#it would show how complex his emotional journey has been and prove to us that even now after getting older and trying to move on he

[immaturityofthomasastruc]

IOTA Reviews: Conformation and Re-Creation (The Final Day)

Well, here we are. The final two episodes of Season 5. It's been a long and complicated journey, so let me get you up to speed on what exactly happened this season, episode by episode.

Evolution: Ladybug and Cat Noir chase Monarch through time, and it's not nearly as cool as it sounds.

Multiplication: Adrien likes Marinette now because the plot says so.

Destruction: Cat Noir accidentally Cataclysms Monarch, and it somehow leads to the most guilt he feels using his Cataclysm on anyone.

Jubilation: Ever want to have the image of Ladybug and Cat Noir being teen parents burned into your brain? No? Too bad!

Illusion: Nino establishes himself as a leader so terrible, Zapp Brannigan would call him an idiot.

Determination: Marinette likes Cat Noir now because the plot says so.

Passion: Nathalie shows she'd rather silently judge Gabriel for his actions over actually doing anything to stop him.

Reunion: Marinette talks with the spirit of Joan of Arc, and it's not nearly as cool as it sounds.

Elation: Someone tries to murder Marinette over ice cream for the third time in four seasons.

Transmission: Yeah, I totally believe you're replacing Marinette and Adrien with two new main characters in the middle of your fifth season.

Deflagration: Because of Tikki and Plagg's terrible decisions, Monarch comes the closest he's ever come to winning.

Perfection: Kagami becomes a giant cloud Akuma, symbolizing her also becoming a total airhead for the rest of the season.

Migration: The writers realize they have no idea what to do with Luka, so they kick him out of the show entirely.

Derision: “How many things do you want to retcon to make this story work?” “Yes.”

Intuition: Gabriel continues to prove how pathetic of a villain he is, even when he has unlimited chances.

Protection: Even after being tricked three times by her, Kagami still thinks Lila is a trustworthy person.

Adoration: “We have Lumity at home”.

Emotion: The episode where Felix essentially commits genocide is somehow also the one where the writers want the audience to start viewing him in a sympathetic light.

Pretension: Felix likes Kagami because the plot says so, and vice versa.

Revelation: Lila only gets as far as she does thanks to Marinette becoming as dumb as the rest of the class.

Confrontation: Our heroes expose the villain's evil plans by spying on them through a bathroom peephole.

Collusion: Remember kids, violent revolutions against politicians are never the answer.

Revolution: Remember kids, violent revolutions against politicians are always the answer.

Representation: To the surprise of literally no one, Felix is revealed to be a Sentimonster, yet the writers still won't tell us that Adrien and Kagami are the same.

Now that you're all caught up, let's get into the twenty-fifth and twenty-sixth episode of Miraculous Ladybug's fifth season: Conformation and Re-Creation

After a brief news report showing everyone enjoying the first day of Summer vacation, Gabriel and Tomoe finally decide to launch “Perfect Alliance”. What does this plan entail? For starters, Gabriel transforms into Monarch, detransforms to akumatize himself into Nightormentor again, gives himself the powers of the Mouse, Rooster and Horse Miraculous in order to clone himself and fly around the globe to spread his nightmare dust. Because just akumatizing Sandboy again and giving him the Mouse Miraculous' Multitude was just too complex of a plan.

Marinette is the first to be affected by the dust, we get a dream where she dresses up as a knight to save Adrien from a cheap recolor of Fang in his dragon form.

This is a weird episode of Super Why.

Marinette defeats the dragon, who reverts back to Gabriel, who is accidentally killed by the fight, causing Adrien to cry since Adrien was watching the whole thing. Marinette wakes up, thankful that it was all just a bad dream sequence. She decides she needs to find out just where Gabriel sent Adrien to make sure he's safe, something that won't make sense as I'll explain later on. As she tries to leave, she keeps experiencing sudden headaches, as do her parents and Alya.

Meanwhile, Adrien is still left reeling from the effects of the nightmare dust from last episode, to the point where he has a panic attack, demanding to be let out. Gabriel, seemingly aware of this, decides to give Adrien the “antidote”, an Alliance ring with an app called “Perfect Alliance”. So once again, despite claiming to do this for his son, Gabriel willingly chose to make his life worse as part of his evil plans. Remember this, it'll be important later on.

Plagg suggests Adrien transform into Cat Noir, but Adrien reminds him that there are cameras everywhere, so he can't risk it. Plagg disables the cameras, but Adrien still says no. Whether he was aware that the robot who was sent to give him the Alliance ring with the new app had a hidden camera is irrevelant, because Adrien gives a different reason why he can't transform.

Adrien: I'm not in my right mind. I'm too angry; at myself for falling short of Marinette's love, at my father for sending me here in London, at this stupid app and these rings that use my image... it makes me sick! This nightmare is giving me the horrible feeling that, if I transform, I'll get akumatized and destroy everything with my Cataclysm. Marinette, Ladybug...

Plagg: Surely Ladybug can help you.

Adrien: If I ask her for help, I'd have to give her information that would jeopardize my secret identity... and I can't.

Okay, let me make one thing clear. The reason that Adrien can't risk exposing his identity thanks to all the cameras is a good one, and the fact that he doesn't want to risk exposing his identity to Ladybug in particular is a good sign of character development, but the problem I have is the fact that the writers decided to bench Adrien in the first place.

Yes, you heard that right. In arguably the most boneheaded decision in the show's history since... well, a lot of things this season, Adrien, despite being the son of the main villain, isn't going to get involved in the final battle at all.

There are multiple reasons why Adrien staying put in this room is a terrible idea, and most of them involve the fact that almost none of the in-universe explanations for this hold up.

Adrien is being heavily monitored by cameras? We just saw Plagg was able to disable them with ease.

Adrien can't ask Ladybug for help without jeopardizing his secret identity? The fact that he's at risk of being akumatized as is, with or without the Cat Miraculous, will still blow his cover due to Monarch's mind reading abilities (which we saw when Monarch almost learned Luka's secret in “Migration”), so he really has nothing to lose here.

Adrien isn't in the right state of mind thanks to the nightmare dust? Literally every other character who takes part in the final battle is able to either find a way to fight off the nightmares or keeps going while still under the influence of the nightmare dust.

Adrien's ultimate plan to take off his Miraculous and let Plagg choose a new temporary holder? We saw this exact same scenario play out earlier this season in “The Kwamis' Choice”, and things went horribly, horribly wrong.

Do you see why this makes no sense? Even though the show loves to boast about how valuable of an asset Cat Noir is, the writers are bending over backwards to justify keeping Adrien as far away from the final battle as possible, because they know damn well that they'd have to address how terrible his father really is with the reveal.

And the best part? This is basically the last we'll see of Adrien in this episode. Do you want to know how many lines he gets in the next episode, AKA, the final episode of the season? Three. AND THEY'RE ALL AFTER THE FINAL BATTLE.

But we're not done talking about this stupid idea yet, because unlike the other episodes, I have something else to rant about: The writers' commentary. In November of 2023, around four months after the finale premiered, the writers of this show recorded their own audio commentary, and while I don't have the exact translation (if anyone reading this has a translation of this, I would really appreciate the effort), I have seen one post summarizing the things they said, and all I can say is DEAR. LORD. This is not just shooting yourself in the foot. This is shooting yourself in the foot multiple times with Judas Bullets.

Like, it's amazing. We've always speculated just what goes through the writers' heads that makes them come up with some of the strangest ideas to take the story, and now, we have a first-hand account of why these episodes turned out the way they did. For this one moment, they gave about three explanations as to why Adrien was benched for the finale.

Let's start with the first one, Cat Blanc. I know what you're thinking, wasn't Cat Blanc an Akuma from an alternate timeline that our Adrien shouldn't know about? Not according to Melenie Duval. While Adrien's fear of being akumatized is reasonable, Duval claims that he could become Cat Blanc... which makes no sense as A) Adrien's nightmare was of an entirely different Akuma, and B) The aforementioned nightmare dust never informed Adrien of the alternate timeline where Cat Blanc destroyed the world, it just provided him with a nightmare about a similar scenario.

And in case you weren't questioning this woman's judgment, Duval has done on the record to state that her favorite episode of the entire show is “Derision”.

Our next reasoning is especially stupid, as the rest of the writing team reveal that they had planned to keep Adrien out of the final battle as far back as 2014, nine years before the finished product premiered. Why would they do that? Because they wanted Ladybug to unify with the Cat Miraculous, of course! Sure, you could have just saved this unification for a special or something like that so you don't bench one of your main characters, or you could have at least had Adrien willingly give his Miraculous to Ladybug to unify with in person, but nope. This is seriously one of their defenses— I mean, explanations, for why Adrien isn't allowed to be in the final battle, because they thought it would be more important to give Marinette her 10th new form in three seasons than letting Adrien get some form of closure with his father.

And here's the final reason they gave in the commentary. Remember that dream sequence of Marinette dressed as a knight that was also sort of foreshadowed in “Gabriel Agreste”? Turns out, the writers wanted to, and stop me if you've heard this before, play with the tropes and symbolism of fairy tales. Wow, I've never seen any kind of pop culture do that before... except for Into the Woods, The Princess Bride, Hook, Shrek, Princess Tutu, Ella Enchanted, Hoodwinked!, Enchanted, Tangled, Once Upon a Time, Frozen, RWBY, Ever After High, Red Shoes and the Seven Dwarves, Guillermo del Toro's Pinocchio, and Nimona. But other than those, that's so original!

Even though the writers are acting like they're breaking new ground, do you want to know what they mean by this? They're just doing another damsel in distress situation but this time, Adrien, the boy, is the one who needs to be saved by Marinette, who is, GASP, a girl?! WOW! That totally changes everything!

Okay, yes, the damsel in distress trope has usually been seen as a misogynistic one due to the fact that the people who needed to be saved are usually women, but like I mentioned way back in my “Gabriel Agreste” review, just swapping the genders isn't enough to breathe new life into a trope as old as this one. It's arguably worse because Adrien isn't just someone who needs to be saved. He's a superhero, and like I mentioned, there were plenty of options to get him out of his room in London.

And I'm guessing that some of you are thinking, “But IOTA! You just want Adrien to save the day by himself because he's a guy!” Just remember that I had this exact same problem last season where the roles were reversed. Remember how I hated the way Marinette's arc about dealing with the stress of being Guardian was hijacked by Adrien complaining about Ladybug not trusting him? This time, we have an arc about Adrien trying to break free from his father's influence that's been hijacked by Marinette needing to save Adrien by herself, robbing him of any agency he had to the plot entirely. This issue isn't about gender. It's never been about gender. I would have the exact same problem if Adrien was the one who confronted Monarch by himself while Marinette was trapped in her room.

This leads to the biggest problem I have with this plot development: It ultimately goes against the core theme of teamwork the show keeps trying to convey. Remember how last season, Marinette needed to learn to let other people trust her? Now, she's going to beat up Monarch all by herself without any help. Remember how last season, Adrien needed to prove he didn't deserve to be left in the dark about everything? Now, he's going to stay all the way in London while his partner gets in the fight of her life. It's detrimental to both of them as characters, and makes everything that happened to them in Season 4 completely pointless.

Okay, now that I've spent five pages ranting about this insane decision, let's get back on track, shall we? As the Perfect Alliance app helps Adrien and Kagami calm down, Marinette sneaks into the Agreste mansion as Ladybug. Meanwhile, Nathalie has her own nightmare about Gabriel winning, AKA, the very thing she could have stopped a long time ago by ratting her evil boss out to Ladybug and Cat Noir.

We then learn just what the Perfect Alliance app really does. Basically, thanks to the technobabble, it helps alleviate the stress from their nightmares. Or, to put it in Layman's terms, Gabriel and Tomoe plan to get the entire population of Earth addicted to cyber crack. We see this affect several of Marinette's classmates, but because Mylene has a sudden disdain for technology that “Was made without respect for the Earth's resources”, she's the only one who sees the problem here. I'd ask why this wasn't established earlier this season, but it doesn't matter, since Mylene gives in anyway,

Because it's a day that ends with a “Y”, Gabriel goes to talk to Emilie's body yet again, and it seems like even the writers realized how tired this got, as Nathalie finally decided to ambush him with a crossbow.

Miss Sancoeur, I served with Buffy the Vampire Slayer. I knew Buffy the Vampire Slayer. Buffy the Vamprie Slayer was a friend of mine. Miss Sancoeur, you're no Buffy the Vampire Slayer.

Yes, it only took five seasons worth of evil plans for Nathalie to realize just how demented her boss really is.

Nathalie: I can't let you do that... if you make the wish to bring her back, someone will have to go in her place. Emilie would never have agreed to this!

Gabriel: Do you think I'd be monstrous enough to sacrifice a human being?

Uh... yes? That is literally what equivalent exchange means. You really don't know how the wish works after researching it?

Shockingly, the frail woman armed with nothing but a crossbow isn't able to stop someone with superpowers. There isn't even a fight. Monarch just knocks the crossbow out of her hands and she faints. Maybe you should have actually come up with some sort of plan before confronting Gabriel by yourself, dumbass.

Back to Ladybug, she searches through Gabriel's stuff and finally learns he's Monarch... even though she should already know thanks to Felix and Kagami's play last episode. She even looks pretty shocked to see Monarch detransform.

Back to the commentary, the writers justify this with their absurd “Every episode can be watched on its own” rule. Because simply having Marinette say she already knows was out of the equation, I guess. Seriously, earlier in the episode, Tikki (who, along with Plagg, wasn't affected by the nightmare dust for some reason) had doubts that Marinette should break into the Agreste mansion, and it came across like neither of them knew the truth, and this was a reckless decision that wasn't motivated by Gabriel being Monarch at all. Once again, the writers fail to understand the idea of using “Previously On...” segments to help new viewers catch up on what's happening. It's even more confusing when you remember that Tikki knows Adrien is Cat Noir, so his father being Monarch coupled with his sudden absence should be setting off all kinds of red flags in her book.

Ladybug tries to text Cat Noir about who Monarch really is, but chooses not to send it after Gabriel pushes a few of her buttons. Rather than jumping Gabriel while she still has the element of surprise, she only chooses to grill Nathalie for questions once Gabriel is out of the room. And of course, only when she's on death's door does Nathalie tell Ladybug to stop Monarch, but not before telling her to transform back.

We see Gabriel and Tomoe put their plan into action. They create a fake scene of Ladybug and Cat Noir kidnapping Adrien and Kagami in order to rile up the public (who aren't in the best state of mind thanks to the nightmares) in order to for them to use the Alliance rings to transform them into the “Miraculized”. In other words, it's basically “Heroes' Day” all over again. Seriously, think about it. Just like “Heroes' Day”, it looks like Adrien is being harmed by Ladybug in an attempt to push the population to the brink of despair so Gabriel can create an army in the process. Yeah, the public doesn't know the two are the same, but the audience does. Granted, this is a minor nitpick compared to the rest of my problems with this episode, but I hope you can see what I'm getting at here.

Case in point, the reason Nathalie told Ladybug to detransform was because Gabriel has found a way to track her and Cat Noir through their “quantum signatures”. With Cat Noir, it was thanks to the dust from Gabriel's Cataclysm wound, and with Ladybug, it was thanks to the Magical Charm she gave Gabriel earlier in “Gabriel Agreste”... which he shouldn't have since it was destroyed in “Dearest Family”.

Seriously, this is the season finale. How the hell are the writers still struggling to remember important events like this?

Now's as good a time as any to talk about the Miraculized's design. Yeah, they're pretty lame. They all look like they're wearing fencing gear, and don't look intimidating in the slightest. They also now have the ability to use every Miraculous power at once, which breaks the previously established rules about the Alliance rings in that only one ring can handle each Miraculous power. You could at least argue that the robots used in “Confrontation” had more advanced technology that made them capable of using multiple powers, but nothing has changed about the Alliance rings to justify this. And remember, this is something every Miraculized in the world can use, yet the system hasn't been completely fried, and as we'll later see Monarch can still freely use the other Kwamis' power even when they're being shared with the Miraculized across the world. In fact, how can the Miraculized even transform like this? Monarch doesn't akumatize anyone to spread this transformation. Gabriel just tells to say “Alliance, Miraculize Me!”, and now they can transform. Was this always a function of the Alliance rings? Is there a tiny Akuma hidden in each ring? How the hell does any this work?

Ladybug fights off some of the Miraculized who used Voyage to find her, and remembers Nathalie's advice to detransform. So just like in “Passion”, even though she's still wearing her Miraculous, the system specifically designed to track her down isn't able to find her unless she's still transformed. Marinette runs away to a safe place before running into Plagg, who tells her Cat Noir is out of commission. With no other options, Marinette decides to unify with the Ladybug and Cat Miraculous, turning into Bug Noire, revealing her identity to Monarch in the process, and ending the episode.

Bug Noire's design is admittedly pretty nice. I like the balance of red, black, and green, though the hair is a little too long for my taste. Granted, I still don't get why this is the reason why Adrien can't be here to fight Monarch alongside his partner. I'm just saying, was it really worth it, writers?

THE BIGGEST IDIOT OF THE EPISODE IS... NATHALIE

Yep, right before the finish line, Nathalie gets her second award this season. After spending several episodes doing nothing but letting herself rot away, Nathalie only chose to finally do something about Gabriel once he was literally about to enact his final plan, thought she could stop him with nothing but a crossbow, and only begged Ladybug for help when it looked like she was about to die and had nothing left to lose.

“Re-Creation”, the final episode of the season, starts off with Lila watching some broadcasts of people succumbing to their paranoia (and she does it while smirking because the writers still don't think we understand she's evil) and transforming into Miraculized while she puts on a new disguise that makes her look like an evil Edna Mode.

How come Lila isn't even affected by the nightmare dust like the rest of the human population? As always, never explained!

Back in the Agreste mansion, Bug Noire and Monarch are duking it out, and we get some pretty creative uses of Lucky Charm, like when she summons a piano to crash down on Monarch. Meanwhile, after Marinette's friends manage to get the Alliance ring off a Miraculized Ivan, we get to see how the rest of the world is dealing with the Miraculized. In Shanghai, the Renlings help Fei through her nightmares, Su-Han has recruited Jagged Stone, Luka, Penny and Fang to the Order of the Guardians instead of actually getting backup like he said he would in “Multiplication”, Present Bunnix finally decides to do something and uses Burrow to sent the Guardians to Paris, while the United Heroez fight off the Miraculized and learn the true nature of the Alliance rings. Just remember, it was too much for the writers to let Adrien get involved in the final battle, yet all these side characters get to do something in the finale for some reason.

Meanwhile, as if things couldn't get any worse, Nino decides the Resistance needs to get involved after reassuring Mr. Damocles that they never give up. Believe me, not much would change if you guys just threw in the towel, especially now that the United Heroez are here, and have Eagle, a member whose powers work as an instant cure for everyone's nightmares. Hey, while we're on the subject, does anyone know where the United Heroez were this entire season? I can excuse Fei as she's just one teenager in Shanghai, but the Americans have a small army of heroes, including the president, yet they just let two violent coups in France happen last week.

As Bug Noire and Monarch keep fighting, Bug Noire comes up with the brilliant idea to Cataclysm the Butterfly Miraculous, only being foiled by Monarch already having Resistance active. Okay, is a side effect of using the Cat Miraculous this season a taste for blood? Why the hell are the heroes so okay with trying to use Cataclysm on their enemies now? Bug Noire then decides to use her Cataclysm for something far more reasonable, breaking the ground beneath her and Monarch. Because I guess Bug Noire is really gunning for Biggest Idiot this episode.

Back with the Resistance, they meet up with the Guardians, United Heroez, and Ladydragon, who have actually been getting shit done. Wow, it's just like that scene from that one movie where all the characters we've come to know over the years rally together for the final battle! What was it called again? Oh yeah, Spy Kids 3-D: Game Over.

While the other heroes are overwhelmed by the Miraculized, we cut back to Bug Noire and Monarch yet again, now inside the area where Emilie's body is. The two keep fighting as Monarch tells Bug Noire why he's doing all this, all while Lila breaks into the mansion.

Monarch: I want my wife, Adrien's mother, to come back to us! Once our family is reunited, Kagami and Adrien will become the eternal icons of this world! And we will be here to witness their absolute triumph!

Bug Noire: “Your wife”? “Come back”? “Kagami and Adrien, eternal icons”? How many lives are you going to ruin in the name of your crazy dreams?!

Monarch: As many as it takes! In order to bring Emilie back, someone else will have to disappear! In order to heal the wound that Cat Noir inflicted on me, someone else will have to be wounded!

Bug Noire: Someone else? But who?

Monarch: Anyone! No one matters except us! How about you, Marinette? Wouldn't you give your life for your sweet Adrien's happiness?

Bug Noire: Do you really think that's what he'd want? To discover that his father has turned into a supervillain, willing to make innocent people pay the price of his madness?

Monarch: Adrien would do the same thing!

Bug Noire: Never! Unlike you, Adrien has made his peace with it. He's not living in the past! He has a whole life ahead of him!

Bug Noire: You'd know this if you ever took an interest in him. But in reality, Adrien means NOTHING to you anymore! You've locked him in your house! Locked him in your Alliance rings!

Bug Noire: Locked him into a life that allows you to hide behind him in order to justify YOUR madness!

Monarch: All I want is for him to be happy!

Remember all of this, because it's going to be important soon.

Bug Noire uses her Lucky Charm, and gets a tube of glue. She uses some of it on this random boomerang she found (I'm assuming it's the remains of Nathalie's crossbow), sticks it to her yo-yo, and then throws it at Emilie's coffin. Monarch reflexively grabs the sticky boomerang, and loses all of the rings on his right hand just as Bug Noire uses Cataclysm on the elevator to get to this area of the mansion, with the intent on CRUSHING EMILIE WITH IT. Our hero, ladies and gentlemen! Monarch saves his wife, but because he's distracted, he can't stop Bug Noire from throwing her staff at the Butterfly Miraculous, knocking it off and reverting Monarch back to Gabriel. Bug Noire ties up Gabriel's feet, and when Gabriel tries to sucker punch her with Venom, Bug Noire grabs the hand, threatening to Cataclysm the remaining Alliance rings and the two rings she should damn well know contain Adrien's Amok. Either she's bluffing, or we accidentally got the Paris Special universe's version of these events.

Bug Noire tries to reason with Gabriel, who then breaks down crying, showing how deep down, he just really cares about his family. And even though just six episodes ago, Marinette said that it was very easy for idealistic people to be taken advantage of by others, she buys into Gabriel's last-minute sob story, and wouldn't you know it, he stabs her in the back. Congratulations, Marinette. You just doomed the universe. Even when the Dino Charge Rangers accidentally got everyone on their planet killed, they were at least able to fix it themselves.

It's time to go back to the commentary, where we can learn the writers' true intent for this scene. They honestly believe that both Marinette and Gabriel care for Adrien in their own ways, and the whole reason that Marinette chose to trust Gabriel was to teach the lesson that it's important to talk out your feelings with others... a lesson that fails because 1) Marinette had already beaten Gabriel through violence, 2) Marinette trusting Gabriel backfired horribly, and 3) Gabriel won because he took advantage of Marinette's trust! You can't teach a lesson about trust when for all intents and purposes, Marinette once again lost BECAUSE SHE CHOSE TO TRUST SOMEONE!

Even though he had to unify with Tikki and Plagg to try making the wish in “Deflagration” (I really shouldn't have used the “Great Continuity!” clip earlier), we get yet another retcon this season: Tikki and Plagg have to reveal their true forms. Yeah, I know Tikki's true form was briefly seen in “Dearest Family”, but that doesn't change the fact that Monarch didn't do this when he had the Ladybug and Cat Miraculous in “Deflagration”.

Tikki and Plagg's true forms just look okay. I like the otherworldly theme, but they don't really stand out much. They honestly look more like forms Ladybug and Cat Noir would have than anything else.

It's here that we get the culmination of five seasons' worth of lore. After a brief glimpse of it in “Ephemeral”, Tikki and Plagg, the Kwamis of Creation and Destruction will merge their energies to form their true true form, the Kwami of Reality itself, able to grand any wish asked. This majestic, otherworldly being's name? Gimmi. Just... Gimmi. The commentary claims they're named after an ABBA song, and I wish I was making this up.

Like with Tikki and Plagg's true forms, Gimmi has an okay design. They're just a little too pink for something meant to be a fusion of the red Tikki and the black Plagg.

As Marinette begs Gabriel not to go through with this, Gabriel doesn't think twice about it, and instead, gives Marinette the rings containing Adrien's Amok, along with a request, fully aware that his time is almost up.

Gabriel: Marinette, make sure that Adrien never knows about the villain that I was, but instead, that he remembers the times I tried to be a good father.

Alright, we've finally gotten to the most controversial part of the episode: Gabriel's “redemption”, and I put that term extremely loosely.

Put aside the fact that almost a third of this season was spent telling the audience that a certain character who shall not be named is beyond saving despite working alongside him multiple times for the past two seasons, Gabriel's last-minute redemption falls flat because he doesn't even seem to feel remorse for what he's done. Not once does he actually say he's sorry for what he's done, just how Emilie's death affected him. That's understandable, but he doesn't even seem to acknowledge the weight of his actions or how many lives have been endangered. Remember earlier, when Monarch said he was perfectly okay with sacrificing someone else if it means his family can be happy? Yeah, that never comes back, especially now that him making the wish is portrayed as a good thing when every time it's been discussed ever since it was first explained in “Robostus” just how dangerous actually using it is.

In fact, let's discuss the fact that Gabriel is getting to make the wish in the first place. The whole idea of this basically contradicts Gabriel supposedly realizing he's gone too far. Rather than just having Gabriel give up his quest and let Emilie rest in peace, we're supposed to be happy that Gabriel double-crossed Marinette even when the music is making it seem like it's a bad thing... WHICH IT IS! Once again, for a show that loves to go on and on about how powerful love is, it really loves to show people getting screwed over whenever they decide to show compassion to their enemies. Imagine if in Return of the Jedi, when Luke chose to not give into the Dark Side by sparing Vader, Vader took the chance to kick him in the crotch while he was distracted. That's basically what happened here.

Next, notice how Gabriel specifically asks Marinette to make sure Adrien never learns the truth about who he was, and “Remembers the times he tried to be a good father”. After everything he's done, Gabriel isn't even willing to let Adrien learn about what he's done, because he wants him to focus exclusively on the times he TRIED to be a good father. This isn't the matter of Gabriel missing Adrien's fencing tournament because he had an important business meeting. Gabriel was a literal supervillain who preyed on innocent people in order to obtain absolute power, and he wasn't even a good father to his only kid. He was neglectful, controlling, and in the last few months of his life, spent more time trying to ruin his relationship with his girlfriend for no reason other than because he thought his associate's kid was a better match for him. He was a terrible father, and Gabriel even seems to be aware of this, but rather than find a way to repent for everything he's done, Gabriel is basically going to take the coward's way out by forcing Marinette to sugarcoat his life instead of admitting he was, at the very least, a flawed parent, all so Adrien will feel bad when he finally drops dead.

And yeah, let's talk about how Gabriel assumes that Adrien shouldn't be allowed to know the truth... WHEN THAT'S NOT HIS DECISION TO MAKE. Adrien should be the one to judge whether he believes Gabriel was a good father or not. Of course Gabriel would assume he was a good father despite the numerous red flags, but Adrien is another story. By keeping the truth hidden from Adrien, you're depriving him of a potentially important moment in his life where he finally learns to break free from his father's influence. Instead, even though he's a fucking superhero, we're just supposed to accept the fact that Adrien is just a poor, fragile, sensitive baby boy who can't handle hearing any bad news or else I guess he'll explode. It says a lot when, of all movies, Star Trek V: The Final Frontier did a better job handling an idea like this, by saying that pain is a natural part of life.

But let's talk about the biggest problem with this turn of events: The fact that it essentially vindicates everything Gabriel has done, with or without the mask, as well as essentially convey a pro-child abuse message. In case you weren't around before I posted this review, I asked my followers who have been victims of child abuse or poor parenting to share their experiences so I could get an idea of how similar they were to what Adrien has had to go through. And a lot of them were pretty similar.

During almost all of what I read from these people, their parents or guardians shared one thing in common: An inability to admit being wrong. All of them tended to either blame their kids for whatever happened to them, or find ways to justify their poor treatment. As far as they're concerned, it's the kid's fault that they're being treated so poorly. And while I'm sure a handful of people isn't enough to survey the entire population of abuse victims on this planet, the fact that some of these people, as in actual victims of child abuse, were able to see similarities with their own upbringings and the way the main villain treats his son and don't buy the show deciding to act like all of that was perfectly okay says a lot about how much this finale dropped the ball when it came to the lesson it wanted to teach.

Yes, from what I've read from my followers and other things online, some abusive parents do believe that what they're doing to their children is out of a warped view of love, but that isn't enough to validate their actions completely, and it obviously doesn't validate Gabriel's actions during the last five seasons. During the entire run of the show, Gabriel has denied his son a normal life, treats him like an object, and despite claiming that he really loves him deep down, he almost never shows it. It seemed like the show was either going to have Gabriel realize the error of his ways due to how fruitless they ended up being, but having him get the upper hand on Marinette at the very last second ultimately makes it so all of his effort, every evil plan, every civilian endangered, was all worth it. And that's why Gabriel's final moments supposedly acting like he's repented for his actions don't work, and why it turned what was initially just a boring finale into one that was beyond infuriating.

And I'm assuming that you're thinking to yourself, what exactly is the wish Gabriel was so desperate to make that he tricked Marinette at the last second?

We never really learn what kind of wish Gabriel makes using Gimmi, even in the epilogue. I'm also going to talk about this in a later post, but of course Astruc, being Astruc had to give his usual sarcastic remarks to anyone who had the slightest question about what the hell just happened.

I love how someone will ask something like “Do you mind clearing up a few questions I have about the season finale?”, and Astruc will hear what they said as if they just asked, “Is Mylene secretly the reincarnation of the Anti-Christ?”.

So Gabriel makes his wish, somehow reunites with Emilie's soul as he ascends to Heaven... until the angels realize they made a horrible mistake, and send Gabriel to his custom-made Tenth Circle of Hell. Reality itself is rewritten and all of the characters we've come to know over the past five seasons are effectively dead. If that isn't supposed to be a happy ending, I don't know what is.

According to the transcript, it's been a month after the wish is made, we see how Paris has changed since then. Not only has Miss Bustier given birth to her baby, she's also been elected as Mayor of Paris, already passing her first law, the “Eco Rule”.

Miss Bustier: It consists of very simple principles: don't take more from the Earth than what it can give us, distribute its riches equitably and don't pollute more than it can recycle.

Remember when Mylene said that you can't solve climate change with a single law? I guess the writers forgot to recycle that moral too, because despite the vague as hell guidelines, Paris has already adapted to function without plastic wrappers or cars. Just remember, it's only been one month since the wish was made. Even Star Trek needed at least 130 years and a nuclear war before its utopian society could be established. And that's not even getting into the new school she's helped create.

Miss Bustier: In this new school, there will be no classes or struggling to get good grades. Children of all ages will be able to intermix and freely access all kinds of activities.

The fuck you mean “no grades”?! How the hell will that even work?! We're supposed to see this as her being an impressive politician, but it comes across like some grade schooler's “If I were president” essay. And remember, ONE. MONTH.

How else has the Eco Rule been implemented? All of the Alliance rings have been melted down and reforged into a statue honoring... the great hero, Gabriel Agreste.

Yep. This is the ultimate fate of the main villain after five seasons of terrorizing the city of Paris: He gets a fucking statue in his honor. Are we sure this is a victory for the good guys? And no, just surviving the villain's master plan doesn't count as a win.

Even better, according to Adrien, he somehow helped defeat Monarch... even though Gabriel is Monarch, so is Monarch a different person in this world? What about Monarch's previous identities, Hawkmoth and Shadowmoth? Did they still exist in this world? They had to, considering that Chloe and Andre are still nowhere to be seen since the revolution, implying that either she's different in this world, or she also betrayed Ladybug for the same reasons. Nathalie is also back in full health, so did she ever use the Peacock? Was the Peacock ever damaged? We see Felix has it in this new world, but Emilie is still dead, so did she die of different causes in this timeline? Speaking of time, what happened to Bunnix? Did she survive too? Is she aware of the changes to the world like she was in “Cat Blanc”?

To summarize, WHAT THE FUCK IS GOING ON!?

Adrien is hesitant to wear the ring because he's not sure if he can ever be even half the man his amazing father was. Marinette tells Adrien to be himself while handing the ring to him. So... was this an order? If so, was it intentional? Does Marinette even know what she's doing, or because she's a product of Gabriel's wish, she has to do this without a hitch? In fact, when he made the wish, why didn't Gabriel make Adrien, Felix, and Kagami humans instead of forcing them to rely on rings containing their souls that can easily break?

This scene is a great way to summarize Adrienette this season: The writers trying to write a heartwarming scene while hoping the audience doesn't think too hard about all the uncomfortable things it implies.

After reforging the Miraculous she got back from Monarch, Marinette decides to hand them off. Because fuck it, let's break the temp hero rule while we're at it! Chloe who? Ladybug, Cat Noir, Rena Rouge, Carapace, Viperion, Pegasus, Ryuko, Vesperia, Polymouse, Pigella, Purple Tigress, Miss Hound, Rooster Bold, Caprikid, Minotaurox, Bunnix, and even Argos (despite being the reason the heroes lost their Miraculous in the first place) assemble, ready for whatever challenge the world throws at them. Also, there's no reveal between Ladybug and Cat Noir this season because the writers still want to drag this plotline out, even when there's no excuse as to why they can't now that Monarch is gone.

We then learn who got the Butterfly Miraculous: Lila, who plans to get revenge on Marinette. Yep, the girl who has never even touched a Miraculous in five seasons is going to be Hawkmoth's successor. Not Tomoe (who I should mention never answered for being Gabriel's accomplice), not Audrey, not even Chloe. It's Lila. How the hell did she even get it anyway? Did Gabriel intentionally recreate the world to have Lila get the Butterfly Miraculous, or did Lila somehow retain her memories through close proximity to the wish and--

Fuck it, season's over anyway. Thank God...

THE BIGGEST IDIOT OF THE EPISODE IS...MARINETTE

While I can't say for certain what she did with Adrien is her fault thanks to Gabriel making the wish, I can say a good chunk of the things Marinette did leading up to Gabriel winning are on her. She recklessly used her Cataclysm multiple times in her fight with Monarch, tried to crush Emilie's comatose body with debris, once again chose to gloat about how she was going to take Gabriel's Miraculous instead of just doing it the first chance she got, seemingly forgot Adrien was a Sentimonster, and somehow managed to lose even when she had Gabriel at her mercy.

So, yeah... this finale was terrible, if it wasn't obvious from this review.

It was just a complete trainwreck from start to finish. A good chunk of the first part was spent either ignoring the events of the last episode, or coming up with excuses as to why Adrien shouldn't get involved. And that's not even getting into Nathalie's “redemption”, which only really happened once she had nothing to lose, seeing how she was even closer to dying than Gabriel was. In fact, now that I think about it, why was more emphasis given to Nathalie's declining health over Gabriel? You know, the guy who's enacting his final plan because he's supposedly hours from death, yet effortlessly manages to clone himself, fly around the world as an Akuma, and keep up with Bug Noire when he struggled to enact a plan that required him to leave the lair without traveling around the world during “Intuition”? Given how we now know that the writers wanted the final battle to involve Bug Noire, I'm starting to think they also prioritized her opponent being in top shape while ignoring the Cataclysm wound affecting him.

The second half was mostly boring thanks to just how low the stakes felt. We know where Adrien is, and since Bug Noire was fighting Monarch, there was no danger of them taking her Miraculous, so for the most part, the Miraculized fighting the other heroes just felt like padding. Nobody even seemed to look for Ladybug or Cat Noir, not even the heroes. Of course, then we got to Gabriel's wish. I've gone over this before, but it bears repeating. Gabriel's “redemption” just doesn't work due to how little effort is spent actually making the audience feel bad for him other than saying “His wife is dead, and he's sad, so that justifies everything”. It doesn't help that we kind of had four episodes explaining why some people can't change, and it wasn't used when talking about Gabriel, but rather, Chloe and Lila. Because these writers really have their priorities straight.

The ending of the season itself practically falls apart with how many plotholes and unfortunate implications it has. And before you say that stuff like Adrien once again being left in the dark can be resolved next season, here's the thing: This was planned to be the series finale with how everything feels wrapped up. There's a sense of finality that shows all the main characters getting their happy ending, and we're just supposed to not question the new utopia Paris is now, much less the fact that even after eight years, Ladybug and Cat Noir still don't know who the other is. Even putting that aside, the show has always done a poor job of following up on plotpoints established in earlier seasons, as the lunchroom scene from “Illusion” shows.

Here's a summary of all the lessons the finale teaches: We shouldn't hold terrorists accountable for their actions if they just say they love their family, abuse victims should be constantly coddled and shouldn't be allowed to know the truth about their viewers, it's okay to keep crucial information from your significant other, genocide is okay as long as the person who commits it says it's for a good cause, love for others can easily be taken advantage of, so never trust anyone, genocide is the only way to create an eco-friendly world, environmental protection laws can be passed within a month and nobody (not even car manufacturers) will complain, teenage girls are worse than abusive parents who double as supervillains, and even if it was planned for almost a decade, don't let your main heroine be the one to save the day, but rather, the villain.

If anyone reading this is planning on becoming a writer and is worried that people won't like their work, just remember that there are people who get paid to work on this show.

But yeah, this is how the season ends, not with a bang, but with a nosedive. I was mostly pissed off with how Seasons 3 and 4 ended, but here? I'm just disappointed. This was the finale that we waited eight years for. The epic final battle against Monarch, and rather than the ultimate fight to the finish, the writers came with several excuses to not involve one of the two main characters in the final battle, the other main character fails to actually save the day, and the villain is rewarded for all of actions because he chose to turn himself into a messiah. I tuned into this season to at least see how the story would end out of curiosity, but it didn't even deliver an ending that made all the pointless filler, poor writing, and bad characterization worth it. I started this finale off bored, and I ended up furious for how lackluster this ending felt. It says a lot when this finale has been compared to Star vs. the Forces of Evil in terms of just screwing everything up.

THE BIGGEST IDIOT OF THE SEASON IS... MARINETTE

Marinette may not have been able to beat Gabriel in terms of stopping his plan, but she did manage to outdo him in terms of stupidity. Because she got the award four times this season (Evolution, Revelation, Confrontation, Re-Creation), she takes home the title of Biggest Idiot.

And for those who are curious or didn't keep up with my reviews, Gabriel gets second place with three Biggest Idiot Awards (Intuition, Protection, Revolution), we have a five-way tie for third place with Luka (Determination, Migration), Mayor Andre (Adoration, Action), Chloe (Deflagration, Collusion), Felix (Emotion, Representation), and Nathalie (Passion, Conformation), who all got the award twice, and a ten-way tie for fourth place with Alya (Multiplication), Xuppu (Destruction), Mr. Damocles (Jubiliation), Nino (Illusion), Joan of Arc (Reunion), Ice Cream Man Andre (Elation), Kagami (Perfection), Kim (Derision), and Tomoe (Pretension) each getting the award once.

And with that, we're done with Season 5. It's been a long road, but all I can say is...

At least, until the analysis and ranking posts.

[luckyshinyhunter]

Fictional characters that definitely deserved better

💪Jen Walters (She-Hulk: Attorney at law)💪

She-Hulk is one of those shows I enjoyed because of the vibes, no surprise that a bunch of dudebros were doing their usual hate on the MCU crap again, especially going after this show.

I like how the show made Jennifer relatable and likable from the start, Tatiana did such a amazingly performance as the titular character along with matching her sassiness and wit like she have in the comics.

The possibilities of She-Hulk season 2 are slim to none, but I still have hope of Jen coming back in the future.

🛩️Andy Demayo (Steven Universe)🛩️

Even though he was kinda rude in his debut episode, but honestly, you would be confused and angry too if you see a bunch of strangers in your barn.

Besides Greg and the residents at Beach City, he rarely calls out Steven's dangerously daily lifestyle with the gems and shows that he cares about his recently known nephew.

After Gem harvest, he resolved the bittered distance and continue visiting his family, even showing at Garnet's wedding.

It was kind of a waste that Future didn't give him anything important to add, he would connect and helped Steven's dilemma with the fear of change, similar to his.

Also a hilarious fun fact, Andy's VA is Carl from Aqua Teen Hunger Force.

🐁Splinter (TMNT 2012)🐁

Honestly one of the most tragic characters in the show, from a broken man who lost everything, to a loving and protecting father who found a new lease on life, along with a family that care for each other to the very end.

He can be strict but he does care about his family and would die fighting for them, he literally died to save them and would do it again if he have to.

Hoon Lee's electrifying portrayal speaks for itself and the critical juncture of his past that parallels him and Shredder is another reason why the show is underrated.

I hate the backlash that this character has been getting and that people are labeling him as a bad father but he's not, the show literally has moments of him caring and protecting his family from danger.

🕸️Miles Morales (Spider-Man)🕸️

Without a doubt, Miles is one of the best Spider-Man characters of all. Pretty disgusting that people are using with the whole Miles Morales is Miles Morales crap to hate on a character that brings a new meaning for a iconic role model for kids.

Into and Across the Spider-verse done a outstanding job, making Miles's personal journey and growth so emotional and inspiring.

Sucks that the third film is going to take a long time to premiere, but at least the PS4 games also give him justice and continues shining Miles.

Miles Morales will forever be one of the best Spider-man, it just sucks that some people won't accept him continuously, but in some way at least there's some people who actually respect him as a character, knowing that he is in forever will be Spider-Man and that makes it him amazing.

📋Lois Lane (My Adventures with Superman)📋

My Adventures with Superman is a show that should be talked about especially on how well written it is, the show adapted Lois very well, along with her budding romance with Clark.

I literally hated how Lois gets treated like garbage by a certain amount of people after the whole secret identity thing, the show does prove that Lois is flawed and complex in a good way, making her likable and relatable, she makes mistakes but that doesn't mean it's a bad thing, everyone does.

The latest episode of season 2 really proves that Lois is a good character, showing her empathetic past and complicated relationship with her dad.

Also, Alice Lee's fun performance as the character is just top notch, whether she's happy or sad, she just nails Lois's character without a doubt.

🧬Morty Smith (Rick and Morty)🧬

This boy has been through enough, with neglectful parents, a sister that does care about him but is focused on her own life, Rick cares sometimes, but can be a real jerk. Morty is more you can be his own person the truth is some things can be holding him back, mostly his grandfather.

I'm glad that Rick is trying to change for the better, I remember I hated the way he treated Morty thoughout the seasons whether using verbal or physical abuse, it also sucks when he tried to do something good yet the universe basically just throws it back at him like a giant middle finger.

I'm glad that the later seasons proves that Morty could be a badass and he can handle himself, but I hope when the new season drops, they find a way to handle his trauma because he deserves a hug.

🎳Wade Whipple (The Sonic franchise)🎳

The Sonic films are underrated but it's problem is that it gets dunked on, especially thanks to a so-called outside of the box thinker.

But unlike the other live action films with bland and boring human characters, the human characters in Sonic are actually likable and memorable, among them is Wade Whipple.

I really don't think he's one of the worst characters in Sonic, honestly his sister and dad deserves to be on that list.

Honestly people hate him just because he have more screen time than Knuckles but one, because it's a TV show budget and Knuckles is in the show, they are acting like he never was in the show.

Two, at least it added layers and flaws that made him even more relatable and serves a purpose to Knuckles's journey.

Like with Tom and Maddie with Sonic, his friendship with Knuckles is another core example of why Knuckles work and his actor, Adam Pally's performance was great too.

🔪Sam Carpenter (Scream 5 and 6)🔪

Sam is another character that deserves more attention and respect than before, partially thanks to her actress.

Aside her rough past and learning the dark truth about her family, Sam cares about the people she loves and isn't afraid to fight for them, even fighting her own personal demons just to do so.

Melissa Barrera is a underrated actress, though Her performance in part 5 was good, I think she was just basically outperformed by everyone else, and it didn't help that she was getting bullied and criticize by bunch of toxic fans.

Scream 6 gave Sam justice and proves that she's a badass final girl, especially thanks to the crew and cast of the films who care and was there for her but thanks to a certain company that fire her for doing the right thing, what's the point of even watching Scream 7 without her and the core four but the good thing is at least it gave her and Sam a bittersweet ending.

🐝Chloe Bourgeois (Miraculous Ladybug)🐝

This one is a completely personal rant, I used to be a fan Miraculous. But after watching the season 3 finale, I feel like the magic of the show just basically disappeared, and seasons 4 and 5 was a huge sign that the show fully gone off the rails.

I remember hating Chloe in the first season and I'm pretty sure everyone else felt the same feeling too, but season 2 actually did the the most surprising thing, actually gave her some character development.

It might be baby steps but still development, she might have been spoiled and selfish sometimes but they actually do show that she has flaws.

Malediktator was one of the best episodes of season 2, they were able to showcase Chloe's vulnerability and it prove that she can change and still be a useful ally like the other miraculous holders.

She protected her friend from getting akumatized again, she almost got Mayura's miraculous, and heck, She literally defied Hawkmoth's control, unlike the other akumatized victims, that is basically spells hero-worthy.

But of course as always, Thomas is just too spiteful and that thinks that Chloe is not just worthy and replaced her with a bland, forgettable and useless character who only exists just because she is "better" than Chloe.

It's honestly just pathetic that her corrupt father who spoils her and the literal villain of the show, who done some horrible and awful things get a redemption arc, but a literal misunderstood child doesn't, it just proves that the writer's room just don't even know how to handle character development nor redemption arcs.

It's even more sad that the film actually treats Chloe better than the show does.

The truth is whether do you like or don't like Chloe, it's possible that she can change, it's just that Thomas is the actual problem of the show, I hope one day somehow Chloe might actually get a actual chance to shine as a character again but maybe in the future it could still could happen.

[belokhvostikova]

Ever since i red the first part of the Yearbook Club pictures i knew it was going to be a great story. Well you proved me wrong! It wasn’t a great story….. It was an amazing story! It’s filled with so much emotion i think i even cried in some parts. You’re really a fantastic writer. After i read the first part i turned on your post notifications so i didn’t miss an update. Which was a very nice surprise to see that you added me to the tag list!

I was very much on the edge of my seat every time i got a notification because i had no idea if it was going to break my heart or not. And let’s be honest it did. When Eddie didn’t trust reader when she offered to take the Hellfire Club picture but i also get it. He has a hard time trusting (don’t we all) But i love his development of firstly not wanting anything to do with her but then slowly but surely he realise she isn’t like the rest and he finds himself falling for her

The ending was just beautiful i don’t know what else to say because you’ve rendered me speechless on that last part. But i hope you keep writing because this story was just beautiful I loved every part. Take your time because we’ll be here when you decide to write up either a new story or even a short blurb. This story was just beautiful and amazing and you should be proud of what you’ve created

Thank you for sharing it with us❤️ And i can’t wait to see what else you come up with

You are being unfathomably nice, it’s making my heart hurt! Truthfully, when I posted the first chapter I was so hesitant in doing so, because as a new writer I didn’t know how to approach my story, nor how I felt comfortable writing, and it was such a constant battle of whether or not it would be good. But you and everyone else have been so incredibly kind, no words hold the substance to express my gratitude!

And you, specifically, I noticed you from the beginning, you were one of the first people to comment on my work, and you’ve been following the story ever since. There are a handful of people who comment on my work, and you were always one of them, I loved it so much! Your support truly means everything to me, and it’s so heartwarming seeing the same couple of people take a genuine interest in my writing! You all are so lovely!

Eddie Munson as a character is truly one of the greatest people to write about. It absolutely blows my mind how little we know of him, yet this fandom has created such incredible headcanons that are so fitting to him. I love seeing the many ways people interpret him! And specifically, diving into the actions of Mean!Eddie, and exploring why he is that way has been such a journey. I just love how complex he is. It’s such an expected thing to see him be so reserved and standoffish when an opportunity for acceptance comes about, and writing out his path to healing was so great and eye opening to myself. 

And the ending! I’m going to be completely transparent, chapter six was definitely the most grueling chapter to write, because of how heavy it was, but I’m so proud of it. I’m happy I was able to have a proper ending that all of you loved, because with the amount of support you and everyone showed me, you all deserved an incredible ending! Yes, I definitely will keep writing, maybe something lighter or smutty, lol, to recover from the heftiness of “The Yearbook.”

But again, just thank you so so much for all your support. I’ve literally burned your username into my brain since the first chapter, because of how utterly nice you have been. Your kind feedback and encouragement is the reason why me and other writers in this fandom feel motivated to keep going. Thank you so much! I mean it when I say I love you all!

[elkdiaries]

in season 5 i would like to see mike crying by himself while not kids anymore plays in the background please and thanks duffers

[spacexseven]

(1/3) god akutagawa… he’d be so. Severe, about the whole thing, you know? from HIS perspective he’s going through a long and arduous journey of emotional turmoil that you, wretched seducer/seductress have cruelly damned him to; but for you it’s like he COMPLETELY turned on a dime. he wouldn’t really be the sweep-you-off-your-feet type, like chuuya or dazai would be in this situation. when he gets the order to get close to you for intel reasons (and the whole time he’s wondering why this is HIS job, when has he ever been known to be personable?) he might take on the persona of a newbie in your line of work or a new tenant in your apartment complex and you he’s always kinda… there. staring at you and looking mad about something. but hey! hes probably just shy, right? why not throw him a bone, you think. you live to regret this. 

on akutagawa’s end, he doesnt know whether to laugh or scoff at your naivety. you really are making this MUCH too simple for him. like, come on now, discussing work over coffee? inviting him into your home? why don’t you go ahead and decapitate yourself for him while you’re at it. and what an irritating little insect you are, as well! constantly bothering him, talking to him, touching him… showing him affection, concern, genuine interest… completely ridiculous. he’s sure he doesnt dislike ANYONE as much as he does you.

OH GOD IF THEY PROTECT HIM??? FUCK!!!! he’d be SO touched. denies it, but he is!!! moved, even! after this, he gets really comfortable around you, moreso than he thinks he deserves. you’re just so. nice. he feels good when hes around you. the mission becomes more of a break from mafia life than an addition to it. he… likes you. no, he loves you. he loves you so much. if you express a similar romantic interest in him he’ll probably blow a gasket. he never thought he could feel this strongly about anyone (excluding his sister and dazai, ofc) 

inevitably, you find him out. hard not to, when his end goal in this whole matter was to utterly destroy you. like you said, he leaves you no choice in the matter of coming with him. he needs you, and you need him, in his mind. he can protect you! no one else will EVER protect you or love you or WORSHIP you the way he does! you don’t need anything else but him, don’t you understand? this is for the best! youre angry, of course. you hate him, curse him, try to kill him. and akutagawa feels like his entire world is falling apart. please, please, please, you can’t hate him, anything but that. he loves you he loves you he loves you PLEASE he’ll do anything to prove it to you, ANYTHING. his life is almost entirely dedicated to earning your affection and praise from here on out, kinda like how he is with dazai. you’ll see it his way eventually…. you have to….. he wont accept anything else.

instead of compiling these together, I will be answering them separately for each character :> i'll get to the rest over the week as well, just need to focus on them individually to really flesh out the ideas :>> anything under this au thing will be tagged with #spy au 🐟 (short and effective, i hope)

cw: yandere characters, deceit, manipulation, obsessive behavior, imprisonment, stalking

akutagawa doesn't really strike anyone as the ideal person to send to infiltrate some place and charm someone for information, but he has a surprisingly useful ability to sort of...blend into the background. he knows what's expected of him, sent on to a mission like this. he's not expected to flirt or coo or wink at you until your knees buckle and you fall into his arms (though now, in retrospect, that would have been a sight he would love to see). rather, what he has to do is simply exist. exist and observe.

it sounded a lot easier in theory because nobody had said anything about you. all he was told was that you'd have the information he needed, and you were not so high-up that it was impossible to talk to you, and not so unimportant that you would be useless to listen in on. nobody said anything about that damned smile and the easygoing charm and the genuine concern that radiated off you. nobody told him that you would pat his shoulder and tell him he was doing great, buy him coffee and offer your support for anything he needed. and nobody even mentioned how kind you were, unlike anyone else he's met that worked for an 'enemy' organization.

(well, it was true that you were kind to all your subordinates, but he refused to see that. to him, it was only him that you cared about right?)

then there was the fact that he could never just 'exist' when you were around. you had an eye out for everyone—not out of paranoia or control, but concern. you noticed him hiding behind the crowd, awkwardly standing by the wall, and you'd bring him closer to everyone else. you saw him, despite him not being any use to you. he was not the ruthless murderer the port mafia wanted him to be, or whatever dazai thought him as. he wasn't a rival you were deadset on beating or a guard dog that patiently sat by your feet, ready to tear apart anyone who dared even look at you the wrong way. not that he would have minded that, if it meant he could protect you from those wandering eyes. in here, he was just another one of faceless lower-rank members, loaded with boring paperwork and forced to run after everyone else.

but to you, he was the new member under your care. you used the name he was given for the mission, you asked him if he had his lunch. you brought him some of your favorite tea to try when you learned he liked drinking tea (and he drank every drop. how could he not, when you looked so eager for his opinion on it?) he wouldn't have expected more than a nod after a job finished in the port mafia, but here, he was being celebrated like he had done something. like you cared. and that thought tormented him.

at first, he pretended to hate you for it. with the appreciation, you showed, your open nature, and your sympathy—you would be torn apart and crushed in the port mafia. such traits would only lead to your demise. he couldn't show that he appreciated it because he didn't want you to think you could keep this up, and endanger yourself. he wasn't the only one trying to infiltrate your group, he knew, and if anyone else learned about you, they would try to worm inside through you. and then what? you'd never see through them, would you? akutagawa was terrible at espionage and still, he made it this far with you, hadn't he? you didn't even consider his true intentions, even after a couple of slip-ups, that he was convinced you were truly helpless. it was deplorable.

and yet...

he wanted to receive more of your attention.

it was very embarrassing when he realized what was happening. automatically running to you after finishing any task, looking forward to your check-ins, taking on anything to try and lessen your workload...what had you done to him? sometimes, he thought of what dazai would think of him now, acting like a pathetic little lap dog, deprived of love.

what really sealed the deal was the moment you risked your life to protect his. undercover akutagawa did not have an ability. that was probably why you stepped in so quickly to move him away from harm. but something about how you grabbed and lifted him, fearlessly navigating the chaos to bring him to safety struck him. something about how easily you threw aside your life for him, how immediately you jumped into action. and after all that, when you apologized to him and swore you would never let him be hurt again...

what else was he supposed to do?

akutagawa was no fool. reckless, hardheaded, maybe. but not stupid. there was no place for that in his life. but at the moment he was at a loss for words and emotions. this overwhelming warmth, this gentle embrace, this wonderful feeling—it was all so new to him. he was used to being the one risking his life to further the port mafia, not fussed over like...like his life wasn't dispensable.

your tight hold on him, your frantic apologies, your commands for someone to come help him—akutagawa had never felt so wanted before. never felt so desperate for something before, either, except maybe dazai's recognition. funny how he could tear himself apart and stick himself back together and dazai wouldn't bat an eyelid, but one little scratch on him and you're tripping over yourself to get to him, huh?

that incident is what changes everything between you two. suddenly, akutagawa is more present, more expressive to you. he talks more (still not a lot, but he's getting there), he even lets the occasional smile slip. he brings you snacks he knows you like to eat, and he just starts being around more often. always behind you, like you held a leash that was connected to him. akutagawa was sure now, that he loved you.

the warm feeling, the nervous feeling he got around you, the way he couldn't stop looking and how he always wanted you to hold him. he loved you, so much. he knew you didn't think of him as a lover—not yet. but he didn't mind. this was fine, for now. until he settled things with the pm so you would never have to know his true mission.

what he didn't expect to happen was you finding out so soon. it all happened too fast. he got a message that he had done his job and shortly after the group you worked for was eradicated. when you were finally introduced to the port mafia, you met akutagawa as himself for the first time.

and just as he feared, you were disgusted by him.

he should have expected this, right? you had every right to be upset after you trusted him so much. that didn't mean it didn't tear him apart to see the hatred in your eyes and the way you flinched away from him. he thought you would be grateful after he convinced them to let you be with him, and not punished like your friends, but you were enraged. you screamed and punched and you looked so hurt that he wanted to fall on his knees and apologize until you accepted it. he would take any punishment as long as you stayed. and you would stay, wouldn't you? when you saw the evil that lurked outside on the streets, the terrors that awaited you. you would stay when he convinced you because he would convince you. show you that he always loved you back, and that he would protect you like you did him. nothing had changed, except his name, really! it was still him, the one you laughed with and bought tea for. it was still the him that you had held in your arms after bringing him to safety.

why couldn't you see that?

[kcrabb88]

Queer Movies/Books/TV Shows for Pride Month!

Happy Pride everyone!! For your viewing/reading pleasure I have made a (non-exhaustive) list of queer media that I have enjoyed! 

Movies/Documentaries

Pride (2014): An old tried and true favorite, which meets at the intersection of queer and workers’ rights. A group of queer activists support the 1985 miners’ strike in Wales (complete with a sing-through of Bread and Roses + Power in a Union)

Portrait of a Lady on Fire: On an isolated island in Brittany at the end of the eighteenth century, a female painter is obliged to paint a wedding portrait of a young woman (or, two young lesbians fall in love by the sea, and you cry)

God’s Own Country: Young farmer Johnny Saxby numbs his daily frustrations with binge drinking and casual sex, until the arrival of a Romanian migrant worker for lambing season ignites an intense relationship that sets Johnny on a new path (Seriously this movie is GREAT and doesn’t get enough love, watch it! It’s rough but ends happily)

The Half of It:  When smart but cash-strapped teen Ellie Chu agrees to write a love letter for a jock, she doesn't expect to become his friend - or fall for his crush (as in she falls for his crush who is another girl. This movie was so good, and really friendship focused!) 

Saving Face:  A Chinese-American lesbian and her traditionalist mother are reluctant to go public with secret loves that clash against cultural expectations (this is an oldie and a goodie, with a happy ending!)

Moonlight:  A young African-American man grapples with his identity and sexuality while experiencing the everyday struggles of childhood, adolescence, and burgeoning adulthood (featuring gay men of color!)

Carol:  An aspiring photographer develops an intimate relationship with an older woman in 1950s New York (everyone’s seen this I think, but I couldn’t not have it here)

Milk: The story of Harvey Milk and his struggles as an American gay activist who fought for gay rights and became California's first openly gay elected official (the speech at the end of this made me cry. Warning, of course, for death, if you don’t know about Harvey Milk)

Pride (Hulu Documentary):  A six-part documentary series chronicling the fight for LGBTQ civil rights in America (they go by decade from the 50s-2000s, and there is a lot of great trans inclusion in this)

Paris is Burning (Documentary): A 1990s documentary about the African American and Latinx ballroom scene. Available on Youtube!

A New York Christmas Wedding:  As her Christmas Eve wedding draws near, Jennifer is visited by an angel and shown what could have been if she hadn't denied her true feelings for her childhood best friend (this movie is SO CUTE. It’s really only nominally a Christmas movie and easily watched anytime. Features an interracial sapphic couple!) 

TV Shows 

Love, Victor: Victor is a new student at Creekwood High School on his own journey of self-discovery, facing challenges at home, adjusting to a new city, and struggling with his sexual orientation (this is a spin-off of Love, Simon, and it’s very sweet and well done! Featuring a young gay man of color)

Sex Education:  A teenage boy with a sex therapist mother teams up with a high school classmate to set up an underground sex therapy clinic at school (this has multiple queer characters, including a featured young Black gay man and also in season 2 there is a side ace character!) 

Black Sails: I mean, do I even need to put a summary here? If you follow me you know that Black Sails is full of queer pirates, just queers everywhere.

Gentleman Jack:  A dramatization of the life of LGBTQ+ trailblazer, voracious learner and cryptic diarist Anne Lister, who returns to Halifax, West Yorkshire in 1832, determined to transform the fate of her faded ancestral home Shibden Hall (Period drama lesbians!!! A title sequence  that will make you gay just by watching!) 

Tales of the City (2019):  A middle-aged Mary Ann returns to San Francisco and reunites with the eccentric friends she left behind. "Tales of the City" focuses primarily on the people who live in a boardinghouse turned apartment complex owned by Anna Madrigal at 28 Barbary Lane, all of whom quickly become part of what Maupin coined a "logical family". It's no longer a secret that Mrs. Madrigal is transgender. Instead, she is haunted by something from her past that has long been too painful to share (this is based on a book series and it’s got lots of great inter-generational queer relationships!) 

The Haunting of Bly Manor:  After an au pair’s tragic death, Henry hires a young American nanny to care for his orphaned niece and nephew who reside at Bly Manor with the chef Owen, groundskeeper Jamie and housekeeper, Mrs. Grose (sweet, tender, wonderful lesbians. A bittersweet ending but this show is so so wonderful)

Sense8: A group of people around the world are suddenly linked mentally, and must find a way to survive being hunted by those who see them as a threat to the world's order (queers just EVERYWHERE in this show, of all kinds)

Books

Loveless by Alice Oseman:  Georgia has never been in love, never kissed anyone, never even had a crush – but as a fanfic-obsessed romantic she’s sure she’ll find her person one day. This wise, warm and witty story of identity and self-acceptance sees Alice Oseman on towering form as Georgia and her friends discover that true love isn’t limited to romance (don’t be turned off by this title, it’s tongue-in-cheek. This is a book about an aroace college girl discovering herself and centers the importance and power of platonic relationships! I have it on my TBR and have heard great things)

Detransition, Baby by Torrey Peters: Reese almost had it all: a loving relationship with Amy, an apartment in New York City, a job she didn't hate. She had scraped together what previous generations of trans women could only dream of: a life of mundane, bourgeois comforts. The only thing missing was a child. But then her girlfriend, Amy, detransitioned and became Ames, and everything fell apart. Now Reese is caught in a self-destructive pattern: avoiding her loneliness by sleeping with married men.Ames isn't happy either. He thought detransitioning to live as a man would make life easier, but that decision cost him his relationship with Reese—and losing her meant losing his only family. Even though their romance is over, he longs to find a way back to her. When Ames's boss and lover, Katrina, reveals that she's pregnant with his baby—and that she's not sure whether she wants to keep it—Ames wonders if this is the chance he's been waiting for. Could the three of them form some kind of unconventional family—and raise the baby together?This provocative debut is about what happens at the emotional, messy, vulnerable corners of womanhood that platitudes and good intentions can't reach. Torrey Peters brilliantly and fearlessly navigates the most dangerous taboos around gender, sex, and relationships, gifting us a thrillingly original, witty, and deeply moving novel (again, don’t be thrown off by the title, it too, is tongue-in-cheek. This book was GREAT, and written by a trans women with a queer-and especially trans--audience in mind)

A Tip for the Hangman by Allison Epstein: A gay Christopher Marlowe, at Cambridge and trying to become England’s best new playwright, finds himself wrapped up in royal espionage schemes while also falling in love (this book is by a Twitter friend of mine, and it is a wonderful historical thriller with a gay man at the center).

Creatures of Will and Temper by Molly Tanzer: a very very queer remix of The Picture of Dorian Gray (which was already quite queer), featuring amazing female characters, a gay Basil, and a much happier ending than the original. 

Red, White, and Royal Blue by Casey McQuiston: The gay prince of England and the bisexual, biracial first son of the president fall in love (think an AU of 2016 where a woman becomes president). Featuring a fantastic discovery of bisexuality, ruminations on grief, and just a truly astonishing book. One of my favorites!

One Last Stop by Casey McQuiston:  For cynical twenty-three-year-old August, moving to New York City is supposed to prove her right: that things like magic and cinematic love stories don’t exist, and the only smart way to go through life is alone. She can’t imagine how waiting tables at a 24-hour pancake diner and moving in with too many weird roommates could possibly change that. And there’s certainly no chance of her subway commute being anything more than a daily trudge through boredom and electrical failures. But then, there’s this gorgeous girl on the train (This is Casey McQuiston’s brand new novel featuring time-travel, queer women, and I absolutely cannot WAIT to read it)

The Heiress by Molly Greely: Set in the Pride and Prejudice universe, this takes on Anne de Bourg (Lady Catherine’s daughter), and makes her queer! 

Tipping the Velvet by Sarah Waters:  Nan King, an oyster girl, is captivated by the music hall phenomenon Kitty Butler, a male impersonator extraordinaire treading the boards in Canterbury. Through a friend at the box office, Nan manages to visit all her shows and finally meet her heroine. Soon after, she becomes Kitty's dresser and the two head for the bright lights of Leicester Square where they begin a glittering career as music-hall stars in an all-singing and dancing double act. At the same time, behind closed doors, they admit their attraction to each other and their affair begins (Sarah Waters is the queen of historical lesbians. All of her books are good, and they’re all gay! The Paying Guests is another great one)

(On a side note re: queer books, there are MANY, these are just ones I’ve read more recently. Also there are a lot of indie/self-published writers doing great work writing queer books, so definitely support your local indie authors!) 

[deans-haunted-baby]

Okay I see there are those who are confused as to why most of us are pissed about 15x19 I will gladly explain in depth:

Let’s start off with our boys Adam Milligan & Michael. These characters have not been seen for 10 fucking years. During that time there were Adam stans like myself campaigning like mad to have him and the infamous archangel return for some much needed closure. We had to content ourselves with headcanons, fanfictions and metas based on what we briefly knew of Adam and Michael as people while they unfairly sat in Hell. You might have seen the “Adam’s Still in Hell” memes that circulated. WE WAITED OVER A DECADE FOR THIS. And finally SPN answers our prayers and returns these boys back into the story for the final season. None of us anticipated what their arc and dynamic would look like. Before we could only imagine who these two characters were/are after having been trapped in a cage so long; what their personalities would be like and if they’d be antagonistic to TFW. 15x08 was a surprise because not only were Adam and Michael likable right out of the gate but the writing for them and their dynamic was damn near flawless! And Jake fucking stole the show he killed it as these two. It’s a crime they were not featured in more episodes because the chemistry between these characters is amazing and they’re played by the same dude.

We were given so much background into both Adam and Michael’s psyches in just a short period of time. Their motivations, interests and how they viewed those that wronged them (like the Winchesters); how Hell affected/changed them both and how they viewed their families. We got to see them banter, cooperate with one another and most importantly their different personalities. With Jake Abel appearing in only a handful of SPN episodes, he still fleshed out Michael and Adam beautifully; giving them layers and complexities that most side-characters (who’ve appeared more times than they have) didn’t. The way Jake played Adam’s anger and resentment towards his brothers was brilliant because it’s more under the surface compared to his angsty teenage self in 5x18. He’d become somewhat restrained, laid-back, gentler and wiser which works because Adam displays traits similar to Sam and Dean. He’s kinder and has a sense of humor but none of that distracts from rational thought as he’s quick to analyze and dissect situations. Man, he would’ve made a great hunter/Men of Letters recruit. We know right off the bat Adam’s pissed at his brothers for abandoning him in a thousand-year-prison-sentence and didn’t lift a finger BUT that ironically doesn’t compromise his willingness to help them unlike his past self in 5x18. Jake gets the point across with this character without saying much and that’s what made him so compelling to watch in this episode.

Now Michael was even more of a mystery onion since he wasn’t onscreen as much as Adam had been in past episodes so Jake got to really build on top of this character. Going from the uptight, cold-blooded merciless celestial warrior/dutiful son of God we saw in 5x22 to someone whom despite his arrogance and regal princely demeanor was very human, intelligent, fair, mindful and compassionate. He trusted Adam and respected his opinions even if he didn’t agree 100%. Whereas most angels take over the vessel completely from their original occupant; Michael chooses to share his vessel with Adam as a mutual agreement which says a lot about who he is. He’s fascinated with humanity and wanted to explore it instead of returning to his throne in the clouds. We know that Michael was created specifically to be Humanity’s protector and guardian of Heaven and Earth so these quirks he’d demonstrated in 15x08 aren’t too far off. He holds a lot of pain inside from his abandonment issues with his father whom he loves to a fault and grief over the death of his brothers. On the surface there’s very much an abused child syndrome thing going on with him though he masks it with a domineering presence. And above all this we saw that he was capable of forgiveness. Whether or not Michael always had these traits inside to begin with, its very evident that his friendship with Adam influenced the person he became post-Hell. And that was someone who, like Castiel, chose to rebel for the sake of free will by aligning himself with the Winchesters after witnessing the evil his father had committed. He actually cared about saving the world. This is what we call character development.

What does 15x19 do? It shits all over that. We don’t get to see Adam and Michael’s dynamic at all; and this was perhaps one of (if not the first) most healthy portrayal of a relationship between an angel and its original vessel occupant in the history of Supernatural. Adam is just killed off-screen Thanos style without so much as one last word and Michael barely reacts like he gives a crap. It was just established to us in 15x08 that he’d developed an emotional bond with Adam through years of inhabiting the same body. He protected Adam while they were trapped together in Hell. They were each other’s only friend and source of comfort. They’d developed a certain co-dependency on each other while respecting one another’s space. They’d both made peace with their joint situation. All they had was each other and the writing in 15x19 basically tells us their relationship meant absolutely NOTHING to Michael based on his OOC actions in this episode. He shows up much darker and shadier now that Adam is gone and its like all those years of friendship, things like that independence, newfound strength and humility he’d gained from living with a human for so long are erased. Michael just reverts back to Chuck’s 5x22 bitchboy persona in the most ridiculous 180 shift I’ve ever seen in my whole damn life. And all because his little brother called him mean names. Pitiful. Just when he lectures Lucifer about standing up for what’s right; he betrays his own words, his allies and the rest of humanity in T-minus 2 minutes. That is total character assassination. Nothing about this motivation makes any sense.

There’s no build up to it, no foreshadowing in 15x08 or throughout 15x19 until they get to the lake. He’s completely deconstructed as a character in this episode and rendered weak. It’s like 15x08 never happened. Stripped of all his development for lousy shock value. Instead utilizing all of what he’d learned through Adam and sticking it to Lucifer by proving he could be more than what Chuck tried to mold him into; Michael becomes just another NPC in the story forfeiting the hero he was. And his reasons for siding with Chuck are never specified. Was it about about saving Adam? Was it about proving something to Lucifer (whom he’d already killed in anti-climatic fashion)? Was it all an act that he was in on with the Winchesters; cause there’s absolutely NO FUCKING WAY they could’ve predicted he’d flip on them like that for their magical plan to work. Not after everything Chuck’s done, killing Adam and Jack and leaving Michael to rot in Hell for eternity. And why would he suddenly go along with destroying the Earth when defeating Chuck would probably get Adam back (if that was his goal) which IT DID not to mention its his sworn duty to freaking protect humanity, hello? So his betrayal meant jack shit in the end as it got him killed by his fucking dad!! He’s brought back into the show only to be ruined forever and killed off in the stupidest fashion.

Moving on.

Jack Kline & Castiel. This iron-clad relationship has been in development for 4 in 1/2 years since before Jack was even born. And next to Adam & Michael its the other most healthy relationship on the show. Castiel, a million year old celestial being, spent the first 9 years of his arc on Supernatural following around the Winchesters, being torn between his loyalty to them and to Heaven. He rebelled when he was supposed to be a straight-by-the-book warrior of God. And he defied every rule in the process even when the odds were stacked against him. There was an endless rinse and repeat cycle of love, loss, betrayal and redemption when it came to his relationship with Sam and Dean. It made his character complex, interesting and layered but it still didn’t give him an arc that was his own. Castiel started out moreso being written as just the Winchester’s angel BFF/side-kick. Until Lucifer got Kelly Kline pregnant in 12x08 then things really took off. Before this, Castiel was a lost soul. His faith was broken, he was depressed, lonely, battered and rundown from years of being conflicted over the other angels and Sam & Dean. He felt he’d lost a sense of self and meaning in his life. And didn’t have a mission. Once he turned on Heaven’s orders, Castiel was a rebel angel without a cause so to speak. But like I said this changes the moment he meets Kelly.

Originally Castiel was suppose to kill Kelly in 12x19 because she was carrying the child of the devil and Nephilim are considered forbidden abominations. Told that if Lucifer’s kid was born he could unleash even more evil into the world. But instead of doing what he thought he should, Castiel decides to runaway with her. Choosing to protect her from all threats (Lucifer, demons, other angels, princes of Hell); this especially included the Winchesters. During this short time-frame the angel develops a strong, emotional bond with Kelly and her unborn son that stretches all the way to the S12 finale; to the point where it actually gave him a power-boost. From the womb, Jack appoints Castiel to be his father and protector and he’s given a glimpse into the child’s destiny that he’ll bring paradise to the world. A prophecy that the writers establish head on. This is an unusual circumstance because right here is where Castiel’s solo arc apart from the Sam & Dean takes shape. The journey of becoming a first time parent and guardian. Its a new kind of independence that for the first time has nothing to do with his friends or his family members/colleagues in the sky. Its his own personal mission that he willingly accepts, the second he connects with Jack from inside Kelly. Castiel immediately falls in love with him, before they even see each other; and adopts the boy devoting himself to keeping him safe. Making a promise to Kelly that would later become a vital plot-point in the seasons to come.  

Castiel literally risks everything (Heaven and Earth) to ensure Jack’s birth and ends up dead by 12x23′s startling conclusion. Leaving the newborn infant Nephilim alone in the care of the Winchesters going into season 13; scared, confused and aged into a seemingly 18 year old boy for his own protection. And Alexander Calvert who is a fantastic addition to the cast really brings something wonderful to this role; he’s like a breath of fresh air and a bright light in the middle of a dark room. Jack’s naïve, innocent and curious about his surroundings but also as Castiel once put it “remarkably intuitive”. Right when he’s introduced his arc is intentionally paralleled with Castiel’s. Their alien-fish-out-of-water beginning is practically identical as is their adorable stoic facial expressions. Like father like son. And this helps because while the angel is currently dead in the beginning of season 13, there’s an empty void he’s left behind. So Jack is kind of his temporary stand-in. Odd enough this type of switcharoo would’ve been considered very controversial but it’s handled quite well. Alex is so likable and charming I almost wish Supernatural had introduced him sooner. I mean I really thought I was looking at Castiel’s actual mini-me and not the son of Satan. But I digress Jack’s story in the first half of this season is pretty much about discovery and reuniting with Castiel. He’s a baby so everything is new to him but he’s also one of the most powerful beings in the universe destined for greatness which makes the Winchesters very nervous.

Jack remembers choosing Castiel as his dad which is why he already feels strongly connected to him. Its a bond so powerful that it actually resurrects Castiel out of the Empty the first time. Something Chuck himself was unable to do (that was until the mess that is 15x19). When they’re finally reunited the payoff comes so naturally. Misha and Alex have such a phenomenal onscreen chemistry starting with that first hug; they really play off one another so well that it doesn’t feel like two angels interacting but a genuine father and son duo. So much of what makes Jack and Castiel’s relationship so relatable, deep and endearing is because of what the actors bring to it. But they’re not just a fascinating relationship, they’re compelling on their own too. Both trying to find their way in the world and within the Winchesters’ lives. Death is no stranger to either of them (tragic being that Jack is only a toddler). They’ve each experienced their own personal pain, traumas, life lessons, mistakes and decisions. The biggest for Castiel would be his deal with the Empty to save Jack in 14x08. While for Jack it was the consequences of said deal that would lose his soul causing him to accidently kill Sam and Dean’s mom in 14x18 as a result (something that Jack struggles with immensely to the brink of depression from so much guilt and regret that he’d rather die). Repercussions that would follow into the shows final season. What’s interesting about this deal though is that Castiel made it on parental instinct alone not as a promise to Kelly. He chose to sacrifice himself for the sake of his son as a selfless act of love and kept it a secret from Sam & Dean until his death in 15x18. That’s the extent how much this child meant to him. The other great thing about their family dynamic is that it parallels nicely with the Winchesters. Castiel and Jack share this unconditional love that can never be broken. its even greater than their ties to the Winchesters themselves just as Sam & Dean’s love for each other is greater than any of their other relationships. They would do anything for each other. Castiel would go to the ends of the earth for the little nougat baby because that’s his son.  

Each time these characters were faced with danger or died, Castiel and Jack were overcome with extreme devastation and distress. That said its not just pain that binds these two its happiness. Jack is the best thing that ever happened to Castiel. Literally becoming a father to that child saved him. It brought him back to life, restored his faith and gave him a sense of self-worth and hope he’d long since abandoned. And for Jack, Castiel is the best dad he’ll ever have! He gave this baby comfort, wisdom, nurturing, strength. Was always there when he needed him whether it was to talk or to have his back. No other person in Jack’s life has ever made such an important impact nor made him feel more safe and loved than Castiel. Even when Jack had done such a horrible thing to Mary alienating himself from his family; it was Castiel’s unyielding devotion to Jack that ended up being his salvation. This was huge because once again he’d chosen over the Winchesters proving that no matter what (whether it be the world ending) his son comes first. So when Castiel’s pact with the Empty finally comes due in 15x18 you’d think it’d have an earth-shattering affect on Jack in 15x19. I mean for the first bit it does...until he becomes God. Then its like to hell with that relationship. Castiel is a complete afterthought to Jack and the rest of TFW in this episode. JACK DOESN’T EVEN GET TO GRIEVE HIM PROPERLY. And he just lost his dad because of a deal he’d made a year ago for him. A DEAL JACK HAS BEEN FUCKING DREADING WHILE HE WAS SOULLESS MIND YOU. And when he finally has the power to bring him back, he doesn’t? Jack just walks around with a conceited smirk on his face, bids Sam and Dean adieu and fucks off. I mean who gives a shit right, its only your dad that you love more than anything. This was extremely OOC given that time in 14x14 Jack nearly lost his shit when Castiel got infected with gorgon poison; the anti-venom wasn’t working so Jack resorts to using his powers putting his soul at risk.

I mean if he was so limited to helping Castiel in the Empty AT LEAST FREAKING CLARIFIY THIS TO THE AUDIENCE. This is not about shipping a certain pairing btw. Jack becoming God is not the issue its his characterization after the fact. His first instinct would’ve been to save his dad above getting in touch with the Earth. Yes we knew this transformation was coming it was foreshowed way back in Season 12. Does that justify bad writing or character assassination?? HELL NO.

This is what I’m talking about, episode 15x19 deliberately butchers these characters and their relationships. It shat all over them. No one is behaving like themselves. The pacing is wonky and inconstant. The script feels like it underwent several rewrites and I swear there were scenes cut out. The acting is off too and maybe the pandemic could be blamed for these things but it ultimately falls on the writer. Buckleming screwed up by showing us they don’t know who the hell these characters are, their motivations nor do they give a rat’s ass. And its noticeable on screen. I’ve known better fanfiction writers for SPN than these guys. It’s like they all came back to work but just didn’t care to put the effort into it. That’s why people like me are upset and we have every freaking right to be. Some of us have been with this series for the entire 15 year run. I at least expect these characters to be handled better and for things to make sense. 15x19 doesn’t and its not satisfying its just a cruel joke. The writers and Dabb should be embarrassed to have put this out there thinking we’d just swallow it and shut up. But far as I’m concerned the only thing this episode serves is to disrespect and ruin everybody while angering long-time fans.

MICHAEL. ADAM MILLIGAN. JACK KLINE AND CASTIEL DESERVED BETTER. And that’s the tea.

[foilfreak]

Beauty and Her Beast: Chapter 4

Warning: This fic is rated NSFW and contains graphic depictions of things some people may find disturbing or alarming, including, but not limited to: violence, gore, unhealthy family relationships, Oedipus complexes, gratuitous amount of pornographic literature, ableist language, physical, mental, and emotional abuse, etc. If you are someone who does not enjoy fiction with these elements in them, then I suggest you refrain from reading this, because this fic will have all that, and probably a lot more. So, this is your first and final warning to turn around and go somewhere else if stuff like this just isn't your vibe, because from this point forward, your emotional wellbeing is in your own hands, and I will not be accepting blame if you disregarded my warnings and ended up reading something you didn't like. Idk why I feel compelled to write one of these despite this being Resident Evil fanfic, but I figured I'd cover my ass just in case.

(Link to ao3 version in comments below)

Upon returning to the surface again, Mother Miranda seems confused, but mostly relieved, that Salvatore did not show interest in lingering in the village any longer than necessary. Though Salvatore did end up needing to stay for one last brief conversation, in which he and Mother Miranda discussed various parts of Nadine’s file, as well as finalized the date and approximate time in which Salvatore could expect the villagers to arrive at the reservoir gate with his gift in tow.

2 days from now, was the final agreement, as it would ensure that Salvatore would be the first of the Lords to receive his gift, making up for the fact that he was the last of them to pick. It also permitted him the luxury of some spare time to prepare a new permanent living environment of some kind for his gift. Whatever the hell that was supposed to mean.

Regardless, Once their conversation finally concluded, Salvatore bid his beloved Mother a quick, but appropriately appreciative thank you and goodbye, before closing the large wooden door to the meeting room and trudging back out into the cold, harsh winter snow. Despite a lack of improvement in the weather since Salvatore’s initial journey into the village, the mutant man maintained a solid pace through the snowy paths, seemingly uninhibited by the forceful winds attempting to throw him from his course.

With little time remaining, Salvatore wanted to return to his reservoir as quickly as possible to begin making preparations; though, what exactly it was he was supposed to do in order to prepare for a tiny, beautiful, and apparently violent cadou-mutant woman to begin living in his reservoir with him, once again, Salvatore still had no idea.

Grimacing in frustration, the hooded man wracked his brain for something to do, some way for him to make a good “first” impression with his new gift when she finally arrives. Something that would catch her fancy and hopefully convince her that, despite his terrifying appearance, he wouldn’t harm her and merely wanted to be friends.

Well… technically speaking Salvatore wanted a great deal more than just friendship from the young woman, however given how low his chances are of ever achieving the former, the mutant man decided that he’d happily squash his vile and disgusting desires down deep within himself if it meant he’d gain at least something similar to a friendship with Nadine.

He’d been doing the same with Mother for all these years, so it wasn’t like it was going to be difficult… hopefully.

Upon returning to his reservoir finally, Salvatore retreated from the harsh weather, deciding that he’d likely have a much easier time cleaning if he waited the snowstorm out and got started in the morning, instead. Once the skies had cleared and the sun had just begun to peak over the mountaintop horizon however, Salvatore immediately set to work cleaning up the areas surrounding the reservoir.

It wasn’t until after several hours of diligent gathering and disposing of the numerous unsightly piles of rotting wood and garbage lying around, that the unusually bright and hopeful atmosphere surrounding the reservoir was rudely disrupted by a surprise visitor Salvatore would have never seen coming in a million years.

“HEY, FISHFACE, WHERE THE FUCK ARE YOU? I gotta talk to you about something, so hurry up and crawl out of your sewer system so we can get this over with, already” Karl’s rough and booming voice echoed out from somewhere within the reservoir.

Salvatore flinches in fearful surprise at the demanding voice, wondering what on earth could possibly have brought Karl, the notorious recluse of the family who never left his factory unless bribed or threatened, all the way out here to the reservoir. And to speak to HIM, on top of all that too.

Despite not feeling like subjecting himself to Karl’s recent tendency toward physical abuse disguised as “brotherly affection”, Salvatore sighs and swims his way toward his younger brother’s voice anyways, knowing that ignoring Karl would only prompt the younger man to actually enter the reservoir in search of him, which was the absolute last thing Salvatore needed right now.

“Mornin’, brother! It’s about fuckin’ time you answered the door. You were taking so long I was beginning to wonder if you’d finally decided to run away and live out the rest of your life as an actual fish, like I suggested to you at the last “family” meeting” Karl says bluntly, clad his characteristic attire of green sunglasses, a brown hat atop his head, a long tan trench coat covering his day clothes, various items strung around his neck, and large titanium hammer.

“H-hello, Karl... W-why is it th-that you’re h-here for?” Salvatore asks slowly, peering at the younger, but taller man from behind the only partially opened gate.

“Hey, hey, come on now, Sal, what’s with the cold welcome? Am I not allowed to visit my favorite older brother without a specific rhyme or reason. I think you’ll be surprised to know that I was actually already in the area, and wanted to stop by and see if you were in the mood for a chat. You know, like old times?” Karl says defensively, placing both his hands up as Salvatore narrows his eyes at the younger man.

Salvatore was a lot of things, but stupid most certainly wasn’t one of them, regardless of what other people thought. While it might be true that, when Karl was first introduced to the family as a child following his successful cadou mutation, they had something of a positive older-younger brother relationship that lasted a good many years into Karl’s adulthood, that relationship has been growing progressively shakier and unstable over the past few years, at least it has during the times Karl has acted like Salvatore wasn’t the only one to reach out and attempt to connect with the emotionally volatile, but secretly terrified young boy, when he first arrived.

Deep down, Salvatore still had something of a soft spot for Karl, a soft spot that he occasionally allowed himself to indulge in whenever Karl wasn’t acting like a royal asshole, but those moments of peace and solidarity between oldest and youngest brother had been few and far in between recently. Not to mention that Salvatore would be lying if he said he wasn’t growing increasingly more suspicious and distrustful of Karl and whatever secrets the younger man was hiding in that factory of his. He hadn’t the slightest idea what he could be up to, but something told Salvatore that Karl had more reason to be here than just pure coincidence.

“P-perhaps… what i-is it that you w-want to t-talk about?” Salvatore replies curtly, not wanting to just go along with whatever Karl wanted, but for some reason still willing to give the younger man a chance to prove himself.

Taking a brief moment to look over both his shoulders, Karl places the heavy end of his hammer on the ground and leans inward toward Salvatore, lowering his voice as he whispers, “You see your gift from Mother yet?”

This question took Salvatore by surprise, not expecting the gifts Mother Miranda had given them to be the reason why Karl was here.

“I… I h-have… why?” The disfigured man asks curiously, pushing the gate open a little further so that Karl, despite Salvatore’s earlier reservations toward the younger man, could squeeze his way inside.

Upon entering through the gate, Karl immediately takes 2 cigars out of his back pocket and lights the first one. “Curiosity mostly… but also cuz I think there’s more to this whole “gift” thing than Miranda wants us to believe,” the bespeckled man says, blowing a lungful of smoke out his nose as he offers Salvatore the second cigar. “You still smoke, old man?”

“I-I… I r-really shouldn’t” Salvatore says, turning his back toward Karl’s outstretched hand, even as the wonderfully woody scent fills his nose and his mouth begins to water.

“Oooooh, but something tells me you want to” Karl teases, sauntering over to the older man so that he could wave the fresh cigar in Salvatore’s face, chuckling in amusement when the fish mutant’s gaze locked onto and followed the unlit stick like a dog would a slab of meat.

“B-but it… M-Mother has s-said… m-many times… th-that she d-doesn’t like… doesn’t like when we s-smoke… because… uh, b-because...” Salvatore trails off, trying to remain strong for Mother Miranda, even as his self-control slowly continues to crack.

“Come on, lighten up a little bit, old man. It’s just one cigar. You smoked a pack of these things a day, like they were the only things keeping you going, both throughout my whole adolescence and, if what Duke says is to be trusted which we both know it is, well after I left for my factory, too. When the hell did you start being such a stick in the mud? No wonder I stopped hanging out with you, you’re like a fuckin’ parrot that repeats everything than goddamn woman says, it’s like I can’t escape her no matter where I fuckin’ go” Karl groans in a slightly childish tone of voice as he trudges forward to sit on one of the docks overlooking the calm water below.

Salvatore slowly moves to join him as he says, “S-she’s right th-though… it r-really isn’t good… f-for you… I smoked e-everyday for m-many years... an-and now I’m p-paying for my i-ignorance… Mother o-only nags at you… b-because she c-cares… and s-she’s always r-right… in the e-end...”

“Oh, fuck what Miranda says, I’m tired of that woman. Always telling us what to do and then thinking that pushing a couple of failed experiments onto us as “gifts” will make up for the fact that she’s disappearing off the face of the planet without a single trace and not telling us when she’ll be back. As far as I’m concerned, when Miranda’s not here, she’s not the boss of me. And the same goes for you, too” Karl says, roughly punching Salvatore in the shoulder.

“I-I don’t… I don’t think th-that’s how this w-works, Karl” Salvatore counters. “Even w-with Mother l-leaving us… f-for a t-time... we still h-have to make s-sure that th-things c-continue on… continue on as p-planned… or e-else we’ll really b-be in trouble… w-when she g-gets back.”

“Maybe,” Karl says thoughtfully, before taking another drag of his cigar. “I don’t know… I just have a sinking feeling that there’s something weird going on behind the scenes and these “gifts”, that she’s giving us, are nothing more than distractions to keep us entertained while she goes and does… whatever the fuck it is she plans on doing while she’s gone.”

Salvatore pauses for a moment, briefly remembering back to when Mother first told him that she’d be leaving the village to go “visit someone”, who she believed could be very important to their mission of reviving Mother’s long lost baby, Eva. Although he hadn’t thought very much of it at the time, the mutant man also remembers Mother saying something about how well Nadine would do at “keeping him occupied” until she finally returned, and maybe even after that, too. But why would Mother Miranda want or need him to be “occupied” when she got back? Wouldn’t she want to share her findings with him so they could work toward creating a vessel to revive Eva in? Wouldn’t she want to see and speak to him again after being away for so long?

Or maybe… could… could Karl actually be onto something here? Salvatore felt terrible doubting Mother Miranda, but he’d be lying if he said that Karl didn’t have a point about Mother’s behavior seeming odd, now that he was in the proper headspace to go back and analyze the memory properly, at least.

“B-but… if Mother h-has gone o-out of her w-way… to make sure that w-we won’t be l-lonely... w-while she’s away… isn’t th-that a… a good th-thing… doesn’t that m-mean she c-cares a-bout us... enough to… e-enough to do something l-like this?” Salvatore asks nervously, watching the younger man intently as he contemplates his response.

“I guess so, at least when you word it like that, it does. But something tells me there’s more to this than she’s led us to believe. She’s got something planned, and she’s definitely after something, and once she gets her hands on it, who the hell knows what’ll happen… whatever it is though, I doubt it’ll be very good, for any of us.”

“D-don’t say th-things l-like that… I-I’m sure M-Mother has a-a reason… a reason w-why she’s leaving… an-and if she d-doesn’t tell us w-what it is… b-before she leaves… th-then Im sure… I’m sure sh-she’ll tell u-us when she g-gets back… she’ll l-let us in o-on her p-plan… wh-when she’s ready… an-and then… once e-everything is… said a-and done… we c-can revive… r-revive Eva… and b-be a real f-family… a-at long l-last… isn’t th-that what w-we a-all want, after a-all… a f-family?” Salvatore asks, hoping this was doing something to ease the younger man’s clearly agitated mind.

What on earth it was that was causing so much turmoil as it flew around inside Karl’s head, Salvatore had no idea. But something about the bespectacled man’s unusually contemplative and concerned mood, coupled with the fact that he’d only punched Salvatore once since his arrival, was beginning to leave an acidic taste in the deformed man’s mouth.

Karl really and truly thought something was wrong, and the younger man’s continued insistence upon this fact was beginning to make Salvatore very very anxious.

Perhaps it was the unusually good and excited mood that Salvatore was in due to the near arrival of his gift, or maybe it was that soft spot for Karl I mentioned earlier, but regardless of the reason, Salvatore felt the odd need to help alleviate the younger man’s bad mood, just like he used to do for him back when Karl was still barely taller than his shoulder.

Mother Miranda certainly wouldn’t be pleased if she found out that Salvatore had broken his mandatory sobriety despite her explicit orders to avoid smoking so his experiment results wouldn't be hindered. That being said however, Miranda always seemed to want her 4 children to get along and be close, like real siblings, so Salvatore supposed that he could allow himself a break from his smoking break so long as, if Miranda did manage to find out somehow, he could get himself out of trouble by spinning it as a rare moment of sibling bonding between the oldest and youngest siblings, rather than the reality of the situation.

“I… I’ll t-take that cigar… if you’re n-not gonna smoke it… th-that is” Salvatore says, a small chuckle escaping him when Karl cheers in delight, practically throwing both the lighter and the cigar into the deformed man’s hands.

Salvatore’s first breath of the cigar is nothing short of heavenly once he finally lights it and takes a drag, and its moments like these when the mutant man finds himself secretly grateful that Karl hasn’t listened to a goddamn word Mother Miranda has said in nearly 4 decades.

A long period of silence passes as both brothers merely sit beside one another and secretly enjoy each other’s company.

“Miranda let me pick my gift first, so I didn’t get to see where the others went. Who did you end up with?” Karl asks, finally breaking the silence.

“T-the… the sh-short one,” Salvatore replies, “with b-blue skin, black h-hair, a-and, uh… oh, an-and white d-dots… all o-over her… l-like freckles… fins t-too”

“Oh ya, I remember that one. Gorgeous little thing, she was” Karl says, nodding his head in appreciation as a devilish smile spreads across his unshaven lips. “With quite the… voluptuous figure too, if I remember correctly.”

“I… well… I-I don’t know i-if… I d-didn’t... shut up...” Salvatore mumbles under his breath, taking a long drag from his cigar as Karl throws his head back laughing like a hyena at his older brother’s sudden bashfulness.

“Ah, come on, Sal, don’t be such a downer all the fuckin’ time, I’m just teasing. I know you still think about shit like that, too, even if you’ve managed to convince Alcina and everybody else that you’re just an innocent little follower who hasn’t had an independent, or dirty thought of his own since the cadou took hold. You used to be a fuckin’ doctor for crying out loud, and you’re still annoyingly the person Miranda goes to first whenever she has a new experiment in mind, cuz you’re smart AND she can trust you. You might look like you fell off the truck that was taking you and your fishy friends to market, but I’ve known you too long for that bullshit act of yours to work on me.”

“Act?” Salvatore asks, genuinely confused by what Karl means.

“You know, that stupid fuckin’ “moronic freak” act you do whenever Miranda’s around. The one where you act like you don’t know what the fuck is going on or what something is so that she’ll take pity on how stupid and childish you’re acting and give you more attention. It’s pathetic to watch and I’m gettin’ sick of seeing you do it all the time. Knock it off, you’re better than that.”

“I’ll… um… b-be sure not to… to m-make it s-seem as… uh… I’ll k-keep that in m-mind” Salvatore finally says, casting his gaze down to his pants for a moment, unsure how to feel about how… friendly and kind Karl was being all of a sudden. Salvatore knew Karl secretly cared about him, the brat does far too many conveniently nice things for him throughout the year for him not to, but hearing the younger man voice his surprisingly high opinion of him was definitely shocking, though still quite touching, all the while.

“W-which gift… d-did you end u-up… getting, Karl? I d-didn’t get t-the chance to… to s-see the others… M-Mother only showed me Nadi-er… my g-gift” Salvatore asks, deciding, at the last second, against using his gift’s real name lest Karl be given even more artillery to tease and riddle him with.

“Eh, just some tall dark haired broad. I think Miranda said something about her being Indian, or something along those lines.”

“O-oh… d-did Mother say a-anything about… whether she’s actually f-from here… o-or did she immigrate… f-from India?” Salvatore asks, tilting his head curiously as this new information about Karl’s gift piques his interest.

Karl stares at Salvatore with a look of confusion for a moment, his mouth opening and closing silently like he wanted to say something, but couldn’t find the words for it. Until, “Aren’t Indians from America?”

The sound of Salvatore’s right palm making firm and painful contact with the back of Karl’s head echoes across the reservoir almost as loudly as the following cry of pain from the man himself.

“OW! WHAT THE FUCK WAS THAT FOR?” Karl roars angrily, pushing himself to his feet while he rubs at the back of his head, hat lopsided and barely hanging on to his head and green glasses no longer perched upon his nose, likely sinking to the murky lake floor just below the docks they were sitting on.

“I d-didn’t spend… th-the better part o-of 15 years… p-pounding an education... i-into y-your th-thick head... for you t-to say… f-for you to b-be spouting dumb shit… l-like that” Salvatore growls in annoyance, eying the taller man with a look that even he wouldn’t dare argue against, at least not with Sal he wouldn’t.

It’s moments like these when Salvatore is very happy that Karl, for as strong and fearless as he is now as a fully grown adult, is still just a little bit afraid of him after all these years. Not because of anything bad or horrifically traumatic of course, especially considering how often Salvatore had gone out of his way to ensure Karl had the least traumatic upbringing he could possibly provide the young boy, given both their situations. As much as he hated to admit it, even Karl would agree that Salvatore had done a pretty decent job of not fucking him up anymore than he already was, which the younger man would secretly always be thankful for. However, even a person as naively patient and serving toward others as Salvatore had his breaking point, and all it took was one especially bad day, resulting in the one and only time Salvatore has ever left a mark upon the younger man’s skin, for Karl to realize that Salvatore was the last person in this godforsaken village he wanted to purposefully make an enemy out of.

Thankfully, their relationship never suffered negatively from that one-off event, but it did force the two to come to a mostly unspoken agreement that has remained present and active, if slightly ignored at certain times, from that point forward. Agreement or not however, Salvatore could never bring himself to harm Karl like that again, even if he wanted to, which was probably the main reason why Karl was still the most comfortable around him, even after all these years. It was a secret they shared between them, and them alone, and it would be one that he would cherish for the rest of his life, as Karl would secretly cherish the kindness and brotherly love Salvatore had treated him with for all these years. They were brothers, regardless of whether they got along or not, and nothing in the would world would be able to change that.

That being said however, Karl was about to be in for a very rude awakening if he thought he could just do and say whatever the hell he wanted around Salvatore without there being any consequences.

“‘A-aren’t Indians f-from A-America?’ G-good grief... I o-oughta throttle y-you for th-that one” Salvatore grumbles through another drag of his cigar, shaking his head in utter disbelief and disappointment. Karl was so intelligent, and yet he could be so stupid sometimes that it physically hurt Salvatore to think about.

“But there ARE Indians in America, aren’t there? I know I’m not wrong here” Karl defends aggressively, his anger quickly giving way to embarrassment when Salvatore raises his hand to pinch the bridge of his nose in frustration and annoyance.

“Th-they’re called N-Native Americans... f-first of all... they w-were only c-called I-Indians... b-because the g-guy... the moron who f-first sailed t-to the A-Americas... w-was actually... looking for I-India... the r-real India... b-but back th-then... you h-had to go all th-the way... a-around Africa... to g-get there... but he th-thought h-he could do... d-do it a d-different w-way... he thought h-he could f-find India... by s-sailing straight f-from S-Spain... and g-going around the whole w-world... until h-he came b-back around... an-and hit Asia” Salvatore explained slowly, hoping to maintain his delusion that Karl had, in fact, paid attention to at least some of the lessons he gave the boy throughout their time together, even if it wasn’t actually true.

“But he didn’t. He hit the Americas and started calling the locals Indians cuz the guy, what’s-his-face... Columbine... Columbus... whatever, was dumb enough to think he was in India and not a totally different landmass” Karl finishes, looking like he at least remembered hearing about his information before, which was good enough for Salvatore.

Despite the grimace still etched onto his face, Karl groans in annoyed defeat and slinks back down to sit next to Salvatore, still cradling the back of his head.

“Anyways, as i was saying before I was so rudely interrupted with a goddamn history lesson-”

“You w-want another s-smack?” Salvatore threatens, mildly amused when Karl pauses his dramatic retelling, before sliding just a few inches to the right, away from Salvatore’s preferred disciplining hand.

Coughing slightly, Karl continues. “Anyways… going back to my “finding the silver lining” idea, or whatever the fuck its called. This whole “gift” thing might actually work out kinda nice for me in the long run, especially since the one I got looked like she was strong and could handle herself in a rough and tumble environment. If she proves herself, I’m planning on turning her into my assistant” Karl explains casually. “As much as I hate working with other people, normally, I’ve got some projects that would really benefit from a second pair of hands, so I’m attempting to make a “silver lining” moment out of this bullshit “gift” thing Miranda’s tryin to do and just hope and pray that things work out in my favor. Though, to be fair, if things with this girl don’t go well, I could always use her body for a cool idea I’ve had cooked up for a while now. What about you? What are you planning on doing with your new little toy once it finally arrives?”

Salvatore merely shrugs his shoulders. “It w-would be nice… i-if we c-could be f-friends… somehow… but…”

“Ya… you’re not exactly working with the latest and greatest set up, huh? Even a mutant girl might need a little bit to get adjusted to a face like that” Karl says.

“That’s c-certainly one way o-of p-putting it” Salvatore replies dejectedly.

Karl flinches slightly, which surprises Salvatore, since the younger man has a habit of caring very little for how his words affect those around him. Why on earth was he being so considerate, all of a sudden?

“Look, uh… what I meant to say was that… ok, so maybe you’re not like, the best looking guy ever, but like…” Karl stammers and stutters, trying desperately to figure out what he wants to say but seemingly coming up short every time.

Salvatore narrows his eyes again, suspicion returning. “You’re h-hiding something f-from me… w-what are you a-after, Karl?” Salvatore asks seriously, fixing the younger man with a stern look that he knows Karl recognizes.

“Hey, don’t you give me that fuckin’ look. I am too fuckin’ old for you to be looking at me like that, what am I, 12?” Karl asks.

“You c-certainly act l-like it… most of th-the time” Salvatore grumbles under his breath.

Karl clearly heard him, but knew better than to argue with the water not even a foot below where the two were currently sitting, his sunglasses having already taken a nice little dive as punishment for his big mouth. Salvatore might have only agreed to speak with Karl because the latter had demanded it, but they were still very much in Salvatore’s territory, and it wasn’t even a question of who had the topographical advantage should an “argument” actually break out between them.

Karl is strong, nobody can deny that. But Salvatore has the home advantage, and they both know it.

After a moment of tense staring, Karl finally breaks first, sighing heavily before tossing his finished cigar cap into the water below them, a crime Salvatore briefly contemplates knocking the younger man in for, before deciding against it, knowing, with his luck, that it would only come back to bite him in the ass later.

“Alright look,” Karl finally says, a look of frustrated determination on his face, “I don’t know what Miranda really has planned past her whole “get a suitable vessel for Eva” obsession, or what she’s really after on this mission of hers… but something about this whole situation going on recently just doesn’t feel right to me, and I think we need to do something about it before something bad happens and we all somehow end up dead. Now, I'm not 100% sure why I’m talking about this with the head of Miranda’s fuckin’ fanclub, but considering what my other 2 options were it wasn’t like I had much of a damn choice. My only saving grace right now is the fact that you’ll at least occasionally listen to fuckin’ reason, given your gaping maw can be yanked from Miranda’s tit long enough to hear me out, that is. It’s certainly better than my chances with Lady Super-sized Bitch and Crazy Psycho Doll, over there.”

“Are you s-sure you’re n-not just being p-paranoid?” Salvatore asks slowly, not wanting to offend Karl by outright stating he didn’t believe the younger man’s hunch, but also trying to figure out if Karl actually has something to be concerned about, or if he’s just looking for an excuse to badmouth Miranda.

“No, no no no, don’t you do this to me too, Sal” Karl begs in frustration. “You can go about the rest of your life loving the absolute shit out of that crazy woman if you want to and I won’t say a goddamn thing about it, but I need you to promise me, and I mean promise me, that if you see or hear something weird regarding Miranda and this little “trip” she’s about to go on, you come tell me so that we can at least make sure our own asses are covered when shit hits the fan.”

“Well… I-I uh…”

“Come on, Sal. None of these psychotic assholes have ever had my back like you, and that’s exactly the reason why I’m telling you all this” Karl says honestly, catching Salvatore off guard with the oddly familiar wording.

“I know I can be a royal fucking pain in the ass most of the time and that I’m not always the… nicest to you… even though you did kinda do... a bit for me here and there when I was a little tyke... But none of that matters now, because even if Miranda isn’t trying to hide something from us, with the two of us banded together, we could do whatever the hell we wanted while she’s gone, and neither of the other shitheads would be able to tell us otherwise. What do you say, Sal? Come on, you and me, together, just like when I was a kid, remember?” Karl asked excitedly, his eyes shimmering in boyish glee as he spouts off all the things they’d be able to get away with when Miranda finally left, the torment they’d be able to unleash upon Alcina being a particular favorite of Karl’s, it would seem.

Salvatore remained silent for a moment, contemplating the deal he’d just been given.

It’s… not a terrible deal, at least compared to some of the previous deals Salvatore has been offered in the past. It wasn’t like him agreeing to “ally” himself with Karl was a direct declaration of war against Mother Miranda or anything like that, merely a mutual effort that would guarantee safety for both him and Karl should Mother’s plan not go exactly as she wanted, which scientific experiments were known to do. Not to mention that giving Alcina a good messing with did sound like quite a bit of fun.

Maybe… maybe Karl was right. Maybe Salvatore was being a bit too much of a stick in the mud. It was just Karl after all, who Salvatore had practically raised, starting from the boy’s arrival into the family at 6 years old and more or less up until his factory was completed just after his 22nd birthday. Karl could certainly be a handful for even the most powerful individuals, but even on his worst days, he always found some backwards, convoluted way to apologize for his behavior.

“W-well… I-I’m not s-sure… I d-don’t know how I f-feel about… about d-doing things th-that Mother… wouldn’t a-approve of… just b-because sh-she’s gone...”

“But...” Karl continued for him.

“B-but I suppose… k-keeping each other u-updated… when we f-find… or h-hear s-something weird is… wouldn’t be… wouldn’t be th-the worst idea… in th-the world… e-even if it just t-turns out that… we w-were just being p-paranoid.”

“Excellent! That’s just what I was hoping to hear” Karl says triumphantly, standing up.

“A-are you l-leaving, already?”

“Ya” Karl affirms, “I’ve got work to do at the factory, and based on the look of things here, you were busy with a project of your own it looks like.”

Salvatore nods, pocketing his freshly finished cigar cap for later, proper, disposal. “I c-can’t even remember… the l-last time I… p-properly cleaned this p-place… it l-looks so m-much nicer… even w-without being f-fully finished…”

“Good for you. My own property could probably do with a good cleaning of its own now that you mention it. If nothing else though, I’m sure your new little lady friend will appreciate that you picked up the place for her arrival.”

“Y-you think s-so?” Salvatore asks.

Karl shrugs his shoulders. “Who knows with chicks, they’re unpredictable, but I suppose it’s possible. Then again, maybe not considering who you ended up with. I don’t know the full story or anything like that, but based on what I heard from Miranda, that blue bitch you went with was the craziest one of them all. Practically tore her pod apart the first time Miranda tried to put her in it, and caused all sorts of other damage throughout her mutation phase too, not that I blame the poor girl. I’d tear that whole lab right out from under the surface and set it ablaze if I could. Going back down there after so many years… I was puking like you for the rest of the fuckin’ day when I finally got out of that hellhole. Stomach still feels a little nauseous if I’m being honest...”

“I-I’m sorry… to h-hear that” Salvatore says, though Karl is quick to brush him off.

“Eh, don’t worry about it. I’m a big boy and I can handle myself. But do we have a deal? Keep each other in the loop whenever we hear anything… strange or abnormal about Mother Miranda or her special little mission?”

Salvatore pauses for a moment, thinking one last time about whether this was a good idea, before finally shrugging his shoulders and nodding. “Y-yes, we h-have a deal… b-but just remember something, Karl… 40 years d-didnt do… nearly as m-much for your p-poker face as i-it did for your s-smart mouth. If I c-catch you lying to m-me-”

“Ya, ya, ya, you’ll chop up my body and toss my remains in the lake to feed the fishes, I’ve heard that one a million times before” Karl interrupts. “Don’t worry, Sal, if I was planning on lying to you at any point throughout this process, you’d have already caught me by now. Even I know better than to try pulling a fast one over the walking fuckin’ lie detector.”

“I’m h-holding you to th-that, Karl” Salvatore calls over his shoulder as the younger man stands and begins heading toward the gate to return to his factory, chuckling lightly when Karl returns his warning with a middle finger.

“Take it easy, old man. And let me know how that crazy fish bitch you ended up with turns out. If all else fails I’ll turn her into a nice stuffed pillow for you” the bespeckled man says, throwing his head back in laughter as though he’d told a funny joke, before adding, “And I’d better get my sunglasses back within the week, or else I’m draining the whole fucking reservoir so I can find them myself. Don’t think I won’t do it, old man.”

Salvatore merely returns the middle finger, a response that Karl seems to appreciate, if the wolfish howl of laughter the younger man let's out says anything, at least.

‘Cheeky brat. Always plotting something’ Salvatore thinks fondly to himself as he slips back into the water to continue cleaning the reservoir, quickly grabbing the green sunglasses that had sunk to the bottom and pocketing them to return to Karl later. He pauses for a moment when a thought crosses his mind.

Within the past 24 hours, both Mother Miranda and Karl had been… unusually kind and affectionate toward Salvatore, which pleased but also confused the twisted man.

Karl was easy enough to explain away, the younger man has been flip flopping between periods where he likes and spends time with Salvatore, and periods where he’d sooner set himself on fire than be in the same room as his older brother, since the day they met, so as far as Salvatore was concerned, Karl’s behavior was hardly breaking news, though perhaps a bit surprising given everything going on with Mother’s gifts. Mother Miranda, however, was a different story.

Usually more distant and hands-off in her parenting ways, Miranda had been uncharacteristically affectionate toward the disfigured man the night before, going as far as to openly praise Salvatore for all his hard work and even hold him without being asked to. It had been such a wonderful experience at the time and yet, the more Salvatore thought about it, the stranger and stranger the behavior seemed, especially now that Karl had confronted him.

Speaking of Karl… Mother seemed quite upset with him when she spoke of him the night before. Going as far as to badmouth him specifically, calling him a ‘conniving little snake’, despite the younger man usually being her favorite by a country mile. Had Karl done something to incur Mother’s wrath? Is that why Karl came all the way over here to make that deal with him? Is he trying to rally the 4 lords to rebel against Mother Miranda?

No... No, no no no, that couldn’t be true, there’s no way.

Even Karl, for all his incredible intellect and hunger for power, was too afraid of Mother Miranda to ever try anything as drastic as that. That being said however, even though Salvatore doubted that Karl would ever try to rebel against Mother Miranda, it did seem like the younger man was trying very hard to get Salvatore onto his side for some reason. In fact, both Karl AND Mother Miranda appeared to be trying to sway the eldest Lord in their favor, though for what reason, he still had no idea.

It was definitely something that made Salvatore slightly wary of the both of them, though.

There’s nothing in this world that Salvatore hates more than doubting his beloved Mother, but even he couldn’t write this oddity of a situation off as a mere one-off incident or sudden change of Miranda’s tune. Mother has been acting very strangely recently, doing things she wouldn’t normally do and acting overly affectionate as if to try and throw everyone off her tracks, and the longer Salvatore thought about it, the more he couldn’t help but wonder, as painful as it was to admit, if maybe Karl was actually onto something.

Logically, he knows that Karl is just being Karl, looking to stir up some trouble for his own, and supposedly Salvatore’s, amusement, and that Mother Miranda is likely just trying to enjoy the time she has left with her children before she leaves on her mission. However, something in the back of Salvatore’s mind can’t help but wonder if maybe there’s more going on than he’s been led to believe by either of them. And as if this situation couldn’t get any more confusing for the deformed man, now his overly anxious and analytical mind was beginning to understand what Karl meant when he said there was something strange going on, no matter how much the rest of him practically screamed to just listen to Miranda like he always has.

Shaking his head of his scrambled thoughts and turning his focus back to his work, Salvatore decides that the best thing he can do right now is keep an ear to the ground on both Mother Miranda AND Karl, just to be fair. He still isn't sure if he plans on being 100% honest with Karl regarding their deal, but he supposes that maintaining a good relationship with the younger man wouldn’t hurt in the event he turned out to be right and Mother’s plan backfired on all of them.

Besides, if Karl did turn out to be right, and Salvatore was ready for if things took a bad turn, he could still be there to rescue Mother Miranda and ensure she’s brought to safety along with them. He’ll have successfully fulfilled his family duties to both Karl and Mother Miranda, without ever having to actually choose which side he was definitively on. A perfect plan if the mutant man says so himself. Now the only thing left to do between now and whenever things started getting interesting was work on the reservoir and wait for his gift to finally arrive, his mood regarding this whole situation greatly improved thanks to Karl’s visit.

Hopefully, if things went well, he’d have some exciting news to tell the younger man the next time they met up.

Maybe he’d even have a new friend to introduce.

[barren-heart]

If you’re Jensen Ackles, Misha Collins, or Jared Padalecki.

STOP.

Read this post.

Dear J2M,

This is an open letter for you three written by a couple of unhappy passionate fans.

We write this to you because we know at least one of you has a secret Stan account and creeps on the destiel hashtag from time to time. Don’t lie. (Ahem. Misha Collins. Looking at you, Sir.)

With the subtle hints and possibility of a revival, us here at BarrenHeart (Bee and Jay) have some thoughts on what we think a reboot/continuation/revival would look like if it was done well.

Note: we don’t speak for the whole fandom(obviously). And we don’t even speak for all of the Cas/destiel fans. This is from our observation of the fandom after 15x18 and the finale, plus our own opinions.

Here are our demands suggestions for the potential revival.

--Castiel--

First things first. Castiel is brought back.

And by that, we mean he is either shown to be rescued from the empty, Jack rescues him from the empty, or by some other means, that man is not left there to suffer for all of eternity.

Castiel is a lead character.

Not a guest star, not “and Misha Collins.” No. Misha Collins gets to be in every d*mn episode. He is an equal lead alongside Dean and Sam. Which leads into the next point.

Castiel gets his own storyline.

It can be connected to Dean in some way, but he needs his own arc, y’all. Don't care what that is, but he IS his own character. So, some form of personal growth or whatever needs to happen. He is a badass and deserves a good storyline. Also…

Give this M-- F-- (mother father) his wings back!

Yes, he died without ever having his wings return to their full power. Like? We know he was nerfed so he wouldn't overpower Sam and Dean. Prove to us that he can be a fully powered badass and still work alongside Sam and Dean. No need to get rid of that.

Human!Cas does not mean pathetic Cas.

There is a divide on whether Castiel should stay an angel. Personally, we like human Cas. However, human Cas was shafted in the series. If you make him human in any way, shape, or form, he’s gonna still have to be a badass. Don’t whimp him!

He can be a good hunter/pretend FBI agent just like Sam and Dean!

So, make him one! Let him do more cases. On his own. With other people. With Sam. With Dean. He can fight without powers, too.

Give him love!

For the love of freaking Jack, let that man know he is loved by people. Not even mentioning anything romantic, he still needs platonic love y’all. Let Sam say it, let Jack say it. Let anyone in his family tell him that he is loved. Not once in this series did Cas hear that anyone loved him. So, fix it!

New style, anyone?

Cas needs other clothes! Please now. The black trenchcoat we never saw in-show? Boss. Cas in a black leather jacket? Coolness. Hunter plaid? Do it.

Confession Resolution

Speaking of love, come to some conclusion please about him and Dean. Give a resolution somehow, somewhere. We personally don’t really care how it’s done, but there needs to be something said here. You cannot just drop a confession there and just leave like it never happened. So, talk about it.

Adding this, I swear, if this is bros only, you WILL lose Cas fans. So, think about what you’re doing.

--Sam--

Sam is important!

Now, personally we have a soft spot for Sam. His character arc in Season 1-5 was great. Demon blood, powerful Sam was amazing. So, don’t sideline Sam. Seriously. We are gonna say in an unpopular way (as if this post isn’t already unpopular to some), but Sam got sidelined real hard in the last few seasons of the show. Now, was that what Jared wanted? Don’t know. But, Sam needs his own storyline too that isn’t just revolved around Dean. Figure it out.

Witch!Sam

Speaking of which, let this man be powerful. Sam is best when he has powers. Sorry but also not. He has been given all of Rowena’s (who is arguably the best witch around) spell books and decides to not really do much with it? No. He’s becoming a BAMF witch. Full-out, no word spells and shit. End point.

Sam in Charge

He’s not just a baby brother. He’s a grown man. Give him room to grow. Allow him to be a leader. Let him lead a group of hunters, witches, a whole team of people! He’s strong on his own, too. He's a big boy. Prove it.

He should fall in love.

Like, get married and all that. It’s a part of his arc, so keep it there. No blurry wife, my god! Personally it should be Eileen. She’s a badass. They also have a lot in common! Holy hell. They make a good team. So, keep that suggestion in mind.

Let him have the hero’s journey.

We want a good ending that shows growth for this character! He saw himself as a freak with powers, so…maybe he can use his powers now in a way that in empowering instead? Let him have an ending that doesn't just return to the beginning. Let him have gone through all of this changed for the better.

Don't be creepy.

Still keep the brotherly bond with Dean, but don’t make it weird, y’all. Don’t. Please.

Sam as a dad.

He can have a kid. But, Dean Jr? Eh. You might want to reconsider some other (Bobby) possibilities.

--Dean--

Now, with Dean, I wanna make this clear.

DO NOT K word THIS MAN.

This man here has dealt with unbelievable trauma, suicidal thoughts and even almost died by suicide in the show (okay, it was for another reason, but still!) He dies way too many times in this show. It’s not new anymore. Perhaps, when the show was newer, death might have been a bittersweet ending. But, now. It’s tarnished. It happened too much and the message of “carry on” got tainted to mean “there is only peace when you die.” That’s not okay.

Resolve his issues!

He has so much pain and trauma. Let him seek help. Let your audience know that it’s okay to process these emotions. Let him heal. He deserves it.

Dean’s internal struggles

This is piggybacking a little off of point two, but Dean has a lot of things he needs to figure out. We feel like his journey is more internal. While processing his trauma, he needs to learn that it's okay to be himself. This could include things about himself that he feels ashamed of or scared to admit. Things he may have repressed or suppressed over time. No more hiding who he is or brushing it off or making jokes. Be your true self, Dean. It's time.

Dean’s still important, of course

That said, Dean should still be integral to the overall narrative of the plot. Of course he's gonna go head to head with the Big Bad of the season/limited series, but he really should focus on what's inside first before he can take this monster down.

The Bro bond

No more dependent/unhealthy bond with Sam. Of course they are family and brothers, and will always be close. That's perfectly fine. However, its important to note that Dean was Sam’s mom/Dad most of his whole life. And, well, that never came to a resolution. Please let Dean resolve this issue. Sam is grown and older now, and even though Dean will always feel protective of him as his Big brother, Dean shouldn't feel like his life only revolves around taking care of Sam. There is more to Dean and his life.

Dean is complex

Also, Dean is not only about cars, burgers, and pie. It's like some of the writers forgot this. There are so many things/interests of Dean’s that are really cool and add to the complexity of his character. Keep those things.

He needs to resolve his issue with Jack.

He never said sorry to the kid. Not once after telling Sam that Jack wasn't family. He needs to tell Jack he is loved.

Speaking of which, Dean needs to tell Cas he loves him.

Okay. Who knows if you will make destiel reciprocal at this point.

Do we think Dean would have reciprocated based on context clues and what we have seen in the show? Yes.

Do we think this love is romantic? Yes.

Do we think you'll actually fully make it canon in a reboot/continuation? Eh.

Regardless, Dean loves Cas, so make it known.

Other demands considerations.

‘The found family’ needs to not be forgotten.

All the friends that were made along the way need to be included. What happened with Garth was great, actually. Do more of that. And by that, we mean include Jody and Donna. What are the girls doing now? Wayward sisters anyone? Bring Kevin back. Don't leave him to roam the earth all along like that. Either make him human again like Eileen or send him to rest in Heaven.

Where’s Eileen?

Hello??? Where? Tell us she made it back.

Claire

No idea if you can get Kathryn Newton back, but it would be cool at least for one episode. Please. Kaia? Resolve her storyline.

Also, Charlie.

Wtf happened? That was not resolved. We love Felicia Day. Charlie’s friendship with Dean is amazing. She deserves a few episodes.

Crowley!

Seriously. What happened to Mark was super disappointing. You gotta bring him back. His death wasn't great. Bring him back and give him his damn line already!

Jack!

I'm not fully on the Baby!Jack train, but he does deserve a normal life. He's three years old technically. He had no normal life whatsoever. He deserves that. So, give him that.

More Rowena please!

That's it. She's awesome.

Have a wedding.

No, really. Someone's gotta get married. Our pick: Sam and Eileen. Charlie is also a good contender for having a wedding with her partner, too. So there. Weddings are happy. We want a happy ending.

I will reiterate. Team free will lives. That's it.

Okay. Now, moving on to the next part of this. The elephant in the room. The thing a lot of us actually want from this, but frankly, we aren't sure if you'll do it.

Explicit Destiel.

If you've read this far J2M, then you're probably wondering when this was going to be addressed. So, here are the stipulations on destiel.

Go big or go home.

Yep. We said it. Make it explicit, full out, no ambiguity.

Honestly, you might be thinking what you could do to make it explicitly canon? Well, since there were tons of people who still think Cas’ love confession was just a platonic exchange between two bros (like wtf? How?), you're gonna have to spell it out for people.

But, some things that we may perceive as romantic, some people may not.

--Like, holding hands could be considered platonic between two men to some people.

--Cheek kissing could also be considered platonic to some people.

Not to say we need Jensen and Misha doing full on *** scenes to prove anything, but something more than a hand hold. Okay? Okay.

What we’re saying is basically, you're gonna have to kiss. On the lips. Yep.

So...I guess you'll have to figure out how you want to do that.

On when to make it canon:

You can decide if it makes sense to make it canon towards the beginning or towards the end. Honestly, there could be an argument for either. If it's made canon earlier, you could prove there can be a relationship alongside the main storyline. If you wait until the end, you'll leave fans wondering if you'll actually do it. But, the kiss being the major event of the finale could be worth it. Whichever you do, remember there are upsides and downsides to both.

Other other considerations:

Just realize who your fanbase is now. We’ve grown and changed. Like Becky, your fans have gone through a huge change in what they want from the show. Is the fandom all on the same page? Nope. Will they ever be? No.

You will not please everyone. That's a given. But, a lot of fans want to see the show wrap up in a better way than what we got. Destiel fans aside, the finale was not great overall. There are plenty of negative finale reviews that have nothing to do with destiel.

On top of that, society is changing. Slowly. The attitudes in regards to lgbtq media is quite different than before. You have the chance to make history. Really. If you make this canon, that will be a part of your legacy. You'll hit the news. I mean, 15x18 wasn't even the finale and it trended #1 that day.

We suggest that if you do decide to make it canon, it’s meaningful and you take the time to do it right.

So, consider your fans. Consider the part of the fandom that trended your show over the election. Consider the fans that trended a fictional wedding on Valentine's Day. Consider Misha/Cas fans who felt slighted. Consider your LGBTQA + fans. Just, think about what the reboot could achieve. What it could mean to a lot of people.

As always, we just want happiness and peace when we are done.

Thanks for reading Misha J2M.

Sincerely,

Bee 🐝 and Jay 🐦

[ryuichirou]

Can you make your top 10 aot characters that have a good development? Like Eren and Reiner are considered to be the best characters as 'characters' themselves

Anon… dear Anon, you’ve been waiting for like a month I think, I’m so sorry. I took this ask waaay too seriously lol, but yeah, I can’t postpone it for any longer…

I know you asked for top 10, and this is a numbered list, but I wouldn’t call it a proper ranking, so the place doesn’t really matter all that much. Otherwise this list would’ve taken even longer, I’m very serious about lists, it seems lol

Before I start I want to mention (just in case): I feel like “character development” isn’t always about becoming better at something. Sometimes you can become “worse”; sometimes you can get “better” and then fall back to your old ways. It’s just how the character changes, and the trajectory of that change can be very different for different characters.

1. Eren. I can talk about Eren for hours and hours, and I have talked about him a lot, so I’ll try to be quick this time.

Eren’s journey is very interesting and enjoyable to read. He’s such an unusual main character. So aggressive at first, unlikable to some (not to us lol we adored him since day one), loud and stubborn. But it’s super cool to watch this hurricane of a person, especially as he gets calmer, starts controlling his emotions little by little, learns more stuff and understands the situation around him better.

I think I’ll talk about how perspective and knowing a bigger picture change the way character acts a lot in this post, but Eren is an ultimate example of this. He got every single thing: past, present, future, drilled in his head at one fucking moment. He didn’t get a bigger picture, he got the biggest 5d picture with special effects. And he had no one to share that with: he had to deal with it himself, knowing that he himself is the reason for everything that’s happening. It makes my head hurt to even think about that lol It’s cool and unnerving to watch Eren, who’s used to be such a fireball of a character, to just get… quiet and apathetic. We don’t know what he’s thinking about, we don’t know what’s going on anymore, even though his emotions were always the most obvious thing about him. It’s almost scary.

And the interesting thing about it is that nothing really changed about his feelings, at least I think so. Ultimately, the only thing he wanted is for his friends to be happy and live long lives, and who knows, maybe he saw that the “freedom” he was initially seeking for himself doesn’t really exist. This is up to debate and definitely not for this post though lol

2. Reiner. Ohh Reiner. He was one of the characters who wasn’t all that interesting to me personally at first, but as he got more and more complex and emotional, I fell in love with him more and more. This isn’t a numbered list, but he is definitely one of the best written characters. And what’s cool about him is that we see the reason for him being the way he is throughout the story: why he wanted to become a hero, why his mental state got so bad, why he was conflicted, why he got so depressed and why he was able to take responsibility for his actions. I love it when the story breaks its characters, and Reiner is certainly one of the most broken ones. His lower point (when he almost killed himself + cried and asked Eren to kill him) was very beautiful and painful to read, because we know why he feels that way and we know how smug and brave he was at the very beginning of the show/manga. And we know that it was all a lie, which makes everything even tastier.

And as much as I love broken characters, I’m kind of glad Reiner found strength to continue fighting and to take responsibility for his actions (to some degree, at least). Not only he saw a bigger picture, he actually learned how to live with it. I’m so happy they discussed the Marco incident with Jean, and that after Annie told that it was her who took his gear, Reiner stood up and said that Annie was following his orders. He also apologized to Annie for everything he did to her and Bert.

Basically, Reiner went from wanting to be a hero to acting like a hero, then to being an actual hero to Marley and feeling like shit anyways, then to just being a human being, something like that. And that scene with his mom hugging him and being happy for him being alive is actually a very sweet and satisfying moment. Especially considering how much Reiner wanted to die lol

3. Zeke. I’ve talked about it in one of the replies about ch137, but I love how Zeke went from “I shouldn’t have been born” to “maybe small moments of happiness make everything worth it” at the very end of his life (what a cruel irony to realise that just before you die). Not only the character develops and changes, our view of him changes as well: I think Zeke was universally hated when he first appeared, but then he became more fun (dude’s too charismatic), and then he became sympathetic and vulnerable. All of this was always inside Zeke, but it was hidden since Zeke is a lying snake. See, Zeke is smart, but he’s super sure that his views are the only valid ones and that his idea of freeing Eldians is the only solution. His views are surprisingly black and white: I suffered, Eren suffered and our dad is bad. And no one challenged his beliefs until they walk through Grisha’s memories with Eren in ch120-121, and then he realized that Eren didn’t suffer at all and their dad is actually just a person who really regretted being a horrible father to his first son. I love that he got some closure with Grisha because he held that grudge for his entire life.

4. Grisha. He has a rollercoaster ride of a development lol: at first he was an innocent boy, then he became an angry boy, and then he kind of calmed his anger down for some time? But after learning what actually happened to Faye, his emotional wounds got open and all that rage blinded him again. And then, after being outed by Zeke, he lost everything, but had a harsh realization that by being driven by his anger only, he completely forgot not to be a shitty dad. He basically had a second chance in life, with a much better perspective about what’s going on, but now he has his younger son’s ghost haunting him and telling him to do thing he never thought he’d do. At different points of the story Grisha feels both like a mastermind behind things and like a pawn who doesn’t have a choice even if he just wants to live a peaceful and happy life with his wife and kids. The irony of him killing a bunch innocent kids when this whole story started because he got his little sister killed? Delicious. Oh, and I really love the fact that he realised that he screwed up as dad and apologized to Zeke. He loved his kids a lot: Zeke, Eren and Mikasa too (he called her his daughter after all).

5. Erwin. Way more interesting than people give him credit for. He’s mostly adored for being a badass, but he also has his own flaws that he had to deal with. He’s like a moth that’s drawn to the light, but right after burning himself and dying he kind of did “the right thing” that he had to do as a commander. Now, for me it isn’t really about Erwin ending up doing “the right thing” to be honest: we would probably adored him is he ditched everyone and ran to the basement because his selfish desires ended up being more important to him. But that scene where he confessed to Levi that he really wanted to find that basement and just told him everything about his capricious and selfish childish desires, talked about how he lied to everyone including Levi basically just to prove his dad’s point… it was beautiful, because it was basically “I have to do it, haven’t I? But I really don’t want to”. His character development is interesting in a sense that at first he was getting gradually more and more psychotic about his dream, doing crazy things even when he knows it might not be the best choice possible (like him risking his life instead of staying behind), but at the very end he stopped to think and… well we know the rest lol

6.  Armin. I remember people saying that Armin is just a narrator-like character who is here to explain thing (I probably thought so too at first), but this is so unfair. It’s easy to make someone like Armin into this trope, and to leave him being a very one-dimensional dreamer who’s smart but naive. And Armin is so much more than that. Throughout the story he has a lot of “I should have been the one who died” moments, and I love that this is such a prominent issue for him, but he still got over it somehow. Armin was kind of lost at the beginning, but found his role. And wow, he had to go through it again after he was chosen instead of Erwin, because the burden on his shoulders just got 100 kg heavier lol He also got less naïve and more cunning with time and got much better at emotional manipulation, I think. While preferring a dialogue over violence, Armin still isn’t pure, and he acknowledges that constantly, especially after his first kill, and things got even worse since that point, which definitely changed him. But his violence-loathing (kind of…) core is still there.

Armin ended up playing a much bigger role in the story than I thought he would be, I really love it. He has his moments of weakness, but he still pushes forward and takes responsibility and does his best. Oh and let’s pretend that the Annie thing never happened, it doesn’t contribute anything to his character anyway.

7.  Jean. I think Jean is the first character who starts showing character growth, and I believe his development is the reason he was Isayama’s favourite for some time. Tbh, I don’t find Jean annoying even at the very beginning: yeah he’s selfish, but he’s self-aware about it, he’s a realist. And he’s still a realist, but his conscience wouldn’t let him just have an easy life while everyone else’s suffering. I always feel like Jean is a spoiled mamaboy, so it’s great to see him showing that he can put others before himself. He also had an inner conflict similar to Armin’s: is it right to kill innocent people if you have to? Is it ok to kill not-so-innocent people because they’re against you? I really like this theme in SnK just in general.

8.  Gabi. It’s no secret that I adore Gabi lol, and I think her character development is great. She was in her element when we first met her: she was confident, she was doing her best and succeeding, she knew the world around her so well, and then Eren took everything from her. People like to hate Gabi for killing Sasha and for being aggressive on Paradis, but I think it’s great that she didn’t have an overnight change of heart. It’s great that Isayama showed us her shock and her raw emotions, it’s more than natural for a child with her upbringing, even if it’s messed up. But I love it when stories take characters that are great at what they do, and they take them out of their element, to show them at their worst: lost, angry, broken and confused. I love that she understood everything herself and not because Falco told her “hey they’re people too” that one time. She had to go through this hell to figure everything out, and I think it’s great.

9.  Historia. Historia was one of the least interesting characters for me (and for a lot of people, Yams included) at the beginning, and tbh I think it’s brilliant: we never saw anything in her; she was just a waifu material who’s nice to others. It felt fake and boring, well, because it was indeed fake and boring, and to this day I cannot believe that that was the entire point. I love how Ymir made Historia realise that she needs to think for herself, but what’s interesting about all that is that after Ymir left, she almost came back to her old habits. Which is also a development, and a very interesting one. The end of S2 was a high point for her (when she told Ymir that she isn’t scared of anything when they’re together), and then there was a very low point (when Ymir left), and then a high point again (when she remembered Ymir and Frieda and decided to act upon her own desires). She’s one of my faves now because of all that… It’s sad she didn’t have a bigger role post-timeskip, but I still appreciate her story for what it is.

10.  Oh god this is so hard to pick one and this post is already so long… can I just give you a bunch of quick honorable mentions?

Annie (who was a loner that couldn’t really trust anyone but ended up showing her vulnerable and emotional side), Hange (started out enthusiastic and eager to learn more only to meet more pain and disappointment, crumbling under the pressure, but ultimately remembering her amusement with titans), Levi (granted it’s very subtle, but him going through Kenny’s death, Erwin’s death and his promise to him, realization that he’s been killing people all this time and other stuff fascinating and huge leaving a mark on him), Ymir (who got hurt and decided not to trust anyone anymore and to act selfishly, but ended up sacrificing herself anyway lol)…. God, these short description sucks, they can’t describe them properly. Also there are so much of them that I think have good development, and I’m 100% missing someone… but I think I’m done for now. Katsu I’m sorry for making you read all this.

That you for this ask, Anon <3 and sorry again for being so late

[kiefbowl]

ew why tf are you dating a scrote

okay this is clearly a troll, but I’ll answer anyway since this seems to be a topic of interest to people lately. I wrote a lot and talked about sexual assault, so go ahead and skip it if that’s not your jam. disclaimer: I don’t have a problem or think there’s anything wrong with people who don’t want to follow me bc of the bf. that’s legitimate! please do what suits you. I think some of my responses have been perceived as snarky in the past but I only try to be snarky when I suspect a troll, I really don’t have a problem with people unfollowing me b/c of the bf or even telling me about it.

I worked with Malcolm for about a year and a half before we go together, but we got together for the first time 5 months after I had a brief but intense love affair with a meth addict that ended in big traumatic ways after he started using heavily again, which eventually cultivated in him raping me (not that it was the only sexual violence I experienced with him but that time was particularly horrific because I was heartbroken and he was high on meth). he was also a man, and the reason I started dating him isn’t so clear to me except that I was looking for a way to live recklessly and self harm. There’s a longer story there but the details can’t be told concisely and it’s no one’s business. In any case, everything that happened with him is not worth recounting, but it was long and complicated and continued even after the rape. To give some context about how bad it was, I also had worked with the meth addict (I’m not using his name on purpose), and part way through our relationship he got a new job. a couple weeks after the rape, he lost that job and got his old job back. yeah, imagine being dumped by a meth addict and the being raped by him and then he starts working with you when you know he is using now. not fun, pretty sad to think about.

I was in a very traumatized state for months. It’s hard to describe what it’s like, except you don’t feel like you’re living. You can feel very foreign to your own life. I felt like something inside of me was constantly pressing against me to get out, and if it did it would be me screaming. Like, my skin had become a suit to mask the babbling lunatic underneath. I would have random outbursts where I would wince in pain and people would ask what was up and it was just that the emotional pain was felt so sharply it became physical, but I felt like I couldn’t be honest with people. I did go to therapy, it felt like life and death. right around the time before Malcolm and I together, so a few months into therapy, my therapist gave me permission to feel okay seeking out love, sex, and relationships, because I was feeling very guilty that I might be using someone if I did. In any case, Malcolm showed up to my bday party, and was one of the last to leave, and I just was ready for the next thing after the meth addict bf. Every day I didn’t have sex, the last person I had sex with was him. I wanted to be normal again. I was feeling a little better, less freakish, but still so sad. So I said, okay Malcolm, come home with me and he did. It didn’t seem so bad to take Malcolm home with me because I wasn’t very interested in him long term, so it seemed like low stakes to end up hurting him. Low investment. Yadda yadda.

Malcolm was also convenient, he lived walking distance. he was nice, friendly, easy to hang out with. our emotional intimacy was very low, it was low low low low maintenance dating. Malcolm felt very safe, he was the polar opposite of the other bf. we had a casual, boring, unintimidating fling for a few months that sputtered out. if the other bf was like riding a roller coaster that was condemned, Malcolm was like taking a nap on the bus back home after a long exhausting day at the amusement park. I know, it’s not very sexy. But it was nice to feel like a human again, have proof I could be normal, proof I could do unsexy things like watch tv and go to brunch and it didn’t feel like I was a freak for trying after months of feeling like I had a neon sign over my head that said “idiot adult woman dated meth addict like it wasn’t going to end up fucking her over HA HA.” I was ready to go out with my new sense of normalcy and have fun with people I might be, er, to be blunt, more interested in.

BUT the most amazing thing was we stayed friends after the break up, which I had never had before. and even though the first few months of dating helped me feel normal again in a way, it turns out being raped by your meth addict ex leaves deep, painful welts. who could guess. Seeking out other relationships from scratch ended up being exhausting. When do I bring up that I’m not even a year from a meth addict raping me? Date two? I tried with other people, and it wasn’t working. I dropped dating, and focused on friends and work instead. But I missed him some days, and as things around me were starting to feel like they were crumbling again, he was there and around. He came over, smoked weed, taught me MTG, let me make him dinner, took me out to bars, listened to me cry, had gentle sex. Soon we were seeing and talking to each other every day. We spent enough time together that it became clear we were dating again, and this time around it was more enjoyable and more intimate. It felt easier to invest in our relationship the second time around because he already knew the baggage. We started dating and eventually, out of the sake of convenience, moved in together. 

But if it makes you feel any better, anon who is probably not reading this, the state of my relationship is not great atm. It feels like we’re very good friends that share a bed. I always had doubts about this relationship from the beginning, I was never really crazy about Malcolm and was tentative about being exclusive. I rationalized the relationship with thoughts like “you don’t know until you try” and “maybe this love is different love, and it doesn’t feel like previous love because I still need to learn more about love.” I don’t think that’s quite it anymore. But, we live together in an unpredicted pandemic, so I sort of made my bed. Plus, it’s hard to decide to break up with someone who isn’t bad just maybe not good enough. Maybe it’s my fault? some days I wake up and think, “oh well am I really giving him 100%? if I tried harder maybe it would be better.” Maybe it’ll get better? What’s life post pandemic and when is it coming, I can’t know. I’ve been depressed, will I get better? Will it change things? I also adore his parents, they’ve been amazing to me, they inspire me. they’ve opened their hearts to me. losing them weighs heavy. I love Malcom very much, he’s been a good friend and we’ve built a nice little life together that has a lot of parts working. How do you decide what day to hurt someone you love? Idk...I guess I entered this relationship to learn.

The Meth Addict has loomed large in our relationship and casts a long shadow. I’ve talked about it with Malcolm but I’m not sure he fully understands it. almost 3 years since my birthday we hooked up. That’s a long time. It’s as long as the relationship I had with my first love. I can’t predict the full story Malcolm and I will have, but I can see a potential break up looming closer. I struggle with it every day. Some nights, like tonight, it’s seems pretty clear cut. If I think this way now it pretty much proves I want to break up, right? But tomorrow morning he’ll make me tea and we’ll talk about our weekend plans and I’ll think “oh this is so nice, what was I even thinking about last night? I’m getting in my own head.” So I don’t know! I think about women a lot. I think about how I talk frankly about my bisexuality on tumblr and yet my experiences with men outnumber that with women. I feel like I’m cheating sometimes, like I’ve lead you guys to believe something that’s not real even though I’m not lying. I think about how I never want to cheat on Malcolm but I get crushes and I want to sleep with women and I wonder if I should be a mom and I think about his parents and it gets confusing. I feel guilty about thinking about our convenience because that’s cheating him and cheating me, but sometimes I wake up happy and much happier than I’ve been in 10 years.

So I guess the reason I’m dating a scrote is because I’m complicated and have a bit of a messy life, and I live day to day, and we make micro choices that lead to macro choices and then we make macro choices that lead to micro choices, and I haven’t pulled the trigger on breaking up with him yet. He was part of the healing journey because, well, he was here. In my real life. It turns out the women we follow on tumblr are very very human with lives far more complex that can be summed up in a few posts on tumblr. Maybe ask me in 50 years why I dated Malcolm, I’ll probably have a better idea why. 

[bleuspirit]

A take on some “analyses” about Zuko and Katara’s relationship

Ever since A:TLA aired, I have always been (and still am!) a Zutara shipper. I was already around deviantart back in 2008 and so for many years I’ve seen countless arguments and counter-arguments about this ship and almost all of them were in comparison with Kataang (w/c is understandable). Admittedly, I used to agree with the anti-Kataang sentiments back then, but over time (and with age and experience! Ahaha), I learned to appreciate the different ships in ATLA better — even Kataang. It’s just personally, I enjoyed the canon development of Zuko and Katara’s relationship more. I find it more fleshed out I guess — probably because they’re literally the “textbook definition” of relationship development (enemies to best friends kind of thing). But anyway, I’d like to point out that what made me do this is because a lot of the arguments surrounding Zutara and Kataang seem to disregard the canon development of each individual characters, and are specially enclosed in a spicy worded “analysis”. What actually made me see the other ships in a better light are those posts which nicely point out their strengths rather than banking on the weaknesses of the other ships. And since I ship Zutara, I’ll only be talking about their relationship here.

(Long post ahead)

One of the main arguments against Zutara is that Katara wouldn’t want to be the Fire Lady and be the mother symbol of the nation who literally killed her mom. This will be my starting point.

There are already a lot of Katara-centered metas out there which discussed her character development. One of the recurring points in them is that as much as Katara held so much anger against the Fire Nation, The Puppet Master and The Painted Lady proved that she doesn’t take it out on the innocent citizens of the country. Hence, we can safely argue that Katara was mainly angry at those who held power. Unfortunately, it seems like a lot of people still overlook this aspect of Katara’s character — even if it’s what makes her more nuanced. This is the Katara that we love. She’s fierce, compassionate, and fiercely compassionate.

Now, in The Southern Raiders, Zuko himself realized this. Katara told him back in Crossroads of Destiny that “It’s just for so long now, whenever I think of the face of the enemy, it was your face.” Katara knew Zuko was the Prince of Fire Nation. She knew that his forefathers started this war. She saw how persistent he was in (her words) “capturing the world’s last hope for peace”. To her, he was THAT “power” that she hated. That blurry image of the Fire Nation that she hated now had a face (of course, there was Yon Rha but Zuko was the prince). “But what do you know? You’re the Fire Lord’s son.” 

And Zuko realizes this. “I think she’s connected her anger about that (her mother’s death), to her anger at me.” And as we’ve seen in The Southern Raiders, Zuko genuinely tried to atone for every hurt that he has caused her. He sought out for her forgiveness, for her to see that he’s a friend that she could rely on. And he did atone himself!

Unfortunately again, most anti-Zutara sentiments seem to brush off Zuko’s entire character arc. Zuko undeniably has one of the best arcs in the history of television entertainment, and he is hands down one of the most beloved fictional characters of all time. But then in trying to deconstruct his plausible romantic relationship with Katara, I often read “but he was a bad person!” or “he’s a bad influence for Katara!”. And honestly, it pains me to read those. We were given one of the greatest scenes in A:TLA where Zuko himself denounced the “Fire Nation Legacy” against the Fire Lord himself. A lot of good commentaries about the show expressly said how glorious that confrontation with Ozai was especially when he called him out on his abuse and their propaganda. “What a great lie that was!” As known to us fans, that was already the turning point of Zuko’s character. From there, he broke free from being part of that line of power.

The conclusion of the The Southern Raiders has shown us that Katara no longer viewed Zuko as the enemy; that he was a good Fire Nation guy. And in fact, she has fully accepted that Zuko represented change in the Fire Nation; that he’s not going to be like his father or grandfather. She forgives him and trusts him completely at the end of the episode. That is why by The Old Masters, Katara readily accompanies Zuko to face Azula because she knows that by defeating his sister, Zuko will be the Fire Lord who will bring a new era of peace to the world. She has to help put Zuko to the throne, and Katara knew damn well that she’s capable to go toe-to-toe with Azula. And we could always view this without the romantic undertones.

It’s actually amazing how the Last Agni Kai parallels the Crossroads of Destiny because if Katara still had reservations about Zuko’s intentions, then she wouldn’t be so down to fight in the Fire Nation capital alone with those two surrounded by comet-powered soldiers. It’s so satisfying to see Zuko and Katara’s canon relationship journey (like as friends) come to full circle in that episode.

And with that, I don’t think Katara will hate the idea of being Fire Lady just because of her previous hatred towards the Fire Nation. Putting on my Zutara glasses now (ahaha), as the Fire Lady, Katara will most likely push for education reform debunking the previous propaganda set by Sozin’s era. As shippers, we can only explore as to what kind of Fire Lady Katara would want to be; and I can even see her and Zuko making some changes regarding traditional marriages. Who knows? Only fanfics can tell haha.

We can probably argue that there might be other reasons why Katara wouldn’t want to be Fire Lady (or like a traditional Fire Lady), but surely it’s not because she hates Fire Nation citizens or that because Zuko did them wrong before. I just wish we won’t overlook their character developments often. Yes, Zuko deserved the anger Katara held against him before, but he had already atoned himself to her. We all know that by the end of the series, they would literally and canonically die for each other — with or without romantic feelings.

Additionally, another thing that I adore about Zuko and Katara’s relationship is that they have a strong emotional bond. Of course, it is already granted that Zuko shares strong emotional bonds with the rest of the gaang as well, and I’m not here to point out that he has the best bond with Katara, because in canon, he’s great with everyone. We’ve seen him have a heart-to-heart talk with every member of the gaang. And now for a shipper, I think this is a great foundation for a healthy relationship!

Zuko grew up suppressing a lot of things and he needs to be in an environment where he can freely express himself, especially that he has a tendency to have self-destructive thoughts. And I’m really glad that he got to have that safe space with the gaang. Zuko could openly air out his frustrations and worries to them, and the gaang understands where he is coming from and helps him sort his issues out — including Katara (see: The Old Masters, conversation outside Iroh’s tent). As for Katara, we can safely infer that Zuko is a good listener and makes good responses. (”Your mother was a brave woman.”) If Zutara did become endgame, it wouldn’t have been a stretch since the series have already showed us that his relationship with each member of the gang is healthy. 

The entire show is complex and it was written extremely well that it reflects a lot of things in our world — including relationship dynamics. Meaning, nothing��s really perfect.

Finally, to end this, I’d like to remind everyone that there’s no point in trying to engage in a messy fanwar. Just enjoy your ships in peace and if you don’t agree with one, then don’t go around asks insulting people about their ships. There’s more to life than that. ✨

[found--family]

We were waiting so many years for something to happen between Dean and Cas, for something to prove we are not imagining this and all those people who abandoned the show years ago now are shitting on that scene because Dean didn’t immideately said it back?! 12 years of incredibly complex relationship and they really think it could be resolved with usual hetero “I love you” - “I love you too”? If that has happened they would be the first to tell how unrealistic it was. I’m so done with antis 😤

(sorry this got so long, also sorry for my lack of links! if anyone's after something in particular i can probably help you find The Thing.)

Your anger is valid nonny 💙

A lot of the hate going around and the jokes being made at the expense of these characters and their journey is coming from people who have never watched the show or who don't ship Dean/Cas, but that doesn't bother me much. It's frustrating but haters gonna hate so best to just ignore the outsiders.

What does bother me, just as you mention, are the shippers who either stopped watching years ago OR who are up-to-date with season 15 but they view That Scene in a negative light and are bitching into the digital void, dampening the celebratory mood of shippers who view That Scene in a positive light.

I feel sorry for the shippers who feel disappointed or angered by the dialogue in That Scene, Dean's reaction, and Castiel's "death", because honestly what show have they been watching? TBH i think if they were more involved in the fandom they would've come across informative content (in its multitude of forms) that would help them see there's So Much to be positive about.

Let's work backwards:

We will see Cas again. afaik Misha has one more episode on his season allotment contract (possibly 2? which would probably mean a brief cameo in 15x19) if you want some hard facts - i don't have links but Google is your friend here. Also, the entire cast + crew have been pretty damn quiet in the wake of 15x18 (bar a few Twitter interactions and the DarkLight Convention livestream), which is a Big Damn Clue that they're holding back because Something More is yet to come; even Misha has refrained from posting about it on his social media accounts - i think there was 1 post? - which is very unlike him (plus we hear he's written an essay about Cas' coming out which he's yet to share, possibly waiting until after his Real final episode airs, ie. 15x20). Then there's Castiel's story: it's not over. We know The Empty is compromised due to Jack's cosmic implosion, we know there are ways into and out of The Empty, and with cosmic Entities meeting their end this season maybe The Shadow will too? Plus, Cas being left in The Empty isn't a peaceful ending for him (as Ruby mentioned, those trapped there relive their greatest regrets on a loop) and also: Been There Done That In That Place so it's not a good ending writing-wise. Not to mention what we've seen of grieving!Dean means he won't find peace either as long as Cas is in The Empty/dead. 15x18 was exclusively Castiel's love confession, so Dean's is surely on it's way, which means More Cas!

Dean’s reaction was very much in-character for him. Dean's a volatile smelting pot of Anger and Too Much Heart, especially this season, and while we've seen him blow up about some matters (Chuck's machinations, failing, losing people, etc.) and be honest and vulnerable about how he's feeling (with Sam, with Jack, with Cas - usually in regards to Chuck's BS, although I'm not just talking about season 15) Cas' love confession was something else altogether, something personal just for him, for them, something Brand New: Dean's best friend reveals he's in love with him, which is unprecedented for Dean on both counts. Losing people and losing battles and suffering because of trauma and his upbringing and The Ongoing Hunter Life - that's not new. But he has zero experience with receiving genuine love confessions, which also happen to come from his best friend (who he is also in love with if the past 12 seasons are anything to go by). So his shock/tongue-tied reaction is justified, it's expected really, because like you say an "I love you, too, Cas" just wouldn't feel organic for Dean or his years-long relationship with Cas (plus it's too soon, story-wise). While Misha gave us a stellar emotional outpouring for Cas (appropriate, since he was spilling his heart) Jensen did what he does best: micro-expressions, the nuance acting he's imbued into Dean's character since season 1 and one of the top reasons He Deserves All The Awards. Anyone who complains about Dean's "lack of reaction" isn't taking into account his shock and are apparently not fans of the show because again, that's Dean/Jensen, the subtle emotional shifts in his expression that have (skilfully) conveyed Dean's state of heart and mind through the years (when his contrasting emotional outbursts weren't on display). I understand wanting more from Dean in that moment, that folks feel cheated because they didn't get More, but.. we did: Tears steadily filled Dean's eyes as the scene progressed; Fear added to his Shock as Billie and The Empty showed up and as Cas was stolen away; and OFC the curled-up-and-freakin-sobbing moment at the end as everything sunk in, as he realised he couldn't even answer Sam's call (even if something else had gone wrong) because he would've broken down - which he did.

@ the folks who wanted more from Dean in That Scene: It's There. It's in the micro-expressions, meta, parallels, subtext, symbolism, callbacks - because this show has always needed more than a passing glance; it's about the layers, the story which every cast and crew member has always had a hand in enriching by giving the audience Something More to think about, More to feel. It's in the 15 years of Dean's character journey. It's in that closing scene. It's in the 2 whole episodes we're yet to see. It's there, you just gotta look for it. You're watching Supernatural, after all.

Once again, I encourage folks to read the brilliant meta that's been coming out in the wake of 15x18 (and all of season 15) as well as the insightful thought-posts of shippers who understand the layers and the journey of Dean and Cas' relationship and manage to sum-up canon happenings so beautifully in a hundred words or less.

And you're 100% right nonny 💚

We deserve this love story because we know Dean and Cas deserve this love story, because those involved in making the show have been building towards this for 12 years, that The Slowest Burn To Ever Slow deserves acknowledgement, closure, and a happy ending.

I know it can be hard to stay positive when your dash is littered with negativity, but remember you control the flow: use that block function for tags and post content. Unfollow and block the blogs you need to. If others get their rocks off criticising and hating The Things You Love, just ignore them. They're gonna live mad about Stuff but you don't have to. Pity the haters, but don't let them get you down. Also, post/like/reblog as much positive content as you can find; drown the haters in love.

You deserve happiness just like our beloved OTP.

[aion-rsa]

Rick and Morty Season 5 Episode 2 Review: Mortyplicity

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This RICK AND MORTY review contains spoilers.

Rick and Morty Season 5 Episode 2

Man, Rick and Morty is a weird fucking show.

I know I’m stating the obvious here but I mean it’s weird on a fundamental storytelling level because, the thing is, under all the sci-fi madness, there’s meant to be a gooey sitcom center to this series and sitcoms usually want you to care a lot about their characters. You’re supposed to get emotional highs and lows from them and want them to succeed. In short, you’re supposed to love them.

“Mortyplicity” is one of those Rick and Morty episodes that very loudly and clearly tells you that you should not be invested in these characters’ lives. You’re supposed to love them, in a way, but that way is as cynical, wisecrack-spouting, sci-fi comedy vehicles. However, you’re not really supposed to invest in them as believable facsimiles of people on their own journeys through life because, well, it’s awfully hard to do that when the show basically tells you it has no consistent protagonists.

Sure, the series has dabbled in this stuff plenty before, with episodes where it’s implied Rick may be taking home the wrong Jerry or Morty and that it’s irrelevant to him. And, of course, there’s the whole cloned Beth debacle (which this episode calls back to a lot). Still, I believe (and please correct me if I’m wrong) that this is the first episode in which there is no grounding the viewer by letting them know they are following the adventures of a specific Rick, or a specific Morty, or a specific any other member of the Sanchez family.

The plot is that Rick has made decoys (i.e., clones) of the family to throw off would-be assassins, but since the decoys/clones are functionally copies, some of the Rick clones/decoys think they’re the real Rick so they, in turn, have made more decoys who have made more clones, and so on, and so forth. It’s purposefully absurd and complicated so we won’t go into why, but the decoys have taken to killing off one other.

Read more

TV

Rick and Morty Once Again Reveals That Science Fiction Has Consequences

By Alec Bojalad

TV

Has Rick and Morty Lost the Zeitgeist?

By Joe Matar

“Mortyplicity” is explicitly unconcerned with giving you characters to invest in and is much more interested in escalating its crazy sci-fi premise, following one family of Sanchezes only to have them murdered by another family, so then the perspective changes to that family and then we follow them for a while. Post-commercial-break, we get a montage of clones killing clones and other clones suiciding themselves, so that, by the time the montage ends, it’s become entirely irrelevant which family we’re following and whether they’re clones or not. The ending briefly introduces what seems to be the “real” family before revealing the whole decoy disaster is yet ongoing, suggesting nothing is certain and that Rick and Morty and family are stuck in a cycle of murdering themselves in perpetuity. (So, that’s how they’re going to fulfill the remainder of that 70-episode order contract.)

The episode does, cleverly, manage to squeeze in just a smidge of that heartfelt sitcom stuff by way of a brief heart-to-heart between a Rick and a Beth (wearing Muppet costumes). It’s a nice moment in which Beth successfully argues that Rick cares about his family or he wouldn’t have been so paranoid as to clone them a bazillion times and Rick apologizes and tells Beth he loves her. The scene somewhat convincingly proves Rick and Morty can still make us care about its characters despite doing away with conventional protagonists and instead plotting an emotional through line across a collective of Sanchez decoys (for characterization similar to this, see Meg Ryan’s performances in 1990’s Joe Versus the Volcano).

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However, it’s still only somewhat convincing because this is one tiny emotional moment in what is mostly an episode of the Sanchez family cynically dispatching clones while, as is the standard for modern Rick and Morty, snapping angrily at each other almost constantly. I laughed a few times; my favorite lines were “Actually, I get hard protecting my family” and “We’re gonna live in the woods like libertarians.” The wooden puppet Sanchez clones with the compressed audio voices were kind of charming, too. And the Buffalo Bill-esque serial killer Rick was inspired in how disturbing it was. But, in the end, “Mortyplicity” is one of those episodes, like “A Rickle in Time” or “One Crew over the Crewcoo’s Morty” before it, that’s primarily invested in the escalating complexity of its bonkers sci-fi premise. You’ll either love every moment of the freewheeling violence and madcap sci-fi rigamarole or you’re one of the fans like me who more appreciates the sitcommy characterization side of the series and will therefore find a lot less to latch onto.

That said, I can’t deny the creativity and ambition of plots like these, so I’m forced to grade it higher than last week’s premiere.

The post Rick and Morty Season 5 Episode 2 Review: Mortyplicity appeared first on Den of Geek.

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[quasieli]

12, 15, 23, 26, 30 for saube; 8, 10, 16, 24 for sparks !!

Saube

12. how loudly do they cry?

Depends on why they’re crying. If it’s a “I’m so frustrated” cry, they’ll be fairly quiet. If it’s a “oh g-d, this horrible horrible thing just happened”, she might be more vocal, but it depends of what the aforementioned horrible thing is. G-d, I just started thinking about that time SICL was in that haunted forest and the spirits made Saube believe she was fighting her own sister; full, blubbery waterworks there. 

15. have you ever said something as your character that stuck with you for a while after? what was it?

“We were just fucking outside!” afkajkldjskjzk I will never live that down. 

23. what's the pettiest thing your character's ever done?

This was almost my answer for the last question but Saube telling Ingot’s dad “This is a kindness” in Infernal as she ripped out the arrow that Ingot had shot into his mother’s foot. She’s not one for snide or petty gestures, but this just felt too good to pass up. They didn’t want him to understand what they were saying, they kinda wanted to make him a little afraid.  

26. does your know the names of their constellations? how did they learn them?

She’d be interested to learn, but she does not currently know. She’s pretty good at using the stars as a means of figuring out direction, but that she learned by walking around a lot at night and looking up at the sky as she did so. Saube has a much better internal compass than I do lol. 

30. how has your character's first impressions of their party members changed since they met them? have they stayed the same?

Ingot - At first, she didn’t really understand Ingot. For the one thing, she was pretty shocked to be seeing another tiefling in Sweetvale, and then to see how different they were to the tieflings she knew (which, at the time, was only her dad and sister). She’s very happy that she’s gotten to know Ingot more, because now she can appreciate the differences between then, but then still share moments like going to Tiefling Town together <3 

Whitlock - Whitlock is a little different cause Saube kinda knew him before the party formed, in that Whitlock lived in Saube’s hometown. She didn’t know him super well, but generally thought he was a nice guy. Now I think about Saube’s zebrith and Whitlock saying he wished he had gotten to know Saube a bit more in their time in Sweetvale together and I cry. I love that sweet sweet boy and so does Saube.

Aal - Aal.... confused Saube lol, but Saube is also now very grateful for them. Coming from the perspective of living in a very areligious home for 20+ years to then meeting a literal angel? It was a lot for them to digest and at first, they were kinda hesitant to approach matters of religion with them. Aal never pushed, but when Saube finally felt comfortable in beginning her journey, Aal was there to help her.

Rae - Saube definitely has more complex understanding of Rae now than her initial thoughts. Even though there’s only ~4 year difference between them, Saube felt like the two of them were from entirely different worlds. She’s reticent to admit it, but Saube can be fairly judgy about things like presumed maturity levels but she realizes now she completely misunderstood Rae. Rae has passion and cares deeply for people, but just has a unique way of showing it. Saube appreciates her boldness and is also very happy that Rae makes her little sister happy lol   

Eun Ha - Saube wasn’t quite sure what to make of Eun Ha when they first met. They had just gone through a whole traumatic thing involving believing loved ones were hurt/dead for days and then having to fight insane creatures to defend her hometown. She wasn’t much for socializing at the time lol. She still doesn’t know Eun Ha super personally well, but she does trust her and believe she is a vital part of SICL. She definitely would not pass up the opportunity to get to know her better (Eun Ha taking Saube to the quarry to throw rocks one shot when lol)

Sparks

8. how did your character feel when they left home for the first time?

If you’re in my Frostmaiden party and you’re seeing this, no you’re not <3 lol. I’m gonna be a little vague about this one cause of some Spoilers. Leaving home was very strange for him, because, even though he had been planning to leave home for quite some time, things still didn’t feel quite so right. Things were tense with his family when he left, as he had grown more and more frustrated with the fact that he was being treated like a child. It felt good to finally leave when he did, but he can sometimes still hear his dad’s voice asking him not to leave, even all this time later. He had to do what was best for himself, and this was it. 

10. does your character have tattoos? were they alone the first time they got one?

Once again, gotta be a little bit vague for this one. Yes, Sparks has a glittering gold tattoo of a geometric pattern on her right wrist. It is an arcane tattoo, so the process of getting it wasn’t at all traditional. The person who gave her the tattoo is someone she knows and they helped make the experience a little less scary. She’s had it for a few months now and sometimes she’ll just find herself getting lost in the pattern and tracing it absentmindedly with her finger. 

16. what does getting flustered look like for your character?

She will not stop talking. If a moment or a person trips her up, she is going to try so hard to bullshit her way out of the situation. She hates being caught off guard, and will try to “take control” of the moment, but may get kinda upset if she can’t. She’s young, she’s still learning how to control her emotions lol

24. what made your character the angriest they've ever been? 

Probably the stuff mentioned in the first question. He has always presumed himself capable of doing things that others thought he couldn’t, and nothing would make him happier than to prove them wrong. Usually it was just some kid egging him on to get him to do some stupid stunt, but when it came to his parents talking like this, it was too much. They wanted good things for him, but the things that Sparks thought was good for him, they didn’t agree with. Eventually, it just got to be too much and he just, left. (Did a good job a being vague here /s lmao)

[twentiethcenturymoviesandtv]

Star Trek: Genre and Themes

Considering the fact that Star Trek was pitched as “Wagon Train in space”, it seems almost redundant to discuss the genre of such a show.  

Since the beginning, Gene Roddenberry’s show’s genre seemed pretty obvious: science fiction-western.  And really, it’s hard to argue with that.  Kirk’s style has been outright referred to as ‘cowboy diplomacy’ by future installations of Star Trek.  The adventures and ‘exploration’ of the new territory is very reminiscent of the western television shows of the time, and the setting of outer space would seem to place it pretty firmly in the ‘science fiction’ genre as well.

But, like always, there’s a little more to it than that.

As I’ve mentioned many times before, very few pieces of media can be categorized as only one genre.  Even the most seemingly obvious and one-dimensional examples have elements of other genres.  No show is designed to fit into only one genre, with any individual television program carrying many characteristics of one specific genre, while sharing many elements of other genres.

And while it may be easy to look at the setting of a film or television show and use that to determine a genre (space = sci-fi, medieval = fantasy), that doesn’t mean it’s terribly accurate.

Such is the case of Star Trek.

As a matter of fact, despite Roddenberry’s initial pitch to the studios, Star Trek actually doesn’t have a whole lot in common with the westerns of the day (Besides Spectre of the Gun).  Kirk’s ‘cowboy’ nature actually doesn’t come into play nearly as much as one would think.  Captain Kirk’s decision making isn’t quite the same as a traditional western lead, weighing more factors than just ‘frontier justice’.  For another, the setup is totally different.  The Enterprise is a military exploration ship, full of people on a mission, not just of exploration, but of diplomacy.  Kirk’s job is not only to defeat ‘bad guys’, but to find the best solutions for problems of other cultures.

So while Kirk’s ‘good old fisticuffs’ solutions may seem a bit more of the ‘Wild Wild West’ than later incarnations of the show would resort to, it doesn’t make it a western.  In fact, Star Trek has far more in common with future versions of science fiction shows than one might think.

Star Trek, at its core, is a show about an optimistic utopia, a future where humanity has learned to straighten itself out.  A future where there is no oppression, no prejudice, no poverty, but of a unified, educated, compassionate Earth, reaching out into the galaxy to explore, extending a hand of friendship.  This is Kirk’s job: being the hand of friendship.  Set in a distant future, a twenty-third century where Earth’s problems are solved, as such, there is no need to examine humanity’s flaws as they are.

At least, not directly.

As is done with many examples of the soft science fiction (or speculative fiction) genre, Star Trek uses its setting and set-up to examine the problems with our own society through the disguise of another.  Routinely, Kirk and the gang land on a planet or meet a people that represent a part of humanity that is less than pleasant to look at.  Episodes like Let That Be Your Last Battlefield take a scathing look at racism, a huge social issue in the late 1960s.  Other episodes examined topics like the Vietnam war, labor, and, a science-fiction favorite, the dangers of technology.  

Add this onto the ‘traveling through the stars’ plotline of Star Trek, and you’ve got yourself a pretty good argument for a solid science fiction show, with or without the western elements to it.  With that said, that doesn’t mean there’s more to the show than just sci-fi.

Star Trek’s storylines typically fell into the category of action or adventure.  There were gunfights (or phaserfights), fistfights, chases, daring escapes, and space-battles galore.  There was typically at least one hair-raising action scene per episode (with a few exceptions, such as The Trouble with Tribbles or The Way to Eden).  Even the episodes without ‘action’ per say as it would later be solidified in shows like The A-Team or Magnum P.I. turned out a decent ‘adventure’ story, with emphasis on the journey and adventure as a whole, rather than action-packed sequences that kept audiences on the edge of their seat.

Star Trek was all about the adventure, as even the opening credits will make clear.  The voyage of the Enterprise is aimed at discovery and exploration.  The setup of the show is, at its core, the greatest adventure: exploring the unknown.  Every episode is aimed at the exploration of the human experience and curiosity.  By definition, an adventure is a risky undertaking, and the exploration of deep space and discovering new civilizations and planets is nothing if not risky.

It’s pretty easy to say that Star Trek fits pretty neatly into the ‘sci-fi/adventure’ category, although it does have shades of other genres.  Episodes like Shore Leave, The Trouble with Tribbles, I Mudd, and A Piece of the Action have a distinct comedic slant to them, whereas episodes like Catspaw, The Enemy Within, Wolf in the Fold, and The Man Trap have a rather sinister, horror/thriller edge.  Other episodes have dabbled into courtroom dramas, tragedies, westerns, and even war, giving all three seasons a wide range of types of stories that they tell.  However, one genre that Star Trek has always been the absolute master of, even more than science-fiction or adventure, has been the genre of drama.

At the heart of every Star Trek episode, no matter how cerebral or action-packed, is an overarching sense of drama.  Not drama in the ‘soap opera’ sense, mind you, but drama as in real character interaction and growth.  The drama in Star Trek is in McCoy and Spock’s argument in Bread and Circuses, in the death of a recently married lieutenant in Balance of Terror, in the death of Kirk’s brother in Operation: Annihilate. Star Trek’s dramatic moments are rooted in character, from Spock’s admittance and sharing of Vulcan rituals in Amok Time and his muted desperation at thinking that he’s killed his Captain in a burst of uncontrollable rage to the doomed romance between Kirk and Edith Keeler in City On the Edge of Forever. The drama in Star Trek is in people, whether human or not.

The examples of Star Trek’s use of characters, be they regular or not, is truly groundbreaking.  From Spock’s mind-meld with the Horta in Devil in the Dark to Kirk’s terrifying identity crisis in The Enemy Within, Star Trek’s strength is in the people, in the personal dynamics between the characters, most notably between the main trio of Kirk, Spock, and McCoy.  Even the other, more minor characters on the show received levels of characterization unheard of for the time: Sulu’s love of botany and retro weaponry, Uhura’s musical ability, Scotty’s intelligence and romantic troubles, and Chekov’s obsession with spouting totally innaccurate Russian history, possibly just to annoy the rest of the crew.  Even Nurse Chapel’s flashes of snark helped her stand apart from the many nameless crew members who came and went throughout the series.

In short, Star Trek’s characters were people.  Nowhere was this more evident than in Mr. Spock.

By the 1960s, most ‘alien’ characters on television were either jokes or monsters, cast as gimmicks in My Favorite Martian or as evil conquerors in shows like The Twilight Zone or The Invaders.  But in Star Trek, the ‘alien’ was as ‘human’ as the rest of us, if you’ll pardon the phrase.

A Mr. Spock type character was unheard of in 1966.  A half-human, half-alien, treated as a respected equal of the rest of the crew, was a completely foreign concept at the time.  Spock’s development as a character, and indeed, his criticism of the human condition proved to be one of Star Trek’s best elements of its use of character and drama.  Spock as a character was constantly at war with himself, torn between the outwardly emotionless Vulcan half, and his emotional, illogical human half.  Spock’s internal struggle proved to be one of the most gripping elements of the show, and as his interactions with Kirk and McCoy proved, although Spock did not like to be compared to humans, in many ways, he was more ‘human’ than we are.  His subtle flashes of emotion and occasional bursts of illogical behavior proved repeatedly that there was a lot more to Spock than what he tried to let on.  He, along with the other members of the cast, had layers.

And Star Trek was very good at exploring those layers.

No science-fiction show would introduce characters with layers to explore if they hadn’t had every intention of making the show hang on the relationships of the characters.  And the relationships of characters is the absolute core of drama.

In the end, Star Trek is a science-fiction adventure drama, a speculative look at the nature of humanity and people in general.  Star Trek is a look at a better future, an improved society turned to exploration.  It’s about the new frontier, about the best and worst of humanity, about friendship, adventure, and morality, full of good and memorable stories and characters.  It paved the way for even more complex shows to follow, and remains one of the most thought-provoking and earnest shows of all time.

Even now, audiences remember those characters, those stories, those little moments with these people that they grew to know.  They hold up, remaining just as genuine and heartfelt as they were in 1966.

And they owe that, in no small part, to those wonderful characters.

But that’s a discussion for next time.

Thank you guys so much for reading!  Don’t forget that my ask box is always open for conversation, suggestions, or questions.  Stay tuned for the next article, where we’ll be looking at the crew of the Enterprise and their roles in Star Trek.  I hope to see you there!