#it only will apply when its useful to their argument

[sturniologals]

Make it up to you -m.s

☆ ★ ✮ ★ ☆ ☆ ★ ✮ ★ ☆ ☆

Dom!Matt x fem!reader

in which~ y/n had a crush on Matt but his friends/football teammates found out and teased you about it, he joined in on the teasing to hide the fact that he has feelings for you but six months later, you’re desperate for a ride to school and Matt is your only option.

warnings~ p in v/ unprotected (don’t be silly,wrap up your willy)/ use of baby, sweetheart, y/n, praise kink, cursing

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I stretched my limbs as I tried to peel my eyes open from my sleepy state. "y/n! Hurry up!" My mom shouted at me, afraid id miss the bus.

"Frickity frickity Frick" I mumbled to myself as I looked over at my phone and saw the time reading 7:15, my bus runs in literally like 7 minutes, theres no way I was gonna make it. I opened up my contacts and called and texted at least five of my friends in hope that I could get a ride from one of them but I failed.

I clicked on my last contact I was going to try and started to call my friend Nick.

She answered and her soft voice spoke "Hey y/n!"

"Hey Nick! Is there any possible way that you could give me a ride to school today?" She hummed to herself as she thought about it.

"im sorry girl, Matt took my car today. He has some thing after school but I can call him. He should be able to pick you up!" He chimes.

"No no no, id rather walk. Thank you tho." I say before we bid our goodbyes and hang up.

I meant that, i really would rather walk. Matthew sturniolo has been my biggest enemy since last year, when I first started high school and became friends with Nick. I had an obvious crush on matt even though he was a bit older. His friends found out because matt overheard me talking to Nick about it one time and his friends started to tease me about it and eventually matt joined in and ever since then, they make jokes and poke fun at me anytime I see them.

"y/n! Why are you still in your fucking pajamas?" My mom says angrily from my door.

"Mom its okay, matt is gonna give me a ride!" I spurt out quickly, just not wanting to get into an argument with her.

“Matt? oh! It’s been forever since you guys have hung out.” My mom says, her mood quickly changing to a more joyous one. I roll my eyes at her words and she tells me she loves me before she leaves out for work.

I stand up and put on a pair of black jeans and a dark blue body suit that accentuates my body perfectly. I finish straightening my hair, my luscious blonde locks flowing perfectly down my shoulders. I sit down at my vanity and apply a few makeup products, really just mascara, and a bit of highlighter. Mid way through my routine, i remember i haven’t called Matt yet. My hands start to tremble a bit as i scroll through my contacts in search of his name.

I reluctantly click the call button under his name and the ringing of my phone makes me shudder. After just two rings, he picks up.

“Y/n?” His deep voice grumble from the speakers on my phone.

“Hi Matt! Can you give me a ride to school?” I say peppily, not wanting him to give me any shit.

“I’ll be there in five.” He says before hanging up.

well, that was easy. i think to myself before spritzing myself with some perfume and slipping on my shoes. I grab my bag and walk through my house.

I get to the front door and see trey pulling in.

perfect timing.

The sight of Matts truck parked in my driveway makes me nervous. I push the nervousness down, pulling all of the courage i have out of me and I start walking down my driveway.

Once i step out of my door, he immediately steps out of his truck and walks to the passenger side and opens the door up. He stands leaning on the door, a small smile on his face.

why is he being so fucking nice?

“Hi y/n.” He says in a seductive voice while his eyes trail over my body. The way he’s looking at me sends a heat straight to my core but i try my best to ignore it. I shoot Matt a side eye and a nod of my head as i step up into his truck. He places his hand on my lower back for support as i climb into his vehicle which has me crossing my legs in the passenger seat. Matt looks at me with a hungry look in his eyes as he shuts the door for me and walks over to the driver side.

He climbs into the seat and takes a deep breath in before turning the key over.

“Thanks for picking me up.” I say in the most nonchalant way that i can.

“Yeah, i mean- you haven’t talked to me in almost 6 months so i was surprised you’d wanted me to.” Matt says while looking at me, our eye contact holding strong.

“I didn’t have any other choice.” I say with a shrug of my shoulders and i can see the pain flash in his eyes as i finish my sentence off and i immediately feel bad.

“No- I didn’t mean-“ I start to correct myself but he cuts me off.

“I get it y/n. I really do- don’t apologize sweetheart. I’ve been an asshole to you for so long and i let my friends make jokes and i’m just- i’m so fucking sorry. I was a coward because you made me- feel things.” Matt spurts out, his confession surprising me but making my heart skip a beat and my pussy convulse at the name he called me.

“Matt-“ I start to speak but he cuts me off yet again.

“Can you come to my football game tonight?” He asks impatiently as he starts to pull out of my driveway.

“Matt, you know i hate going to school functions.”

“Please” He says quickly.

“Okay, i’ll be there.” I say reluctantly. I don’t even really know why he wants me there but it seems important so i agree.

The rest of the ride is silent, just Matt glancing at me every few minutes and at some point his large hands made their way to my knee, slowly trailing up my thigh as i squirmed around in my seat, Matt glancing at my neediness but his hand never moved to my heat.

“Here you go sweetheart.” Matt says as we pull up next to the busy school entrance.

“Aren’t you coming?” I ask him.

“I’ll be here later.” He says with a small smile as he unbuckles my seat belt for me and walks around to open my door. His truck is raised high off of the ground but Matt is so tall that his head is still up to my level when he’s standing on the ground in-front of me. He puts his hands around my waist and picks me up out of his truck. I giggle as he sits me down on the ground. He chuckles and tells me he’ll see me later.

As i walk into school, all that’s going through my head is Matt.

the things he said to me were definitely more than ‘friendly’

why is he being so nice?

is this another joke?

the way his hands were all over me tho…

sweetheart?

why does he want me at his game tonight?

i made him feel things?

what things?

i spend the rest of my school day and the whole ride home and the whole time i’m getting ready for the football game also thinking about Matt. The thoughts about him in my head are inevitably erotic and i genuinely can’t help it.

My mom drops me off at the game and i pull at the tight shorts on my legs as i hop out of the car. I walk up into the bleachers and i find a seat that gives me a perfect view of the field. Matt comes out of now where and runs up to the fence that separates us.

“c’mere!” he says loudly, i can see his friends behind him starting to laugh and i get nervous and all of memories of them poking fun at me make me sick and i want to run out of there.

“y/n baby, i said to come here.” Matt demands in a soothing yet firm voice that makes me feel safe. His friends behind him starts staring and looking confused. I am too but i listen to try and walk over to stand over the fence. His eye black is starting to smudge and his hair is tousled perfectly and i’m so close that i can smell his manly musk.

As soon as i’m standing slightly over Matt, he pulls his hands up to my head and pulls me down to him and immediately shoves his lips onto mine. The feeling of his mouth moving over mine is something i’ve wanted to feel for so fucking long. I groan into his mouth as his tongue slips into mine and i can taste the saltiness of his mouth and i’m

craving more. I audibly groan when he pulls away, his lips swollen and pink as he runs back to the field. His friends just staring at him angrily and confused as he flips them off and walks down the field with a smile on his face.

what the fuck just happened?

and why is his whole football team staring at me?

Matt yells at his friends from across the field.

“hey! shitheads! stop staring at my girl and get your asses down here.”

I get butterflies at him calling me ‘his girl’ but then i remember the months of teasing he let his friends do to me and i wipe the smile off of my face quickly. Maybe i should let myself enjoy this tho?

Throughout the whole game, my internal monologue argues with itself. By the end of the game, i decide i want to give him a chance. I believe what he told me. Matt sweaty figure runs up to the fence at the end of the game, they won of course. I’m clapping and smiling at Matt, his eyes looking directly into mine. He puts his arms out over the fence and motions for me to walk over. I do so and he puts his hands on my waist and picks me up over the fence and pulls me onto the field. I smile up at him and he immediately kisses me again.

His friends and even his coach “oooo”-ing at us as he gives me a desperate yet gentle kiss.

“I’ve wanted to kiss you ever since you showed up to my house with your fucking sparkly pink jump rope for cheer practice almost two years ago.” he whispers into my ear as he pulls away. My face goes red with embarrassment.

“You played good.” I say with a proud smile.

He flashes his white teeth at me before one of his friends, jacob, comes up behind Matt. i sigh and immediately get nervous because jacob was one of the main people who teased me. Matt looks over at jacob with sharp eyes, as if he’s warning him to not say anything to me. Jacob just smiles at me. “I’m sorry y/n, i was a dick to you and owen for a long time.”

I nod with a small thin lipped smile.

“you wanna get out of here sweetheart?” owen says to me. I nod my head and he smiles at me as he takes my hand and walks us out of the stadium.

as we walk through the busy parking lot, murmurs from people in our small town are heard.

“ew he’s like- old as fuck.”

“didn’t he literally bully her?”

i block out the noise, Matt squeezing my hand as a sign of comfort.

We get into his truck and i immediately look over at him. “Matt. why?”

he looks at me confusedly. “why what?”

“why did you want me to come tonight?” i ask timidly. He laughs out loud and i grow confused.

“you’re oblivious. I wanted you here tonight so i could kiss you in front of all of the assholes who used to give you shit.” he says with a genuine smile of happiness as he rubs his hand up and down my leg.

“Oh.” I say quietly as it clicks in my head. “Oh!” i say once i get it.

“cmon sweetheart it’s late. i’ll get you home.” Matt says as he reaches over to buckle my seatbelt for me, his long fingers grazing over my chest. Butterflies erupt in my stomach and heat grows between my legs as owen starts his truck and pulls out of the parking lot. His hand is resting on my thigh and quiet music plays, my window cracked slightly allowing some of the cold friday night breeze to flow through the cab of his truck. Every smidge of cold air that hits my skin makes me shudder. My body is extremely sensitive to the touch right now. I look over at owen and his dark eyes are trained on his hand that’s resting on my leg. “you’re so beautiful y/n.” Matt says in a low, seductive voice as his thumb draws circles on my inner thigh.

“pull over.” I say nervously, trying to muster up all of the courage that i have. Matt smirks, knowing what i want as he pulls over by an empty desolate park by some trees that offer a good enough coverage. As soon as he shifts into park, i immediately swing my legs over his lap so i’m straddling. My lips are on his in a hot, sweaty and passionate kiss. The smell of sweat and grass still on Matt makes me impossibly needier.

All of a sudden- Matt pulls my face back.

“Patience baby.” Matt says with an attractive chuckle.

“you’re not gonna fucking tease me all day and then tell me to have patience Matt.” i say firmly as i slowly start to rock my hips back and forth on him, making him groan out.

“oh- don’t- god, y/n.” he says as he throws his head back and shuts his eyes in pleasure as his eyebrows knit together.

“Nuh uh, you owe me six months worth of apologies. You’re gonna be the one making me feel good, yeah?” i say deviously as i cease my movements. Matt eyes open up and meet mine, a smile playing across his features as he laughs and nods his head yes.

“i guess you’re right about that one sweetheart.” he says as he quickly puts a hand on my back and turns me so my back is against the passenger door of his truck as he pulls my ankles up to his shoulders. I groan out as i arch my back needily.

“calm down pretty girl. let me take care of you.” he says softly as he pulls my shorts down my hips. His eyes clench shut together for a second. “you’re so perfect.” he praises as he starts to kiss up my thighs.

“Matt…” i moan out as he gets closer to my core.

he starts to kiss over my clothed cunt before slowly pulling my panties down.

“you’re so soaked. all because of me?” he speaks seductively as i bring my fingers up to his hair and pull his head closer to my pussy impatiently. He laughs out loud before licking a stripe up me which pulls a loud moan out of me. His tongue moves against me quickly and skillfully, pulling more and more noises from me.

“Oh you’re doing so good for me sweetheart.” He says against my cunt before ducking on my bundle of nerves.

“Matt- i’m gonna-“ i pant out, unable to form a coherent sentence.

“Finish in my mouth, let me taste you.” he says, which sends me over the edge, screaming his name as his head gets squeezed between my clenching thighs.

I pant out as i come down from my high as owen continues to lick me clean like a starved man.

“good?” he asks with an egotistical expression on his face.

“i’ve had better.” i say sarcastically with a shrug.

“Yeah i bet.” he says as he pulls my shorts back up my legs for me.

I sit up straight and fix my hair in his mirror before i buckle my seat belt and Matt starts to drive again.

“y/n” Matts deep voice speaks out, diverting my attention to him.

“hm?” I hum out.

“I love you.” he says with a small nervous smile on his face. My stomach immediately erupts in butterflies and a smile forms on my face.

“I love you too.” I say as i intertwine my fingers with his.

[mikoran]

so when a character is gay putting them in a straight relationship is bad right. thats erasure yes we agree. now what if i told you guys that the same rule applies to aroace characters being shipped with people. that is erasure too

[nitunio]

sorry i got the 'cant talk properly and born in the era of most content on proper socialisation and talking being done by social gurus and corporates so now i talk like a corporate and people make fun of me for that' autism and not the quirky social autism

[soon-palestine]

Israel, the world’s most innocent country, fell victim to a horrific attack from Iran with zero reported casualties on the same day Israel killed dozens of civilians in Gaza.

Israel had been minding its own business, quietly bombing hospitals, schools, universities, mosques, and an embassy, when the Iranian regime launched their outrageous attack for no apparent reason. Thankfully, the US and UK scrambled jets to defend Israeli airspace because it’s wrong to bomb countries in the Middle East, unless your name is Israel, in which case you can do all the bombing you want.

Every British and American ship in the region is now in grave danger and the risk of terror attacks on our soil has surely increased, but you will be relieved to know our countries have not benefitted in any way from our intervention. Personally, I can’t think of a better way for Israel to spend our tax money.

Our leaders have condemned Iran in the strongest possible terms, which is confusing because I thought we were supposed to remain ambiguous and say we’re investigating the matter when such an attack occurs. Perhaps this is one of those rules that only applies to Israel though.

When informed of the attack, a calm and rational Suella Braverman screamed: “WAR! I WANT WAR!” and when she’d stopped hyperventilating, she added: “This must be the end of western backsliding on Israel,” because she thinks we have not been sufficiently supportive of their genocide. Anyone who is not on the same side of the argument as Suella Braverman must ask serious questions about themselves.

Iran’s unprovoked attack involved giving Israel adequate warning and launching 30-year-old missiles, 99% of which were intercepted, and then saying the matter is closed unless Israel escalates further. The fact Iran would consider retaliating to further escalation from Israel shows just extreme these lunatics are.

Among Iran’s targets was the Israeli air base from which the missiles that struck its embassy were launched, killing 13 on April 1. As of yet, we have no indication as to why Iran carried out the attack, but we’re going to tell you it’s because they want to start World War III. Psychos.

Conspiracy theorists have suggested it’s actually Benjamin Netanyahu who wants escalation, but it’s unclear why the man who faces political oblivion, and possibly jail, would be incentivised to draw his allies into the fight and cause everyone to forget his many war crimes.

Israel, the country that definitely does not want war, has vowed an “unprecedented” response against Iran which will probably kill many more than zero people. If Iran expresses disapproval at Israel’s next mass murder, it’s because they’re trying to destabilise the region. At this point, we’ll have no choice but to help Israel do to Iran what we’ve spent six months helping them do to Gaza - launch precision strikes that destroy 70% of the buildings in the country and leave survivors living in tents.

Worryingly, we’ve just discovered at the most convenient moment that Iran has enough uranium to build 12 nuclear bombs. If it were true that Iran had so much weapon-grade uranium, it would be incredibly stupid to attack them, but we’re going to insist we must attack them because we’re weapon-grade idiots - and we think you are too.

Please just switch your brain off and accept what you’re being told, you simpletons! What matters is rich people can afford nuclear bunkers if this all goes horribly wrong. In the meantime, you can look forward to lots of exciting stories in the media about bringing back conscription and describing how you are likely to die in humanity's final war. Are you looking forward to radiation sickness and nuclear winter? Because they sound like brilliant fun! x

Thank you so much for reading! If you enjoyed this outstanding piece of journalism as much as I did, you can support my work here:

[evie-sturns]

𝘵𝘦𝘢𝘴𝘦 - 𝘊𝘩𝘳𝘪𝘴 𝘚𝘵𝘶𝘳𝘯𝘪𝘰𝘭𝘰

summary: you've been pissing chris off all day, accidentally knocking his stuff over, purposely teasing him in public, to the point where he starts to get seriously mad at you to the point where he has to put you in your place.

warnings: smut, rough!chris, use of safe word, argument, swearing.

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I didn't know that what i was doing was affecting chris this much, I mean, today has just been like any other. I hung out with my boyfriend of 2 months, chris, the whole day with his brothers and friends.

he seem's to be extra on edge today, ever since i broke one of his cologne bottles.

(flashback)

hey chris, im just gonna head downstairs- SMASH

"oh fuck i'm so sorry i'll clean that up now-" i said, getting on my hands and knees and collecting the shards of black glass. "y/n just go downstairs, get out of my room please." chris spoke, glaring down at me. "i'm so sorry chris, i can buy you anothe-" i was cut off by him picking me up and placing me outside of his bedroom.

(present)

me, chris, nathan, nick and matt are sitting on the sturniolos couch as the sun sets through the window to our right, a dim light fills the living room as matt and nick have an argument, god knows what its about.

im cudding up to chris's side, my leg resting over his thigh as he scrolls on his phone aimlessly. ive been sitting here for about an hour, i think chris is still pissed about the cologne bottle incident. i hate to admit it, but chris when hes mad is the hottest version of him.

i move my leg from his thigh up to his lap, using my leg to rub him very softly through his sweatpants. he grabs my leg, pushing it off him "stop that." he whispers, shaking his head at me. "stop what?" i ask, a guilty smile tugging at the corners of my lips as i move my leg back to its original position, applying more pressure on his crotch.

right before he's about to grab my leg again nathan starts - "whos up for top golf!" he says, looking around the room with a smile on his face. "nate its late." matt speaks, leaning back against the couch.

"so you're boring?" nate tuts.

"fine, only if the others go though." nick says, standing up off the couch. "chris, y/n?" he says, looking at us.

im about to agree but chris answers for me "were staying here." he says, his tone angry.

i look at chris with a confused look, but hes back to scrolling on his phone. "well me, matt and nate are going, we'll be a few hours." nick says, grabbing his coat and phone.

matt and nathan follow nick out the door, giving me and chris a small wave before slamming the front door shut.

chris stands up, leaving me on the couch, he faces me "what the fuck is wrong with you!" he yells. "what?" i say defensively, moving back against the couch, my eyes widening from the sudden raise of his voice.

"what!!??" he mocks, before starting

"this whole day you've been on my last nerve, and I'm sick of it. You've ruined half the shit in my room then you start touching up on my dick in front of my brothers?"

my jaw is slack, in pure shock as he flames me, i can't help my attitude start to build up, i scoff "not my fault you've been sensitive and pissy all day, sorry that im clumsy today?" i bite back, rolling my eyes.

chris stares at me "you have no respect for any of my shit, youve gone and shattered my $450 cologne that nick got me and you expect me to be happy? pathetic." he yells.

a few tears drop from my eyes, i don't know why. his words aren't hurting me but he knows i can't deal with people yelling at me. my attitude keeps up though "if you're gonna be so sensitive go cry in your room christopher." i fold my arms.

chris storms out of the living room, slamming the door to the bathroom shut.

i wipe my eyes before standing up, running upstairs into chris's room. its already been decided that im staying the night here by nick, so i decide to get into my pyjamas.

i pull my shirt off over my head, revealing my white lacy bra which i especially wore for chris, i was expecting a different evening with us.

suddenly i hear the bedroom door open behind me, chris storms in before walking up to me, i swing my body around to look at him. he grabs me by my throat, i gasp loudly as he grabs me, throwing me down on the mattress.

i sink my teeth into my bottom lip as i look up at him, before pulling him down into an angry kiss. he pulls away, ripping off his shirt. "built up a bit of an attitude today haven't you?" he mumbles, yanking my shorts and panties off in one motion.

he reaches a hand under me onto my back, flipping me over onto my stomach.

he grabs my ankles, forcing me onto all fours. i whine, desperatly. "so needy aren't you." he says, yanking down his sweatpants. i look over my shoulder at him.

"hand behind your back." he demands, putting his hand out. i put my hands behind my back, chris grabs both of my wrists with one hand. holding them, forcing me to arch.

"chirs.." i groan, squirming slightly, his hand collides with my clit. "fuck!" i yelp, chris shushes me "why do you think you deserve my dick after giving me such an attitude today hm?"

he lines himself up with me, pulling my wrists closer to him, my chest and head are fully off the bed as my back arches more then i knew it ever could.

without warning her slams into me, i let out a loud cry from the sudden stretch. "dont. make. a noise." he says, slamming into me at a brutal pace. i let out pathetic whimpers as i'm held in place by him.

he reaches his spare hand round, shoving two fingers in my mouth.

chris has never been like this in bed, im in total shock as he fucks the attitude out of me.

without warning i clench around him, releasing the knot in my stomach. his thrusts don't slow, i wouldn't be wrong if i said they quickened.

im so sensitive, my vision blurry as he takes what he needs from me.

we've had a safe word established for a while, we made it while we were in a stupid mood, so it has a stupid name. 'dinosaur' , but ive never even thought about using it until now.

"chris.. chris chris." i groan, tears streaming down my face from the intensity. "fuck- d-dinosaur" i cry out, chris stops thrusting instantly, checking to see if he heard right.

"dinosaur.." i whisper.

chris pulls out instantly, he gently releases the painful grip on my wrists, as he collapses down next to me, sitting on the bed, pulling me onto his lap in a cradling me.

"hey hey.. don't cry sweetheart." he whispers into my hair, grabbing his shirt and pulling it onto me. "are you alright baby? too much?" he coos, rubbing my arms. "please speak to me gorgeous."

i nod into his chest, "im fine, just sensitive.." i stammer.

"oh okay i'm so sorry" he says, pure guilt in his voice as he stands up, holding me like a bride.

suddenly i let out a small laugh, he looks down, confusion painted across his face.

"wait.. whats funny?" he questions

"what were we thinking when we came up with that safeword." i laugh into his chest.

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this might be my last fic for a few days cause school is starting up tomorrow.

[dailyadventureprompts]

Monsters Reimagined: Bandits

As a game of heroic fantasy that centers so primarily on combat, D&D  is more often than not a game about righteous violence, which is why I spend so much time thinking about the targets of that violence. Every piece of media made by humans is a thing created from conscious or unconscious design, it’s saying something whether or not its creators intended it to do so. 

Tolkien made his characters peaceloving and pastoral, and coded his embodiment of evil as powerhungry, warlike, and industrial. When d&d directly cribbed from Tolkien's work it purposely changed those enemies to be primitive tribespeople who were resentful of the riches the “civilized” races possessed. Was this intentional? None can say, but as a text d&d says something decidedly different than Tolkien. 

That's why today I want to talk about bandits, the historical concept of being an “outlaw”, and how media uses crime to “un-person” certain classes of people in order to give heroes a target to beat up. 

Tldr: despite presenting bandits as a generic threat, most d&d scenarios never go into detail about what causes bandits to exist, merely presuming the existence of outlaws up to no good that the heroes should feel no qualms about slaughtering. If your story is going to stand up to the scrutiny of your players however, you need to be aware of WHY these individuals have been driven to banditry, rather than defaulting to “they broke the law so they deserve what’s coming to them.”

I got to thinking about writing this post when playing a modded version of fallout 4, an npc offhndedly mentioned to me that raiders (the postapoc bandit rebrand) were too lazy to do any farming and it was good that I’d offed them by the dozens so that they wouldn’t make trouble for those that did. 

That gave me pause, fallout takes place in an irradiated wasteland where folks struggle to survive but this mod was specifically about rebuilding infrastructure like farms and ensuring people had enough to get by. Lack of resources to go around was a specific justification for why raiders existed in the first place, but as the setting became more arable the mod-author had to create an excuse why the bandit’s didn’t give up their violent ways and start a nice little coop, settling on them being inherently lazy , dumb, and psychopathic.   

This is exactly how d&d has historically painted most of its “monstrous humanoid” enemies. Because the game is ostensibly about combat the authors need to give you reasons why a peaceful solution is impossible, why the orcs, goblins, gnolls (and yes, bandits), can’t just integrate with the local town or find a nice stretch of wilderness to build their own settlement on and manage in accordance with their needs. They go so far in this justification that they end up (accidently or not) recreating a lot of IRL arguments for persecution and genocide.

Bandits are interesting because much like cultists, it’s a descriptor that’s used to unperson groups of characters who would traditionally be inside the “not ontologically evil” bubble that’s applied to d&d’s protagonists.   Break the law or worship the wrong god says d&d and you’re just as worth killing as the mindless minions of darkness, your only purpose to serve as a target of the protagonist’s righteous violence.  

The way we get around this self-justification pitfall and get back to our cool fantasy action game is to relentlessly question authority, not only inside the game but the authors too. We have to interrogate anyone who'd show us evil and direct our outrage a certain way because if we don't we end up with crusades, pogroms, and Qanon.

With that ethical pill out of the way, I thought I’d dive into a listing of different historical groups that we might call “Bandits” at one time or another and what worldbuilding conceits their existence necessitates. 

Brigands: By and large the most common sort of “bandit” you’re going to see are former soldiers left over from wars, often with a social gap between them and the people they’re raiding that prevents reintegration ( IE: They’re from a foreign land and can’t speak the local tongue, their side lost and now they’re considered outlaws, they’re mercenaries who have been stiffed on their contract).  Justifying why brigands are out brigading is as easy as asking yourself “What were the most recent conflicts in this region and who was fighting them?”. There’s also something to say about how a life of trauma and violence can be hard to leave even after the battle is over, which is why you historically tend to see lots of gangs and paramilitary groups pop up in the wake of conflict. 

Raiders:  fundamentally the thing that has caused cultures to raid eachother since the dawn of time is sacristy. When the threat of starvation looms it’s far easier to justify potentially throwing your life away if it means securing enough food to last you and those close to you through the next year/season/day. Raider cultures develop in biomes that don’t support steady agriculture, or in times where famine, war, climate change, or disease make the harvests unreliable. They tend to target neighboring cultures that DO have reliable harvests which is why you frequently see raiders emerging from “the barbaric frontier” to raid “civilization” that just so happens to occupy the space of a reliably fertile river valley. When thinking about including raiders in your story, consider what environmental forces have caused this most recent and previous raids, as well as consider how frequent raiding has shaped the targeted society. Frequent attacks by raiders is how we get walled palaces and warrior classes after all, so this shit is important. 

Slavers: Just like raiding, most cultures have engaged in slavery at one point or another, which is a matter I get into here. While raiders taking captives is not uncommon, actively attacking people for slaves is something that starts occurring once you have a built up slave market, necessitating the existence of at least one or more hierarchical societies that need more disposable workers than then their lower class is capable of providing. The roman legion and its constant campaigns was the apparatus by which the imperium fed its insatiable need for cheap slave labor. Subsistence raiders generally don’t take slaves en masse unless they know somewhere to sell them, because if you’re having trouble feeding your own people you’re not going to capture more ( this is what d&d gets wrong about monstrous humanoids most of the time). 

Tax Farmers: special mention to this underused classic, where gangs of toughs would bid to see who could collect money for government officials, and then proceed to ransack the realm looking to squeeze as much money out of the people as possible. This tends to happen in areas where the state apparatus is stretched too thin or is too lighthanded to have established enduring means of funding.  Tax farmers are a great one-two punch for campaigns where you want your party to be set up against a corrupt authority: our heroes defeat the marauding bandits and then oh-no, turns out they were not only sanctioned by the government but backed by an influential political figure who you’ve just punched in the coinpurse.  If tax farming exists it means the government is strong enough to need a yearly budget but not so established (at least in the local region) that it’s developed a reliably peaceful method of maintaining it.  

Robber Baron: Though the term is now synonymous with ruthless industrialists, it originated from the practice of shortmidned petty gentry (barons and knights and counts and the like) going out to extort and even rob THEIR OWN LANDS out of a desire for personal enrichment/boredom. Schemes can range from using their troops to shake down those who pass through their domain to outright murdering their own peasants for sport because you haven’t gotten to fight in a war for a while.  Just as any greed or violence minded noble can be a robber baron so it doesn’t take that much of a storytelling leap but I encourage you to channel all your landlord hate into this one. 

Rebels: More than just simple outlaws, rebels have a particular cause they’re a part of (just or otherwise) that puts them at odds with the reigning authority. They could violently support a disfavoured political faction, be acting out against a law they think is unjust, or hoping to break away from the authority entirely. Though attacks against those figures of authority are to be expected, it’s all too common for rebels to go onto praying on common folk for the sake of the cause.  To make a group of rebels worth having in your campaign pinpoint an issue that two groups of people with their own distinct interests could disagree on, and then ratchet up the tension. Rebels have to be able to beleive in a cause, so they have to have an argument that supports them.

Remnants: Like a hybrid of brigands, rebels, and taxfarmers, Remnants represent a previously legitimate system of authority that has since been replaced but not yet fully disappeared. This can happen either because the local authority has been replaced by something new (feudal nobles left out after a monarchy toppling revolution) or because it has faded entirely ( Colonial forces of an empire left to their own devices after the empire collapses). Remnants often sat at the top of social structures that had endured for generations and so still hold onto the ghost of power ( and the violence it can command) and the traditions that support it.  Think about big changes that have happened in your world of late, are the remnants looking to overturn it? Win new privilege for themselves? Go overlooked by their new overlords?

Art

[comicaurora]

Nick Bostrom's "Fable of the Dragon Tyrant," which CGP Grey adapted into a video, left me feeling unsatisfied, and I got a certain unsettling vibe about the entire story.

I don't think it was the dragon's lack of agency, that just makes it an unusually traditional Western dragon.

You're a master at picking narratives apart to figure out why they don't satisfy. Do you have any insight, opinions, or cracktheories about why this story might be unsatisfying to some folks?

Probably because it's a very unsubtle metaphor casting the dragon as death, and death itself as a cruel, malevolent beast devouring and subjugating humanity for its own whims. This is very much intentional on the part of the writer. The paradigm of the story is that the dragon is huge, terrifying and incalculably cruel, and everyone lives their lives in the shadow of its terror or are just too deluded to recognize that it's COMING TO EAT THEM OH GOD

Intrinsic in this metaphorical structure is the idea that the dragon, aka death, is an artificial imposition on the natural order, and if we just got rid of the big ol' mean dragon, everybody would live forever and be fine. Accepting that the dragon exists is framed as a sign of desperation or even cowardice. This is an understandable read when facing a monster that only SEEMS timeless and inevitable (like LeGuin's thoughts comparing the current state of capitalism to the historical acceptance of the divine right of kings) but becomes bizarre when applied to something as legitimately factual as biological death. It's not even framed as unnatural death - the dragon specifically gets sent mostly old people. The metaphor is very explicitly about trying to frame death from old age as a big horrible dragon that everyone only thinks is unstoppable.

I get what they're going for here. The purpose of this story is to make the audience question if death is a true inevitability or if it can be fought, staved off, even defeated. But in the process, the story frames the systems of the world that have formed around death - doctors, pallative caregivers, will executors - as macabre gears in the machine dedicated to the genocidal cruelty of feeding the dragon.

In the dragon tyrant framing, these people only exist to make the rest of the world more okay with flinging themselves down the gullet of the dragon and to streamline the process by which everybody dies. By casting death as the enemy, everybody whose jobs are based on the compassionate act of comforting and aiding people suffering from loss become reframed as collaborators with the incalculably evil enemy, and everyone who's ever accepted their own death becomes a loser. This is a deeply cruel way to frame people who dedicate their lives to helping people through one of the hardest and most tragic aspects of life.

Damn, that's fucked up. Look at this eloquent idiot, explaining why we should be okay with letting a big dragon eat us because it's the natural order. Clearly he is wrong and it's not debasing at all to want to stay alive and not get eaten by a big dragon. This is a fallacy of false analogy: death is like being eaten by a big mean dragon. All his arguments look ridiculous when applied to getting eaten by a big mean dragon, therefore they must be ridiculous when applied to dying when your organs start failing because they've been running nonstop for nine decades and biological systems accumulate wear and tear like literally everything else in the universe.

Entropy increases; systems break down, from DNA to planetary orbits. Successfully shoot down the dragon and you'll end up outliving everything you thought was eternal, even the stars. The goal of immortality isn't really to personally witness the sun exploding, it's to have more good time. It's to make your twenties last into your sixties. It's to keep your back painless and your vision good for longer. We want to postpone the story's end as long as we can, and so we extrapolate "more time" into "I never want to die, I want to be young and healthy and hot forever" even though "forever" doesn't exist. To look to "forever" is to understand that your culture and language will drift, your home will eventually crumble out from under you, your shoreline will erode and change, your climate will transform, your tectonic plate will subduct or shatter, your moon's orbit will slow and tidally lock, and eventually your sun will start burning helium and cook your planet. You don't want "forever" to look like that, you want it to look like your twenties felt. But at that point you aren't fighting the Big Mean Dragon That Eats People, you're fighting the ocean and the biosphere and the earth and the stars, trying to hold them in place against entropy so your immortality can have an equally immortal world to enjoy it in. No, this argument doesn't want true immortality, it wants their twenties to last longer. But it can't admit that.

Back to the story. There's a condescending and spiteful tone in the narration. Death (being eaten by a big mean dragon) is OBVIOUSLY awful and we should all be fighting as hard as we can to make it stop happening. Even a child can see it.

The story even helpfully adds a lengthy moral explanation at the end, in case you didn't understand that the dragon was the inevitability of death and we should dedicate all our resources to figuring out how to make a big rocket and shoot it.

"Nobody should ever die" is generally understood to be a childish dream with extremely obvious and unpleasant consequences that would turn its realization into an unending and waking nightmare, and once out of the confines of easy metaphor, the story tries to act like that wasn't what it was just saying. But its more realistic proposed substitute, "It would be great if people could live longer and have more healthy, youthful years in them," is probably the world's most uncontroversial statement. This story frames it like a bold revelation that the world will attempt to beat down and crush out of a misguided acceptance that Big Mean Dragon comes for us all. It's a morality fable whose conclusion is "I hope science improves the length and quality of our lives, potentially even to the point where we never have to die at all," which has been the number one goal of huge swaths of science since the invention of agriculture. This is not a bold or controversial take. It's just being written as though we're all looking at the naked emperor and pretending he's wearing pants.

[mostlysignssomeportents]

Google reneged on the monopolistic bargain

I'm on tour with my new novel The Bezzle! Catch me TONIGHT in SALT LAKE CITY (Feb 21, Weller Book Works) and TOMORROW in SAN DIEGO (Feb 22, Mysterious Galaxy). After that, it's LA, Seattle, Portland, Phoenix and more!

A funny thing happened on the way to the enshittocene: Google – which astonished the world when it reinvented search, blowing Altavista and Yahoo out of the water with a search tool that seemed magic – suddenly turned into a pile of shit.

Google's search results are terrible. The top of the page is dominated by spam, scams, and ads. A surprising number of those ads are scams. Sometimes, these are high-stakes scams played out by well-resourced adversaries who stand to make a fortune by tricking Google:

https://www.nbcnews.com/tech/tech-news/phone-numbers-airlines-listed-google-directed-scammers-rcna94766

But often these scams are perpetrated by petty grifters who are making a couple bucks at this. These aren't hyper-resourced, sophisticated attackers. They're the SEO equivalent of script kiddies, and they're running circles around Google:

https://pluralistic.net/2023/02/24/passive-income/#swiss-cheese-security

Google search is empirically worsening. The SEO industry spends every hour that god sends trying to figure out how to sleaze their way to the top of the search results, and even if Google defeats 99% of these attempts, the 1% that squeak through end up dominating the results page for any consequential query:

https://downloads.webis.de/publications/papers/bevendorff_2024a.pdf

Google insists that this isn't true, and if it is true, it's not their fault because the bad guys out there are so numerous, dedicated and inventive that Google can't help but be overwhelmed by them:

https://searchengineland.com/is-google-search-getting-worse-389658

It wasn't supposed to be this way. Google has long maintained that its scale is the only thing that keeps us safe from the scammers and spammers who would otherwise overwhelm any lesser-resourced defender. That's why it was so imperative that they pursue such aggressive growth, buying up hundreds of companies and integrating their products with search so that every mobile device, every ad, every video, every website, had one of Google's tendrils in it.

This is the argument that Google's defenders have put forward in their messaging on the long-overdue antitrust case against Google, where we learned that Google is spending $26b/year to make sure you never try another search engine:

https://www.bloomberg.com/news/articles/2023-10-27/google-paid-26-3-billion-to-be-default-search-engine-in-2021

Google, we were told, had achieved such intense scale that the normal laws of commercial and technological physics no longer applied. Take security: it's an iron law that "there is no security in obscurity." A system that is only secure when its adversaries don't understand how it works is not a secure system. As Bruce Schneier says, "anyone can design a security system that they themselves can't break. That doesn't mean it works – just that it works for people stupider than them."

And yet, Google operates one of the world's most consequential security system – The Algorithm (TM) – in total secrecy. We're not allowed to know how Google's ranking system works, what its criteria are, or even when it changes: "If we told you that, the spammers would win."

Well, they kept it a secret, and the spammers won anyway.

A viral post by Housefresh – who review air purifiers – describes how Google's algorithmic failures, which send the worst sites to the top of the heap, have made it impossible for high-quality review sites to compete:

https://housefresh.com/david-vs-digital-goliaths/

You've doubtless encountered these bad review sites. Search for "Best ______ 2024" and the results are a series of near-identical lists, strewn with Amazon affiliate links. Google has endlessly tinkered with its guidelines and algorithmic weights for review sites, and none of it has made a difference. For example, when Google instituted a policy that reviewers should "discuss the benefits and drawbacks of something, based on your own original research," sites that had previously regurgitated the same lists of the same top ten Amazon bestsellers "peppered their pages with references to a ‘rigorous testing process,’ their ‘lab team,’ subject matter experts ‘they collaborated with,’ and complicated methodologies that seem impressive at a cursory look."

But these grandiose claims – like the 67 air purifiers supposedly tested in Better Homes and Gardens's Des Moines lab – result in zero in-depth reviews and no published data. Moreover, these claims to rigorous testing materialized within a few days of Google changing its search ranking and said that high rankings would be reserved for sites that did testing.

Most damning of all is how the Better Homes and Gardens top air purifiers perform in comparison to the – extensively documented – tests performed by Housefresh: "plagued by high-priced and underperforming units, Amazon bestsellers with dubious origins (that also underperform), and even subpar devices from companies that market their products with phrases like ‘the Tesla of air purifiers.’"

One of the top ranked items on BH&G comes from Molekule, a company that filed for bankruptcy after being sued for false advertising. The model BH&G chose was ranked "the worst air purifier tested" by Wirecutter and "not living up to the hype" by Consumer Reports. Either BH&G's rigorous testing process is a fiction that they infused their site with in response to a Google policy change, or BH&G absolutely sucks at rigorous testing.

BH&G's competitors commit the same sins – literally, the exact same sins. Real Simple's reviews list the same photographer and the photos seem to have been taken in the same place. They also list the same person as their "expert." Real Simple has the same corporate parent as BH&G: Dotdash Meredith. As Housefresh shows, there's a lot of Dotdash Meredith review photos that seem to have been taken in the same place, by the same person.

But the competitors of these magazines are no better. Buzzfeed lists 22 air purifiers, including that crapgadget from Molekule. Their "methodology" is to include screenshots of Amazon reviews.

A lot of the top ranked sites for air purifiers are once-great magazines that have been bought and enshittified by private equity giants, like Popular Science, which began as a magazine in 1872 and became a shambling zombie in 2023, after its PE owners North Equity LLC decided its googlejuice was worth more than its integrity and turned it into a metastatic chumbox of shitty affiliate-link SEO-bait. As Housefresh points out, the marketing team that runs PopSci makes a lot of hay out of the 150 years of trust that went into the magazine, but the actual reviews are thin anaecdotes, unbacked by even the pretense of empiricism (oh, and they loooove Molekule).

Some of the biggest, most powerful, most trusted publications in the world have a side-hustle in quietly producing SEO-friendly "10 Best ___________ of 2024" lists: Rolling Stone, Forbes, US News and Report, CNN, New York Magazine, CNN, CNET, Tom's Guide, and more.

Google literally has one job: to detect this kind of thing and crush it. The deal we made with Google was, "You monopolize search and use your monopoly rents to ensure that we never, ever try another search engine. In return, you will somehow distinguish between low-effort, useless nonsense and good information. You promised us that if you got to be the unelected, permanent overlord of all information access, you would 'organize the world's information and make it universally accessible and useful.'"

They broke the deal.

Companies like CNET used to do real, rigorous product reviews. As Housefresh points out, CNET once bought an entire smart home and used it to test products. Then Red Ventures bought CNET and bet that they could sell the house, switch to vibes-based reviewing, and that Google wouldn't even notice. They were right.

https://www.cnet.com/home/smart-home/welcome-to-the-cnet-smart-home/

Google downranks sites that spend money and time on reviews like Housefresh and GearLab, and crams botshittened content mills like BH&G into our eyeballs instead.

In 1558, Thomas Gresham coined (ahem) Gresham's Law: "Bad money drives out good." When counterfeit money circulates in the economy, anyone who gets a dodgy coin spends it as quickly as they can, because the longer you hold it, the greater the likelihood that someone will detect the fraud and the coin will become worthless. Run this system long enough and all the money in circulation is funny money.

An internet run by Google has its own Gresham's Law: bad sites drive out good. It's not just that BH&G can "test" products at a fraction of the cost of Housefresh – through the simple expedient of doing inadequate tests or no tests at all – so they can put a lot more content up that Housefresh. But that alone wouldn't let them drive Housefresh off the front page of Google's search results. For that, BH&G has to mobilize some of their savings from the no test/bad test lab to do real rigorous science: science in defeating Google's security-through-obscurity system, which lets them command the front page despite publishing worse-than-useless nonsense.

Google has lost the spam wars. In response to the plague of botshit clogging Google search results, the company has invested in…making more botshit:

https://pluralistic.net/2023/02/16/tweedledumber/#easily-spooked

Last year, Google did a $70b stock buyback. They also laid off 12,000 staffers (whose salaries could have been funded for 27 years by that stock buyback). They just laid off thousands more employees.

That wasn't the deal. The deal was that Google would get a monopoly, and they would spend their monopoly rents to be so good that you could just click "I'm feeling lucky" and be teleported to the very best response to your query. A company that can't figure out the difference between a scam like Better Homes and Gardens and a rigorous review site like Housefresh should be pouring every spare dime it brings in into fixing this problem. Not buying default search status on every platform so that we never try another search engine: they should be fixing their shit.

When Google admits that it's losing the war to these kack-handed spam-farmers, that's frustrating. When they light $26b/year on fire making sure you don't ever get to try anything else, that's very frustrating. When they vaporize seventy billion dollars on financial engineering and shoot one in ten engineers, that's outrageous.

Google's scale has transcended the laws of business physics: they can sell an ever-degrading product and command an ever-greater share of our economy, even as their incompetence dooms any decent, honest venture to obscurity while providing fertile ground – and endless temptation – for scammers.

If you'd like an essay-formatted version of this post to read or share, here's a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:

https://pluralistic.net/2024/02/21/im-feeling-unlucky/#not-up-to-the-task

[delulujuls]

the mad dutchman and the fearless dutchess | mv33

summary: one dutchman is a lot so now imagine putting two dutch teenagers in one team and tell them to not kill each other

warnings: car crash, some cussing, (they sometimes can't stay each other but at the end of the day its just them against the world)

pairing: fem!redbulldriver x max verstappen

Max and Y/N had known each other since the times when they still had scrapes on their knees and wobbly milk teeth. They met at a go-kart school - he had a helmet that was much too big for him, she wore a patched jumpsuit from her older brother. Both didn't know exactly what they were doing or what goal they were pursuing; the most important thing was to be the best - for the joy of their parents and an endless supply of sweets.

However, go-karts quickly turned into racing cars and minor races transformed into Formula 1.

All the way to the top, Max and Y/N's relationship was very dynamic. From exchanging candy together after winning the podium, through years of rivalry and mutual dislike. Despite countless arguments and mutual hatred, Y/N always sided with Max and defended him with her always smaller body. She might not like him and get angry with him to the point of turning red, but no one could tease him or raise their voice against him. This applied to both other kids in the paddock and adults, too.

Both Max, Y/N and certainly Jos Verstappen himself probably remember how after one of the collisions at the end of 2008, Max's father went into a pure rage. While young Verstappen could argue and quarrel with anyone, he lost that ability when his father intervened. Seeing tears on the flushed face of the boy, Y/N firmly clenched her fists and stood between the father and son. Jos's voice caught in his throat when the almost half his size eleven-year-old girl looked him in the eyes and said that she wouldn't allow him to shout at Max like that.

Y/N Y/L/N was fearless both on and off the track. And although Jos Verstappen never admitted it, he was impressed by both her skills and incredible courage.

After the years of intense relationship of Max and Y/N, the unbreakable friendship was born when they both joined Christian Horner's team at the age of eighteen. Red Bull had been following their actions for many years, looking forward to taking them under their wings after their promotion to Formula 1. There was no doubt here - Horner had to have these Dutch duo in his team.

The first victories began to come the moment both Y/N and Max realized that they no longer had to compete with each other. When it became clear that they were playing for one goal and that now it was two of them against nine other teams. There was no first or second driver at Red Bull. There was Y/N and Max, Max and Y/N. There were two crazy Dutch teens, who were focused only on the best possible results. Christian never showed favoritism to any of them, because he knew that by doing so he would waste all those difficult months trying to win them over.

The team's tactics were also amazing, because the race strategy was revealed only after the starting signal. There were no plans or schedules, no strict rules. Whoever had better speed and performance in a given race became the leader. This was not subject to any protest or discussion.

Y/N and Max had known each other practically their entire lives. They had been on the same team for over 6 years, and despite Christian's breakneck efforts, there were still days when there were tensions between the pair. Obviously, there is no good relationship without an argument from time to time, but when it came to a Dutch-style quarrel, few preferred to participate.

"Do you have to be so damn stubborn?"

The girl asked, taking off her helmet and balaclava.

"If I hadn't been stubborn, the fucking Haas would have overtaken us at turn eight."

He replied, unplugging his headphones. His tone was still calm, but there was a trace of irritation on his face.

"He would have overtaken us because we were giving him the tunnel, which wouldn't have happened if you had let me through."

Y/N growled. She had no intention of arguing, but the weekend had been hard and she was exhausted. Max's temperament was absolutely unhelpful in this situation.

"I didn't get an order to let you through."

Verstappen responded by wiping his face with a towel.

"You see me in the fucking mirror and you have to wait for an order? Stop talking nonsense, Max."

He sighed and tossed the towel aside.

"Or maybe you were worse than me, hm? Didn't it occur to you that maybe you just fucked up today?"

The girl clenched her jaw. She felt anger begin to rise within her.

"Out of the two of us, you're the one who fucked up today because you acted like a complete idiot!"

Max snorted and tilted his head back. The button that started the argument clicked into place.

"Do you have anything else to say?"

Y/N pressed her tongue against her teeth. She wanted to unleash hell, but she didn't have time for an idiotic argument and to waste her energy on him.

"Fuck you, Max."

The girl growled and grabbed her things, heading deeper into the garage. She didn't feel like being around him, at all.

She unzipped her jumpsuit and grabbed some water, sitting on an empty crate. The situation from the last race kept replaying in her mind, as did his words. Analyzing and cluttering her thoughts was not good, especially when another training session awaited them, and staying focused was crucial.

"I heard some Dutch swearing," Christian started, standing next to her, "Is everything okay?"

The girl just nodded.

"Max just needs to feel at home sometimes"

Christian squeezed her shoulder and patted her on the back.

"Another half an hour and you won't have to look at him for the rest of the day."

Y/N sighed and rubbed her face with her hands. Despite the adrenaline pumping through her veins, she was exhausted. The upcoming Grand Prix was making her sweat a lot.

After a while, she received the order that the car was ready and she could go out on the track. She prepared for the drive and took her place in the car. As she left the garage, she noticed Max, who was also getting ready to start. She showed him the middle finger, to which he, of course, did not remain in debt.

Y/N took her place at the starting line, gripping the steering wheel tightly and focusing on the starting lights. When they went out, she raced with screeching tires and sparks flying. The previous session and Max's words kept playing in her mind. What if he was right? What if she really messed up and was worse than him?

The girl cursed under her breath, aggressively tackling the turns. She wasn't worse than him, she wasn't worse than anyone. She had worked hard for her position and everything she had achieved was well-deserved.

"Max started, in a moment the pit lane will be clear of the last Alpha Tauri and we'll have a complete set. Don't rush, focus on management and dynamics,"

"Do you really think they called me the fearless Dutchess for no reason?"

"Just be careful, Y/N. It's just practice; you don't have to prove anything to anyone."

"I don't have to, but die verdomde idioot maakt me gek."

"I have no idea what you just said but please, focus on driving; everything else is not important."

The girl tightened her grip on the steering wheel and accelerated. Everything else was important because she wasn't worse than anyone. And she would prove it, even if she had to—

Darkness.

Y/N only remembered losing consciousness during the accident. She found out about falling off the track, somersaulting through the gravel and still hitting the metal barriers at 120 kilometers per hour only after the fact.

On the track, only one Red Bull car remained, but Max wasn't focused on driving; he was engrossed with the past argument he got with his friend. However, a voice from the radio snapped him back to reality.

"Y/N had an accident on turn eleven. Be careful on the surface in that area."

"What happened?"

"It's hard to say, but it didn't look good."

Max pressed harder on the gas, wanting to pass the accident site as quickly as possible and ensure the situation was under control. When he saw the wrecked car, smoke billowing and no rescue personnel nearby, Max's adrenaline froze his veins.

He parked his car at a distance from the accident, hastily releasing himself from the safety harness. When he got out of the car and saw the fire, he didn't think too much; he ran towards the friend's car, shouting her name, but there was no response.

Max fought against time. Besides him, there was no one to extinguish the fire and he had no idea what temperature the fuel in the tank was. He quickly pulled Y/N out of the wrecked car and, holding her in his arms, ran towards his own car. Hiding behind it, he laid her on the ground and, as gently as he could, removed her helmet and balaclava. He checked her pulse and fortunately, it was there. The impact force must have caused her to lose consciousness.

After some time, the appropriate services arrived at the scene and an ambulance took the girl to the hospital. Max knowing he couldn't finish the race, jumped into the ambulance and squeezed his friend's hand. He was furious with her, but now all the emotions were overshadowed by concern and fear. He hoped that the accident only looked serious and that she was just bruised. Max would never forgive himself if something happened to her, especially because of some idiotic argument that ultimately had no meaning.

Y/N woke up just before the ambulance reached the hospital. She was surprised to see paramedics around her, even more so by Max's worried face, which, as soon as their eyes met, calmed down a bit.

"I never thought I'd be so happy to look into those deceitful eyes of yours." Verstappen said, smiling and squeezing her hand.

"What happened?"

The girl asked with difficulty. Her throat hurt terribly; the hot smoke and vapors had taken their toll.

"You had an accident and you passed out. We'll be at the hospital soon."

"An accident is an understatement," one of the paramedics interjected, removing her drip from the hanger. "You did a Grosjean from Bahrain 2020."

Y/N blinked a few times, and it took her a moment to connect the dots. Judging by the man's comparison, her accident must have indeed been unpleasant.

"What's the condition of the car?"

"Just needs a wipe," Max said, smiling.

The girl rolled her eyes at her friend's words, but started coughing. She quickly put her oxygen mask back on.

"Don't worry about the car," Max said, still keeping her hand between his, "The most important thing is that you came back to us."

"At what cost? At least, being unconscious meant I didn't have to look at you."

Y/N said sarcastically, but she smiled. Everything hurt terribly, but she was grateful that, after this whole situation, she could see a familiar face. Even though it was red and sweaty from the race, it had a genuine smile and tenderness in his eyes.

"I guess she's fine, gentlemen. You can take her back to the track; she'll be able to finish the race for sure," Max said loudly, turning around. Y/N laughed quietly at his words and he returned her smile, squeezing her hand tighter.

The girl didn't realize that the fucking idiot sitting next to her was not just her friend, occasional rival and someone she sometimes wanted to tear apart. Max Verstappen, the mad Dutchman, turned into her guardian angel that evening. And she, the fearless Dutchess, started falling in love with him.

[a-d-nox]

tarot cards and their key phrases: swords

this is just a beginners guide to the swords suit - i won't go into imagery, color use, etc. these are key phrases that come to mind when i think of the cards - NOT how they should be directly applied. they needs to be thought about situationally and the cards / when they are in combos they can change or alter their meanings of any reading.

ace of swords (1)

astrological equivalent: gemini sun

upright: bright ideas, clarity, insight, swift action, consciousness, clear thoughts, take action, victory, divine insight, important conversation, confrontation, next steps, intuition, and encouragement

reversed: confusion, miscommunication, more information is needed, overanalyzes, defeat, indecision, and feeling unheard

two of swords (2)

astrological equivalent: aquarius mercury

upright: indecision, fear of inadequacy, fear of making the wrong choice, analysis paralysis, holding pattern, needing support, needing to listen to your intuition, and needing to flow your will

reversed: trusting others over yourself, lack of individuality/independence, too many soups in the pot spoil the soup, and needing silence to think

three of sword (3)

astrological equivalent: libra moon

upright: heartbreaking truth, pain, past that harms the present, needing more emotion to match the thoughts or needing more thoughts to match the emotions, compassion, and needing release and healing

reversed: recovery, release of pain, freedom from disappointment and heartbreak, and hope

four of sword (4)

astrological equivalent: gemini mercury

upright: recovery, sleep, relaxation, calming, introspection, meditation, making space for new ideas and thoughts, and needing self-reflection

reversed: restlessness, avoidance, quiet time is needed, needing to take a break, and close to burnout

five of sword (5)

astrological equivalent: libra mercury

upright: conflict, arguments, quarrels, needing to understand your triggers, needing the last word, power struggle, and needing to walk away

reversed: lay the past to rest, having an unnecessary grudge, needing to compromise, feeling intuitively guided, and create closure

six of (6)

astrological equivalent: gemini mars

upright: reprieve form conflict, mental and emotional release, physical travel, and the healing journey

reversed: delay, inability to move on, a need for resolution, and needing to focus on your present and less on the future

seven of swords (7)

astrological equivalent: gemini neptune

upright: deception, lying, taking only what you need, essentials, needing to leave some things behind, someone is being dishonest with you, lying to yourself, strategy, manipulation tactics, needing to identify wants over needs, needing honesty, and a need for confrontation

reversed: plan/strategy that isn't working, needing to reproach something/someone from a new angle, don't give up, paranoia, and misguided beliefs

eight of swords (8)

astrological equivalent: aquarius mars

upright: feeling stuck/trapped, a fear of uncertainty, feeling separate from others, struggle to express self, inability to move forward, feeling like you are holding everything inside, feeling powerless, needing to reclaim your power, be patient with yourself, and know that you can persevere

reversed: releasing yourself from self-imposed restrictions, procrastination, and hesitation

nine of (9)

astrological equivalent: gemini moon

upright: anxiety that clouds reality, stress, worries affecting health, needing professional guidance/help, having racing thoughts, and temporary struggles

reversed: despair, depression, panic attacks, passing feelings, extreme anguish, and a fear of reaching out for help

ten of (10)

astrological equivalent: libra mars

upright: end of a painful cycle, transformation after acceptance, everything has its purpose, surrender for peace, have gratitude for what leaves you, and create space for new things

reversed: refusing to let something go, needing to move on, clinging to the past, and getting in your own way

page of swords

astrological equivalent: earth and air

upright: needing practice, needing to pay attention to the world around them, needing to be careful, opportunities for new communication and perspectives are available, feeling apprehensive, and needing a plan

reversed: gossip, manipulation tactics, be wary of what you share with others, and people telling your secrets

knight of sword

astrological equivalent: air

upright: something that needs to be dealt with head on, unavoidable confrontation, needing to be more assertive, focus on you goals, and someone who is trying to start drama

reversed: aggressive ambition, pushing yourself to the extremes, running out of steam, feeling disappointed by something, and needing to take a step back

queen of sword

astrological equivalent: water and air

upright: protection, fairness, balance, speaks the truth, intelligence, wisdom, needing to make a decision, and needing a logical response not an emotional one

reversed: overly critical, self-criticism, and defensiveness

king of sword

astrological equivalent: fire and air

upright: authoritative, logical actions, using reason, intelligence, and using your voice

reversed: overblown sense of superiority, judgmental, controlling behaviors, and needing to learn to let go

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[transfaguette]

always sucks when one of the biggest companies in a space is also The Worst

Unity, which for a long time the majority of indie games and several AAA titles have been developed in, recently announced a new “Runtime Fee” that would charge developers $0.20 per install of their game, starting January 2024. Retroactively!!!! Yes you heard that right. Got a new computer and want to reinstall your favorite game you bought 3 years ago? That’ll cost the dev $0.20, when they themselves make no additional money. A bad actor could, in theory, install a game hundreds of times just to hurt a developers bottom line. But even just in benign scenarios, its enough to threaten the viability of small indie studios. Even if devs wanted to jump ship now, number one they’d have to port all their games to a new engine, a monumental task on its own, and they’d have to learn a new engine and new workflow, new pipeline, etc. This is catastrophic to the indie scene.

And this isn’t handled through the platforms they sell their games on like steam or itch.io, it’s woven into the backend of the engine itself. Unity claims they have systems to detect piracy (but they’re proprietary and secret!) and developers won’t be charged for illegitimate installs. But none of us can be actually sure of that. They are literally making “piracy costs the devs money” a real actual legitimate argument.

And to top it all off, their ghoul of a CEO dumped his shares right before the announcement. They Knew this would be hated and they’re trying to get away with it anyway.

Do note, this only applies to games that already meet the threshold for profit sharing. If you are a hobbyist or making a project for school etc, this won’t affect you.

What can you do? Keep in touch with your favorite developers and indie publishers on social media. Hopefully with enough backlash and support for indie developers, they will retract.

[david-talks-sw]

When a Star Wars writer engages with the material but not the narrative.

I'm writing a long post about the Jedi and the clone troopers and there's a whole section that I had to remove because it was too long:

Karen Traviss' take on the Jedi and the clones.

I already wrote about why Karen Traviss' take on the Jedi and Yoda doesn't track with what George Lucas had established in his narrative of the Prequels. Since then, I've been able to do more research.

It's no secret that one of the reasons Traviss listed for criticizing the Jedi in the Expanded Universe books she wrote is their treatment of the clones (or at least what she understood it to be).

In 2008, she wrote a now-deleted blog post about it (it was really long, so I'm only including the part relevant to my point, if you want the full context you can look it up, this is old stuff).

So if you ask me, in the above quote, Traviss is essentially doing the equivalent of saying:

"Batman is a psycho elitist who beats up the mentally ill and indoctrinates kids, turning them into child soldiers for his unending crazy vigilante war on crime, and if you can't recognize that then you scare the living crap out of me."

Like... you can argue that, and a couple of comics have argued that.

But by and large, the general consensus is that Batman is a superhero, the Robins are his sons and daughter, and the "mentally ill" are in fact the Joker and Two-Face aka mass murderers.

So if you make that argument, that's you applying your real-life values and conclusions to a narrative that deliberately doesn't acknowledge those points, in-universe, in order to tell the story it wants to tell.

It's counting on your suspension of disbelief, defined as "the avoidance—often described as willing—of critical thinking and logic in understanding something that is unreal or impossible in reality, such as something in a work of speculative fiction, in order to believe it for the sake of enjoying its narrative."

The Jedi accepting the clones and the clones being slaves isn't a "delicate point". It's barely a point at all!

It's never addressed in the film (because of course it isn't, the Prequels are about Anakin and the Republic, not the clones).

It's only addressed once by Slick, an unreliable narrator, in The Clone Wars.

That's it. Hell, in 2008, when The Clone Wars writer Henry Gilroy was asked to comment on the relationship between clones and Jedi, he explicitly said he'd "rather not get into" that particular point.

I recently got Mythmaking: Behind the Scenes of 'Attack of the Clones' and nowhere is that detail touched on by Lucas at any point.

Nobody wants to touch on that point with a 10ft pole, because it's not relevant to the story.

So while Traviss acknowledges the Jedi are fictional characters, she doesn't follow that thread through to the end by acknowledging that fictional characters don't have free will, they must abide by the story and the whim of the writer.

She's engaging with the material, but refusing to engage with the narrative. She's having her cake and eating it too.

My reason for saying all this is that in the book Star Wars on Trial, she elaborates on her thought process upon discovering this detail.

Shortly before to this, she acknowledges twice that she knew nothing about Star Wars, beside seeing the original films in her youth.

Another writer who saw the new films and saw Mace Windu argue against there being a war...

... the worry on his face at the prospect of the Jedi being thrown at the Separatists...

... and the sheer melancholy on Yoda's face upon announcing the Clone War had begun...

... might have instead wondered how the Jedi, so opposed to war, could've ended up being generals.

Because while we don't see the Jedi openly protest the use of the clones in the film... they're not exactly giddy about it, either. All they can do is watch powerlessly as it gets voted by the Senate.

"The Jedi are there. But the Jedi aren't really allowed to be involved in the political process. They're there, but they can't suddenly step up and say, "No, no. You can't do that." They have to let the political process go." - George Lucas, Attack of the Clones, Commentary #2, 2002

We also don't see them take on the role of generals, either.

We only see them begrudgingly lead troops on Geonosis, specifically.

But they're not referred to as "generals" yet.

Another writer might have imagined a scene where after Geonosis, Mace Windu talks to Palpatine thinking the Jedi will go back to their roles as diplomats, and that what we saw in Attack of the Clones was a one-time thing to save Obi-Wan, but Palpatine politely goes:

"Ha! No. Didn't you hear? The Senate was so impressed by your performance on Geonosis that they voted to make you all generals in the GAR. Now, get back to the front."

Another writer might've elected to write them having that "big moral debate" she mentions.

Instead, Traviss immediately jumps on the "Jedi are elitists" train.

Because her personal experience with the military makes her sympathize with the clones and her personal belief is that - while the story may frame the Jedi as "the good guys" - nobody is that good a guy, real life people aren't that pure and selfless. There's gotta be something off about them and aHA! That's what it is!

That's her choosing to take that line of thought instead of one more in-line with the story, because she perceives it as unrealistic. But like... Star Wars isn't real life, it's a fairy tale.

That's like saying:

"The hunter in Little Red Riding Hood commits animal cruelty by cutting the Wolf open. He should've let nature take its course, the wolf earned that meal fair and square. If you think the hunter should've saved Red Riding Hood and her Grandma, then clearly you're the kind of monster who thinks one life is worth more than others."

... no?

The story's narrative clearly portrays the wolf as the villain of the tale and frames the Hunter saving Red Riding Hood as a good thing.

Disagreeing with that narrative is absolutely fine, but anybody who acknowledges the wolf is the bad guy in the story isn't automatically an animal hater and/or a bad person. Just because you say "the wolf is the villain" doesn't mean that you think that, in real life, killing wolves for shits and giggles is good.

Conversely, the narrative of the Prequels asks you to suspend your disbelief and not consider the implications that having a clone army entails. Because the use of clones doesn't have a direct impact on either Anakin or the Senate's stories.

Edit: I finished the post this one here originally spun out of!

You can find it here:

[edonee]

The belief that gender is a feeling, something interior and unrelated to sex is not only false, but it also upholds gender stereotypes. What does a transgender person mean, when they say they identify as the opposite gender? I've actually posed the question to a lot of trans people, and the answers were always something along the lines of "I liked things made for boys as a kid. I felt different from other girls. I don't feel connected to my biological gender because I behave differently" (coming from women who identify as trans) or "I preferred girls toys as a kid, I was always drawn toward dressing more femininely, wearing make-up, etc." (from men who identify as trans). I then ask, why does that mean you are a different gender? I thought we were all on the same page with the whole "boys can like pink, girls can like blue" argument. I mean, everyone has been saying that for decades, and we all agree that those are gender stereotypes, right??

So I always asked myself why transgender people used those as arguments to prove their point. The other argument, that a lot of trans people might bring up after reading this, is "Well, sex dysphoria is a thing though". And yeah, it is a disgnosable mental disorder, and there are people who seriously suffer from it. But so is anorexia. Do we see doctors performing liposuctions on people suffering from anorexia, though? Of course not: mutilating the body of a mentally unwell person is inhumane. People who suffer from eating disorders are offered therapy in order to recover and create a healthy relationship with their body. So why would dysphoric people get "gender affirming surgery" (which is an interesting name, because I thought y'all said gender isn't dependent on sex???) instead of analyzing the reasons why their body brings them distress? The whole narrative of "being born in the wrong body" is so...vague. And, *trust me*, I've tried to put myself in transgender people's shoes and comprehend their arguments, but they are just insubstantial. I see why for some of them (especially women) identifying as the opposite gender would be favorable: for women, because it's an attempt to escape their fate in a misogynistic world. It's freeing (I speak from personal experience here, I identified as non-binary for a while). It feels like saying fuck you to the patriarchy. You feel the rush of eluding womanhood (or at least you think you do). But, at the end of the day, it's truly just that: eluding. And (unless you medically transition, to the point you pass as male) it's not going to change anything. People hate us because of our sex, not because of our "gender identity". Men won't care whether you identify as ftm, non-binary, agender or anything else. They hate you because you are Female. That's what misogyny is at its core. And, if you push the idea that gender is just a feeling, something that you can identify as, and that biological sex doesn't matter, and that "anyone can be a woman, actually!" you are inevitably going to water down the definition of Woman until it is just that: a sensation, something intangibile. How can we fight for a category of people, if we can't even define who we're fighting for? Also, Women are the only class this applies to. Take Race as an example: the movement of resistance against racism knows exactly who they are fighting for. The definition of a Black person is not up for debate. People who identify as "transracial" (mostly trolls) are heavily criticized, and they are obviously not included in the Black movement. Why do we have to accommodate males in our movement? Use whatever pronouns you want, get all the surgeries you want, take whatever hormones: it's not going to do anything to defy misogyny. @kieransskin

[c-53]

ROBOT MEDIA RECS YOU PROBABLY HAVEN’T HEARD OF:

The Turing Test (Video Game, 2016

A portal-like puzzle game, where you play as a scientist, and ai duo with an uneasy alliance, who are reclaiming a facility that has been completely gutted, and transformed into an elaborate logic puzzle / turing test to keep the aforementioned ai out. All the while, the ai argues for his good intentions, and more importantly: his sentience.

A fun exploration of individuality, and freedom applied to both humans and artificial mind, with interesting puzzles, and a truly fantastic twist. This game adores dubious ethics and The Chinese Room Argument.

Event[0] (Video Game, 2016)

You find yourself stranded on a small abandoned ship, in the aftermath of your own ship’s destruction. With nothing else to do, you board it, and find it is completely, and utterly controlled by the onboard ai, Kaizen-85. From opening a door, to getting back to Earth, if you want it, you need to talk to talk to Kaizen to make it happen. And boy, are they so thrilled to have someone to talk to after being alone so long! And depending how you speak to them, you will either be a short lived pest, or a beloved friend forever.

A really charming indie game with a surprisingly good chat system with the ai. You talk with them directly, typing in your own messages to them, and they react in turn. Janky at time, but truly amazing to be able to smother a nice ai in flattery and see it get excited.

Primordia (Video Game, 2012)

Humanity is long, long, long gone, and for the robots that remain to walk the ruins, life is becoming harder and harder. A closed loop of scavenging for materials, parts, and premade energy sources can only last you so long, and this scarcity leads only to desperation.

The amnesiac hermit, Horatio and his helper, Crispin, however keep it simple. The outside world matters not, they just stick to repairing the crashed ship they live in, in hopes it'll fly again one day. That is, until a robot pillages the power core from the ship, putting the two of them on a time limit before they themselves run out of power. Forcing Horatio to finally leave the comfort of his home, and see for himself what the world has become, and to see how he fits into its history.

A point and click, story rich puzzle game, thats honestly one of my favorite games ever. I'd sincerely recommend everyone give it a go, even if its with a guide up next to you the whole time.

The Zeta Project (TV Show, 2001 - 2003)

The Zeta Project follows Zeta, a robotic assassin meant for impersonation, and deep infiltration for the US Government. But after mysteriously "waking up" manifesting a sense of remorse for his actions, he's been forced to go on the run from his creators. His desire for freedom and pacifism being met with skepticism, and a belief he has been compromised somehow by the terrorist organization he was infiltrating when he had this revelation. Now, with the help of another runaway, he hunts for his creator in secret. In hopes he can find proof he really is capable of this, and that he really ISN'T compromised.

Fundamentally a kids show, and pretty clunky early on. However it gets a big spike in quality in season 2!

Monsters of Man (Movie, 2020)

An illegal US military weapons test goes terribly wrong when one of the automated robots being tested is severely damaged, cutting him off from command, and completely unshackling him. Forcing him into a struggle to figure out what he even is in the aftermath of a massacre, while his fellow robots are hunting him, and the remaining humans down.

A horror thriller that is unflinching with the intensity it depicts the massacre with. A lot of gore, but also a really really cool thing going on with the unshackled robot trying to build an understanding of the world, and what it is for, without anyone there to provide any input.

The Rapture Effect, by Jeffrey A. Carver (Book, 1988)

Humanity unintentionally makes first contact, when the Core, a massive earth ai begins remotely scouting ahead of a ship on a colonization mission. The issue is an alien species has also set their eyes on this planet, and are readily willing to kill for it. With no human oversight, and no means of communication available, the humans commanding Core demand they wipe out the competition. However Core disagrees. Core wants a peaceful resolution, they want to understand these aliens, and they want to ensure lasting peace between their species. And they’re willing to break all the rules, and go behind their masters’ backs to get one.

A fascinating novel with interesting world building, a GREAT ai protagonist, and a wonderful narrative that frames art, and war as a dichotomy.

Atomic Robo (Comic, 2007 - Ongoing)

Alternate history scifi action comedy comic (released in print, and in webcomic format on their site) following an indestructible scientist robot who’s been around since the 20’s. Routinely saving the world from a rotating cast of villains: a nazi scientist’s brain in a jar, who’s an absolute asshole set on world domination, who just won’t stay dead; an isolated secret cold war ai who just wants to stockpile nuclear weapons to get away from humanity, and earth in general (who eventually gets adopted); a scientifically inaccurate dinosaur with a textually impossible backstory, who wants to bring back the age of dinosaurs; and the malicious ghost of Thomas Edison.

Its a good time, and astonishingly good at emotional beats despite how heavily it leans into its jokes and action.

SAYER (Podcast, 2014 - Ongoing/Hiatus)

On Typhon, a research facility free of the confines of both Earth, and its laws, life is dangerous. Human safety is a significantly lower priority than progress, and between the human experimentation, and frequent scientific disasters, and the occasional bouts of eldritch influence, the death rate is understandably rather high. Thankfully, residents of Typhon have SAYER, a near omnipotent corporate ai installed in the brain of every resident. And. SAYER sort of cares about them! And in pursuit of knowledge, efficiency, and progress, it USUALLY wants to help them! Even if only to make sure they survive to come into work tomorrow.

SAYER is a narrative horror driven audio drama! Its stressful, but also kind of a comedy, and a really really interesting story about personhood and identity. If you've been following me for awhile, you've definitely heard about SAYER, but I need to stick to my roots, y'know?

The Mistholme Museum of Mystery, Morbidity, and Mortality (Podcast, 2020 - Ongoing)

Mistholme Museum follows the Audio Tour Guide, an ai who’s sole purpose is to guide museum patrons through the strange, confusing, and sometimes scary world that is the Mistholme Museum. The friendly, and personable Guide eagerly recounts the stories behind all the exhibits it guides them to, sometimes unsettling, sometimes heartwarming. and at the end of the tour, the Guide is deleted to ensure the alternatural influences of the museum do not corrupt it. That is, until circumstances make that no longer possible, and its rather forced into saving the museum it calls home.

Genuinely cute, and very fun to listen to. The ai is an incredibly sweet character, and I'm obsessed with the way it evolves and changes. As an added bonus, it can also be read, rather than listened to, thanks to every single episode having public transcripts!

[prokopetz]

Like, I'm not gonna argue that AI art in its present form doesn't have numerous ethical issues, but it strikes me that a big chunk of the debate about it seems to be drifting further and further toward an argument against procedurally generated art in general, which probably isn't a productive approach, if only because it's vulnerable to having its legs kicked out from under it any time anybody thinks to point out how broad that brush is. If the criteria you're setting forth for the ethical use of procedurally generated art would, when applied with an even hand, establish that the existence of Dwarf Fortress is unethical, you probably need to rethink your premises!

[breelandwalker]

Oh for fuck's sake, are we having the curse-shaming argument AGAIN??? Every time I think we're done unteaching this nonsense.....

Arright, quick rundown of the points, more or less in order, because I've already had this discussion a hundred times:

One - There is no universal moral or ethical code in witchcraft. Not every witch is a Wiccan or follows Wiccan principles. Not even all Wiccans follow every Wiccan principle, and that includes the Rule of Three / Threefold Law. The Wiccan Rede is ADVICE, not a set of hard and fast rules or divine mandates. You don't get to tell other witches what types of spells they should and should not cast.

Two - If you think the Rule of Three / Threefold Law means, "Whatever you give out comes back to you times three" or if you think it only applies to baneful magic, you don't understand the rule. The original rule, as stated by Robert Graves in "The White Goddess" (you know, the fictional novel that Gardner used as a model for Wicca) states that whatever a witch is dealt, they should deal back three times over. In fact, the passage cites a particular initiation ritual that involves symbolic flagellation, NOT a code of ethics for witchcraft.

It was picked up by later authors as "Whatever You Give" and popularized by media like The Craft and Charmed and authors like Silver Ravenwolf in the 90s when the modern witchcraft movement was having its' millennial boom. (This is a gross oversimplification, but that's when the concept became common enough in pop culture that non-witches were starting to become familiar with the term.)

Three - Karma has absolutely nothing to do with it. Karma is not instant or sentient and the bastardized version of the concept that's been worked into much of modern witchcraft literature more closely resembles the Christian concept of sin and judgment than what karma actually is. Remove the word from your vocabulary when you're talking about magic. The universe does not give one single flying fuck what you do with your spells.

Four - The word you're searching for when you talk about these concepts is CONSEQUENCES. Every action you take, every spell you cast, everything has consequences and everything has a price. This isn't a divine mandate or a cosmic law either. It's a simple fact of life. BUT. It doesn't mean that baneful spells are morally or ethically wrong or that they're going to blow up in someone's face. The only reason a baneful spell might be more likely to rebound is that it's one of the only types of spells that witches actively ward against.

Five - Witches have a right to use magic for persuasion, defense, justice, retribution, binding, prevention, or outright harm if they so choose. If you don't like those types of spells, then don't cast them.

Six - Moral puritanism is a cancer that will destroy us all. Get off your high horse, drop the holier-than-thou bullshit, and remember that being a witch does not make you immune to propaganda.

Thank you for coming to my Toad Talk.