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understandableparadox · 6 months

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a comprehensive list of everything wrong with hazbin hotel.

quick note before i lose myself in madness, my standards for helluvaboss are non existent because its a free show on youtube. also i kinda like helluvaboss and i will indulge in any bias i damn well please.

oh and spoilers. i guess.

the greater narrative of the entire season is "White lady civilize inner city hoodlum". ex: The blind side. rich girl, affluent family yadda yadda.

the story is set up to be like amphibia, owl house, svtfoe, steven universe, that being starting as something episodic then transforming into story driven narrative. why? because we know the benefits and drawbacks, episodic starts allows us to wander the world, it allows us to understand the dynamics, we are not forced to reckon with anything because there is no deadline. characters are allowed to bloom and shine and the audience can actually get attached.

the source material is Vary Clearly formed from remnants of something out of a middle school edgelord narrative. the usage of transformation, the big spooky grins, the "and then i smile as my eyes glow and-"-isms which in most cases i don't mind because in some instances but in a vary Particular case its astoundingly annoying and that annoyance is like a mold, shit spreads quick.

the color Red. as a lover of homestuck cherubs and karkat and aradia, as someone who fucking loves the color red, it is so painful to say but holy shit tone it the fuck down, i know its hell but their are so many other colors that you can use, its everywhere, the streets, the air, the windows, the screens, the characters, i know the pride ring is represented with red but change up the palates every so often for backgrounds

the rush, this ties into the second point made but i think the story itself is rushed. we know everything way to early. i know way to much and it makes it hard to care about anything because im still trying to digest the last chunk of info. "oh ok, so they clear out hell once a year. oh hell has a heaven embassy? ok. oh that adam the angel, i though he wou- oh its every 6 months now. wait the exterminators die a lot? then why is everyone sca- people in hell already have weapons that can kill angels? w- oh we are in heaven now, ok ma- no one in heaven except for the elites know the exterminations occur? how do-" and its that, just this incessant rush to explain everything to you. notably that's just the god damn spark notes, we need to know everything about the characters now, every single bit of their story, their insecurities, what charlie needs to fix, how she can fix them, the major bad guys, everything. you are never allowed to dwell on a character because we need to rush towards something else. it almost feels like this should have been like... season three, it would have been a fantastic season three if you dropped the introductions honestly.

the concept of redemption. for a story of redemption to work you need to look at three things. What is there crime, Do they want to change, What is preventing them from changeing? there is only one single character that has a notable path of redemption, angel dust, but if you look through their story it feels off. What Exactly is he guilty of? he has sex, does drugs and drinks. his apparent nymphomania is tied to his sad backstory as someone forced into the sex industry so how is that their fault? then if you think about it you start to spiral and notice "hey why are most of these people in hell?" like sure some of them may deserve punishment but then you see the fucking dichotomy and its like "I was a inventor in england and died of the fucking plague, i may have made evil little contraption hoohoohoo" vs "I was a cannibal, a full on cannibal, i fucking killed people and ate them and then someone shot me". ONE OF THESE THINGS ARE A LITTLE MORE FUCKING EXTREME. i'm going to go fucking nuts, the thing they went to heaven with when presenting a case to angels on the idea that redemption and becoming a better person is actually real was angel dust not drinking at a party and not having sex with consenting adults and i want to go fucking insane. WHAT IS THE CRIME, WHO IS THROWING THE BOOK, WHAT DOES THE BOOK INTEL, ARE WE ON GOOD PLACE RULES?! half the cast dont Need redemption they need fucking help, and the other half of the cast do need redemption but they do not seek it making the point moot. sir pentious acts like he has the brain of a hyper intelligent toddler tossing about toys, its almost like he did his one bad thing of spying and then got caught, sank his little diddy about forgiveness and second chances and become a null point through out the rest of the series, sure their was Some weight to him sacrificing himself, he was a decently funny character and he had good moments but him popping up in heaven felt like a fore gone conclusion, he didn't deserve to be in hell so why do i care that he is suddenly in heaven? because its working on the concept the good place already made. no one actually deserves eternal punishment they just need help processing what makes them a dick, but instead of looking at all the parts of the afterlife that make it bad, inefficient and then creating and trying ideas to see if it work instead over a few seasons, we crash dick first into all the major plot points in regards to that and say "tada, we fixed it.".

having a sub-plot about sexual assault and its victims then having multiple sexual assault related gag ruins your point.

don't make a bunch of stereotypically jewish characters into cannibals, that was a big thing, really shouldn't have to say it.

if you are going to make a character black, make them black, you can say alastor was black but sweet seren-fucking-dippity that's not a black man.

pot meet kettle but yeah the cursing could be a little less liberal. maybe just blue hair or the pronouns, not both.

there is a very distinctive art deco/jazz aesthetic which normally i love but i feel as though it is not used to its full extent and in some cases really hurts the character design in and of itself.

this is a vary obvious bit but the story is a million times more interested in gay men then it is of lesbians, which culminates in this insane thing where the writers clearly have more talent or perhaps it would be more abt to say practice writing male gay pining then they are with lesbian pining. which i personally think is hilarious because i did not know you could min max fujoshi-ism that hard.

this next section is more to do with each character on a fundamental level, for the sake of brevity whatever there is left, i'm just doing ones with speaking roles.

13. Charlie:

(see what i mean about that red thing?)

as originally stated charlie fits rather comfortably into every white saviour narrative, though that seems to be part of her joke. though i'm not entirely sure how much of a joke it can be when its rewarded and expected to advance the plot.

her character design says nothing, it has the motif of old puppets or dolls, she wears something vaguely similar to service suits, her demonic form is just some extra horns.not to say every character needs to have their life on a clothes rack but some more snake and goat imagery would be nice

its not the chol design of charlie with snake hair, not an actual problem but its a problem to me, damn you @cholvoq for ruining my ability to look at any of the characters without wishing i was seeing your designs instead.

character wise aside from the white savoir bit, i'm having a bit of trouble understanding what the arc of the character is. she is shown to be naive, someone who doesn't understand how the world works but everytime she says something its something astoundingly clear like "people can actually get better". and its treated like someone demanded faygo in every water fountain. is the joke that the world around her to cynical or is so to naive? please pick one or the other.

now if you know me, you know i fucking hate overpowered characters with a blinding passion, one that would set alit the god damn abyss but in this one special instance, i feel like its warranted, she's the direct descendant of fucking God, she can swing her weight around a little, i mean god damn. she in so many instances looks like shes cowering so often, why would the daughter of lucifer get backed down by some rando pimp? why wasn't she the one to fight adam? sure you can say she is young but how young? her parents were there since pre-abrahamic times, most of the characters showed up in hell in the 1900s, some of them showed up in the 1600s, how old is charlie??? how long does it take for her to learn how to be strong? The story does not suffer if charlie is strong and knows she is strong. it can easily be a case of "i don't believe in violence to a weird degree". fit it into her apparent naivety about the world to believe that violence is never the answer even when dealing with a being that is unilaterally horrible and abusive and monstrous.

she ga- no im kidding, i do think her romance was waysided a bit, it would have been fine to have more scenes of them togather and in love you know?

14. Vaggie

why did you name the lesbian vaggie...? Don't do that maybe?

I like how her design is almost moth like but again i feel as though you could have amped that up.

she feels as though someone tried to combine undyne and pearl from steven universe, same story beats and design elements. it makes it hard to really distinguish her as a character.

i honestly dont have much to say about her. she is fine.

christ kill me, lets just get the big one out of the way

15. Alastor.

God Damn

where to start.

"alastor is mixed race" mixed with fucking what? concrete? there is not a single black feature on that creature, now im not saying you have to make him a png of louie armstrong but it wouldn't hurt to add a curl to the hair maybe? make it a tiny bit more wavy? Something? a crumb i beg of thee?

his symbolism is all over the god damn place, native american monsters (you know the one), voodoo, radio, puppets, stitches, circuses??? and Tentacles i guess. two of those are from closed religions so if you dumped those you would actually get a more concise character focused on the concept of vox populi as a means of societal control and influence as we see in his first song. but again that gets drowned out repeatedly by all the other random toy box bits shoved into him.

tumblr sexy man bait

he serves no purpose in the story. he does spooky stuff, pretends to do things and then goes back to sitting around looking spooky. i understand that his motif is supposed to be aloof mastermind but maybe have him do more mastermindy things? if you remove most of alastors scenes, bar the songs, it doesn't change all to much. husk and nifity can still be at the hotel, they could be looking for outs in their contracts the same as angel dust. hell it even helps with the one scene where he dose some spooky shit, asking charlie for a favor in exchange for his help in the fight with the angels instead of asking him about angel weapons which should have remained a strictly vaggie scene.

his presence in a way delegitimize the story, as I noted in in the section regarding redemption, the three parts are "what is the crime, do they want to change, what is stopping them?" and alastor kinda just spits in the face of that. he is a serial killer cannibal that has no qualms about how evil he is and apparently must continue being evil due to being under the control under someone legitimately called the Root Of All Evil. show him take a slight interest in the idea that maybe shit for him could be better, make him Want Change at the bare fucking minimum or dont have him at the hotel.

his stupid little fucking horns, big shot the troll liker wants characters to have big fucking horns, make them noticeable or dont have them.

he looks more like a dog boy, which could have been an interesting thing with the collar motif but fuck me i guess.

personal pet peeve but i fucking hate characters that have a million plus powers, stick to a set number, be creative.

im getting more petty as i go on so last point: he could have been in less episodes, he didn't need to be in dad beat dad, that should have been just a lucifer and charlie episode. inverse the red and black and i think he would be fucking great color wise, his body type is the same as ten different characters, he isnt radio enough, aside from the voice and and staff if you told me he was the fucking Cat Demon i would have been just as convinced.

16. Angel Dust

what the fuck, gay spider? its hard to actully articulate all the thoughts i have on angel dust, not in the sense that he is a deeply thought provoking character but in the fact that there is not much meat on the bones.

all around i think angel dust is kinda middling. he has a decent enough romance with husk, he has a decent enough story line that revolves around battling addiction and removing yourself from an abuser (which the story tries to brand as "Redemption???")

I dont like that most of his jokes would qualify as sexual harassment, i don't mind him being sexual as a character but continuing on when clearly someone doesn't like the jokes hurts the character.

not a critique but he is pink, which honestly ill fucking take at point, as long as its not more fucking red.

i think his design is an improvement over some of the old vivzie designs but it feels like it could have done with going a few more rounds of design changes.

same thing with alastor, charlie and vaggie, there is not enough of the animal that they are supposed to be. You could have told me angel dust was a fucking bee or something and i would have had to believe you. nothing about angel dust initially says spider, hell he dosent even have enough limps to be a fucking spider.

17. Carmilla carmine

are... are you supposed to be a rabbit...?

Big Yoai Hands

ballet fighting style, could have been cool, wish she fought more like sanji or chun li.

A single mom that works to hard, who loves her kids and never stops-

her song was decent, not great, decent. it feels as though the actress has experience singing but not in the way they tried to make her sing during her two songs. they have a obvious mexican influence, honestly just let her sing in spanish in the english dub. go listen to the spanish dub, "out for love" sounds great in spanish.

i wish i had more thoughts on them, fucking rip.

18. cherri bomb

that's not a punk aesthetic that's 2010s alt

decent character, they showed up once or twice i guess, no real thoughts.

19. egg boiz

absolutely perfect, i have not notes on them, these are perfect creatures.

20. Emily

im so fucking happy to see a singular blue character

does the naive dreamer bit better then charlie

We really shouldnt have seen her until the end of season two or middle of three.

good contrast with the other angels on screen.

Wait she is supposed to be black??? Where???

21. Husk

keith david you absolute delight, Why on gods green earth did they only give you one singing part?

one of the few charecters where its clear husk is a cat, i do like the kinda... marquee design, he is a magic cat, thats neat. i still think you can toss the wings and eyebrows and still have just as good of a charecter.

has a deeply intresting story of someone who died as a nobody, became the fat cat of hell and then was forced back to the bottom by their own vices, not used at fucking all.

huge potential, little pay off.

22. lillith

I know nothing about her except she ditched her kid and husband to vacation in heaven and i think thats kinda funny.

alot of werid things floating around her, again she shouldnt have been shown in the show at all until next season.

23. lucifer morningstar

no notes, funniest charecter, did a song based on friend like me.

few notes: i do like the idea that the immortal symbol of pride is a constant emotional wreckage constantly seeking approval through grand showmanship and manic energy that threatens to take over anything they touch.

would have liked more snake stuff on him, maybe some more goat things like horns.

that is such a stupid fucking staff lmao.

24. Adam.

alex brightman you absolute fucking delight, you should have had more songs.

I wish his design was more focused on the idea of him being a glam rock wash up

I fucking hate his mask

We shouldn't have met him until the end of the season.

25. Niffty

again she is supposed to be a bug or cockroach but nothing about her points to that.

token straight

keeps rocketing back and fourth between sexulization and infantilization

you had kimiko glenn but didnt give her a single fucking song?

26. Sir Pentious

the secret season one redeemed.

the pilot version of him felt more like someone that could do a season one redemption arc, a megalomaniac constantly attempting territory grabs, there is something you can work with, actual character flaws to work through.

essentially a child after the first episode.

actually a snake which i appreciate.

no where near steampunky enough.

27. the villians of the show dont make much sense, each one feels like they should be season long deals on their own instead of a bunch of team rocket esque idiots that show up on occasion, do a bad thing and then leave.

28. Valentino

gOD THERE IS SO MUCH RED

only a moth some of the time.

sucks as a villain, maybe they need more screen time to show why they suck in a more substantial way aside from being told that he sucks.

it is interesting that angel dust is only under his magical control when in the studio, it shows that angel dust has to make a conscious choice to return, which in turn can be made to show how abusers can draw back their victims. I do not think it was done well in this circumstance as it shows him to be cartoonishly evil, constantly flying back and fourth between sweet and utter psycho, there is no actual reason for angel dust to ever actually go back to the studio, he just does so every so often.

29. Vox

legit who cares? the only thing about him that is in any way substantial is all the dope ass fan art we get.

propaganda machine angle that is not explored at all, just hinted at. no actual barring on the story whatsoever.

why didn't he try to do the same shit as alastor by the way? he knows its bad if alastor gets in good with charlie so shouldn't it be a ass kissing race?

same body shape as literally every other male character.

tumblr sexy man version of pyrocynicals fursona.

30. Valvette

the actual poster child of the shows huge problem of "Show me, don't tell me".

apparently the glue that holds the villains together. never shown.

apparently the one that makes the love potions that valentino is famous for. had to learn about that in the fuckin wiki trivias

we know so much about her from things outside of the show.

was there to call carmilla a coward, that's her plot contribution. she shows up every now and again but its never anything substantial and serves to more around take up run time for people We Don't Need To Know Yet.

im not trying to be mean, animation is animation, we need smaller studios to have success in the industry so that other indie studios can have that success, felling a tree makes it easier for others to follow. showing that its possible to number brain rot exacs helps all animators.

but this show has so much bullshit attached to it, it has so much fucking potential that it fries my brain with unyielding frustration.

this took a bit to write, im tired, thanks for reading.

#hazbin hotel

1K notes · View notes

foldingfittedsheets · 21 days

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FFS’ Guide to Mattresses:

The following is a non-comprehensive list of questions I get asked a lot and is hopefully a good resource for anyone looking for a new mattress. I am not a scientist. I just sell beds. All bed knowledge is centered in the US, my apologies to international folks.

If this guide proves helpful you can consider popping a tip over on my Ko-fi to say thanks!

What’s the first step?

Well, first thing is gonna seem kind’ve obvious but a lot of people get mattresses secondhand and don’t think about it. Determine the feel you like! There’s no reason to sleep on a hard bed unless you like it, it’s not any better for your back. The three standard feels are firm, medium, and soft. Soft is called plush for stupid reasons. So find out which you like! It’ll narrow down what you look at, and save you time.

When trying out mattresses, use an A-B method. Do not compare every bed. Compare two at a time, otherwise you end up a confused mess. Pick one between the two that you like better, then put that one up against the next choice.

When you eliminate a bed it’s dead to you. Forget it. It was not as good as your new favorite and does not deserve to be remembered. If you cannot pick between two you will be tempted to try a third- this is the devil talking. A third will just make your life harder. If you truly can’t pick between beds that are comparable and they both feel nice after feeling your feelings then pick the cheaper one.

Lastly, mattresses are a huge example of “you get what you pay for”. Investing will pay off. Don’t get sticker shocked, budget what you can but know that mattresses can be freakin expensive. If you go into a store and see $5000 price tags, don’t worry, that’s not all they carry, but focus on the feel of the bed at first rather than price tag.

If you find one you love but it’s too much, the salesperson will know a comparable roll down or will usually try to help you get a deal. If you can admit, “I like this but it’s too much” they’ll work with you to find a solution.

What firmness is best?

This varies person to person but firm beds are not necessarily better for your body. Really. There’s two parts to a good mattress: support and comfort. Support goes underneath and is generally springs or incredibly dense foam. If a bed has good support, you can get away with lots of comfort.

The comfort layer exists to be gentle on your joints and pressure points. People who sleep on their side really need this comfort layer. Without this your shoulders and hips can’t circulate blood and you’ll end up tossing and turning every time your arm starts to fall asleep.

Back in the 1950’s when interconnected coils were the only thing on the market it made sense that you needed them to be firm, otherwise you’d get no back support. But nowadays coils are individually free standing, they do a much better job supporting bodies and bonus, they don’t have to be rock hard.

Most people should get somewhere around a medium bed rather than super firm or super soft but it depends on the persons preferences as all three can be good for you.

How can I tell if a bed has good support?

I’m so glad you asked. You lay on it. There’s a natural curve to the human spine. Lay first on your back. The arch in your lower back, that’s your lumbar. A good bed will push up and fill that area. If your muscles are trying to maintain that arch all night without help it will cause back pain and tossing. The more a bed fills your lumbar the better you can sleep.

Next, lay on your side. You’ll want to focus on your shoulders and hips. Good support on your back is great, but a mattress should have enough squish not to pinch off circulation. Lay for at least five minutes on your side unless you hate it right off the bat, I’m not saying every bed needs this in depth just the one you’re seriously considering. If you feel like you already need to roll over it’s too hard, go softer.

Should I get a topper?

A thousand times no. Toppers are used as a wide ranging bandaid from “there’s a hole in my bed” to “my back hurts”. Commercially available foams in toppers are significantly worse than the foams found in beds. They break down faster and sleep hotter than what they make mattresses with.

The only scenario in which you need a topper is if you’re stuck with a bed that’s too firm for you and you need it a little softer. That’s it. It can make your bed a little softer. It cannot fill holes or fix a bed with bad support. Generally aim to be over $200+ or the topper will break down ridiculously fast and be super hot to sleep on.

What do I do if there’s a divot in my bed?

First off, waterproof protectors can help avoid this problem, so take your bed divot as a life lesson and use a protector on all beds going forward. Our sweat and humidity breaks down foam like nobodies business, causing permanent damage.

So you have a divot, what now? Depends how entrenched it is. When beds get slept on every night for years the foam where a body lays compresses down, and the foam around it stays untouched. You’ll naturally start sinking. But you can get up and walk or crawl along all the foam that isn’t get slept on. If your divot is years deep it may be beyond saving but it’s worth a shot.

You can also rotate beds head to foot every six months and switch the side you and your partner sleep on or sleep all over the bed if you’re alone in it.

If the bed is over ten years old thank it for its service and get a new bed.

When should I get a new bed?

It’s worth checking your sleep quality at ten years into a mattress. The average life expectancy of a bed is 7-9 years. Not because the bed gave out necessarily but because human bodies change. We gain and lose weight, suffer injuries and age. A bed that worked for us eight years ago might not be what we need anymore. So just general age check is good. This is subject to the kind of mattress, bed in a boxes average 3-4 years of comfort so check in sooner.

But additionally: if your bed has a deep body trench where you’ve been sleeping, or if you’re waking up achey or in pain. There’s health problems that can reduce your sleep but a lot of people never suspect their mattress is sabotaging their rest, so keep it in mind.

How do I clean my bed?

Oh boy. You don’t. This goes back to water proof protectors. Your bed is not something you can pop in the wash. But it is something you will sweat and live in for upwards of ten years. Dust mites, dead skin cells, dust mite corpses, dust mite feces, allergens, skin oils. All those things will seep into the bed over time and spoiler alert it’s not great to breathe it in every night.

Sheets only catch a fraction of it, so a waterproof protector keeps the bed safe from your sweat breaking it down, but it keeps you safe from all the things that can build up in a mattress.

If you must clean a mattress I recommend a professional steaming service rather than trying to do it on your own but take this going forward: always protect your bed.

When should I get a new pillow?

Does your pillow have a waterproof protector on it? If no the answer is probably “right now”. Doctors recommend keeping a pillow no more than two years. This is because they’ll lose support and get yucky gross over those two years. If you get a memory foam pillow and get a protector on it they can last way longer. My oldest pillow was around seven years old.

Cheap polyfill pillows you buy at Target or Walmart are really only going to last three months before they wear out. If you are using more then one pillow at night you need a new pillow. Every time you have to wake up and adjust the multiple pillows you’re losing sleep.

Memory foam pillows can be more expensive but will last exponentially longer so save up and spend $50+ on a pillow you’ll actually get to use for a long time rather than $10 on one that will give you a few months of comfort.

What do I look for in a good pillow?

A good pillow is an extension of your spinal support. It should keep your neck aligned with your spine. Ideally, you are laying on a bed to try out a pillows height. It should match the width of your shoulder.

Most mattress stores can fit you for a pillow, but you can also bring a buddy to check your spinal alignment is straight. Side sleeping is most critical to get the height right. Back sleeping you just don’t want it too tall to force your chin down, and stomach you want it low enough not to push your neck up.

I replaced my pillow, now what?

Okay so now you might curse my name for a few days. Bodies are creatures of habit and hate change. Your neck might be in agony on the old pillow but it's familiar agony. So when you boot that sucker to the curb don't throw it out right away. As if I'd ever actually throw away a pillow when I could just hoard it forever.

Start each night on your new pillow. If you wake up in pain, switch back to the old one. Each night you should be able to stay on the new pillow longer and longer until your neck is finally happy. If the new pillow is consistently an issue after a week or more it may be too tall/low for you, unfortunately.

If I’m sleeping well do I really need to replace it (beds/pillows)?

Are you really sleeping well? Replacing beds or pillows is inherently stressful and a lot of peoples happy place is their bed. It’s hard to give up aspects of that cozy zone. If you’re really truly sleeping well no one is gonna make you change.

But generally if you find yourself asking this question you may be trying to convince yourself that things are good enough and ignoring that they could be much better.

Get a sleep tracker if some kind. Let it run for a week or two to see how much you’re tossing and waking up. If it’s a lot and your bed/pillow are old, it’s a good bed they’ve served their time.

If you ever wake up to readjust pillows (or at any point you’re using more than one pillow or mattress) then yes. You need a new one.

Good sleep is the result of the least disruptions. Anything you need to adjust in the middle of the night deserves a hard look and a boot to the curb.

Why shouldn’t I have my mattress flat on the floor?

Mold. Mold mold mold. Remember when I talked about how human bodies are humid? We put out a ridiculous amount of moisture as we sleep from exhalations to sweat. That builds up in the sponge under you and then your body heat maintains the ideal temperature to grow all sorts of nastiness.

You would not believe the amount of molded out beds I’ve seen. Even in the most arid areas, mold. It’s not worth it. Do not leave your bed on the floor. There’s like 2” frames if you like a low bed. If you must have your bed on the floor tip it up against a wall to ventilate every day. Mold will not wait for an invitation.

Japanese futons get brought up a lot here and first off- they get moved every night and washed regularly. Then left to ventilate. They understand that if they left it there it would mold.

Why do I sleep in X position?

Generally your body really wants your spine to curve in the right ways. Sleeping on your back would be ideal if the bed gave you everything you needed but most beds struggle to fill the lumbar. So when your muscles can’t hold your lumbar curve and want a break you roll onto your side.

Stomach sleepers are a case of back muscles fully declaring that nothing can support them and opting to invert rather than deal with poor support. It’s fully the worst sleeping position.

Before I sold beds I was almost 100% stomach sleeper due to scoliosis and back pain. Sometimes side. When I got my new bed I switched to only side and occasionally even back, which astonished me. As my bed has become less what I need I’ve reverted to occasional stomach bouts and less back sleeping.

Why don’t you like bed in a box?

Let me count the ways.

Box beds are the fast fashion of the bed world. They essentially corrupt the support part of the bed equation in order to get a product that can feasibly roll up and be compressed down. The foams are all lower density than they should be and give out quicker. The coils are significantly less steel.

The world cried out for an inexpensive bed and companies responded by giving you significantly less bed per dollar. They often use fiberglass as their flame retardant a requirement for all beds and there’s many testimonials about how poorly that’s gone for people.

But now the greatest sin of boxed beds is that they have the audacity to be marketed at the same price points of traditional beds that don’t roll up.

This robs the consumer of longevity. They’re a rip off. I sell them now at my store and I will do everything in my power to turn folks away onto beds that will actually do their damn job rather than bed mimics.

If you have a bed in a box, please understand that you’ll still get up to five years out of it, and you’re not foolish for buying one. They’ll still always be better than an old broken bed, just look to replace it sooner.

What is a good price point for a new bed?

This is really subjective, but you can get a queen size bed with independent coils for around $600. That’s the lowest good back support I’ve seen. You’ll get ten years out of it and it’ll be a bed.

Stepping into the $1000 mark gives better back support and pressure relief. Up from that they’re going to get more conforming.

Beyond $2000+ you’re generally paying for cooling. It’s the number one thing people want in a new bed but it costs more to give.

Rank Costco, IKEA, or bed in a boxes?

Bed in a box are my lowest tier, for reasons I’ve spoken of at length.

IKEA is next. They’re generally not boxed as of the last time I investigated ikea beds but they’re also just bare bones. Not a lot of either support or comfort, they tend to be around dorm quality.

Costco is a bit of a cheat here. See, they’re a wholesaler but mattresses aren’t something that overstocks- they’re made to order. Costco still wanted to offer a cheap option. So Costco gets beds made to order for really cheap. Now how can Costco offer it so much cheaper? By putting roughly 1/3 less stuff in it by category.

I had a spreadsheet laid out at one point to compare a sealy I carried against what looked like a comparable Costco bed. Every single component was shaved down. Each layer of foam, each coil, they all were about 1/3 less material than our better bed.

Now of course Costco sells boxed bed. So a non-boxed Costco bed is still better than an old broken bed and Costco will basically always take it back which is why they score higher than others but you’re still only going to get about three to five years out of it.

Do I really need a new boxspring? My old one is fine!

Is it really actually 100% fine? Is it just as old as the mattress? Are you willing to gamble the price of the new bed on the existing structural integrity? It’s been load bearing for the lifespan of a bed and the amount of boxes that are actually good to continue service are few and far between.

A few reasons to get new boxes: new beds are made much more floppy than old style to accommodate adjusting on adjustable bases. Old boxes may not offer adequate support for a new bed. Ideally what’s going under a new mattress is solid. No gaps. If you have slats it’s still ultimately better to put a bunkie board under the mattress rather than sitting it right on the slats. Also mattress manufacturers won’t warranty a bed that is on old boxes or improper support.

Adjustable bases are a wonderful replacement for box springs, bunkie boards should go over slats greater that 2” apart, and try to avoid frames that leave big open spaces under the bed.

If this guide was helpful you can consider popping a tip over on my Ko-fi to say thanks!

#ramblies #mattress #beds #bed #adulting #pillow #mattresses #guide #mattress guide

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cordeliawhohung · 3 days

Text

a fox cries; never howls (1/3)

an alternate universe to In Limbo | simon riley x fem!reader | masterlist | AO3

you're a stranger across the counter. you want so desperately to crawl back over, but it will never be the same anymore.

cw: mafia!au, can be read without prior In Limbo knowledge but it does help, non-con/rape, pedophilic undertones, forced prostitution, abusive relationships, abduction, forced medical practices/treatments, self harm, suicide attempt, mention of abortion, mention of pregnancy, reader is described as having long hair for plot reasons (can be natural, braided, etc), Simon is not the abuser in any of the tags previously listed, whump with an eventual happy ending but it's going to hurt until then.

Each time it happens, you tell yourself it’ll be different, but it never is.

Broken promises lay in glistening shards around the heels strapped to your feet as you grit your teeth through the pain. No matter how much you beg and plead, it’s always the same. That visceral ache shooting through the core of your being still brings tears to your eyes the same it did the first time. It will continue to plague you. Haunting your cheeks in messy streaks as it drips onto the counter your hands so desperately palm at. Each tear that splatters by your fingers shimmer with black flakes. Running mascara. It stains everything it touches — especially you.

You’re prettier that way. Ruined. At least, that’s what you’ve been told.

Always pretty on your knees; bent over; looking up; crying; pleading; beg; beg for it; and keep crying; yeah, just like that.

Your skin is scarred, marked in the shape of greedy lips, and it stings like the wound is fresh. Words seep into the soft tissue where it continues to fester. Burrows its spindly roots until it can bear fruit. You could pull at the stem all you like, but you can’t escape the fact that it’s now a fundamental part of you. The only thing keeping your bones from crumbling. This mantra. This throe.

“Not tryna hide, are you?”

Avaricious fingers dig into the firm cartilage of your throat as you’re yanked back and forced to look at yourself in the mirror. The ripples of your defilement echo throughout your body — and you’re forced to watch it. The bounce of your breasts and the smudged makeup dripping along your cheeks. In some odd way, you are a masterpiece. You’re sculpted of nothing but obloquy yet carved just like if you were made of stone. You would close your eyes if you thought you could get away with it.

But Marco likes when you watch. Savors the tremble of your lips as your eyes find him in the mirror. Pristine teeth glint in the pallid light. Perfectly white and straight. He always takes care of himself — of his appearance. It shows in the carefully carved muscles that flex in his abdomen as he pistons into you; in the well groomed locks of his dark hair. This is the sweetest liquor he could ever indulge in — enjoying not only destroying you, but of making a show of it.

He must always be the performer and the audience; having his cake and eating it too.

A fury of grunted whispers slice straight through your ear drums. It’s a hardly comprehensible slurring of English and Russian, and though your fuzzy brain can’t make sense of it, you know what it means. Marco teeters close to the edge, hands dragging your body back against him as he holds himself flush against the crux of your ass. Hot warmth spills into you, and despite the hand around your throat, you’re finally able to breathe. This impiety does not offer you comfort in your tainted skin, but it offers you the one commodity you rarely seem to come by: rest.

That incessant ache lurks deep in the pit of your stomach, even as Marco pulls out, but it’s quiet. Doesn’t demand your attention. You feel the dull throb that harasses the raw tissue of your cunt, and you try not to wince as you feel his seed spill out. Chuckling, he releases your throat in favor of wrapping his fingers around your hair, bunching as much as he can into the palm of his hand. It’s overgrown. Messy and dead. But he refuses to allow you to cut it.

Nothing about you gets to change without his permission — not even your appearance.

“Look at you, my sweet little girl,” he coos. Sharp teeth nip at the side of your jaw and you wince. You’re surprised his mouth doesn’t unhinge; that he doesn’t shove you into his maw and swallow you whole. “So goddamn perfect. Can’t get enough of this pussy. Christ.”

When Marco backs away, you swear your knees will give out. Without his puppeteering hands to hold you up and bend you to his desires, you’re nothing but mush. A disgusting mess of smeared eyeliner and dripping cum. You can hardly stomach the sight of your body in the mirror. Neck littered with faint teeth marks, body bare and on display — used and abused to his content. You’re abhorrent. A pathetic creature you can’t stand to behold.

Marco’s belt clinks just as a knock rattles the door. Your heart thuds loud enough in your ears that it nearly drowns out the sound of his heavy footsteps crossing the glorified dressing room. You attempt to steady yourself as you back away from the mirror, but the straps of your heels dig into your toes. They’re the only article of clothing you’re allowed. Marco says he likes the way they make your legs look longer. Likes the angle it gives him when he bends you over to fuck you.

When you turn to face him, he’s already sitting on the loveseat shoved into the corner of the room. A fresh bottle of mead sits on the tray next to him, and he pours himself a generous amount before knocking it back for a sip. The soft amber liquid overflows and dribbles past his lips, soaking his bare chest. His verdant eyes find you as he collets the drink on the tips of his fingers, then sucks them clean one by one.

“Didn’t you hear that knock? You have a guest,” he says, tilting his jaw toward the door.

With each step you take, you feel Marco’s seed dribble down your legs. It makes a sticky mess between your thighs, and you know he wouldn’t have it any other way. This is how he marks you. How he makes sure everyone knows who you belong to before he lets them take a piece of you home.

A stranger with a thick neck stands at the door when you open it. His eyes are an odd shade of grey that sends a shiver down your spine as he looks you over, greedily drinking in the sight of your bare body. The chill of his gaze gets worse as the door closes behind him. He begins to crowd you and the sharp stench of vodka fills your nose. There’s something familiar about him. Every man in this club is familiar to you, in some way. Always hazy. Too fuzzy to place a name to. You think it’s your brain’s way of protecting itself. Of purging the bad things done to you as best as it can, lest you crumble in the palm of Marco’s hands.

The sharp point of your heel catches on the plush rug that sprawls out in front of Marco’s feet, and you squeak as you nearly lose your footing. Both Marco and the stranger chuckle. The cacophonous tone grates against your eardrums, but you hide your discomfort as you stare at the ground. You wait. For the exchange. For the banter. They speak in Russian with one another through laughter as cash is passed to Marco. The air is still cold, and your thighs are still soiled, but the stranger looks at you like he would never dream of having any other meal than you.

“Well, go on then,” Marco prompts. You look up at him with dull eyes. He swirls the mead in his cup as he tilts his head. “On your knees, babe. Wants to use your mouth tonight. Be a good girl, now.”

Comply. Listen. It’s all you can do. So you sink to your knees like the well behaved girl you always are. Resting on your haunches, you look up at the man with a tight throat. He smiles, and your stomach drops. Roils and screams as he begins to unbuckle his belt. As he fishes himself from his trousers, you remind yourself all things are temporary. Especially pain.

Nothing lasts forever — though, it often feels like it will.

When it’s all said and done — when you’re thoroughly used — Marco walks you to the door like a gentleman. Hastily adorned clothes hang from your body as you pull your jumper tight around your core. Your cervix still aches from the virulent abuse it had taken earlier, but you attempt to ignore it as he opens the exit. Your only reprieve from this nightmare is that he didn’t parade you throughout the club like this; looking like a whore for hire. Tonight, he allows you to take the back exit far away from prying eyes.

Cool night air cuts through your scanty clothes, and you stare out at the vast space of the car park before you. Weekdays bring little business and customers to Makarov’s club. Most of the strippers who work for him end up lazing around in back rooms and closets, getting drunk or high enough that they can forget all about their shitty night.

You wish you had that luxury.

“Hey,” Marco hums, grabbing your wrist. You turn to face him. Dim shadows from the flickering hallway lights cast his face in darkness, but the glint in his eyes is unmistakable. “See you tomorrow, babe.”

He sends you off with a kiss. Sloppy and wet — he likes messes. Savors making one out of you. Sweet mead and mint seeps into your mouth as you kiss him back with a tight jaw. When his hands caress your cheeks, pulling you closer, you wonder if he can taste the brine and bitter cum that lurks in the back of your throat. If he relishes in feeling every single way in which you’re destroyed.

“See you tomorrow,” you murmur.

Breathing only comes easy the moment you’re locked in your car. The movement is fluid — that gentle expanding of your chest — but it’s still agonizing. Diaphragm seizing with the sobs you fight back, it’s another reminder that you’re alive. As long as you draw breath, you don’t belong to yourself.

Hot tears sear down your cheeks as you turn the key in the ignition. A gentle rumble follows as the engine hums to life. It’s a smooth, quiet purr. A car that’s much more expensive than you deserve. A lovely gift from Marco. It’s not at all uncommon for him to give you things. Expensive things. A car; an apartment; clothes — you’ll pay it back eventually. The numbers just add up to the big debt that’s hung over your head since you were sixteen. It ebbs and flows but not enough to save you. Not enough for you to belong to yourself again.

As you bring the heels of your hands up to wipe your eyes, a gentle glow catches your attention. It moves. Dances and swirls in the numbra of the car park. Blinking, you focus on it. Golden yellow embers flicker and fade as life is breathed into them. It’s faint, but it reminds you of the well adored fireflies in America. Squinting, you can make out the outline of a car. It sits patiently and silent, but the windows are cracked. Faint smoke swirls through the openings where it climbs into the dull night sky and dissipates.

Someone sits inside of the car, puffing away, but when your eyes lock onto the fingers pinching a cigarette, they freeze. Glowing embers quickly smother and die somewhere inside of the vehicle, and you’re left with nothing. You stare into the darkness, and it stares back. You feel its gaze tingling along your spine. Sniffing, you look away from that void. Be it man, or be it monster, you know nothing ever happens to you without Marco’s permission.

That sentiment is equally as terrifying as it is comforting.

When you arrive home — to the apartment paid for with your own body — you shower. No amount of water and soap is enough. You can lather yourself in all of Marco’s favorite scents, but the mint on his tongue still follows you everywhere. As you exit the bathroom, you leave feeling just as disgusting as when you entered. Nothing but some sordid creature that hardly knows how to take care of herself.

Looking at yourself in the mirror, you feel sick. Golden glitter still stains your eyelids, and the teeth marks on the side of your throat have only grown more noticeable. Still, nothing is worse than the mark on the back of your neck. Though you can’t see it, you feel it. It makes your skin itch and crawl, and you find your fingernails tearing at it. As if you could rip it off like a bandaid. But it stays. Festers and embeds itself deep inside of you.

Swallowing, you try to forget it as you continue to dry off. This is your brief moment of comfort, where you’re too far out of reach and well out of sight. Your only reprieve before you spend another night rotting as a trophy of glitter and bone.

Weekends are better, but only marginally so. Wide eyed men fill Makarov’s club to the brim with wads of cash and twitchy fingers. Lingering gazes and hands brush against the crux of your ass and the back of your neck as Marco parades you through the crowd by your wrist. With your strappy golden heels and matching exiguous outfit, you’re flashy merchandise. Something soft and sweet he flaunts in an attempt to make a quick quid or two as a way to fund his means of pleasure and keeping control of you. While you’d normally spend most nights on your hands and knees, on busy nights, Marco allows you to earn your living in an honorable way —

— dancing.

Sharp heels tap on soft mahogany as your hips and arms sway, practiced and repetitive, atop a round table. Dull music thrums and shakes the dust off your bones as the men on the crescent sofa surrounding you chat and laugh the night away. Marco’s in the mix of them all, cold glass resting on his knee as his foot taps against the floor. A hazy film covers the spring green of his irises as the liquor settles deep into his marrow. Each time you rotate his way, you watch his pupils dilate. A vast forest covered by the smokey darkness of that void, he licks at the alcohol on his lips as he stares at your clothed cunt.

His fantasy fills your mind before his own can even make sense of it. Every spare glass and bottle that litters the table around your feet would be thrown on the floor in an instant just to put you on your back. To open your vulnerable stomach. To tear off the little clothing protecting your feeble dignity and truly put you to work. He’d spread your limbs and pin them like a specimen to a board, and he would cut and slice until you have nothing left to hide. Until there is nothing left of you at all.

“Babe!”

Marco’s voice cuts through the discordance of the crowd, and pulls you out of a nightmare and back into the present. Your terrifying reality. Slowly, you turn to face him, and he looks up at you with a grin on his face and a card stuck between his fingers. That sly haze still obscures his vision as he offers you his hand. Numb to the feeling of his skin against your own, you take it and allow him to help you down from the table. He wastes no time in dipping his fingers into the strap of your lingerie where he secures the card beneath the band.

“Looks like you’ve got work to do,” he teases.

Warm hands settle on the curve of your hips as he guides you to turn around, faced away from him. Then, they wander up. Greedy fingers brush along the line of your spine before they find purchase in your hair, grabbing it as if he were trying to help you put it up. You hate how long it’s gotten. That he won’t let you cut it. He doesn’t care if it’s straight, curly, braided — anything. Marco wants it long. Uses it like a leash in which he keeps you bound to him with.

“I know you’re a good girl, so I’m sure you won’t forget, but a little reminder never hurts,” he coos into your ear. Intoxicated breath fans across the side of your face as he leans closer to breathe you in. A shiver prickles across your skin as he kisses the back of your neck, and your throat involuntarily contracts at the sensation. It’s as if he’s marking you again. Branding you. “If this�� patron wants more, I get to watch.”

Swallowing, you nod as best as you can with his fist gripping your hair. “I know.”

Chuckling, he relinquishes his grip on you before stepping back. “Of course you do, smart thing you are. I’ll be waiting here for you.”

You wait until you’re well away from Marco and his friends before you fish out the card he stuck beneath the strap along your hip. A pitched ringing plagues your ears as you enter the VIP section of the club. Things are quieter. Less crowded and the speakers don’t blare as loud. But the silence allows something malevolent to burrow inside of you. It festers as incessant tinnitus and broiling nervosity in your stomach. A wordless, desperate prayer breathes past your lips as you approach the room in which your patron awaits you.

You pray he is kind. You pray that he wants nothing more than to hold you and vent his problems, like others have.

When you open the door and step into the threshold that always makes your palms sweat, you think for a single fleeting moment that you are lucky. The room is abandoned. Dim lights illuminate the dull leather of the couch in front of you and yet there is no man sitting there for you to serve. Gentle music drones over the wireless speakers, giving the impression that there should be someone here with you. The attendants even set out the ice and whiskey for his drink. It now thaws on the tray, water nearly overspilling in its decay.

Brows furrowing together, you look down at the card to ensure you haven’t misread it in your haze. The attendant’s handwriting is chicken scratch. He always manages to make a nine look like a zero, but you’re certain this is a six. The door clicks shut behind you as you sigh, too defeated and confused to make sense of this confusion. A pit forms in your stomach at the thought of slinking back to Marco with some saturnine cloud hanging over your head.

If you can’t find work tonight, he’ll make some for you.

That pit quickly becomes a gaping hole the moment a fat palmed hand clasps over your mouth. Cardstock flutters out of your fingers like dainty butterfly wings, and hits the ground just as your back collides with an immovable chest. You don’t scream, but your heart nearly stops when you feel the cold press of metal against your throat. You are stuck in a vicious cycle. One of fear and sharp blades you’ll never wield yourself.

“Not a fuckin’ word.” The voice that growls in your ear rattles your spine as the words erupt in his chest. Faint tobacco stains his fingers. Its earthy aroma seeps into your nose as your hands tremble against his tattooed forearm. “Don’t wanna hurt ya, so make this easy and listen to me, yeah?”

Marco has taught you plenty well enough that the word no should be expunged from your vocabulary, so you nod.

“Good.”

You’re as stiff as a board when this stranger releases you. No amount of curiosity can get you to turn around and face the violent truth, not even as a thick jacket is tossed over your shoulders. The fabric is warm. Freshly removed off of the man behind you and placed on you as if it were a blanket. He presses his hand on your lower back and despite his caution, you still jump.

“We’re going for a quick drive. Easy now. You’ll be home before sun up. C’mon,” he mutters.

There is no such thing as saying no. There is no such thing as fighting.

The knife vanishes from your sight but it’s all you can think about as this stranger leads you through the haze of the club. Everything blurs around you as you’re escorted to the nearest exit through quiet hallways that reek of cheap perfume. The only thing you can focus on is your feet. The glittery heels that match perfectly with your pedicure. You want to trip. To fall forward and hit the ground. Cry out and demand attention. The hand on the small of your back is all too grounding for you to make any mistakes.

You approach and exit through an emergency fire door and the alarm doesn’t trip. Night air hits your skin like razor blades as you’re escorted across the car park. He shoves you into the back of a black car, and you only squeal a little when he slams the door behind you. When he situates himself in the driver's seat, the car hums to life and quiet lights flicker on just enough to scarcely illuminate his face in the rearview mirror. His eyes are dark. The darkest you’ve ever seen.

“There’s a blindfold in the seat next to you. Put it on,” he orders. Stuck on autopilot, you do as he says. It’s a thick scrap of cloth, something you hastily tie around your eyes and knot at the back of your head with trembling fingers. It only touches your skin for a fleeting moment before it’s soaked in briney tears. “Don’t even think ‘bout takin’ it off.”

Not even your morbid curiosity can convince you to peek from between the threads. The word no is not in your vocabulary. Neither is disobeyment.

Each turn the man takes as he brings you to some unknown destination has you swaying in your seat. Every pule that leaves your lips is smothered behind the palm of your hand as you wipe snot along the ridges of your knuckles. You do well to keep the aftermath of your fear to yourself. Even though this man has abducted you — something that was all too easy for him to do as you fawned. You’ll surely pay for this when Marco finds you again — you do not want to ruin the coat around your shoulders with spit.

Of course you think of escape. You always do. It’s a self soothing daydream that florescences in the neurons of your brain. Unlock the door. Open the handle. Jump out. It’ll hurt. It always does. And it’ll hurt when you’re caught, but it always does.

You don’t move. Freedom is just a dream.

Despite the knife he greeted you with, this man is surprisingly gentle. His touch is soft when he eventually parks the car, and his fingers do not dig too terribly into your skin as he helps free you from the back seat of his car. You do not trust his softness as he leads you into a room that smells like alcohol and cigarettes. Nicotine burns your nose as you’re settled into a plush seat, and for a fleeting moment you think you were only driven around the block before being thrown right back into Marco’s maw.

That theory is proven terribly wrong when your blindfold is ripped from your eyes.

A man with impressive tepidity sits across an antique wooden desk. Rich red walls close in on you. Crushing. Looming. Smoke blurs the space between the two of you as he puffs away at a thick cigar, blue eyes scanning a single piece of paper. He’s dressed nicer than you anticipated. A dark button up shirt, neatly combed hair and groomed beard — he hums to himself as his eyes scan the page in front of him before they land on you. You look away as if his gaze has burnt you. Instead, you focus on your nails and the manicure Marco made you get last week. Baby pink gel; his favorite color on you.

“It’ll take more than crocodile tears to tug on my heartstrings, love,” he hums.

The climate in your mouth suddenly becomes sere. All the snot and saliva that had built up before seems to vanish at his words. He’s nonchalant; terrifyingly so.

“I don’t… uhm,” you attempt.

“No need to explain yourself,” he interjects. “I understand. We all need to make a living.” Pausing, his eyes flicker back to the paper in his hands. “You’re Marco’s girl, aren’t you?”

Thick obloquy heats the pit of your stomach as your fingers twitch. That term — that title. It fills you with more shame than you can name. You attempt to swallow down the cotton-like dryness in your mouth as your hand paws at the back of your neck. Expertly manicured nails scratch at the skin, and you wish nothing more than to peel back the layers of your epidermis and toss them aside to rot.

Stiff, you nod.

“John Price,” he introduces.

He drops the name like it bears weight. As if it should crush you with each heavy letter that it carries, yet it doesn’t add on to the anxiety raging in your stomach. Your hand falls back into your lap as you dare to look at him once more. His eyes are sharp, as if he’s using his gaze alone to cut back your layers, but there is nothing to show for it. No secret except for a sour ignominy that you’ve carried for so long it imprints in your very skin.

“Has Marco not told you about me?” he asks. He’s not upset; or if he is, he hides it well behind curious eyes.

“No,” you answer truthfully.

John chuckles. “Thought the man would’ve at least told his benefactor about me.”

You blink. “...Benefactor?”

“No need to play dumb. Like I said, it takes a lot more than faux tears to get me to feel sorry for you.”

Your fear and confusion grips you so relentlessly that you don’t even feel it anymore. It’s wound so tightly around you, restricting blood flow to your body, that everything tingles if it is not numb. This man — John Price — gives you no chance to rest or fix your muddled thoughts. He tosses the paper in his hands across the wooden top of the desk, and your eyes nearly cross at the numbers printed on the pristine sheet and the amount of commas between them. There’s math. Addition and subtraction. Transactions of a bank account with a name at the top:

Marco Anatolijus Smirnova

Funny. You’ve never seen his full name before. He’s only ever been Marco.

You’ve only ever been his girl.

While you stare at the numbers, John throws question after question at you, none of which you know how to answer. He asks about transactions. He asks about what they’re for. Each and every time he’s met with the same answer. You are just as clueless as him. Marco does not concern you with his real work. The work that gets him enough money to have a bank account as padded as the one you’re looking at currently.

His finances make the sparse contents of your stomach curdle. The amount of money you owe him for your unfortunate existence is trivial compared to what he already has. So minuscule it would hardly budge his savings. Marco has been making you work half your life away for something akin to a mere couple quid to him, and it stings just as bad as it always does. Seeing it at face value just how trapped you are — how Marco owns you and always will.

“Don’t get coy with me.” John’s getting frustrated. Each question he presents you with is met with the same carking response of I don’t know. It’s nothing but the truth, but he seems to be informed otherwise. You’re significantly less important than he believes you to be, but the man looming behind you doesn’t help in settling your nerves enough to explain your situation properly. “Word on the street is Marco’s girl supplies him with his spending money. You’re tellin’ me I heard wrong? Or are you too daft to ask him what he’s using his finances on?”

You swallow. What a polite way to put it — the things Marco does to you.

“He… He makes money off of me but I… I don’t know how much or what he uses it for,” you choke out. “Well, I… I know a little bit but it’s not, it’s not like, whatever you’re asking, it’s just… it’s stupid things, it’s like, my housing or… it’s not… important.”

There’s a quiet beat that settles between you and John, and you feel whatever vexation he harbored for you previously quickly evaporate in the air. He’s silent for so long that you force yourself to look up at him. You’re expecting curiosity, even the most morbid of iterations. John Price is not curious. You can tell by the way his jaw unclenches and eyes soften that he finally understands what you’ve been too inept to say.

“How long have you been workin’ for him?” he questions, softer this time.

“Since… I was sixteen,” you reply.

“Sixteen?” He’s appalled. Repeats the word like it’s the worst taste he’s ever had on his tongue. “What’s he making you do for work? Dance?”

Shame sears the back of your neck, leaving nothing but wounded, marked skin in its wake. You palm at the burn. Try to will it away with desperate fingers, and the movement causes the coat resting limply around your body to slip off your shoulder. This is the first time you’ve considered lying to John. Omitting the truth just to save the small shred of dignity you still have left, no matter how imaginary it might be.

“Yeah. I… dance on stage but he… has me do private sessions too but he… sometimes he-”

A hand brushes against the side of your arm and you flinch so hard your teeth nearly pierce through your tongue. Weathered wood squeaks beneath your weight as you freeze after nearly jumping out of your skin. This well meaning hand that startled you so terribly is well meaning. It pauses in its endeavor to cover your body once again with this stranger's coat, and instead lets it fall. You had almost forgotten all about him — the strange man who stole away Marco’s favorite toy from right under his nose.

John and the stranger share a look as you retreat back into yourself. Hands folded over your bare lap, you didn’t feel naked until they finally understood who you are — what you are. Pristine nails dig into your palms as you swallow back the bilious vomit that threatens to spew free.

“If we take you home, will you be safe there?” His eyes land back on you, but you can’t bring yourself to give him the same courtesy.

You shake your head. “He’s going to be so mad. He… he pays for my apartment. I don’t have any money of my own. I don’t have a phone. I… There’s nothing. I have nothing. Marco’s provided everything for me and I never… he never gave me the chance to…”

“I understand,” John interjects, carefully quelling your rambling. He waits for a moment before leaning back in his chair, retracting every bit of malice he exuded while interrogating you. “I’m sorry, love. Should’ve done our research better.”

“It’s okay… Marco didn’t leave much of me to find.”

John’s eyes darken in a way that would leave most men with their tail tucked between their legs. You’re too busy making yourself small to notice. “We’ll fix that.”

In the next few hours, your life changes drastically. It’s sudden and feels just as violent as everything always does, yet it is intimidatingly soft. The gazes that are cast your way scream pity instead of lust, and you are handled with so much care you’re convinced you’ve become nothing more than a tchotchke. At least these men treat you with fragility rather than flippancy.

You learn the man who took you from Makarov’s club is named Riley. You’re able to get a better look at him without the blindfold and terror willing your vision elsewhere. He’s intimidating. Arms drenched in ink, it’s almost enough to smother the scars that map the story around his body. It can’t shroud the ones on his face. The thin line that dissects his eyebrow, or the one on his nose which only makes the curve of the bridge more dramatic. His eyes are darker than anything you’ve ever seen before — so empty and yet full at the same time; nothing but a contradiction as he watches you pull his coat tighter around your shoulders.

It is decided that — for your safety — you are to live with Riley until it is determined you are out of Marco’s reach.

Despite your apprehension, you can’t say no.

Riley’s house feels like a den. Well guarded but comfortable, the plush cushions that cradle you on the couch feel false. Fake. Everything does, but it’s mostly you. Your hair. Your clothes. Your skin. Nothing about you is tangible, not even to yourself.

You’re still swaddled in Riley’s coat by the time he tells you that your room is ready. Really, it’s his room. You want to tell him you’d rather sleep on the couch than in some stranger’s bed, but you can hardly bring yourself to speak a single word to him. He scares you, but not in the way people usually do. It’s not the fear of pain that he riles within you, but rather something light. Something that flickers and sputters, waiting to grow. You smother it as he hands you proper clothes to change into. You don’t know where he got them from or why they fit so well, and you don’t care to ask.

His room is… what you expected of a man like him. Plain walls, sturdy wardrobe and bed. A wristwatch ticks on the nightstand. It laments quietly, so much so that you only notice it when you sink into the mattress. He’s changed the sheets and pillowcases for you, but it’s not enough to snuff out the faint scent of tobacco. You like it, you decide. Or rather, you don’t mind it. Grounding earthy notes are much better than the synthetic chemicals Marco soaks himself in.

Sleep comes about as easy as you expect it to. A TV drones on quietly in the living room as you toss and turn among unfamiliar sheets. Dull anxiety claws within the cage of your chest, but it holds itself at bay better than you anticipated. Or rather, you are just too numb to fully appreciate the pain. You should be afraid. You know it, and it’s lurking there even if you can’t fully feel it yet.

It manifests suddenly as you feel the ghost of Marco’s hands on you. His teeth digging into your skin, demanding flesh. He wets his maw with your blood just as he wets his cock with your cunt. It sears. Rips through you in the brutal way it always does. Raw. Sinew on bone. And you don’t cry because it’s what he wants. He wants that brine and that sapor and he’ll claim it with claws and a smile.

His mantra pants. It sweats and drips. It’s wet on your ear.

There’s no escaping him.

You wake just after the sun does, and it is only then that you cry.

Grief is the quintessence of escape. You’ve crossed the threshold — you were dragged beyond it — and now there’s no way back to the way things were. Your life wasn’t good, and it was far from comfortable, but it was familiar. You only know how to navigate things when bound. Chained to an unforgiving master. How are you supposed to live with free hands?

What happens when Marco yanks your leash and finds no tension?

What becomes of his favorite toy — Marco’s girl — then?

By the time you finally gather the courage to leave the room, you find Riley in the kitchen. It’s what drew you out of your hiding spot originally; that scent of freshly cooked food. Sizzling meat and steaming eggs. He works at the stove with his back turned to you, arms dancing above the heat as he fries up a breakfast that should make your mouth water, yet it fails to do so.

“Morning.” He hears you before he sees you, but he pauses with a spatula in hand to look at you from over his shoulder. He gestures to the island in front of you — something you suspect was only built to compensate for the lack of counter space on either side of the stove — then hums to himself as he turns his attention back to his work. “Breakfast’ll be finished soon, if ya wanna grab a seat.”

There’s a stiffness that plagues your limbs as you sit on the high top chair Riley pointed to. It rolls off you in waves. Taints the air; souring it with your presence. You are not comfortable in this place — with this man. His palm haunts the chapped skin of your lips the same way his chest haunts your back and you can’t help but wonder what he and John would have done to you had they deemed you guilty. If they had looked at Marco’s girl and saw an opportunity rather than a pitiful creature, would you be sitting here now?

Breakfast is a quiet affair of scraping plates and muffled chewing. Riley doesn’t sit next to you. Rather, he stands on the other side of the counter with a bowed head as he shovels egg and bacon into his mouth as if he’ll starve if not. He tries to rest his elbows on the counter, but it’s too low. It curves his spine uncomfortably, and he shifts as if standing on hot coals.

Hunger does not pull at your stomach. Nervosity fills you to the brim — too full to consume something other than the ache.

“I’m sorry ‘bout last night.” Riley’s nearly finished with his food by the time he speaks, prompting you to look up at him for the first time since you sat down. All you’ve managed to do for the last few minutes is drag the tip of your fork around your scrambled eggs. “Boys really thought you were dangerous. That you were workin’ with Makarov and Marco. Shouldn’t have grabbed you like that.”

Dull teeth dig into the wet flesh inside your cheeks. “It’s okay.”

“It’s not okay,” Riley argues adamantly. “But I am sorry.”

It’s difficult to discern the purpose of his apology. Is it to make himself feel better for what he did? For dragging you out of that club and into John Price’s office? To interrogate you until your innocence was proven? Does he say sorry to comfort himself, or you? To prove he’s not as monstrous as he looks with dark eyes and tight lips. He is, after all, awfully kind for a monster. You have yet to meet a beast that knows how to apologize without digging their teeth into you afterwards.

Perhaps his apology is truly for you. To settle fried nerves. To make you feel safe.

You know better than that.

You were safer in the clutches of Marco’s jaw than you are now.

“Riley, can… can I ask something?”

A cheeky remark bubbles along his tongue. You just did. He takes one look at you and decides to bite it back. “Course.”

A noisome lurch pulls at your stomach, embittering the sparse bites of food you were able to force down your throat. Thunder roars in your chest as your heart attempts to break free — leave your body behind to rot while it escapes.

“Would I… Could I get the pill?” you ask.

“The pill?” he repeats.

“Yeah, like… the… the morning after pill?”

His silence doesn’t surprise you, but it stretches long enough to be concerning. Looking up from your cold food, you’re met with soft eyes. They’re the softest ones that have looked at you for what feels like ages. Gentle. They don’t greedily rake over your body to soak in every twitch of your skin — rather, he reads you. Between the lines and and in the margins, he devours every word.

For the first time in your life he makes you feel more like a victim than a toy, and you’re not sure if that feels any better.

“Will you be alright by yourself if I go buy it for you?” he asks. There’s no judgment; only pity.

You nod.

Riley mulls it over as his tongue swipes along the back of his teeth. When he straightens, he brings his plate with him as he steps back and hums. Your attention is quickly brought back to your hands as he sets the dish in the sink to be cleaned later.

“Alright.” You try not to choke as he motions to your plate. “Should eat. I’ll be back soon, yeah?”

Once again, you nod. “Okay.”

Not a single morsel has been consumed off of your plate by the time Riley returns home, and you are not in your seat. Disappointment buzzes at the base of his skull, but he’s not surprised. He knows what it’s like to be too full to eat — to be plagued with something not even hunger can triumph. He sets aside the pill box to clean up after you. Food in the bin. Plate in the sink to be washed later.

It’s quiet. It’s never this quiet. Not even when he’s home by himself, which he usually is. Riley stands in the kitchen with furrowed brows as he looks around the room like he’s misplaced something. His keys. His lighter.

God, he could use a smoke.

Heavy feet cause old wood to creak as he pokes his head into the bedroom. An imprint of your body still dips into the mattress from this morning, but it’s gone cold. He was going to stay politely stationed in the doorway until the thought flickers across his mind that you’ve left. Got too scared of the brute whose home you’re trapped in and ran off. Away. Hiding from the world — from Marco.

There’s little reprieve to be found when he notices the light shining through the crack of the bathroom door, but it’s smothered the moment he hears you crying. They’re pathetic, stifled pules. Ones you attempt to desperately hide, yet they bleed out of you anyway. He wants to leave you alone, to let your emotions wash over you, but he can’t.

Even with your crying, the house is too quiet.

“Everythin’ alright?”

Both his voice and knock startle you, and your sobbing swells. Breathing out of control, he can hear you choke on the snot flowing through your sinuses. You’re panicked, and he realizes that this is more than grief. More than anxiety. More than fear.

You’re terrified.

You’re standing in the bathtub like a scared cat when Riley opens the door. Tears stream down your face. Relentless. They nearly glisten as bright as the kitchen knife in your hand.

You told yourself it would be easier for him to clean up the mess of your corpse if you killed yourself in the bathtub. Blood festers and rots in the smallest of crevices, but there’s none of that to be found in the ceramic that surrounds you. However, you’re having trouble getting any blood to flow at all. You’re not sure if it’s you or the knife, but you’re hardly able to break the skin on your wrists. The crimson blood that flows through your minor cuts feels trivial. There needs to be more.

It’s not enough. You’re scared that you might have to stab yourself. Spill your guts in the tub. Witness your offals for yourself before you fade away. Something. You want to die, but you don’t want it to hurt.

You don’t want it to hurt, but you need to leave.

“Hey. Hey, easy now.” Riley feels as if he’s talking to an animal. Some feral cat poised to bite and scratch if he’s not cautious. He approaches you with his palms faced out in surrender, and the walls around you seem to close in. “You don’t wanna do this sweetheart. Give me the knife.”

“You don’t understand. I can’t. I can’t do this. You-You don’t know what he’ll do to me. Marco he... It’s- I- fuck, I can’t. I can’t do this, please just let me do this.”

Each word is muffled. So far from your ears that it hardly reaches you. Still, they spew along with your cries. It doesn’t deter Riley from closing in on you. Swallowing the spit building on your tongue, you hold the knife with both hands. A simple kitchen blade, now brandished like a weapon. It’s nearly laughable. You couldn’t even kill yourself. How can you expect to hurt him?

“I know it doesn’t feel like it, but it’s gonna be okay. We’ll make it okay, but I can’t do that if you’re not here.” His words feel stupid in his mouth, but he knows he has to try something. “Please. Give me the knife. I don’t wanna hurt you. Hey, give- fuck.”

There’s a lunge. Grabbing. Blade on skin. Blood on tile.

Riley meant it when he said he didn’t want to hurt you, but you still cry out as he yanks you out of the tub. Once again, your back is against his chest. You are enveloped by him as the two of you sink onto the bathroom floor, held down by his weight, and it is then that you truly can no longer hold yourself together. Vision darkening, chest ceasing; you panic. It rips through you with shaking hands and writhing legs, causing your feet to kick at the dull kitchen knife at your feet.

For a moment, you are lost. Consumed by overwhelming grief and fear, and still Riley holds you through it all. You feel his heart beating against your spine, feel the exhale of his lungs dance on the top of your head. It’s a flicker in the darkness. In the primal fear of knowing you are still somehow chained to the man who has abused you for countless years.

Dread transcends physical space. Marco planted it inside of you the first time his lips found the quiver in your throat.

“Breathe, sweetheart. I’ve got ya.”

Riley’s voice fades in like radio static. Disconnected and muffled, yet growing evermore clear. Then, it hits all at once. The slight sting of your wrists and the ache in your leg. Did you trip? You feel the growing bruise pulse and throb on your shin, and another one in your hip. It’s hardly bearable, but neither of them are as uncomfortable as the warm, sticky mess seeping into your shirt.

It takes several seconds for you to realize it’s blood.

“There, good. It’s alright,” Riley whispers. His voice is thick — heavy enough to make your stomach sink.

“Am- Am I bleeding?” you stutter.

“No, you’re alright. Don’t worry ‘bout the blood.”

But you do. You worry about it because you don’t want it to hurt, you don’t even think you want to die anymore — you just want it gone. For it to dissolve around you, or for you to waste away into dust. Your chin rests against your chest as you look for the source, scouring your own body for the wound. Your wrists, your arms your legs —

— the wound is on Riley.

Blood gushes through a gash on the top of his forearm, obscuring your view of the damage. It’s just as steady as every stream you ever used to jump over as a child. It slices through the meticulously crafted ink that graces his skin, and you feel as if you’ve cut through the canvas of a painting. Ruined something good. Something more useful than yourself. More than that, you hurt him.

“Oh my god, your arm,” you gasp.

“It’s nothing,” Riley attempts to assure.

“There’s so much blood, I-I’m so sorry, I didn’t mean to.”

“It’s nothing,” he reiterates. “Just a cat scratch, sweetheart.”

His cat scratch takes twenty minutes to patch up. You count the time on the ticking of his wristwatch as you lay in his bed. Body too weak and afflicted with malaise to make something of yourself, you stare at the ceiling as you listen to him hiss and grunt. It’s the blood, you’re sure. Despite the flow, he manages to smother it to nothing more than a scab beneath pristine dressings.

It takes him another ten minutes to clean you up. He assesses the wounds you left on yourself — shallow horizontal cuts along the delicate skin of your wrists. You stare at them as he cleans and bandages them, and you tell yourself the sting from the antiseptic is what makes your eyes water.

You’ve created a mess for nothing, and Riley is the one paying for it.

“There.” He secures the last piece of tape on the gauze. It feels unnecessary. Band-aids would have sufficed, and you tried to tell him as much only for him to mutter something about infections. “Not too tight?”

You shake your head. “It’s fine.”

Content, he hums as he steps away from the bed, gathering up items off of the nightstand. You watch as his fingers swallow rolls of tape, forearm flexing beneath his own dressings. Teeth digging into your bottom lip, your heart lurches, as the guilt pierces through you like a blade. You’re not sure why it lurks. Is it because you hurt him? Because you tried to leave a corpse for him to come home to?

“I’ll get you some water. Ought to take that pill sooner rather than later,” Riley says, turning to leave the room.

He only makes it a few steps before you stop him. “I lied.”

Pausing, his eyes find you with more confusion than you expected. “Yeah?”

“I lied about… needing the pill. I just said it so you would leave,” you admit. You push yourself up from the bed, legs swinging over the side of the mattress to sit and properly look at him. “When… I first… Marco used to make me take birth control. Like, the actual pills. I got pregnant anyway. Made me get the IUD after that. It’s more effective, so I don’t think I’ll really need it. I mean, I’ve never needed it before, so…”

Listening, Riley nods as you bare the raw parts of yourself. It’s impossible to share without that warble in your tone — that pain that always leaks into your voice — but in some strange way, it feels good. Refreshing. You’re airing out an old, festering wound that hasn’t ever seen the light of day.

“You got a kid to take care of? If they’re with Marco-”

“No,” you interrupt. Riley’s words die on his tongue. “No, he… he made me get an abortion, too. It’s for the best, really. Kids shouldn’t be around that monster anyway.”

Again, he nods. The house feels loud. Every inch of the four walls around you seems to buzz with an energy you’re not privy to.

“Well, some water wouldn’t hurt. Food wouldn’t either, since you never finished breakfast,” he continues as he turns. “Want anything specific?”

He’s so… casual. Nonchalant despite the trauma you subjected him to. He should be angry with you. Furious at having made a mess; at having hurt him. His entire life was turned upside down the very same moment yours was — he should hate you for it, but he doesn’t.

“Whatever’s easiest.” The floorboards are loose by the door. They squeak as he crosses the threshold, and you feel your stomach lurch. “Riley?”

Pausing, he turns on his heel as his head pokes back into the room. “Yeah?”

So calm. So patient.

“Thank you. For everything. I just… Thank you, Riley,” you choke.

For the first time since he caught you in that club, he smiles; small and kind.

“Just Simon to you, yeah?”

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