#it's just a concept i really like and the game all but gave it to me

[gremlinmodetweeker]

Silly Games for Silly People

Okay so I asked for some ideas for the big boy, and in particular Summoned!König. I got some great ideas from @callofdreams and so I hope they enjoy this! I am definitely taking more of their ideas for this series, and so we might have a few of Summoned!König playing some board games. I didn't play many board games as a kid, but I do have fun writing this. I am still taking ideas for Summoned!König, so please let me know any ideas you have!

CW: none

Wordcount: 1.4k

Art from This Post

Story below the cut

Silly Games for Silly People

You glared at the eldritch monstrosity across the table, your breath baited as your hands tightened together. He glared back at you, arctic blue eyes mere slits behind his dark hood. He leaned in close, analyzing your every move. You did just the same.

“Just roll the dice, König!” you finally snapped.

“And how do I know this is not mortal trickery?” König scoffed, “you truly believe that I am unaware of your inner machinations? That I am not leagues ahead of you in every possible way? You cannot possibly begin to compete with the likes of me.”

“Oh yeah? You really think you’re all that and a bag of chips, don’t ya?” you grabbed the dice and shoved them into his talons.

“Have you never heard of the concept of ‘patience’?” König snorted as he shook his palm.

“Have you heard the concept of ‘sore loser’?” you retorted.

König raised an eyebrow.

“It means you’re being a bitch because you’re losing,” you explained with a smug smile.

König bristled and tossed the dice. He glanced over the numbers, promptly slamming his fist on the table with enough force to shake all the pieces of the game.

“Oh yeah, look who’s all high and mighty now, huh?” you grinned as he slid his token back over to one corner of the board.

“Petulant worm,” he muttered under his breath as he leaned back into the folding chair that was only barely supporting his weight.

“I think you just don’t wanna admit that I’m better than you,” you snickered as you finished another lap of the board and collected your cash.

“I could eviscerate you,” König huffed, “and yet you mock me over some mindless board game, the only way you could possibly even try to leverage any power over me.”

“I think you’re just mad I’m better,” you gave him a cheshire grin.

You grabbed the dice and rolled them out on the table. The dice rolled a clean five and a four, just enough to get you to that final spot you wanted.

“Alright, hand over Pennsylvania Avenue,” you held out a waiting hand.

König grumbled bitterly, but thankfully he passed over the square of cardboard with a disgruntled flick of his wrist.

“Wow,” you laughed as you tucked the squares down in front of you,” you’re actually upset about this, aren’t you?”

“I am not upset by some inferior construction of human hands,” König sniffed, “I am merely astounded by the arrogance you exude.”

“Arrogance?” you scoffed, “au contraire, my friend! I think I’m creaming you this game.”

König glared at you from behind his mask. You were fairly certain that he wanted to strangle you that moment. You were only more and more excited by how upset he was.

König silently rolled the dice on his side of the table. The both of you hissed when one red die rolled over the edge of the table.

“Cocked,” you called out as you grabbed it back.

When you brought it back to König, he seemed positively peeved by you.

“What?” you handed the dice back to him,

“That was a six,” he huffed, “I needed a six to get out of jail.”

“Okay but it rolled off the table,” you pointed out, “when a die hits something on the table or rolls off it, it’s cocked and you need to reroll it.”

“And who taught you that inane ruling?” König drummed his claws against the laminated wood table.

“I dunno,” you shrugged as you sat back down, “it’s just something my DnD group taught me.”

“DnD?” König perked up, “what game is that?”

“Uh…” you looked down at the monopoly board and back up at your eldritch partner, “okay so, we’re struggling trying to play Monopoly, you’re not ready for DnD.”

“I could just read a mortal’s mind and get a good grasp,” König countered.

“Okay but, like, that would be their version of DnD,” you explained, “DnD is different for everyone. And you are not ready for DnD yet.”

König looked back down at the Monopoly board with disdain, “I want to move on from this one.”

“So are you admitting defeat?” you grinned.

“I would never deign to do such a thing, Summoner,” König snorted, “I am simply stating an opinion. Is that such a unfathomable concept?”

“Well, when you’re complaining about Monopoly, it’s kinda funny,” you pointed out.

König grumbled under his breath as he rolled the other die, blatantly ignoring whatever you wanted to say.

“Hey look! A six!” you cheered as the die flopped onto the center of the board.

“Finally!” König exclaimed as he slumped back into his chair with a groan.

“Hey hey hey watch it with the weight there, big guy,” you snapped, “I don’t wanna have to pay for another chair.”

“Did they actually deduct the past one from your pay?” König eased himself up off the backrest again.

“Yes!?” you laughed, “they took out all of them!”

At the very least, König had the decency to look sheepish about the matter as he steepled his fingers together on the table, “I see.”

“You see? Yeah I sure saw it coming out of my paystub!” you laughed.

König cringed into himself, but politely moved on to ask, “Well, who’s turn is it?”

“Um…” you looked down at the table, “I actually don’t remember. You do, don’t you?”

“I see no reason to try and clarify,” König’s eyes glinted with amusement.

You, on the other hand, were as far removed from any sense of amusement as you could have possibly been.

“No seriously, König, who’s turn is it?” you asked again.

“Why should it matter?” König shrugged, “is this not a simple game?”

“Yeah but, like, I don’t wanna be rude and take your turn or anything,” you tried to reason with him, but he was persistent. After a bit of back and forth, you finally relented. König was content to lean onto the table as you tried to get him to budge, but as it was, trying to get an avatar of chaos to play by the rules was next to impossible. Instead, you had to be creative.

“Alright, let’s play rock paper scissors to see who’s turn it is,” you determined.

“Rock paper scissors?” König tilted his head like a cat, “tell me, what is that?”

“It’s a game where you kinda, I dunno,” you patted your fist against your open palm, “you make your hand either a rock,” you held up a fist, “a pair of scissors,” you extended two fingers, “or paper,” you held out your palm. You extended your fist and held it up, “you say ‘Rock, paper, scissors,’ and the next time you put your fist on your palm you make the sign you want. Rock beats scissors, scissors beats paper, paper beats rock. Whoever wins gets the next turn. Wanna try?”

König held up one taloned hand and watched the lamp light glint off his black iridescent scales, then locked eyes with you, “It sounds rather simple. I think I can manage a round.”

And so, you both extended a fist and chanted, “Rock, paper, scissors!” and extended your hand.

You let your fist drop in horror.

“König that’s not what you’re meant to do.”

König frowned, “Aren’t I meant to make my fist look like the object?”

“König you’re meant to do the hand sign. Not… Not that,” you cringed as you heard his bones snap back into place.

“I apologize.”

“Wanna try again?”

“Seeing as my first attempt left much to be desired, I see a great need for another,” König mused.

“Alright!”

You chanted again and extended your fist. König, on the other hand, held out an open palm.

You glared at him and thinned your lips into a line, “Alright, best two out of three.”

“Vas!?” König scoffed, “are you telling me that we need to play again?”

“Just to be sure!” you huffed, eying the red and white dice hungrily.

König clucked his tongue and made a trill that sounded like bubbles rushing to the surface, but he held out his fist again.

“Go ahead Summoner, see how well this works out for you.”

You learned quickly that trying to win a game of chance against an avatar of chaos was, sadly, not as easy as you hoped.

Konig Dump

Alternate Universe Stories

[puffyducks]

DCRC Week #16

Wiggity what's up my fellow book clubbers, today we're taking a look at the ethics of treating artificially made intelligent lifeforms as second class citizens and what the qualifying factors are to determine a being as truly "sentient" and deserving of basic social rights. And by that I mean we're reading PKNA #12: "Second Draft" which is a comic where nothing bad happens!

This post is LOOONG btw.

okay we're just gonna start off our comic as normal and-

WOAH who's this handsome young devil in his little fancy suit??? What's that? Head of Ducklair Industries?..... yeah sure that makes sense I think.

Everett Ducklair 🤢🤢🤢 get a job stay away from him. Also this is a really nice way of saying you had to stop him from being overtaken by insane homicidal tendencies and putting guns in all his inventions btw

Haha woah what was that. Did the fabric of reality just tear for a second there or did my ADHD meds just kick in. Probably just me.

MASTER Donald???..... I don't even think I can write out the jokes I wanna make here they're too inappropriate for this blog sorry. But also what the fuck.

Uno stop mothering maybe I WANT to get frostbite and lose all my fingers

Not to take a sudden side tangent here but is this supposed to be like, a good thing? Don't the other seasons exist for a reason? I always thought fall and winter were meant to be like a cleansing period, they bring balance to the two other hotter seasons. If it's eternally spring, do some plants just never die? Are animals ALWAYS in the breeding season? Today we're going to overanalyze this one concept in an essay where-

OH MY GOD IT'S ODIN wait nevermind hiii Odin hiiiii. what's lookin good cookin. I mean- shit. fuck. shit.

I'm kind of obsessed with the way Odin is drawn in this comic. His whole body is all wiggly like a bendy straw. His stances go crazy.

gayass

Guys ever since I made that post about Odin's outfits and noticed that he's barefoot here it's been haunting me. Like it might just be a coloring error in this panel but also... why'd he take his shoes off. Also sorry for immediately revealing that it's Odin but um uhh I totally don't know who the OTHER cloaked figure is.

girlll you're giving away the game SHUT YOUR MOUTH

TWO Lylas?!?!?!

I'm loving Donald's shock lmao bro is fucking flabberghasted

This picture is so fucking silly bro. Nooo you can't put Odin in jail, he has such a nice suit on :(

Donald getting offended on Uno's behalf, not knowing that Uno is literally sitting right behind him. SURELY he'll figure it out eventually right.

Omg guys it's Geena!!! Remember Geena? From Portrait of the Young Hero? Anyways she has a gun now

Way to go Donald, you showed her basic empathy for like 2 panels and it gave her an actual sense of self value and NOW she thinks she deserves rights 🙄 she's gonna Detroit Become Human up in this bitch

beaming you with my evil lasers. what if he just fucking fried her brains here I think it would've been funny

Oh that's. probably bad.

ohhhh noooo.....

OOOOHHHH NOOOOOOOOOOOO

Ok so bad news, Geena fucking exploded and her droid rebellion is presumably over. The GOOD news though is that droids are destined to get their rights anyways, just in a less violent manor than in the timeline Geena had started. So... I guess that's a win?

Disappears in a cloud of beautiful sunset smoke... Goodbye Odin 👋

Donald. Please. DONALD.

Okay so there's a LOT to say about this comic (so much that I kept hitting the image limit and having to make edits to my post to make it more concise) but if I could summarize it into one word: damn. Like I'm just kinda sad now.

The whole concept of "do robots deserve to be treated like human beings" is a common argument to explore, we've seen it in all kinds of media before. The ethics that get touched on in this comic are nothing new, but I can't help but find this comic incredibly interesting to read in the year 2024. Maybe in 1997 the idea of robots integrating into our society seemed like a far-off concept, but in present day the ever-growing integration of AI technology really makes this chapter feel a little more close to home.

I mean, it's easy to be like "yeah, well of course the droids deserve to be treated like people." I mean, Lyla and Odin are droids, and we like Lyla and Odin! Odin is literally so lifelike that people don't even KNOW he's a droid. But I can't help but think about how this all ties back to the current ongoing debates surrounding the usage of AI, and specifically AI-made content. Obviously the AI we currently have is nowhere near the level of the characters in this series (chatGPT fucking WISHES it was Uno) but there's really interesting debates to be made here.

What qualifying factors determine whether or not a living being is deserving of the same rights we humans give to ourselves? Is it being biological? I mean, there are literally millions of types of animals on our planet, but we don't even treat them with the same level of respect we give to ourselves. So, is it intelligence? If we were to create a computer with the intelligence level of a living, breathing human person, would they be entitled to basic "human" rights? HELL IF I KNOW.

I love the way this comic handles exploring this topic. Geena isn't WRONG for wanting more, she's wrong in the way she went about it. Going as far as to literally alter the course of spacetime only further complicated things, for her AND for the other droids. Had Geena instead devoted her energy into droid advocacy in the modern day, things may have gone differently. This story isn't the end of droids getting rights, but it is unfortunately the end of Geena.

We ended on a happy note, but overall this story is a pretty melancholic one. Especially that whole "only machines can be rebuilt" like DAMN.

Anyways that's enough media analysis for today, time to take off my smart thinking hat and go back to being generally kinda stupid. I'm not gonna add anything about Angus Tales here at the end because I already hit the image limit lol. Umm shoutout to Angus Fangus for having like 110 parking tickets. Idiot.

[rxttenfish]

Asking because I’m extremely curious about this, how did MonProm’s writing get different over time? I remember you saying that the lore and characters feel different, and that it's missing sincere character interactions, too. I know almost nothing about the lore and I’ve only seen a few people mention the characters, so I’d be interested in a rundown of what aspects you think got worse in the series

I wouldn’t mind a very long response since I’m not that active in the fandom, I need to catch up on what happened

sorry for taking so long to answer this! i kinda waffled on it for a long bit, mainly because i started doubting myself again, and whether or not this was me simply overreacting or being tinted by nostalgia or simply being extremely picky and choosy in what i like (the last of which is true, i seldom get into fandoms at all for this reason and stay away from most popular media, but i wasn't sure if it applied here). i've posted about it already, but i'm in the middle of a psychotic episode where i can't feel a lot of pleasure to begin with + most things i do experience ending up solidly in the "very bad" category, so as you can imagine, i really didn't want to mislead and check that i was actually in objective reality.

as it is, this is also when a lot more screenshots started to be posted in the monster prom tag, and that helped me bridge the gap back into returning to the games themselves and feel like i was making a more accurate judgement. if you're one of those people who have been posting screenshots, i sincerely thank you, and i appreciated seeing you in the tag greatly.

for those not in the know — i've been in the monster prom fandom since it first released, prior to even the first additional ending to be added (the "Punch the sun" ending, and i recall the minor fandom drama that happened at that time due to it). my impression of monster prom is very much influenced by this, as what got me into the first game was the fact that the characters genuinely seemed to care for each other and were friends with each other (not merely tolerating each other's presences nor dressing it up, they sincerely thought of each other as friends and were open about that fact), on top of the wide variety of small details and statements that, if taken at face value, could create compounding complexity in the lives of each and every character and had wider implications for their lives.

no, they were not necessarily explored nor even necessarily "real", with so many conflicting events and statements, but i liked this too, because it meant a wider flexibility in what you could imagine, helping to create a more tailored experience for everyone who thought about these characters. this was what i liked about the early fandom too. what was baseline "canon" was so vague and minimal that you could have wildly different interpretations of the same characters' histories and relationships with each other. you would have radically different perspectives on what the world itself looked like, what it was like, that there wasn't really any wrong answers so long as their personalities remained the same. this is where you got the old headcanon of polly and liam being childhood friends who knew each other as humans, or that the world of monster prom was post-apocalypse where humanity itself had gone extinct or only existed in tiny pockets, or my personal headcanon that both monster and human society existed right next to each other and had minimal crossover for petty cultural reasons. this was also prior zoe-as-ro, and there were wildly different interpretations of zoe's personality, with most going for a far more disquieting creepy-cute than the deep nerd we got.

this is why you get stuff like the timeloop theory, where everyone is repeating the same weeks leading up to prom over and over, and are perhaps vaguely aware of it but broadly unconcerned. this is also why it felt like the joke that, the characters were still in high school but were all fully legal adults with most in their 20's, best landed, because it was absurd and strange and didn't quite make sense, but the world itself was inherently absurd and semi-malleable to begin with. realistically, i felt like everyone understood it was making fun of the trope of having adults play teenagers in american sitcoms and wildly casting outside the age range, but for more in-universe explanations it wasn't any different from the way that you would have a large, dramatic ending in which everything changed, but then you'd restart and everyone would be right back at the beginning with nothing different, or even having conflicting events in the same run. it was a dream-logic that fit with the tropes and, thus, diagetically made sense.

to be clear, i don't mind canon having a set, well, canon on which it refers back to itself. i don't mind expanding that or including more things which are set in stone. but there was a perceivable shift in how the games handled this over time, becoming a lot more... bitter, it felt, towards all of these different branching ideas and concepts that, yeah, the people making them knew wouldn't necessarily be "canon" because "canon" already liked to contradict itself so much. most people weren't even sold on any one idea, and there was a much greater sense of enjoying and appreciating all the varying ideas people would come up with even if you personally didn't share them. making the characters be out of character was the real crime, because then it didn't diagetically make sense in the same way, didn't wholly fit.

(again, this is not to say fanon didn't happen and characters weren't smoothed down into a simplified personality that fit these varying fan-interpretations instead of the game itself. certainly damien love/lust was just as bad as it had ever been, and everyone loved to mangle his character into a more stereotypical "bad boy with a heart of hold" all the time. but it certainly felt less set-in-stone about it than it does now, with any deviation from the norm being considered strange and odd and even broadly shunned from the wider fandom.)

all of this is setup for establishing what the writing, lore, and characters felt like in the earlier days. the characters were the strongest part, with their relationships to each other being equally as important. the lore played it fast and loose and was far less interested in setting anything in concrete because that wasn't the important part. the lore wasn't the important part, which was what made it all the more intoxicating to think about, all the more fun to play with.

montrip is easily the biggest offender when it comes to setting everything in all-or-nothing terms and demanding absolutism from the world. broadly i blame the hitchhiker conversations for the worst of it, but i think ultimately the way they handled the entire premise of the game is where this problem stems from. it's not really an exploration in the same sense that you might explore the first game, discovering different perspectives and different people with different relationships to each other. it's an exploration in the sense of a sequel that over-explains the monster, that takes the most boring option out of all those that were possible and floating around and settles on something that was blatant, obvious, typically rejected not because of how novel it is but how trite and par for the course it is in the rest of the genre.

yeah, okay. humans know nothing about monsters and there's a "monster dimension" that exists separately from the human dimension. there's no crossover between the two of them. of course there's a big grand-scale fight between the eldritch powers that zoe used to be a part of, from which not only are slayers the main organization against them, but also the merkingdom has some horse in this race too. it's an urge to make things so universal in explaining them, in revealing connecting threads which unite everything that's ever happened in here, that makes the worldbuilding and lore immediately much more boring than it ever was before.

and it didn't have to be this way! nothing in the first game contradicts any of this too explicitly (see the above, the first game loves to contradict itself), and i would even be happy if this was basically canon but never stated or confirmed to be the big overarching everything going on underneath it all. i believe you should probably know these things about any world that you create and have them in the back of your mind. the difference is that you can know these things and keep them in mind, even focusing on things where its very relevant, and still not reveal them. this is why you have lore bibles, after all. every horror writer knows exactly how their monster works and the full underlying reason for everything that happens, but that doesn't mean the audience will see it or possess this same information too, and leaving it intentionally obscure will make far better stories.

which, this is bad enough, but it wouldn't be the breaking point for me if this was all there was.

but the worst thing of all has to be the slow decay of the very same characters that sold me on this world, this lore, this game in the first place. monster prom is nothing without the characters in it. it's a dating sim, it has nothing but characters to get you to play, and liking these characters are the entire reason anyone would pick up monster prom in the first place.

and the first game pulls this off extremely well. it's all in the tagline: be your worst self. they are, indeed, all terrible people. yes, even that character that you just thought of right now. they all have points in the game where they commit atrocities, where they kill or hurt people, where they do inexcusable things that could not be ignored in a more serious setting.

but that's the point. i think there's something very powerful in creating a character who not only do you love and love their personality and the way they interact with the world, but who also are inapologetically terrible, and to have the humor and the charisma be so good that you don't get bogged down in the "this is awful". likewise, it never feels the urge to really go out of its way to justify what's going on. this is not to say theres no discussion of if someone "deserved it", but usually there's still the sense that the joke is on them, that this is still an extreme reaction specifically for comedy and not necessarily something that can be justified. you can have damien set leonard on fire and have it feel earned, without prompting the needed reaction of what it's actually like to watch someone burn to death.

this is what sets the prank masterz ending apart from the rest of the game, and really establishes it as the first real "bad ending". because nothing that you do or happens in the prank masterz ending is any different from anything else that happens in any other run. you summon evil beings from other dimensions as a throwaway gag on how visiting one location raises your stats. you kill other people and damn them to terrible fates. you watch as body horror happens. the only difference is that, in the prank masterz ending, the laugh track doesn't play.

the rest of the game and the writing echoes this philosophy, this careful interplay of tropes that keeps everything tongue in cheek and yet sincere enough to make sure emotional beats still land when they're needed. the characters feel true to themselves and their own emotions, even when the world is extreme and excessive, when everything else runs on comedy logic.

this is also what i noticed failing first as time went on.

like i said, fanon has always existed and there's always been very specific ideas as to what characters are like in the same way fanon always flattens down characters into the same tropes over and over. scott is stupid and innocent and doesn't know what sex is. damien is violent and hot and too cool for anyone else. miranda is the idiot girl character. repeat over and over and over until you get sick of it.

but it's been an issue as time has crept on that canon has started to approach fanon and began to merge with it. now, scott is so innocent that he can't even curse. polly starts being mean to her friends and saying things that would be very hurtful to hear. the merkingdom isn't really super evil and fucked up, it's just miranda that's like that. they become simpler, easier to digest, streamlined for social media posts and mass-sharing. they become less and less subversions of existing tropes and moreso just another example of them, something else to add to the collection, not their own individual stories.

even further from this, what more complex traits they had are now stated and not shown. polly is stated to be smart and clever in a way that her party girl persona doesn't imply and to be sincerely rather down to earth with the people she cares about, but we seldom ever see this anymore unless its the game specifically trying to make a point about it, in which case it won't let her do anything that implies cleverness and moreso will just outline it in the narration. vera is stated to care for people in a very genuine and heartfelt way, but seldom will get a chance to do so, and every opportunity for her to do so to their faces is missed while she will just outright state it later. it does not feel consistent, it does not feel like any of these are intended reads of their actions. it feels like the devs have something they want to do but no idea on how to actually do so. and forget it if you want these traits to manifest in small ways that show up in unrelated moments and scenes.

the dialogue becomes harder and harder to tell between each speaker, if you are just looking at what's said and not at the pictures attached to it. the characters' distinct voices have been eroded away, so that they speak more and more like each other, relaying the same terms and ideas in the same words. perspective becomes a suggestion, instead of a must.

this is something that started back in monster camp too, as all of the endings in that game felt ultimately the same as every other ending. it's very hard to place or define the full reason why, why there feels like there's no emotional stakes nor investment, why everything feels moreso like selecting different coats of paint and trying to find all the different ending pictures rather than being interested in exploring the characters as characters.

stranger yet, the series that started with the tagline of "be your worst self" has experienced a kind of... softening, for lack of a better word? what i mentioned about being able to handle the balance between terrible people who do terrible things and the light tone of the game starts to change, as abruptly the same characters who were down with violent murder in the first game start to lose their nerve, acting more and more on more typical morality. it's one of those things that feels like it's starting to damage the tone, as abruptly it's not as absurd as it used to be, demands less suspension of disbelief which could buffer and support the rest of the setting on it. there's even a part in one of the endings in montrip which involves current-polly and current-scott looking back on their monprom selves and reacting in horror at how violent and careless their pranks are, in a way that fundamentally felt like it was undercutting and disparaging all the things that felt fun and made monprom what it was.

which is odd, really, because more and more i feel like the characters in these games like each other less and less. the friendships and genuine enjoyment of each others company that brought me to this game in the first place has gone. now they don't mention each other as much, don't care for each other's feelings and reactions as much, aren't as willing to support each other. they are more and more found on their own, relied on their own, seem to seek out contact and interaction with their own friends less and less. it feels like they're all separating out into their own worlds, but also feels like they wouldn't willingly want to interact with each other if they weren't already forced together by some other outside contrivance.

if anything, i'd compare it to every other dating sim out there, where you, the player, are the most important person in these characters' lives, and they only feel ambivalent or antagonistic towards every other character. which, again, is not why i picked up monster prom or why i liked it so much in the first place.

and it's because of this that it feels like the current state of the series has to focus on its increasingly weak worldbuilding and lore, trying to form a more serious foundation without character relationships being so tightly bound together, without the characters themselves being more developed and rich, without an aspect of absurd humor to rely on.

more and more i've noticed monprom has to rely on referencing other series to make itself funny and create humor, which, again, it's always done. it was just easier to ignore back then, if you didn't know what was being referenced, because there was always more going on in the exact same scene to bolster it and give context clues as to the setup and punchline at play. it feels like the current games are much more dependent on you knowing pop culture references in order to have any fun with it, and i'm someone who, again, is very picky in what i like or what i'll seek out. i'm not interested in a stream of references about other things that i would much rather be doing than playing through a game that feels like it hates that i like it at all, when i could, again, just be engaging with the thing that takes itself seriously and knows what it wants.

[sketchz]

aaaa I've always wanted to do one of these!! My blorbos over time my beloved....

I grouped em according to some stuff, labels under cut:

[fragmentedblade]

I think I've become an official HI3 player. I check the HSR leaks hoping for iterations of HI3 characters now

[heatmiiiiser]

Ggrrr I wish disenchantment was better. I binged it all because I'm sick somebody talk to me about this.

[qqqqqqqqqqq0]

[emdotcom]

Tbh, can't believe I'm cutting ties with Fnaf before Batim.

[arielluva]

drawing my time traveler character bc she was the only good thing to come out of my concept art/3d modeling class (i learned nothing about character design or 3d modeling and this character was the only assignment actually about character design that we did (i did my senior project on character design and learned way more about it than a whole semester long class that was supposed to teach me it))

im also going insane trying to track down the shoes i used for inspiration for hers but alas i cant find them

[archaeren]

How I learned to write smarter, not harder

(aka, how to write when you're hella ADHD lol)

A reader commented on my current long fic asking how I write so well. I replied with an essay of my honestly pretty non-standard writing advice (that they probably didn't actually want lol) Now I'm gonna share it with you guys and hopefully there's a few of you out there who will benefit from my past mistakes and find some useful advice in here. XD Since I started doing this stuff, which are all pretty easy changes to absorb into your process if you want to try them, I now almost never get writer's block.

The text of the original reply is indented, and I've added some additional commentary to expand upon and clarify some of the concepts.

As for writing well, I usually attribute it to the fact that I spent roughly four years in my late teens/early 20s writing text roleplay with a friend for hours every single day. Aside from the constant practice that provided, having a live audience immediately reacting to everything I wrote made me think a lot about how to make as many sentences as possible have maximum impact so that I could get that kind of fun reaction. (Which is another reason why comments like yours are so valuable to fanfic writers! <3) The other factors that have improved my writing are thus: 1. Writing nonlinearly. I used to write a whole story in order, from the first sentence onward. If there was a part I was excited to write, I slogged through everything to get there, thinking that it would be my reward once I finished everything that led up to that. It never worked. XD It was miserable. By the time I got to the part I wanted to write, I had beaten the scene to death in my head imagining all the ways I could write it, and it a) no longer interested me and b) could not live up to my expectations because I couldn't remember all my ideas I'd had for writing it. The scene came out mediocre and so did everything leading up to it. Since then, I learned through working on VN writing (I co-own a game studio and we have some visual novels that I write for) that I don't have to write linearly. If I'm inspired to write a scene, I just write it immediately. It usually comes out pretty good even in a first draft! But then I also have it for if I get more ideas for that scene later, and I can just edit them in. The scenes come out MUCH stronger because of this. And you know what else I discovered? Those scenes I slogged through before weren't scenes I had no inspiration for, I just didn't have any inspiration for them in that moment! I can't tell you how many times there was a scene I had no interest in writing, and then a week later I'd get struck by the perfect inspiration for it! Those are scenes I would have done a very mediocre job on, and now they can be some of the most powerful scenes because I gave them time to marinate. Inspiration isn't always linear, so writing doesn't have to be either!

Some people are the type that joyfully write linearly. I have a friend like this--she picks up the characters and just continues playing out the next scene. Her story progresses through the entire day-by-day lives of the characters; it never timeskips more than a few hours. She started writing and posting just eight months ago, she's about an eighth of the way through her planned fic timeline, and the content she has so far posted to AO3 for it is already 450,000 words long. But most of us are normal humans. We're not, for the most part, wired to create linearly. We consume linearly, we experience linearly, so we assume we must also create linearly. But actually, a lot of us really suffer from trying to force ourselves to create this way, and we might not even realize it. If you're the kind of person who thinks you need to carrot-on-a-stick yourself into writing by saving the fun part for when you finally write everything that happens before it: Stop. You're probably not a linear writer. You're making yourself suffer for no reason and your writing is probably suffering for it. At least give nonlinear writing a try before you assume you can't write if you're not baiting or forcing yourself into it!! Remember: Writing is fun. You do this because it's fun, because it's your hobby. If you're miserable 80% of the time you're doing it, you're probably doing it wrong!

2. Rereading my own work. I used to hate reading my own work. I wouldn't even edit it usually. I would write it and slap it online and try not to look at it again. XD Writing nonlinearly forced me to start rereading because I needed to make sure scenes connected together naturally and it also made it easier to get into the headspace of the story to keep writing and fill in the blanks and get new inspiration. Doing this built the editing process into my writing process--I would read a scene to get back in the headspace, dislike what I had written, and just clean it up on the fly. I still never ever sit down to 'edit' my work. I just reread it to prep for writing and it ends up editing itself. Many many scenes in this fic I have read probably a dozen times or more! (And now, I can actually reread my own work for enjoyment!) Another thing I found from doing this that it became easy to see patterns and themes in my work and strengthen them. Foreshadowing became easy. Setting up for jokes or plot points became easy. I didn't have to plan out my story in advance or write an outline, because the scenes themselves because a sort of living outline on their own. (Yes, despite all the foreshadowing and recurring thematic elements and secret hidden meanings sprinkled throughout this story, it actually never had an outline or a plan for any of that. It's all a natural byproduct of writing nonlinearly and rereading.)

Unpopular writing opinion time: You don't need to make a detailed outline.

Some people thrive on having an outline and planning out every detail before they sit down to write. But I know for a lot of us, we don't know how to write an outline or how to use it once we've written it. The idea of making one is daunting, and the advice that it's the only way to write or beat writer's block is demoralizing. So let me explain how I approach "outlining" which isn't really outlining at all.

I write in a Notion table, where every scene is a separate table entry and the scene is written in the page inside that entry. I do this because it makes writing nonlinearly VASTLY more intuitive and straightforward than writing in a single document. (If you're familiar with Notion, this probably makes perfect sense to you. If you're not, imagine something a little like a more contained Google Sheets, but every row has a title cell that opens into a unique Google Doc when you click on it. And it's not as slow and clunky as the Google suite lol) (Edit from the future: I answered an ask with more explanation on how I use Notion for non-linear writing here.) When I sit down to begin a new fic idea, I make a quick entry in the table for every scene I already know I'll want or need, with the entries titled with a couple words or a sentence that describes what will be in that scene so I'll remember it later. Basically, it's the most absolute bare-bones skeleton of what I vaguely know will probably happen in the story.

Then I start writing, wherever I want in the list. As I write, ideas for new scenes and new connections and themes will emerge over time, and I'll just slot them in between the original entries wherever they naturally fit, rearranging as necessary, so that I won't forget about them later when I'm ready to write them. As an example, my current long fic started with a list of roughly 35 scenes that I knew I wanted or needed, for a fic that will probably be around 100k words (which I didn't know at the time haha). As of this writing, it has expanded to 129 scenes. And since I write them directly in the page entries for the table, the fic is actually its own outline, without any additional effort on my part. As I said in the comment reply--a living outline!

This also made it easier to let go of the notion that I had to write something exactly right the first time. (People always say you should do this, but how many of us do? It's harder than it sounds! I didn't want to commit to editing later! I didn't want to reread my work! XD) I know I'm going to edit it naturally anyway, so I can feel okay giving myself permission to just write it approximately right and I can fix it later. And what I found from that was that sometimes what I believed was kind of meh when I wrote it was actually totally fine when I read it later! Sometimes the internal critic is actually wrong. 3. Marinating in the headspace of the story. For the first two months I worked on [fic], I did not consume any media other than [fandom the fic is in]. I didn't watch, read, or play anything else. Not even mobile games. (And there wasn't really much fan content for [fandom] to consume either. Still isn't, really. XD) This basically forced me to treat writing my story as my only source of entertainment, and kept me from getting distracted or inspired to write other ideas and abandon this one.

As an aside, I don't think this is a necessary step for writing, but if you really want to be productive in a short burst, I do highly recommend going on a media consumption hiatus. Not forever, obviously! Consuming media is a valuable tool for new inspiration, and reading other's work (both good and bad, as long as you think critically to identify the differences!) is an invaluable resource for improving your writing.

When I write, I usually lay down, close my eyes, and play the scene I'm interested in writing in my head. I even take a ten-minute nap now and then during this process. (I find being in a state of partial drowsiness, but not outright sleepiness, makes writing easier and better. Sleep helps the brain process and make connections!) Then I roll over to the laptop next to me and type up whatever I felt like worked for the scene. This may mean I write half a sentence at a time between intervals of closed-eye-time XD

People always say if you're stuck, you need to outline.

What they actually mean by that (whether they realize it or not) is that if you're stuck, you need to brainstorm. You need to marinate. You don't need to plan what you're doing, you just need to give yourself time to think about it!

What's another framing for brainstorming for your fic? Fantasizing about it! Planning is work, but fantasizing isn't.

You're already fantasizing about it, right? That's why you're writing it. Just direct that effort toward the scenes you're trying to write next! Close your eyes, lay back, and fantasize what the characters do and how they react.

And then quickly note down your inspirations so you don't forget, haha.

And if a scene is so boring to you that even fantasizing about it sucks--it's probably a bad scene.

If it's boring to write, it's going to be boring to read. Ask yourself why you wanted that scene. Is it even necessary? Can you cut it? Can you replace it with a different scene that serves the same purpose but approaches the problem from a different angle? If you can't remove the troublesome scene, what can you change about it that would make it interesting or exciting for you to write?

And I can't write sitting up to save my damn life. It's like my brain just stops working if I have to sit in a chair and stare at a computer screen. I need to be able to lie down, even if I don't use it! Talking walks and swinging in a hammock are also fantastic places to get scene ideas worked out, because the rhythmic motion also helps our brain process. It's just a little harder to work on a laptop in those scenarios. XD

In conclusion: Writing nonlinearly is an amazing tool for kicking writer's block to the curb. There's almost always some scene you'll want to write. If there isn't, you need to re-read or marinate.

Or you need to use the bathroom, eat something, or sleep. XD Seriously, if you're that stuck, assess your current physical condition. You might just be unable to focus because you're uncomfortable and you haven't realized it yet.

Anyway! I hope that was helpful, or at least interesting! XD Sorry again for the text wall. (I think this is the longest comment reply I've ever written!)

And same to you guys on tumblr--I hope this was helpful or at least interesting. XD Reblogs appreciated if so! (Maybe it'll help someone else!)

[235uranium]

I go back and forth on how based in canon/how likely the "akechi was involved with wakaba's research" theory is but. man her notes really do make it seem like she'd gotten information from someone

[blacktabbygames]

Slay the Princess Concept Art

We shared a bunch of concept art on Twitter today. Sharing it here, too, where you can find it all in one post. Post contains spoilers, so proceed with caution (or just play the game already if you haven't 😉)

Going to start with the first piece of concept art Abby drew for the game.

In the earliest stages of development, we toyed around with the concept of there being multiple "end game" forms of the Princess.

The initial outline, rather than being tied together by an overarching metanarrative, structured a full playthrough as a 5-6 chapter long, self-contained journey down a single route, determined by your decisions in chapter 1. Here's an alternative late-game form:

The idea of deviating end-game forms didn't lost for very long, though. As we explored the game's themes more deeply, it made the most sense for there to be a singular "true" form.

If your reality is shaped by subjectivity and perception, then the "truth" has to be what's left when that subjectivity is swept away. the Shifting Mound's final design feels like that initial truth for the Princess, though there's also another truth if you push back against her and press on into the final cabin.

We really liked this "void" design, and I played around with the idea of it being an intermediary to the final form. The "void" Princess would be what you saw upon encountering the final Princess without understanding your own truth, but once you had that understanding, you would see her as the Shifting Mound, as depicted in the game.

That gave way to the intermediary design of the SM being a sea of disembodied limbs, and we also took parts of both designs and incorporated them into the protagonist (particularly the wings.) You can see the eyes and feathers for this void form in the ending card of the original trailer below:

You can see extremely early concept art for the spectre (top), nightmare (top-right), stranger (left), beast (bottom) and ??? (right) as well!

The eyes became a motif in the Nightmare route (Paranoid's manifestation of the fear of being watched), but I also like to think of them as a part of The Long Quiet's truth. You are space and emptiness, but you're also that which observes those things, and it's your perceptions that give the Shifting Mound shape.

Anyways, on the note of the original original concepts for the game, the Princess was initially going to remain human for several loops before taking on more monstrous forms. Some concepts of that are below. Had to get Abby to tone down some of the more horrifically cartoonish designs because they creeped me out and I didn't want to romance them in a video game.

We had to hold our cards close to our chest in the non-metanarrative early drafts, which is part of why, even in the first demo, the cabin doesn't really change much in chapter 2. More room to subtly play with the concept of transformation over time.

There were a lot of reasons we moved in a different direction for the full release. The branching was unmanageably large to write, and the game felt like a slog to write.

Using an overarching narrative as a framing mechanism in the final version gave us a lot more freedom to explore wildly divergent ideas within routes while still driving the player towards the originally planned finale.

Anyways, now we've got some concept art for individual princesses. There's a lot more than this lying around somewhere, but it's all in sketchbooks, and we'll probably wait until we make an art book to show it off.

First is the tower, who really didn't change much at all. (She got a little thicker, I guess. All of the Princesses did)

Not a lot to say about her, other than the fact that we knew we wanted a set piece where she gets so big that the trees and cabin orbit around her.

The stranger went through many many redesigns over the course of development. Here, she was a "princess skin" filled with a hive of sentient bugs. The script wasn't working for me, though, so instead she became a peak behind the curtains without the necessary context to know her.

A lot of people ask how these earlier drafts of the Stranger route would have played out, and the answer is I can't tell you, because I couldn't figure out something worth writing.

The writing process for individual routes didn't really start with outlines or plot beats. Rather, the routes started from a theme and a relationship dynamic, and I organically found their outcomes by exploring actions within those themes, and then seeing if those passed Abby's editor brain.

Neither of us found actions we wanted to explore with those versions of the Stranger, at least actions that weren't a beat-by-beat retelling of chapter 1, which contained way too much variation to put on a single chapter 2 route.

If each princess examines a relationship formed by perception and first impressions, the Stranger examines one that's fundamentally unknowable. One where you've seen too much, too quickly.

An insect hive-mind pretending to be a person seemed like a good starting point, but it was too difficult to write any interactions that didn't immediately feel knowable, if still strange. So the final version of the Stranger was designed in such a way where her unknowability makes interacting with her on a human level fundamentally impossible, and you don't get to have a real conversation with her unless you satisfy extremely specific criteria.

Anyways next up is the razor's final form. We decided she needed more swords.

Hearts became an accidental motif very quickly in the development process, too. (The fact that it is only strikes to the heart that fell her in the demo was accidental, but it felt poetic so we extended it to the rest of the game.)

So on top of adding more swords, we made her heart visible. This is something we did with the fury as well, as a way of showing their emotional (and physical) vulnerability.

Here's an early version of the Adversary and what would eventually become the Eye of the Needle, back when she was still called the Fury. Originally her hair was going to be fire (as seen on the right), but it didn't feel right in its execution.

She's hit the gym since this concept art. Good for her :)

And we're going to end with the Beast, who at this point was called the Adversary. I think this was before the Witch was added? The Beast was originally designed to be a Questing Beast who lurked in the shadows, where you'd only see glimpses of her, and where each glimpse would make her appear to be a different animal. This was too difficult to execute, though we gave her a more chimera-like appearance in the final game.

This design was from when we still has the Voice of the Obsessed, and the route was going to be a more feral mirror of what eventually became the Adversary, but it felt too thematically similar while being less interesting, so we moved in the direction of making the Beast about consumption as a form of love.

Anyways, that's all we've got for you right now. Hope this was fun!

[cleo-fox]

Unraveled

Summary: It was all fun and games until Loki started wearing that goddamn sweater.

Pairing: Loki x Female Reader

Warnings: Smut, 18+, Minors DNI, dirty talk, praise kink, teasing, orgasm delay, sex, vaginal fingering, godly refractory periods, kitchen sex, semi public sex, Loki in a sweater.

A/N: My explanation for this one is that I saw too many pictures of Tom Hiddleston in a sweater and it gave me thoughts.

Being an Avenger has made you pretty good at rolling with the punches. After your third or fourth encounter with some alien/wizard/android bullshit, your perspective is fundamentally altered and real life seems manageable in a way that it didn’t before. You have to call your insurance company to dispute a claim? Big deal, you’ve negotiated with terrorists; you can handle Garth from Member Services.

The thing is, having that kind of perspective means that the things that do get to you can rattle you a lot more than they should. Natasha had warned you about that, but you were riding high on the thrill of successfully conquering Blue Cross Blue Shield and you kind of got to thinking she was exaggerating.

And then the seasons started to turn and Loki started wearing that goddamn sweater.

You can recognize when someone is out of your league. When you first moved into the Tower, it had been relatively easy for you to assign Loki to that category: he was a god. He’d been featured in last month’s GQ. You were mortal and your most recent press had been a TMZ story featuring unflattering paparazzi photos of you leaving a bodega in your pajamas at seven o’clock in the morning, a bagel halfway into your mouth. You were clearly not the same.

Up until the sweater, you’d managed to keep your cool around Loki and keep your attraction confined to daydreams and the occasional surreptitious lustful glance. Hell, you’d even had the nerve to be proud of yourself for keeping your shit together in front of him.

The sweater lays waste to all of that.

On the surface, it doesn’t seem like a sweater that is capable of completely destroying your carefully constructed composure. It’s a fairly standard crew neck in a deep green so dark it almost looks black at a first glance. But on Loki it just…does things to you. The fabric is well fitted, clinging to his biceps, pulling taut across his chest, emphasizing the line of his pectorals. It somehow accentuates how muscular he is while also still making him look lean and lithe.

The first time he wears it, you find your eyes just trail to him of their own volition, like an incredibly horny moth to the flame. It’s a day of catching yourself staring, panicking, pretending that you were actually looking at something else, and then repeating the process five minutes later when your gaze inevitably wandered again. It almost would have been funny if it didn’t put your blood pressure into the stratosphere.

To make matters worse, at the end of that day’s debriefing, he rises from his chair and raises his arms to the ceiling in a long stretch. The hem of the sweater creeps up, exposing the firm, flat muscles of his stomach, lightly dusted with a trail of hair that meanders in a tantalizing path down to his belt buckle.

You promptly choke on your own spit. Clint claps you hard on the back and asks if you’re okay, which is a question you don’t know how to answer (ultimately, you stick to a thumbs up and mumble something about dust getting caught in your throat). Loki is too preoccupied complaining about the entire concept of office furniture to notice. Or at least you’re pretty sure he doesn’t notice.

You might have been okay if that had been the only incident, but the sweater makes a repeat appearance on Friday. The following Tuesday features the deadly combination of the sweater with a pair of tight, dark wash jeans that nearly send you into cardiac arrest. Your fantasies suddenly become much more frequent and detailed.

You are not really sure what to do about this—it’s not like you can talk to anyone about it, nor can you ask him to stop wearing it without prompting some very uncomfortable questions. The idea that you’ll get used to it is laughable. 

You look at your calendar and note that spring is six months away. At least.

Fucking hell.

*

It’s a Saturday afternoon and in a strange quirk of scheduling, almost everyone is out of town for a mission or a personal obligation, leaving the Tower unusually quiet. As much as you enjoy the daily clatter and chaos that comes with living here, you find a lot of comfort in these moments of quiet, however infrequent they may be.

You intended to make yourself a late afternoon snack. That was the plan, anyway. But as you’re standing at the kitchen counter and cutting up the fruit you just washed, you realize that you’re not entirely alone. From this vantage point, you can see Loki lounging on the couch in the next room and reading.

He’s wearing the sweater. Of course he’s wearing the sweater. And the so-tight-they-should-be-illegal dark wash jeans.

Goddammit.

You have the sense to set the knife down at least. The last thing you need is a trip to the hospital because you got too distracted by your hot colleague while handling a knife.

You let your gaze travel along the firm muscles of his chest. It’s just a sweater. It shouldn’t look this good. It shouldn’t prompt these kinds of thoughts. And yet…

He shifts on the couch and the hem of the sweater creeps up. His hand drops to his belt buckle. It’s entirely appropriate, but the way his long, long fingers are splayed against his stomach makes your mind drop straight to the gutter and wonder what they’d look like wrapped around his rock hard co—

“You know, it’s rude to stare.”

His voice comes from behind you and adrenaline surges through you like an electric shock. The Loki on the couch looks up at you and smirks before disappearing in a shimmer of green.

You wonder if it’s possible to die of embarrassment and a heart attack all at the same time. It certainly feels like you’re about to.

You take a deep breath and try to collect yourself, which feels largely futile. Come on, get it together. You’ve negotiated with terrorists and insurance companies. Shake it off.

You slowly turn around, cheeks burning. Loki is standing right behind you, arms folded across his chest. You swallow.

“I um. I was—I was just…” Words escape you as your brain fires in every direction except a helpful one.

“You were just what?” His expression is intense, but you’re not sure that he’s angry.

“Spacing out,” you say, trying to infuse your voice with confidence that you absolutely do not feel.

He places his hands on the counter behind you, intentionally caging you in with his body. You are overwhelmed by the scent of him—a masculine, wintery musk that makes you want to bury your face against his chest.

“Try again,” he says. His voice is deep enough to rattle your bones.

You swallow. Everything you could possibly say seems wildly inadequate.

Loki has never been one to be at a loss for words, though, and after a moment of terrified silence from you, he continues speaking.

“I’ve noticed something curious over these past few weeks,” he says. “When I wear this sweater, you can’t seem to take your eyes off of me.”

Your heart is pounding. Fucking hell. Have you really been that obvious?

“Now why is that?” he asks, his voice a low purr.

You briefly consider trying to lie again, but the piercing green of his eyes instantly makes you rethink it. “I um…” You swallow hard. “It’s just…it suits you. You…you look good.”

He raises an eyebrow. “I look good?”

You nod.

“Interesting.” His lips twitch in a slight smirk as he looks you up and down. “And how does that make you feel?”

Your heart thuds in your chest, your stomach contorting with a strange combination of fear and desire. You’re still humiliated, but the sound of his voice and the dark intensity of his gaze is intoxicating and incredibly arousing.

“I don’t—I don’t know how to answer that question.”

“Oh, I think you do.” There’s a rawness in his voice that makes your cunt clench.

You shake your head, eyes wide. You’re pretty sure he’s not really mad, but you also don't know where this is going. Surely he’s not making a pass at you…right?

“How does it make you feel to see me in this sweater?” he continues, his voice a low whisper. He pauses for a moment and when you don’t answer, he continues. “Does it…arouse you, perhaps?”

Holy fuck.

This can’t be happening.

You try to think of something clever or sexy, but the bluntness of the question and the fire in his eyes kills whatever remaining brain cells you have left. Mutely, you nod.

There’s that smirk again as he licks his lips. “Are you wet right now?”

Your cheeks burn. You give the tiniest nod possible.

“Hmm.” His hand alights on the button of your jeans. “I believe you Midgardians have a saying that is appropriate here: trust, but verify.” He slips the button free and your heart pounds like a war drum in your chest. 

You cannot believe this is happening.

“You haven’t been entirely truthful in this conversation.” His palm presses flat against your stomach, the tips of his fingers slipping under the waistband of your underwear. “So I’m afraid I’m going to have to see for myself.”

His hand is achingly slow, creeping lower and lower. He watches you intently as his hand cups your sex, seemingly cataloging the way your breath hitches and all the little shivers that run through you.

His middle finger finally slides between your folds and you can’t help but moan.

“Oh, you did lie to me,” he growls, his index finger joining his middle, both sliding up to circle your clit. “You’re not wet, you’re soaked.”

Your legs are already starting to tremble and you grab on to his shoulders to try and steady yourself. The fabric of the sweater is softer than a cloud against your hands.

“Sopping wet,” he continues, trapping your right leg between his thighs and the counter, the heavy weight of his erection pressing eagerly against your hip. “And this is all for me?”

Wordlessly, you nod. There’s no point in denying it—and you don’t think he wants you to, either.

“What am I going to do about this?” he muses. His index and middle fingers lightly circle your clit again and you whimper.

“Don’t stop,” you gasp. “Please don’t stop.”

“Don’t stop?” he says. His tone is one of light curiosity, like you’re just chatting casually about the weather. “But if I continue, you’re almost certainly going to come.”

“Yes,” you gasp. “Please.”

“Oh, you want me to make you come?” You can hear the smirk in his voice. “Right here in the middle of the kitchen?”

You nod.

“Anyone could walk in, though,” he purrs. “Anyone could come in and see me with my fingers buried in your dripping cunt. What would they think if they saw you so utterly debauched and at my mercy, begging for me to make you come?”

“Don’t care…” you gasp. How are you already so close?

He raises an eyebrow. “You don’t care what they’d think if they saw us like this?”

You shake your head.

“Oh, you must be desperate.” He adjusts his hand, his thumb taking up the rhythm on your clit while his index finger sinks into your slick channel, making you gasp.

“Loki, please—”

“Begging already,” he says, not letting up in his rhythm. “Has it been a long time, sweetheart? When did you last feel this good?”

It’s not a question you can answer. You don’t know that anyone ever has made you feel like this. You moan, your hips bucking hard against his hand.

“Poor thing,” he tuts. “You’re clearly desperate for it. What kinds of filthy thoughts have you had about me?” he purrs. “I’ve seen you staring, I’ve heard your breath hitch. Have you touched yourself while thinking of me?”

You manage a nod and his smile turns feral. “When was the last time?”

“Last…last night,” you gasp.

“How many times did you come?”

“F-Four.”

“Filthy girl.” His free hand slides up to cradle the back of your head, his fingers tangling in your hair as he tips your head back. “Next time, all you have to do is ask.”

His mouth covers yours, his tongue pushing past your lips as he slides a second finger into you. You moan into his mouth as the pressure in your hips increases.

“Oh yes, let me hear all of those pretty noises,” he murmurs. “Are you going to let me fuck you against the counter after I make you come?”

You nod, whimpering.

“Good girl,” he purrs. “I think you need to be fucked properly and hard. Is that what you need?”

“Yes,” you gasp.

“Mmm, that’s what I thought. This cunt is just too wet and needy for any other treatment.” He draws back to look at you more fully, giving you a lazy, hungry smile. “You’re about to lose it all over my fingers, aren’t you?”

Your orgasm is cresting, the tingling pressure in your hips becoming unbearable. You nod, lost for words.

With one more smirk, he curls his fingers inside of you. “Come for me, pretty girl, let me see you.”

Your cunt spasms around his thrusting fingers and your whole body shudders as your orgasm overtakes you, your head tipping back as you cry out.

“Oh, that’s it,” he murmurs, “there’s my good girl.”

A shiver runs through you at his words, your hips still moving against his hand, trying to draw out every last ripple of pleasure.

He kisses you as you come down from your high, and you take the opportunity to run your hands over his chest and tentatively feel the hard planes of muscle that you’ve been staring at these last few weeks. But after a few moments, he takes your hand and guides it to his cock.

His preference for leather pants or those sinfully tight dark wash jeans made you suspect that the size of his ego might actually be proportionate to the size of his cock and your initial assessment seems to confirm that theory. You rub your fingers over the denim that covers his thick shaft, feeling yourself grow even wetter at the low groan he makes in the back of his throat.

“Take my cock out.” His voice is so deep and his eyes are so smoldering, it feels like the command goes straight to your cunt. You are practically trembling with anticipation as your shaking hands  make quick work of the button, buckle, and zipper.

You can’t help but suck in a breath when his cock comes into view. He’s long and deliciously thick—big enough to be a little intimidating, but not overwhelmingly so.

He guides your hand to wrap around his shaft. He barely fits in your hand. “Look at what you’ve done to me,” he says, his voice raspy as he guides your hand to stroke his cock. “Feel how hard I am for you, feel how much I want you.”

His cock practically pulses with need, the tip slick with pre-come and you grasp him more firmly, your cunt pulsing as he gives a deeply satisfying groan.

You stroke him from base to tip, squeezing lightly. He groans again. “They told me to stay away from you, you know,” he says.

You aren’t so far gone that you can let this information slip by. “What? Who?”

“Stark. Rogers. Romanoff. My brother.” He reaches behind you and shoves the fruit and cutting board into the side, the knife clattering into the sink. “They saw how I looked at you,” he says. “They saw that I wanted you. They told me you were too good for me. Too sweet.”

You feel your jeans and underwear melt away in a shimmer of green and he lifts you easily onto the counter.

His eyes flash with desire. “I wonder what they’d say if they knew you’d let me fuck you raw in the middle of the kitchen?”

For a brief moment, frustration almost wins out over your lust. “We could have done this sooner?”

His gaze turns serious. “Darling, we could have done this the moment we met, but I’m told a handshake is more appropriate.”

You take a breath, about to embark on a rant about the individuals he’d named and how they hadn’t even asked, they’d just assumed, but Loki puts a hand up against your mouth.

“Don’t make me wait any longer,” he says. There’s a sincerity and a need in his gaze that you’ve never seen before and it’s enough to calm your anger for just a moment.

“Okay,” you say, wrapping your legs around his waist and angling your hips toward his, “but clear your schedule because I’m gonna need you to fuck me a lot to make up for all that time.”

His grin is feral as he pushes into you.

You shiver at the blunt stretch of his cock, your hands gripping his broad shoulders. He indulges in a low groan as his hips press flush against yours.

“If I’d known they were keeping me from this tight cunt, I would’ve done something sooner,” he rasps. “You feel absolutely perfect.”

“Please,” you breathe, “I need—please.”

His hips snap hard against yours and you moan, your head tipping back.

His eyes glitter as he pulls you close, pressing his mouth against your ear. “The next time I have you, I will be sweet and soft.”

“And this time?” you ask, though you think you already know the answer.

“This time—” His mouth presses against the curve of your neck, teeth scraping just this side of too hard against the tender skin. “—I’m going to utterly ruin you.”

His pace is fast and rough—the word possessive comes to mind. You twist the luxurious fabric of his sweater in your hands as his cock hits that sweet, aching spot inside of you, pressing against your sensitive cunt in a way that makes your muscles spasm and clench around him. You moan, a shiver rolling through you as you inch closer to release.

“I’m…fuck, I’m getting close,” you gasp.

His pace abruptly slows and his grin is wide and his eyes are dancing with mirth when he raises his head from your shoulder.

“That was unnecessary,” you say with a scowl.

“Oh, I just want to savor you for a little longer, my love,” he purrs as he settles into an easy and slow pace that still makes your toes curl. “You’re going to take me right over the edge with you and I’ve waited so terribly long to have you.”

“I feel like you’re probably omitting the fact that you like being a tease,” you say.

He grins again, increasing his pace ever so slightly. “Both things can be true.”

He does this a few times—taking up a wicked pace that almost sends you hurtling over the edge, only to slow at the last possible moment, silencing your whimpering protests with a deep and slow kiss that is good enough to make you forgive him until a few minutes later when he does it all over again.

You hold out for as long as you can, but eventually, the ache in your hips overwhelms you.

“Loki,” you breathe when his pace again begins to increase. “Please don’t stop.”

“Don’t stop?” he rasps, somehow finding the concentration to raise an eyebrow. “You’re quite sure?”

You nod.

“You want to come all over my cock?”

Speech is slightly beyond you at this point, but you manage to gasp a desperate plea as you hurtle into the final plateau, right before the fall.

Loki regards you with that same playful look as he fucks you. You wait, unsure of what he’s going to do, your body desperately crying out for your release.

His lips curl into a smile. “Come for me, sweet thing.”

At the sound of his voice, every one of your muscles is tensing and releasing, the slick walls of your cunt clamping down hard on the thick girth of his cock as you shudder and moan.

The remnants of Loki’s composure are fraying, his eyes closed and his jaw slack as he chases his own end. His brow furrows and he throws his head back, letting out a low groan as he comes and you think it might be the best sound you’ve ever heard.

You sag against him as you both come down from your respective highs, his heart beating hard under the soft fabric of his sweater. He reaches for your face, tilting your head back so he can kiss you, impossibly slow and soft.

You’re in the middle of the kitchen. You understand this. In a wholly rational world, you would be quick to hop off the counter, quick to try and negotiate the return of your jeans from whatever pocket dimension he’s sent them to.

Instead, you find yourself wanting to stay in this moment, with his arms wrapped around you, his cock still pulsing inside you as he kisses you breathless.

You count to ten, then twenty. At forty, you draw back slightly, only to have him pull you back into the kiss.

It’s somewhere after one hundred when he trails his lips to your neck and you manage to say what you intended: “We should probably…” you trail off as he sucks at your pulse point, sending a shiver down your spine.

“We should probably what?” he murmurs against your neck, before tracing a lazy figure eight with the tip of his tongue.

It takes you a moment to find that sentence. “Get dressed and such.”

You feel the sharp press of his smile against your skin. “I think not.”

Before you can open your mouth to say anything, the kitchen is fading in a shimmer of green to an unfamiliar bedroom and the two of you tumble into a bed draped in green silk.

“I’d like to stay like this for a while,” he says, a smile playing at his lips as he slowly rolls his hips against you, somehow still impossibly hard. “In fact, I think I need to have you again.”

“I can live with that,” you say. You tug at the fabric of his sweater. “But this is going to have to go.”

His gaze is smoldering and his bare skin is suddenly pressed against yours as the sweater and the rest of your clothes disappear in that familiar shimmer of green.

“Will you like me as much without it?” he asks, rolling his hips against you.

You drag your fingernails up along the firm muscles of his back. “I think I’ll manage.”

“Good,” he says, leaning in to kiss you, “because as I understand it, we have quite a lot of time to make up for.”

[mockerycrow]

UNDER THE SURFACE (Ghost x GN!Reader)

ghost masterlist — ghost icon by @yumethefrostypanda concept post here!

authors note; this is not my best work tbh, i wish i could improve it somehow, but i’m hoping you guys will like it anyway. Pretty sure this is my longest singular post, too! 4.7k words :-)

[WARNINGS: angst, spiraling thoughts, near panic attack, hurt/comfort, inaccurate medical stuff, vague descriptions of physical violence, very brief mention of possible self harm.]

YOU WERE USED to Simon being gone for long periods of time; you have been his roommate for two years now, nearly three. You know he’s military, it’s part of the reason why you were able to score being his roommate in the first place. At first, it was a very awkward arrangement. Simon himself wasn’t a very awkward person, no—he’s actually quite charismatic in his own way, a way that you could get along with. One of the reasons why the arrangement was strange at first was because you weren’t exactly able to get a one on one tour of the flat before agreeing, but you were a bit more trusting of this mysterious man because a mutual friend—Kate—sent you his contact information, considering you were looking for a new place to live since your lease was up.

Simon’s flat was void of any personality, really. Yes, you could tell by the way he organized everything that he had been in the military, probably for quite a while—but there weren’t any photos. No gaming systems; you discovered he did have a bookcase of quite a few books, but it was covered in a layer of dust. Despite this, when examining the books he owned, you could tell they were worn down—definitely loved. It made you smile a bit, seeing the different variety of books. A bit of personality, you think. Besides his room, it was like a completely furnished, no personality flat. You weren’t allowed in his room, not unless he gave you explicit permission, which you honored his boundaries. Simon was kind enough to offer you a space in his home—but you know he was quite weary of you, which was understandable. He helped you move in and you could tell he was watching you and your body language. Searching you for danger—but he slowly warmed up to you.

Another thing that you discovered that Simon was quite emotionally.. constipated. Over the first few months, you could tell he didn’t sleep as much as he probably should. He was always awake before you, and you would always find him in the kitchen, sipping on a hot cup of tea. After a few weeks of this routine—Simon rising much earlier than you, you figured maybe he couldn’t break the military’s strict routines.. Until one night you woke up from the sound of his heavy footsteps walking down the hall. You tensed in your bed and you sat up because Simon was silent as a ghost all the time. You didn’t even know if it was him at first, so in your half-asleep panicked state, you felt for your phone and you texted Simon’s contact, asking a messily texted “is that you walking around?” You blink your sleepiness away and wipe your eye as your phone vibrates with a “yeah. sorry.”

That was the first time you got some notion that Simon was thrown off guard from something, after another week of awakening from his noises, you began to realize that he was experiencing night terrors every couple of nights. His nightmares were never a thing you two discussed, exactly.. It was more of an unspoken rule to not talk about it. You would occasionally find yourself in the kitchen around the time you calculated when Simon would wake up—and you were right nearly every time—and you just.. coincidentally made him a cup of tea. To Simon’s pleasant surprise, you managed to get his tea right every single time. You’ve had your fair share of night terrors, so you knew how it could be sometimes. You wanted to do something nice for him, and he seemed flustered every time.

It took you a while to get used to him being gone for long periods of time. Simon appreciated that you never questioned too deeply into his career, even the times he would come home sporting a new injury, you were always willing to play doctor for him. Simon saw the concern in your eyes and sometimes he would share small stories of what happened, or maybe to get you to stop thinking about his injuries, a small story about his teammates. You slowly learned their names over the course of a year and a half, and you learned Simon’s rank as well. He is a lieutenant, and there’s a man called Captain Price, another man named Sergeant Kyle Garrick, and one more man named Sergeant John MacTavish, who Simon referred to as “Johnny” fondly.

It wasn’t common that Simon talked about work, which is the reason why it took about a year and a half to even get the information you did out of him. Over the time you’ve lived with him, you had decorated the flat to feel more comfortable and home-y. Simon only had a few requests, which you honored, and one of them was no pictures of him with his face showing. You shot him a curious and questioning look, but as always—you didn’t question him, and he was very thankful. You had gotten a few indoor plants as well that didn’t need much caring for and you wanted to liven up the place, y’know? You were okay with Simon not sharing much about his past or his work, because he was willing to listen to your little rambles about your interests and work. You were a bit hesitant, but Simon was very emotive and he never seemed annoyed or brushed you off.

Despite Simon’s reluctance to share anything of his own, he always heard you out if you needed to vent about something. He made sure you knew you could talk to him, even on days where you felt like you had no one to go to. You spent an entire night with him, just talking about anything and everything. It was the first real conversation you felt like you have had with anyone in such a long time. It was also the first night Simon really saw you. He watched as your eyebrows furrowed from uncomfortableness, the vulnerability being nearly too much to handle; something he could relate to on a personal level. So when you started showing these signs, he knew exactly when to change the subject. Simon quickly realized how to read you, and he somehow knew what you needed at different moments.

Simon flies into the airport late at night with a small duffel bag, tagged as a military bag. He sends you a quick “be home soon.” text. Simon doesn’t expect you to answer due to it being around 3 in the morning, and you indeed don’t answer him. He catches a taxi to your shared flat. Simon collects his things from the taxi before paying the driver and sending them off, and Simon lets out a slow breath as he takes in the achingly familiar sight of the place he lives in. He tugs the hood that remains sitting over his head closer to his face, which is covered by a black surgical mask. His hand tightens on the straps of the duffel bag before he approaches the flat building, taking out his keys as he approaches the elevator. Once Simon reaches the third floor, he wastes no time getting to the front door, and he isn’t sure why, but his heart is pounding inside of his chest.

Simon unlocks both the top lock and the doorknob to enter the flat—something he had taught you to do every single time. He pockets his keys as he enters and Simon pauses for a moment because he can’t put his finger on it, but something feels off the second he glanced inside. His eyes trail the living room which is clean, not one thing out of place. Simon takes a deep breath and he doesn’t brush off the weird feeling, because even when there’s no evidence something happened—he’s usually right. The blanket on the couch is perfectly folded and laid over the back cushions, the mini bookcase by the TV is dusted as always, your shoes.. Are not by the front door, but a different pair are..? These either are not your shoes, or they are new. You always warned Simon about bringing people over, and you definitely would’ve told him this time. The lamp is on in the living room, but it seems the lights are out everywhere else. Simon silently goes through his routine when he gets back late at night—taking his jacket off and hanging it up, he leaves his boots by the door, and he drops his keys into the dish.

Next step to his routine is to step into the kitchen and get a cup of actually good quality tea, unlike the shit the military provides him. He fills up the electric kettle and sets a timer on it, grabbing his favorite mug and the box of his favorite tea from the cabinets. Simon glances down the dark hall—he’s seeking for a sign of life from you because you’re usually getting up around this time to greet him. No matter what, you always seem to know when he returns—yet you aren’t leaving your room. There’s no light emitting from the hall nor underneath the doors, and fuck, it’s eating at him. Something is wrong—and what the fuck is it? Simon stands there for a moment, turning his head to watch the blue light blinking on the electric kettle. He watches it blink slowly as he tries to rack his brain for what could be wrong—maybe those shoes are someone else’s, but he could just have a stern conversation with you about it later. Maybe you came back from drinking with friends—no, if that was the case, he knows for a fact your belongings would be everywhere, maybe even a spilled glass of water in the kitchen. He’s had to clean that up a couple of times.

He raises his wrist and pulls up his sleeve a bit to look at his digital watch; it’s nearly 0400 now. Simon puts his hands on the counter, leaning his body weight against it. Did something happen at work, maybe that’s why it feels off? You’ve always had a commanding presence like he has, so maybe— “Fuck.” Simon hisses quietly, hooking a finger into the strap of his black face mask and he rips it off, tossing it without care onto the counter. He leans forward and checks the kettles timer for a second, and then he’s walking towards the hall. Simon passes by his room and he walks up to yours, and he tries to turn the doorknob to peak in to check on you, but—it’s locked? Simon lets out a harsh breath before trying the door again, and yeah, it’s locked. Simon swears under his breath and he knocks on the door, his stomach twisting and turning. Something is wrong, very very wrong, very fucking wrong—

You unlock the door and you open it just enough for you to peak out, and you use your phone flashlight to shine it in Simon’s face. He squints and puts his hand up, his voice rumbling in his chest. “Hey—you locked your door.” He points out quietly, and you’re just staring at him, your eyes wide and alert. Simon’s anxiety lessens, but your reaction doesn’t make it go away. “Y’alright?” Simon drawls out, his hand on the wood panel of the door. You let out a harsh breath and you let go of your phone, letting out a quiet, “Simon..” before you suddenly pull your door completely open, and you wrap your arms around his thick torso into a hug. Simon swears his heart jumps into his throat and then into his stomach, bouncing back into his chest because you hugged him. You two were never particularly touchy like that, maybe a fleeting touch here or two, usual drunken affection from you—but you barely ever hugged him like this, even when he returned from deployments. Your touch burns hot through his clothes, and he knows you wouldn’t touch him without asking, so when you do? He wraps an arm around you, his free arm resting on your shoulder. “Hey..” Simon breathes out, lost for words.

You don’t hold on long enough for the uncomfortable worry to creep up his spine just yet. You rip yourself away from him like he burned you, his hands falling to his sides. You offer a tight, weak smile—one that you could easily play off as a sign of fatigue. Simon’s breath stutters as he watches your hands linger near your chest in a subconscious defensive gesture, your fingers closing into a fist for a moment; as if you’re uncomfortable, almost overstimulated. Simon feels the way for the light switch and he flips it on, and your room looks normal—but you look.. off. You look a bit clammy, almost like you’re sick or bouncing off the walls with anxiety. His eyes flick to your fingers and the skin besides your thumbnail and your middle finger are picked to all hell, and you just.. don’t seem right. All of these.. signs, you’re showing are actually very subtle—he just notices everything about you. Simon knows what food you favor, what your favorite color is, what social situations what you tick, what makes you mad—he knows it all. “Three months went by slow,” You murmur, trying to start a conversation. Simon’s eyes narrow at you for a moment as he watches you back up to your bed; no, you don’t turn around, you back up. You don’t turn your back to Simon at all. Fuck. He watches you lift your mattress, causing him to lift an eyebrow. “They did,” Simon confirms. “What happened while I was gone?”

This wasn’t an unusual question for Simon to ask; but it had a completely different meaning to you this time. You feel your muscles tense as you grab something from under your mattress, and you put it back down. It glints from the overhead light in your bedroom—a.. pocket knife of some sort, a switchblade perhaps. Simon’s eyes narrow at how you pocket it oh so quickly into your pocket. “Nothing much,” You reply quickly, smoothing out your shirt. “Same old same old, work has been fine, uh..” You trail off for a moment, clearing your throat. “Look, let me take a shower—I’m sure you’re itching for something to eat, huh?” Simon watches you open your drawers and pick out some pants and a shirt. The knife comes to mind—why are you taking it with you? “I can make it myself.” Simon responds, his feet planted firmly where he had been standing the whole time. You shake your head and close the drawers once you collect your clothes.

“It’s tradition, Simon. I gotta.” You offer a stronger smile as you make your way towards the door, still avoiding showing your back towards him. Simon watches as you glance at your bedroom window before exiting your room, muttering a quiet “close the door when you leave”, which Simon obeys. He shuts the door with a click, and he watches you quickly scurry down the hall towards the bathroom. “Just let me shower first.” And with that, you step into the bathroom, close the door and you lock it before Simon can interject. He stands there for a moment, stunned. His chest tightens for a moment because you just felt so far away. You’ve created such unwanted distance—even as you’re not very touchy with him, you still bother him for every detail he’s willing to give up when he returns. You are constantly making jokes, inviting him into the kitchen when you’re about to make a welcome home meal—but this time? You were hiding in your room, locking your door, bringing a knife with you—in front of him. Did you think that could slip past him? Did something happen whilst he was gone, to cause you to bring it with you? Is it for self defense against something or someone?— Is it to use on yourself?

Simon feels his stomach turn at his thoughts. He shakes his head and sighs, pinching the bridge of his nose. He walks past the bathroom, his footsteps stuttering for a moment in front of the door before he presses his lips into a thin line, returning to the kitchen to make himself some tea, the electric kettle had beeped long ago.

The next late morning, not much was different. Simon only slept a few hours, three or four—as per usual, he still woke up before you. He threw on a pair of sweatpants, and a black hoodie. He made his tea, made you a cup of what you prefer to drink in the morning, and he made a light breakfast for you both. Despite being in the military for a while and relying on cooks as well as MRE’s to get through his days, Simon is a decent cook. He made himself some sausage and fried eggs, and he made a plate or a bowl of what you prefer to eat in the morning. Simon sighs for a moment as he glances at the time—around 1100, and you still haven’t emerged from your room which is odd, especially now that Simon just came back home. He takes a moment to look at his food, and he decides then and there he will drag you out if he has to. Simon scoops up his plate as well as your food, and he heads down the hall towards your room. With his hands full, Simon balances for a second as he gently kicks the door as a way to knock, and then he stands on both of his feet again. “Oi, wake up!” Simon shouts, leaning close to the door to listen for your movement.

It takes a good minute and when Simon is about to knock again; he hears your doorknob unlock and you peak out the door, your eyes wide and alert again, although it’s obvious you had just woken up. You seem to relax when your tired mind’s gears turn and you realize it’s just Simon. You open your door wider and you rub your eye, and he spots the knife in your hand, partially obscured by the door. “Mm, sorry. I overslept.” You say, your voice heavy with sleep, vibrating in your chest. Simon makes a noncommittal noise before holding out your food, which you stare at for a moment you take it, your lips twitching into a weak smile. “Thanks, Simon.” He waits a few seconds, and you nearly shut your door on him.

Thanks, Simon. That’s all??

“Can I eat in your room wit’you?” Simon gruffs out, feeling sudden determination from this weird act you have going on. You blink for a moment and then you nod. “Just give me a sec.” You murmur. You shut the door in his face and he hears you shuffling about, moving something—sounds like your mattress. Are you putting your knife away??—and then you open your door, gesturing for Simon to walk into your room. Surely you don’t think you can hide this type of thing from him of all people, right? Why are you hiding it from him?

Simon enters your room, and you close the door behind him. You never used to do that—“What happened?” Simon stares at you for an answer, watching your face contort in a bit of confusion. You don’t say anything at first, and when you were about to open your mouth, Simon speaks. “I mean this in the nicest way possible—do ya take me f’a wanker?” Your jaw drops for a moment, your eyebrows furrowing. “What? No, of course not, Simon. Nothing happened, I’m not sure why—“

“Don’t,” Simon interrupts, putting his plate of food on your dresser. “Something has happened, and you’re lyin’ to me. You’re jumpy, you’re carryin’ a blood knife around, lovie—don’t think you can get that past me—and you won’t turn your back on me.” His lips press into a line as he watches your shoulder hunch up a bit, in an all too familiar defensive, tense position. The pit in Simon’s stomach begins to grow as you avert your eyes from, too. “You are barely talkin’ when you bloody damn near talk my ear off when I come home—you said, ‘Thanks, Simon.’ Not an over the top reaction about me doing something for th’both of’us, not a invite in, and last night—you’ve been locking your door.” You put your food down near yourself, and Simon catches the way your fingers are trembling. “I.. I’m allowed to lock my door, Simon. You don’t need to question me.” You say, attempting to hold a steady voice which barely works, your voice nearly cracking on the last word. Your heart is racing out of your chest and all you want to do is bolt at the door; which Simon catches on to. You watch him as he slowly begins to step in front of the door. “You tell me everything—even how your damn showers go. Why won’t you tell me this?” He demands, and his heart is pounding against his ribcage, too.

He watches your face contort into several different emotions and feelings; panic, sadness, anger, relief—the whole nine yards. Simon walks towards you when you begin to sob, and you sit down on your bed to avoid collapsing. His chest tightens as he murmurs name, wondering if he went too far. You reach your hands for him and not for one second does Simon hesitate this time. He wraps his arms around you, sitting right next to you on your mattress, your thighs touching together. He reaches up and rubs the nape of your neck as you openly sob and shutter into the crook of his neck and in his arms. His skin burns from your heat seeping into his clothes, a lively warmth that burns so hot but he welcomes so much more than he remembers that he used to. Your tears are hot, burning his skin with every drop that slides onto his neck, but he welcomes the sensation. “It’s alright, lovie. Let it out.” Simon murmurs, one of his arms tugging your body closer to his. He holds you in almost protective stance, like someone is threatening to drag you away from his grasp. You grab at the back of his hoodie, your chest beginning to heave. “Mm, no, c’mere; look at me, yeah?” Simon beckons you, his voice smooth and soft—which is extremely rare. Simon cups your cheek and lifts your head from where it rests in the crook of his neck, his hand instantly getting covered in the wetness of your tears that are streaming down your cheeks. You inhale sharply as you try to look at Simon, your eyes unfocused and you try so hard to focus on his pretty brown eyes, but you can’t seem to get ahold of yourself. You let out a panicked sob as your hand now tug on the front of his hoodie, and his voice is so far away, but his hand is molding to the curve of your jaw, like it belongs there.

You shut your eyes for a moment and you let Simon move you around as he wants, which he ends up guiding your head to his chest, and his grip loosens some so you don’t feel trapped. It takes you a moment to catch your breath, to catch your bearings; you can hear a faint ringing sound that you didn’t notice before, but you do note it’s slowly fading away, and in fades is Simon’s voice. He’s murmuring praises—and oh, he’s laying against the headboard of your bed frame now, with you laying on his chest. You feel yourself trembling against him, and embarrassment hits you hard. You’re tense—you don’t want to talk about any of it at all, but you know Simon. He will push you until you snap, even if it’s in your best interest to tell him. You reach up and play with a hoodie string of his, listening to his soft breathing. You hesitate for a moment before your lips part. “It was a week after you left.” Simon’s heart skips a beat, which you hear—you vaguely find it amusing, but he’s silent to allow you to continue. One of his hands is on your back, his thumb moving back and forth. “I..” You swallow spit so you don’t croak, as you’re convinced you might sound pathetic. As if Simon would ever think of you that way. “I was walking home from the pub, y’know, the one only just a few blocks away? It was late at night, I think the police said it was around 2 am. I stayed until closing, I was with some of my friends, uh..” You trail off for a moment, trying to recall everything that happened. Your hand pauses, and Simon senses your state. He begins to rub your back full on, murmuring, “It’s alright. Go on, then.”

You let out a shaky breath before continuing. “I was absolutely wasted, and there was this guy—grabbed me and I tried to get out of his hold, but he ended up fucking stabbing me. Robbed me of my shit.” Your voice cracks and the silence is deafening. Simon feels his heart drop into his stomach. You got stabbed? “Fuckin’ hell.. Why didn’t you call me? Or at least let me know?” Simon’s voice treats carefully, knowing that you’re still freaking out by the way you’re incredibly tense against him. “I know how important your focus is when you’re gone,” You respond, your voice staying quiet as well. You don’t look at Simon’s face because you know that you’ll break once again. You pick at the fabric of his hoodie, seeking comfort in his warmth, despite how you usually aren’t like this with him. “I didn’t want to take your focus because I know you, Simon. You would’ve backed out of whatever you were trying to do to come and help me.” Simon presses his lips into a thin line, staying quiet because you both know that you’re correct. Simon would drop everything to come home to you, to help you. “The guy nicked my lung, was in the hospital for a while.” Simon’s hand stutters for a moment, the smooth pattern of his palm rubbing your back being interrupted from shock. “Jesus—“ Simon hisses, and he can’t help but tug you closer. “You should’ve told me anyway, lovie.”

You sniffle and you rub your face into his hoodie, a muffled noncommittal noise coming from the back of your throat. He doesn’t say anything further, nor do you. Simon lays there with you on top of him, one of his hands caressing your back, the other wrapped around your body, sometimes coming up to rub the back of your neck. You don’t mention the way he doesn’t seem to tell you to move, and he doesn’t mention how touchy you’re being. Simon doesn’t want this moment to end—one where you’re vulnerable and trusting with him, one where you’re alive and well. He can’t help but wonder if he ever made you feel like you couldn’t tell him something? Simon feels simmering, muffled anger in his stomach because you didn’t want to interrupt his work for being stabbed, nicking a vital organ no less—he makes a mental note to sit you down and make you promise to call him if an issue or an injury like that ever arises again. He closes his eyes for a moment, trying to push away what would happen if you didn’t do that—if that guy were to come back to try to finish the job and Simon wasn’t here, would you call him? Would you pick up your phone and dial his number? Would you text him? What if you got hurt again—would you call him?—Or would the hospital? He always imagined you’d be getting the call of his death, and not the other way around. Simon swears under his breath for a moment and opens his eyes; he doesn’t want to think about that anymore. He wants to stay in this moment with you—both himself and you alive. He glances down, your tear stained cheeks slowly drying, your eyelids closed. His fingers slide from the nape of your neck to the side, and he presses his fingers against your pulse.

Being here with you—he wants you to trust him, too; like he trusts you. That’s all he wants.

tag: @zzzennin

[miraculouslbcnreactions]

Do you think it's weird that I was fine with Roxas finding out he was Sora's Nobody in Kingdom Hearts, but Adrien not being what we thought he was triggered my ick factor a lot? Do you think it's because we learned that about Roxas before we had a lot of time to get attached to him?

I was initially going to say that I can't answer this because I've only played Kingdom Hearts 1, so my knowledge of the later games is pretty limited. Then I remembered that my little brother is both obsessed with those games and the Mycroft to my Sherlock*, so I gave him a call and got the expert opinion (and a reminder that I need to play the Kingdom Hearts games so that my brother can talk about them with someone who understands story telling because those games apparently make a lot of... interesting choices.)

Here is the sum of my brother's analysis:

The two properties handled the concept of personhood and artificial beings in such wildly different ways that it would never even occur to him to compare them (though it was an interesting question once posed). A good portion of the later Kingdom Hearts games revolve around asking what a person even is. Should they try to make the Nobodies into people? Do the Nobodies even need to change to be people or are they people already? What makes Roxas different from other Nobodies? These questions start being asked very early on and, for all the story's flaws, you can tell that the writers are aware that they're dealing with a serious topic and that they're trying to do it justice.

Meanwhile, Miraculous introduces artificial beings who don't have true free will and then... completely ignores all of the ethical implications of that plot point. Emilie and Gabriel are good parents. The fact that the heroes have been killing off sentimonsters isn't concerning. Gabriel's commands are just a minor inconvenience to Adrienette and not anything that needs to be explored in a deeper way. He's still totally redeemable and it's fine that Adrien never learned the truth while his father was alive so that he could decide what that meant for their relationship on his own terms.

Given all of that, it's really not shocking that Kingdom Hearts makes you feel invested while Miraculous repulses you because the Miraculous introduced human sentimonsters for cheap shock value to the point where I firmly believe that it was a retcon. Meanwhile Kingdom Hearts planned major elements of the plot around the concept and set it up right from the start of the second game. If Miraculous had done the same kind of thing, then I doubt that most salters would be deeply upset by the concept. They still might dislike it, but it would be seen more as a matter of taste than as a true flaw.

*For those who don't know, Mycroft Holmes is Sherlock Holmes' older brother. Sherlock openly admits that Mycroft is the smarter and more observant of the two siblings. The same can be said of my sibling when it comes to story telling. Everything I can do, he can do just as well or even better. He's never seen miraculous, but knows the major plot beats from a mix of cultural osmosis and reading the occasional fanfic when an author he likes crosses fandoms. He is highly amused that no one he follows does anything save for fix-it type stuff and says it tells him everything he needs to know about canon's writing quality, an assessment I fully agree with.

[dumpywrites]

Wanna See My Cat? - Min Yoongi / Suga

Prompt: “Do you wanna see my cat?” You're not actually lying but he thinks it's a sexual innuendo.

Prompt request: HERE

Genre/tags: Fluff, situationship-ish

Pairing: Yoongi x reader

a/n: I was contemplating on whether to actually add smut to this but I decided not to cause it's cuter this way and I think we could all agree there're plenty of bts smut but not enough fluff here! :D

Situationship was a funny concept. Either you commit or not, that was what you believed. Which was why you were not precisely proud to say that you was now in fact in one. 

In your defense it had only been what, three? Four weeks? A month or so? Min Yoongi was this nice guy your acquaintance introduced you to. Gentle, could be hilarious when he wanted to, and cute. Although he could be a little emotionless at times, mostly he was a really sweet guy and you liked him a lot. In your other defense, you did not believe what you had with him could be called as a situationship. It was just what your friends had been teasing you about. 

In the whole time of knowing him, you had been to total of three dates. The first being a casual “are you free for dinner after work?” kinda date, second a movie date, and third being a very chill cafe date. And in your opinion, you enjoyed all of them, you had the greatest of time chatting and spending quality time with him. But your friend kept teasing you otherwise. 

Apparently your dates were considered too boring, too innocent for today’s dating world standard. You had not even had your first kiss yet and one of your friends was already asking about his size. Evidently, wanting to take things slow was a crime nowadays and you were lowkey getting annoyed. 

Today though, your park date was cancelled due to the rain. You kept cursing to yourself at home when you saw Yoongi’s text telling you to do a literal rain check, seeing the thunderstorm. The outfit that you bought especially for the occasion failed to see the outside world. 

As you stood in front of the mirror, seeing the reflection gave you a weird idea. A small Siamese cat walking past your feet, meowing adorably. Your pet cat, Zuko. A cat whose existence wasn’t known by Yoongi yet. The lightbulb above your head lightened up. 

“Do you wanna see my cat?” You sent the text. 

**

Yoongi texted you to let you know that he had arrived at your place. You recalled last time he picked you up it took him around fifteen minutes but this time he only took ten. You wondered what made him arrive a lot quicker. 

You were giddy with excitement and took a screenshot to tell your friend. Instead of being excited and giddy for you, your friend sent a bunch of side-eye emojis. Well, they could be just teasing you but the chat bubble following afterwards had you wondering. 

“Woo! Give me a rating score later!!!” 

You crooked your head in confusion, but there was no time to ponder on your friend’s riddle when Yoongi was already waiting for you to open the front door. 

“Hey.”

That hey definitely did not have to sound that deep and hot. You had to gulped your saliva down upon seeing him in his comfortable clothes. Since when did wearing sweatpants and baggy t-shirt looked so good? And did he just had his hair cut or was it just you? So many questions pilling up in your head. 

You knew it was game over when he went in for a hug. Heavenly was the only words you could use to describe his smell. It was a mixture of his shampoo and his laundry detergent, and his intoxicating smell. It seemed like he didn’t even use any perfume. 

“What should we eat?” You said while smiling giddily. 

“I’m kinda craving some instant ramen?” He looked at you while lifting a shopping bag filled with a few packets of noodles. 

Your eyes beamed. “That sounds really nice actually with the weather and all.” 

“Alright cool.” He nodded. “Let’s cook?”

Yoongi was being extra touchy. You were boiling the water and he would swiftly grab the chopsticks in front of you from behind, making you feel his chest. You fully knew well that he could easily grab the utensils without doing that, but for some reason the demons were working hard at the moment. He even leaned his chin over your shoulder as you were chopping some sausages. At this point he could be doing it on purpose for all you knew. 

He did not stop when you both started to eat. From the smooth wiping your lips from food to feeding you. Who was this person and what had he done to Yoongi you might never know. 

Right after washing the dishes and escaping a few of Yoongi’s teases, you both chilled on the sofa. As you browsed through Netflix, you could sense him scooting closer to you. You could feel his body warmth that automatically made yours grew hotter as well. 

“What are we watching?” He asked with a husky voice. By this point he was hugging your waist and rested his body weight on you. 

“I was thinking some action? You love those right?”

“I do.” 

You paused. Why was the tone of his voice sounded slightly off and why was he looking at you funnily?

“Why are you looking at me like that?”

He broke into a small smile. “Nothing.”

“Stop or I’ll make you watch Puss in Boots!” You whined. 

And then it hit you. The cat! You were too busy being swayed, head in the clouds, fantasizing, that you forgot why he was initially visiting you in your apartment.

“My cat!” You exclaimed loudly, which made Yoongi jumped and sat back up from his position. 

You missed the look of confusion in Yoongi’s face as you ran quickly to your room to pick up the furball in your bedroom. 

“I can’t believe I forgot about him!” You chuckled with your pet now in your arms. “He doesn’t like roaming around, he mostly sleeps in my room.”

Yoongi just looked at you, quizzically. As if he could not believe his eyes. 

“Meet Zuko!” You smiled, proudly showing your cat. “Zuko, meet Yoongi.” You giggled and shoved the cat to the man’s hands. 

He stared at the cat blankly for a good few seconds before gently petting the creature’s head. 

“Uh, hi.” He said, sounding lightly awkward. “He’s actually really cute.”

“I know right!” You grinned. “Do you wanna hold him?”

“Sure.” He said, sounding a little unsure. 

The man sat down with your cat on his lap, slowly stroking the soft white fur of its tiny body. You bent down, sat on the carpet on his knee level to pet the cat. Somehow seeing you smile lovingly at the cat made Yoongi’s lips curled into a soft smile as well. 

“You’re adorable.” Yoongi said. 

“He’s the cutest cat, I know.”

“No, I mean you.” 

“Oh.” You shyly looked away, hoping the nervous giggles did not give it away. “Thank you.” 

Yoongi chuckled and huffed a sigh. “I can’t believe there’s actually a cat.”

“Huh?” You crooked your head to the side, wondering what the guy meant by that. “Of course there is? What do you mean?”

“You’re gonna be the death of me.” He laughed. “You don’t know?”

“Uh, no?” 

He ruffled your hair and laughed again, this time a little bit louder than before. You were still stunned, too confused to process when he quickly pulled you in and kissed your forehead. Suddenly you did not want to protest about how messy he just made your hair. 

“It’s alright, maybe next time.” 

You covered your face with both of your palms.  “What’s with you today?!” You said with your hands still covering your face. 

“I like you.” He shrugged. “Might not be the most animated guy out there so I’m just letting you know.”

“Yeah, which is why I’m so confused with you today???” You said with flushed face. “Oh my god, that’s not the point though! I like you too!”

He chuckled. “Let’s just get back to the movie?”

The vibe after that conversation calmed down. Maybe it was the whole letting-the-cat-out-of-the-bag thing on your feelings making the air less thick. You ended up just cuddling, snuggling to each other while watching The Notebook. You both hated romance movies, but somehow finished the entire movie anyway after you misclicked it in the first place. It was nice and warm being in Yoongi’s arms and you were afraid you wouldn’t want to ever let go. 

And it was finally time for him to go home. Crazy how you did not notice the time went by so fast. Heck, you didn’t even notice the screen was already playing another movie. How could you when Yoongi was caressing your hair ever so gently? Goodness gracious. 

“Hey, I have to go now. Meeting in an hour, remember?” He tapped your shoulder. 

“I’m not letting you go.” You whined, hugging him tighter. 

He laughed. “Silly, I can come again tomorrow.”

You sat back up and looked at him. “Really???”

“I mean yeah, you don’t have work on Sunday, right?” He smiled. “If you want to, that is.”

“I want to.” You giggled. 

He flashed his gummy smile one more time before getting up from your couch. You walked with him to the door and waited for him to grab his jacket. The whole time you were stalling, asking him the most random questions, and made the silliest remarks. You just didn’t want him to go home yet, especially after finding out that he liked you too. 

“As much as I’d love to talk more about how much I disliked the whole education system, I really have to go now.” He chuckled. 

“Okay.” You pouted. You watch as he got up from tying his shoelaces. 

He huffed a sigh and smiled. “Come closer.”

You did as told without thinking and in a quick seconds, somehow you were pulled into a soft kiss. It was a soft peck and you could feel his smile through it. He didn’t gave you a chance to react as he swiftly let go. 

“See you tomorrow?” 

“Come on…” You whined again and covered your face in awkwardness, and he could only laugh at you. “Go! Before I lock you up!”

“I’ll text you.” He waved and you finally closed your door. 

You found yourself giggling and smiling to yourself like an idiot. This was new. Whatever in the fresh hell was that, you couldn’t lie to yourself that you were into this somewhat bold and flirty side of him. 

You casually walked back to your couch and switched the tv to youtube. As you let random science podcast video play, you decided to check your phone, realizing you had not text your friend back yet. 

“What do you mean by giving a score?”

Your friend replied almost too immediately. You were shocked to see the usage of caps lock. 

“YOU DIDN’T KNOW??????!!!!! WTF???”

“Okay, explain?????”

“Poor Yoongi has to deal with your dumbass 😔” 

“Shut up 🖕🖕🖕”

“It’s a code. You say that instead of asking to come over and have sex. Basically the new netflix and chill.”

“… okay. OKAY???!!!!!!”

“Bestie, did something happen though??? 😍”

“SO THAT’S WHY HE TOLD ME HE WAS SURPRISED THAT THERE WAS ACTUALLY A CAT???? OMFGGGGGG!!!!!! ASFDKSPSKSG 😭😭😭”

You put down your phone to muffle your tiny scream with your knuckles. You recalled him mentioning a next time. Then you also recalled him wanting to come over again tomorrow. Needless to say, it was finally time to let out that one cute underwear you had been keeping in your drawer for months.

Thank you for reading! 🐈‍⬛💕