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#idk if i like how i wrote this one
noelledeltarune · 8 months
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EVERY SINGLE DAY there are MILLIONS of characters in their late 20s who get falsely accused of being father figures to teenagers when in reality the description of "weird older cousin" or "step-sibling that moved out before you were born" is 1000000x more apt
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inkskinned · 10 months
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because sometimes there are invisible tests and invisible rules and you're just supposed to ... know the rule. someone you thought of as a friend asks you for book recommendations, so you give her a list of like 30 books, each with a brief blurb and why you like it. later, you find out she screenshotted the list and send it out to a group chat with the note: what an absolute freak can you believe this. you saw the responses: emojis where people are rolling over laughing. too much and obsessive and actually kind of creepy in the comments. you thought you'd been doing the right thing. she'd asked, right? an invisible rule: this is what happens when you get too excited.
you aren't supposed to laugh at your own jokes, so you don't, but then you're too serious. you're not supposed to be too loud, but then people say you're too quiet. you aren't supposed to get passionate about things, but then you're shy, boring. you aren't supposed to talk too much, but then people are mad when you're not good at replying.
you fold yourself into a prettier paper crane. since you never know what is "selfish" and what is "charity," you give yourself over, fully. you'd rather be empty and over-generous - you'd rather eat your own boundaries than have even one person believe that you're mean. since you don't know what the thing is that will make them hate you, you simply scrub yourself clean of any form of roughness. if you are perfect and smiling and funny, they can love you. if you are always there for them and never admit what's happening and never mention your past and never make them uncomfortable - you can make up for it. you can earn it.
don't fuck up. they're all testing you, always. they're tolerating you. whatever secret club happened, over a summer somewhere - during some activity you didn't get to attend - everyone else just... figured it out. like they got some kind of award or examination that allowed them to know how-to-be-normal. how to fit. and for the rest of your life, you've been playing catch-up. you've been trying to prove that - haha! you get it! that the joke they're telling, the people they are, the manual they got- yeah, you've totally read it.
if you can just divide yourself in two - the lovable one, and the one that is you - you can do this. you can walk the line. they can laugh and accept you. if you are always-balanced, never burdensome, a delight to have in class, champagne and glittering and never gawky or florescent or god-forbid cringe: you can get away with it.
you stare at your therapist, whom you can make jokes with, and who laughs at your jokes, because you are so fucking good at people-pleasing. you smile at her, and she asks you how you're doing, and you automatically say i'm good, thanks, how are you? while the answer swims somewhere in your little lizard brain:
how long have you been doing this now? mastering the art of your body and mind like you're piloting a puppet. has it worked? what do you mean that all you feel is... just exhausted. pick yourself up, the tightrope has no net. after all, you're cheating, somehow, but nobody seems to know you actually flunked the test. it's working!
aren't you happy yet?
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pherredraws · 3 months
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from the homumiko mines
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eyrieofsynapses · 5 months
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why Aurora's art is genius
It's break for me, and I've been meaning to sit down and read the Aurora webcomic (https://comicaurora.com/, @comicaurora on Tumblr) for quite a bit. So I did that over the last few days.
And… y'know. I can't actually say "I should've read this earlier," because otherwise I would've been up at 2:30-3am when I had responsibilities in the morning and I couldn't have properly enjoyed it, but. Holy shit guys THIS COMIC.
I intended to just do a generalized "hello this is all the things I love about this story," and I wrote a paragraph or two about art style. …and then another. And another. And I realized I needed to actually reference things so I would stop being too vague. I was reading the comic on my tablet or phone, because I wanted to stay curled up in my chair, but I type at a big monitor and so I saw more details… aaaaaand it turned into its own giant-ass post.
SO. Enjoy a few thousand words of me nerding out about this insanely cool art style and how fucking gorgeous this comic is? (There are screenshots, I promise it isn't just a wall of text.) In my defense, I just spent two semesters in graphic design classes focusing on the Adobe Suite, so… I get to be a nerd about pretty things…???
All positive feedback btw! No downers here. <3
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I cannot emphasize enough how much I love the beautiful, simple stylistic method of drawing characters and figures. It is absolutely stunning and effortless and utterly graceful—it is so hard to capture the sheer beauty and fluidity of the human form in such a fashion. Even a simple outline of a character feels dynamic! It's gorgeous!
Though I do have a love-hate relationship with this, because my artistic side looks at that lovely simplicity, goes "I CAN DO THAT!" and then I sit down and go to the paper and realize that no, in fact, I cannot do that yet, because that simplicity is born of a hell of a lot of practice and understanding of bodies and actually is really hard to do. It's a very developed style that only looks simple because the artist knows what they're doing. The human body is hard to pull off, and this comic does so beautifully and makes it look effortless.
Also: line weight line weight line weight. It's especially important in simplified shapes and figures like this, and hoo boy is it used excellently. It's especially apparent the newer the pages get—I love watching that improvement over time—but with simpler figures and lines, you get nice light lines to emphasize both smaller details, like in the draping of clothing and the curls of hair—which, hello, yes—and thicker lines to emphasize bigger and more important details and silhouettes. It's the sort of thing that's essential to most illustrations, but I wanted to make a note of it because it's so vital to this art style.
THE USE OF LAYER BLENDING MODES OH MY GODS. (...uhhh, apologies to the people who don't know what that means, it's a digital art program thing? This article explains it for beginners.)
Bear with me, I just finished my second Photoshop course, I spent months and months working on projects with this shit so I see the genius use of Screen and/or its siblings (of which there are many—if I say "Screen" here, assume I mean the entire umbrella of Screen blending modes and possibly Overlay) and go nuts, but seriously it's so clever and also fucking gorgeous:
Firstly: the use of screened-on sound effect words over an action? A "CRACK" written over a branch and then put on Screen in glowy green so that it's subtle enough that it doesn't disrupt the visual flow, but still sticks out enough to make itself heard? Little "scritches" that are transparent where they're laid on without outlines to emphasize the sound without disrupting the underlying image? FUCK YES. I haven't seen this done literally anywhere else—granted, I haven't read a massive amount of comics, but I've read enough—and it is so clever and I adore it. Examples:
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Secondly: The beautiful lighting effects. The curling leaves, all the magic, the various glowing eyes, the fog, the way it's all so vividly colored but doesn't burn your eyeballs out—a balance that's way harder to achieve than you'd think—and the soft glows around them, eeeee it's so pretty so pretty SO PRETTY. Not sure if some of these are Outer/Inner Glow/Shadow layer effects or if it's entirely hand-drawn, but major kudos either way; I can see the beautiful use of blending modes and I SALUTE YOUR GENIUS.
I keep looking at some of this stuff and go "is that a layer effect or is it done by hand?" Because you can make some similar things with the Satin layer effect in Photoshop (I don't know if other programs have this? I'm gonna have to find out since I won't have access to PS for much longer ;-;) that resembles some of the swirly inner bits on some of the lit effects, but I'm not sure if it is that or not. Or you could mask over textures? There's... many ways to do it.
If done by hand: oh my gods the patience, how. If done with layer effects: really clever work that knows how to stop said effects from looking wonky, because ugh those things get temperamental. If done with a layer of texture that's been masked over: very, very good masking work. No matter the method, pretty shimmers and swirly bits inside the bigger pretty swirls!
Next: The way color contrast is used! I will never be over the glowy green-on-black Primordial Life vibes when Alinua gets dropped into that… unconscious space?? with Life, for example, and the sharp contrast of vines and crack and branches and leaves against pitch black is just visually stunning. The way the roots sink into the ground and the three-dimensional sensation of it is particularly badass here:
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Friggin. How does this imply depth like that. HOW. IT'S SO FREAKING COOL.
A huge point here is also color language and use! Everybody has their own particular shade, generally matching their eyes, magic, and personality, and I adore how this is used to make it clear who's talking or who's doing an action. That was especially apparent to me with Dainix and Falst in the caves—their colors are both fairly warm, but quite distinct, and I love how this clarifies who's doing what in panels with a lot of action from both of them. There is a particular bit that stuck out to me, so I dug up the panels (see this page and the following one https://comicaurora.com/aurora/1-20-30/):
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(Gods it looks even prettier now that I put it against a plain background. Also, appreciation to Falst for managing a bridal-carry midair, damn.)
The way that their colors MERGE here! And the immense attention to detail in doing so—Dainix is higher up than Falst is in the first panel, so Dainix's orange fades into Falst's orange at the base. The next panel has gold up top and orange on bottom; we can't really tell in that panel where each of them are, but that's carried over to the next panel—
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—where we now see that Falst's position is raised above Dainix's due to the way he's carrying him. (Points for continuity!) And, of course, we see the little "huffs" flowing from orange to yellow over their heads (where Dainix's head is higher than Falst's) to merge the sound of their breathing, which is absurdly clever because it emphasizes to the viewer how we hear two sets of huffing overlaying each other, not one. Absolutely brilliant.
(A few other notes of appreciation to that panel: beautiful glows around them, the sparks, the jagged silhouette of the spider legs, the lovely colors that have no right to make the area around a spider corpse that pretty, the excellent texturing on the cave walls plus perspective, the way Falst's movements imply Dainix's hefty weight, the natural posing of the characters, their on-point expressions that convey exactly how fuckin terrifying everything is right now, the slight glows to their eyes, and also they're just handsome boys <3)
Next up: Rain!!!! So well done! It's subtle enough that it never ever disrupts the impact of the focal point, but evident enough you can tell! And more importantly: THE MIST OFF THE CHARACTERS. Rain does this irl, it has that little vapor that comes off you and makes that little misty effect that plays with lighting, it's so cool-looking and here it's used to such pretty effect!
One of the panel captions says something about it blurring out all the injuries on the characters but like THAT AIN'T TOO BIG OF A PROBLEM when it gets across the environmental vibes, and also that'd be how it would look in real life too so like… outside viewer's angle is the same as the characters', mostly? my point is: that's the environment!!! that's the vibes, that's the feel! It gets it across and it does so in the most pretty way possible!
And another thing re: rain, the use of it to establish perspective, particularly in panels like this—
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—where we can tell we're looking down at Tynan due to the perspective on the rain and where it's pointing. Excellent. (Also, kudos for looking down and emphasizing how Tynan's losing his advantage—lovely use of visual storytelling.)
Additionally, the misting here:
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We see it most heavily in the leftmost panel, where it's quite foggy as you would expect in a rainstorm, especially in an environment with a lot of heat, but it's also lightly powdered on in the following two panels and tends to follow light sources, which makes complete sense given how light bounces off particles in the air.
A major point of strength in these too is a thorough understanding of lighting, like rim lighting, the various hues and shades, and an intricate understanding of how light bounces off surfaces even when they're in shadow (we'll see a faint glow in spots where characters are half in shadow, but that's how it would work in real life, because of how light bounces around).
Bringing some of these points together: the fluidity of the lines in magic, and the way simple glowing lines are used to emphasize motion and the magic itself, is deeply clever. I'm basically pulling at random from panels and there's definitely even better examples, but here's one (see this page https://comicaurora.com/aurora/1-16-33/):
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First panel, listed in numbers because these build on each other:
The tension of the lines in Tess's magic here. This works on a couple levels: first, the way she's holding her fists, as if she's pulling a rope taut.
The way there's one primary line, emphasizing the rope feeling, accompanied by smaller ones.
The additional lines starbursting around her hands, to indicate the energy crackling in her hands and how she's doing a good bit more than just holding it. (That combined with the fists suggests some tension to the magic, too.) Also the variations in brightness, a feature you'll find in actual lightning. :D Additional kudos for how the lightning sparks and breaks off the metal of the sword.
A handful of miscellaneous notes on the second panel:
The reflection of the flames in Erin's typically dark blue eyes (which bears a remarkable resemblance to Dainix, incidentally—almost a thematic sort of parallel given Erin's using the same magic Dainix specializes in?)
The flowing of fabric in the wind and associated variation in the lineart
The way Erin's tattoos interact with the fire he's pulling to his hand
The way the rain overlays some of the fainter areas of fire (attention! to! detail! hell yeah!)
I could go on. I won't because this is a lot of writing already.
Third panel gets paragraphs, not bullets:
Erin's giant-ass "FWOOM" of fire there, and the way the outline of the word is puffy-edged and gradated to feel almost three-dimensional, plus once again using Screen or a variation on it so that the stars show up in the background. All this against that stunning plume of fire, which ripples and sparks so gorgeously, and the ending "om" of the onomatopoeia is emphasized incredibly brightly against that, adding to the punch of it and making the plume feel even brighter.
Also, once again, rain helping establish perspective, especially in how it's very angular in the left side of the panel and then slowly becomes more like a point to the right to indicate it's falling directly down on the viewer. Add in the bright, beautiful glow effects, fainter but no less important black lines beneath them to emphasize the sky and smoke and the like, and the stunningly beautiful lighting and gradated glows surrounding Erin plus the lightning jagging up at him from below, and you get one hell of an impactful panel right there. (And there is definitely more in there I could break down, this is just a lot already.)
And in general: The colors in this? Incredible. The blues and purples and oranges and golds compliment so well, and it's all so rich.
Like, seriously, just throughout the whole comic, the use of gradients, blending modes, color balance and hues, all the things, all the things, it makes for the most beautiful effects and glows and such a rich environment. There's a very distinct style to this comic in its simplified backgrounds (which I recognize are done partly because it's way easier and also backgrounds are so time-consuming dear gods but lemme say this) and vivid, smoothly drawn characters; the simplicity lets them come to the front and gives room for those beautiful, richly saturated focal points, letting the stylized designs of the magic and characters shine. The use of distinct silhouettes is insanely good. Honestly, complex backgrounds might run the risk of making everything too visually busy in this case. It's just, augh, so GORGEOUS.
Another bit, take a look at this page (https://comicaurora.com/aurora/1-15-28/):
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It's not quite as evident here as it is in the next page, but this one does some other fun things so I'm grabbing it. Points:
Once again, using different colors to represent different character actions. The "WHAM" of Kendal hitting the ground is caused by Dainix's force, so it's orange (and kudos for doubling the word over to add a shake effect). But we see blue layered underneath, which could be an environmental choice, but might also be because it's Kendal, whose color is blue.
And speaking off, take a look at the right-most panel on top, where Kendal grabs the spear: his motion is, again, illustrated in bright blue, versus the atmospheric screened-on orange lines that point toward him around the whole panel (I'm sure these have a name, I think they might be more of a manga thing though and the only experience I have in manga is reading a bit of Fullmetal Alchemist). Those lines emphasize the weight of the spear being shoved at him, and their color tells us Dainix is responsible for it.
One of my all-time favorite effects in this comic is the way cracks manifest across Dainix's body to represent when he starts to lose control; it is utterly gorgeous and wonderfully thematic. These are more evident in the page before and after this one, but you get a decent idea here. I love the way they glow softly, the way the fire juuuust flickers through at the start and then becomes more evident over time, and the cracks feel so realistic, like his skin is made of pottery. Additional points for how fire begins to creep into his hair.
A small detail that's generally consistent across the comic, but which I want to make note of here because you can see it pretty well: Kendal's eyes glow about the same as the jewel in his sword, mirroring his connection to said sword and calling back to how the jewel became Vash's eye temporarily and thus was once Kendal's eye. You can always see this connection (though there might be some spots where this also changes in a symbolic manner; I went through it quickly on the first time around, so I'll pay more attention when I inevitably reread this), where Kendal's always got that little shine of blue in his eyes the same as the jewel. It's a beautiful visual parallel that encourages the reader to subconsciously link them together, especially since the lines used to illustrate character movements typically mirror their eye color. It's an extension of Kendal.
Did I mention how ABSOLUTELY BEAUTIFUL the colors in this are?
Also, the mythological/legend-type scenes are illustrated in familiar style often used for that type of story, a simple and heavily symbolic two-dimensional cave-painting-like look. They are absolutely beautiful on many levels, employing simple, lovely gradients, slightly rougher and thicker lineart that is nonetheless smoothly beautiful, and working with clear silhouettes (a major strength of this art style, but also a strength in the comic overall). But in particular, I wanted to call attention to a particular thing (see this page https://comicaurora.com/aurora/1-12-4/):
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The flowing symbolic lineart surrounding each character. This is actually quite consistent across characters—see also Life's typical lines and how they curl:
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What's particularly interesting here is how these symbols are often similar, but not the same. Vash's lines are always smooth, clean curls, often playing off each other and echoing one another like ripples in a pond. You'd think they'd look too similar to Life's—but they don't. Life's curl like vines, and they remain connected; where one curve might echo another but exist entirely detached from each other in Vash's, Life's lines still remain wound together, because vines are continuous and don't float around. :P
Tahraim's are less continuous, often breaking up with significantly smaller bits and pieces floating around like—of course—sparks, and come to sharper points. These are also constants: we see the vines repeated over and over in Alinua's dreams of Life, and the echoing ripples of Vash are consistent wherever we encounter him. Kendal's dream of the ghost citizens of the city of Vash in the last few chapters is filled with these rippling, echoing patterns, to beautiful effect (https://comicaurora.com/aurora/1-20-14/):
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They ripple and spiral, often in long, sinuous curves, with smooth elegance. It reminds me a great deal of images of space and sine waves and the like. This establishes a definite feel to these different characters and their magic. And the thing is, that's not something that had to be done—the colors are good at emphasizing who's who. But it was done, and it adds a whole other dimension to the story. Whenever you're in a deity's domain, you know whose it is no matter the color.
Regarding that shape language, I wanted to make another note, too—Vash is sometimes described as chaotic and doing what he likes, which is interesting to me, because smooth, elegant curves and the color blue aren't generally associated with chaos. So while Vash might behave like that on the surface, I'm guessing he's got a lot more going on underneath; he's probably much more intentional in his actions than you'd think at a glance, and he is certainly quite caring with his city. The other thing is that this suits Kendal perfectly. He's a paragon character; he is kind, virtuous, and self-sacrificing, and often we see him aiming to calm others and keep them safe. Blue is such a good color for him. There is… probably more to this, but I'm not deep enough in yet to say.
And here's the thing: I'm only scratching the surface. There is so much more here I'm not covering (color palettes! outfits! character design! environment! the deities! so much more!) and a lot more I can't cover, because I don't have the experience; this is me as a hobbyist artist who happened to take a couple design classes because I wanted to. The art style to this comic is so clever and creative and beautiful, though, I just had to go off about it. <3
...brownie points for getting all the way down here? Have a cookie.
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wikiangela · 2 months
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several sentence sunday
tagged by @hippolotamus
sooo bucktommy won me over, i couldn't resist anymore 🙈 so here's a bit of them after their date lol just to be clear, im still 10000% about buddie but im gonna enjoy this while it lasts bc I feel like this is exactly what buck needs rn lol I just wanna write him be giddy and stupid and flustered about a boy even if that's not eddie haha (also, I didn't get the Tommy hype before but after seeing him everywhere for two days... I get it now 🥵)
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"(...) We should do this again.” Tommy says, turning fully towards Buck, and Buck’s eyes immediately find his lips. He can’t wait to kiss him again, and this would be the time, at the end of the date, wouldn’t it?
“We should.” Buck nods, licks his lips, eyes darting up to Tommy’s eyes. He’s smiling softly, just looking at Buck. “I-” he starts, and then thinks, fuck it, and this time he makes a move, as he leans across the console to grab Tommy’s chin, like he did Buck’s in his kitchen, and bring him in for a kiss. Tommy immediately reciprocates, and Buck melts against him, and then when Tommy’s calloused hand covers his cheek, it just feels so- so different, in the best way possible. This kiss lasts longer than the first one, each of them constantly coming back for more, but it’s as gentle and tender as that one. Buck loves it, and can’t help smiling into it. He wants more. “Hey.” Buck says, finally pulling away, licks his spit-covered lips nervously. “Do you- do you maybe wanna come in for a beer?” he asks shyly, and at Tommy’s surprised expression and raised eyebrow he realizes it might sound like he’s inviting him for more than a beer, and he panics again. “I- I- I mean, just a beer. And maybe- maybe more of this.” he pecks Tommy’s lips again, not able to resist a smile. “But just a beer. I don’t think I’m- But who knows, maybe-” he stumbles over his words, because the truth is, he wants Tommy, he wants… he wants so much, he wants to experience so much for the first time – it’s just that he’s not sure if it’s not too quick for this relationship, and for him.
“Evan.” Tommy interrupts, bringing his other hand up, now cradling Buck’s face in both, thumbs moving soothingly along Buck’s cheeks. “Your pace, remember? No pressure, no rush.”
“You’re really cool, you know that?” Buck whispers.
“So I keep hearing.” Tommy chuckles, and it’s adorable. He kisses Buck again, and the butterflies in Buck’s stomach go crazy. Fuck, he doesn't remember the last time he felt this giddy and excited and just light. “I’d love to come in for a beer.”
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no pressure tags: @elvensorceress @thebravebitch @shortsighted-owl @eddiebabygirldiaz @watchyourbuck @eowon @loserdiaz @evanbegins @ladydorian05 @wildlife4life @diazpatcher @lover-of-mine @monsterrae1 @thewolvesof1998 @neverevan @weewootruck @loveyouanyway @spagheddiediaz @rainbow-nerdss @epicbuddieficrecs @pirrusstuff @spotsandsocks @alliaskisthepossibilityoflove @nmcggg @rogerzsteven @giddyupbuck @sunshinediaz @honestlydarkprincess @underwater-ninja-13 @exhuastedpigeon @911-on-abc @jesuisici33 @steadfastsaturnsrings @theotherbuckley @buddieswhvre @dangerpronebuddie @diazsdimples @daffi-990 @bidisasterbuckdiaz @fortheloveofbuddie @hoodie-buck @tizniz @your-catfish-friend
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coffeeghoulie · 9 days
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Mushy May Day 19: Confessions
Aether doesn't know much about fire or water courtship rituals. Ifrit's there to knock some sense into his head.
Thank you to @forlorn-crows for putting Mushy May together, and thank you to @ghuleh-recs for the divider
this one is a doozy, I wrote this in pretty much one sitting yesterday and it's like four pages? turns out i have a lot of dewther feelings. Contains some (resolved) miscommunication, water/fire hybrid Dew, the first time I've ever written Ifrit, and some of my fire ghoul lore
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Aether is, admittedly, not used to other ghouls. Quintessence packs run small, a tight-knit family group at the largest. But this is something else. Ghouls of every element, even some hybrids, all of them mostly cooperating and coexisting as a larger pack than Aether's ever known. He spends a lot of his first few months close to Omega's side, seeking comfort in his fellow quintessence ghoul.
There's one ghoul, however, who's intrigued him from the moment he was pulled from the summoning circle. Quite literally too. There had been hands on his wrists, pulling. One had been Omega, hands that felt familiar even as a stranger. But then the other wrist, fingers almost dainty, barely able to wrap all the way around.
He had looked up, and if the summoning had knocked the breath from his now-corporeal lungs, Aether found it impossible to breathe.
There was a water ghoul standing above him, silver, pin-straight hair falling over his shoulders, almost obscuring the teal gills that line his neck. He's slight, and was staring with wide, bright blue eyes down at him, a hazy lavender coloring his cheeks.
Aether had swallowed hard, tried to shut his mouth because he knew he was staring. But the water ghoul was staring too, and Aether was helped to his feet by the others. Omega had asked his name, draped a purple, starry blanket around his wide shoulders, and with one more glance at the water ghoul, had lead him from the summoning chambers.
He sees him around the pack den, standing alongside a water ghoulette and a fire ghoul who's almost as broad as Aether himself. He learns his name is Dewdrop, that Mist is teaching him bass so he can go along with the Ghost Project to support the third Emeritus brother when they leave on tour again. He watches the way Dew's fingers fly over the fretboard, the way steam curls from his gills when he's stuck on something frustrating. Dew's beautiful, and Aether feels eyes on his back when he's pretending not to stare himself.
They dance around each other for weeks, sharing glances and brushed touches between the den and the practice room, the uniform fittings and Masses.
And then things start to change. Dew actually starts approaching him, asking to practice together, rhythm guitar and bass. Aether's a little too quick to agree, anything to spend a little more time with the little ghoul he's way too infatuated with.
Aether still remembers the first time Dew cornered him after practice, grabbing his hand and unfurling his fingers, intense eye contact as he pressed something hard and smooth into his palm, closing his fingers around it before darting off after Mist. The ghoulette had glanced between the two of them, a smile that was a little too smug and knowing for Aether's taste on her lips.
He looked down into his palm, finding a pretty piece of stone, so dark it's almost black, glittering with quartz all throughout, worn down smooth by water. Aether furrowed his brow, turning the pebble over in his fingers, before taking it back to his room, setting it on a shelf above his desk.
The pebble quickly became part of a collection, various colors and shapes decorating just about every surface in his bedroom. They're all beautiful, and Aether finds himself turning them over in his hands, wondering why Dew's only giving them to him, not sharing them with the rest of the pack.
This continues, even as the Ghost Project sets out to tour. Dew keeps giving him little gifts, pressing them into his hand. The first time they get to stay overnight at a hotel, instead of cramming themselves into tiny bunks on the bus, he and Dew are assigned together. Or maybe, Dew bat his lashes at Terzo and got him to reassign keys. If he did, Dew will never tell. Regardless, they head up the elevator together, bags slung over their shoulders.
Aether slips the keycard into the lock, pushing open the door to a room with two queen beds. Altogether, not a bad hotel room, but he's nearly dead on his feet after that night's Ritual.
"May I make you a nest, Aether?" Dew asks, setting his bag down on the hotel dresser, beginning to rifle through it for a clean set of clothes.
Aether yawns, jaw popping with the force of it. "That sounds great," he says earnestly. "How about I strip my bed and we use both sets of bedding? Make it extra comfortable."
Aether just barely catches the way Dew's eyes light up like neon signs at his words, and the little ghoul nods eagerly. "Go shower, and I'll get it taken care of."
"Thank you, waterlily," Aether says, unable to stop himself from tucking a strand of silver hair behind Dew's finned ear, watching fascinated as that lavender blush spills over the ridge of his nose, the sharp lines of his cheeks.
Aether rushes through his shower, exhaustion bone-deep. He doesn't know how Omega did it for so long. His body aches to flop down into a nest, and he's honestly excited to not have to sleep alone.
He gets out of the shower, roughly toweling off and changing in his haste. Aether steps out of the bathroom, the mirror foggy with steam, and watches curiously as Dew weaves sheets and blankets and pillows together methodically. Eventually, Dew seems satisfied with his work, curling up in the pile of bedding, patting the mattress next to him.
"Come on, big guy, get in here," he demands, but his finned tail is wagging behind him, mussing up the blankets.
He chuckles, climbing into the nest next to Dew, who's quick to curl up against his side, purring like a storm. It's very comfortable, and Aether's happy to have an armful of ghoul, the two of them quickly succumbing to sleep.
The habit keeps, Dew worming his way into Aether's bunk on the bus, insisting they're roomed together for each hotel night.
Dew gets clingier after they start sharing a bed. Aether's not complaining, not by any means, but Dew's always been a little aloof, a stoic little thing. He's close physically, but Aether can feel the way his friend is beginning to drift away mentally, even as they sleep pressed together from torso to tailtip.
It takes a couple of weeks before Ifrit raises an eyebrow as he takes note of their sleeping arrangements, the way Dew's plastered to Aether's side for what feels like every waking moment, every unconscious one too.
He pulls Aether aside backstage one night, and Aether goes willingly. "What's up, big guy?" he asks.
Ifrit scratches at his undercut, his shoulder length hair tied back so he can shove it into the balaclava later tonight. "Aeth. Aether. What do you know about fire ghoul courting rituals?"
Aether's brow furrows hard, rubbing the back of his neck. "That's a little out of nowhere," he sputters. "I mean, nothing, really. I mean, are you asking?"
Ifrit throws his head back in a laugh. "No, I'm not asking for myself, if that's what you're putting down. Me and Zeph are good, not looking for a third quite yet," he chuckles, clapping Aether's shoulder before his expression turns serious, a rare occurrence for the fire ghoul. "Okay, how about this. What do you know about water ghoul courting?"
"Courting?" He can feel the blush spilling across his cheeks as a face flashes in his mind out of his control. Silver hair, teal fins, bright blue eyes. Aether swallows hard, meeting Ifrit's expectant gaze. "Nothing. I barely met any water ghouls in the Pit, wasn't really in a position to learn that part of their culture."
Ifrit nods to himself, taking a deep breath through his nose. He settles both of his hands on Aether's shoulders, leveling him with a look. "Aether, I'm gonna be blunt and I need you not to freak out on me. Dew thinks you're courting him, and he's trying to court you back."
Aether's heart stops, trying to form words but just sputtering. "I didn't- I'm not- How?"
"He's not just water. He's a fire hybrid. I don't know too much about the water courting, but I'd be willing to bet he's been giving you stones?"
Aether blinks dumbly at him. "Yeah, he has. They're all over my room in the den."
"Yep, that'll be it, I think. But the part I know more about are fire rituals. Did he offer to make you a hearth?"
"Dew's never mentioned anything about a hearth, Frit," Aether says, feeling the warmth of his palms as they hold his shoulders still. "I don't know what that is."
"It's a courting nest, Aeth," Ifrit sighs again. "Did Dew offer to make you a nest?"
He blinks up at Ifrit, realization beginning to dawn on him. "He did."
"And you offered your bedding in response, didn't you?"
"I- I did. I offered to strip the other hotel bed to make a nest with," he says, suddenly finding the skin around his glamoured nails incredibly interesting.
"Aether, listen to me," Ifrit says, tipping Aether's chin up to make him make eye contact. "You need to talk to Dew. Tonight. Clear this all up. He's upset because, to him, you reciprocated his intent and now you're giving him the cold shoulder."
Aether opens his mouth to reply, but then there's a call of a half an hour until places. They glance at each other, nowhere near ready, panic filling both of their eyes. "Talk to him," Ifrit stresses as they part, scrambling to the dressing room.
The Ritual, all things considered, goes fine. Aether knows that Dew knows he's looking at him, sees the glint of blue eyes behind the silver mask that obscures the rest of his features. He can't look away. Aether hits his marks, plays his part, but he's staring at Dew, with everything Ifrit told him swirling though his mind like his quintessence.
They step off stage, the ghouls all filing back to the dressing room, sweaty and exhausted. "Dew," Aether says, just loud enough to be heard. The water ghoul whips back, eyes shining through his mask.
"Aether?"
He takes a deep breath through his nose, trying to steel himself. It smells like metal, the mask humid with his breath even through the balaclava. "I need to talk to you. Could we find somewhere quiet?"
Dew blinks, the rest of his expression hidden, but Aether, in tune with these kinds of things, can almost smell the apprehension. "Sure. What about?"
"Just-" Aether stops himself. "Not here, come with me?" He holds out his hand, still so strange looking under human skin. Dew's chest heaves as he breathes, considering, before placing his hand in Aether's.
Aether finds an empty room, dark and quiet, herding Dew inside before shutting the door behind them. He finds the light switch, old fluorescents flickering to life. Aether reaches up, grabbing the chin of his mask and pulling it up and off of his head, shoving his balaclava down.
Dew's quick to follow, and once his face is revealed, Aether gets a good look at the almost nervous expression written there, on the most beautiful ghoul he's ever seen, even soaking wet and ruffled. Locks of silver hair stick to his forehead with sweat, and he aches to reach out to tuck them back in place. "Aether?"
His shoulders rise and fall as he takes a deep breath, stepping heavily into Dew's space, guiding him to stumble quickly backward until his back hits the wall. Dew's expression hardens, but Aether can taste the undercurrent of fear of being cornered by a much bigger ghoul, caged in by his big arms.
"Hey, Dewdrop," he whispers, voice as gentle as he can make it. "I'm sorry. I didn't know."
Dew's brow furrows, staring up at him. "You didn't know wh- umph!"
He gets cut off by Aether's mouth on his, the bigger ghoul lunging down to catch Dew's lips in a desperate, hungry kiss. The smaller ghoul squawks in surprise, before melting completely into it. His arms come up and wrap around his neck, clinging to him, human nails digging into his shoulders even through the cassock.
They part, vessels aching for air, eyes wide as they stare at each other. Dew starts laughing incredulously, narrow chest heaving. "You're fucking kidding, Aether, thought you were leading me on."
Aether leans in, pressing his forehead to Dew's. "I didn't know you were trying to court me. I didn't know I had accepted a hearth."
"I mean," Dew stammers, that lilac blush flooding his cheeks again. "If you didn't actually want me to court you, you can forget it happened, I can-"
"Dewdrop," Aether whispers, taking the point of his chin carefully in his fingers, making him meet his gaze. "What about the last five minutes says I don't want this?"
He shrugs, still pinned to the wall. Instead of answering, Dew tangles his spindly fingers in his mohawk, pulling him down into another kiss. And Aether is happy to indulge him.
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feluka · 2 months
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when i make a post about coptic culture and someone tags it as "worldbuilding"... a chill runs up my spine
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atopvisenyashill · 4 months
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Thoughts on the Alysanne is Maegor's daughter AU? I feel like it has some interesting potential, and it vastly recontextualizes different parts of Jaehaehae (I do not like him sjsjsjs) and Alysanne's relationship (such as Jaehaehae's treatment of their daughters) but I wanna hear what you think about it!
I’ve touched on this a bit before but since you actually want to hear my thoughts, allow me to present to you my Jaehaerys Is The Goddamn Worst, And Alysanne Annoys Me Too: An Essay lmao but my answer is basically “yeah all of what you just said.”
I think it makes Alysanne much more palatable (to me) as a character because as she stands, she just fixates on forcing her daughters through these fucked up marriages at too young an age bc it traumatized her to be married and pregnant at 15 too but she’d never admit that being a willing participant in her own kidnapping by her brother-husband was the single worst thing that ever happened to her, and because Alysanne doesn’t want to admit it (and Jaehaerys would never see it as wrong or a mistake) F&B really shies away from delving into the fact that Alysanne is as deranged of a mother as Cersei is. So as she stands, she’s very flat to me because she’s presented very flatly and inconsistently. She’s so in love with Jaehaerys, she’s maritally raped by Jaehaerys, she’s a loving and doting mother, she forces her daughters into marriages when they’re the same too young age she was, she accuses her teenage girls of being scheming whores then gets angry when her husband accuses their teenage girls of being scheming whores, and worst of all we are just told “Maegelle tells them to make up so they do” so we don’t know why Alysanne gets over all of this. What is the point of riding a dragon when you never use that dragon to protect your daughters from unwanted teen marriages? We’re just not given a good enough justification for why her behavior is so weird and frustrating towards her daughters.
Make her Maegor’s daughter though…most of her behavior as an adult makes more sense. Like a worse version of Rhaenyra’s childhood almost - a father desperate for a son, but lowkey obsessed with his daughter, who makes all his hang ups about his parents the problems of every woman around him, except Maegor is out here blood sacrificing and torturing and starting wars and forcing babies on wives he discards quickly and brutally. Then here comes Jaehaerys on a white horse green dragon to save her from the horror her life has become, and he loves her so much he runs away with her even though Alyssa says they shouldn’t marry because people won’t like it. And they have beautiful children, and a beautiful marriage, and build a beautiful kingdom.
Then her pregnancies start getting dangerous. Gaemon, then Valerion, die. Alysanne thinks of the shriveled up mutants she called brothers, if Maegor’s taint has passed to her. Her perfect husband ignores her no, and forces Gael on her. Alysanne remembers that he said nothing to Rogar when Alyssa died, merely wept. Then her daughters start to die. Daella, Alyssa, Viserra, all within a few years. Then Jaehaerys makes Saera watch as he murders her boyfriend, calls her a whore, and says Alysanne cannot follow Saera to Lys. Alysanne thinks of Maegor torturing the Harroways over Alys’ presumed infidelity. Jaehaerys says he’s sorry, and her daughter badgers her into forgiving him, and she remembers how she helped Jaehaerys badger Alyssa into forgiving Rogar. Not two years later, Jaehaerys passes over Rhaenys. Alysanne thinks of how she was never enough for her father, how she felt so superior to Rhaena banished to Dragonstone and resented by Aerea, yet there she is dragging Gael away from court because she can’t stand to be with Jaehaerys. How her father was surrounded by dead women and dead babies and how Jaehaerys is surrounded by his own dead daughters, but surely she did the right thing, surely Maegor was worse, surely the realm is better off? Is he right to pass over Rhaenys? Is she enabling a man just as monstrous as her father? She will never decide, because Maegelle will guilt her about keeping Gael isolated at Dragonstone, and Alysanne will do as she’s told, just like Rhaena, and Alyssa, and Jeyne, Elinor, Ceryse, Alys, and Tyanna, just like every one of her daughters.
I do get why Alysanne is Alyssa & Aenys’ and not Maegor’s. The weird Targ babies, the line not descending from Visenya, Jaehaerys and Alysanne being held up as the perfect Targaryen couple specifically because they are brother and sister and dragon riders. I do even think canon Alysanne is likely traumatized by her time as a hostage on Dragonstone, and the ensuing war, and the trauma bond that caused with Jaehaerys, and it makes her idolize Jaehaerys, and then he isolates her at Dragonstone so he can swiftly and safely marry, groom, and knock her up. It’s not like,,,, a fun time, and it’s enough to make anyone crazy and weird about their daughters, but I think having her father be Maegor makes Alysanne herself much deeper because it gives her, as the most beloved Targaryen queen, a blood tie to the most hated Targaryen king, and a marriage to the most beloved Targaryen king. It fits better with a lot of the themes of the main series (again, imo) - forcing the spotlight on the outsiders to see how the affect the story from behind the scenes. The fall of Aegon’s sons, and The Long Reign, not told from the PoV or to serve the PoV of any of the kings or princes, but of the queen that tied them all together.
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seventh-fantasy · 7 months
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li xiangyi, yin, and femininity
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we all know that li xiangyi is a character of fractured identities. and li lianhua is an unreliable narrator to his own story. these make him not the most straightforward character to study. but I've believed in treating li lianhua as a part of li xiangyi, rather than separates. and there must be a common thread that ties all of him together. thus, I offer what I have found to be the most useful lens to use to view him as a cohesive whole, regardless as li xiangyi, li lianhua, or any other identity he may reinvent into: his 阴 yin qualities. (yin of yinyang)
this framework suggested by the drama's text itself has helped clarify to me his strengths, weaknesses, motivations, and struggles. by identifying this constant, too, makes it so much easier talking about what has changed in him.
[to the, hopefully growing, boli lhl hivemind @markiafc @ananeiah]
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there are some notes on the concept of yinyang and chinese conceptualisation of gender I have to preface with.
[disclaimer: of course, I'm not even trying to cover a tip of what experts have extensively studied and debated in a depth it deserves. all I'm doing is try to parse the broad, fundamental ideas that are needed to explain my blorbos through my own spotty brain filter. so there bound to be nuances I've overlooked or some degree of my own interpretation. pretentious but needs to be done.]
阴 yin and 阳 yang are concepts characterised by passiveness, darkness, gentleness, femininity etc, and proactivity, light, toughness, masculinity etc respectively. a very key and handy concept to have in mind is their relationship to each other - which I'll not attempt at explaining better than literal scholars have:
Yin and yang exist only in relation to one another internally as the way warmth-coldness only exist relative to one another. Furthermore, when using yin-yang as an organizational schema, achieving balancing harmony is always the goal, not domination nor subordination of one to the other. [x]
while yin and yang can be symbols of femininity and masculinity, it doesn't mean all female are yin and all male are yang. it's certainly not a strict 1-to-1 equation. the concept of gender in chinese context is more social than biological. this suggests room for fluidity, and shaping of identities, often through social rituals as one journeys through life. it also means that there can be femininity in the masculine, and vice versa - in fact, that's only healthy because you need a good balance of the two worlds. no one part is better than the other. if you think of the two components as relative to each other, they are always interacting and affecting each other, rather than being strict and inert binaries. simply put, it needs to be kept in mind that there are greater nuances in applying yin and yang to the definitions of gender, and to avoid at all cost a simplification of this framework into a binary.
sure, the show has implied that lxy's powers and energy are yin-coded. but femininity is only one of the multiple attributes of yin. so how are we extending lxy's yin to femininity specifically? it's in the text that substantiates and qualifies lxy as feminine. dead women being used as proxies to his character. being literally dressed as a woman in order to put himself into their shoes and feel what they've felt. adopting a name that happens to be very, very feminine - 莲花 lianhua (lit. lotus flower) (it must be caveated that chinese names are NOT gendered. but there are just some names that are more feminine than others.) him coming to lead a life revolving around traditionally feminine, domestic things as li lianhua. him having interactions with the women around him like he's in his own element - no pressure and tension at all, unlike with all the other men.
as such, I'm more willing to use yin and femininity interchangeably in discussing lxy (while it's not necessarily applicable to every point that will be mentioned albeit there being some degree of implied association). and it's for the sake of elucidating what I feel is an intention or very plausible reading of the canon text in parsing feminine experiences in lxy's character. and thus, his queerness.
one last note is that taoism is going be mentioned quite a bit as well because of how much it as a philosophy honours the yin quality. its key tenets include valuing passiveness and inaction as a form of action, and submitting to the nature of things. and we will see how those come up in lxy's life too. (though I'm not gonna attempt to deep dive into it here beyond broad strokes of it.)
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a huge part of li xiangyi's yin actually manifests in him being a passive person. this applies not just to li lianhua, but also li xiangyi. I know. ok wait hear me out. the idea of yinyang is after all components that can change and are relational to each other: thus, there were points in li xiangyi's life when he was less passive than other points, but they ultimately don't match up to the degree of aggression displayed by other men around him. so relative to their display of proactivity and aggression, he can be considered as passive. the best example is that of shan gudao proposing to launch an offensive on jinyuan alliance, while lxy - as much as he was arrogant about it - was standing his ground on not taking action in favour of peace.
it has already showed up in his childhood as well. he wasn't a particularly competitive child: 从来都没有谁要和你争 nobody has ever thought of competing with you over anything, he told sgd as he recalled of their times growing up. it was in fact sgd who was desperate to control and override lxy's presence. baby lxy did not hesitate at all over giving up on winning in favour of protecting his only rare few close relationships left in the world (given how hard-earned relationships are when they're non-familial !!!!). as much as I resent the one-dimensional writing of sgd, he has served as a very strong marker to highlight on lxy's yin.
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I've harped on it several times before but this is the time I finally get to explain it proper: my own theory is that li xiangyi became an unparalleled swordsmaster because of his yin/feminine quality, not in spite of it. an interesting point that had been out in the open unclaimed until it was brought up in our friend group is that, li xiangyi does not actually fit anybody's conventional image of a 武林盟主 wulin mengzhu (ie. ruler of wulin). it would most likely have been some burly, muscular, ultra-masculine dude. even if they don't look like the demonic monk, it should be someone more like di feisheng. but. it's li xiangyi, the boyish, delicate-looking kid, who came to the top. (no wonder people - mostly men - love or love to bully hate him like weak men hate powerful women??)
"why didn't they cast someone who looks more like a wulin mengzhu (read: traditionally manly)?" no, no that's precisely the point. nobody said wulin mengzhu have to look manly. and also who is to define the manliness required to be in a place of authority? (or in my other meta, we would ask, who is to define anybody gets to have the authority over anyone else at all?)
by taoist ideal, gentleness is the most refined form of strength. li xiangyi has been haunting and distracting me in my chinese calligraphy practices lately because I'm thinking about how this must be the closest to what it felt like lxy becoming the best swordsman in jianghu. (so pretentiously brainrotten of me, I know, BUT IT'S REAL and I'm suffering.) mastering a chinese art is essentially about mastering a delicate balance between force and gentleness; being able to draw force from softness 柔中带刚 and an ability to maintain this balance. a beginner will instinctively hold a brush for the first time with brute, unrefined force. some fairly reputable contemporary calligraphers, according to my teacher, can be seen as being either too soft or too forceful - but are still able to pass off as good enough. it's then, the master of masters who will have the sophistication of a firm yet flexible control of the brush with the appropriate use of gentleness/laxness that produces a harmony of strokes. this idea extends to any other sort of chinese craft or practice including traditional chinese medicine, and I believe, swordsmanship too. I'm taking a fucking leap of faith here to say this because I practise NO sort of (chinese) martial arts, I must caveat. (someone who does may want to say something...) but theoretically that should be how it works.
it is not for no rhyme or reason, or *handwaves* that lxy emerged to the top AND is almost undefeatable. among a competitive, forceful (ie. yang) wulin, li xiangyi stood out with a power and energy defined by yin (ie. gentleness and stability) that led him to create his signature 扬州慢 yangzhouman. it is characterised by 慢 slowness (my calligraphy teacher says to us all the time to take it slow), and also described by dfs as 中正绵长 - which I would best describe by painting a picture of a steady and stable stream. these precisely speak of the essence of a mastery of gentleness as strength to me.
conversely, dfs's way in mastering power is very largely premised on taking action because he literally had no other choice in the environment he grew up in. both of them develop in opposite ways. it was the case of gentleness for lxy clearly because he grew up in a safe, nurturing environment that had allowed him to be slow and steady at his own pace, drawing on his natural gifts.
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now top of the wulin world at 17, li xiangyi founds sigu sect. li xiangyi, the boy before becoming menzhu and li xiangyi the leader of sigu sect are not the same.
how then did a (relatively) passive boy like lxy end up founding sigu sect. this lxy is the one who was fostered into competition - though not in an abusive, twisted way. in fact he was raised in a rather taoist way by his shifu: to be honest with yourself and respect your opponent. so he honoured whatever powers he had been bestowed with by nature. he gives into it. even so, at another level, I just have a sense that shifu and shiniang's competitive marital spat had an insidious effect on the boys...though the detrimental effect was more on sgd than lxy. baby lxy feels like a sweet-natured kid who was just in his own zone, you know - some (aka sgd) would say, too much of him even, to have not realised what was wrong at all with his shixiong for years.
that's not all of course. I've always gotten the vibes that his attitude behind forming sigu sect felt more like, this is what all the good men of jianghu do and I will have to do it now especially that I'm the best. it didn't feel particularly personal to me, but rather what would have been expected of him by the social climate of wulin jianghu (eg. lxy saying to 光耀师门 bring honour to his teacher). it's definitely not an expectation from his shifu, who explicitly told him that he was never expected to become a noble figure of any sort, but just to be alive and contented. as concluded by the man himself as li lianhua: "有些人入了江湖是为了立心,而有的人入江湖为的是立命。我却不知道自己真正想要的是什么。some people enter jianghu for the cultivation of the mind, others for a cultivation of a meaningful life. but I never knew what I truly wanted." he was ultimately, unwittingly a passive player in his own story of becoming the great sigu sect leader.
(at this point, as a side note, I do wonder if there were any other similar sects or alliances that function the same as sigu sect that came before it. because I'm damn well sure there must be something, as likely as there must have been generations of wulin legends who came before lxy. but of course, this is not what the story is concerned with at all and I'm ok with that.)
it's crucial to point out that, even despite this being the phase of his yang in the display of taking action and enacting firmness, lxy had still done sigu sect with the sole purpose and manner of upkeeping peace and order (in the way of the pro-universal love, anti-aggression mohist 侠 xia leader of the people). he's still very characterised by yin in my books, especially when vis-à-vis to sgd.
a li xiangyi full of himself and made himself too useful to the people was only bound for a great asteroidal fall, in the concept of 物极必反 - or in taoist lexicon 反者道之动 (ie. anything that has reached its limit will only start developing in the opposite direction). if you think you're above all, you can only go down.
this manifests during the next time he took action - and it was one so forceful that it overpowered even his opponent, dfs who ended up being the passive, receiving party in this case - was in initiating the battle at donghai 10 years ago... and gee oh boy. it didn't end well - for both of them, but even more so for lxy. (dfs was like 'tis but a scratch (shrugs)' as compared to him being ripped off his tendons by jiao liqiao like nezha did to the dragon prince. truth is he had to go into a 10-year healing retreat served by his entourage. :p) ok, I digress.
xiao zijin was quick to attribute sigu sect's fall to lxy's arrogance - in turn setting the stage for lxy's 10 years of self-hatred and the framing of lxy as a villain? irresponsible figure? by jianghu. (god forbid girls do anything! ok for legal reasons, this a joke.) lxy lost his mind in ways I believe he never had in his life there and then upon seeing his shixiong dead. so, you could say he led the jianghu world to ruins out of love (using this term loosely). but it feels inaccurate to say it's due to arrogance. he did not do that out of self-importance or ego, especially when the revenge for sgd was a collective decision made by sigu sect as we know from the flashback. so when llh pinned all fault on himself for being arrogant in the past, it is with caution to take his words because that's the unreliable narrator in him speaking.
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anyway, it's precisely li xiangyi that is capable of bouncing back from such a fatal crisis, equipped with his yin and a mastery that gave him the power of flexibility.
it's extremely vital to re-establish that literally the only thing that was keeping li xiangyi alive, physically, as li lianhua is yangzhouman. (monk wuliao literally said that to lxy even though he did facilitate in saving him.) it's the yangzhouman that was drawn from lxy's mastery of yin. without yangzhouman, li xiangyi would not even have the chance to become li lianhua and undergo any needed process of transformation. without li xiangyi, there would have been no yangzhouman. no li xiangyi, no li lianhua, get it?
the point is not to deny the change li xiangyi wants to make and has made. but to acknowledge that change isn't about complete erasure and destruction. something from you survives. something in you had kept you alive to have you come so far, regardless of all the bad bits that you want to denounce of. you've always been worth it.
bringing back the thing about his new name: the distinction must be made that he did not pick it because it was feminine but it just so happened a feminine name had resonated with him. (read: he didn't necessarily identify as a woman but identified with femininity. at least within the parameters of canon text.)
he also made an interesting choice to retain his surname for someone who was desperate to sever ties from his past. hmm. or maybe he wasn't that desperate? when li lianhua says li xiangyi is dead, I believe it meant that li xiangyi the sigumen menzhu is dead rather than li xiangyi as an entirety. li lianhua is a returning to the path lxy could have gone if he did not establish sigu sect, the path that shifu wanted him to take. when he walked to the doors of sigu sect in the aftermath, nothing was actually stopping him from going back (people were still around and alive, instead of all dead people, you know)... except for himself. taking that action would have been too much for him. so he went with the flow of life giving him a chance at rebirth and walked away. there, inaction as a form of action.
zhan yunfei and qiao wanmian have said to li lianhua, oh that doesn't sound like li xiangyi at all. but has it been considered that, maybe it was sigu sect's lxy who wasn't the real lxy? sigu sect lxy was one big performance of the values of masculinity and heteronormativity that llh had came to an awareness of, and eventually struggle with again and resist against in the final year of his life. there had only been some glimpses of his true nature allowed (validated by fang duobing talking about lxy at his altar).
imho, most flashbacks of lxy during that period felt impersonal and more like a template of a hero expected to marry his girl at 18. going through all the motions and steps of a normative life even before he was old enough to grasp and explore his own identity and what it meant in the world. no wonder he denounced so much of what he had done as lxy including liking girls. walking away then also meant a walk away from those duties and expectations. li lianhua is li xiangyi liberated from masculine duties and heteronormative performance.
in doing that, he had the opportunity for the first time in his life to explore what he truly wanted, at least within the parameters of what he could afford to do at that point. he could go on to build a domestic, feminine life within the space of jianghu (as I've established here). it's a kind of feminine lifestyle that doesn't quite exist in mainstream society - being a woman there meant to stay put in a domestic space without much room to move socially. nor did it exist in wulin jianghu because even the women there like shi-guniang and jlq were expected to be masculine, aggressive, competitive. so building a mobile home in the space of jianghu is his way of defining the life he wants and can have. li lianhua is the extension of femininity in li xiangyi - and one that can be free.
it's also worth talking about in my opinion what is one of the most important and a favourite dihua moment: when dfs said to lxy that his greatest weakness was to like being a hero. and a swordsman should be without weaknesses. I'm forever wrapped up in how many layers this can be read in. was he mad at lxy for liking to be a hero or having weaknesses, or both? if the former, it was dfs criticising, based on lxy's public reputation, lxy's oversized illusions about being a hero - a figure of masculinity with an unrealistic sense to uphold noble goals eg. saving the world etc. that is actually perfectly logical coming from dfs, the straightforward, no-nonsense, morally neutral guy with no illusions about heroism (in this case, he feels more like a yin). but at the same time, we should understand that lxy's motivations behind the donghai battle are more personal than noble. if any, it was actually the opposite of noble - it was like he was acting out of the role of a caretaker of his family, and at a cost of the peace and order of jianghu he was set on guarding(!!) dfs also knew that lxy was there just for his shixiong. and so, dfs, who happens to be the epitome of yang, can be read as a symbol of masculinity disapproving of lxy for being sentimental and emotional; for having the "feminine" desires to simply want to defend his family (not saying those are exclusively feminine traits but they have been conventionally associated as feminine). I think both layers of reading are correct and should work together to contribute to the complexity of their characters. (we can see how it contributes to lxy and dfs being the perfect yinyang halves to each other, which I will come back to briefly touch on later.)
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for 10 years he lived a life of seclusion and staying-in-his-own-lane a taoist would be proud of. he knew he was dying and has always been ok with dying, as he claimed. but did he want to die? to think of it, it was the opposite. because in those 10 years when he could have 100% just taken action to take his own life, he didn't. in fact, he lived on and took care of himself in the way shifu wanted him to. he had simply preferred letting nature run its course. if bicha didn't take him, he wasn't gonna do anything. but if he died one day very soon, he would be ok with it too. sure, he was maybe banking on a lead to sgd's whereabouts to appear during his last years alive but that clearly wasn't the only thing on his mind for NINE years because he didn't actively go out seeking for that either. this is basically him telling dfs that he would just lie in the sun and wait for the sweet release of death, if dfs were to force him to fight. not even the mortal threat from dfs was enough to move him into action of fighting back or killing himself.
time and again, lxy as llh was dragged into fdb's cases but not only that, he also maintained an impersonal distance with them. it's starkly different from the usual (wuxia) hero archetypes (for eg. fdb) who would be more impassioned and personally invested in the plight of the victims- or unlike most seemingly aloof protagonists who would somehow grow emotionally invested over time. one of the many things I love about llh is that he never tries a second time to persuade people out of their decisions he finds unwise (eg. him just wanting to move on in response to the girls in 女宅 insisting on staying behind with their slave master at first.) he will not interfere in other people's choices made in their own lives. it's not his business. he didn't even want to be there, to be honest.
however as the story progresses, more and more people - especially men, his past, and the leads to the truth came back to demand and taunt him into doing something. they vary from well-meaning people without any harm intended such as fdb intruding upon his private space completely uninvited and qwm wanting him back; to dfs merely seeking him as a mean to an end initially (eg. I only need him to live long enough to have one last fight); and finally, on the other end of the spectrum, outright aggressive and hostile people like sgd and xzj who wanted him to die. under all this pressure, he tried his best to deflect, but he does waver especially when it comes to matters concerning the people he cares about aka his obsession wish of 10 years of looking for sgd's remains that had lied low until fdb entered his life, and then later on taking revenge for his shifu.
looking for sgd became his final bid at taking action. he was operating on a slim chance of getting some emotional closure from finding out his shixiong is dead for real, yes. what a good plan. but objectively unnecessary. or surprise! uhhh...finding out his beloved shixiong is actually alive and would strangle him for one corn chip? AND OH NO IT GOT WORSE- uncovering a devastating truth about his shifu's death that he could have totally gone on with life fine without knowing if he had continued not caring.
but it is sometimes just impossible not to care - it is only human to care. and he is human, not an icon in the image of a hero. so he took a chance, once more, and it killed him in unprecedented ways. it's donghai all over again. things in life don't go as planned. you fuck around and it fucks you back. finding out the truth behind his shifu's death and his family background from the past did nothing for him as li lianhua living in the present.
it's no wonder that this lxy decisively relinquishes the desire to take action in the end. he goes back to letting nature run its course. and this time, stands firmly to it despite everyone begging him otherwise. wangchuan flower could only give him a recovery (or survival?) rate of 30%. there's a 70% chance of failure and even in the 30% he was not sure what he was to become. in comparison, dfs took a 10% chance game of survival in a heartbeat, and it pushed him to new heights. that's how they differ: he thrives by taking risks and action while lxy the other way round. so, something like that has happened before and he wants none of it again.
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he leaves lotus tower, only taking his horse and a sack - relinquishing almost every other material belonging he had - and sets off on a journey. before xzj interrupted...where to was he going?? I wonder. we don't know for sure, I think? and are we allowed to know? that makes the scene he had with xzj an understated inflection point in the very last part of his journey. yes, he was already on his way to...maybe die? but not necessarily. you don't have to travel distances with your belongings for that, right? or speak to dfs personally about not wanting to fight? (borrowing one of @ananeiah's takes.) regardless, he was definitely leaving behind jianghu - not only wulin jianghu (he already did that 10 years ago), but also the jianghu space he had carved out in the last 10 years.
what sparked the decision to jump off the cliff in him was dfs's words from the night of their wedding 10th donghai anniversary: 横扫天下容易,断相夷太剑不易 conquering the world is easy, breaking xiangyi sword is not. in the original context, dfs was talking about defeating lxy being harder than conquering the world. but when it came to this scene, it was to lxy about forsaking the very last worldly possessions he had after already giving up on lotus tower and hulijing (including releasing his horse), especially his only connection left to swordsman lxy.
perhaps it had dawned on him that, wanting things at all was bad for him. in the last 10 years, he lived a life of seclusion, wanting very little. but he had still wanted things. there were still things he couldn't let go of that had led him to this state. despite having lived on an identity inspired by a buddhist teaching for 10 years, maybe it was only at this point that he was finally the closest to reaching an understanding of it. (I wish I was knowledgeable enough right now to dive into the possible buddhist reading here but alas. I'll leave it to our resident expert @markiafc)
it doesn't quite matter in the end where he was going after all. what mattered was that he literally went where the water took him and we're not supposed to know where it ends. I'm not seeing this in a bad and pessimistic way though. I think the relief in all this is that he had tried his best to within his abilities. also it's a form of enlightenment in relinquishing a desire, an obsession, a need to take any more action in order to live well. thus his ending felt to me relatively tender, empowering, and kind - albeit bittersweet and heartaching - than other possible kinds of ending, in a story where it was very possible for him to have died under the knives of his opponents or bicha at any moment, outside of his control.
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if you've come so far in this post, congratulations! but also a reveal is that... you're not immune to the dihua propaganda threaded throughout this post. :P
as mentioned, other men like sgd and xzj in lxy's life were incredibly hostile to him. their yang nature overwhelmingly powers his yin. but dfs is different. dfs is the yang counterpart that fits perfectly to his yin.
dfs's yang is one that contains yin, that mirrors lxy's balance of yang in yin. it was suggested in text they are yinyang-coded meant to complement each other, given that whenever wangchuan flower's yin vs yang properties were discussed, the two men were always spoken about in the same breath. more importantly, as with the above few analyses of dfs's words playing a big role in shaping of lxy's choices with multiple meanings - as well as their day-to-day interactions - we can see that they constantly play off each other.
dfs's yang energy has been used to help lxy prolong his life (though not saving him entirely), while lxy has used his yin energy to save dfs and subsequently helped him attain his breakthrough. dfs has also helped lxy in his breakthrough of yin but not in the same way as dfs's cultivation of his combative powers, and rather, it's for lxy an understanding of his own path to take in life - a cultivation of the mind (both times 10 years before and after). given how significant dfs is in the shaping of lxy's realisation of the yin path - alike his shifu has, it's no wonder that they were the only two people lxy had imagined in his last sword dance of a farewell to jianghu.
with each of them coming together to form the perfect yin-yang model, they're a harmony of yin and yang representing the cosmos. what I also love is that they didn't start out as a perfect fit, but only towards the end of the story was the harmonisation completed, which makes sense for two components that are always in a flux influencing each other. the fact that they were number 1 and 2 of wulin, and being the only ones capable of understanding each other in a level nobody else could... it all reinforces the cosmic sense of their relationship. they're the halves to a whole, fitting in a specific way nobody else can.
(I mean. technically this is going into the space of extrapolation based on a tangential interpretation of canon text, so do take it with a pinch of salt. but of course this pinch of salt can do wonders for a shipper's feast... :P and this certainly could have been a meta of its own expanding on dfs's side of the analysis, but this is it for now in this context.)
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to think of it, li xiangyi has actually died more than that one time that turned him into li lianhua. first was a death of him as a nanyin royalty - I resent having to bring up nanyin like it should hold any weight to the narrative as far as I'm concerned, but the point being that he had a completely different (familial-based) life before that still stands. then he had a rebirth as li xiangyi, disciple and swordsman to his shifu and shiniang, and later died again when li xiangyi the sigu sect leader took over. lxy the sigu sect leader died at sea in the battle 10 years ago and came back as li lianhua. (just like nezha, died after battling at east sea and rebirthed from the lotus) li lianhua then dies by the end of the drama.
there can be a myriad of interpretations as to what exactly happened to him, including the possibility that he's still alive. regardless, we can agree that li lianhua as an identity has ran its course, and he had to evolve again. but into what form?
in the line of thought of yin and femininity, and how his transformation has been in an increasing degree of presentation of femininity - even way back when I was watching the show, I had the idea of him living socially as a woman post-li lianhua. I don't know what he would be realistically doing or what could be practical for him in such an identity. but conceptually it was sensible and compelling to me before diving deeper into the details. (I have more elaboration to do on this that I won't be talking about here publicly but it is in the same strain of idea as this other comparative meta I wrote.)
I think the next possible identity lxy can assume - alive in the material realm or not - is one that will be beyond a material being. a nameless entity. once you've gone through the phases of life - from not knowing to knowing, and perfecting knowledge, then to the surpassing of knowledge - you surpass all worldly existence, and become one with the cosmos.
I end this off with an excerpt from Tao Te Ching's Chapter 41 (I'm not pretending to have read the whole book ok but I couldn't resist including this):
明道若昧,进道若退,夷道若纇 [...] 道隐无名 The bright path seems dim; Going forward seems like retreat; The easy way seems hard [...] The Tao is hidden and without name. (x)
the character translated into "easy" is the same 夷 yi of li xiangyi's name. somehow this seems to encapsulate the journey of his life: one that seems blessed and smooth-sailing but ending up to be rocky and turbulent. but at the end of the day, after all that he had been through, he will become hidden and without name.
#莲花楼#mysterious lotus casebook#lhl#lhlmeta#my posts#a big win for the inaction fandom. lxy would have been patron saint#this inevitably turned into a 'lhl is a taoist and buddhist story if not a very chinese story' meta hbhjbjhbhjjb#the last thing i do before going to sleep is write this meta. the first thing i do after waking up is write this meta.#i feel so insane writing this. it kept growing like a monster. do you think this is a joke it's like my part-time job now#but it's one of the few times in my life i have confidence in my insanity. so.#crazier thing is. this meta is approaching 6k words yet i still think there must be things i haven't covered.#the last section is so nuts idk how i even wrote it guys i think i was possessed#it's also like the most pretentious way to put that he's dead in this world ok hjbjhbhjbhjbjbh#to be clear iirc the drama didn't say LXY'S POWER/ENERGY IS YIN in the same way it literally said dfs's energy is yang#but it's definitely implied by the explanation of the flower's healing properties for both of them. on top of yangzhouman#also fuck. another reason he didn't choose to save himself was so dfs could have the yang flower which he believed was what dfs wanted#thank u frens mark and ana for indulging my brain in the first time i brought the lxy as woman thing up. for it to have come this far#ofc disclaimer is that a lot of this is my own reading. it doesnt have to be agreed by everyone#i would be very happy though if any part of it resonated with anybody#also a good part of the analysis is based on my memory of the show. though i did revisit parts selectively to verify. sooooo. yeah.
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dilutedconfusion · 1 month
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I did a thing…again.
Just realized that ya’ll need to click for better quality for some reason this post looks especially bad 🤚
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kyouka-supremacy · 5 months
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Okay about Beast sskk; because I realized I've got a very definite picture of what the Beast post-canon is like that is only in my mind and I never actually put down, so here we go. Very needed content warning of sickeningly fluff and Beast sskk being disgustingly in love with each other, I suppose.
After Dazai killed himself, Atsushi is reasonably tormented, and can't sleep at night. Roaming across Yokohama late at night, he always ends up at Akutagawa's– instinctively, unconsciously, to an extent even unwillingly. He doesn't choose to, it's more about countless nights unable to sleep spent wandering with no destination and still always finding himself in front of Akutagawa's place for some reason. Akutagawa somehow always knowing when it's going to happen so that he can face him before Atsushi has time to hesitate and run away. How they don't really need words or explanations most of the time, how for Atsushi knowing that there's another person who understands is enough, and everything he needs. How before Atsushi realizes it (and thus keeping him from trying and prevent it), Akutagawa's house has become the only place where he can fall asleep.
That's how they start living together before even being together. They might not even have an actual “getting together” moment, you know? The development of their relationship is so natural and spontaneous, it was meant to end that way from the beginning. Besides, Beast sskk don't really need words between them, so... I suppose an actual confession, albeit nice, would be almost superfluous.
Soon enough they move together to a small apartment near the ada (I'm assuming Atsushi has still enough money saved from his old job). Against popular belief, with time it kind of crystallized in me the idea that Atsushi wouldn't join the ada? His life to that point has constantly been doused by violence and pain and death, he deserves a long break to cope with all the trauma; throwing him right back to another environment where he's constantly pushed to fight and use his ability would not do any good to his mental health; especially when he's got such a conflictual and hating relationship with Byakko, even worse than it is in canon. I wasn't kidding about the house husband thing. Beast Atsushi stays home and chills down and is safe and away from all major sources of stress and triggering environments. Slowly, with time, he goes out more often, gradually relearns what normality is supposed to be like, and bit by bit all his traumatic experiences get more distant, and the nightmares more rare. Akutagawa follows up with his ada job– obviously! There's a whole deal in the end about how important it is for him to keep doing his job and trying to be good. I do believe the ada is the right place for Akutagawa. He returns home to Atsushi who always welcomes him with warmth and joy, and they cuddle a lot.
But I also believe that there would be times when Atsushi is required to go back to action and fight– he's not a member of the ada and he doesn't work for them, but it's obvious that when the ada is in danger and Yokohama is facing serious threats, the guild and the rats and ultimately the doa, the times will call for his intervention. He usually comes to help or rescue Akutagawa, a trump card of sorts. And it's endearing, how Akutagawa is always the one, even among the ada, most contrary on getting Atsushi involved, how he wants to protect him and keep him away, how more than anything he wants him to be safe. As for Atsushi, I really like the concept of this man who retired from action, that spends most of his time at home or chatting with the seniors in the neighborhood, who joins the fight only when the situation is most desperate and reveals himself to be the most powerful and destructive beast to have ever walked on earth. He reluctantly fights, and together with Akutagawa they end up saving the day for everyone, because as Dazai himself said nothing can stop the both of them together.
On the other hand, when the world isn't ending Atsushi solves that very specific role of crime drama protagonist's husband who's very supportive of their partner and listens to them ramble at home about their cases. He often offers useful insights on how criminal organizations work.
Atsushi didn't replace his collar after it broke. They're barely visible under his turtleneck, but he has now wrapped bandages in its place: to hide his scars, to keep the memory of Dazai with him everywhere he goes, to remember what he's lost but also what he's gained.
Ah, and when it comes to the fight against Fukuchi, Atsushi is the one to die for Akutagawa, of course.
Headcanons that directly contradict something stated above but that I still like:
Sskk get together after six months– it's got an ironic taste to it, the timestamp their canon counterparts set to kill each other now being the time they declared their love to each other. It's so soon, but also is it really? They immediately clicked the moment they met each other, and they were always destined to be. At that point, there's no one in the world they need more than they need each other.
In case of Atsushi still wearing the collar for some time after the canon events: sskk had their first kiss when Atsushi took the collar off for the first time. Ever since Dazai died, Atsushi is haunted and unstable; he's throughout scared of taking off the collar, terrified by the idea of hurting someone unintentionally, now that Dazai can't be there to controll him (both through his ability and by the general power he used to have over Atsushi's psyche). Akutagawa sees how much Atsushi is physically hurting, and insists on him taking the collar off; they fight over it for months (verbally, for the most part, except for a couple of times when the fights become physical– but without abilities), before Akutagawa finally manages to convince Atsushi to take it off for a few hours. When they're alone, because after months of being persuaded, Atsushi can trust Akutagawa to be able to defend himself; and also something about “you would never hurt me”. Thing is, when Atsushi finally takes it off, he quickly spirals into a HUGE panic attack, not able to trust himself not to harm the people he cares about; and the only person around is Akutagawa, and he cares about him deeply. The tiger is taking over, and Akutagawa is panicking, and he's desperately looking for a way to quickly ground Atsushi so he just. Kisses him. Which effectively works in the way it immediately distracts Atsushi, as well as causes him to zone out for several minutes. Akutagawa immediately apologizes, and then panics again when Atsushi doesn't answer for a while. It's kinda cute. After that, Atsushi gradually learns to take his collar off more and more often; this time, he can really trust that, if Akutagawa is with him, everything is going to be okay.
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ezralva · 6 months
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Two weeks after anime Nanami's death and there are still ppl bitching about how sick Gege is to k*ll off his favorite character brutally like that. I started to think those ppl conveniently skipped the fact that Gege had canonically wrote Nanami as the most gentleman and (not) arguably had the best personality among JJK's adults that made his character so loved by many. That the way his death was narrated is without question better than other deaths in the story. As we saw him gave his best to protect others and being worn down first then his last moments with Yuuji and Haibara. That it was clearly shown how impactful his death was for Yuuji. That all of those narratives combined made Nanami such an unforgettable supporting character. Which spoke a lot about how Gege treated Nanami as a character and it's definitely not a bad writing or doing him ugly.
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I've been thinking about how Vash always seems to be hungry. Or at least, that he's shown eating quite often in the manga. Happily having his salmon sandwiches. Eating an entire box of donuts in the side car. Knowing the conversion rate of bullets to pizza. Seeing a flower and immediately wondering if it's edible. Pondering his life over breakfast. It's a really cute little character detail about him - he likes food.
But then I kind of started to think about the angel arm and its specific brand of destruction. How there were no bodies to be recovered. Nothing but a crater left of July, left on the Fifth Moon. It's all been incinerated. Devoured, even. Tristamp takes it even a step further and makes the power something akin to a black hole - a yawning drain; a constant destructive hunger.
Vash is clearly terrified of this potential for destruction, and for very good reason. But it's not separate from him as some kind of "power he can't control" - it's his arm. It's literally his arm. It is him. Vash is scared of himself, scared of losing control. He does what he can to repress it, even subconsciously (the gaps in his memory whenever it activates). He can't control it in the moment, so he takes steps to preemptively push it down, to avoid the use of his abilities entirely, to hide himself away.
I talked a bit in a previous post about how there are probably several interrelated reasons for Vash's chronically avoidant behaviour, but I'd like to throw one more into the ring and suggest that it's not just a matter of not deserving to want things, but maybe also that he's afraid of wanting. That if he allows himself to even think about what he wants personally that he'll want too much, take too much, and that the only cure in his mind for this is to give and give repeatedly.
I wonder how starved he is for love. Vash loves hard, after all. Once he loves (and I’m not talking about the broad, distant love/compassion he has in general), for better or worse, he carries them around with him forever, long after they've passed. Does he feel like it'd be selfish to admit this kind of want? His love isn't really a passive thing after all - it's the drive at his very core; a mournful inferno he is just barely suppressing. Does he remember how to love in a way that doesn't consume him entirely?
Is that part of the reason he checks out at signs of intimacy? Diverts gifts towards others? Tends to accept kind gestures only when under an assumed name? Intentionally starves himself in Tristamp? Runs and runs and runs? Is he afraid he won't be able to stop hungering? That allowing himself to want means his want will become insatiable?
I just have to wonder how much of his avoidance of connection is being scared that he will cause more destruction (to them? or to him?) by trying to take far too much into his hands than he ever caused by turning his back and running.
...of course I may just be entirely deranged here sorry.
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stolenslumber · 11 months
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devils roll the dice, angels roll their eyes (pjs)
Jay needs someone to pretend to be his girlfriend, and you’re just the person for the job— seriously, you’re almost a professional at this point, regularly charming the families of your idiot twin’s friends who need your help getting their parents off their back. Of course, leave it up to Jay to blur the lines of your fake relationship so smoothly that you catch real feelings; falling in love has never been this easy.
PAIRING: park jongseong x female reader GENRE: acquaintances to partners in crime to fake dating to lovers i guess? lol, college au, vaguely greek life au, vaguely rich kid au, fluff fluff fluff, jake is the mc’s twin bc i thought it would be funny WARNINGS: swearing, kissing and suggestive content/sexual themes WORD COUNT: 14.4k A/N: ik the ages don't line up here shhhh just ignore that okay
NOW AVAILABLE: hang your head low in the glow (companion fic/follow-up)
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“WHY DO YOU LOOK SO NICE?” 
“Why do you sound so surprised?” You scoff, tossing the apple you were just about to eat at Jake’s head. Annoyingly, he catches it in mid-air, then makes a show out of polishing it with his shirt and taking a big bite out of it. “Hey, I was going to eat that, asshole.”
“Shouldn’t have thrown it at me, then.” 
You roll your eyes at your twin, then go to retrieve another apple from the fruit bowl. It’s surprisingly well-stocked, given that you’re in a frat’s kitchen. Honestly, it’s surprising that there even is a fruit bowl in a frat’s kitchen, but the president of this frat runs a tight ship.
Said president appears in the doorway just then, snatching the apple from your hands as well as the one from Jake’s hands. “Guys, seriously, you have to wash these before you eat them.”
You and Jake both whine simultaneously. “Chan!” 
“I already took a bite out of that, bro,” Jake complains.
“I’m starving; please have mercy,” you beg.
Chan whips his head around from where he’d begun washing the apples in the sink to fuss at you. “What? Why haven’t you eaten yet? It’s almost 9pm!”
“Which reminds me— why do you look so nice?” Jake repeats.
“I had a thing with Mark,” you sigh. 
“You can just say you were pretending to be his girlfriend; we all know what you mean,” Jake snorts.
“I had a thing with Mark,” you repeat, resisting the urge to throw another apple at Jake’s head. “It was at this ballroom downtown, and of course he had nothing to wear, so I had to take him shopping first, which made us late, and then his parents wouldn’t stop talking my ear off about how I need to convince him to give up the music major, so I couldn’t touch any of the food there. Not even the foie gras torchon,” you recall mournfully. “We just got back, like, five minutes ago.”
Chan hums sympathetically— he knows how much you love foie gras torchon. “You can probably ask for an endless supply in return for your appearance at today’s thing,” he suggests, only half-joking. It absolutely sounds like the kind of thing Mark Lee would agree to, what with his ridiculously large inheritance and hapless generosity (last month, Mark lost thousands of dollars in some animal shelter-related pyramid scheme, marketed to him by none other than Lee Haechan).
You wave a hand dismissively. “Nah, I’m keeping Mark’s favor for something else.”
Jake raises an eyebrow. “What else?”
“Whatever it turns out I need in the future, dumbass. What’s it to you, anyways?” 
“Just wanna make sure the poor guy doesn’t end up trapped in your snares forever, little sis. Yo, can I have that apple back?” Jake turns to Chan with characteristic puppy eyes.
“You’re only older than me by eight minutes,” you grumble, the age-old retort slipping out of you before you can help it.
“No, Jaeyun, you cannot. And don’t talk to your sister like that— oh my god, why do I sound like Taeyong,” Chan mutters, thinking about his predecessor frat-president-slash-mother-hen. 
“Jeez, government name and everything.” Jake holds his hands up, relinquishing his claim to the apple.
“In fact, your sister gets to have both of these apples, after I clean and cut them up, because she is a saint for continuing to save our asses from our parents like this,” Chan lectures, unceremoniously carving out the chunk of the apple with Jake’s bite marks and tossing it into the trash bin.
“Real ones get it!” You reach out and high-five Chan. 
“That is so unfair, c’mon, man!” Jake splutters. “She gets just as much out of these fake relationships— seriously, didn’t you drive her around everywhere for, like, a month after she went to that wedding with you?”
Both you and Chan shudder at the memory. “Ugh, my worst cousin and the worst guy he was ever with. They’re still married, by the way.” Chan shakes his head. “God knows why.”
“Love conquers all…?” Jake offers.
“What the hell are you talking about love for,” a new voice grumbles. Park Jongseong strolls in through the doorway, hands full with plastic bags promising wonderful things based on how your stomach reacts to the smell.
“Oh, hell yeah, chicken!” Jake cheers. “Took you long enough, bro.”
“Traffic was hell; something about a ball downtown, and— oh. Hey.” Jay stops abruptly at the sight of you, now munching on the apple slices Chan hands you, one by one.
You wave vaguely in his direction, too busy eating to respond. Jay is one of your brother’s friends who you don’t know that well, since you’ve never pretended to be his girlfriend. It’s strange that you two don’t know each other better, actually— as the social chairs of your sorority and his fraternity, respectively, you would usually have a lot to work on together. But this year has been particularly busy for you, what with your senior thesis and your various things with Jake’s frat brothers, and you had delegated most of your social chair responsibilities to your co-chair, Yunjin, who was far better suited to the social part of the job, anyways. You suspected Jay had done the same thing, since the two of you only ever texted to confirm budgets for any joint events.
“You need to have more than one-and-three-quarters of an apple for dinner,” Chan scolds you, parental instincts back in full force.
You shrug, about to turn around and rifle through the cabinets to see if you can find some peanut butter to add to your apple slices when a takeout container appears in front of you. Tired and still starving, you react rather slowly, your eyes tracing up the hand on the container to the veins of an arm belonging to none other than Jay.
“You look hungry,” is all he says, before popping the container open for you and rearranging the rest of the plastic bags on the counter. “Jake, tell the others to come down for food.”
The others means that soon, there will be an influx of hungry frat brothers in the kitchen, and you have no desire to be anywhere near that, so you mumble a quick thank you to Jay, plop the rest of the apple slices into the takeout container (against Chan’s complaints about the contamination), and move to leave the kitchen, eager to be on your way to your sorority house.
The last thing you overhear before you leave is Jay asking, “Why did your sister look so nice?”, and Jake and Chan responding in unison, “She had a thing.”
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A few days later, when they’re doing work in the library, Jay asks Jake, “So how long have Mark and your sister been seeing each other?”
Jake’s pencil jerks across his graph paper, a jagged line appearing on the page at the same time that he swears. “Dude, what the fuck?”
“Dude, what the fuck,” Jay echoes flatly. “Didn’t you say she had a thing with Mark?”
Jake blinks. “Well, sure, in the same way that she’s had a thing with Chan, and Yeonjun, and Vernon, and all the others.”
Jay gapes at him. “Your sister dated all of them? And all the others?”
“What, no, she didn’t date them, she fake-dated them! Just a couple of times, mainly showing up to things with their families so their parents would leave them alone about finding a partner and all that. You know how the parents are.” Jake gestures vaguely, referring to the oddities of the world of wealth they were born into. 
Jay nods slowly, understanding dawning upon him. Does he know how the parents are? Oh, does he ever. He has always had a good relationship with his own, but they had been more pushy on the whole love thing as of late, with the not-at-all subtle questions his mother asks about any special someones in his life and the unfunny jokes his dad cracks about how he’s still spry enough to help raise grandchildren. Especially unfunny, given the health scare his dad had given them all in the last year.
Jake’s voice brings him out of his veering-towards-morbid thoughts. “But seriously, bro, how is this news to you? My sister’s been doing this… Cinderella-genie thing for two years now.” 
Jay’s eyebrows furrow. “Cinderella-genie thing?”
“Yeah, I mean, she transforms our frat brothers into respectable young men with a respectable relationship, but only for three occasions, and she gets the same number of favors back.” Jake wrinkles his nose. “It sounds weird when I say it like that, and don’t get me wrong, I love to give her shit for it, but it’s all above-board stuff. Sunghoon bought her bubble tea for like, three months. Oh, and no one’s allowed to catch feelings, so everything ends clean and neat.”
“She fake-dated Sunghoon?”
At the mention of his name, Sunghoon pops one side of his headphones off. “What’s up?”
“You fake-dated Jake’s sister!?”
Sunghoon shushes him before responding. “Yeah, don’t you remember? It was a couple of months ago.”
Jay’s ears flush, both at how loud he had unconsciously gotten, and at the reminder that he really has been out of it for a while now. It’s not like he’s been living under a rock, but he has definitely been spending a lot more time with his parents and away from his friends ever since his dad’s health scare.
“She was great, though,” Sunghoon continues. “My mom still thinks I made the biggest mistake of my life ‘letting her go.’ But she’s also been leaving me alone about ‘finding love’ because she thinks I’m heartbroken, so yeah, Jake’s sister works wonders.”
Jake smirks. “Sim genes, man. Elite stuff.” 
Sunghoon scoffs. “You wish. Didn’t I hear your mom yelling at you on the phone the other day for not having settled down yet?”
“Ugh, don’t remind me. Does she not realize what decade this is, I mean, we’re still in college—”
Jay interrupts what looks to be the beginning of a long rant from Jake, cutting him off with, “So where can I sign up?”
Jake stares blankly at him. “Sign up for what?” 
“The Cinderella-genie thing.”
Sunghoon scrunches his face awkwardly. “Uh, she kind of has a waitlist, buddy.”
Jay waits for him to laugh and say he’s just kidding, but he doesn’t. “Are you serious?”
“Yeah, she doesn’t do the fake-dating thing for multiple people at the same time, and she’s pretty busy with all her shit, so I’m not sure how long of a queue you have ahead of you…”
“Okay, but Jake could get me ahead, right? Cut the line, or something? C’mon dude, I’m your best friend.” Jay is suddenly desperate, remembering the conversation he’d had with his mom on the phone last night, where she had dreamily recalled meeting his dad in college and delicately reminded Jay that he could have a plus-one to the Parks’ upcoming 50th wedding anniversary celebration.
Jake eyes his friend warily. “I dunno, she really doesn’t like stuff like that. Unfair advantages, I mean.”
“My parents aren’t getting any younger, Jake, and you know, with my dad last year and everything…” Jay does his best approximation of batting his eyelashes at Jake. 
“Are you guilt-tripping me?”
“A little?” Jay’s smile turns a little maniacal. “For real, my parents have their 50th wedding anniversary coming up, and it would be the perfect event to bring her to so I can reassure them that things are going well in my love life.”
“Are things going anywhere in your love life?” Sunghoon’s tone is skeptical, and reasonably so. 
Jay has been distant lately because of his family, but even before that, he had always been known as somewhat aloof and unattainable. Devastatingly handsome, yes, with killer grades and fierce ambition, and a business empire to inherit to boot, but he is also his parents’ one and only miracle child, born after years of trying and almost giving up. Jay’s parents are older than all of his friends’ parents, and their family business has always been that— a family business. Jay has two years after graduation to learn the ropes in the business, and then he’ll be due for an MBA, and then a return to helm the business, but this timeline has recently felt more urgent than ever with his parents’ flagging health. They would never say it, but he knows the only reason they haven’t retired yet is because they don’t want to hand over control of the business to anyone but him. Jay has worked his ass off in college, trying to get there as fast as he can, as well as he can. But his parents also want him to enjoy college and find true love, and while he’s been doing pretty well with the former, the latter has been on the backburner for, well, forever. Who has time for true love, in between classes, fraternity duties, the various shenanigans his friends get up to, internships, networking, TA-ing, volunteering, being on the executive board of two clubs, and eating, sleeping, dreaming, and thinking?
So. No. Things are not going anywhere in his love life, and he confirms just as much to Sunghoon with a grunt, to which Sunghoon wheezes out his amusement.
Jake eyes Jay with pity, now. “Alright, that guilt trip was successful, but more so because you just admitted to being bitchless for so long. I’ll put in a good word to my sister for you.”
Jay perks up instantly. There is light and beauty in this world after all! “Awesome, thank you bro, you won’t regret this, I promise!”
“I wasn’t planning on it, but those are famous last words, Park.” Jake raises an eyebrow at him. “Are you sure you can handle my sister?”
“Why not? She seems… nice.” Jay is slightly evasive in his answer, and truthfully, it’s because he isn’t really sure what you’re like. All your interactions to date have been cordial, almost business-like, and you and Jake are fraternal twins, so it’s not even like he’s really familiar with what you look like. He is, however, sure that you look beautiful in a ballgown, even if he only saw you in one in his frat’s kitchen.
Jake chortles outright. “No, my sister is not nice. Yeah, I’m definitely going to convince her to help you, just because I think it’ll be hysterical watching her turn you inside out. Good luck, my brother in Christ, because you’ll need it!”
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you: hey jake told me abt ur predicament
jay: … good morning, how are you? i’m pretty good myself
you: ???
jay: just being polite. and it’s not a predicament i’m just… interested in your services
you: good for you? anyways i’m super busy right now and don’t really have time to be taking on anything else so i’m just letting you know that i can’t help you out. good luck though
jay: how about coffee?
you: what?
jay: do you want coffee?
you: like right now?
jay: yeah i’m on your porch
You almost throw your phone to the other side of the room. True, Jay’s fraternity house is across the street from your sorority house, but it still feels absurd to think that he’s right there, less than twenty feet below your room. Is he stalking you?
Accordingly, that’s the first thing you ask him when you throw the door open to him. “Are you stalking me?”
He scoffs. “As if. I asked Jake to ask Yunjin for your location.” 
“That’s not not stalking.”
Jay shrugs, though he has the decency to look a little embarrassed as he shoves his hands in his pockets. “Whatever. I just walked across the street; that’s all. So, coffee?”
You stare at him for a few moments, weighing your options. Truthfully, you were about to leave to get coffee before your first class, anyways, but you’re not sure how long you want to entertain Jay. You decide to split the difference. “I’m on my way to Nat’s, so you can tag along. But I’m just grabbing a coffee to go, and then I have class.”
“Okay, let’s go.” 
“Gimme a second; I’ll grab my stuff.” For some reason, your heart is beating a little faster than usual when you reach your room. You’d like to blame it on the stairs you just climbed, but something about Jay coming to find you at your front door feels old-fashioned and sweet, though your rational mind reminds you that he literally just walked a couple hundred feet. He even said so, himself.
But when you come back down to see him leaning against the doorway with his hands still in his pockets, looking out into the street, you suddenly remember that Jay is, like, really good-looking. Despite yourself, you find yourself admiring the cut of his jaw and how nice his hair is styled. It’s not like you don’t know plenty of attractive guys— hell, the guys you usually fake-date are all objectively hot. It’s just inconvenient that you now recall how Jay has always seemed to be the most mature out of Jake’s friends, even from what little you know of him. Unhelpfully, your brain also conjures up the image of him sliding a takeout container to you last week, and the way your eyes had lingered on the veins of his arm.
God. It’s been too long since you’ve gotten laid.
Jay’s voice breaks you out of your bizarre trance. “Ready, Cinderella?”
“Excuse me?”
“Jake told me about your whole Cinderella-genie thing. It would be weird to call you ‘genie’, so…” Jay trails off, scratching the back of his head and looking actually embarrassed now. 
You can’t help but laugh. “Right, because Cinderella is totally less weird. Alright, big guy, let’s go.”
The walk to Nat’s, your favorite local coffee shop, takes about 15 minutes— 10, if you’re walking fast, which you usually are. Jay’s legs are uselessly long, but he seems determined to walk as slowly as possible, while also staying silent the whole time. Finally, you reach the end of your patience and step out right in front of him, intending to ask him what the hell he’s doing. Unfortunately, you find that you misjudged the distance, and he almost collides right into you.
“Whoa,” he mutters, reaching out to grab your arms to steady the both of you. 
“Sorry,” you huff, embarrassed at yourself. A lot of that going around today. “I just… what’s your deal? I already told you I can’t help you, and then you show up at my door and ask me to get coffee, but you don’t say a single word. What do you want from me?”
Instead of answering your question, he asks, “Why do you do it?” 
“Do what?”
“The Cinderella-genie thing.”
You roll your eyes. “Jake has got to stop calling it that. It’s a long story, honestly.” Sighing, you reach into your backpack to pull out your planner. “Alright, we’re already past the amount of time I scheduled to get my coffee and get ahead on some readings before class, so I guess we can sit down inside.”
Jay raises an eyebrow. “You have time for me now? Also, that’s the most insane planner I’ve ever seen.”
You gesture around you. You had stopped Jay almost at the door of Nat’s, and you’re clogging up the sidewalk. “We should at least get out of the way of these people. And yeah, I’m sure it is.” You are a live-and-die-by-your-planner kind of person. Everything is in there— social events, studying time, your various things with Jay’s frat brothers, even things like eating and showering and sleeping. It seems psychotic, sure, but you’re a busy person, and there’s no way you’d be able to handle everything without the strict schedule you set for yourself.
When you walk up to the counter inside Nat’s, your favorite barista— a cute high school kid named Riki— is manning the register. You smile warmly at him. “Hey, Riki. The usual, please.”
You expect Riki to tease you about your usual, which contains an admittedly concerning amount of caffeine, but instead he calls out, “Jay! What’s up, my man!”
From behind you, Jay reaches out and fist-bumps Riki. “Hey, long time no see, buddy. How’s history going?”
Riki groans theatrically. “Horribly, ever since you stopped tutoring me.”
Jay frowns. “Wait, really? What are you having trouble with? I know I’m kind of swamped right now but we can always find some time and—”
Riki bursts out laughing. “I’m kidding, I’m kidding! Jeez, you should’ve seen your face. Relax, I got a 94 on my last paper!”
“Oh, very funny, you menace!” Jay punches Riki’s shoulder, but his expression eases up. You wonder at the fondness that twinkles in his eyes. 
Riki laughs some more, then he turns to you. “Noona, one cup of liquid death coming up! Hyung, what about you?”
“London fog, please. And seriously, text me if you’re having trouble, okay?”
Riki waves the both of you off, telling you that he’ll bring your drinks over to you. 
You make a beeline for your favorite spot, right by the large window that overlooks the sidewalk. Jay surprises you for the umpteenth time that morning by easily striding ahead and pulling your chair out for you, then coughing and turning red when you give him a weird look.
“Sorry, I, uh, yeah. Instinct,” he explains, which is really no explanation at all. 
“Are you courting me or something?” You try to keep your tone light and joking, but confusion inevitably slips in. Nothing Jay has done today has made sense. 
He seems to have regained his composure when he sits down, because he hits you with, “I guess you could say that. It’s just something I think I’d do for my girlfriend.”
You stare at him blankly. “Thanks for telling me…?”
“I mean, if you’re going to fake-date me, you can probably expect me to do stuff like that, right?”
You groan. “I’m not going to fake-date you, Jay, how many times do I have to say it? I—”
“— don’t have time, I know. But what if I could make it worth your while?”
“Jay, you know I’m Jake’s sister, right? We have money. Besides, I’m helping Mark right now, and I don’t do this for multiple people at the same time.”
“Oh yeah, Jake told me about that rule. What if I could take care of that for you?”
You raise an eyebrow. “What do you mean?”
“I’ll help Mark find a real girlfriend, and then you can help me, instead.”
“If it were that easy, don’t you think Mark would have done it himself?” 
Jay waves his hand dismissively. “Oh, please, Mark’s been crushing on the girl in his music class for ages. He gets too into his head about asking her out, so he chickens out every time. They’re partners on a project right now, though, so I’ll just give him a push in the right direction.”
You have to admit that you’re intrigued by his proposition. Everything Jay just said lines up with what you know about Mark, especially the chickening out part. You’d like to see Jay try, and you figure it can’t hurt either way, so you nod. “Okay, fine. If you can help Mark, I’ll help you. But seriously, what’s your deal? Why do you want my help so badly?”
Jay blinks, then he leans back into his chair. “Oh. Honestly, I haven’t 100% decided that I do, yet.”
“But you’re willing to agree to help Mark Lee with a girl in order to secure my help?” You shake your head. “You’re really strange, Park.”
“I get overly invested in challenges really easily,” Jay confesses, showing you an unexpectedly bashful smile. “So I got a little caught up just now in the idea that I could change your mind about helping me. But now that you’ve brought it up, I’ll still help Mark, no matter what. I’m sick of him writing lovesick songs about that girl, anyways.”
“Large iced Americano, no water, four shots of espresso. And a London Fog,” Riki announces. He sets the drinks down on your table right as the bell above the shop’s door chimes and lets in the pre-9am work crowd. He groans and bids you both a hasty goodbye.
Jay eyes your coffee with disgust. “Liquid death, huh? That’s disturbing.”
“Hey, don’t knock it ‘til you try it.” You tilt the cup in his direction, laughing when he shudders. 
“Absolutely not. I can’t believe you order that enough that Riki knows it’s your usual.”
“I usually see him in the afternoons when I order this, actually, so I’m sure he’s going to give me an earful about getting one in the mornings, too. Speaking of— doesn’t he have school?” You whip around in your seat to stare at Riki. 
“He has two free periods on Mondays this year, so I guess he picked up an extra shift. He’s a hard working kid,” Jay says. 
You turn back around to see him with that same fondness in his eyes. “How do you know him, by the way?”
“Ah, he’s my little’s friend from high school. My little is Jungwon— cat-looking dude?”
You let out a squeal. “Oh my gosh, he’s the cutest!” 
Jay crosses his arms and grins, looking amused. “Yeah, he is pretty cute. Anyways, Jungwon mentioned his friend was having trouble with his history class last year, so I started tutoring him a bit, just casually, since I’m studying history.”
“Not economics?” You’ve heard about Jay’s family’s notoriously tightly-controlled company. Everything is within the family, so you’re surprised that he isn’t getting ready to take over. 
“Both. I can have two majors, you know. What’s yours?”
“Linguistic anthropology. And studio art. I can have two majors, you know.” 
Jay rolls his eyes. “Okay, okay, I know that was pretentious. What’s linguistic anthropology?”
You clear your throat, not expecting to talk about your hopes and dreams so early in the morning, and with someone who’s only a few steps away from being a stranger. “Languages, and the social and cultural foundations of them. Basically. I want to do linguistic archaeology in grad school, and this is the closest thing you can get in undergrad.”
Jay leans forward and nods enthusiastically. “That sounds really cool. What kind of art are you doing?”
“Oil paints, mostly, and some charcoal drawing…”
Like that, an hour flies by. You don’t even notice the blocks in your calendar getting overwritten by what is essentially a coffee date with Jay until you get the reminder that you have class in thirty minutes. 
“Shit, I gotta go soon.” You say it with some regret; surprisingly, you’re really enjoying yourself with Jay. He’s smart, and funny, and a little awkward in a way that makes you think he’s the most sincere person you’ve ever met. And he has interesting thoughts and opinions on history, some of which you even make a mental note to follow up on later for your thesis. 
“Before you go, will you tell me why you do the fake-dating thing?” Jay puts his head in both his hands and smiles at you, and…
“Are you batting your eyelashes at me?”
Jay squints at you. “Maybe. Is it working?”
“Not really,” you lie, like a liar. 
“Didn’t work on Jake, either. Man, I gotta work on it.” Jay gives up the act and relaxes back into his chair. “Will you tell me, though?”
“Sure, it’s not like it’s a big secret or anything. It’s not even that long of a story, now that I think about it. Not something worth trying to seduce me over, but I like your hustle,” you joke. 
“So it was working!”
“I wouldn’t go that far. Okay, so it started with Chan. He just didn’t want to go to his horrible cousin’s horrible wedding, but his sister had been arguing with the cousin about Chan and was, like, defending his honor or something? And one thing spiraled into another and all of a sudden Chan needed to show up to the wedding with an impressive partner to prove to his cousin that he could pull.” You make a face. “Boys. I’d actually met this particular cousin before, through some convoluted situation at one of those holiday parties that our families throw, and I knew he was insufferable, so I was willing to help out. Other guys in the frat heard about it, and you know, it’s surprising but not shocking that your frat has a lot of guys with some sort of weird baggage that prevents them from actually seriously dating someone. It’s weirder that a significant number of them also find themselves in situations where they need to pretend to have a girlfriend, but as it turns out, I’m really good at it— being a fake girlfriend, I guess. I haven’t had much time to date myself, so it’s kind of nice hearing how much everyone’s families liked me as their potential daughter-in-law. Plus, I always get favors in return, so it’s not the worst thing in the world. It’s like the fun part of dating, without the actual time commitment.”
Jay looks skeptical. “Going to family events and schmoozing with distant relatives is the fun part of dating?”
You scoff. “Whatever. You’re the one who asked why I did it, and I told you. It doesn’t have to make sense to you.”
“Sorry, sorry. I’m not judging, I swear. I just think that there’s probably better parts to dating, but who am I to talk,” he mutters.
“Ah, yes, Jake mentioned that, too. Bitchless all these years?”
Jay deadpans at you. “I know you aren’t making fun of me for that when you basically just told me that you fake-dated all these guys because you have a raging praise kink specifically for people’s families.”
“Oh, fuck off.” But you’re laughing, almost— giggling? Ugh. Maybe you do need to back off on the caffeine. “Alright, I have to go now, for real. Text me when Mark is good, and then we can talk about our two fake dates.”
“Isn’t three the max?”
“I was serious about not having time, Jay. I have a thesis for linguistics, and a portfolio to put together for art. Mark was going to be my last… thing this year. I went to one event with him, so if you can get things squared away with him, you can have his other two.”
“Okay, fine. Pleasure doing business with you.” Jay salutes you with two fingers.
“You haven’t even succeeded with Mark yet, and you haven’t heard what favors I want in return, either. Don’t get ahead of yourself, hotshot.” 
And then you’re gone, leaving Jay to ruminate on the last hour and a half you spent together.
Jake’s right— you’re not nice, not in the traditional sense of the word. You’re kind of prickly, and you seem to run your life like a drill sergeant, but Jay thinks you must be really kind. Aside from Chan, the others you’ve helped (Mark, Yeonjun, Vernon, Sunghoon, good lord) are all variants of pretty boys who can’t talk to women to save their lives but live and die by the words of their parents, who all hope to see them get married sooner rather than later (Jay elects to ignore how he fits into that mold pretty well, too). No wonder you felt bad for them in their plights and wanted to help them; and Jay really believes that you did it to help them, not because of whatever favors you got in return. Like you said, you have money, so it’s not like you couldn’t buy your own bubble tea or pay for a driver. No, he’s seen your calendar, and it’s crammed with volunteering events in between everything else, and he’s seen the way you fuss over Riki, someone you only see a couple times a week while ordering a coffee. He’s pretty sure you’re just a classic do-gooder, and he doesn’t even need your help that badly, but he does love a challenge. Get Mark Lee together with the girl of his dreams is the first one. The second one is to figure out why he cares about proving himself to you so much— it’s not like he’s swimming in free time either, but somehow you’ve gotten under his skin, and he wants to see where this goes.
(Plus, he thinks you’re really pretty.)
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When you enter your studio art workshop class, you find Yunjin immediately and pout at her. “Thanks for revealing my location to Jay, traitor,” you whine.
Yunjin grins. “It’s not like the sorority house is a state secret, babe. And I have zero regrets— he’s hot!”
“So?”
“So, I’m sick of you fake-dating these guys because you love to be the most helpful person in the room, and I want to see you actually date someone!”
You snort. “Joke’s on you, then, because he also wants to fake-date me.”
“Eugh, really? What the hell, I thought he was a good one,” Yunjin groans.
“He is a good one,” you respond instantly. You’re not sure why you’re so defensive about him, but from everything you’ve witnessed today, you know that Park Jongseong is the definition of a good guy.
“Well, maybe this will finally be the one that goes from fake-dating to real dating!” Yunjing wiggles her eyebrows at you. “You already think he’s nice, and you didn’t say he isn’t hot, either.”
“I have a pulse, Yunjin, I can tell that he’s hot.”
Yunjin whistles between her teeth. “Wait ‘til I tell Jake to tell Jay that.”
“Do not— and since when are you and my brother so close, anyways?”
She flashes you a conspiratorial wink. “New boytoy.”
“Ew, seriously? Jake?”
“Hey, it’s not that deep. He gets around, too, doesn’t he? Friends with benefits, no strings attached, etcetera.”
“Famous last words, honey.” You start pulling out your art supplies, chewing on your lip as you consider whether to ask her what you’re dying to know. “... So, what do you know about Jay? And do not tell Jake about any of this, Yunjin, I swear.”
“We’re really not close like that, babe, and I’d never betray your trust for dick.” Yunjin puts her hand over her heart solemnly.
“I want you to know that I’m throwing up in my mouth.”
“Noted.” Yunjin sticks the pencil she was using in her hair, then leans back and hums thoughtfully. “Now, Jay… I know what everyone knows about him, I guess. Good guy, nice family, kind of detached, if I had to say so? Not in a bad way, though. I just mean that he seems to hang out with his friends and that’s pretty much it. He’s involved in a bunch of stuff on campus like you are, but I know he had to pull back recently because one of his parents had a health thing— oh no, I can tell you’re already Cinderella-ing.”
You huff. “Jake is so annoying for that. What do you mean, Cinderella-ing?”
“You feel bad for him and now you want to help him!”
“I already agreed to help him, if he helps Mark Lee get a girlfriend, first.”
“Wow, he must really need your help if he’s willing to do that.”
“Funny, he said he isn’t sure if he needs my help, yet.” You shrug. “He’s confusing.”
“Oooh, but you’re interested, aren’t you?” Yunjin peers closer at you. “Oh my god, you whore! You want him!” 
“Yunjin!” You shush her, cognizant of the other students around you. “I’m just curious, okay? I wanna know what I’m getting myself into.”
“Sure, sure. I believe you!” Yunjin insists, looking entirely unbelievable. “That’s not surprising about Jay, though. His family is, like, super family-oriented. Introducing them to a fake girlfriend seems like it wouldn’t go well, so it makes sense that he’s hesitant about it. You should ask him for more details when you guys fuck—”
You cut her off with a hand slapped over her mouth. “I’m going to murder you in your sleep.”
Yunjin laughs underneath your hand and flicks you off. “But seriously, the rumor is that he’s never dated anyone in college because his parents had the perfect college romance and want the same thing for him, and he’s always been too busy being the prodigal son and heir apparent for true love to just, like, fall into his lap. Despite the valiant efforts of many girls on campus,” she finishes dryly.
“That’s… a really detailed rumor.”
“Chaewon’s little is obsessed with him, so I’ve heard it a million times.” 
You both cringe. Chaewon is far too nice to say it, but her little is stuck in a phase of boy mania so all-consuming it borders on clinical.
“Enough about boys; how’s it going with the portfolio?” Yunjin nudges her chin towards your empty canvas.
You sigh. “Pretty good, except for the human portrait part. It’s really not my thing, but Professor Song was so adamant that I try to include at least two of them by the end of the year. I did one of Jake already, but he doesn’t know, so it’ll be hilarious to see him cry at the senior showcase.”
“Oh, he’s totally going to lose it,” Yunjin agrees. You stay silent on the curious display of knowledge she just exhibited on your brother’s behalf. “Who are you thinking for the other one?”
“Beats me. I’d use my parents, but that feels a little bit too on the nose, especially after the one of Jake. It’d be weird to ask our friends, right?”
“Not really, but your portfolio theme is family, isn’t it? Very sweet of you to think of us as family, but then you’re talking about an entire group of people.”
Instantly, you shudder. “That’s way more than two humans. Love you guys, but no thanks. I’ll figure something else out.”
Yujin smirks at you. “If you and Jay date and fall in love and get married, you’ll be family, and then you could do one of him.”
“That is so not the solution!”
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You don’t hear from Jay until a week later, at which point you figure he has given up, so you’re shocked to find him at your door again. 
“Morning, Cinderella,” is all he says to you before handing you a cup.
“Good morning,” you return, too dumbfounded to say anything else. “What’s this?”
“Coffee. Large iced Americano, no water, four shots of espresso,” he recites. “I got Riki to text it to me,” he admits quickly.
“I appreciate it, but what’s this for?” You narrow your eyes at him. “You can’t possibly think that one of the favors I’ll ask from you is coffee, right? I’m not that easy, Park.”
Jay looks offended. “Hey, you let Sunghoon buy you bubble tea!”
“Yeah, but he was really pathetic about the whole fake-dating thing.”
“... Fine, I’ll give that to you. That does sound like him. But no, this is because I wanted to ask you something, and I figured I’d take up the time that you usually schedule for getting your coffee.”
“Ooookay. So, what’s up?” You start on the walk to the library, and he’s quick to fall into step beside you.
“I’ve been thinking about how to help Mark with his crush, and I have the perfect idea, but I need your help.”
“You need my help to help Mark so that you can get my help for yourself?” It sounds absurd coming out of your month, and before you can stop yourself, you blurt out, “Wow, try saying that ten times fast.”
A surprised laugh erupts from Jay’s chest. “That was corny as hell,” he says, but he’s still laughing, high pitched and delighted. Laughter transforms his whole face, his eyes slipping into crescents and his nose scrunching with the force of his happiness, and you’re left dazed looking at him like that.
“Don’t tell anyone you witnessed that. I know where you live,” you threaten him half-heartedly. It really doesn’t carry much weight when you’re beaming in response to the mirth in his expression.
He stops laughing to grin at you, still bright and lovely. “Yeah, right. Who’s been coming to whose front door?”
“You don’t think I could walk across the street? I’m there all the time, Jay. So many people in that house owe me; it’d be a piece of cake to get your room number.” You say this with a stupid smile still on your face.
“Right, consider me properly frightened.” The wattage of his grin finally turns down a couple of notches, giving you room to breathe properly. “So, about Mark,” he starts.
“Yeah, this just sounds like more work for me,” you respond skeptically.
“Hear me out, okay? Mark has all these love songs written about this girl, and I found out that she always eats lunch at the same table at the same time in the dining hall on Tuesdays, so I figured he could play one of his songs over the dining hall speakers and then confess to her.” Jay makes little jazz hands at the end of his sentence, and it prompts a giggle out of you.
You have to fight your smile down when you speak. “A couple of things. One: that is so incredibly over the top for a confession, but sure, I like your spirit. Two: there’s no way Mark is slick enough to pull this off. Which leads me to three: what do you need from me?”
Jay nods. “Exactly, Mark could never do this on his own, which is why I’ve enlisted a bunch of guys from the frat, and you, of course.”
“Me, of course?”
“Sunoo and Jake are going to sweet-talk the lady at the dining hall who has the keys to the staff office with the dining hall audio hookup and microphone— she loves Sunoo, and Jake will flash her the ol’ puppy dog eyes to keep her sufficiently distracted. Heeseung will walk past and swipe her keys, and Jungwon is going to make sure that Mark’s crush is actually in the dining hall at the right time. Chan is going to apologize on everyone’s behalf if this goes wrong.”
You tut. “Poor Chan.”
“It’s his presidential duty, god bless.”
“And where do I fit into this?”
“You and I need to hold Mark’s hand, figuratively, and keep him hyped up enough to actually go through with it. He agreed to the plan, but I can totally see him chickening out again, which is why Sunghoon and Yeonjun are also going to stand guard outside the staff office so he can’t escape.”
“I feel like you could hold Mark’s hand on your own,” you argue, but you don’t really mean it. This sounds so chaotic and harebrained that you would normally want to stay a mile away from it, but Jay’s enthusiasm and seriousness about it is rubbing off on you. Plus, it would be nice to see one of your fake boyfriends actually succeed in their love life.
“He has two hands, and I can’t hold them all by myself because I have to operate the audio hookup,” Jay proclaims solemnly. “And I said figuratively! He trusts you, clearly, or at least he trusted you enough to be his fake girlfriend.”
“I come highly recommended,” you intone dryly. 
“And he trusts me enough to go along with the plan, so I think we’re the best suited to be his moral support,” Jay continues, ignoring your smartass comment. 
“This is a ridiculous plan, Jay.”
“So you’re in? Oh, wait. Are you free at 12:30 today?”
You stop to check your planner and confirm that you are. “What would you have done if I wasn’t?”
“Reconfigure the time-space continuum so you could be in two places at once. Mark’s future happiness depends on this,” Jay insists.
"I see what you mean about getting overly invested in challenges really easily… Alright, text me where I should meet you later, then?”
“You got it. Have a good day, Cinderella!” He yells this part as he jogs away from you. 
“Stop calling me that!” But you can’t remember the last time you smiled this much this early in the morning.
Hours later, you smile instinctively upon seeing Jay’s name pop up in your notifications.
jay: coast is clear. meet me outside the dining hall staff office in 5 minutes. operation is a go
you: omw, 007
jay: stop ur making me blush
you: fr?
jay: no this is just banter
you: omfg mark just texted me to say that ur actually blushing
jay: im going to end him. after he gets a gf, ofc
“Hey,” you whisper in Jay’s ear, making him jump. 
“Holy shit, how’d you get here so fast?”
You shrug, jostling his shoulder as you’re pressed up against him in the tiny recessed alcove across from the staff office. “I’m a fast walker. Places to be, people to see, you know? Speaking of…” You motion to the open office door. “Should we go inside?”
Jay clears his throat. Up this close, he can count the eyelashes that flutter against your skin. “Yeah, Mark’s already there. I’m surprised he found the composure to pop his head out and see me, or text you, honestly. He’s been a nervous wreck since this morning. Oh, finally, way to be on time, losers!” Jay beckons Sunghoon and Yeonjun closer from down the hall.
“We’re fine; Jungwon says Mark’s crush hasn’t even sat down at her table, yet. Hey, how are you? Long time no see.” Yeonjun flashes you a smile.
“Committing questionable acts in the name of love, you know, just living the dream,” you joke. “How’s your mom?”
“Great! She still asks about you. By the way, if I had known being a little more pathetic would get me this level of commitment,” Yeonjun gestures around him, “I would’ve asked for a real girlfriend, too.”
“I’m told I was pretty pathetic, and even I didn’t get this kind of treatment,” Sunghoon reminds you.
You pat his arm consolingly. “Maybe if you had Jay on your side, buddy.”
“Yeah, what the hell, best friend?” Sunghoon eyes him accusingly.
Jay pats his other arm. “Sorry, I have ulterior motives with Mark.”
“Oh, so now Mark gets a girlfriend and a secret male lover?”
Jay scoffs. “Not those kinds of ulterior motives, but please. As if Mark could bag me.”
“Ladies, ladies, there’s plenty of Jay to go around,” you say placatingly. 
“Guys, I’m freaking out in here!” Mark wails from inside the office.
“Fuck, Jungwon said she’s sitting down now. Go!” Yeonjun pushes you and Jay towards the office.
In quick order, Jay gets the audio hooked up to Mark’s laptop, and he starts the song. While Mark hyperventilates between the two of you and you actually do share in the holding of his hands, Jay finds himself staring at you as you try to encourage Mark. You really are quite kind— he doesn’t think many people would have agreed to be dragged into this silly scheme, but here you are, throwing yourself into it wholeheartedly because there’s a chance it might secure Mark’s future happiness. 
The sun reaches its highest point in the sky just then, streaming in through the windows behind you and drenching you in golden light. Jay’s not sure if he’s nervous about getting in trouble for this or if he’s just been looking at you for too long, but he can feel his heart stuttering in his chest. It’s positively outrageous how pretty you are.
“Bro, what the fuck do I say?” Mark hisses, interrupting Jay’s very important investigation of the color of your eyes. “The song is almost over, please, you gotta help me!”
“Just tell her how you feel,” Jay offers. It’s not his best attempt at advice, but he’s distracted by the way your hair brushes against your neck. 
Mark splutters and fumbles and curses under his breath, but then the song is over, and Jay is turning on the microphone for him to speak. “Um, hey, so, yeah! Yeah. Uh, I’ve liked you for a long time… which you can probably tell, because of the song and everything.” Mark giggles nervously. “There’s, like, at least five more where that came from. Because I like you a lot, but I’m not great at talking in person, so I wrote all these songs, and oh god, this is super weird, isn’t it? I’m sorry if it’s weird, I just, well, I wanted to tell you. What I feel for you is so big I think I might explode; it makes me lose my mind and my breath and my ability to speak, and it leads me to do stupid stuff like this. And now you know. Okay, cool!” Mark reaches over and slams his hand to turn off the microphone. 
You and Jay share an exasperated look over Mark’s head.
“Mark, you didn’t even say who the song is for,” you remind him. 
He pales. “I didn’t?”
“Or who it’s from, but I think that part is pretty obvious,” Jay sighs. “Just text her right now, and tell her it was from you, and ask her out!”
“What? No, I can’t do that, I think I’m gonna be sick,” Mark moans.
You roll your eyes. “Mark, do it right now, or I’m telling your mom you cheated on me.”
“What? But I didn’t! And we weren’t even dating for real! And I just told her we broke up!”
“Right, I’ll say we broke up because you cheated on me.” You stare him down. “Seriously, I’ll call her tonight.”
“Nonono, I’ll text Mina, okay? See, I’m texting her right now.” Mark pulls out his phone and types frantically. 
Jay throws his arm around Mark’s shoulder, using the leverage to hit the send button on his phone. “See, that wasn’t so hard!”
“I need to go walk into traffic,” Mark declares. 
You smile breezily at him. “Sure, whatever. Love conquers all!” Behind his back, you and Jay high-five.
Jay says you should have dinner to celebrate Mark and Mina’s new romance (ignoring Mark’s pained “What romance? I’m dying.”), but you tell him that you’re volunteering at the community kitchen that night. Jay doesn’t miss a beat. “Sure, I’ll be there. We should talk about my thing, anyways.”
That’s how he finds himself in a hairnet and disposable gloves that night, making funny faces at the head of the community kitchen’s daughter, who’s running around underfoot. He’s been put in charge of chopping vegetables, while you’re stirring a huge pot of stew at one of the stoves.
“Watch your fingers,” you scold him half-heartedly. He’s devastatingly cute like this.
He has the audacity to wink at you. “I know my way around a kitchen, don’t worry.”
“Very cool, trophy husband.”
“What, no more 007?”
“Depends on the outcome of Mark’s text to Mina. Did you hear anything from him?”
Jay scoops up his vegetables into a large bowl and brings it over to you, nudging you aside with his hip so he can add the vegetables to your pot. “Not yet, but I don’t have him freaking out in my messages either, so I’ll take that as a win.”
You let him take over the stirring and turn around to lean against the countertop. “Cute hairnet,” you quip.
“Thanks. You think they’ll let me take it home?” he jokes. 
You nudge your chin in the direction of the little girl giggling at Jay. “I think she wants to take you home.”
He winks at her, then lowers his voice so that only you can hear him say, “She’ll have to get in line.”
You swallow and wonder if the stove is turned on too high. “Right, so what’s your thing about?”
“Later, yeah?” Jay gestures around you, and you suddenly remember that you’re in the middle of a busy kitchen, with everyone hustling to get ready for the dinner service starting in half an hour. 
You spring into action again, embarrassed at how easily you’d been absorbed into conversation with Jay. Something about the way he talks to you makes you feel like you’re the only person in the world— he’s always so attentive, nodding and responding to your every comment. You have to wonder why he hasn’t dated anyone seriously in college; he seems like he’d be the dream boyfriend. Hypothetically.
He only proves this point further when he reveals two containers of mac and cheese that he had picked up before getting there, which he microwaves for the two of you to eat after the dinner service is over. You turn on the lights in one corner of the cafeteria and sit at the only table that’s still left out: a children’s table where you have to balance precariously on seats that are too small for you. But it’s entirely worth it, knocking knees and elbows together, laughing too hard for what the situation warrants.
“I would’ve made you something myself, but I didn’t want to use up the kitchen’s ingredients,” Jay comments off-handedly.
Your heart glows in your chest. “That’s really thoughtful, Jay.”
He smiles and scratches the back of his head, suddenly shy. “Nah, it’s common sense, right? Come on, eat before it gets cold.”
Right then and there, Jay learns that he loves to watch you eat. You make exaggerated faces and ooh and ahh over something as simple as mac and cheese from the 24-hour diner down the street, and he finds himself itching to make something with his own two hands that will make you react like that. 
When you’re done eating, you sit back and sigh in satisfaction. “That was exactly what I needed. Now, tell me about your thing— what kind of mess have I gotten myself into?”
Jay hems and haws for a good minute before finally telling you about his parents’ upcoming 50th wedding anniversary. “It’s a little complicated because they had this, like, fairytale relationship, and of course I’m happy that they’re still so in love all these years later, but it’s kind of… a lot to live up to. Not that I’m complaining, because they’re awesome, but I don’t have that kind of relationship with anyone yet, so I haven’t brought anyone home to them.”
“So the rumors are true,” you mutter under your breath.
Unfortunately, Jay seems to have heard you. “What rumors?”
Flushing, you explain what you’d heard from Yunjin, who had heard it from Chaewon’s little. You’re quick to add, “I wasn’t asking around about you or anything!” 
Jay just smirks at you, something wicked and slow that only contributes to the heat in your cheeks. “I didn’t say anything.”
You hesitate before speaking up again. “So, if you don’t mind me asking… How come you haven’t dated anyone long-term in college? You’re, you know, perfectly okay to look at.”
Jay deadpans at you. “Wow, thanks, that really means a lot to me.”
You let out a huff of a laugh. “Shut up, it’s not a secret that you’re hot.”
Jay’s eyebrows shoot up, and you swear to god, he blushes to high heaven. “Th-Thanks.”
“Mm.”
It’s silent for a few long moments, then Jay clears his throat. “If I’m being honest, I haven’t dated anyone long-term in college because my parent’s relationship is a lot to live up to, and it’s not like I have a ton of time to find my perfect life partner in between everything else.”
“Ugh, tell me about it. Yunjin tells me I should try actually dating again, but it’s kind of a lot, right? Putting in the time and effort to get to know someone from scratch, when you’re not even sure how it’s going to pan out? And you’ve seen my calendar.” You laugh quietly. “And, honestly, I have this problem with dating where I get bored pretty easily.”
Jay leans forward, pushing into your personal space close enough to count your eyelashes, again. “Are you bored right now?” 
“No,” you answer, although you’re not sure why he’s asking. “Um, so, why do you need a fake girlfriend, then? I don’t think it’ll pass muster with your parents, if they want you to be in love for real.”
Jay fidgets with his fingers on top of the table. “Yeah, it’s kind of stupid, to be honest. My dad was hospitalized for a month last year, and it really shook us all. My parents are on the older side, and I’m their only child, and, well, I’d like to make them happy while they’re still around. Sorry, that was morbid. And I know it’s not like we’d be doing this forever, and it’s wrong to fake it, but still. They’d be overjoyed to see me in a relationship. I want to give that to them, even if it’s only twice.” He tells it to you like it’s a secret, and your chest caves in with the force of his sincerity.
“I don’t think that’s stupid. It’s sweet, Jay, really.” You reach out and still his fingers. “Listen, you know I’m really good at being a fake girlfriend, right?”
“You come highly recommended,” he mimics you from earlier, mouth quirking up in the beginnings of a smile. It lifts the atmosphere slightly, and you’re glad for it.
“Right, so don’t worry. Leave it to me. Your parents won’t suspect a thing,” you promise. “When’s the anniversary celebration?”
“Six weeks.”
You pull out your planner to start scheduling. “Great, so you can send me information about yourself, and I’ll do the same for you, and then we can find time to meet up and quiz each other about it and get our answers on our relationship straight—”
Jay’s hand lands around your wrist, stopping you from writing further. “Not that I don’t appreciate your… efficiency, but I don’t think that’s going to work. Like you said, my parents want to see a true relationship, and I don’t think flashcards are going to cut it. How about we just… get to know each other?”
You blink. “What, like daily one-on-ones, or something? Office hours, but just for each other?”
He bursts out laughing. “Oh my god, you’re serious, aren’t you?” He lets go of your wrist to hide his face behind his hands as he continues to laugh, which makes you smile despite yourself. He’s so goddamn cute.
You decide to humor him. “What do you suggest, then?”
“As much as I would love to monopolize your time, I don’t actually want to take up any of the precious few free spots on your calendar. You need to set aside more time for yourself, by the way. But for now, how about you give me the thirty minutes you schedule for getting to Nat’s and then back to campus every day? We can get to know each other then.”
“You want to walk me to the coffee shop and back?”
“Among other things.”
“… Such as?”
“Just you wait, Cinderella. I’m going to sweep you off your feet so hard, you won’t know what hit you. I’ll be the best fake boyfriend you’ve ever had.”
In the dim light of the after-hours cafeteria, with his long legs stretched out on either side of yours and the soft crescents of his smiling eyes twinkling at you, you’re inclined to believe him.
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Jay keeps his word. He shows up on the sorority house’s porch every morning, backpack slung over his shoulder and hands in his pockets at 7:45am. He doesn’t even have class until 11am (you know because you asked Yunjin to ask Jake), so his dedication impresses you. Sometimes, you’ll watch him approach the house from your window, bopping his head along to whatever he’s listening to in his earbuds. 
When you open the door to greet him, he always smiles sleepily at you and reaches out to grab whatever’s in your hands (usually art supplies or heavy reference books for your thesis). It’s a small gesture, but it shoots through your cotton-candy-soft heart as true and straight as an arrow.
Most mornings, the two of you will chat about anything and everything, swinging from homework to Greek life drama to pet peeves to Mesopotamian history. Occasionally, you’re both tired from your busy schedules and just end up sharing his earbuds, listening to something slow and soothing. More and more often, you find yourself stuffing supplies and books into your backpack until it’s grossly misshapen, just so Jay can have his hands free to brush against yours on the walk to Nat’s.
It’s not just the coffee shop, either. Suddenly, he’s everywhere in your life, as if someone had penciled in his name as one long continuous block in your calendar. He comes to the library with you, and you work on your assignments in companionable silence. He’s now a regular volunteer at the community kitchen, and he’s helping them design a new menu for the colder days coming soon. He even shows up outside the studio art workshop, bringing you takeout when you’ve forgotten to eat. At parties, the two of you dominate beer pong, with him bouncing balls off of his bicep into the cups just to make you fake your fawning adoration at him. He doesn’t have to know that it comes easily to you, especially when he’s constantly looking at you the way you know you look at beautiful works of art.
“If I didn’t know any better, I’d think you were actually courting me,” you comment thoughtlessly one day. You’re perched on the kitchen counter at the frat, watching Jay make ramen for the two of you. It’s almost three in the morning, and neither of you should be awake, but there’s something special about the quiet privacy afforded by the strange hour.
Jay forces himself to keep stirring the pot like usual. If he’s being honest with himself, he doesn’t know any better, either, but he doesn’t want to look too closely into that at the moment. Instead, he opts to flirt. “Wouldn’t you like to know,” he murmurs.
“Yeah, that’s why I said it, smartass.” But you let him off the hook, now preoccupied with reaching over to re-tie his apron.
“Ooh, ramen!” Jungwon’s face lights up as he walks into the kitchen, led by his nose. He looks like he just woke up, rubbing at his eyes with the ends of his sweatshirt sleeves. You have to stop yourself from cooing at him.
“What are you doing up so late?” Jay scolds him gently.
“Oh, hey, Dad. Hey, Mom. I just woke up; I had a weird dream.” Jungwon nods at you both and takes a seat at the kitchen island.
You gape at him. “What?”
Jungwon blinks a couple of times, looking more alert by the second. “Oops. Did I say that out loud? Sorry, Niki’s been rubbing off on me.”
“Niki calls us Mom and Dad?” You’re not sure if that’s sweet or weird.
“As a joke! In a jocular manner. Jovially.” Jungwon throws up a peace sign, as if that helps.
“I’m glad to see the English degree is paying off,” Jay remarks dryly. He looks like he took the Mom-and-Dad thing much more in stride, except for the tips of his ears, which burn red. It’s a dead giveaway that makes you smile fondly, because it’s so him.
“Will you make some more ramen?” Jungwon bats his eyelashes at the two of you.
“See, it works much better when Jungwon does it,” you tease Jay.
“Can’t argue with you there, honestly.” Jay puts another pot of water on the stove to boil. “You should have more than just sodium and carbs, though,” he tells Jungwon.
You nod, hopping off of the counter to rummage through the fridge. “Yeah, you don’t eat enough vegetables. Maybe that’s why you’re having weird dreams. Aha!” You emerge triumphantly with a salad kit.
Jungwon laughs. “And you wonder why Niki calls you Mom and Dad.”
Jay scoffs. “That’s just because he hasn’t met Chan.”
“Fair enough. What are you guys doing here so late, anyways?”
You pause in assembling the salad to point a salad tong at Jay. “This guy just follows me everywhere.”
“We’re in my frat house,” Jay retorts. 
“I could be here for someone else,” you argue. 
Jay’s gaze pins you down, warm and earnest. “You’re not, though.”
You smile at him. “No, I’m not.”
Jungwon coughs. “Get a room.”
You reach over to ruffle his hair. “You’re standing in it.”
The three of you eat your ramen and salad in silence for a bit, all falling victim to varying degrees of sleepiness. Without noticing it, you’re scooched up next to Jay, shoulders and knees and ankles pressed together in one long line of comfortable intimacy.
Jay thinks about Jungwon’s question as he slurps at the noodles. What are you guys doing here so late? The answer almost eludes him. These days, he finds himself drawn to you like a magnet, pulled in by forces far stronger than himself. 
He remembers that the two of you had been doing work in his room after the main library had closed, and you had fallen asleep on his bed at some point, a sketchbook dangling from your fingers. He had spent a ridiculous amount of time admiring your sleeping form, indulging in his favorite pastime of counting your eyelashes and resisting the urge to lay beside you. Eventually, your stomach had woken you up, and he insisted on making you some food, even if it wasn’t as nice as he would have liked to do for you. Now, looking at you chatting and joking with Jungwon, Jay feels his heart expanding into his lungs. You fit into his life so perfectly, and he’d like to think that he fits into yours, too. It’s almost too good to be true— could this be what his parents started with? 
When you’re done eating, Jungwon waves the two of you away, insisting that he should do the dishes since you cooked. You’re not about to argue with that, so you pat him on the shoulder before following Jay back up to his room. 
“He’s a good kid,” you tell Jay as you hop on his bed again, grabbing your sketchbook to pick up where you left off.
“He is.” Jay tuts at you. “And you should go to sleep.”
“I will, I will, just let me finish this sketch, okay? Besides, I don’t see you turning your laptop off, either.” You jut your chin out stubbornly.
Jay glances at the Wikipedia rabbit hole he’d been going down before your stomach had growled loudly an hour ago. He’s done with his work for the day, and he had just been keeping you company for the last two hours. “I have super important, time-sensitive work to finish,” he lies solemnly.
“Jay, I can see that you have the Wikipedia page for sinkholes open.”
He slams his laptop shut. “Actually, I’m done,” he declares, flopping down on the bed beside you. He turns his cheek from where he’s level with your stomach to look up at your hands moving across the page. “What are you working on in there?”
You make a displeased face. “People. I have to do one more human portrait for my portfolio, and it’s driving me nuts. Here, this one is of you.”
Jay lifts his head, astonished to see himself reflected back on the page. In smooth, sure strokes, you’ve captured him in tender detail: strong jaw, sharp eyes, and mouth twisted in concentration, probably from earlier when he’d actually been doing work. Jay’s jaw works as he struggles to figure out what to say. He’s unbelievably touched that you would draw him. “Can I keep this?” he asks finally.
“It’s not even done yet. And it’s not that good,” you warn him.
“It is to me. C’mon, please?”
“Maybe when I finish…” You trail off, swayed by the senseless patterns he’s tracing on top of your knee. “Which I won’t, if you keep distracting me.”
He smirks and stills his hand, looking like he’s about to tease you before he interrupts himself with a yawn. “Alright, goodnight, Cinderella.”
“'Night, 007.”
When he wakes up the next morning, he finds the lingering scent of your shampoo and a complete sketch of himself, now decked out in a tux worthy of James Bond. It makes him laugh out loud, and he knows he’s in trouble when he slides out a picture of him with his cousins from a picture frame to put your sketch in the frame, instead.
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Before you know it, the day of the Parks’ wedding anniversary celebration has arrived. You’re on a four-way FaceTime call, with Chaewon lounging on your bed as you try on various dresses.
Kazuha is more invested in asking you about your relationship than helping you decide what to wear. “I’m just saying, I think it’s interesting that you and Jay have been, like, glued together for well over a month.”
“We’re getting to know each other better, so we don’t mess up in front of his parents,” you explain for the millionth time.
Kazuha wiggles her eyebrows at you. “Suuuure. Why didn’t you just send him one of those scarily detailed questionnaires like you did with all the other guys you fake-dated?”
Chaewon motions for you to spin in the billowy dress you’re currently in. “Too beachy,” she decides. “But ditto to what Kazuha said.”
“It’s because she like-likes him,” Sakura sing-songs.
You stick your tongue out at her. “Grow up, will you?” 
“Forget about that— have you guys hooked up yet?” Yunjin demands.
“Yet? No, Yunjin, what the fuck,” you complain.
“Gross,” a familiar voice groans from Yunjin’s corner of the FaceTime. You, Kazuha, Sakura, and Chaewon all zero in on her square.
“Jake?” You exclaim.
Yunjin giggles and moves the camera to show Jake sitting at his desk in his room, wearing his nerdy glasses and hunched over a textbook.
“Did you guys just hook up?” Kazuha blurts out. 
“Gross,” you repeat.
Yunjin rolls her eyes. “Grow up, will you? And no, I’m just here because it was too loud at the house.”
The rest of you fall silent on the call, especially you and Chaewon, demonstrating how decidedly not loud it is in the sorority house.
Yunjin blushes and clears her throat. “Whatever. Hey, you should totally wear that sparkly navy velvet number! The one that cinches at your waist.”
You rummage around in your closet and pull out the dress in question to try it on. “This one?”
Sakura whistles. “Oh, for sure. Good eye, Jen.”
Yunjin blows her a kiss. “Of course, of course.” She points at you. “That’s the one, babe. You have, like, the sluttiest waist ever, second only to Sunghoon; you have to wear that.”
Sounds of agreement abound, except from Jake, who whines, “You guys don’t think I have a slutty waist?”
“You’re a whore in other ways, don’t worry,” you reassure him dryly. You do another spin for Chaewon. “This isn’t too much, though?”
Jake suddenly pops into view of the camera. “It’s a formal event, and Jay is going to lose his mind no matter what you wear, trust me.”
“That’s not the point,” you insist.
The girls respond in unison, “Yes, it is!” 
And you have to admit, the way Jay’s mouth stays open as he gives you the once-over a few hours later is gratifying, to say the least. For good measure, he does it again, letting his eyes linger at the dip between your collarbones and the curve of your mouth.
Molten heat spreads through you in response to his wandering eyes, ratcheting up in intensity when he smirks at you, purposeful and knowing.
You elect to check him out, too, knowing that you’re not the only person who can get flustered here. He cuts an unbelievable figure against the setting sun, leaning against his sleek black car, hands in his pockets and legs crossed at the ankles. The tuxedo he wears fits criminally well, emphasizing his broad shoulders and long legs, and you can’t stop yourself from wondering what he’d look like taking his tie off. On second thought, this may have backfired; you only find yourself feeling warmer the longer you stare at him.
Thankfully, he starts moving, coming up to the porch to hand you a bouquet of baby’s breath.
“Oh, good idea— should I hand these to your mom or your dad?” You ask, taking the flowers from him.
He laughs, surprised. You are too cute for his own good. “The flowers are for you, Cinderella. My parents and I are allergic to pollen, actually.”
“Oh.” You hold the flowers closer to your chest, giddiness touching you from head to toe. He got you flowers, even though he’s allergic. “Thank you, Jay.”
He hums and reaches out to tuck a piece of hair behind your ear. “Happy to do it. I saw the flowers in your room dying the other day. Go put them inside; I’ll wait out here. I can feel Chaewon’s stare drilling into the top of my head, anyways.” He looks up and waves at Chaewon, who’s hanging out of your window shamelessly.
She shouts, “Have her home by midnight, or she’ll turn into a pumpkin!”
“I don’t think that’s how it goes, but okay!” He throws her a thumbs-up.
Inside the house, you’re seized with the urge to splash some water on your face, just to calm yourself down, but that would ruin your makeup. Instead, you place the flowers in a vase of water and trust that Chaewon will bring them up to your room for you, after she’s done heckling Jay.
“Leave my guy alone,” you yell in her direction, pulling at his arm to get him down the stairs and to his car. 
“Your guy, huh?” Jay looks at you with uncontrollable fondness.
“Just for the night,” you say, but you don’t miss the way his smile widens at the way you don’t deny it.
Ever the gentleman, Jay opens the passenger door for you, helping you gather the ends of your dress and tucking them in under your legs. He remains crouched for a moment, looking like he’s debating with himself about something, and then he goes for it, leaning over and buckling you in.
When you raise an eyebrow at him, all he says is, “Precious cargo,” and then he’s shutting the door, leaving you flushing once more.
The car ride to his parent’s place is easy and comfortable, even with the charged atmosphere that lingers between the two of you. Conversation always flows like water with Jay; you’re debating the finer points of how to determine provenance for historical artifacts when you arrive. Guests are littered across the front lawn, conversing with each other but centered around his parents.
Suddenly, you’re nervous. “Do you think they’ll like me?” You ask Jay.
He looks at you like you’ve grown another head. “Are you serious? Of course they will. You’re you.”
You swat at his shoulder even as you smile widely. “Your unconditional faith in me notwithstanding, I’m serious, Jay. I want to be able to live up to this fairytale romance thing.”
He takes your hand in his, pressing a kiss to your knuckles. “Believe me, you’re a dream come true. Let’s go, Cinderella.”
You gulp and curse your thundering heart, but then you’re five feet away from his parents, and you’re exclaiming at how in love they look, all these years later. Jay’s dad is distinguished in salt-and-pepper hair, and his mom is all smiles when she tells you that you’re too pretty for Jay.
“Mom,” he whines.
“Oh alright, come here, my beautiful boy.” She brings him in for a hug and beams when he kisses her cheek. Your heart melts like ice cream in the summer; he’s a mama’s boy, through and through.
Jay’s dad asks, “So, how did you meet?” 
You open your mouth, prepared with your story. “I’m Jay’s friend’s twin sister, and then we kind of got caught in a scheme to help one of our other friends ask out the girl he liked, and we just got closer after that. Jay’s easy to like.” So far, it’s all true.
Jay doesn’t look like he’s faking anything when he continues, though. “She’s easy to love.”
“Way to one-up me,” you joke, but you feel like you’re floating, cradled by the buoyancy of the affection in his eyes.
“Seriously, she’s so smart it makes my head spin, and her heart shines brighter than the sun. She makes me laugh and work harder to keep up, and I’m lucky to just stand by her side. Being with her is the most natural thing in the world, like breathing, or my heart beating.” Jay doesn’t take his eyes off of you the whole time he’s speaking; he wants to commit every change in your expression to memory, from surprise to fondness to something deeper.
Jay’s dad hums approvingly. “Good work, son. You sound like I did when I met your mom.” He brings his wife in to kiss her temple.
“Enjoy the party, lovebirds,” she coos at you, and then they’re gone, off to greet other arrivals.
You’re frozen in place, with one hand still clutching at Jay’s like a lifeline. “We didn’t practice that,” you mumble.
He shakes his head and rubs his thumb over your cheek with his other hand. “No, we didn’t. Are you mad?”
“Mad? I think I’m jealous of your future girlfriend,” you say, forcing a laugh. It sounds wooden even to your ears.
He frowns. “Don’t do that.”
“Do what?”
“Act as if you don’t know how much I like you.” 
The world stops turning on its axis. “What?”
His gaze slips down to your mouth, tracing your cupid’s bow. “You heard me.” He turns hopeful eyes on you. “Do you… feel the same?”
Just like that, the world resumes its motion, and you can’t let him go a second longer without knowing how much he is loved. “Desperately.” 
He breathes a sigh of relief, and you think he’s going to kiss you— you need him to kiss you— but he hugs you close instead, lips hovering against your ear. “You have no idea how happy I am to hear that,” he murmurs.
“If it’s anything close to how happy I am, I probably have a good idea,” you laugh. You’re surprised at how quickly the burning urge to have his mouth on yours has tempered into something more grounded and permanent. 
“I have to go do something for my parents, but I think I’ll die if I have to leave you. Will you come watch?” 
You’d go anywhere with him. “Of course.”
He squeezes your hand. “Thanks, doll.” Against your will, your hand spasms in his. He giggles, delighted. “Duly noted.”
“Shut up,” you complain, but you follow him all the way to the tented dance floor set up on the grounds behind the house, only letting go after he kisses each of your fingertips in turn.
You’re surprised to see him pull out an eight-string guitar, and even more surprised when he explains to the gathered crowd that he’ll be playing the song from his parents’ first dance. They look perfect, swaying in the center of the floor, but you only have eyes for Jay.
You watch as his fingers pluck deftly at the strings, a romantic Spanish melody that barely reaches your ears over the rush of all your adoration for him. As soon as the song is over, he catches you in his arms, lifting you up and spinning you around twice before setting you back down, hands at home around your waist.
He asks if you want to dance. You teeter back on your heels, looking at the graceful curve of his mouth and thinking back to the nimbleness of his fingers. “Honestly? I want to kiss you. Really badly.”
He exhales and holds you tighter. “You won’t let me take you out first?”
“If you count the last few weeks, you’ve taken me out, like, a million times.”
“But a real date, doll. I want to cook for you, and we can get tea lights, and a picnic blanket, and— god.” Jay sucks in a sharp breath when you move his hands higher to cup underneath your chest. “You’re going to be the death of me,” he sighs, pressing his forehead to yours.
“I hope so. Stop being so nice, and take me to your room, please?”
Jay’s eyes flick heavenward. There’s only so much self-restraint left in him. “You win.”
And when he finally kisses you, pressed up against the door of his childhood bedroom, you nearly cry from how tender it is. He kisses you slowly, reverently, like you’re one of the saints from his history books.
“Sometimes, I think I’ve dreamt you up,” you confess to him. The words hang precious and delicate in the space between your lips.
“Let me show you I’m real then, yeah?” He presses a kiss to the corner of your mouth, then licks right into you, eliciting a gasp from the back of your throat. Your fingers find purchase in the soft hair at the back of his head, and you realize that you’ve been breathing the wrong air your whole life; the groan that passes from his mouth to yours is the only thing you want in your lungs from now on. 
Liquid desire pools in your stomach, rising until you think you might choke on it. “Jay, please.”
“Please, what? Use your words, doll.”
“Touch me.”
That’s all he needs to hear. Quicker than you realize it, but just as urgently as you need it, you find yourself laid out on his bed, and then he’s demonstrating that he knows more than just how to play guitar with those thick fingers.
When you make it out of his room an hour later, you’re still glowing with happiness. Jay knows he looks equally lovestruck, not least because his collar is hiding several lipstick stains from you. 
You offer to help him redo his tie, so he anchors you unnecessarily close to him, hands sweeping up and down your side. “I don’t think I told you yet, but you look really nice tonight,” he murmurs. “You look really nice all the time, actually.”
You bury your face in his chest. “I’m going to explode if you keep sweet-talking me like that.”
He presses his smile to the top of your head. “Nooooo, you’re too pretty to explode.”
“Jay!” But you’re both laughing, bathed in the soft magic of newfound devotion. You couldn’t dream up anything better.
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(Dating Jay is a lot like fake-dating Jay, as it turns out. In some ways.
In other ways, Jay still manages to take your breath away with new and inventive methods. He really does make you dinner, with tea lights and a picnic blanket, ensconced in the twilight of a park you drive an hour away to get to. He even makes foie gras torchon for the occasion, from scratch, and he watches you intently as you moan in delight at the taste. You joke about your breath being fishy when you kiss later, but he just shrugs, unbothered and already moving so that his head disappears underneath your dress, making you moan in a different way.
So, yes— there’s a lot more kissing, and sex, and intimacy that makes you want to curl up in a ball and hiss at how vulnerable it makes you. But Jay is always welcome in the prickly patches of your soul, and he wants those parts of you as much as he wants the parts of you that paint him in aching affection.
When he finally tells you he loves you that winter— in so many words, because it shows in his every action otherwise—, it’s three in the morning again, and your hands are fluttering across his brow, smoothing out the creases from a night of worrying about whether he’s really good enough to take over the family business. Your fingers, lovely and dear to him, stitch together the cracks in his self-resolve, and he can’t help but let the words out. His heart absolutely sings when you repeat the words back to him.
Some time later, you ask him to sit for a portrait for you. He doesn’t think too much of it, especially as the seasons bleed into one another and spring brings an influx of senior events, pollen, and the impending question of the future. He’s at your senior thesis, asking you detailed questions during the audience Q&A and wrapping you up in the biggest hug when it’s over, and you sit in on the final class he TAs, applauding when he’s done.
At the showcase of your final portfolio, his jaw drops when you reveal the second portrait (after having laughed his ass off at Jake blubbering over the first one and Yunjin kissing him in public to shut him up). 
The second portrait is of him, and his parents. From his dad’s strong brows, to his mom’s smile lines, to his own hands; every detail is captured, shimmering in loving light. 
He finds that his eyes are wet when you come up to him and brush your thumb against his  eyelashes, smiling brightly at him. “Do you like it?”
“I love it. I love you, so much, like crazy, you don’t even know,” he rambles, laughing through his tears now.
You kiss him quickly but firmly, just a reminder that your mouth was made to fit against his. “Love you more, London boy. Speaking of…” You lean back to stare at him through your eyelashes. “I got the Rhodes,” you whisper.
His eyes widen like saucers. “You’re coming with me?”
“More like you’re coming with me,” you say, knowing that Jay had requested to be placed at his family business’s England location to be close to you in the event that you got the scholarship.
“Obviously,” he relents without missing a beat. “I’m going to follow you everywhere. Can’t get rid of me now.” He dips his head to kiss you longer. Lightning still shoots through his fingertips, just like the first time, and every time after that.
At graduation, you tell him, “You know, I think I’ve decided what I want your favor to be.”
He smiles at you, familiar and true. “Yeah? What’s that?”
“Just love me, for a long, long time.”
“Easy, Cinderella.”)
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welcometoteyvat · 9 months
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tags: fluff(?); lyney x gender neutral reader; very vague spoilers for the motifs present in lyney’s story quest (no plot points spoiled)
there's a little bit of magic falling in love with lyney. every day he has a new trick to show you—a sprig of baby's breath miraculously tucked into your collar before you head out the door, an elegant watch magicked onto your wrist right before your disbelieving eyes. When you ask him what his secrets are, Lyney just laughs, like a bell in the light spring breeze, and kneels down to kiss your hand. "A magician has to keep some of his secrets, my love! After all, you already know a fair few of them." Oh, what a tease—just as silver tongued and charming as the first time you met. “Aw- please, Lyney, don’t you trust me with your truths?” You half smile and half pout, arranging your features into your best pleading expression, and you can see your great magician giving in. 
"Ah, alright," and he's tapping his chin in mock thought, eyes twinkling, "since you asked so nicely, I suppose I can show you a couple more tricks, as an apology for my insincerity." Lyney winks, his serious act dropping in a flash, and you laugh as he pulls you towards the plush velvet couch. After he’s sure you’re comfortable, Lyney grows serious again, and you know the real show has begun. He pulls chocolates out of prop cards, bouquets from his hat, and, at your request, promises to pluck the stars from the sky to decorate your dreams, as a reminder of his love. His breezy solemnity makes you laugh, but you wouldn’t doubt Lyney’s word. It’s so easy to love him, and almost as easy to believe his magician’s world of dazzling stunts and marvelous tricks. But underneath all his glamorous charm and beyond the brilliant light of his performances, the hand that holds yours is quite warm, quite solid, and quite real. So too is his quiet admiration when you talk excitedly about your passions, and his eagerness to learn about your world. When you're together, there are no facades obscuring his earnest fondness for you—it’s one of the few truths of Lyney’s life. He hasn’t yet told you many things, but you don’t seem to mind as much as he expected. Smart as you are, you’ve already guessed at some of his secrets, yet you still place in him all your faith, all of your affection. Someday, maybe he can also learn to give himself wholly—without reservation. After all, you are one of his unwavering truths, and him? He’s your fantastical, wondrous everyday magic.
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genericpuff · 7 months
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hey, hope you're doing well!
I've been re-reading LORE | REKINDLED from time to time everytime a new chapter comes out, it's just something I've been in the habit of doing incase I pick up anything that might've flown over my head the first time and also because your artstyle is just very nice to look at
Though I was wondering, if the gods can teleport, what is the use of cars for? Hades teleported back home and let Charon take his car back which became the inciting incident for Persephone to end up in the Underworld. Is it for carpooling? Just to show off status and riches? To keep up with modern trends?
I hope I didn't come off too strong with my question, it was just something that popped into my mind while I was rereading. Your rewrite is extremely fascinating and I'm excited to see how it continues!
Ouu I've been waiting for someone to ask this! >:3
Olympus and the Underworld differ in how they operate. Olympus has many gods who are revered and worshipped, and as such their society was largely built on the relationship between gods and mortals through the offerings made by humans and the boons given by gods.
The Underworld, on the other hand, couldn't depend on such gifts as many mortals don't worship them in the same way as Olympians - rather, they're feared and whispered about, with the common belief that to speak the names of the Underworld gods would be to invoke death and chaos.
So, to ensure that the Underworld could still develop, Hades had to build the Underworld through the exchange of goods and services (i.e. capitalism).
Shades have no need for economy. They're dead. So while some do wind up working for Hades in indebted servitude (specifically the beings who attempted to bargain with the God of the Dead), the majority of them are simply cast into Asphodel, Elysium, or Tartarus, depending on the judgment given by Hades, and live out the rest of their afterlives wherever they end up.
Through all this, Olympus and the Underworld have worked together closely to advance their respective realms at an even pace. Hephaestus has operated as a freelancer working as a middleman between the two, lending his skills to the technological advancement of the realms.
Satyrs and nymphs make up a large part of the populations in both the Underworld and Olympus (though for nymphs, there are certain restrictions as to where they can travel depending on their original form - not all nymphs can survive in the Underworld) so much of their respective societies were built around the inclusion of nymphs and satyrs as a result. Gods can teleport, satyrs and nymphs can't. As such, much of the technology present in both realms is for the benefit of satyrs and nymphs, including cars. It's why we see Hades driving a car in the first episode (as he was planning on picking up Minthe) and again when showing Persephone the rainbow bridge connecting the realms, but not when he's simply travelling around on his own. Satyrs and nymphs aren't so much "lower class" as they are just beings who don't have the luxuries of teleportation and flight like gods do - they still contribute and are acknowledged as residents of their realms by the gods who reign over them, so the gods have done their part to ensure that the nymphs and satyrs can exist within a functional society that benefits both them and the gods. Just like with the mortals, it's on the gods' shoulders to ensure their subjects can thrive.
Apollo is one of the few gods who uses cars as a status symbol as he has a very distinctly golden vehicle that makes it easy to identify him. He's very much trying to be seen (•̀ᴗ•́)و
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