PSA to fan creators who don't have a lot of regular contact with children: They are almost always bigger than you think. A 1-year-old baby may already be walking. A toddler is likely already hip-high. A 10-year-old may already be taller than at least one of their parents. A 14/15 year old may already have reached their adult height.
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Broke: Acknowledging that a character who is an objectively terrible person is also a complex and intentionally well thought out individual with different levels of nuance you can empathize with in some ways while not in others is immediately “woobifying” or “poor little meow meowifying” them.
Woke: “This character is a bad person” and “this character is still a person” are two statements that can, should and do coexist and admitting that they exhibit nuance and depth and are more than just their bad actions doesn’t immediately excuse or condone their bad actions or mean that you’re ignoring or trying to soften the canonical version of the character.
Bespoke: That’s the whole point, that’s always been the point, to be made to empathize with horrible people so you can understand that they can be anyone, that bad people can be likeable, can be interesting, can be human, are human, and it’s scary to think about all the ways they’re just like you and all the ways they’re just like everything you hate, forcing the use of critical skills in media analysis, forcing a confrontation of the duality of man.
Whatever Level is Above Bespoke: But sometimes, yeah, sure, maybe they are a poor little meow meow, what are you gonna do, get a lawyer
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What do you think of Rook's savanaclaw card? <333
I didn't get him (and I need to save my keys for Silver's birthday, sob) so I looked up his groovy, and I'm not over how incredibly dramatic and epic and cool it looks in direct contrast to the absolutely ridiculous context. just look at that dynamic action and his majestic sparkling tears and keep in mind that this is pretty much right after a bunch of characters have been dance battling for his soul.
and then even the actual moment of the groovy is just like
this is NOT a negative in the slightest, I love it all, this truly was an incredible update in so many ways
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new metric for media literacy for film bros is if they understand the barbie movie.
the kens are first presented as accessories to their barbies and it's pointed out loud that they don't even have places to stay in barbieland. one of the barbies straight up asks "wait, where do the kens stay?". they're just arm candy made to look pretty and cool while the barbies run their world.
but that's fucked up!!! the film presents it as fucked up! that's why ken screams "YOU FAILED ME!" and why he is insecure in the first place because he wanted to be respected and seen as a person, not someone who only exists in relation to someone else. should he have done what he did? no!!! that's why it's part of the conflict! the root of both of their breakdowns was in their society in that the barbies are supposed to be perfect and the kens exist in relation to them! it's barbie and ken. he was a footnote. that's why barbie apologizes to him in the end and tells him he can be himself. she doesn't have to exist by some set of rules and neither does he! it's barbie and it's ken! sure, the resolution to the whole barbieland issue wasn't perfect, BUT KEN'S WHOLE ARC IS ABOUT HOW THEIR WORLD FAILED MEN. WHAT DO YOU MEAN THIS MOVIE WAS 'WOMEN GOOD MAN BAD'. WHAT ABOUT THE NUANCE
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I'm tired but Danny putting on a Ghost Show.
He's in Gotham, for whatever reason (maybe we go the old Ghost Convention route) and he gets a little too close to a mugging.
In Crime Alley.
He is immediately saved by Red Hood, who uses guns. Who Danny can't fight, or his parents will start putting together a map of where Phantom shows up and eventually realize the correlation.
Aaaaand Red Hood is staring at him.
So like. Shit.
Time to pull a good old fashioned horror movie stunt.
He allows just enough rigor mortis to set in so that every single movement makes horrific cracking sounds.
Moves in a jerky fashion.
Lets his eyes glow and ghostly frost make the temp in the alley plummet.
Drops to one knee.
And starts crawl-dragging himself towards Red Hood, who is frozen where he is.
Is it in fear? Fuck Danny hopes so if Hood shoots him he'll have to drop the act and dodge.
Luckily, Hood is kind enough to stay still until Danny slowly disappears from the visible spectrum.
Then he fucking books it to the hotel.
Jason, meanwhile, is freaking the fuck out because he just saw the younger version of Bruce's ghost crawling towards him in a fashion so scary he's honestly surprised he didn't piss himself.
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