit, I write the griddlehark fic Yellow Card with my friend Starr. It's a very silly fanfiction about age difference Harrow and Gideon having an affair and raising a child together. It's pretty well known in TLT fan spaces which I'm super grateful for! It's not an understatement to call this little fic my pride and joy. I've spent the last two years working on it as my little labor of love and it's kinda grown a cult of followers! Really, it's a fun excuse for me and my friend to work on something we care about together. But lately I haven't felt inclined to work on it and I want to talk about why.

Over the last several months I've had some health stuff going on that's resulted in needing two surgeries. Along with that, I moved into a new place and my gf and I are managing some new financial stress. Plus, you know, the general state of democracy in decay all around the world. It doesn't leave me a lot of time or energy to write silly smut fic. Everyone has been very supportive of me taking the time I need to recover and I'm really grateful.

But... this is where I have to address some not great stuff. Today my friend approached me with a fanfiction making fun of my writing. And several posts from someone making fun of the tropes I use in the writing. Now, I want to make this abundantly clear. Absolutely no one is required to like my writing style or fics. I don't write for praise or wealth, just for my own personal happiness. I think everyone is within their right to complain to their friends if they dislike something they read. What I really can't tolerate however is this intense hostility toward myself or my fellow writers. Nor do I appreciate having an entire fic written mocking me or my stylistic choices.

Back when I first joined the TLT fandom in 2020 it was teeny tiny. Now it's a lot less so. It's been so satisfying to see everyone grow and change over the years, and I think I've grown a lot as a writer. Sadly though, I've seen a lot of stupid bullshit. I've seen personal friends of mine targeted in harassment campaigns because they ship the wrong ship. I've been added to public bookmarks complaining about my writing, I've been subtweeted, I've been made fun of. And I think I'm done.

I write for my own pleasure. I write to bond with my friends. I am not writing for homophobic assholes who use my work to mock me, nor make me or my co-writer the target of harassment. So, as a result, Yellow Card and all my other TLT fics are on an immidate hiatus, with the exception of one upcoming commission for the TLT for Palestine charity.

I spent a long time tonight debating if I should even write this post. It seems like by writing this I'd be giving the people making fun of me more ammo. But honestly? I don't care. My feelings are hurt. I am upset. I shouldn't have to hide that because some bullies will take bits of this statement to use in their next bitchy text post.

I want to reiterate something important. I am open to critque on my work. Anyone who has an issue with my writing style is more than welcome to come into my comments and let me know if something isn't flowing right, if there are unfortunate implications of a line I may not have considered, if there is something they personally find a bit distasteful. Sadly, the people doing this skipped right to mockery and ridicule, and that is unacceptable.

What drew me to this fandom in the first place was Muir's openness to her background in fanworks. She clearly takes such pride knowing her book series has spawned into a wild, happy fandom writing crack silliness and serious character study alike. Because that is what fandom is for. Having fun in a big beautiful sandbox, creating art with friends. And I treasure that deeply, even as I am forced to walk away from a space I love.

TLDR: TLT fandom is full of dicks. And not the kind I write about.

Thank you to everyone whose offered me kindness and support over the years! I truly appreciate you all. If you wanna stay in contact, it's easiest to find me over on twitter @moonblastbitch or discord (same name)

[lurkingshan]

Unknown Episode 11

Well, let me get this out of the way upfront. This episode brought us to the big moment we've all been waiting for, the final turn in Yuan and Qian's relationship--and unfortunately, it didn't quite land.

I've been sitting with this episode, contemplating my disappointment with the first sequence, and I think it comes down to this show that has been so assured and confident through most of its run faltering at the crucial moment and seeming to lose faith in its own storytelling to the point that it used editing tricks to compensate. The choice to chop up and sequence this narrative lynchpin of a scene out of order is baffling, and it's a choice that significantly stepped on the most important emotional climax of the story. I was confused to go from the conversation outside to a sudden kiss, then disappointed when we cut back to a very short exchange between Qian and Yuan that was supposed to provide the basis for this turn with only some thin dialogue that didn't connect the beats of the scene, and then into an intense sexual encounter (that was constantly interrupted by repetitive flashbacks) that should have felt like a triumphant and revelatory moment but didn't because of the way we got there.

I know I'm not the only one feeling that way, since folks have been creating and distributing reedited versions of the scene, and Youku actually uploaded a new version free on YouTube with all the flashbacks removed (a clear move toward fan appeasement after the show received a lot of negative feedback on the scene). The editing and the flashbacks were annoying, but honestly the fundamental problem was the scene they wrote did not sufficiently sell the change for Qian--he goes from saying he is still not certain what he wants to being ready to be dicked down in a couple minutes' time, with nothing in the exchange providing any new information or impetus for the shift. The performers did great work but unfortunately the writing and directing and editing decisions around this sequence were just bad; it's frustrating for this to happen with arguably the most important scene of the romance.

A note about the novel: the way this final turn happened there was quite different and, candidly, better in just about every way, from the impetus for the change to the beats of the revelation to the progression of physical intimacy on a pace that felt much more attuned to the emotional complexities at play. I do not know why the show did...this when they had better source material content to work with, but here we are. I absolutely recommend that anyone who loves this show read it!

So, with that disappointment expressed, on to the rest of the episode, in which Yuan and Qian settled into their couple era. I was deeply amused by Qian taking to their sex life like a moth to a flame to the point of daydreaming in meetings, but I do wish the episode had focused more on the natural tension and role confusion that should have resulted from this huge shift in their relationship. They touched on that a bit in the scene where Yuan asked Qian if his hug was from his brother or his boyfriend, but they didn't delve into those complexities in the way I hoped they would. I enjoyed their date at the local restaurant (and loved their friendly neighborhood gangster helping to set the mood) and how much it felt like they were surrounded by their history as they moved through all of these familiar locations where they've had important moments. I didn't much care for the insertion of the health scare plot or the time spent on Le and the doc, though I'm always happy for more Sam Lin even if it comes in the form of a weird late stage and wholly unnecessary ship.

My favorite scene between Yuan and Qian in this episode was far and away the discussion on the stairs with Qian reflecting on his fears of becoming more like his mother and Yuan biting him to snap him out of his fatalistic attitude (this felt like such a classic Priest tribute, she always has biting in her romances). It was a helpful re-centering of what they do for each other and why Yuan is an important presence in Qian's life. I didn't think we needed the health scare for Qian, but I did love Qian choosing to go to this place where he found Yuan to contemplate his life and what matters, with Yuan in turn reflecting that even though he's seen a lot more of the world now, he still prefers to come home to this street. I found that exchange so moving and I think it was important for Qian to hear that.

And that scene led to my other favorite thing in this episode, which was everything to do with Lili and her bond with her brothers. I teared up to see her standing against the wall where Qian has measured their growth talking about the sneaky ways she would try to care for Qian when they were younger, with San Pang listening attentively and gazing at her adoringly. It was such a small moment, but a really lovely window into their relationship dynamic and the shared history they also have together. And when Yuan and Qian came in hand in hand and she just ran to them and offered up her love and acceptance, I felt so much warmth for this family and everything they've survived together.

[longing-for-rain]

what do you think of the argument some people make that goes along the lines of "zuko was acting entitled towards kataras forgiveness and the betrayal at the catacombs was just a second thought to him"? According to them, zuko failed to understand that kataras anger at him was a direct consequence of his previous decisions and instead blames it on her resentment against the fire nation (the whole "i think she sees me as her mother's murderer" spiel). They also claim that he's a raging misogynist bc of the way he treated katara in the pirate episode, that he didnt remember her name when asking sokka abt the southern raiders, taunting her in the northern tribe by saying she is a big girl now that she's learned some new tricks, referring to the kyoshi warriors as a "bunch of little girls", yelling at mai and acting possessively, mocking ty lee... amidst many other things, including the toxic masculinity accusations ofc. They also condemn his selfishness in helping katara find some semblance of closure. I think a great part of this is just biased hate, but i just wanted to know your opinion. It's okay if you don't want to answer though!

Oh no of course, I think it’s definitely biased hate, because these kinds of superficial “criticisms” only seem to come up in response to people shipping Zuko with the incorrect character. I’ve seen the same people who make these arguments praise Zuko, say they love him, say his redemption is inspiring, etc. in other contexts.

There is a lot to unpack here, but I’ll touch on all these points because I find them interesting. Also, in regards to generally stupid anti Zuko takes from whiny anti shippers, a lot of those came up here which I addressed in detail.

Now, about these particular arguments.

1) Zuko wanted Katara’s forgiveness out of selfishness

Firstly, I never understood this take because in context…Zuko already has what he set out to get when he left the Fire Nation at the beginning of The Southern Raiders. Actually, let’s take a step back here: leaving the Fire Nation. Did these people collectively forget that? Zuko could have stayed in his life of luxury, watched the world burn, and inherited the title of Emperor from his father. But instead, he committed treason, risking his life in the process, because he knew in his heart it was the right thing to do. This is the character you’re trying to smear as a selfish monster?

Anyways.

The Southern Raiders. The scene which kicks off the conflict with Katara is when the group is sitting around the fire, praising Zuko for his heroism and saving them from Azula. He humbly admits he doesn’t feel he deserves the praise, to which Katara agrees and storms off. But the important piece of context here is that everyone else—including Sokka, Katara’s own brother—seems to be on Zuko’s side. If Zuko was purely selfish, he wouldn’t have cared what Katara thought of him. He could have laughed along with Sokka and agreed that Katara was just being dramatic. But that isn’t what happened.

Zuko doesn’t look angry or vindictive here; he looks hurt. He cares what Katara thinks of him; he later says those words verbatim to Sokka.

I also think the fact that Zuko made a special effort to reach out to Katara above the other characters shows that he recognizes that the catacombs incident was much more personal for Katara. Zuko even acknowledges this himself.

Zuko: Katara mentioned it before when we were imprisoned together in Ba Sing Se, and again just now when she was yelling at me. I think somehow she's connected her anger at that to her anger at me.

Zuko remembers their conversation very well. Katara’s anger towards him was different than the others because she felt betrayed on a more personal level. She shared something deeply personal with Zuko and connected with him, and felt deceived when he betrayed her.

In Katara’s mind, Zuko talking about his mother was fake. She tells herself it was just him lying to her and manipulating her to gain her trust, because that’s easier than the idea that he didn’t care. I believe this is why Zuko finds it so important to make it up to her…and specifically why her mother was involved. Obviously Zuko was wrong to side with Azula. But he wasn’t being manipulative or uncaring. He was manipulated himself by Azula, the person who knows how to control him better than anyone else.

So, in this episode, Zuko is not setting out to prove that he’s “good” (he’s already done this); he’s setting out to show Katara that he does respect her trauma, he does understand and respect the weight of what she told him about her mother. Zuko can tell she’s deeply hurt and that he’s part of that hurt. That’s why he wants to demonstrate that his care for her was and is genuine. He never lied to her. And that right there is the opposite of selfishness. This is once again Zuko acknowledging his own faults and taking responsibility for fixing them. He doesn’t even seem to demand or expect forgiveness in the end.

Look at his face. He’s surprised. He did not expect this gesture, although he graciously accepts it.

If Zuko was this selfish, entitled monster people want him to be, he wouldn’t react this way. He wouldn’t even care about any of the points I just went through.

If you honestly believe that Zuko’s motivation was selfish and he was just manipulating Katara’s feelings this whole time, you fundamentally missed the point of one of the show’s most critically acclaimed episodes.

2) Zuko didn’t know Katara’s name (?)

This one is just stupid. I’m sorry. I didn’t know people actually used this argument because it originated as a joke post and you should be embarrassed if you genuinely think this is canon. It comes from the scene in The Southern Raiders where Zuko says “your sister” rather than “Katara” when asking Sokka about their mother.

There is absolutely nothing about this scene indicating that Zuko doesn’t know Katara’s name. The word choice is most likely to emphasize the sibling relationship between Katara and Sokka to explain both to Sokka and to the audience why Zuko sought him out specifically.

And think about it. Zuko has been hanging around 24/7 with them for probably two weeks at this point. There is no way he didn’t catch Katara’s name, if he didn’t already know it. And given how diligent he was in his Avatar hunting days, he most likely did already know it.

3) The pirate episode

Okay I’ve said this before and I’ll say it again…I’m so tired of people projecting some weird, creepy sexual undertones onto this episode. There was absolutely nothing abusive or misogynistic about the character interactions here. It was a very standard (and honestly a bit cheesy) example of a cartoon villain and hero interaction. The fact that you see a female character in any kind of distressed situation and immediately project sexual implications onto it is the real misogyny here. I never see people complain about similar scenes involving male characters:

I could dig up even more examples but can you see my point? The argument that there was any abuse or sexual misconduct on Zuko’s part this episode is absolutely misogyny—but it’s audience misogyny; not Zuko’s. The canon scene would have gone exactly the same way if Katara was male. The only difference would be much fewer disgusting sexual over-analyzations of it by fans.

4) “Little girls”

For this one, an important piece of context to keep in mind is that this script was written in 2005 by a creative staff of mostly men. So we need to ask the question, is this meant to reflect misogyny on Zuko’s part, it is it the bias of the writers?

Another prime example of this is Iroh’s interactions with Jun. Obviously, that was severely creepy behavior and absolutely misogynistic. However, most fans (including myself) tend to overlook that. Why? Because it’s jarringly inconsistent with the rest of Iroh’s character and his purpose within the narrative. In context, it’s pretty obviously something the writers thought was “funny” at the time but aged like rotten milk.

Also, in regards to sexist language during fights, consider all the stupid lines like…

Azula: Who are you? The Avatar’s fan girls?

Ty Lee: You are not prettier than we are.

…in the Kyoshi Warriors vs. Dangerous Ladies fight. Seems like this is just a writer bias issue, personally. When have men ever been normal about teenage girls? Right—never.

I get this is a slippery slope, so my approach is to compare Zuko’s lines like this to everything else we know about Zuko and ask the question: is there anything about Zuko’s character that indicates he views women as inherently inferior or lesser?

Well, no.

You know what is a trend for Zuko? He focuses on putting down his opponents by acting like they’re younger and weaker than him. His first reaction to Aang is “you’re just a child.” This is consistent with his attitude towards Katara and the Kyoshi Warriors. Zuko canonically treats male and female opponents no differently. He fights and moves on. No creepiness, nothing like Iroh and Jun, etc. If they were male, it wouldn’t have gone differently. That’s why I think it’s a reach to say these comments by themselves indicate a misogynistic attitude.

Besides, why would Zuko see women as weaker and lesser when this is who he grew up with?

That’s another thing. For as much anger and resentment Zuko harbors for Azula on the basis that she’s Ozai’s favorite and born lucky—not one comment is made about her sex. If Azula was male, nothing would inherently change about this dynamic. So yeah, I’m not really buying this whole “Zuko is a misogynistic incel” narrative. If you’ve ever dealt with incels in any capacity, you know they’d absolutely jump at the opportunity to whine that their (female) sister is so much more lucky and privileged and loved compared to them.

5) Zuko, Mai, and The Beach

I’m working on a longer analysis of this but to summarize…people on both sides blow this issue way out of proportion. Mai wasn’t abusive. Zuko wasn’t abusive. They were a pretty standard angsty teenage couple having angsty teenage drama. Zuko called Mai a big blah and shoved some dude into a vase. Mai told him he was out of control. That’s literally such a minor issue, that they resolved by the end of the episode.

But to dig into this more, consider the point this is in Zuko’s story. He’s at rock bottom. The premise of the entire episode is to show how abnormal and out of place Zuko feels among people who should be his peers. His issues with Ruon-Jian aren’t even about Mai to start. Zuko was beefing with this dude before the party even started, remember?

Why is Zuko mad at him? Because he’s making Zuko feel freakish. He’s making Zuko feel like he once again is an outcast, and Zuko hates that. He’s insecure. That’s…the point of the episode.

I’m not going to excuse his tantrum over Ruon-Jian talking to Mai, because that was toxic, but consider the context. Zuko isn’t some crazy possessive freak. In his mind, this is just icing on the cake, another example of why he’s an antisocial freak compared to other Fire Nation teens and he hates how it makes him feel.

But interestingly enough, I do think Mai and Zuko’s interactions in that scene give some insight into their dynamic and Zuko’s character—believe it or not, in a positive way. Just consider the context and body language.

I’m just stating facts here. Zuko is more physically threatening than Mai. He’s bigger, stronger, male, and he’s a firebender while she isn’t a bender. And yet, Mai has absolutely no trouble getting in his business to tell him off. Why? You can argue that it’s just because she thinks she could knife him—but we’ve seen how she reacts to an actual physical threat (Azula) and it isn’t like this at all. Mai is confident because she knows Zuko wouldn’t physically harm her. He’s angry, but he never once uses his figure to physically intimidate her. He clearly doesn’t make a habit of this behavior either judging from Mai’s reaction. Also think about the fact that the only physical altercation here is between Zuko and another man. The primary target of his anger isn’t the woman he’s allegedly acting possessive over unlike another character in the Ember Island Players and several comics…

Not to mention the way they reconcile around the fire. Zuko’s behavior doesn’t at all reflect an angry, entitled misogynist who thinks he owns his girlfriend. Quite the opposite. He clearly holds a lot of love and respect for her. It’s just that…this episode is literally displaying Zuko at his most tortured, his most self-hating, his most insecure as he realizes he no longer has a place in the home he’d desperately been chasing for years after being brutally mutilated and banished. With that in mind, I think he actually handled himself very well.

The thing about Zuko is that he takes accountability for his wrongs and works to improve himself. He has flaws and even when they’re understandable, he still takes responsibility for fixing them. That’s the trait of his that sets him apart from…certain other characters.

6) Zuko being rude to Ty Lee

Again, see above. Yes, Zuko was mean to her. But again, this is Zuko at rock bottom. This is Zuko venting his frustration about nobody being able to understand what he’s gone through and how isolated and freakish he feels. None of them had their faces burnt off in front of an audience. None of them were banished and forced to live as refugees. Zuko blew up at Ty Lee in the first place after she made a comment about bad skin.

Like yes, he’s rude, but did you miss the point of that episode? If you think this has anything to do with misogyny you’re just delusional, sorry. That interaction had nothing to do with Ty Lee being female. It had to do with her (and every other character that episode) living a privileged lifestyle while Zuko is (literally, too) feeling the weight of the scars his trauma has left him with.

So in conclusion, yes, I really think these takes are all shallow and unfounded jabs at Zuko’s character that either don’t understand or outright ignore critical parts of his development and story. And considering I’m #canceled for my based misandry in many circles, it should say a lot that I’m defending a man of any kind ✌️

[unhelpfulfemme]

Thalias from the Thrawn Ascendancy trilogy is how you do a female character with "traditionally feminine" virtues correctly.

The culture of the Ascendancy involves using young girls - the only Force sensitives their race has, since they all lose their Force sensitivity when they enter puberty - as ship navigators necessary to navigating the chaotic part of space that they live in. These girls are taken from their families at a young age and raised by a series of caregivers, and just like a bunch of plenty of carers IRL a lot of them are dogshit at their job. As someone who's worked similar jobs and watched other people work similar jobs, Timothy Zahn is BRILLIANT at portraying all of this - it gives me feelings like I can't describe. If you've ever seen a mean preschool teacher harranguing their charges or a shitty foster parent who doesn't treat their foster kids as individuals or anyone of the sort, you will feel this in your bones. Zahn goes hard on the "children are people" themes in this trilogy and I love love love this - it really means a lot to me to see a man known for his military and engineering competence porn stuff put so much thought and care into portraying caregiving as the important and complicated task that it is without coming off as sexist or patronizing towards it.

Anyway, Thalias is one such navigator, but even though most of them want nothing to do with the whole trauma-inducing system once they grow out of it, Thalias ends up returning as a caregiver and puts so much effort, compassion and logical thought into it that it makes me cry tears of joy. She draws on her own experiences but is quick to course correct when she realizes that Che'ri's experiences are different from her own (Thalias loved to read as a kid and still finds it comforting, Che'ri hates reading), she treats Che'ri with empathy and gives her as much autonomy and independence as she is allowed to. She uses a scientific method to figure out how the navigator powers work and adjust Che'ri's work routine accordingly - something no one has ever thought to do. She advocates for Che'ri with the rest of the ship's crew. She's amazing, and Zahn also makes sure to show how HARD it can be at times rather than just make her a perfect mind reader who always knows what her charge is thinking and what to say or do.

She's also kinda flawed - she seems to have an unhealthy obsession with Thrawn because he was once nice to her when she was a miserable kid in the throes of the shitty navigator system, and it comes off as kind of weird or cringe at times, and that's a GOOD thing in my book because it makes her character more 3D.

ALSO, the really nice part of it is that these books are filled to the brim with cool female characters that all feel really really different from each other, so Thalias being the nurturing, diplomatic type doesn't feel like Zahn sending some kind of message - the other prominent character is Ar'alani, a clever military woman who's a natural leader, excellent at handling her subordinates and recognizing their talents, excellent at handling politics even though she hates it, excellent at improvising on the fly, and also a kind and loyal friend. A lot of the other soldier or officer types are also women, and Zahn's other works also have a shitton of varied and cool women, so you feel safe in the knowledge that anything Thalias says or does is indicative of Thalias as an individual and not some vague idea of what women are like that the author has.

I also love how her character provides a contrast to all the "necessary evil" and "people are assets"-type thinking that a lot of the Ascendancy's more military types endorse (which make up a large percentage of the main cast, since this is mil scifi after all) - her conversation with Samakro about this is just chef's kiss to me. I feel like it's cool that we get this kind of POV because to me it serves as confirmation that Zahn knows what he's doing here - he's not being a stupid edgelord fanboy in love with the concept of doing shitty things for the greater good, he's just keenly observing how different people approach life and how all of these sorts of thinking are very useful in certain situations and deeply stupid in others. And the topic is treated with zero smugness - I've read things where similar arguments are used as a way of showing how wise and perfect one of the characters is and how stupid the other one is (coughvorkosigansagacough), but here everyone is treated with respect and empathy and consideration.

THALIAS SUPREMACY!!!

[simplespacedust]

hey so i'm gonna talk about pro-shippers because i feel like none of you have critical thinking skills.

please, if you are going to read this, read to the end because there are multiple parts to my argument.

SOMETHING IMPORTANT: i don't think it is okay to doxx, harass, or send death threats to people on the internet! if you send death threats to people, you are awful! if you go out of your way to harass people when they tell you to leave them alone, you are awful! if someone says something you don't like, talk with them like a normal fucking person jesus christ! if you repeatedly harass a pro-shipper, you are not helping them get any better!

firstly, in terms of "problematic" stuff in mainstream media, most component people can recognize when a piece of media is commenting on something with the use of a relationship/something problematic as a metaphor. just because something exists on-screen doesn't necessarily mean the message of the media endorses it. this is why you never (hopefully) see anyone getting upset about murder in movies. the piece of media is not saying murder is good. it is using it to make a commentary/characterize someone/etc.

now that we have set that precedent, we can move on to pro-shipping in fandom spaces. pro-shipping in fandom spaces if often fundamentally different between than the more general category of just "relationships in media." in fandom spaces, the tendency when creating art, writing fics, posting headcannons, etc. is for the purpose of personal/audience enjoyment. this is why pro-shipping is more often problematic within fandoms. if a person did want to create/add to problematic ships for a purpose other than getting off to it, that would be a different story! thats fine!

unfortunately, however, many pro-shippers do not proship for the literary merit/symbolism/characterization etc. many of them do it because they find the idea of parent-child or sibling-sibling relationships attractive. this is where the problem is. they symbol itself is not the problem, its the message/purpose of the work/art/headcannon itself.

i hear a lot of people talking about how pro-shipping is often a coping mechanism for dealing with trauma a person has experienced. my response to that? KEEP IT TO YOURSELF AND GO TO THERAPY!!!! if you are having to resort to jacking off to fictional incest to cope, then clearly you need the help of a professional to work through your issues! if you cannot for whatever reason, still keep it to yourself!

it is well understood that people are influenced by the opinions of people around them/what they see and interact with. putting out bullshit on the internet that portrays problematic relationships as desirable can one, create a pedophile safe space, and two, unintentionally (or maybe even intentionally!) expose children to these types of relationships and make it seem normal in their brains, which could cause them to not speak up about it if something bad does actually happen to them! even if a person shouldn't be in a space, they are! it doesn't harm you to not post the porn you wrote of that one kid and his dad from south park. and that only talks about adult only spaces, i have seen a shit ton of pro-shippers on tiktok, a platform marketed towards minors.

ANOTHER SIDE NOTE (i have a lot to say and am terrible at organizing my thoughts srry) is that a lot of times pro-shippers infiltrate general fandom hashtags. a child who is scrolling though a bluey hashtag on tiktok should not have any risk of running into someone on the internet describing how bluey's dad would r4p3 her!

you may think that because you are only talking about fictional characters and "its a coping mechanism" its okay, but it is most certainly not! not all coping mechanisms are healthy and what you post on the internet most CERTAINLY has a real effect on people. this is basic media literacy and critical thinking, guys. stop posting child/sibling smut headcannons on the internet! it is absolutely vile!

with all of that being said, (i said this at the beginning but i am going to say it again) i still dont think it is okay to doxx, harass, or send death threats to people on the internet! if you send death threats to people, you are awful! if you go out of your way to harass people when they tell you to leave them alone, you are awful! if someone says something you dont like, talk with them like a normal fucking person jesus christ! if you repeatedly harass a pro-shipper, you are not helping them get any better!

(im gonna put a bunch of proshipper hashtags at the bottom of this to reach the targeted demographic, i am NOT a proshipper, i am NOT an "anti anti" and i do NOT believe proshippers are valid, again, this is just for reach just to be clear)

[alliepretends]

Since I posted one of my Dimension 20 hot takes, and didn't literally explode. I think I'll post the other one that really matters to me.

The discourse around aroace Riz is really hard for me. And I find it really hard to be empathic toward people who think about it differently than I do. And I think it's important to put that lack of empathy in context. Fandom (and by this I mean the broader fandom culture, not D20 fandom specifically) has generally been an extremely hostile space for aromantic people. Shipping is the central pillar of fandom engagement and dialogue. And a romantic lens is typically the very first lens applied to the source material when it is brought into fandom spaces. By that I don't just mean it's what people think about first, I mean analysis tends to pass first through the lens of romance, and then only things the romantic lens can't lay claim to are left for other kinds of analysis. Even for aromantic people like me, who very much enjoy romance when it exists in the realm of fiction, it's hard not to feel like there's a message in that. "Characters, and the fiction they exist in, are only valuable when seen through the lens of romance. Regardless of the genre of the source material. That's because romance is unquestionably the most important and defining feature of life. Unless it's sex." This can get pretty extreme if you become a fan of something with an especially strong central ship (like a Supernatural), where it can feel like literally all analysis of any aspect of the work has to tie back to the ship. In my experience, the sub-culture of fandom, for all its trappings of queer acceptance, is far more arophobic and aro-hostile than any other culture or sub-culture I participate in. Not because fans are actively making anti-aro posts or hate aro people, but because romance is elevated as the primary element of human experience. The only one really worth talking about and exploring. The only one worth writing fics about or dedicating massive posts to. It is worth noting that the Dimension 20 fandom (and, based on my experience, actual play in general) seems to be less romance-focused than other fandoms. There's lots of gen fic. There's lots of discussion that doesn't focus on romance. But that doesn't mean the Dimension 20 fandom somehow exists separately from overall fandom culture. The baggage of that larger culture still informs this fandom.

And that's why the way Riz gets talked about feels like such a slap in the face. He is the first example I (and I expect many others) have encountered of a heavily-coded aromantic character popular with fandom. And yet, that hasn't freed him from the fandom scramble to read him through the lens of romance. I'll admit to being a bit of an extremist on this. I know that for many aromantic people having a single qpr that fills many of the needs of romance is really an important part of their experience. Many of my aromantic/aspec friends feel this way. But I don't even like qpr Fabriz. Because even though that is an authentic and important part of aromanticism to represent. With a character like Riz, whose fears are explicitly based around the lack of access he has to coupledom, qpr Riz still feels like an attempt by romance-oriented fandom to jam the first aromantic character the sub-culture gets its hands on into something that looks enough like traditional coupledom that no one has to change their romance-oriented outlook. The myth of the OTP can live on if you just change some of the verbiage. I know there are arospec people that would also feel excluded if fandom fell in line with my perspective and kept Riz as far away as possible from anything resembling romance. I don't actually know what the right solution to these problems is. We got thrown one bone and there's a bit of a desire to fight over it (Wikipedia's list of aromantic characters has 18 characters, and while that's not all of them, it's a decent percentage). But I did want to put this out in the world. Because I feel like there's a lot of context and baggage missing from this discourse. And all I really want is to have fandom still be able to treat an aromantic character as valuable even when they can't neatly pair him off

[re-colligere]

Joyness

goddddd what COULDN'T I say about these two really. They're so incredibly fitting for each other. I legitimately think their friendship is truly the most important ship to come out of these movies.

Under the cut because holy shit this got long LOL

It can't be said enough: I absolutely adore how their relationship has progressed from the 1st to the 2nd. Even if there wasn't a Lot of scenes with them in it, the scenes that DO have them interacting makes me want to sob on the floor. Joy invites Sadness to the Belief System, she lets Sadness drive the console when it's needed, she sends Sadness back to HQ because she values Sadness's smarts. It speaks a lot to Joy's character development, really. Sadness is such an important actor in Joy's growth and Sadness just had to be herself. It's awesum. And in turn, I feel like Joy's encouragements gave Sadness some of that growth as well. I think Sadness feels a lot more confident in herself and what she can do (even if she is a little shy/meek about it lol, but I love how active she was in the 2nd movie).

There's definitely a tinge of angst with how their relationship developed, especially in the 11 years they've been together before the events of the 1st movie. All that time Sadness has been pushed in the sidelines because team leader Joy just didn't understand her purpose. And despite that, I don't think Sadness has ever shown any malice towards Joy--in Driven by Emotions, the first movie's novelization, Sadness mentions she didn't want to disappoint Joy, and despite them butting heads a lot, Sadness seemed to be motivated to do what she feels was right rather than to disobey Joy on principle. Sadness also seemed to be aware that Joy doesn't understand people need to be sad, so Sadness at least has a grasp of her purpose. Hell, she understands everyone else's purpose, especially Joy, because Sadness even expresses that Joy must get back to HQ for Riley to be happy.

...Though I can't help but feel like all that mistreatment and misunderstanding weighed a lot in Sadness's mind. She could have cried about it a few times when we couldn't see it. That must've been a rough few years. Which to me makes Joy's growth a whole lot more satisfying??? Like come OONNNN she actively searches for Sadness and she gives her the okay to drive the console even if the rest thought Joy should drive it!! Joy learns the importance of everyone, not just herself...but especially Sadness, because ofc that was the main idea of the first movie.

With so much experience between them I feel like they'd have such a close and unbreakable bond...That is, after Joy profusely apologizes to Sadness with how she treated her. Sadness wasn't even expecting an apology, but in the following year or two I think Joy really shows that she's changed. Sadness knows Joy the most out of everyone else, and Joy...........well, Joy's learning to know Sadness quickly outside of their time when they got lost. Despite their differences, conversation flows really smoothly between them methinks. And of course, I've gotta mention they complement each other really well, seemingly filling all of each other's weaknesses. It's joy and sadness man they're the ogs.... They're Most Likely the first two emotions people would mention if they were asked to list them. Most commonly seen to be "on opposite ends", but it's just. so perfect that they work best when they work together.

I don't know if I have much more to say about how they synergize their emotions considering the 1st movie shows that in a LOT of ways. I love their chemistry and I love how they balance each other out. Sadness helps Joy when she needs a break, Joy helps Sadness when she's stuck in her thoughts. Together they bring such a wonderful sense of relief after expressing their problems and feelings. It's great. I love them.

[sunnysaystuff]

My stance on the Jegulus-Jily-"All Death Eaters suck because canon says so" dispute (or whatever):

TLDR AT THE BOTTOM!!!!!!!!!!!

After receiving MULTIPLE hate asks (wtf I'm literally nobody why do you care so much) guess I have to put this out here!!

first up - stuff I think is important:

Wolfstar isn't canon and it's the backbone of the fandom, so why do we suddenly decide canon is the shit when people write Jegulus/Jegulily fics? "James would've never liked a Death Eater" fanfiction means you can make stuff up, regardless of what canon James would've liked or wanted.

"Canon-compliant Jegulus fics don't make sense" did James explicitly tell you to your face that he would never date Regulus :0 canon-compliant is a very loose term. a lot of the time it just means that canonical deaths and plot-related events occurred, moreso than relationship-related events.

Jegulus haters often say that Jegulus fans constantly villainize Lily, but the fact of the matter is that they don't. You see more Jily fans villainizing Regulus for originally being a Death Eater than you see Jegulus fans villainizing Lily. "Regulus deserves the villainization and Lily hasn't done anything wrong" - reminder that you can hate on canon Regulus all you want (despite the fact that he eventually changed) but you should know that fanfiction might present him differently. Random fanfic Regulus is not the canon Regulus you despise.

Jegulus fans who despise Snape for his actions in canon aren't being very fair. He joined the Death Eaters and then he ended up working against the Dark Lord, just as Regulus did. Yes, he spent years bullying Harry, but do you honestly think Regulus wouldn't have behaved similarly if he had been in a similar position? If Regulus had been in love with Lily, and James and his brother and their friends were constantly making fun of him, and then Lily died after marrying someone he hated, do you think Regulus would have treated the godson of his estranged brother who betrayed Lily, the identical-to-James son of his enemy, with fairness or kindness? Regulus was canonically also not a nice person at all - was literally a Voldemort fanboy, and Snape wasn't even confirmed to be that much - and in fanon he's often characterized as this petty little shit. So do you think Regulus wouldn't have been awful to Harry as well?

Adding on to that, people call Snape toxic and creepy for being "obsessed with Lily" (he loved her because she was a bright spot in his awful life, platonic or romantic. Obsessed? Maybe <- My hot take), but when Regulus does it with James, it's sexy?

"Stop romanticizing Death Eaters" if it's not your cup of tea, don't read. I think these characters are just that, characters, and fanon stuff means you can do whatever you want with them! You can rewrite someone's entire story and personality if you want (ex: THOSE Dark Harry fics, a number of Dramione fics).

my personal opinions:

Jily and Jegulus are both super fun ships. Love 'em equally, though I'd say currently I'm leaning toward Jily.

I love Jegulily. I think it's really fun and has a lot of potential :0

I'm alr with Snape bashing and no Snape bashing (it's not that deep gang, same for Peter 'cause honestly it's kinda silly how people try to sub-in other characters as the 4th Marauder. Peter existed y'all.)

I think the Black sisters deserve more attention :0

Yes sometimes the characters are ooc in fics!! What to do when you see this and don't like it is click the back button!!

I don't have a problem with Remadora, but I prefer Wolfstar :)

I don't believe in canon casanova of gryffindor tower; I think it's cute in fanon though<3

endnotes/tldr since I wrote a whole essay:

ship and let ship. every (non-proship) ship is valid. this is what fanon's for.

let people hc and do what they want omg pls stop throwing hands over little things

have your opinions they're valid! just don't try to force them on others!!

feel free to argue with me in notes if you want; just be respectful please! I'm down to hear others' opinions; you might change my mind on stuff!!

might add more if I missed anything! I just thought it was lowkey important to put my opinion out here.

[noraantilles]

Stranded

Pairing: Thrawn x gn!reader (y/n)

Summary: Y/N and Thrawn crashed on an unknown planet with nowhere to go where the reader takes care of the grand admiral’s wounds. Y/N is a prisoner to the empire because they have special powers that allow them to do extraordinary things.

Warnings: descriptions of wounds, some swearing, fluff, potential enemies to lovers, reader has healing powers and can take pain, telekinesis

Word count: 1223 words

The landing was harsh. You and Thrawn jumped out of your ship which was split in half while you were heading towards the surface. You could slow down the fall with your telekinetic abilities but the branches of the trees you were falling through caught you anyways. With a light groan, you stood up slowly while inspecting your surroundings.

You landed in a forest. Flora and fauna, something you‘ve never seen before. On which planet were you? And where was your special Companion? “Admiral?“ You shouted into the jungle. No answer. With a concerned glance, you looked around. No way he came down that far away not to hear you. “Hey Admiral, where are you?“ you shouted again nervously.

As there seemed to be no answer for your second shout, your worries started to firm. What if he was dead and the impact of the fall killed him? As much as you hated to admit it to yourself, you liked him in some kind of way. Even if you are standing on different sides. Seeing him die, would mean a small win for the rebellion and that would be perfect, but you just didn’t feel right with that. It wouldn‘t just be a loss for the empire. No. It would be a loss for evolution itself. His intelligence and extraordinary abilities to think things through are immaculate. He is too important to die now and that is why you are worried.

“THRAWN?“ you shouted even louder than before when a dark figure limped out of the forest. “It‘s grand admiral and I am right here.“ You turned around surprised and relieved as you made your way towards him to support him. “What happened?“ you asked as you reached him, observing his wounds that didn’t look like they came from the fall. “A creature I have never seen before attacked me as I tried to walk away. I think my ankle is spread, that’s why I couldn’t run.“

His wounds were deep but the bleeding stopped due to unknown circumstances. It looked infected. In this condition, you weren’t able to heal him properly as you were just able to seal his wounds not disinfect them. But staying here where this thing could come back any moment was way too dangerous. “We need to get out of the forest. Can you walk?“ you stated as you adjusted your support. He nodded wordlessly.

After a short hike, you were able to make it out of the forest as you discovered a settlement in the far. It was a risk to approach a village of an unknown species, but you had no choice, so you headed towards it. At first, they were very defensive as they noticed you two but when they noticed Thrawns wounds they were very helpful. They gave you and Thrawn one of their huts so that he could rest and bring him some antibiotics made from local plants for the infection. Even though none of you spoke each other’s language it didn’t seem to be a big deal.

You waited on the outside of your hut as one of the locals handed you the medicine for him. Since you both were unknown to them, they decided it would be best if you treated his wounds alone.

You stepped back into the hut approaching Thrawn who was half sitting, half lying on some pillows.

Thrawn looked very calm and observed the accommodation. You could tell that he was notoriously stuck in another world that was absolutely new to him. “Are you alright?“ you asked him while you were prepping the salve to treat his infection. “Yes.“ he said stuck in his thoughts without taking his glare off the fabric ornaments which were found all around us. Wordlessly, because he was busy with something else anyway, you pulled back his shirt to face the wounds.

It looked awful. So awful that you really wondered how he was even able to stay conscious less being able to observe his surroundings so curiously like he always did when he found himself an opportunity to learn something new. You looked at him with a concerning frown. “Does that not hurt you?“ “It does.“ he answered like before still unfazed. The longer you looked at him the more you could read his facial expressions.

Sometimes when you moved the shirt further up you could see a slight flinch in his eyes. He seems so rough, but the pain must be enormous for him. Since the empire captured you, some time has passed, and they still weren’t able to get the information about you that they wanted. You never showed them what you could do and never fought back when they lured you into an ambush. That’s why they also never got to witness one of your most special abilities. Your ability to take pain with a physical touch and heal the wounds within a minute. The only thing that you couldn’t heal were blood infections like Thrawns, that’s why they gave you the salve.

You decided to no longer wait. You took some of the salve on your hands and spread them all over the wounds on his torso. The soon your touch hit him you took all of his pain to you. It flowed right through your hand and spread throughout your body. You gasped quietly. Ouch, that hurts like kriffing needles stabbing you from the inside out.

As soon as your body adjusted to the pain your face got more relaxed and you were now able to observe the immediate healing effect the medicine had. In the meantime, Thrawn's attention had finally turned to what was happening right in front of him. While you were staring completely focused on the healing progress, Thrawn witnessed something that he could not quite believe. With your hand resting on his lower torso his pain was completely gone. The fast thinker that he is, he immediately knew that it could not come from that odd salve you gave him, no. It must come from something else. Your touch.

To test his theory he grabbed your wrist and pulled your hand up while staring at you with an intense glare. But the soon as your hand left his body a wave of pain immediately hit him, and he hissed at the sudden very unpleasant sensation. He caught you right-handed. “What are you doing?” you said tauntingly and pushed your hand right back to his torso as the pain started to wander back into your body. As your face had adjusted to the pain you started to look at him.

His eyes were piercing into yours. He was speechless, shocked, and fascinated by what he just had witnessed. “Extraordinary.“ he mumbled while glaring into your eyes. You shivered. His big red eyes gave you a sensation that you have never felt before. It scared you but made you feel special at the same time.

Not once before you had exposed your powers to the empire. And it wasn’t like you had no choice right now. But there was something about the grand admiral that got to you. You always liked intelligent men, but never that much to put away your moral compass. Falling in love with the enemy got to be the worst thing that has ever happened to you. Or was it?

Authors note: Hey guys, thanks for reading. I have been writing for some time now and never posted anything. I am finally ready to share some of my Oneshots with you. My mother tongue isn’t English so please be tolerant of potential mistakes. Anyways, like, share, and reblog if you liked it and I am happy to receive your feedback.

[rainybraindays]

So I specifically want to get my thoughts out on the Marina VS Debling thing.

Like lets look at the facts. Like the main similarities between them are that-

Marina was

- a love intrest for Colin, her first crime

- a love intrest he actively pursued

-Isn't even mentioned in their book, only Eloises making her not matter to their story and has been given importance by the writers

Debling is

- a love intrest for Penelope

-a love intrest she seems to be actively pursuing

-Doesn't exist in the books so therefore doesn't matter to their story just to be given importance by the writers

The differences we have so far are

Marina

-was pregnant

- saw colin as her best option to not be abused in a marriage

Debling

-... nothing, we have basically no information othwr than I think hes a vegetarian?? Like this man doesn't have literally anything yet from what I can remember

They have the same main 3 beats. All coming down to them being in the way of the ship. With Marina thats been a crime for literal years, her story has been twisted and her character turned into this mythic bitch that saw Colin as "the idiot he is"(actual wording I've seen)who's irredeemable. Thr nuances of her story have been stripped from her and thrown out in favor of putting her to these nearly cartoonish villian levels. It doesn't matter that she all but said "I do like you colin, just not romantically" and then later tried to nudge him towards Pen, people can't view her in any positive light in this fandom.

With Debling, you guys have been given basically nothing and have already decided hesbetter than Colin. That he's some god among men who deserves a prize for "noticing Penelope right away." You guys realize why shes never been noticed right? She legitimately can't talk to anyone, she struggles to socialize and her mother doesn't view her as a priority when it comes to marrying off her daughters. Like we see her pushing Prudence an Phillipa at people but she has no faith in Penelope. Its not even how she dresses,, though that surely doesn't help.

Colin not noticing her isn't because of this, its because they've known each other forever. Going off the assumption he started to get feelings for her/started noticing those feelings in s2, do you know how easy it is to excuse or brush off your own feelings for someone becoming deeper because you've known them so long? You just assume things, you write it off you don't try and get into their pants because you might have a crush. Not to mention in season 2 hes so depressed its not even funny. Like hes allowed to not want things to change with his best friend, especially when his last romantic endeavor blew up in his face.

This honestly isn't a great look for some of y'all who have been shaming Marina, for lying, calling her a whore, yelling about her hurting Pen or Colin, pointing at one scene where she lashes out at Pen as a testament to her true character. Like you've spent years being pissed about a character coming between thm but you're changing your tune now? Fantasizing about Colin nearly loosing the love of his life to him? Hoping for things like sex scenes between pen and this original character(do not steal)™?For a white guy whose only character trait is (maybe) not eating animals? Really?

[ladyzirkonia]

Axe Woves and his promotion from boyfriend to husband material.

I know I've mentioned it here and there, however, I'd like to get my thoughts and feelings that are going around in my head out in one post again.

I've got a crush on this men directly when he first appeared this season. I know that some found and still find him unlikable because of his statements and behavior. I think it's a good expression of where he comes from and how he was socialized and is in no way more despicable than the views Din's covert has, basically they are two extreme views of one culture.

Axe belongs to the ''modern'' Mandalorians who were born on Mandalore and who fought for Mandalore during the Purge. They have a different understanding of being Mandalorians than the followers of the old way. Both groups exclude the other, for different reasons, because of how they were taught. I don't want to justify his behavior, but I can understand there being animosity and mistrust, as I'm sure he's proud of who he is and that he fought for Mandalore while the people of the tribe were hiding on Concordia.

He insists on the importance of the darksaber to rule Mandalore, again an expression of what they must have been taught, though his attitude towards it will change greatly as we all know. His characterization and character development this season is wonderful, and I know I'm going to upset some people, but I think it's much better and more developed than Din Djarin's this season. That's exactly what I would have wanted for him.

He has a certain arrogance and doesn't hesitate for a second to fight both Bo-Katan and Paz. Others may call this immature, I would say it is a Mandalorian tradition to settle conflicts with a fight and I love how reckless he is even though he is probably aware that he will most likely get his ass kicked.

And I don't know exactly why, but I loved the scene with him and the forbidden lovers and his statement, ''I know it was for love.'' He is not heartless, he has a sense for the feelings of others in a way, but business is business and despite everything he handles everything calmly and without violence.

I know he acted like a smug asshole with Paz, but I can't deny that I was very amused by the scene, even if others find it problematic. And it just repeats the differences and conflicts of the two groups and it's all the more beautiful how they are later overcome. And I can't hide the fact that it's incredibly sexy how this man just doesn't have a shred of respect and fear for this mountain of man who could probably just stomp him into the ground.

But who knew what would become of this sexy, arrogant, and smug man in the season finale? Yes I got fooled like many others, I really thought he could be a spy and die, but we couldn't have been more wrong, I'm so sorry my love!

Just to start with how he just flies out into space with a damn jet pack without hesitation just to warn his sisters and brothers. He shows off his leadership skills on the Light Cruiser as he evacuates it and calls on the rest of the Mandalorians to help Bo-Katan. Only to be left alone to fight the incoming Tie Interceptors and then ship the damn ship to the planet. Without hesitation, even though he must have known he could get killed like a goddamn hero.

But best of all, he's not stupid enough to just sacrifice himself, bless the Mandalorians and their jetpacks. How he just flees the ship at the last second and lets it head for the damn base and is partly responsible for the fact that Moff Gideon ultimately dies is just great!

And the last scene, how he's standing there next to Ragnar and he's the one raising his voice and cheering for everyone, I love it. And the thought that he could be the one to take care of Ragnar from now on, despite the discord between him and his father, just melted my heart. This man has had such incredible character development this season and has become such a badass and important character that he's the only person to fall in love with, right?

Did I also make the post a bit to use all the pictures and GIF's again, because of course he looks super good and sexy and I can't get enough of looking at him? Yes maybe something. And people? We need more of these please!

This is the way and for Mandalore!

Screenshots are mine and GIF's from the wonderful @abnerkrill @tommymilller @itberice @providence-park

Thank you for your service ladies and gentleman.

[priestessoffurina]

Hiiii thereee! Okay so I know you're a big Furilumi fan, so I was wondering if you could help me collect all the info and events that imply it, and their general dynamic and stuff??? Anything about their relationship in all canon or semi-canon content. I'm working on the Traveler x Genshin chars list again, and I'm honestly undecided on how to interpret Furina's feelings for the traveler, so I thought you could help :>>>

Hellooo~ and gosh I'm flattered that you think so.

I will say that while I am a fan; I'm not as die-hard as others maybe. I'm very much a characters-before-the-ship kinda gal when it comes to Furilumi (also in general with other characters).

Like if you were to put a gun to my head and ask me what is my top Travelver X Character ship "canon wise", Furilumi wouldn't even be top five. (also I am adult enough to admit that I'm very much wanting to fuck Furina a Furina x Reader shipper more than anything)

But even with all that, I think they are cute together together and they have an interesting dynamic that can be explored.

I'm wasn't quite sure how you wanted the information or how much you wanted. I'm just gonna go through certain moments from quests Furina & Lumine have been in together so far. And just talk about them.

Also if I forget a scene or something please forgive me!

When Lumine first meets Furina at the very start of the Fontaine Archon quest, she isn't being herself.

As we all know, Furina was acting as the role of Hydro Archon. So calling it a proper meeting isn't accurate, since I tend to believe we don't meet the real Furina until much late. This isn't just in reference to her identify, but also her true personality.

Also it was just basically Furina going "We are rivals now!" and Lumine being like "....sure I guess?".

But I thought it important to high light it since it does establishes their early dynamic.

Furina knows about what The Travelver has done and sees her as an answer to her problems;

She has been chasing the one trial to end all trials; the one case that is so spectacular that is will save Fontaine from the impending floods. And what better opposition than the famous Outlander?

And she says at much at Lyney's trial:

Although there is perhaps a bit of fear at what the The Travelver could do, Furina is sure that their face off will soon happen. And that the odds will be in her favour (even though she kinda doesn't know what she is doing lol), with her being determined to save Fontaine.

It is always hard to truly know what the Travelver themselves is thinking. But I would guess Lumine also views Furina as a means to an end. It is the reason she is traveling Teyvat finding her brother.

This shows that while they both are different, they are very willing to do what they can to obtain their goal. Whether that means playing a role for 500 years, or travelling all over the whole continent, they will searching through any scarp of information to find the answers.

While Furina does lose and is, from Paimon's own words: "...like a deflated balloon now." I think Furina is more sad that it wasn't "The Trial" more than anything. Especially since she is "...unable to contain her joy at seeing you and Paimon enter.", when coming to protect her while meeting with the Arlecchino. Showing that she doesn't have any ill will towards Lumine.

Granted this could be because Furina is utterly terrified of The Knave as well trusting in Neuvillette very much. But still that rivalry is put on hold. But from this little tea party Lumine starts feeling distrusting of Furina, thinking she is hiding something. And from the events of Poisson, this just grows.

While Lumine is willing to go through the plan with others to trap Furina, this is very much a last resort;

Lumine doesn't want to be feuding with Furina; this rivalry that Furina has thrusted upon them is something she doesn't want. And while Lumine is reluctant to do this, she knows there is no choice. The Travelver doesn't think Furina is a bad person. But they need answers, and as such it seems that they are both destined to be on oppositions at court.

But Lumine still tries one last time to get through to Furina.

This part of the Fontaine Archon quest is one of my favourites; this is where Furina's thoughts and feeling finally start to poke out.

It happens because Furina's greatest fear is coming true, but still. Pretty good.

Lumine is very much on to the act that Furina plays. She knows that is she isn't godly or uncaring as she may give off. Lumine tries to show to Furina that it is okay to let go:

If Furina had been quicker and had told her the truth, Lumine very much would have stopped the plan. But from what we know, Furina would have never told. She was dedicated to the very end.

Skipping to after the Hydro Archons trial and the crisis being averted. We don't get anything until Furina's story quest.

Story quests are in general kinda a mixed bag. They are can be great in show casing the playable characters, well character. As well as expanding on the world as a whole. But sometimes they just focus on the second part a bit too hard and the character suffers from.

Now looking back at Furina's quest, it probably wasn't as bad as I thought originally. Well at least looking through just the lines by themselves is fine (Paimon is still...well I have thoughts on how they utilise Paimon's character when it comes to story. They use her as comic relief/to lighten it up when it is not needed...But that's a convo for another day).

There are at least some good bits to take from.

The first being that the reason Furina even helps the Troupe in the first place is because the Travelver drags them (literally and figuratively) into the plot. By the way of hand-holding no less.

After the ordeal that Furina has been through she is actually quite reluctant to be out and about. Furina strikes me as someone who is introverted, this very well could because she has had no real personal relationships.

On topic of personal relationships, Lumine is properly the only person who knows about what Furina truly felt during her 500 years of acting. This is cause of Furina unconsciously trama-dumped on Lumine, but still. Having someone who has seen the many sides to you, can be nice. Furina can be candid with Lumine, not needed to put on a performance. But I'm sure Furina also feels it is kinda awkward. Because 'Oh archons this person knows all about me', it crates an unexpected power imbalance, which can make for an interesting dynamic with the Travelver.

Another good moment is when they are back in Poisson;

If there is one ideal out of the seven that The Travelver embodies most, it is freedom. Freedom is very important to Lumine and I think it's very telling when she tells Furina that freedom is her reward. She is saying to her that it's It's over, and that she is free to begin a new chapter of her life.

So I think it's no coincidence after this quest Furina ends up being a director in "Roses and Muskets". She breaks out of her shell a bit and once again comes along on the Travelver's behest. Granted there aren't that many scenes/moments with them since this was very Chevreuse forward event. This is also similar in the Lantern Rite, but we did get a cute diagonal where Lumine says "I have keenly felt the passage of time since our last meeting." so that was cute.

Unfortunately since Furina has only been out for 7 months we'll have to wait for more. Hopeful in 4.6 (if it follows the same patterns) we will get her second story quest, and that it's a little bit better.

But there are voice-over and teapot stuff! (Had to get these from the wiki since I don't have Furina fully unlocked. yeah yeah know)

These are pretty self explanatory. Just Furina wanting to spend time with the Travelver and taking about the next chapter of her life having Lumine in it.

I thought this one has particularly cute. Furina would make macaroni for Lumine.

This one is a favourite

Lumine only needs her.

Now on to the teapot, there is a very cute scene where Furina talks about teaching Lumine to dance;

Another where Furina talks about them doing acting together and writing a script.

And that's all I can find! Like I said, I probably missed some stuff, but I think I'll call it quits here. I hope I was able to get the info you needed, but if not you can ask my specific questions if need be.

Also I'd love to the list when you are done!!!