#just give me the nuance

[aceof-stars]

(tw: mention of suicide) Did we, as a fandom, just collectively forget how ruthless Miles Edgeworth can be sometimes? And I’m not just talking about his demon prosecutor era, I mean also after his redemption arc. Because I was just playing through Farewell My Turnabout and watching him reveal Adrian Andrews attempted suicide in court after she begged both him and Phoenix not to… I was sitting there with my mouth open thinking: damn Edgeworth, was that really necessary??

And you know what, I love it. I love how he was ruthless in getting a guilty verdict in the past, and now he uses that ruthlessness to find the truth. Because I'm not just here for the traumatized, socially awkward, emotionally constipated, caring Edgeworth. I'm also here for the ruthless, intimidating, competent, morally grey Edgeworth. I'm not here for a watered-down version of Edgeworth. He wouldn't be my favorite character if he didn't have this nuance.

[jvlianbashir]

"the creator said in a reddit thread -" "the official twitter account posted that -" "the actors confirmed in a livestream that -"

i don't care and that's not real to me. put it in the text.

[an-ivy-covered-summer]

i know this will be a controversial statement for some people on this website, but you guys need to understand that being a radical communist with zero awareness of the nuance of living on planet earth is really not very different from being an alt-right extremist.

if you’re past the point of using logical thinking and understanding that societies and politics are complex and can be wildly different from one place to another, you’re just a fanatic, in spite of the place in the spectrum you place yourself on. you’re too swayed and brainwashed by propaganda. you’re just a blind fanatic, and your agenda becomes dangerous for real people living in the real world.

[uncanny-tranny]

I think such a big reason my trans manhood feels almost... bigendered is simply because in the eyes of most people (specifically cis people with whom I interact with most), I straddle this weird line wherein I am a man and often am seen as one, but I am also clearly undefinable insofar as cis theory goes, clearly queer, clearly outside of manhood if one only accepts cishet, patriarchal manhood. This definitely used to be a source of dysphoria for me, but I think now that I've transitioned, it's been interesting to explore this more. Am I wholly a man? Yes. Am I a man of multitudes? Yes. Do these multitudes contradict? Well, that depends on your definition of "contradiction"

[revenantghost]

Hey

Remember when Vash's only reason to continue fighting and holding on to life was killing Knives

And now that reason is Wolfwood

:')

[everybodyknows-everybodydies]

pacing the room. Orsimer using the suffix "-wife" as a gender-neutral community title indicating one's functional social position rather than an exclusively marital term. ex: "forgewife" meaning a master blacksmith, under whom aspiring blacksmiths train; these are the people overseeing your most important smithing jobs and making sure your up-and-coming smiths are just as well-versed in fine detailing as they are in practicality and function. a community wife is therefore an authority figure of a kind, yes, but also one who has chosen to give as much of themselves as they can to the community IRT their specific skills; community members who hold a level of authority necessarily have a corresponding responsibility to their people.

orcish communal living requires a level of bracing yourself against your neighbors/allowing your neighbors to brace themselves against you that differs from more individualistic societies, which necessitates that the nuclear family be less of a rigid structure. children are the responsibility of every adult - you get just as much instruction and discipline and love from your fifty not-blood-related aunts and uncles as you do from your mom and dad. who you go home to at night is your individual thread in the many-stranded rope that makes up the community; if someone in your household needs help, then, you're their most immediate line of support. taking on the role of a wife (again, used as a gender-neutral term) in the context of a marriage therefore is saying "I choose to share first responsibility for your wellbeing."

this distinction leads to some interesting intercultural miscommunication - an outsider unfamiliar with orcish culture hearing about the existence of a forgewife, huntwife, herdwife, etc., assumes the title is being used in the way they're familiar with and that the chieftain has several wives by marriage; an orc unfamiliar with outside cultures learns the word "housewife" and assumes the title is being used in the way they're familiar with.

[puppyeared]

i feel like im not making any sense but does anyone else feel like there are stories that let u run with them and ones that spell everything out for you

[the-martyrfication-of-the-matron]

I disagree that the daddy kink convo should've been replaced with a heartfelt meaningful conversation about their mutual issues with their fathers because as much as you complain that the relationship isn't developed for Buck, it isn't developed for Tommy either, and it would be a disservice to the reserved guy that Lou says that Tommy is to make him immediately open up to someone without showing the proper progression and storyline leading up to that

the kink convo worked for both characters (both are just dawgs i guess), it was very mutual, and i still don't understand the perspective that Tommy's comment came out of nowhere, i run based off of the assumption that all flirty buck convos are... flirty...????

I understand why people want this, because the acknowledgement of Buck's parental issues comes with a burning desire to have a genuine conversation about it, but something that fits his character should not come at the cost of another character.

A scene should fit to everyone involved, and at most, it should've been a kind of... maybe a conversation of buck going 'yeahh... i got issues with my dad, that's why Bobby means so much to me, he's kinda like the dad i never had.' and Tommy's response being 'Yeah, i see that... my dad sucked but i had Gerrard who sucked too, so... yeah... he's the dad i already did have lol.'

OH...

OH WAIT...

ITS ALMOST LIKE THEY DID.

this conversation should happen eventually, but when it actually has meaning. At a point where Tommy is actually going to be willing to open up a little more (since we kinda see that he is a little bit more reserved with Buck still in this season), and maybe it's in favour of servicing Buck as a character, or Tommy, or BOTH. But you cannot put a character on the line bc you pearl clutch over the fact that your 'baby' pretty boy fucks severely.

[hotmess-exe]

"MY life has gotten marginally better or been unaffected under the current administration, so give the Democrats YOUR vote"

that's what y'all sound like. fuckin entitled. or do none of y'all actually believe in one person, one vote lol

just say that other people's problems, well-being, stability, and dignity is secondary to your fucking comfort under the status quo.

if things are "better under Biden" for you to such an extent that you feel entitled to other people's fucking votes, I got news for ya — you were probably fine under Trump too 🙃

[akirathedramaqueen]

The Five Stages Of Grief: Verosika vs. Stolas

Alright, guys, it's time to play the complete denial card and ignore for a moment what we've just seen in the last short Viv dropped like a fucking nuke on our heads (seriously, this woman makes me swear more than a sailor).

Are we going to talk about something light? Ha-ha, you are looking at the angstiest person out here. Sorry. No relief for you.

But maybe some bits of analysis will do? Let's go.

The setup

Some time ago, I discussed how differently Stolas and Verosika react to their breakup with Blitz in response to one of my previous posts (it might be useful to read that to have the whole picture, but it's not crucial—here).

S2EP9, Apology Tour, 8:05

If we recap that reblog, I find that Stolas deals with his emotions much better and processes them in a more mature manner than Verosika does.

We could stop there, really, but I wanted to explore the situation from a different angle. Using the Kübler-Ross five stages of grief model, we can pull out more nuance from their actions and words.

They both went through a similar traumatic event—Blitzø hurt them in arguably one of the worst ways possible. The circumstances, Blitzø's intentions, and the outcomes are slightly different, but at their core, they are both left broken and deeply wounded.

Left: S2EP8, The Full Moon, 22:00 Right: S2EP9, Apology Tour, 18:03

So, what about their personalities makes their responses to trauma so contrasting?

Disclaimer about the model's credibility

This is probably me being overly pedantic, but I want to point out that this model is deemed to be popularized by the media, and professionals’ opinions are conflicted—some say it is accurate while others criticize it for its lack of flexibility or go as far as to say it has no application in real life. The studies are also inconclusive—there are papers both in favor of and against this model.

What am I trying to say here? This is a silly analysis about silly demons from a silly show, and if you do happen to unfortunately experience grief in any way (I am so sorry you have to go through this!), it is essentially experienced by all people differently. You should not feel bad if you skip stages or if their order is messed up.

Okay? <3 Okay. You’ve got this in your own way.

Tomorrow will be better than today.

Stolas: A Classic Way

One of the things I noted in my previous post is that Stolas immediately recognizes the pettiness of the party, and I praised his remarkable ability to see through the issues with such events.

The one day a year the spirits can rise amongst the living and it's spent celebrating mutual pettiness. S2EP9, Apology Tour, 6:55

And don’t get me wrong—his own way of dealing with problems is just drinking them away, and that’s not healthy. That’s why he actually belongs at this party.

But emotionally, Stolas is much more aware of what’s going on with him and the people around him. I think that despite his drinking problem, this awareness helps him process his own grief faster and find resolution—or at least an outlet—in just one night.

Let’s apply the five stages of grief model to him and see what’s going on.

Denial

You can see the denial seeping through during their morning conversation—there are moments when he clearly hopes Blitzø will suddenly listen to him and change his demeanor, despite Blitzø being consistent in his brashness and hostility.

Left: S2EP9, Apology Tour, 3:56 Right: S2EP9, Apology Tour, 4:23

Can you see the hope in his eyes? Can you see how ready he would be to brush off the whole shitshow happened between them just for Blitzø to take at least a bit of accountability or accept his feelings?

Additionally, although it doesn’t fit the term perfectly, we could stretch the concept a bit and say that the following lyrics below are somewhat denialish. Notice, by the way, that it’s not linear to the suggested model—you’ll see why later.

But I, I keep on waiting Waiting to want you less than I do And I do, oh, I do, yes I still do want you S2EP9, Apology Tour, 11:08

'Cause I am not a thief, but you were mine to earn S2EP9, Apology Tour, 11:42

He struggles to accept that the relationship has ended (we struggle too, baby owl, and we're not accepting it… but it gets worse before it gets better), and he still waits for Blitzø to return, maintaining a possessive feeling—“you were mine to earn.”

Anger

Stolas's anger is vastly different from Verosika's—I promise to elaborate on it later.

He uses his anger throughout the morning confrontation with Blitzø to protect himself from Blitzø's attacks and futile attempts to retain the status quo. His anger serves to assert that he is done with the transactional arrangement and Blitzø's behavior.

As shocking as this might seem, Blitzø, I don't think I'm in the mood to "do sex" with you. In fact, I don't think I'm even in the mood to do words with you! So, how about you respect that? S2EP9, Apology Tour, 0:57

[Stolas]: Get out. Right now! [Blitzø]: What?! [Stolas]: I'm tired of this! I'm uncomfortable how you're speaking to me now! S2EP9, Apology Tour, 2:24

And all of this happens just the night after that disastrous full moon meeting! Stolas is pissed off, and rightfully so. But he still gives Blitzø the chance to correct his behavior, explain, and apologize. He asks Blitzø to leave him in peace but stays to hear him out until it becomes clear that Blitzø is not going to relent or give in.

His anger is not used to destroy those he is angry with; rather, it is directed toward keeping himself whole—at least as much as possible.

Bargaining

The whole verse of All 2 U, where Stolas contemplates what went wrong and if there's something they could still do, represents him trying to bargain for a better future.

Maybe there's something here for us to glean? For you to teach and me to try and learn? S2EP9, Apology Tour, 11:32

Of course, this is also something very useful for when they come back together (not if!). Despite Blitzø being the focus in the Apology Tour episode, Stolas has a lot of work to do, too. And him realizing that is a positive step.

But for now, from the perspective we’re looking at, this is a clear sign of him trying to trade anything he can for their relationship to flourish.

Depression

Eventually, Stolas breaks down publicly. He can’t hold the mask on anymore; seeing Blitzø is unbearable, as it reminds him too much of everything that happened and everything that could’ve been.

You! Why are you here? I don't want you here, go home, please! Let me not feel so sad! S2EP9, Apology Tour, 15:50

And he manages to compose himself incredibly quickly…

S2EP9, Apology Tour, 16:07

It takes him just 17 seconds to fall into crying and calm himself. But there was more brewing beneath the surface—he just didn’t show it.

Calm yourself, young prince. You know excitement is unbecoming of a Goetia. S2EP1, The Circus, 00:20

Acceptance...?

Then there's the guy who received more hate than he (allegedly) deserved—Better Than Blitzo guy. He asks Stolas for a dance, and Stolas accepts. He seems to quite enjoy himself there, actually… maybe even a tad too much (arguably).

Well, I just wanted to see if... Maybe... I dunno... You'd wanna... Dance? S2EP9, Apology Tour, 16:16

S2EP9, Apology Tour, 19:08

S2EP9, Apology Tour, 20:08

Did he move on? Did he get over Blitzø? We don’t know. I don’t think so. But that dance was certainly an outlet. A relief he was ready to accept. He was ready not to dwell on negative emotions and allow himself to feel something good for a change.

Verosika: A scorched earth way

Now, let’s see how Verosika is doing after all these years post-breakup. Surely she can’t care less about Blitzø now, right?

Anger

Right… No petty feelings at all.

S1EP3, Spring Break, 8:13

There's still resentment...

A selfish imp in the sheets And just as bad in the streets A reckless, heartbreaking freak! S1EP7, Ozzie's, 11:54

Anger… to the murderous degree, actually…

Fuck Blitzo in the fucking ass! S2EP9, Apology Tour, 8:14

Disrespect...

That cock-sucking motherfucker! S2EP9, Apology Tour, 9:36

Remember when I said their anger is different?

She uses hers to fuel her determination to destroy Blitzø’s reputation. She uses her fame and all her resources to humiliate him.

She never moved past anger. Never really processed it.

But wait…

Acceptance?!

S2EP9, Apology Tour, 18:55

All it took was just one long-overdue genuine talk. The moment she saw Blitzø's remorse and let her feelings out, she immediately warmed up, stopped using his dead name, and even gave advice—it’s debatable whether it was the best one, but I believe she meant well for both Blitzø and Stolas.

Hold it, Blitzø. Y’know, if you wanna change, it just starts with saying: “Good for him, hope he gets laid.” S2EP9, Apology Tour, 19:18

You know, I feel there’s a good chance that the next anti-Blitzo party might not ever happen again.

Because she leaped through all the stages in one night, and, maybe not at that exact moment, but she is on the path to acceptance. Finally letting it go.

Baby, I'm not over it, but I'm over you.

Could've saved many years of simmering in rage and destructing herself over Blitzø though.

Conclusions

Oh shit, now I need to somehow connect all the dots, don’t I?

Well... *chuckles nervously* I guess I gotta put on my nerd glasses and pretend I knew what I was doing here and not just threw shit at the wall and saw what stuck.

What I really wanted to say is that Stolas is much more self-aware and was able to work through all his feelings and process them in one day. He went through the complete journey and made immense progress. We don’t know how it will go further, but from what we’ve seen, his emotional intelligence helps him, if not to avoid problematic behaviors like binge-drinking, then at least not to burn bridges behind him, leaving space for understanding, forgiveness, and acceptance.

It’s not to say that Verosika’s way of doing things was wrong because she was angry and skipped through some stages. It was wrong because she made her entire personality revolve around it, turning bringing Blitzø down in any way possible into her ultimate life goal. It was wrong because she never processed it.

And it shows why, even after the break-up, #stolitz can still work, given that Blitzø is open about how he feels and Stolas is open to listening to it.

AGAIN! There’s no right way to process grief. But there should be a priority to heal and accept instead of doubling down and ruining yourself and everything you cared for.

(I am watching you, Blitzø hater. Don’t you dare to shit on my poor lizard. He has his own heap of issues and has had enough after that fucking penguin slur short. So don’t. >:()

[cashmere-caveman]

The Terror Episode 1 "Go For Broke" & 10 "We Are Gone" | Fyodor Dostoevsky, The Idiot | Carlos Fuentes | Chris Abani, Prelude | Danusha Laméris, Fictional Characters | Rainer Maria Rilke, The First Elegy (trans. Edward Snow) | Sue Zhao, Where to begin? | W. H. Auden, Marginalia | Dalton Day, One-Act Play In Which There Is A Blueprint, & That Blueprint Is Ignored Entirely | Hanif Abdurraqib, ALL THE TV SHOWS ARE ABOUT COPS | Chris Abani, Dog Woman | Len Verwey, Rehearsal Notes | Lena Khalaf Tuffaha, Lullaby | Rainer Maria Rilke, Go to the Limits of Your Longing (trans. Joanna Macy)

Image descriptions in ALT

[usertoxicyaoi]

anyway people on mdl, and even just general bl watchers that dont watch jbls for whatever reason, will always make me feel a little ... bewildered. they will say things like "japan only makes slice of life/food centered/cute/puppy love bls and thats it" (when i can eaaaasily list off so many darker themed jbls but ok ig yall arent looking and when you do, suddenly its ~too dark~? but ok.). they call segasaki and ritsu and kijima "red flags" and okay yeah *hand waves* whatever, they are. and good for them that they are!!! gooood. see? japan doesnt just make fluffy. but yall couldn't even handle them! whilst in the same breath saying that japan doesnt produce more of these kinda characters and more spicier stories (and they do but yall arent loooking!!!) and when they do and when they start showing the sliiiightest bit of obsessive possesive behaviour, they're squirming uncomfortable in their seats!!! people couldn't even stomach shows like taikan yohou. taikan yohou. and thats like. my favourite show of all time and its not even That Bad yall. ohmygod. but oh no! "oh poor yoh!!! whatever will he do now!!!! trapped in segasaki's enclosure!!!! i don't like this power imbalance beteeen them!!!!" when THAT IS THE WHOLE POINT, my friend!!!!! and yoh enjoooooys that and when he doesnt he says it out loud that he doesnt!!!

so! people couldn't even stomach taikan yohou. god knows WHAT they will say about happy of the end and love is like a poison that will be coming out soon! and never mind even going near sei no gekiyaku or koi kogare utae bc if they thought taikan yohou was "~dark~" when it barely even touched the surface! then sei no gekiyaku and koi kogare utae? will have their heads Gone, spiralling, trying desperately to find a light switch and some bleach to erase their memory!!!!

[antianakin]

It's really depressing that the only real Jedi centric and Jedi positive show in existence is written for preschoolers, while many of the more "adult" shows are edgy and about morally ambiguous or straight-up evil characters. As if lessons about being kind and selfless are somehow not important or relevant to adults just as much if not more than they are to children.

It feels like characters who are unambiguously good are seen as only enjoyable by the very young and adult viewers will only actually appreciate characters who are cruel and selfish (and the requisite "tragic backstory" that always goes with it to help excuse their cruel and selfish choices).

It's just really sad and disappointing.

[uncanny-tranny]

This is purely speculation on my end, but I've noticed that it seems like people (specifically younger queer people, partially under forty) are so used to queerphobes indignantly saying, "you have the right to marry, what more can you want?! Why do you shove it down our throats?!" that they internalize the idea that gay marriage and other rights were only fought for for queer assimilation.

The push for things like gay marriage wasn't just "to assimilate," and especially after the AIDs crisis, you very well could watch your lover or friend or mentor die in front of you and have no recourse. No protections. No guarantee that you could even say goodbye. Learning that - as a young queer myself - hammered home how important these things can be. To get where we are now didn't happen because of the magical benevolence of the cishets. We fought for that shit. We died for that shit.

Again, this is speculation, but I don't think young queers (even me) will truly understand the scope of queer history. It takes effort to learn about this, but it is an effort worth pursuing every single time. At the least, we owe it to honour the people who came before us who have sacrificed so much. We owe our communities that much, at least.

[tanoraqui]

the real problem with The Silmarillion is that the creative sandbox is SO big, from the literal world map to the many-millennia timeline to the characters who are half historical figure constructed from 6 different half-contradictory drafts, half mythical archetype, and don’t even get me STARTED on the theological philosophy… that there is NO chance anyone else will remotely properly write the fic in your head. In other fandoms, I can be pretty sure that at least the people in the carefully chosen 12-person discord server I belong to all have the same fic in their heads that we jammed together at 2am, with the same interpretations of character and theme which we’ve debated and discussed at length. But The Silmarillion? You can spend 3 hours discussing a single character in like a 5-year period and walk away completely happy with shared headcanons BUT SIMULTANEOUSLY certain that their interpretation of the character is fundamentally different than yours, such that any fic they write would suffer from notable if not severe “he would not fucking say that” disorder…and that both your and their interpretations are completely reasonable reads of the text, so you can’t even be mad.

So you HAVE to write ALL your own fic or it’s AGONIZING.

[fromtheseventhhell]

How it feels knowing I'll enjoy Arya's arc whether my theories are right or not because I'm a fan of what's written in the books, not what I projected onto her character