#i'm still processing that like. the show is over. the characters are gone.

[yellowlaboratory]

So you think you’ll do any more Rina fanfics? Please say yes please, I love them so much and your writing is so beautiful!

this is so so so kind 💛💛💛 thank you so much!!!!

and oof. that's a good question!! i haven't, like, made a specific decision, i guess? it's hard for me to keep the motivation to write when shows are over. but on the other hand, so much of the future was left open-ended after the finale, and i love ricky and gina with my whole entire heart. I'd say a multi-chap is likely out of the question just because my motivation isn't going to stay consistent, but a one-shot or two is certainly possible. it depends if inspiration strikes or not!

[illusioncanthurtme--art]

These are a couple doodles from yesterday, Gideon as a younger teen, before the growth spurt, maybe 14? He's discovered he's a vampire, and has a lot of recovery to do, since he's severely blood deficient.

I'm gonna let myself explode about my vampire gideon ideas, under construction, under the cut: (I don't write fanfiction, I just throw up my ideas on a tumblr post, apparently :'D)

This is what I love about tumblr - it's a place where I can throw the doodles (something that isn't finished *artwork*), and let myself be really delusional about fictional characters. So I'm gonna take a moment to ramble about the ideas I have for Gideon as a vampire.

If you're a fellow Gideon Head, HI THERE... anyway, here's my thought process on a potential vampire-gideon backstory???

I've always liked the idea of gideon being a vampire, and also becoming a much better person when he's older. And that got me thinking, maybe those two things are linked. Maybe the vampire thing is somehow tied into his reformation.

But I tend to lean towards building my ideas off canon (as opposed to making an AU). And if gideon was a vampire, and knew this during the events of the show, it would have come to light at some point. So, either he doesn't know he's a vampire, or he becomes one later. Becoming one later works narratively, but he's already so vampiric, with the white hair, pale skin, sunscreen, evil, etc. So I'm like, let's go with that.

So, gideon has gone his whole life without knowing he's a vampire, and without drinking blood. I'm thinking that being a vampire in this case (my gravity falls fan version of what a vampire would be) wouldn't adhere to typical vampire conventions. You don't NEED to drink blood to survive.

Here's the idea I got yesterday: after the events of weirdmageddon, gideons experience motivated him to become a better person. It was the awakening, basically. But in the subsequent years, he's still a little shit. Maybe he's in juvenile detention, or prison again. But now, he has the self awareness to know that what he's doing is wrong. This is where my ideas get a little fuzzy, so bear with me. Bud has his suspicions, and as a last resort, puts gideon on some sort of mission trip type of cross country trip, when he's in his teens. And along the way, maybe at the end, there's this secret group of vampires that open gideons eyes to what he really is.

Basically??? Without blood, gideon is very evil. He's an evil little shit. This may not be how it is for every vampire. Maybe some grow very sickly without blood, just get hungry, etc. The effects of blood deficiency vary from vampire to vampire. But Gideon becomes very unhinged. And he'd essentially been Blood Hangry for his whole life. That being said, some of it was just his personality that he needed to work through, but drinking some blood helped a LOT. Blood isn't food for him, it's more like his medication.

Once he has that discovery, he spends a long while, I'm thinking maybe even a year, just recovering from the deficiency. He's almost always drinking blood to keep up his levels, and he's very rarely seen in public to keep the vampire thing a secret. That's what these drawings were supposed to be, him in his pseudo bedridden state. This period in his life would be one big blur; mostly spent binge watching soap operas and being all cozy. In contrast to his usual suit + tie, he's dressing for max comfort: sweatpants, sweatshirt, a knit hat over his ridiculously big hair, and always wrapped in a blanket. Not sure if somehow he feels cold when drinking blood?? But for some reason, I feel like he'd always be wearing like 10 layers and laying under a heated blanket or something.

Eventually, he'd only need to drink blood about once a month for maintenance.

Character development wise - even as an adult, Gideon isn't sure if he's truly a good person. Is the blood deficient version of himself the true gideon? Or is this well adjusted man who he truly is? And there's an issue of the chicken and the egg, too. Gideon was born a vampire. Did these genes activate because he was predisposed to being evil? Or did the vampire thing happen by coincidence? Does being a vampire make him evil, or is it the other way around? He doesn't know, and he never will.

The one thing I'm not sure I like about this idea: i'm worried that I'd be writing off his villainous personality as an illness that can be cured with a thing. Obviously, it would be better if he faced that head on, and figured out how to be better. So I'm still grappling with that. But for now, this is an idea I'm entertaining. Of course, I think it would be interesting if there was a plot point where his usual source of ethically sourced human blood was compromised for a time, and he had to grapple with his personality going topsy turvy.

It's actually embarrassing how much I just wrote???? If you've made it this far, wow, I applaud you. I guess this was just my idea of having a good sunday night, writing down my silly thoughts on gideon gosh darn gleeful. Let me know your thoughts too!!!! I'd love to know if you have any ideas, or questions, or ways to strengthen this potential backstory.

[bamfkeeper]

Sinister Kurt having trouble with his instincts, you are the only one who calms him.

Firstly, Kurt with horns? YUM. But I like how they showed him having difficulty controlling himself after his mutation was further developed (I don't remember what the circumstances were). I thought it was a cool concept for his character so here we go. Inner conflict is always fun.

Warnings: Descriptions of violence and blood, some angst, comfort ofc, gender neutral reader, unedited ignore mistakes.

WC: 2.7k

Kurt had no idea where they came from. He woke up with two horns on his head like some sort of Krampus. He felt something inside himself stir, and he tried to ignore it, it felt like a pit in his gut that slowly began to expand and grow when he wasn't focused on repressing it.

You reassured him he was still the handsome man you loved, his horns gave him a little extra insecurity. He hadn't felt so insecure about himself in a long time, as Krakoa had provided such acceptance his appearance hadn't been a thought in his mind as a bad thing. But these horns...they made him look more like a devil than anything else, and that worried him.

"Engel...I am becoming ein Teufel..." he mumbled sadly, touching them as he looked at himself in the mirror. "What is becoming of me..." he turned to look at you, his eyes holding confliction and sadness.

"Oh, my love," you cooed to him, standing and walking over, "They're just a pair of little horns...I'm sure that they'll go away...maybe." Your sentence quieted towards the end, it was such a random development, you had no idea where the horns stemmed from and what was going to happen to him. Was his mutation randomly evolving more? Was it something in Krakoa that was making his mutation mutate? You didn't know.

Kurt sighed inwardly, his arms wrapped tightly around himself as if seeking solace from an unseen torment. You hadn't seen him in this state for years; he looked so lost, so utterly confused. It was as though he was grappling with a fear that had taken residence within him, a fear directed at his very own reflection. With his new appearance, you couldn't blame him for feeling this way.

His once familiar face now bore the horns of a demon and he couldn't recognize himself, even with something so minor. He thought he looked awful, and he was at a complete loss on how to process these overwhelming feelings, the weight of his transformation was a burden he didn't know how to carry.

Not that he told you yet, but it wasn't just a physical change he had gone through. There was something deeper and more unsettling happening within him. His urges were growing stronger and more insistent every day. He felt a strange compulsion that he couldn't easily explain. He didn't know how to bring it up with you because he didn't want to scare you or make you worry. The thought of sharing this part of himself was something he was trying to avoid, he feared your reaction more than anything.

He would see you talk to another man, and everything in his body screamed at him to attack. His muscles tensed, his fists clenched, and his heart pounded as primal instincts surged through him. The images and urges that flashed across Kurt's mind scared him deeply, filling him with a sense of dread and confusion. He shook his head vigorously, trying to dispel the violent thoughts clouding his mind.

"Nein...I am...not a monster," he muttered to himself, arguing, begging with his own being, his voice trembling with the effort to control his darker impulses. He held onto you, whispering German prayers to himself. The internal struggle was intense, leaving him feeling isolated and tormented, as if he were battling a beast within.

And he was, in a way.

His grip on your hip would be tight, his nails had grown into claws that dug into you, not on purpose but in the moment he couldn't help himself. His yellow eyes glared at the man, his lip curled up slightly to bare his teeth. He snapped out of his descent only when he heard your voice in his ear. "Kurt?? That hurts, a bit..." You winced slightly, your hand gently trying to ease the grip he had on your waist.

He snapped out of it, blinking a few times and letting go. "Liebling....I...es tut mir Leid...." he apologized quietly, his voice barely a whisper. He looked down at his hand once he let go of you, his eyes filled with confusion and concern. "Something is happening to me...I....do not know how to explain it," he continued, his tone tinged with a mix of fear and bewilderment.

What was strange was that a part of him actually liked these new instincts that were surfacing within him. It was a feeling that baffled him, and he hated himself for even entertaining such thoughts. He had always prided himself on his compassion and his desire to never cause harm to anyone, ever.

But now, these intrusive thoughts were invading his mind with increasing frequency, making the idea of causing harm seem so...good, almost irresistible. It was a battle within himself, between the person he had always been and these dark new impulses that threatened to take over. It was like a siren song, beckoning him to come over the brink.

"What do you mean?" you asked him gently, your voice full of understanding and patience. Despite having no idea what was going on, you managed to sound so composed and caring. He was incredibly fortunate to have someone like you by his side. So deeply in love with him, you were always there to protect and support him. Your devotion was unwavering, and it made him feel cherished. So protective. So possessive.

Kurt stared you down intently, his piercing yellow eyes observing your every move. After a moment of intense scrutiny, he grabbed hold of you firmly and tugged you flush against him. You could feel the warmth of his body against yours, and his breathing increased noticeably. You made a sudden gasp of surprise at the unexpected act, your heart pounding in your chest.

He lowered his head closer to you, his forehead gently touching yours, his horns rested delicately on your head. Behind him, his tail thrashed wildly, a clear indication of his heightened emotions. It was obvious that he was either irritated or stressed, as his tail only behaved this way in such situations. The air around you seemed to crackle with tension, making the moment even more intense. His silence didn't help.

"Kurt...?" you squeaked as his hands grasped your ass and squeezed firmly, sending a shiver down your spine. Your eyes widened in surprise and you felt his tail wrap tightly around you, holding you still in a firm, possessive grip.

"Kurt!" you exclaimed, looking around nervously. He had never been so bold before, and this unexpected display of affection caught you off guard. A few playful touches here and there in public were common, sure, but to grab you in such an intimate and brazen manner without a care in the world was completely unlike him.

Your mind raced as you tried to make sense of his sudden audacity, wondering what had prompted this uncharacteristic behavior. "W-what has gotten into you?!" Your voice echoed in his mind, getting lost in the fog clouding his rational thinking. All he could think about right now was you. How good you'd feel, how good you'd taste.

One more shout at him and he seemed to snap out of the hold the dark fog inside of him had. With a blink he pulled back, his cheeks turning violet, "Ach! I-I didn't mean to do that!" Kurt spoke quickly, his voice trembling with urgency, "Es tut mir Leid! I-I'm sorry!" His eyes were wide with concern as he looked at you, clearly distressed.

His hands, which have been on your backside, were retracted up like he had touched an oven, fingers curling as if to protect himself from further harm. The tension in the air was palpable, and you could see the regret etched on his face, his body language screaming apology and fear.

"Kurt, sweetheart...please, talk to me. Tell me what's going on..." You pleaded with him, your hands cupping his cheeks. "I'm not mad because you grabbed my butt either. You've literally been inside me," your words made him stiffen and blush harder, a tiny whine escaping through his trembling lips. "I just want to know what's going on...you're acting so...different. Since those horns sprouted from your head..."

He took a deep breath, his chest rising and falling with a heavy sigh, and looked down to avoid your gaze. The weight of his thoughts made it impossible for him to bring himself to look you in the eye. He felt such shame and embarrassment, fearing you wouldn’t like what you heard. After a moment of silence, he finally spoke, his voice trembling with vulnerability.

"I've been... having thoughts. Bad thoughts... these images flash across my mind. They are random sometimes, appearing out of nowhere, but sometimes they happen in the moment," he begins quietly, his words barely audible. "It's like a dark cloud that follows me, casting a shadow over everything. I don't know what to do about it, and I'm scared of what it means. I'm afraid it means I am becoming something horrible..."

You coo softly, your thumbs gently rubbing his cheekbones as you stay quiet, offering him the space and time he needs to get out the words he struggles to voice. "What are they? The thoughts?" you ask gently, your voice barely above a whisper, trying to coax him into sharing more with you so you can have a better understanding.

"Hurting people," Kurt's voice strains, "I don't want to! I don't want to hurt anyone, I'm not a monster... I don't want to be one... but... it's so overwhelming sometimes. It's like every fiber in my body is demanding me to do it," he continues, his voice cracking under the weight of his confession. You can see the torment etched across his face, the internal struggle tearing him apart.

"You aren't a monster, Kurt. This might just...be part of this new development," you said, your voice gentle and reassuring. You stroked up more, feeling the base of his horns, noting the texture and warmth. "You don't act on those thoughts, and that's a good sign. You're not a slave to those intrusive flashes; you recognize that they are wrong, and you don't act on them. That means you aren't the person you imagine you are. You have control, even if it doesn't always feel that way."

"But what if I do act on them," he asks weakly, his voice trembling with fear and uncertainty. "What if I can't control it?"

"Then I will help you," you replied firmly, your eyes locked onto his, full of determination and love. "I'm not worried, because I believe in you." You gave him a tender kiss, showing him all the love you could muster. "Trust me, if you can't trust yourself. We will face this together, and I will be by your side every step of the way. You are not alone in this."

He shed a few tears, and they stained his pretty cheeks in dark lines as they traveled slowly down his face. His pained gaze closed tightly as he bit his lip, trying to stifle the sobs that threatened to escape. "Ich verdiene dich nicht," he whispered weakly, his voice barely audible as it trembled with emotion. His shaky hands held you with such gentle awareness, as if he were afraid to harm you accidentally with his claws.

"You do." You gave him a few more soft kisses, your gentle reassurance helping keep his emotions at bay.

That was a week ago.

Now, you followed the sound of his teleportation and saw him fighting alongside other mutants. You joined in, not knowing what exactly was happening, but seeing enough to know that these soldiers were attacking your home. You were fighting well, your skills made you a confident fighter, but when Kurt spotted you and more soldiers around you, his composure vanished.

That horrible itch he had been so desperate to scratch was finally too overwhelming for him.

The sound of a mighty roar echoed through the air as he lunged at the soldiers with a terrifying intensity. His movements were swift and brutal, attacking them with such ferocity that it left you stunned, unable to process what was happening. Normally, Kurt was known for his preference to incapacitate his opponents, opting to knock them down and out rather than kill them unless absolutely necessary. However, in this moment, he had abandoned his usual morals and principles, casting them aside like a forgotten cloak.

Right now, he was a force of nature, mercilessly ripping into the soldiers with an uncharacteristic savagery that showcased a side of him you had never seen before. You watched with disbelief as Kurt completely ravaged through the soldiers, staying in front of you and snarling with blood caked between his teeth, drooling down his goatee and staining his fuzzy skin. You tried to call out to him, to be the desperate voice of reason in his carnage.

It seemed that your voice fell on deaf ears, and he continued his relentless attack.

He had ruthlessly slaughtered over twelve men within a mere minute, and he didn't seem to have any qualms or remorse about it. The air was thick with tension as he turned to look at you, his chest heaving with heavy breaths like a wild animal after a fierce battle. Slowly, he crawled over to you, inching closer with a predatory grace.

You were frozen in place, paralyzed by the sheer brutality and unfamiliarity of this new Kurt. His eyes, which were usually so expressive and full of life, now seemed glazed over with an emotion you couldn't quite decipher. It was as if a stranger had taken over the body of the man you once knew, leaving you feeling more vulnerable and confused.

He dripped onto you, causing you to whine and hastily wipe the blood off your top. His head lowered against you, his breath warm and uneven. "Kurt...?" you asked weakly, your voice trembling as it escaped your lips.

The sound of your voice made him stiffen slightly, and he leaned back, his intense gaze boring holes into you, scrutinizing every inch of your face. The air around you felt thick with tension, and you could feel the heavy weight of his stare.

His breathing calmed, the rapid rise and fall of his chest slowing to a more steady rhythm, and he stayed where he was, staring at you with an unwavering focus. You swore he seemed more mutated in that moment, his claws were longer, sharper, and his horns almost appeared just as so, curving menacingly.

The changes in his appearance made your heart race even faster, a mixture of fear and concern gnawing at your insides as you wondered what exactly had happened to him. What caused this?

You slowly reached out to him, your hand trembling as it brushed against his cheek, ignoring the blood that spattered across his skin from his recent animalistic attack. The warmth of his skin contrasted sharply with the coldness of the blood. He relayed a quiet growl to you, his eyes blinking slowly, the ferocity gradually fading as he began to regain his senses.

As he came to, he saw the destruction he had caused, the chaos and ruin that lay around him. It was so painfully heart-wrenching to watch him realize the extent of what he had done, the devastation in his eyes made you want to wrap him up and take him away.

"W-what...what did I do..." he stammered, his voice barely above a whisper, as he glanced back over his shoulder. He could only bear to look at the bodies for a mere second before quickly averting his gaze in horror and disbelief. "Nein...nein, nein....I didn't...did I??" His bloody hands trembled violently, the crimson stains glaring back at him accusingly, and he made a quiet, heart-wrenching wail, shrinking into himself where he sat, overwhelmed by the gravity of the situation.

You were right there to catch him, just as you had promised. Gently, you reached out, offering the comfort and support he desperately needed.

"Hey, hey...it..it's okay," you tried to find the words to comfort him, but you realized words weren't enough to ease the pain or fear he was experiencing. So, you chose to just be there for him, offering silent support and understanding. Just you, being a comforting presence in his time of need.

He grabbed you and clung on, crying as he didn't bother holding himself back. He was distraught, the very thing he feared the most had happened. "I'm here." you whispered quietly, your arms wrapped tightly around him as the rest of the world faded away and you became the only thing he could focus on.

"I'm here."

Thanks for reading.

*BAMF*

dividers by @/adornedwithlight

Cover Images: Legion of X #7 (2023); Legion of X #8 (2023); Legion of X #7 (2023)

[genericpuff]

say sike right now, she's actually going back to The Doctor Pepper Show-

Like, this is just "What if The Doctor Pepper Show and LO had a baby?" Because at this point it's very clear Rachel only knows how to write from inside her own head, which is full of unresolved salt towards her childhood and medical fetish shit. The imagery in the first panel is very LO, and the imagery in the second is literally The Doctor Foxglove Show-

Evidently she's been reskinning the same shit for years-

Listen, I've been, for the most part, keeping my lips sealed on a lot of Rachel's old projects and what I've dug up on her previous works, for a few reasons:

1.) We were all cringe on the Internet at some point in time and a lot of these older works, such as Freak Scene Surgery and The Doctor Pepper Show, would have been from when she was in her late teens / early 20's. I'm not here to judge Rachel's personal preferences or whatever kind of fetishes she's into. It's totally normal, expected even, for a lot of creators to have older works they're trying to bury or disconnect themselves from because it's simply not them anymore.

2.) Ultimately I've been focused on discussion around Lore Olympus and Rachel as she currently operates as a creator, so I don't want to go digging up her old skeletons as any sort of "gotcha" towards LO today. Ultimately a lot of these works don't have anything to really 'do' with LO as it exists today.

That said, the reason I'm bringing it up now is because these new series... are bridging that gap that I've been avoiding for ages now. The gap that's filled with skeletons of Rachel's past that she's trying to both disconnect herself from but now fall back on with LO come and gone. It almost goes to show that her being a one-note pony goes back since far before LO - these are literally the only ideas she's able to come up with at this point, and it's painfully obvious in how both these new "graphic novel pitches" are pretty much the exact same and could apply to the same character, and that character may as well just be Persephone, i.e. Rachel, all over again.

Like, I'm calling it now, Patients in the Dark is just gonna be more "moms are bad" rhetoric, and Eleanor's Deathbed is gonna be Hades and Persephone, but replace Hades with some death god and Persephone with a training mortician, which is basically also still just Foxglove training to be a doctor, and Icy Shaw bragging about fondling corpses.

If anything, now that Webtoons is no longer carrying her around on their shoulders, this is gonna be Rachel's moment of "put up or shut up". She can either actually put in an active effort to write something that's decent, or she can flounder under the weight of her own tired mediocrity that's been knocking at her door for years now. As much as she's using her labels that were bought for her to sell these books which aren't even in real development yet-

-Webtoons isn't gonna be there to buy her Eisners forever. This is entirely on her and the imprint that Webtoons shoved her into. Her process is still the same, she's learned nothing from the experience of making LO, she's just got the money and awards now and is trying to run with it, but all she has are the same tired pitch lines that she's been using for decades now and just so happened to work with LO because LO had both Webtoons and the appeal of it being a Greek myth "retelling" to carry it into fame.

I'm gonna go into a bit of a tangent here, but it's been weighing on my mind since I found out this news and have been discussing it with pals within the ULO circle. Rachel once said in an interview that she wanted to use her platform to raise awareness of issues regarding sexual assault, mental health, and "the patriarchy":

"Who do you know that hasn’t been sexually assaulted? The number is depressingly low, right? Why is that? There is no short answer or an easy fix. I have a platform. I can tell a story that will hopefully educate and help others feel acknowledged and vindicated." - Rachel Smythe, Interview with Gossamer Rainbow

"...obviously I'm very feminist, and that sort of stuff really matters to me, um, the best way to approach this question is… I began, the pilot was written in sort of mid-2017, and I think what I wanted, what I wanted to achieve, and I don't even know… probably in 5 years time I don't know how I'm going to feel about this but I'm taking the risk, I really wanted to write a story where, uh…this female character goes through these things and I think what I wanted to do, what I wanted to achieve, was like a really common, I can't speak for like, men, but I can definitely speak for like, you know, if you're sitting in a group of your female friends and you're like "Hey! Who's been sexually assaulted?" … The response is going to be really depressing… Most female people that you know have probably experienced sexual assault to, on one level or another, and I'm like, for me I'm like "Why is that? Why?" And is it because there is a lack of information, lack of education, like what is it? And I'm lucky enough to have a platform and I'm like, if I could just provide some information in story format, would that help? Is this what I can contribute? So I feel like, especially, when writing sexual assault in media often it's… it's a way for the main male character to be, like, uplifted to hero-ness by, usually like, violence is the way to fix the problem, and that's not the approach that I want to take… um, I think [sighs], oh god, sorry I've lost my train of thought, [sighs], yeah, I think a lot of the time in movies when they, like, show rapists or something it's generally someone who's jumped out from behind the tree at a lady in a park and it's not really how it is like 90% of the time [laughs], so I just wanted to make something realistic where people could at it and be, like, "hey, nagging someone into sex isn't cool" or like removing all of their opportunities to say no isn't cool, or for someone to look at it, and just like feel validation, this is me trying, trying my best to make a difference with the platform that I have, and yeah, this is my roundabout answer for it" - Rachel Smythe, Interview with The Comic Source

And yet not once has Rachel actually used her platform for good outside of herself. She just asks the question, "Sexual assault?" and then writes off the answer "yes, it's bad!" and it especially shows in LO where the resolution to the one plotline she kept around to draw in readers was "assaulters are sent to the timeout corner!" Sure, it works for the readers who are simply seeking validation that their experiences aren't unique to themselves, but is it actually doing any real work to talk about the systems in place that leads to people like Apollo being created? Is it doing anything to address purity culture as it exists and the double standards that exist for women who are navigating sexual relationships? Is it doing anything to take the discussion outside of the narrative and put it into action through support of women's shelters, charities, mental health support for men, etc.? Not really. Like many of Rachel's ideas throughout LO, she simply goes, "Men, amirite?" and the answer is "yeah men suck!" and nothing more. The answer to the entire SA plotline is "rape is bad, don't do it" when anyone who could even relate to that conclusion in the first place already knows that.

Ultimately the activism she claims she's trying to do doesn't actually service the issue at hand - it just services herself and her own insecurities, her own unresolved trauma, her own need for validation through Eisners and merch sales. She asks the question, "Who hasn't been assaulted?" so that when she responds to the women who come forward and relate to Persephone, it's with the intent of getting them to read LO and buy her merchandise. She winds up making herself the center of other people's experiences, even ones that she cannot relate to. At BEST her attempts to "use her platform" as a means of starting discussion around ongoing societal issues like the patriarchy and sexual assault towards women is about as effective as Bell #LetsTalk, it's purely performative, self-profiting, and offers nothing of real tangibility.

If she just wants to write her own self-empowering personal works, that would be fine. Plenty of creators do it. Art is, at its core, self-expression. But it's extremely telling that she's built a platform off her self-expression, and twisted it into what she believes to be "activism" and "feminism", so that she can continue to profit off it in her future works such as this, which, again, are just reskins of her previous projects which were largely centered around the fetishizing of abuse towards women.

I don't want to claim that this is what it is, but... how much of the "feminism" in LO is done purely through the lens of victimizing women? Why is there more effort put into torturing female characters like Hera, and Demeter, and Minthe, and even Persephone to a certain degree, than there is into actually addressing the larger issue that she's claiming she wants to shed light on and resolving her questions with actionable answers?

That is the only question I will leave you all with. I am absolutely 100% not planning on touching these works with a ten foot pole, even if they should come to fruition. With the recent realization that she was into artists like Trevor Brown, alongside the fact that we've known for a long time she's into Lolita and there are very clear parallels to draw between it and LO, I think it's safe to say at this point that Rachel's work is not something I want to continue to support even when it's "hate reading". Again, I'm not going to outright accuse her of anything, but I feel like the writing is clearly on the wall here and I'm taking that writing as my warning to steer clear.

I didn't want to discuss the elephant in the room - her older works as they exist in the distant past of the early 2000's - but she's now riding the elephant.

[mouwrites]

the creeps!!

how about... creeps x reader who is having a ptsd response due to something/someone from their before life?

your choice!

EEE thank you for giving me a little freedom with this one hehe, you're a doll <33 (hope these are okay; I realize these aren't exactly "comforting" but these guys are messed up,, I don't think you can really expect comfort from them lol)

!!TW!! for depiction/mention of PTSD! Proceed with caution lovelies!!

Creepypasta/MH: How They React When Your PTSD is Triggered

Characters: Jeff the Killer, Clockwork, Jane the Killer, "Ticci" Toby, Tim/Masky

Jeff the Killer

I'm going to be so real with you, his first response is not going to be to comfort you

He is going to kill whoever triggered you, or burn it if it's not a person

You can try to stop him, but he's not going to

Honestly he might lowkey be making it worse, doing it right there and then with you watching

Well, he'll probably tell you to close your eyes and plug your ears first

(But if you want to participate, he'll just say: "let me do this for you, babe.")

All you'll know is that one minute it's/they're there, and the next Jeff is taking you by the shoulders and leading you away quickly

Just ignore the char/blood on his hoodie

He'll ask if you want to talk about it while you're walking

If you decline he'll ask again when you're back home

While he doesn't really need a reason to kill for you, he still wants to know what that scumbag did (or just what happened)

If you're mad at him for what he did, he's not going to care

In his eyes, he did the right thing, and he's not going to apologize for it

Anything that hurts his love deserves to perish, if not for their sake then for his

He can't stand the thought of someone/something that makes you unhappy existing in this world

If you ever stress about it again, he will actually focus on you, holding you, consoling you by repeating "they're/it's gone, they/it won't hurt you anymore..."

There's an eerie smugness to his voice as he says it...

Clockwork

I feel like you guys would've already talked about your trauma

She's prone to attacks too, so it was a mutual discussion about triggers/what helps/what doesn't

So she knows exactly what's going on when you're triggered

Her first concern is you, trying to quell the attack before it gets too bad

She'll do something you told her helps ASAP

It'll make her feel better if you let her stay with you, but she understands if you need space

What she'd really like is to hold your hand and get your mind off of it by talking about something else

She'd be fine if she was the only one talking

Just as long as you're showing signs of improvement

When the attack is over, she'll give you time to process it

But eventually she will want to bring it up again

Specifically, she wants to make plans to... uh... "eliminate" the thing that triggered you

And those plans will be vividly detailed

If you don't want to take part in that, she'll make them (and execute them) herself

She just thought you'd wanna take part; I mean, it's how she """solved""" her trauma

She won't follow through if you explicitly tell her not to, but otherwise she operates under the assumption that this is a plan, not a fantasy

When you have another attack, she won't talk about how it/they can't hurt you anymore; she'll just focus on doing the things you said helped

Jane the Killer

She's pretty good at observing people, so I think she'd be able to sense your attack early on

Even if she doesn't know about your PTSD

The first thing she does is remove you from the situation, wrapping an arm around you and rushing away

She sends the meanest scowl to anyone who looks at you funny while you go

Then she focuses on grounding you; she's not too good with feelings, but she's logical enough to try and figure something out to help you

She won't talk much; just an occasional "breathe with me" or "focus on me" while she holds your hands and maintains eye contact

It doesn't show but she's actually so nervous, she has no idea if she's really helping you

She'll be right there with you through the worst of it, and she'll be there if you want to talk after

She will want to know what caused it, if she hasn't figured it out already

I honestly don't think she'll want to "eliminate" it/them

But she will talk the nastiest, goriest, most illegal shit about it/them

She gets all giddy when you grin about it too; internally she's going yeah!! made them smile!! (happy dance)

She'll try not to bring it up intentionally, but whenever it does come up she makes sure to express her strong distaste

If you ever actually want to... take care of things, she'll help with the cleanup, but she'll want you to have the satisfaction of planning and doing it yourself

I mean, she dreams of having that satisfaction herself (looks at Jeff)

Regardless of whether or not you want to do something illegal, ultimately she respects that it's your trauma and you get to deal with it however you like

"Ticci" Toby

Murder. Arson.

Literally his knee-jerk reaction

He just looks between you and the suspected trigger, points a thumb in its direction and says: "Want me to kill that guy/light that thing up?"

If you say yes he'll do it straight away; he doesn't care who's watching

He'll ask if you want to help first though ofc

Then he'll run away giggling like a second grader, grabbing your hand on the way

When you slow down he sighs satisfactorily, saying how fun that was

If you're still distressed (or if you refused his earlier offer), he finally takes notice of your emotions

He'll ask you quite bluntly what's wrong

When you explain it to him, he just nods solemnly

He knows from experience that having a rough past sucks, so he understands completely

If you haven't already he suggests that you "take care of it"

But if you agreed to murder/arson earlier he just grins again and says "Well then it's good that we did that back there!"

If you ever have an attack again he'll either remind you that the thing/person is gone, or he'll nag you about "taking care of it"

He'll begrudgingly put an arm around you though when you don't immediately calm down

He might offer you something to fidget with, too; that always helps him when he's anxious

Just try not to be too alarmed when it's a box cutter or a butterfly knife or something weird that he puts in your hand

Tim/Masky

I feel like he'd be a little awkward when you start to panic

He'll panic a little too, asking what's wrong and if/how he can help

He'll do anything you say, but if you're unable to respond he just puts his arm around your shoulders and takes you into another room

He'll hug you against him, patting your back awkwardly while you process the attack

He doesn't know what else to do :(

He probably realizes what's happening after a few minutes, and he only gets more awkward when that happens

He sucks at dealing with his own trauma; he is literally the worst person for you to be with right now

At least that's what he thinks

When you start to calm down he asks if you want to talk about it, but then immediately curses himself for asking such a stupid question (he doesn't even want to talk about his trauma; why should anyone else? (just his thoughts))

If you do want to talk it turns into a very deep and candid discussion in which you both open up a bit

He'll ask if there's anything that helps at all

Honestly he's asking for you as much as himself; he'd love to try anything that works for you

I don't think he'd suggest or condone killing/destroying the trigger; from his experience that just brings more issues

He'll basically just tell you "yeah, it sucks, and we just have to deal. Which sucks times two."

Very helpful, thank you Tim 👍

At least he always holds you whenever you have an attack <3

Thank you so much for this request!! And thanks for reading, take care sweethearts <33

(divider by saradika)

[atthebell]

ok back from work as promised I think one of the most interesting parts of qcellbit’s character we get from the fuga backstory is we basically meet him post redemption arc. you have a character that did horrible things in the past that took steps to reconcile with the people he hurt and become a better person. and then you start the story there, and from there, the narrative asks what would it take to push him back to that person he used to be. It’s such an interesting way to set up your character, and it only gets more interesting when despite every hardship he goes through it turns out he can’t go back to being that person. that’s what I think a lot of people missed during the federation murders arc (due to all the blood. who can blame them really), the cell persona was just that, a persona. it was a tactical move to push away the people he cared about in an effort to protect them from the consequences of his actions. even with his mental health at rock bottom he was in his own way STILL trying to help other people. everything we’ve seen has shown that nothing short of losing everyone he cares about could push him over that edge, and yet there’s nothing he could ever do to make him trust himself not to. it’s enough to drive me to madness

YES yeah i think it's so interesting how like fuga as just a jokey incidental backstory to explain how tazercraft, felps, & cellbit know each other already ends up working so so well for qcellbit as a character and makes his narrative so interesting (and shows how great cc!cellbit is at roleplay). like yeah he was an awful cannibal murderer-- but when we meet him, he's just some guy who's a little too obsessed with puzzles and mysteries and a little on edge. he's a paranoid catboy with trauma, what's there to worry about?? but then we get to the eggs disappearing and the fed worker killings and you're SPOT ON with how he slips on his past like a suit of armor. none of that progress matters now, nothing of his life after that violence is important, look at the blood, look at the gruesome bodies, look at the messages and the big scary knife. but it's all an act, both for his loved ones & the other islanders & the federation. he wants them all to think he's lost it, that he's gone off the deep end and nothing can stop him, that losing his one thread to normalcy (richarlyson) broke him and reverted him back to f!cell. but that's not what happened-- it was a strategic, knowledgeable move from someone who knows himself and knows what would scare the people around him. the other islanders don't agree with his complete opposition to the federation, so he shows how far he's willing to go; the federation thinks he's compliant, so he shows them what he's willing to do to them to get what he wants, to show them that he's not under their thumb. and in the process he gets to shove aside all his own feelings and put on this version of himself, this monster that he thinks has been hiding inside all along, who can deal with it all and do what needs to be done. and we get to see the kinds of wounds that are still open that he's never really been able to heal from, and know that the cellbit we knew at the start wasn't really ever okay, even if he wasn't the man he was during fuga. that the therapy and the time and the freedom from prison still couldn't fix everything he has going on, that he has a lot to uncover and look into and heal from. i'm so glad you get the tactical side of the persona thing though i felt crazy at the time of the fed worker murders being like people he is doing this ON PURPOSE he's not reverting to anything!!!!! this is a strategic move to scare people and make himself into a target!!!!

[maximumqueer]

Sometimes I forget how emotionally constipated/immature Zoro is as a character, and then we get panels like this

that act as a stark reminder, that Zoro, for all of his strengths, is borderline incapable of processing any emotion (but especially emotion tied to a perceived failure or loss) in a healthy way.

Because while Zoro is a more stoic character, especially when compared to Luffy, being stoic does not equal not showing emotion, it just means being over all more reserved in reactions, or having the process of reacting to an emotional moment be internal rather than external. And this line from Zoro does not read as him being stoic, but rather as him lashing out over the perceived loss at Egghead, and directing that anger and pain at his captain who is reacting in an more outwardly emotional (and to be honest a more emotionally healthy) way. This does not come across to me a Zoro processing what happened in a more inward directed manner, but instead him being unable to process it (or unwilling to) and coping with that inability by being a bit of a dick.

And this isn't to say that I hate Zoro or think this is a bad character trait to have. The opposite really. I think it makes him all the more interesting, and also provides excellent contrast between him and Luffy. Because while it is fun to joke about Luffy and Zoro sharing a braincell, or being two halves of a whole idiot, they do have stark differences between them - emotional maturity (or lack there of on Zoro's part) being one of them. Luffy wears his heart on his sleave, is completely fine and capable of going through the process of acknowledging an emotion, allowing himself to feel the emotion, and allowing himself to cry if necessary, especially post-ts. Zoro, on the other hand, can't even admit out loud that Vegapunk dying was sad or could have any effect on the moral of the crew and his captain.

It honestly, in a strange way, reminds me of the way Luffy used to react to loss (losing his crew in Sabaody, losing Ace during Marineford). Because while the external reactions are vastly different - with Luffy crying and harming himself, and Zoro lashing out verbally - they both stem from the same thing. Denial. Luffy in those moments did not want to accept that his brother had died or that his crew was gone, and in this moment Zoro does not want to accept that they failed to rescue Vegapunk, or that he (in his own mind) failed to defeat Lucci. (But even when Luffy was struggling to accept the reality of losing his crew and brother, he was still allowing himself to feel, it just the way he went about expressing that emotion was actively harmful to himself - both mentally and physically. Zoro can't even seem to bring himself to express the emotions he's feeling, even in an unhealthy way.)

And while Luffy has grown and matured in this way, being able to process loss and the emotions that come with it in a healthier way, Zoro hasn't. At least, not yet. I'm not expecting him to be outwardly emotional like Luffy, but instead have him realize that allowing himself to feel emotions after loss does not make him weak or lesser of a person/fighter. I don't know if this is the direction Zoro will go as a character, but I personally think it would be interesting to see a more thorough break down of this aspect of Zoro, as it has been more heavily hinted at as of late.

[atlantis-is-burning]

Dead Boy Detectives Cancelation

So in light of the heartbreaking news of Dead Boy Detectives getting canceled, I decided to write a letter to @netflix It's the first time I've ever felt compelled to reach out to a major company regarding their services but I wanted them to know how much the show means to us as fans and what they're taking away from us by canceling it.

For me, the show was a literal life-saver. Without going into too much detail, I was in a very dark place prior to its release and it was the only thing that helped me through it. That and meeting all of you =)

I don't know what impact it will have, if any, but if you would like to write a letter to Netflix as well letting them know what the show meant to you, I would definitely do so. Our community may be small compared to other fandoms but we are passionate and devoted to this show and they deserve to hear from us.

I've attached the letter below the cut for anyone who would like to read it and believe me, I'm not trying to medal in the tragedy Olympics with the intro, it's just a fact of what happened.

Maybe the show helped you in ways you couldn't imagine. Maybe it made you feel better about yourself or something that occurred in the past. Maybe it was just a fun comfort show for you that you really enjoyed. Whatever the reason, this show brought out the best in people and made the world feel just a little bit kinder for a while and I will never forgive Netflix for taking that away.

To whom it may concern,

On April 29th, I sat down and watched the first episode of the Dead Boy Detectives. 

I had heard good things about the show since its release a few days earlier, that it was fun and campy and easy to watch, but for me I was hoping it would be a distraction. A very close friend of mine passed away without warning on December 30th; she was just there one day and gone the next. The first half of the year was spent helping her family get her affairs in order while trying to process our shared grief and figure out how we could move on without her. 

I didn’t begin to feel like myself again until late March and by then it was only a fraction of who I had been before her passing. So when I sat down and pulled up the first episode of the Dead Boy Detectives, the only goal I had in mind was to pass a few hours watching a silly supernatural mystery show and think about something other than this sense of loss and imbalance that had settled over me.

It was the first time I smiled in nearly three weeks and it was the first time I laughed since December.

I watched the entire series, start to finish, in one night. Then I went back and watched it again the next day. And again a few days later. And for the first time since her passing, I felt like my friend was still there somehow, like we were watching it together. It was exactly the kind of show she would have loved when she was alive, flamboyant and silly with a touch of romance and mystery, so on my fourth rewatch of it, I sat on my couch with a picture of the two of us cradled in my lap, watching a show I know she would have enjoyed and feeling just the tiniest bit of my grief fade.

It was through the Dead Boy Detectives that I found a community online, a group of people who loved the show just as much as I did. We traded theories and ideas about the episodes, we excitedly welcomed new members who had just finished it and encouraged others to watch it in the meantime. We set up forums and threads on Reddit, we messaged each other, we embraced this silly, quirky show so much that it became a safe haven for a lot of us, it became a comfort series. We saw ourselves in this show and these characters and for many of us it gave us a sense of fellowship and belonging in a world where that feels more rare by the day.

And then it got canceled and for many of us, it felt like a slap in the face for the fans.

While I don’t claim to know the metrics on which a show’s success and renewal odds are based or what formula is used to determine ratings, I do know you didn’t see the fandom we created for ourselves because of this show. 

There are artists who make the most breathtaking art pieces you’ve ever seen, writers who bring you to tears with their works, and creators who painstakingly and lovingly created playlists and mood boards for each of the characters, matching them with songs and snippets of poetry that fit so perfectly it felt like it was made for them. There are fans who cosplay so well it looks like they borrowed the costumes directly from the production team and some who make jewelry and charms and trinkets that sell out almost before they complete them.

We engaged with the stars as well, wanting them to know how much we loved the show and these characters and how grateful we were to have watched them. We set up Q&As and asked them questions through Cameo, all the while thanking them for their work in bringing these characters to life. This show meant so much to us and we wanted them to know just what an impact they had had on more people than they ever could have imagined.

We were well aware of Netflix’s reputation of canceling shows based on poor viewership so we went in and organized weekly watch parties in an effort to increase the number of new viewers. We promoted it on Facebook and Twitter and Instagram, creators made videos for it on TikTok, and we created an entirely new tag on social media to bring more attention to this show we all loved so much.

Early on, there were several comments from people who said they were hesitant to even watch it; they had been burned before and didn’t want to get deeply involved with a new show that would turn into yet another “one season wonder.” We did our best to reassure them and convince them that this time it would be different; it wouldn’t be like all the shows that had been cut down before it could ever really develop. Since it was tied in with DC and The Sandman Universe, we promised them that maybe this time we could save it, maybe this time it would be enough.

And it was still canceled.

On Friday, August 30th, ten minutes after the news broke that Dead Boy Detectives had been canceled, I canceled my Netflix subscription. Netflix was the first streaming service I ever signed up for and today it is the only streaming service I have ever canceled. And, after watching the fallout in our little online community, watching the actual grief people were experiencing because of the cancellation, and scrolling through pages upon pages of outraged fans who swore they would never watch another program on Netflix and vowed to cancel their subscription that day, I can see that my decision was justified.

You have no idea the impact this show had on its viewers and you have no idea the impact you had when you took it away. We had people admit that the show helped them come to terms with their sexuality, helped them process deep-seated trauma, helped them love and accept themselves for who they were. We knew the Dead Boy Detectives would never be a runaway hit like Stranger Things or Bridgerton but we hoped and prayed that it would stick around just a little while longer, that we could enjoy these characters and their stories for even one more season before they were gone for good. 

For you it may have been just a silly little ghost show that was little more than a blip on the radar but for a lot of us it was so much more than that, it meant so much more than that.

I am under no illusions that this email will make a difference or that it will bring the show back from cancellation but I wanted you to know what an incredible and amazingly talented fandom you are leaving behind in its wake. These are people who put their heart and soul into the art they create and the words they put on paper and all we wanted was a chance to see that continue.

We are tired of being drawn into a program and falling in love with the characters with no guarantee that our viewership and involvement actually means anything. We are tired of begging for complex characters and the representation we crave in media only to have the rug jerked out from under us once we finally get it. We are tired of hoping and praying and campaigning to save a show that should easily be renewed for several seasons or, at the very least, a season two. 

We are tired of feeling like we’re being taken advantage of as fans, that the passion and excitement we have toward these shows and their stars, the kind of involvement you claim to want, is dismissed with little regard toward the fans of the show itself.

We are your audience and we are tired.

We will continue to love and cherish this show and these characters, without your involvement, and give them a much longer life than they ever had on your platform. This show, the cast and crew, and the fans deserve better than what you gave them and I hope you understand the tremendous amount of talent and passion you’re throwing away in your fan base.

With regards,

-M

[eloquent-edits]

Hello!!!!

I'm writing a rivals to lovers office AU and am in need of some inspiration. Can you please do a list of office AU prompts? I don't mind if they get suggestive.

Absolutely! (Also thank you for being the first person to request prompts :3)

Character A and character B have issues with their work computers at the same time, and the poor IT guy has to deal with their bickering while fixing the computers

The printer is constantly breaking and A can’t help but snidely remark on B’s struggle every time it happens

B critiques A’s work whenever they get the chance, claiming A needs to do better if they want to get up to B’s level (the criticism is actually kind of helpful, just poorly worded)

B’s desk is across from A’s, leading to stare-downs when the other seems to be slacking on work and eyebrow raises when personal calls are taken

A leaves anonymous sticky notes on B’s desk about office drama, rumors, and random news stories to see what sort of conversations B likes (B usually looks at these with confusion, throwing them away buT THEY KEEP SHOWING UP WHY)

In the company project group chat, A and B don’t acknowledge each other outside of emoji reactions unless it is necessary

They are forced to work together on a major project with much longer hours than they expected, leading to sleep deprived A actually being nice to B in the mornings (they share a quiet moment at the coffee machine)

B’s ex comes into the office as another company’s assistant, and A can’t help but be concerned at the grimace and pain in B’s eyes

A starts using the printer incidents to ask about B’s history and get to know them better

A celebration at work includes a happy hour, so B dresses up just a little more than usual and A cannot stop staring

B notices A is lingering around their desk more and teases them about wanting to take their spot (A definitely wants to take them in a fight right?)

A’s car won’t start in the parking lot, so B offers to jump it… it’s the first time seeing B less professional (let’s get those sleeves rolled up and a couple buttons loosened from the button-down)

The AC breaks while only a couple people are in office, meaning it’s up to A and B to try and fix it while waiting on maintenance, leading to B on a ladder and A most definitely trying to not stare at their butt

C, an older friend at the office, retires and throws a massive party where A and B get a little too drunk, and B accidentally compliments A instead of criticizing them (A doesn’t know how to process it and B refuses to acknowledge this ever happened)

After A openly disagrees with one of B’s ideas, B confronts them privately, getting a little too close as A is stubborn and standing firm (give me that tension you can cut with a knife, give me that turn away because otherwise one of them will do something they regret)

B finds A asleep at their desk one morning and can’t decide whether to wake them up for the meeting or to let them sleep longer because this is definitely not normal for A

Turns out A worked their ass off to get a major promotion, one that B was eyeing for a while, which makes B jealous and get a little snappy

A is shifted to another area of the office and an annoying coworker, C, takes over the old spot. B finds the change welcoming and unsettling (“They’re not here to bother me anymore…” “That’s a good thing!” “… Yes. I suppose you’re right.”)

B is called into A’s office to discuss another coworkers’ weird behavior, which gives A the opportunity to call B out on their behavior around A

“It’s like on day one of me working here, you put a note in your calendar that said to torment me whenever you could.”

“You’ve gone from criticizing everything I do to actually being somewhat nice and helpful and then right back to being an absolute prick! I don’t understand it at all. What changed? You still seem to hate me, so why be so kind? Why?”

B doesn’t respond with words, just by slowly reaching out to touch A’s hand and swiftly pulling them into a kiss (ideally B would explain more later but that’s up to you hehe)

[p-taryn-dactyl]

way down we go: the before (i)

the series: (i) (ii) (the aftermath)

a/n: hi! i really liked writing for this AU so I decided to give a little backstory! this is the story of the first meeting/date of reader and Agatha who is in her less than legal hobby phase. hope you enjoy!

word count: 2k

warning(s): reader is a little bit oblivious...or is agatha a mastermind?; cursing oh no; mentions of stalking; did i mess up the timeline i myself created? maybe shh; also guys, it feels weird to write about the police when im not their biggest fan...eh it makes a good AU so; theres a murder! but who did it 👀 ; made up forsenics; hehe i have a plan; i kinda just throw MCU names around as characters in here sorry

You were convinced the universe had a vendetta against you as you rushed through your morning routine. You had slept in forty minutes past your alarm, much to the distaste of your neighbors, who had been the ones to wake you with pounding knocks on your door.

"Why do I have so many fucking creams and serums?" You muttered angrily about the purchases your past self had bought as a celebration of getting the job. The new job that you were now dangerously close to running late to your first day. Finally your frustration came to a head and you finally just started on your makeup, pausing your blending and swiping to pull on pants and a sweater. A sweater you realized was on backwards and inside out once you were in your car and in front of your regular coffee stand. You had pulled the sweater off and was in the process of turning it right side out when you realized you had caught the eye of one of the coffee stand customers. You also realized you were only in your bra and your car windows were far from tinted. Heat rose to your face and you sheepishly pulled your sweater on over your head. If you ever had done the walk of shame, you imagined it would feel like how you did as you got out of the car. The customer who you had made eye contact with smirked at you as you made your way to join the coffee line.

"If I known I would be getting a show, I would've brought more cash."

While her voice held a joking tone, you saw no malicious intent in her blue eyes. Dear lord you had just flashed the most beautiful woman in the world. Forget your new job, you were just gonna run away to Argentina and change your name. You gave a small laugh, embarassment still coursing through you. The woman seemed to realize and bumped your shoulder with hers.

"Oh come on now, don't be shy. I liked what I saw." She whispered into your ear and made even more heat rise to your cheeks. The blatant flirting made you genuinely smile and a small burst of confidence had you responding.

"I guess the next logical step is to buy you dinner...or coffee! This coffee, I don't know why I jumped straight to dinner." You trailed off to a mumble, the burst of confidence gone. But the woman just looked at you with a fondness that you didn't know someone could have for a stranger.

"You'll offer me dinner before you learn my name?"

Your eyes widened and your hand shot out in front of you for a handshake.

"I'm sorry, that's just rude of me honestly. First I flash you and now this!" You started to pull your hand back, wondering why you even put it out but she grabbed it, shaking your hand softly. Her eyes shone with humor as she told you her name.

"Agatha Harkness, lovely to meet you dear."

You smiled but it quickly fell as you noticed the time on her watch and how long the coffee line was.

"Oh shit, I have to go. Guess I'll push through the day without a caffeine boost."

Agatha laughed, a sound you knew you wanted to hear more of in the future.

"Dinner?" You anxiously asked as you fumbled with your car keys, unlocking your car. Agatha nodded, cocking her head to the side as she smiled at you.

"I'll meet you here around 6? We can walk to The Bistro just around the corner."

While it was a question, Agatha spoke as if it was a demand. You smiled and nodded, internally hoping Agatha wouldn't take you up on your buying dinner offer. The Bistro was a delicious restaurant but was known for prices that normally took weeks saving up for. You waved at your date, climbing in your car with a giant smile on your face. Before you shut your door, Agatha called out.

"See you later, Y/N!"

It didn't occur to you that you never told her your name.

------------------------------------------------------------------------------

Agatha watched as you drove away, a smirk pulling on her lips. Finally. She had been keeping tabs on you for weeks, the new forensic scientist who was the new obstacle in her way. Over the weeks, she memorized your schedule, where you frequented and when. This coffee shop was a constant, a perfect place for an impromtu meeting. But even with all the information she collected about you, she didn't expect to genuinely like you. You were adorable, both in your mannerisms and how you spoke. If she didn't already know your history, she would be more concerned about the profession you had chose.

She also didn't expect you to ask her out, an interesting development. Agatha was prepared to inch her way into your life as a friend, slowly coercing information out of you as the friendship progressed. But this, this dinner would would change everything.

-----------------------------------------------------------------------------

The universe definitely had it out for you.

Almost the second after you situated yourself in your new lab, after meeting the team and thankfully clicking with them, a call came into the precinct.

A body had been found.

The excitement of your first officical case made the whole process become a blur. But reality became stark the second you crossed the yellow tape. Red and blue illuminated the air, flashing in your eyes as you made your way to the body. Almost immediately, you were grabbing the arm of Detective Jimmy Woo, the man who had been kind enough to let you have the last of the coffee pot.

"This isn't where they were killed. This is a body dump."

Jimmy, quick to grab his notepad, started jotting down what you said before looking up at you, a quizzical look on his face.

"How do you know?"

You slowly started circling the body, Jimmy following you as you explained, careful to not disrupt the photos Darcy, the CSP, was taking.

"The way he's positioned," Jimmy looked like he was about to ask how you knew the sex but you held up a hand as if to say you'll come back to that, "His arms are up against his chest and so are his legs, rigor mortis sets in after death, meaning since there's no outward indicators on the scene of a struggle and from what flesh is left, it looks like the wrists and ankles were tied, creating the position he's in now. If I'm allowed to make an educated guess, he was stuffed in the back of a vehicle of some sort and died while back there. He probably was dumped when whoever put him in the vehicle realized."

Jimmy just stared at you and you fidgeted in place. The excitement of being in a crime scene made you break a rule you learned while completeing an internship at the Jeffersonian. Never make assumptions about how the victim died, wait until you have evidence for a hypothesis. But Jimmy just nodded, an impressed look on his face as he taped his notepad with his pen.

"We're lucky to have you as our main analyst, Y/N. Welcome to the team."

Jimmy went to talk with the couple who had found the body while fishing. If you had to guess, you would say they would be staying away from seafood for a long time.

Along with your new forensic team, you inspected the scene, collecting and bagging everything and anything that seemed out of place. Finally, it was time to head back to the lab.

Dental records of the victims skull gave you an identification quickly.

Vis Maximoff, 32, reported missing two weeks ago by a neighbor, who had chosen to stay anonymous. You were surprised to see a pending case attatched to his name in the system, one that had been open for almost a year. Vis's wife, Wanda, was reported as deceased under unusual circumstances but all evidence detectives had to even start thinking about arresting Vis was either circumstancial or non-existent.

You passed on this information to Jimmy, who had a confirmation from the coroner, Hela, that your theory of how Vis died was correct. Fibers found on his body matched those of the floor of a 2017 Buick Verano. He died of asphyxiation, meaning either he had no air in the trunk of the car, or something had been covering up his nose and mouth, keeping him quiet and ultimately leading to his demise.

The rest of the day went by in what felt like a second. Soon, it was coming close to your date with Agatha and you had no time to change. Darcy proved to be your savior as she walked into your lab without knocking, quickly clocking the panicked look on your face.

"Girl are you okay? I mean you did have to look at a dead man for hours so I guess that could be it but I'm also going to guess this is about something else because you keep picking at your sweater."

You looked up at Darcy, forcing yourself to stop plucking at your clothes.

"Maybe you should be a detective," you joked, Darcy snorted as she leaned on the table across from you, silently prompting you to explain, "It's just, I have a date with someone I met at the coffee stand and she's gorgeous - I mean really pretty, and we're going to a super nice place and I'm pretty sure I have dead man juice on my pants."

Darcy shuddered before coming around to loop her arms through yours.

"Well thankfully, this department has plenty of clothes used for undercover assignments and stake outs. I'm sure we can find something that screams 'FUCK ME' in time for your date."

If you had pearls, you would have clutched them. Darcy just rolled her eyes at your dramatic reaction. She pulled you up, dragging you to the giant walk in closet where the undercover clothes resided.

"Ok don't give me that scandalized bullshit, do you or do you not want her to fuck you?"

You murmmured under your breath as you looked at the racks of clothing. Darcy crossed her arms and raised an eyebrow. You sighed, making eye contact with the brunette.

"I mean I was mostly hoping that she even likes me after this date, but yes, that would be nice."

Darcy laughed, shaking her head as she joined you in looking for an outfit.

"You're a funny one, Y/N. This woman better not break your heart because you just gained yourself a best friend and- ew no not that dress, it makes you look like a corpse." -----------------------------------------------------------------------------

Agatha tapped her foot against the concrete as she waited for you. A small part of her wondered if you had forgotten about the date that was made so quickly, and she hated how that thought made her stomach sink.

"Agatha!"

Your voice called out as you turned the corner, looking slightly out of breath as you walked over to her as quickly as possible. You came to stand next to her as Agatha's eyes raked over you, taking in the dress Darcy and you had agreed on.

"Oh I don't know if we can go into the restaurant like this." Agatha said while slightly shaking her head. Your smile fumbled as you looked down at the dress, surprised at how much you ended up loving it.

"Oh I thought it was ni- I don't- Why is there a dress code it's breaking?"

Your panicked flurry of words made Agatha come to stand close to you, cupping your face in her hands and lifting slightly so you could make direct eye contact.

"I just don't know if I'm okay with everyone staring at my date."

You rolled your eyes jokingly as Agatha pulled away, swatting at her shoulder lightly.

"You scared me! Now if anyone is going to be staring, it's going to be at you. Did you literally jump out of my fantasies?"

You only realized what you had said once you saw the growing smirk on Agatha's face.

"Fantasies huh? We only met this morning and you're already fantasizing about me?"

You felt heat rising to your face, a seemingly normal occurence around Agatha.

"Let's go to The Bistro! Probably a long line to wait in, should get to that!"

Agatha wrapped an arm around your waist, pulling you close as she whispered in your ear.

"This is going to be fun."

a/n: hihi! God I love this AU! This and The Aftermath parts of Way Down We Go are going to be two parts each, and then there's something else i have planned that hopefully y'all enjoy too!! thank you for reading!

[mymarsmoonandstars]

It's been a week since I saw Wakanda Forever, and ever since, it's consumed my thinking. There are a million things I'd love to discuss about the film, but what keeps me up at night is Shuri and Namor.

Shuri had every right to gut his ass. Namor brought flooding and destruction to her home, killed her mother, all while knowing she was suffering from the death of her brother. Hell, Namor nearly killed her (by impaling her, which how did she survive that idk, anyway). And what was the worst thing that Shuri had done to him? Say no to his alliance to go to war with the surface world? Shuri wasn't the one who killed Namor's two subjects. She actually tried to save them. Yet just like T'Challa, she's forced to deal with the consequences of other people's actions, and when she stands over Namor with a blade to his neck, her internal struggle with this flashes across screen. It's a powerful sequence, but the one that captures me the most is when we hear her mother telling her to show Namor who she is. Not only is it one of many callbacks to the first film, but really, who is she? Who is Shuri? She is struggling with her identity, as grief often does to a person.

When audiences first met Shuri, she was the genius younger sister, the comic relief, who took solace in her lab. But now all this has been taken from her, and taken so suddenly. She's now front and center, now her country's most powerful figure, no longer the jokester, no longer a sister, no longer a daughter, and feels like a failure. The moments where she stands over Namor is us watching her return to herself but also become someone entirely new. She sees the destruction reverse. Sees Namor's hope. Sees their mothers and their nations. She understands that they are similar just as much as they are different. She finally realizes that ending Namor's life cannot reverse the destruction nor her pain, but sparing him is the answer to ending the cycle of it. She recognizes that even though her mother and brother are gone, she is still sister, still daughter. Death in Wakanda is a beginning.

Above all, Shuri understands she cannot think of only herself anymore. She cannot push her people to war because of her own grief and vengefulness. She becomes a leader, in granting mercy. A protector.  And extends this protection by offering it to Namor and his people. This brought a bitter taste in my mouth at first, but it isn't about who's right or wrong, especially when both sides have a little right or a little wrong to them. It's about navigating the actions of their forebearers in the best way they can.

Her multifaceted character is symbolized by her panther suit--it's reminiscent of T'Challa, Kilmonger, and her past self. Now that she's burned her mourning clothes, hopefully in the next movie, we'll see her accept this role with newfound confidence and surity of its purpose. I'm also hoping that Shuri kept Namor's little baby ankle wing that she sliced off and puts it up somewhere to serve as a reminder that she bested him. Can you imagine? I can't wait to see more of her.

Then there's Namor. And dare I say it, he was justified in his feelings of wanting to kill Queen Ramonda. She was cunning and tricked him and had two of his people killed in the process. Remember the scene where he's cradling his subject's face as she dies? And she asks if he can save her and he does not answer because he knows he cannot? And then--was it Namora?--who says, with such blame dripping in her voice, that he was busy meeting with the queen during Nakia's attack. Namor is so angry, and very possibly, so ashamed (and scared?). His ultimate goal is to protect his people, and he failed. He's a god and Ramonda made him look like a fool. To him, she had to go.

Ryan Coogler said that despite Namor being about 500 years old, he wanted him to still feel somewhat childlike. And is he! He's rash. He focuses only on the immediate response without thinking of the ramifications. He seems almost charmingly innocent in his hopefulness that Shuri would want to join him. There's no doubt they wanted us to feel a romantic connection betweeen them, or perhaps just from Namor's end. I don't know who gives clearance on the music, but whoever does, they are always very intentional and unique about it, and a love song plays during That One Mesmerizing Scene. The theories that Namor is infatuated with Shuri just weaken me. She's the first person to ever see Talocan. The bracelet. The mural. Him acknowdging her power. Him waiting for her to beckon him. I. have. folded. No one look at me.

I really hope the MCU explores their relationship. And though I'm sure it would never be a romantic one, that does not make it any less intriguing. Ryan is phenomenal with his villains. Just like Kilmonger challenged T'Challa not just with war, but challenged his core beliefs, Namor did the same with Shuri. The only difference now is that Namor is still alive, and this sets us up for a delicious exploration of a complex relationship between two leaders who have similar wants but conflicting perspectives.

Man. I love them. MCU, please let us see more of them. And if we do, please. Be careful with them.

[roll-of-royces]

CW: Self Harm

Anon Request: The Hazbin Hotel Characters React to Finding Out You Self Harm  

(You are in an established relationship.) 

You don't mean for Alastor to find out, you've been careful and it's not like you have a particularly intimate relationship. He's happy for you to keep your clothes on, but well these things happen. When he sees the marks on your arm he freezes, eyes training on the injuries. His head tilts as he digests the information, realizes where they've come from, and puts it all together in his head.     His smile tightens at the corners, eyebrows lowering as he reaches forward to curl clawed fingers around your wrist, "Why do I smile, my dear?"     You blink up at him with watery eyes, not sure what he wants, but you answer anyway, "To keep them guessing."     Alastor steps forward, even though he's never been one for long hugs and presses your face into his shoulder, hand against the back of your head, "So keep them guessing."  

You're wrapped up in each other, lights low, thinking he won't notice when he finds the marks along your leg. Angel hard stops, tracing the skin with his thumb. His eyes find yours in the low light before he pulls you into his arms, wrapping himself around you. Your face is pressed into the fluff at the front of his chest, buried in the soft strands.     You can hear his breath shake by your ear, "It won't help." He whispers, low and sad. You don't know if you've ever heard Anthony sound like that, even on the bad days. Even high, drugged, or drunk. There's a tremble in his voice. "It won't help. Let me help you instead."  

Vox can be a bit dense sometimes, he notices the marks the first time, makes a joke about pissing off a cat, and dismisses them. He figures it out a few minutes later when he looks at them again, going still. You can feel the electricity in the air, the lights above you in his office flicker. "You did that to yourself?"     You nod, shame bubbling up inside you as you cross your arms over your chest.     He leaves his desk behind to walk up to you, hands grabbing your arms. Static slides through you, making you jump, "Don't." His voice is sharp, "Tell me who I need to fire, or light on fire to fix this. Tell me what you need and I'll make it fucking happen."  

Charlie notices far faster than you expect, all it takes is one little wince and she's asking what is wrong. Her concern breaks you down, and you end up deciding to simply show her. To let her in, and hope maybe she knows what to do next, how to process all this.     At the sight of your wounds, Charlie goes about worriedly making sure you'll heal alright. She presses a kiss to the top side of your wrist, and holds your hand between her own. "I know it's hard." Her eyes fill with tears, "I know there are bad days, but we're going to get through this together. I love you more than anything, if you need me, if you need help ask. I'm always going to be here."  

You know that Lucifer knows what it is to suffer, he drowns himself in work, constantly keeping himself busy so it doesn't drown him. So when you break, when you hurt yourself you go to him in the aftermath, trembling. He spots you from the doorway to his workshop. He freezes, trained out the injuries. His shoulders droop, and he nods to himself as he walks over, taking your hands in his own.     His voice is gentle and a moment later the marks are gone. "I'm working on a new duck." He says, hand moving to hold yours, the tightness the only sign he's upset at all. "Come help me design it." When you reach his desk he pulls you down onto his leg, wrapping an arm around your waist. "What do you think, what color should it be?"  

You end up telling Rosie what you'd done in one of your long conversations, she's easy to talk to, she's always been that way. Things you never thought you would say always seem to get said when she turns those dark eyes toward you. When you tell her, she slides a little closer, "Now, I think you know that I know that Hell can be no picnic." Rosie presses a kiss to your brow, "But we have a home here."     Rosie waves toward the doorway that leads out to Cannibal Town. "Maybe it's hard right now, it won't always be. And what we do, well you bet, we're going to do it together."  

When Pentious sees the marks on your arm he gasps quite spectacularly and rushes over, "Who hasss hurt you, sun of my suns? I shall avenge thisss."     To your embarrassment, several of the egg bois also take notice and rush over asking you if you're alright and what happened. You're forced to admit in a low whisper that you were the one who did it.     He crushes you to his chest, pressing several kisses to your face and head. "Then I shall avenge the monstersss of the mind!" He declares, continuing his onslaught. You can't help but laugh a little as he attempts to cheer you up.  

[the-s1lly-corner]

Telling them you love them for the first time

Some tooth rotting fluff to make up for the angst last night!!

Shorter hcs cuz I'm EEPY, apologies for any OOC stuff <\3

Slenderman;

Hes good at reading you, so he already knew that you held at least some considerable amount of affection for him

And sometimes, inside your head, he'd tell you how much he adored you... but either of you ever said the L word

You'd think that an ancient forest cryptid would be prepared for such a word, and yet..

when you first said it, he visibly froze. For the first time since you've met him, he seemed to be.... lost

He didnt say anything, but that wasnt out of character. . He hardly spoke, even in your head

After a moment of processing, his body eased, and he simply. Pulled you close, with his tentacles. Still not saying a word

It was a rather bizarre experience, actually, especially considering he began to cacoon you in his tendrils

Definitely one that needs to get used to it, but doesnt seem to take it negatively

Please hes still learning human romance

Splendorman;

Unlike his brother, Splendor has a better grasp of what human romance is like, what with him mingling with people all the time

Hes much more vocal, too, so when you finally say the three words..

He squeals after processing what you said, before giggling, and beginning to bounce on his heels

He doesnt care if hes being... embarrassing? Hyper? Giddy?

Hes over the moon, scoops you up if he knows you'd be comfortable with it-

-boundaries are important!

Hes giddy for the rest of the day

No

Hes giddy for the rest of the week

Also admits he loves you as well, probably says it everyday at least once tbh

Laughing Jack;

Comically stops in the middle of whatever he was doing; even if he has to break the laws of physics (clown logic)

Eyes you for a minutes

Snorts

"Aww! I love ya too toots!" Stretches his arm over, likely across the room, to lightly pap your cheek before snapping his arm back into place

Easily one of the most chill about it

But you can see a new pep in his step afterwards and his giggling seems to ramp up

Sorry his is so short but I really think this is all Jack would react with 😭😭

Eyeless Jack;

Given how I usually write for him, you can bet that his reaction will be...

Well he just doesnt expect it, ever. He truly thinks that hes unlovable, given that whole "hey I'm turning into a man eating monster" thing

So when you say it, hes stunned for a few seconds like slender was. Dead quiet for another couple of seconds

Rather than holding you, though, he just asks why

I mean you could have gone out with anyone, you could have left and never came back; he was certain you would eventually

But this..

Complicates with his current doubts..

He'll ask you if you meant it, too

Despite the... initial response, with the denial, his behavior around you seems to become more relaxed

Let's loose, really

Well not totally; it's a process!

He'll ask you for reassurance a fair number of times

Masky;

Masky already shows wordless affections a lot

From cheesy gifts like flowers and (stolen) treats

To..

Sitting at the foot of your bed watching you sleep at night

Hey hes protecting you!

Realizing that I kinda write him like a stray cat

Gives you birds and rats every morning/j

No but back on track, you two are already fairly affectionate to one another in your own quirky ways

He'll never say the words verbally, as I personally hc he doesn't talk (if he does, its RARE), but he'll sure as hell express it in his own ways

He doesn't seem phased when you say it

You mean to tell him that anytime you reciprocated his kind gestures that wasnt you letting him know you love him?

You notice his gift giving seems to pick up

Otherwise, nothing seems to change

.....he does seem more open to physical affection.... more likely to hold and cuddle you..... that totally isnt related...... totally......

Hoodie;

Very similar to masky but his way of affection is more.... not watching you sleep

He was already open to physical affection, he cant seem to keep his hands off you

Now that just be my way of writing brian bleeding into how I write hoodie

Which

Considering they're kinda... the same person(?), it makes sense that some mannerisms would overlap

His back straightens up and he seems to.. brighten up when you say it though

He points to himself, and you repeat the phrase

He'll sign it back, and the two of you just

Carry on

Very anticlimactic, but I also feel its realistic in a way; you both already love each other and know it, saying it out loud doesnt really change a thing if its already a clear truth; at least for Hoodie

[deanscutiepiesam]

Hello! I'm still relatively new to the fandom, so I'd gone my entire spn existence not seeing this until now, and I have to share because I'm actually going insane and I need smart people to rant to, so apologies if you've already seen this. D*stiel warning, read at your own risk:

Credit to this [post] on Twitter for the screenshots ☆

There aren't even words, like I'm literally losing my mind. Like these can't be real people. Anyways, let's dive in, guys...

You took Dean's dying speech to Sam, where he's directly vulnerable and honest about his love for his baby boy and diluted it to the fucking gas n sip scene?? Like this is insane I can't even begin to understand the thought process (probs because there isn't one), but omg?? That's so unserious and it's almost funny, but let's move on to the replies because it's way worse.

1. People torn up about the barn is so crazy to me. Buddy, it's not that deep. It's not foreshadowing. They literally just happened to happen in the same type of building. It's so crazy for a character to make their first appearance in a barn, and now every barn must be about him. Weak. Do better.

2. Now this one. This one actually drives me crazy. The scene made you uncomfortable because you think asking him to stay is a "Dean and Cas focal point??" Are you serious?? First of all, Dean has serious abandonment issues, so of course, he wants people to stay in his life, but secondly, Sam has been the main focus of that since the first season. Ever since he went to Stanford. Like did you watch with a fucking blindfold?? Half of the show is just Dean making a crazy decision to keep Sam by his side and the consequences of that. How are you this dumb??

And if I were a gambling man, I'd bet that this person started spn at s4. Like the pieces have fallen into place; it's the only explanation. They're so delusional because they missed the core foundation of the show in s1-3. Their world began when Cas walked on screen so they don't even get the show's thesis, and it's so annoying. It's about Sam and Dean. Get over it. "Love story of two brothers." - Jensen Ackles.

3. "Sam/Dean wasn't the relationship that was crying out for emotional payoff." Bestie I'm in your fucking walls. This has literally been building between Sam n Dean for 15 YEARS. Dean was dying and needed to get out how he felt since the beginning. It was a confession, alright, but you can't handle that it was to his brother, and I feel sorry for you. I get you don't care about the brothers' relationship because of your D*stiel compulsion, but get it together. It's embarrassing.

Also, Jensen literally said he went off script for emotional scenes (including the Sam/Dean barn confession) because it felt right [X]. J2 knows Sam and Dean better than me, you, or anyone else. Even the writers (to the point where they were given the script and told to make it theirs). It's so wild that you can ignore that.

4. "Head touch." I'm not even gonna waste time typing about this. Just look at [this] post. Says more than I ever could.

Anyways. Sorry about that, guys. I'm actually so chill and friendly, I swear :33 I just needed to rant to my homies with media literacy because it's literally dead and I was going insane :)

Thanks for reading, and always remember...

[sepublic]

The Owl House's Ending Anniversary...

So it's officially been one whole year since The Owl House ended.

One year ago, I wondered how I would move on. How I would keep going. But I also knew I would, no matter what, because time keeps going on. Things will eventually pass, they always do, that's how so many moments and days for me have gone. Even entire periods of my life.

So I'm not surprised how things have gone on since then; I still had plenty more things to say about TOH, and I still love it just as I have. I've gotten new hyperfixations, and even returned to old ones as some of you can see with recent posts, so it's only a matter of time before TOH circles back again.

And man does it feel so slow, only to feel so brief, it really feels like this anniversary has snuck up on and surprised me! And once again, we have some other, appropriate event lined up; A solar eclipse on this anniversary! Luckily there's no sigils nor coven heads gathered to make me worry. But dang, it was raining in Connecticut when Luz returned there, and it was the rebirth of Jesus when Luz was resurrected.

Makes me wonder if anyone of the Boiling Isles, justifiably, has had PTSD from solar eclipses, and dreaded any that showed up, despite knowing it couldn't happen again. People must've held their breaths the entire time during the first eclipse, panicked at even the slightest fatigue, and then it passed and they realized it really was impermanent and over. And that there was another step towards moving on, which I guess I can relate to now, though this is something I'm much less happy to see gone.

I think a lot about how TOH has influenced both me and my writing, how I approach characters and stories now. I've found myself gravitating more and more towards personal, character-driven stories and situations now. I still have a bit of a taste for grander-scale stuff, but TOH was special for me in that it feels like the first time I really got and understood a show and its characters from the ground-up as I experienced it all in real time. The first time I truly grasped themes and character arcs and could make reasoned predictions based on those, some of which came true! It really feels like THE big start of my media literacy in a way?

It's been fun looking back at TOH as a 'whole' work more or less to reevaluate, and learning other things behind-the-scenes about the show. We've had a few more livestreams and stuff confirmed. Dana's done more drawings, including on her Patreon.

I haven't been writing as much TOH stuff lately, and tbf I've already said soooo much. I might have other, new things to say later down the line, and I do have a few thoughts I've written in notes that maybe could be fully-fledged posts in their own right. I've found comparisons to protagonists of other media, like Miles Morales, or Arin from Ninjago.

The Owl House still is and will probably always be something truly special to me; It feels like my first real fandom experience. My first time understanding and learning a show, appreciating it as it develops and even as I speculate. It broadened my tastes and horizons, my ability to participate with others in stuff.

I miss it; I miss new episodes, new developments. I'm still agonized over things that could've been, things I would've loved to see more of. I'm apprehensive over whether we'll get that Raeda prequel because I don't wanna get my hopes up. Plus Dana needs a well-deserved break and is trying and experimenting with new, different things. And I get that.

It's bittersweet, it's scary, it's freeing, it's sad, it's happy. I've gone so far, this show and fandom has gone so far. And it'll keep going, it has to, time keeps marching on. Luz had to lose her father Manny, process that, but still keep going and must be surprised looking back how much she's adjusted since then, how much she's still grown and gained and learned, while still holding him dear; The same applies for the Titan and the magic she once wielded. With grief and acceptance being a core theme in this show, I'm not surprised that it prepped up the viewers to do the same, and now we have.

And you know what? I'm gonna keep going on, like Luz Noceda, possibly my favorite protagonist of all time, one of the greats and a huge inspiration now for how I really want to write and focus on my own protagonists, too. I'm gonna keep doing this like it never ended. The rate and frequency might fluctuate, but every now and then I'll have things to say, and stuff to drop by and check, such as with the tag and the occasional trending post, others' reblogs, and so forth.

So again, thanks to Dana and the crew. Thanks to Luz Noceda, Eda Clawthorne, King Clawthorne, and the other many, many characters! Luz's story is one where it feels like the show really is about her at its core and wraps around to her, and I want to do a story one day that accomplishes the same feeling. And as I see how Dana has been inspired by past influences, I can't help but look forward to future generations and stories that will themselves have been inspired by The Owl House, I know I've been already, retroactively applying it to things that were already fairly compatible to begin with, and really needed the fresh breath of new inspiration.

I'm repeating a lot of the same things I've said last year. Will I say the same stuff another whole year from now? I'll see. But until next time... BBBBYYYYYYEEEEEEEEE!!!!!!!!!

[strwbmei]

I'm sending this anonymously but i am one of your mutuals (guess who >:3) and I wanted to request a Vertin X shy!S/O fluff cause i'm completely in love with her (hint: i like a certain pink haired girl and i love Italians)

pairing(s): vertin x gn!reader

a/n: Hello!! Truth be told, I could tell just from the ">:3" emoji alone haha, it's always such a joy to talk with you (:

I'll get to all of the thirsts in my inbox I swear, I've just been really in the mood to write fluff lately

Vertin with a Shy!Reader

: ̗̀➛ Vertin isn't really shy, just more of an introvert who has a hard time expressing what she feels. Because of her past experiences and the people she has lost, she never really saw the point in building a relationship with someone whether it be platonic or romantic.

: ̗̀➛ That said— one thing that the Timekeeper has always been is curious. Your naturally shy and closed-off character piqued her interest even more so than the others, and she wanted to know everything about you.

: ̗̀➛ It's in her nature to be inquisitive and prying about everything; you, in particular, are no exception. Although it's true that her that this has gotten her into trouble more than a few times, she can't really bring herself to care if you're involved.

: ̗̀➛ After a while, her curiosity wasn't only for you and everything about you, but also for herself. Poor girl is usually so rational and calculated, but once she's in your presence all of that is completely gone. She believed herself to be a person who's very self-aware, yet you have her questioning everything as she knows it.

: ̗̀➛ Why does the world, usually so dreadful and miserable, feel so much more colorful when you're around? Why can't she take her eyes off of you? Why is it that whenever there is danger, her first concern is if you're alright? What is this... thumping in her heart that just can't seem to stop whenever you so much as look at her?

: ̗̀➛ It's love. Vertin was well aware of that fact, and it scared her. Scared that you might not feel the same way. Scared that the two of you will go back to being strangers once you find out. Most of all, terrified that you'd be put into danger because of her actions.

: ̗̀➛ You may have been shy, but you're not oblivious. You're aware of how she treats you differently from the others and you can feel how she gazes at you with unbridled love from across the room. You also know that Vertin would never tell you how she truly feels because of her fears.

: ̗̀➛ Sure, confessing your love to her despite all of that might have been a selfish move, but do you regret it? Not at all. You're prepared for the worst— as long as you're facing it with her. The process of the confession, though? The two of you were bumbling idiots who couldn't properly articulate their feelings even though you both have thought of this exact scenario a million times before.

: ̗̀➛ Still, it was worth every second. Vertin might not show it, but she's completely over the moon. Suddenly, the world isn't such a negative place— suddenly, she has hope. It's just a spark, but it's enough to keep her going.

: ̗̀➛ She's very patient with you. She knows that all of this about relationships and feelings is entirely foreign to you, and while that may also be true for her, she makes sure to put in the effort to be extra understanding since she knows of how timid you are and all she wants is for you to be happy and safe.

: ̗̀➛ Of course, she also tries to improve her ability to communicate. You're the only one who she feels like she can be vulnerable with and finally let the walls she's built around herself down. It's the first time she's felt so... secure and loved in someone's presence, and she wants to make sure she's the best version of herself for you.

: ̗̀➛ Until she's done with that though, expect random shows of affection throughout the day. Mostly her just remembering she hasn't kissed you or shown you love in the past 30 minutes and spontaneously deciding she needs to give you a peck on the cheek.

: ̗̀➛ Her sudden touches surprises you sometimes, but it's cute! You're just happy to see Vertin getting more comfortable because both of you were very hesitant to even hold hands at the start of your relationship.