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#like also have some trust that other people can do things
thebirthofvenusfly · 2 days
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hi i was raised in a home daycare for over 20 years and studied child development and psychology in school for 3 and would like to gush about why i love how bonnie was written and how they're one of the few kids in games i've played that Actually Feel Like a Kid:
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firstly: bonnie's diction
bonnie cursing like a sailor is honestly pretty accurate for a kid aged like 9-14 and i distinctly remember having a huge cursing phase of my own at that age too so LMAO
they ask a lot of questions adjacent to a kids' understanding/confusion of things, social norms, situations, feelings, etc. (the conversation about the actors kissing in that play they saw and how they MUST have had an invisible paper between their lips because nobody would REALLY kiss on stage in front of everybody!)
they can be incredibly blunt but often not with the intention to hurt feelings rather than genuinely acquire information (sometimes with some sass b/c of previous conditioning.) ex. "Our teacher always tells us we have to speak up more... You're an adult so why don't you speak up more?" (Precedent/Conditioning; "Adult in position of power and authority has ingrained it is important to use my voice." -> "Why don't you, an adult who should know better, use yours more then?")
they have a tendency to confidently and casually use words and phrases they don't fully understand or know ("Air-no-no-nomic" -> this especially being something picked up by a fellow kid and just trusted that) (struggling to say, "pomegranate" (very cute watching odile help them with it :,) ) (struggling to say onigiri -> purposely messing this up to get a playful reaction out of dile, a party member they're especially close to, was also very sweet)
it's hard to discuss feelings. they're more likely to use a vessel as a means of connecting to someone else before being able to assign words to everything (offering a peach to siffrin in the classroom because they recognize he's upset without fully understanding why, then waiting for him to address the situation)
secondly: how bonnie handles feelings towards the others and about their Scenario
tendency to hold onto hard, serious, difficult-to-breach subjects and then explode and scream when addressed (ex. Rotten Adults quest)
slightly more partial to physical touch than verbal affirmation (hugs, hugs, hugs! including the little half-hugs they do where they just run into siffrin's side...)
jabbing siffrin in the stomach as a show of example for touching them LMAO???
recounting stories and information that interests them without regard for how socially appropriate it is or why others may react poorly (ex. talking to the party about how nille ran away with them and why she did)
unspoken guilt and trauma causing disconnection from people they love (siffrin's eye situation)
just a few examples and thoughts i liked
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crystalandbow · 3 days
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APHRODITE MESSAGES 💌
Hi!
Let's dive into your messages from Aphrodite
Intuitively pick a pile 👇🏻 and check the corresponding message to it! & I hope you enjoy the reading
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PILE 1
1212, " I am sexy, I am divine", "affirm"
Y'all are fucking kings and queens and princesses. Just shut up, y'all pretty (inside out) asf.
PRIORITISE YOURSELF AND YOUR NEEDS.
Y'all be settling for bread crumbs and shit but stop! Like self worth where?
Stop hurting yourself for petty things/people and start to enjoy life. Celebrate yourself.
You could have a talent for natural healing powers so make use of it. The upright Queen of Pentacles can also signify someone involved in a nature religion such as a white witch. It can be an indication that you may have an interest in or a natural talent for Earth magic such as creating potions using herbs.
Connect with Aphrodite if you want to add more peace and calmness into your life. You might also have some (green flag) suitors that want to make you theirs.
" Confident " for some it is asking you to be more confident while for some it shows that you are confident in yourself & your abilities
Hope the reading helped. This is a general reading so Only take what resonates. bye see you next time!
PILE 2
"pours out their heart to us"
A change is coming your way.
What change you may ask,
You are now on the verge of releasing all that has been holding you back, you are now realising the value of something (your own worth, value of a person, time, effort, anything) and this is going to bring in a new flow of motion.
New love, new feelings or new passion could be anything but it's good!
You might be going through some tough times but you are very brave and standing high. And this new thing is your reward for trusting the universe. Keep slaying and working hard💪🏻
Hope the reading helped. This is a general reading so Only take what resonates. bye see you next time!
PILE 3
Y'all could be feeling tired, disturbed, pissed at everything (or something specific) we actually have very similar cards to pile two.
you have a new opportunity being presented to you rn / soon. this opportunity is brought to you by the divine itself. GRAB IT BITCH! this thing is important for you, it has a potential to grow and get big/ successful. depending on what the thing is it will show you its benefits/pros. it will likely bring you in contact with the right people/ your soulmates/ soul family.
how will you recognize it though? one sign could be your desire for wanting to go for it, you could be naturally talented too.
another message could be that you need to give out to people, help people, be a provider. this could be you providing guidance to people or money or hope/motivation, basically anything.
for some who have been thinking about sharing content online, this is your sign to do it! (and tag me/jkkkk)
Hope the reading helped. This is a general reading so Only take what resonates. bye see you next time!
PILE 4
Y'all seem confused and stuck? Like everything "looks" alright but doesn't intuitively feel right. You are unsure if it's you whose the problem or the other thing, something around those lines, yk?
not here to scare you but yall better be careful. Your intuition is on spot especially with that one thing/person.
If something/someone is giving you weird vibes and you can't figure out why then it's the universe trying to speak to you through your intuition. your intuition needs to be addressed, try to dig in deeper with "why" you've been feeling so.
Just be a Lil cautious, that's it ig.
Hope the reading helped. This is a general reading so Only take what resonates. bye see you next time!
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cepheustarot · 23 hours
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What awaits you in May?
Attention! This reading is for entertainment purposes only. This tarot reading does not give a 100% guarantee that all the described situations will occur or being ultimate truth. You build your own life and destiny and only you know yourself best.
✧ Masterlist ✧ Paid readings
Pick a pile. Choose one or more pictures. Trust your intuition.
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Pile 1: At the beginning of the month, you may have an unforeseen situation, force majeure, which will change your plans, which were supposed to be implemented in may but because of this situation the implementation will either be postponed or you will change your decision and do it differently. As I see it, for the most part you planned these plans together with other people, your family or friends but someone could change their mind at the last moment and refuse to participate or a strong quarrel may arise with someone. Naturally, you will be nervous because of unforeseen circumstances, thoughts may arise "why not give it all up, give up this idea" but as the cards show, it is better not to abandon the implementation here but to look for an alternative, since in the end everything will turn out much better than you imagined! 
Also, this month the chance to change jobs or occupation / try a new hobby will be quite high as you will receive a good offer from a company or employer with good working conditions and a good salary/ rate per hour. However, your current employers may stop you, because they are afraid of losing you, you are a valuable employee for them and this can create small problems when you are fired. Also, if you are in business, your sales will increase significantly this month, you can make profitable deals with someone, invest profitably in some business.  If you are studying, then you will also succeed this month but it is important to make an effort here since you may have strict teachers who are very picky about the answers or you can write tests where one mistake can lead to the loss of many points, so be careful! 
Also this month, there is a high chance to meet a new person who will later become a good friend for you or, if you are looking for a relationship, will become a good partner. As I see it, you will spend a lot of time with each other, you will get to know each other, create joint memories, in general, you will be very comfortable and good next to this person. If you are already in a relationship, then this month is a good opportunity to strengthen your bond or resolve problems between you, establish a relationship and get closer, spend time together. You can also spend a lot of time with your family this month, in particular with your siblings.
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Pile 2: At the beginning of the month, your problem which lasted for a long time will be able to be solved, you will finally be able to find a way out of the situation and thanks to this you will feel so relieved, weight has finally fallen off your shoulders, you will have a slight feeling of freedom, you can feel so confident as if you won the most difficult competition and took the prize! It can be anything, getting rid of debts, solving psychological problems, solving financial problems, overcoming a crisis, resolving a conflict with people — in general, something that has been burdening you for a long time. You may also have felt depressed and tired lately, felt like your mood was sad most of the time, it might be difficult for you to enjoy some little things and your condition will improve significantly this month. Here, in general, the rough patch will end, luck and happiness will accompany you in your life! 
I also see that this month you will have the opportunity to change something in your life that will help you feel better, here the emphasis is that you would like to get rid of the past, of the memories that burden you: you can change your appearance, your style,change of scenery and go somewhere for a while or move altogether, change your social circle, hobbies, change your job / occupation, change the interior of the apartment, you can add decor, you can discover new places in the city, find new people, you can also change inside yourself, change your views — anything can happen here that can improve your mood and well-being. 
This month you will also make new plans, goals and work on their implementation, here I see that you will definitely succeed since this will be something very important to you, you will be burning with the idea and strive to achieve what you would like, probably this motivation came to you after improving your well-being and it's very cool! Here you can study something a lot, try to figure out a topic, consult with others, improve your skills, even if you start something new, you will be accompanied by success and luck!
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Pile 3: This month you may feel tired from the oversaturation of events in your life, from an overabundance of emotions, from being with people often, and here I see you can feel how your social battery has "run out". You will distance yourself from people for a while, spend time alone or with only a small number of people but in any case you focus on yourself and taking care of yourself. You can take a vacation at work or take a break, spend time doing things that bring you pleasure that calm you down and do not strain you, you will pamper yourself here and do what you want. You can also get tired of the hustle and hustle and go to some quiet place for you, often visit your favorite places and “places of power" that fill you internally. 
And although I said that you will spend most of your time alone with yourself, I also do not exclude that you will want to meet with your inner circle, your loved ones may also meet  and offer to go on a trip to small towns, you can spend time outside the city but away from the hustle and bustle. And if you agree then this trip will also be able to fill you with internal resources, improve your well-being, you will feel how your fatigue gradually passes and your head is free of obsessive thoughts. 
At the end of the month, a situation will occur that will take you out of your inner balance: it will be unexpected, you will be required to quickly resolve the situation or do something in the shortest possible time, make a choice and naturally this can infuriate you. This may be related to work, for example, your boss will require you to do something urgently, make changes to the work, it may also be related to the family, there will be a heated dispute between family members and you will have to take someone's side, since it is difficult to remain indifferent in this case. In any case, it won't last long, you will get a grip and quickly resolve the problems that have overtaken you so you shouldn't worry too much about it.
Thank you for reading! I will be glad of any feedback 🖤
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the-massive-simp · 2 days
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I've been thinking about fem/gn reader losing their virginity to kaeya, venti and kaveh... But maybe they accidentally get hurt and have to stop? I wanna know how they'd act when something like that happens (:
a/n: I love this kind of prompt <3 here you go anon! I'm slowly trying to fight writer's block so its only headcanons and not drabbles but I tried my best. sadly there's no venti because i dont really feel comfortable writing suggestive or nsfw things with him (i know i got your request before changing my rules so you did nothing wrong. sorry for the inconvenience). and remember everyone: a yes can turn into a no at any moment, and that's completely fine. consent is key. also I think that my love for kaveh shows in this one because his part is twice kaeya's one
warnings: it's not graphic smut but sex is mentioned so don't read if you're uncomfortable with that. no mentions of protections (make sure use them irl)
♡Kaeya♡
I imagine Kaeya being a super sex positive person, like for him sex is not a big deal as long as there's respect for the other person
so he was probably ready to have sex with you since you started dating 💀
but of course he didn't push you, he waited for you to be ready to have your first time with him
one time you have dinner at his place and an heated make up sessions evolves in discarding eachother clothes
he asks for your consent like 100 times while you two move to the bedroom
he knows how important foreplay is, so he makes sure to prepare you for the main act
then he slowly pushes himself in, an heavy breath leaving his lips as he hides his face in your neck, his arms supporting him so he doesn’t put all of his weight on you
you immediately feel uncomfortable
the stretch feels too much and its almost painful
at first you think it's normal but it doesn't go away even after he begins to gently trust in you
if anything, it gets worse, but he fails to notice tour discomfort
tears start to spill from your eyes as you put your hands on kaeya chest and tell him to stop
he immediately freezes, concern and guilt flooding his face
"Can I pull out?"
you nod and he backs away from your body, opting to sit back to give you some space
"Did it hurt? Did I do something wrong? Should I go get anything?"
he listens to you as you try to explain him how you felt
he goes getting a warm cloth to gently clean you up before embracing you in his arms
he feels really bad for not having noticed your discomfort sooner
you tell him that's its fine, you thought you were ready but maybe you were too nervous
you two keep talking about it for a while until you fall asleep
after that for a while he's a bit reluctant to try again because he doesn't want to hurt you
but when you tell him that you really want to take this step with him, he finally agrees
expect 3 hours of foreplay
♡Kaveh♡
now now
sweet kaveh loves to spoil you, taking you out to have dinner and go shopping
however his wallet does not enjoy it as much as he does
so you often have dates where you just go for a walk together or have a picnic
it's during one of those dates that he casually mentions the subject of sex
now, he doesn’t want to force you but he loves you so much and the idea of you two doing that together looks amazing to him
the conversation its not meant to push you, but rather to offer you an occasion to talk about it together and see if you feel the same about him
when you tell him you're ready (be it that same date or after years) he gets so excited
he can't believe you're going to share the magic moment of your first time with him of all people
he probably asks you if you two can go at your place since he doesn't want alhaitham around
once you two get down to business, he's the sweetest guy ever
he kisses every single inch of your body, basically worshipping you
makes sure to keep eye contact with you most of the time so he can notice if anything is wrong
after the foreplay, he lets you get on top of him, straddling his lap while his back is propped up by some pillows
he wants you to be the one in charge so you can choose the pace of events
the moment you lower yourself on him, he knows something is wrong
yes, he does feel a lot of pleasure from finally being inside of you, but he doesn't miss the face you make
when after a few seconds he sees tears pooling in your eyes he has the confirmation of his suspects
he immediately grabs your hips and pulls you up, making you sit on his thighs before comfortly rubbing your arms and shoulders
"What's wrong baby?"
he's so gentle with you, holding you close while you sniffle in his neck, hands resting on his chest
he strokes your hair and reassures you that you don't have to do anything if you're not ready, that he'd wait a thousand years for you, that he loves you as much as before, that sex is not the important thing in your relationship
he waits for you to calm down before asking you what exactly you think went wrong
if you tell him you want to try again he's completely fine with it, but he becomes even more attentive and gentle, making sure that this time you'll be able to enjoy it
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utilitycaster · 6 hours
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Something I think actual play is uniquely good at showing is, for lack of a better way to put it, narrative choice. You see the story that people decide to play out; you see the threads that people wanted to follow. You also can, if the GM shares their concepts, get an idea of some of the other possible paths not taken and stories not told, but ultimately they are untold. And finally, ironically enough for a medium with a random element, it makes creator intent unavoidably clear.
We see it all the time in Critical Role. There probably was a really fascinating story to be told with Vox Machina working with The Clasp following the fall of Emon. The party chose not to do it; we don't know what would have happened. I like many am intrigued by the Augen Trust path Matt had planned for the Mighty Nein; they didn't take it. We can't judge the story on what might have been, even if we find it interesting; we can only judge it on what was. And we don't follow the Clasp nor the Augen Trust as a result, because it's not where the PCs are; at most we might see the effects their actions taken without the aid of the PCs had on the world when their paths cross again. The camera, in D&D, always follows the PCs. You see what they see.
Essek was redeemed because the Mighty Nein wanted him to be redeemed. In actual play especially there's a weird tendency to switch to the passive voice to describe things one dislikes, but this choice was anything but passive. The party learned Essek had been lying to them and made their choice to remain his friends, and the story continues from that presumption, and while I am the first to reject the "but the cast liked it" argument, the fact is, one can't reject this redemption without rejecting the party's choice, and the party is controlled by the cast.
It's great to discuss paths not taken, and it's even true that you might believe those paths to be a better story. But you cannot rely on the camera - or the audience's interest and sympathy - to abandon the PCs desires and decisions just to suit yours. You can't do this as a GM, as another player, or as a viewer. Nor can you expect people to judge based on potential once it is no longer potential; a strong concept that is never followed doesn't count as the story; at best it counts as the GM or player's creative intent.
Actual Play forces people to take a story for what it is. I think the fandom can be so fraught because many people do not understand quite how it's limited in scope nor what is under GM control and what is not and so they act like choices are inevitable and inevitabilities are choices.
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skamenglishsubs · 14 hours
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Subtext and Culture, Young Royals, Season 3, Episode 6
Out here in the real world it's been a week since the cliffhanger ending of episode 5 where Simon broke up with Wilhelm, but in-universe it's just the next day, and Wilhelm is being comforted by Felice.
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Subtext: This entire episode is incredibly meta, there are so many times characters say things that reference earlier seasons or episodes, or the entire series as a whole. This is the first time, and Felice is saying what we're all thinking. IS IT REALLY OVER?!? 😱
Blink and you miss it: Felice gives Wilhelm her sunglasses and dries his tears so he can hide the fact that he's been crying. Also, look at that gorgeous Swedish summer. It is so pretty.
Culture: The third-years are painting the banners that go on the trucks on graduation day.
Culture: They're also signing each others' student hats, which is a common tradition. You can just sign your name or write something funny or do whatever.
Culture: This car is what we in Sweden call a sossecontainer. It's an old 90's Volvo, it's square, it's ugly, and it was pretty cheap and reliable, so it was very common and popular among working class and the lower middle classes. It was never a high-status car, so it perfectly illustrates the Eriksson family.
Subtext: Oh look, another throwback to season 1 when Sara argued with Simon about their dad, and said that he should stop giving people second chances.
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Culture: Oh look, another poem by Karin Boye. This time it's Eternity, a poem about cherishing your time with your loved one, and the text is about how good times feel like an endless summer, which is what it certainly looks like for the kids and their teacher in the lush landscape. But just like in the poem, their endless summer is about to end.
Culture: This is pretty much exactly the reason used when real-world Lundsberg was temporarily closed.
Culture: And Wilhelm isn't wrong, the shitty traditions are in the walls of the place, it's always been like that, and it's always been upheld by everyone involved with the school, parents, teachers, staff, and students.
Subtext: Since this is the last episode, let's prepare the viewers to say good bye to the show, and let's do it with a little montage of students crying and taking their stuff down and emptying their rooms.
Culture: This is a 100% factually true statement, Göteborg is the worst city in the world. Source: I'm a native Stockholmer, and you just have to trust me on this, ok? Look, it's just common sense, alright? Don't listen to people from Göteborg, they're just jealous they're not living in the glorious capital. Also, they talk funny. And they have no sense of humour! And everyone is named Glenn or something.
Culture: I don't think they're referencing an actual school here, and the current Norwegian royal children went to school in Norway, not Switzerland. But the current Danish crown prince went to some boarding school in Switzerland for a while, but then he went to the Danish elite boarding school Herlufsholm. However, it was rocked by a bullying scandal in 2022, so they had to pull him out of that one and deny all knowledge of the events. Feels familiar?
Culture: Solliden is the private summer palace of the real-world Swedish royal family located on Öland, an island off the south-east coast of Sweden. The show has consistently stayed away from every likeness with the real world, but I guess they couldn't be arsed making up a fictional summer palace for the YR royal family so they went with something familiar.
Subtext: Farima is talking about the problems of finding a new school for Wilhelm from an academic perspective, but he's just thinking about how this means he won't be close to Simon any longer.
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Culture: Vincent and the boys are pouring one out for Hillerska. It's a way to toast a dead friend, or in this case, a place.
Blink and you miss it: August places a king chess piece on the table before telling his friends that he's Wilhelm's reserve and might be king someday.
Subtext: And he's still so blinded by the glamour of it, despite everything. Thankfully, his friends can bring him down a couple of pegs.
Blink and you miss it: While Wilhelm is returning Kris, the book from last season, the second book in the pile is a book by Kjell Westö, Den Svavelgula Himlen - Yellow Sulphur Sky. It's about a working class kid in Finland becoming friends with his upper-class neighbour family, and his struggle maintaining a relationship with the girl of the family because of their class differences. Slightly on the nose there, show.
Meta: Henry interrupting our boys at the worst possible time is just a running joke at this point. How many times has it happened now? Four times? Five? Read the fucking room, Henry!
Subtext: Last chance to have a party together, but also last chance to see Simon, "maybe ever". Oh no, we have to start preparing for a sad ending!
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Culture: Red solo cups are not a thing anywhere outside the US really, but you can buy them as a gag gift in Sweden, because to us they're just a weird movie prop we've seen American movies. Every other party scene in the show has featured regular plastic cups.
Culture: Drinking with the teachers?!? Yeah, sure, why not, everyone is an adult.
Subtext: Emo outfit? ✅ Sitting on the floor? ✅ Full of self-pity? ✅ Exaggerating the catastrophic state of his world in the way only a 17yo disaster boy can do? ✅
Meta: Another throwback to how Wilhelm was referred to as the party prince back in season 1.
Blink and you miss it: Felice hides the wine bottle behind her back before Malin comes in. She knows, Felice. Malin knows everything.
Meta: Another throwback to when Wilhelm was eating the dirt at the very same football field that disaster emo boy Simon is now sitting at together with his friends, who are trying to convince him to go to the final party.
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Subtext: This time, August isn't just sorry that he got caught, he is genuinely sorry for everything he did to Wilhelm. He in turn forgives August, and we're all getting closure for this plot point.
Meta: Hey, hey, hey guys, do you remember that scene in season 1 episode 1 when Sara helped hold Felice's hair while she was throwing up? We're doing a throwback here!
Meta: Hey, hey, hey guys, do you remember that scene in season 1 episode 3 when Felice told Sara that maybe you don't have to speak the truth all the time? Well, Sara still doesn't understand why you would lie, but this time she's right, Felice was right to tell the truth.
Blink and you miss it: Stella and Fredrika are making out at the party, Felice saw it, and is making a very funny face. This is also why Stella rudely rejects Rosh, because of course she's gonna choose Fredrika, Rosh was just a distraction to make her jealous.
Subtext: Vincent is talking about Nils, who just came out, but August just saw Sara, and that's the whoever he wants.
Subtext: But despite saying that he doesn't care about anyone else seeing them, he still ducked behind a stack of pallets for this conversation.
Meta: This is a brutal Fleabag reference.
Cinematography: This scene is overwhelmingly lit in that sickly greenish fluorescent hue, but there's golden light coming from somewhere, so Sara and August share one final kiss in that golden light. But there's not enough of it to go around, not enough for their love to last, so August is left standing there alone, and all the golden light is gone.
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Cinematography: Wilhelm and Simon left the party sometime after midnight, this is supposed to be a very early morning summer sunrise, and our boys are just gonna be bathed in the golden light throughout the entire scene. Gods, it is pretty.
Meta: Hey, hey, remember that scene in season 1 when Simon was singing that song, and Wilhelm instantly fell for him?
Meta: Hey guys, remember that scene in season 1 when they were discussing welfare politics in class and Simon threw shade on Wilhelm? This is a throwback to that.
Cinematography: Just fucking look at this shit. What a nice view. The nature and the sunrise is pretty, too! Going naked into the water? Yeah, that's a rebirth metaphor as well. Lisa said so!
Subtext: This entire scene is basically Wilhelm trying one last time to get Simon back. They said they weren't gonna, but he's trying anyway. They're talking about that politics class where Wilhelm couldn't speak up because he was "not allowed". So he's still bound by his royal duties, which is why Simon broke up with him last episode.
Subtext: And since Wilhelm is still stuck, he's left on dry land, while Simon swims away from him, free. Guys, I'm thinking we're actually gonna get a sad ending! This does not look good! 😭
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Blink and you miss it: Stella and Fredrika are sleeping in the same bed and making out the morning after, and millions of #Stedrika shippers are rejoicing! Yay, fanservice!
Blink and you miss it: Walter is helping Henry up after he passed out in the grass outside after the party, and millions of #Walty shippers are rejoicing! Yay, fanservice!
Subtext: The last photo Wilhelm takes down from his wall is the one with him and Simon, because that's the most important memory of this place.
Blink and you miss it: Wilhelm shuts off his red lightstrip in his room. Those lights have typically been a symbol of his love for Simon, but he's turning it off. Sad ending confirmed.
Meta: Listen, it's a lovely little song that Simon wrote for Wilhelm, but it's 100% fanservice, it's referencing events in the show that Simon actually didn't witness, and it's even referencing the soundtrack to the show itself! I mean, come on! And we're getting yet another sad boy Wilhelm montage of him moping around Hillerska with his earbuds.
Subtext: Remember how the frog snowglobe was a gift from Erik, who in turn got it from their grandpa, the king? It's so obviously a symbol of the monarchy, but Wilhelm is dumping it in the trash. Are we... Are we not getting a sad ending?
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Cinematography: The shot of the flag being raised is cut off at half mast, which is a pretty universal symbol for mourning. Oh ok, we're back on track for a sad ending.
Subtext: This is the first time this season that Simon speaks Spanish with his mom, and the first time in the entire series that Sara does, which shows that they're fully themselves again, they've pulled themselves out of the Hillerska world.
Culture: The graduating students are having a champagne breakfast before the graduation ceremony, that's also very common in Sweden.
Subtext: Felice and the rest of the choir decided to have a little rebellion and not sing the boring old Hillerska song, and instead the new improved one that Simon made last season. No-one told him about the switch though, which is why he's so surprised.
Culture: After the ceremony, the graduating students will run out of the school to find their parents and family and friends, who are waiting for them, usually with a big sign with the most embarrassing baby picture they could find of them.
Blink and you miss it: August's mom and stepdad have also made a huge sign with an embarrassing picture of August Malte as a kid. Adorable.
Lost in translation: The queen is saying "lilla gubben", which literally means "little old man", a very common term of endearment in Swedish families. The show has been pretty consistent in that Wilhelm's family are all using normal words, just like any other family would. So it's pretty funny that despite everyone else using titles and styles all the time, to Wilhelm, his parents are simply "mamma" and "pappa", as if he was a regular kid.
Subtext: As a graduating student you get little gifts from your family, flowers, champagne, stuffed animals, all with a blue-and-yellow ribbon so you can hang them around your neck. August is family, so the Queen gives him one as well. Of a frog with a crown. Which is a symbol of the monarchy in the show. Wilhelm threw his frog in the trash, August is getting a frog from the Queen. I think there might be symbolism here! I think we're setting up August to become the next king! Do we dare hope for a happy ending?
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Cinematography: Just fucking look at this shit. The composition, the contrast, the height difference, the distance between them. It's so pretty. And they're talking about how good it was while it lasted, just like how a TV show with a sad ending can still be an amazing experience. Hint hint.
Subtext: We're saying our goodbyes, Wilhelm and Simon are saying goodbye to each other, Wilhelm wishes Simon a nice summer, just like how Simon wished Wilhelm a good Christmas back in season 1, and just like back then, they both understand that they love each other, but can't be together.
Cinematography: And then Simon exits the scene, again, leaving Wilhelm standing there alone, again, having seemingly chosen his family and royal duty.
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Culture: It's common to either rent a truck as a large group of students, or to be driven in a flashy car alone or with a friend. The two girls in the centre are sitting in a very nice Aston Martin, while a bunch of their classmates are on a truck. I can't make out the full text on the banner, but I think it says something like "Lock up your sons because tonight we become like animals".
Culture: Svensson is a very common Swedish last name, so to "be a Svensson" basically means that you're super average and mediocre, you're like everyone else. Whereas these elite kids are used to having everyone else bow and scrape for them, so that message is on brand.
Cinematography: We're in the car, it looks like the ending of season 1, and we're doing a close-up of Wilhelm's face. We're ready for the fourth-wall-break of him staring sadly into the camera, having been once again broken down by the system and not getting the boy. We've said goodbye to everyone, roll the credits, start your crying...
Cinematography: ...except the show isn't ending here. We're having an honest conversation between Wilhelm and his parents for the first time. Because every other time he's said that he doesn't want to be crown prince of the next king, he's been angry or upset, he's been threatening, and definitely impulsive. But he's never wanted any of it.
Cinematography: His parents let him go, they open the door to their van, Wilhelm exits, and the show turns up the volume of the soundtrack. "Energetic music" my ass, it's the Harmony theme! It's the main theme of the entire show playing as Wilhelm runs away.
Subtext: Oh, yeah, August sees him run away, and understands that he's next in line now. Sorry buddy, sucks to be you, but never mind that now. RUN, WILHELM, RUN!!! GET YOUR MAN!
Cinematography: The shows turns into the most perfect rom-com, with Wilhelm chasing down Simon's car through the incredibly lush and green Swedish summer. He catches up to them, tells Simon that he ditched the crown for his own sake, and asks if it's really over between them.
VAD FAN TROR DU?
As if the soundtrack wasn't triumphant enough, it now starts playing As Long As you Are Here as they throw themselves in each other's arms. Happy ending! They're crying, I'm crying, we're all crying! 😭
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Cinematography: A montage? With all the best scenes between our boys from the entire show? With the text of the soundtrack perfectly matching the montage? I should be outraged at how cheesy this is, but it is perfect. Perfect. I love it. I swear, this fucking show.
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Subtext: Finally we are at the true ending of the show. Wilhelm has managed to escape Hillerska, him and Simon and Sara and Felice have all escaped the hierarchies, the expectations, the duties, and the toxic environment of the school. He arrived in a Ferrari, and is now running away with his boyfriend and friends in a crappy Volvo station-wagon. The stiff suit jackets are gone, they're all in white, his hair is ruffled in the wind, and for the last time ever Wilhelm looks into the camera. And he smiles.
He is finally free.
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shiki-jin · 2 days
Text
YOUR CELESTIAL MAJESTY • SAGAU
(part 0 here)
was listening to TruE on loop while writing the last part of this, it's genuinely such a good song ugwvdya
also can you spot the contradiction ;D it's plot relevant i promise
not proofread, dont bully me ill write a thesis on why youre a meanie
you had long deleted genshin, since you had other things to do. you had wanted to go back to the game for a while now, now that you were less busy, but there was just one little problem.
it was now taking up nearly triple the amount of space that it was when you uninstalled it. around 300 whole gigabytes.
jesus christ, what phone can even handle this???
your phone, apparently. because as you opened the game to see if maybe a miracle would happen and that if maybe they would just, like, remove half of the things in the game, it just… kinda loaded?
no installing new files, no checking for anything, no nothing…. just an immediate pan to the gates of celestia.
you decided to check if it was the right genshin since this was just way too weird, but countering your judgement, every link you found led you to the same game, leading you to believe it not to be a bootleg or an illegal version.
guess i’ll trust it then.
you clicked on the gates which opened smoothly, and your screen turned white. then, the symbols of the seven elements appeared in gray.
and then the game just… opened. no loading time, once again. no getting stuck on the geo symbol, nothing. nada. just a smooth entrance into what you had to assume to be teyvat — but your surroundings didn't really support that claim.
the grass was brown and just looked off, the sky was gray. a darker shade than, say, mond’s walls, but it was like one of those game crashes.
well, except you could still move around.
you moved your current character around (the traveller? since when were they the only one in your team?) and decided to open the map after not figuring out where you could possibly be.
hold on, this is springvale? since when?
eveything looked dead, like it had been rotting for a century. you tried to ignore it though, and teleported to the inside of mondstadt. surely this was just some glitch, right? one that would fix itself if you teleported?
maybe the world loaded incorrectly, maybe the fact that nothing took time to load meant that it couldn't load, maybe this or that, maybe…
maybe this really was how the game looked normally. you hadn't done any quests though, so you wondered if it could be restored.
you took a screenshot of the your surroundings — the stone, worn down and dirty. the houses which looked to be in a horrible state, and… the npcs, all sickly and pale, like they were starving.
you went to reddit (yes, reddit), and posted the screenshot, asking if it was normal.
you closed the game and decided to take a nap, too tired to really deal with this shit any further.
while you slumbered, people replied to your post.
╰┈➤ lol me too anon, me too
╰┈➤ isn't the game closed or wtv? how'd you get this wtf
╰┈➤ they're trolling
╰┈➤ o makes sense oops
╰┈➤ So we’re all still mourning huh
╰┈➤ jokes aside that's a super impressive edit ngl
you remained unaware of the truth, but you'd find out soon enough.
actually, you'd find out now, apparently…
what the fuck?? why is my bed so hard now?
you groaned and forced your eyes open, seeing a dark, nearly black sky.
the only light was a single star, lingering right above you.
“since when was i outside...?"
a voice spoke to you, answering your question.
“you always have been, have you not? but would you like to head inside, my lord?”
... huh? i recognize that voice...
p.s. place your bets on who it is, i’m thinking of one specific character but if there's a fan fav i'll make it them instead since i haven't written anything beyond this point (⁠・⁠_⁠・⁠;⁠)
p.s.s. don't expect updates to this series too quickly, i wish i could write as quick as i think of ideas but sadly that's not the case orz
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ode-to-fury · 3 days
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See the thing is I think a fundemental thing about Gale Dekarios is that if he didn’t have a love interest to talk him down he would claim the crown every time. Because I don’t think he would even stop to think about whether it’s a good idea or not, just like he didn’t stop to think about the orb the forst time. Did he learn his lesson that time? Sort of. He’s going to be super careful about rebuilding the crown. No mistakes! No research undone! He learned his lesson in the sense that now he thinks he was being too hasty and not thinking it through with all the facts… but he has all the facts now. And Karsus’ own book! I think that’s such a fundemental part of his character. Also, he’s impulsive! He does and says things without thinking all the time! Like yes he does it in a charming way and the way Tim plays him leads you to believe he’s jokingly doing it but I’m not so sure. His impulsivity, despite what Larian try and make you believe in scenes like the Blood of Lathander, has only marginally improved from when he discovered the orb. In fact, he’s been locked in a tower for a year, if anything that made it worse now that there’s so much to see and do again.
“But his friends!” I hear you say. Well, disembodied voice that represents my imaginary audience, to that I say- he had friends before. Supposedly. And I have this feeling that he’d think no matter how good of a friendship he has with someone, they’ll leave at the drop of a hat if he does anything wrong ever. Maybe- MAYBE- one of the others could convince him not to do it (I’m thinking Wyll probably) but idk how much sway that would hold with him given his past with people like Elminster and I assume his other colleagues. And another very prominent characteristic of his is that he is very romantically motivated. Even one of his wishes if you talk to that mirror is some shit about a tower being a refuge for him and his sweetheart or whatever (I love this sap of a man). I think more than a lot of the others, he is really looking for a deep connection, a deep companionship, and in the absence of something like that I think he’ll settle for the best revenge against Mystra he can conceive of which is wresting her magic from her or becoming better than her. (Granted it doesnt exactly work out that way but that is the groundwork of his plan)
So I think, in conclusion, if there are a hundred alternate universes Gale would pursue the crown of karsus in 98 of them. The two other possibilities being he has a romantic partner that does not share his ambitions or think they will harm him and thus talks him out of it, or he does for some reason listen to a voice of reason which he has come to trust as much as his own (the only companion I can concieve of this as being is Wyll or an unromanced Tav/Durge)
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nothorses · 1 day
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What is your opinion on terf blocklists, where every one on there at the time had clear and intentional radfem beliefs pushing shitty ideas about trans people and easily identifiable as to what exactly they believe via what they say and circulate and who they constantly reblog shitty things about trans people from?
I promise this is a genuine good faith question; I want to understand if the thing I've been taught be others to do with the purported intention of eliminating platforms for terfs to protect ourselves and others is actually helpful or if that also has far reaching consequences I hadn't considered before. I'm trying to think about it but struggling with the idea I got taught to do them/follow them (blocklists) for being to identify correctly and block, not harass. But do the harms of encouraging that approach actually outweigh the benefits and that doesn't change even if the blocklist is for actual bigots?
Again, genuine question. Trying to learn.
I think the problem here is less in how a blocklist is constructed; it's not hard to imagine that a list can be made under strict enough criteria, with enough careful vetting, to contain only Genuinely Bad People- or at least people who would not object to being placed in the category of that list. It's also not hard to come up with categories of people that feel morally reprehensible enough, and unattached from any marginalized identity enough, to be "safe" to target: it would be absurd to argue against a "Nazi blocklist" that contains only self-proclaimed Nazis.
The problem also isn't really in how blocklists are intended to be used; it's pretty fair that someone might want a list of people to block pre-emptively in order to avoid harassment, particularly when that harassment is bigoted. It's not hard to imagine that someone making such a list is doing so with the intent that it only be used for blocking, and that they might even make an effort to say as much in the post. And at that point, is it really their fault if someone goes against their clearly-stated wishes?
The problem is that a blocklist is, by fundamental design, "free research". It's put forth entirely so other people do not have to do their own research, which means the entire premise discourages people from doing that research.
You aren't offering up a list of people that others should go look into and form their own opinion about, you're offering up a list of people you already did the research on so people can copy/paste and be done with it. It would be counterproductive- and frankly silly- to post a blocklist with some "but make sure to double check these yourself!" disclaimer, because like, that's not the point of the list. Nobody is going to do that. Even if they did, they're looking into these people under the assumption that there is something to find; everything is going to look suspicious in a way it never would have without that framing.
The question isn't whether a blocklist can be made with good intentions and due diligence; the question is whether it can be made with ill intent or sloppy execution, whether anyone can tell the difference, how likely they are to actually check, what you're doing with that list, and what impact your choices have.
If I make a list, the message I send is, "you can trust me. I did the research, I did it right, and this is a Good Blocklist. If you trust me, you should trust this list."
If I reblog a blocklist, the message I send is, "I trust this list. I may have even checked it myself. This is a Good Blocklist. If you trust me, you should trust this list."
The majority of the people who follow me probably believe they can trust me to some extent; oftentimes, people just trust that whatever is on their dashboard is trustworthy, because someone they follow put it there. Those are their friends, and their friends are trustworthy!
This should make you nervous. You should not be comfortable with this. People make mistakes all the time, and even if they did do the research (it's so much more likely that they did not, especially if they're not the original creator), someone else's standards of what kind of person "deserves" to be on a list like that are very likely different from your's. Are you going to double check every single name on that list yourself?
Well, if the accusation is bad enough, probably not. Especially if the accusation is something like "Nazi" or "TERF". And if you do start checking, how likely are you to check every single name? If the first 3 or 5 seem to check out, will you bother with the other 50 on the list?
What if OP hid someone in that list who doesn't belong there; someone they just have a personal grudge against? What if OP defines "TERF" to mean "anyone I assume doesn't think trans women are the most oppressed", and after the first 15 actual TERFs, the list is just a bunch of transmascs- many of whom don't even disagree with OP in the first place? What if they define "TERF" to include anyone who has ever been a TERF, and one of the people on that list is a trans person that has been rumored- without any foundation or grain of truth whatsoever- to have once been a TERF?
Will you know? Will you check? Even if someone you trust reblogs it? Even if someone you trust made it?
A blocklist may not have the same kind of obviously punitive intent as a callout post does, but it's a tool from the same toolbox. People think callout posts are about "safety", too. Lots of people also think that about the criminal justice system, about prisons, about the death penalty.
The question is not whether that could be true, or whether there could be a world in which justice is administered correctly with these tools. The question is whether it could fail, and who it hurts when it does.
Who can abuse this system? How easy is it to do so? Who is most likely to be hurt; is it the intended target, or people who are already disempowered by our systems and society?
What is the best way to go about this?
Even done correctly, a blocklist is not the most effective tool here: people can remake their blogs, change urls, and often have sockpuppets ready to go anyway. The list is rendered useless and inert as soon as enough people change their strategies to evade it. A more effective tool is education; teaching people how to recognize a TERF, or TERF ideology, on their own. Teaching them why those ideas are problematic. Encouraging them to block and disengage, and teaching them why engaging is harmful and counterproductive. Talking about de-radicalization, cult recruitment and radicalization tactics, and how to fight this epidemic.
Telling people what to think does not solve the problem, but teaching them how to be critical might.
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QUARTER-FINALS MATCH 3
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Claude propaganda:
"To say Claude has trust issues is an understatement—you have to spend half the game earning his. (Claude isn't even his real name!) Once you have it, though, he's absolutely ride or die for you until the stars go out. He is so full of heart and ambition: He wants both sides of his heritage to get along, he wants to open borders and eliminate xenophobia and promote equality between commonfolk, and deep down, I think he craves a partner to stand with him at that new dawn, or an equal who sees his vision for the future and will fight for it just as hard. Nobody believed in him when he was a kid, but if you put your faith in him, he'll return it tenfold. Some people don't like that he's calculating, or has to leave the player character at the end of the game to go back to his homeland, but both are necessary elements for his goals to change things. He will always come back, and everyone who bets against him and his love for his companions is wrong with a big fat W. #KhalidForMostDatablePrez"
"Claude is a fun little onion of facades. He calls himself the embodiment of distrust, he acts like he's carefree and without worries, an unscrupulous schemer--and so many in universe buy into that hook line and sinker. He's used to others viewing him with suspicion and uses it as armor to obscure his not-so-dark truth: that he cares immensely, that he values minimizing the loss of life, and that above all he has so much hope that people will fundamentally choose to do better given the choice.
His front guards a center that his conflict filled world would be happy to tear apart. As the child of people from two nations in constant conflict--one of which is explicitly isolationist and dehumanizes those outside its church's reach--he hasn't really had a place where he can be without his facade. As a child he thought he could run, but when confronted with the fact that this hatred existed no matter where he ran, he chose to instead try to create a more just and kind world.
His inability to let others in beyond his facade at first may lead to a sense of distance, but isn't it then all the more satisfying when you're allowed in? All he wants is a little trust, a little faith, and--like what he wants to give everyone--a chance to be better.
And like that you got a charming young lad with a fun personality that your grandma would be thrilled to have stay forever."
Milo propaganda:
“they were in the last contest sure but i feel like they could get farther. like they're literally a nonbinary grim reaper that's also an influencer and sure sometimes the influencer stuff can get kinda overwhelming i feel like it's very clear that they care about you and want to be around you. you guys go on a reaping date. their eyes and nail colour change based on their mood too and i think it's a really cute detail!! also SLIGHT SPOILERS but they even reference rocky horror in their special ending. they are perfect to me and i love them and i believe they deserve a second chance <3”
"Vote for Milo because they deserve it
They're literally so attractive
- They are a social media influencer
- They are obsessed with an adorable little kitty and will do everything in their power to make this cat the most beloved creature in existence
- They love makeovers and helping their friends rebrand (this includes working with Damien and the PC to help Jerry the Murderer rebrand so that they really has a brand identity)
- They are a grim reaper and even help the PC plan the PC's own funeral (special ending) and they give a great speech and it's super sweet
- They will sometimes take the PC on reaping jobs with them and shenanigans ensues
So in summation, vote for Milo because, as I repeat, they deserve it"
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Don't Ask Me for QL Recommendations Because My Taste is BAD
Bad as in TRASHY.
For your own good, don't ask me for recommendations.
I'm writing this because I've gotten some asks lately for QL recommendations and I wanted to spare you the pain.
If you still don't trust me (because to be fair, why would you? I'm just a random weirdo on the internet), let me tell you how bad my taste is so you'll know why I'm doing you a great favor by sparing you the pain.
(I also watch, and rewatch, series/films for ridiculous reasons, yet another reason not to listen to me. I’ll come back to this in a minute.)
Let's start with a brief rewind to a couple of decades ago (because it matters in this context).
The first queer content of any kind I can remember watching was Xena: The Warrior Princess in the late 90s and early 00s (I was a child/pre-teen at the time). It was such a pivotal point for me, which is why I remember it vividly. Not only was Lucy Lawless (the actress playing Xena) the most beautiful human being I had ever seen at that point, Xena was also queer and I loved her.
The series, though? It’s bad.
It’s over-the-top, contains ridiculous humor, face-palm-worthy fight scenes, etc., etc. (But, it was also the 90s, so it was quality television at the time, no matter what anyone else says.) It was so bad that it was ridiculously entertaining. I would watch it today (if I could find it anywhere…). That’s how bad my taste is (or how attached I am to bad shit).
That’s when the groundwork for my bad taste was laid. I blame THANK Xena: The Warrior Princess for it.
Then there was a huge skip until July last year when I found the Asian QL world, because I had no idea it even existed (I’m from Europe, btw).
(My personal story is that I fell into the queer/gay film world before the QL world, and the queer films I could find were made and released very sporadically. But ever since I found the treasure trove of Asian QL series in July 2023, I’ve watched 291 series/films as of right now.)
The reason I fell into the Asian QL world was thanks to a Short on YouTube with the main characters from Roommates of Poongduck 304 kissing. (Want to know what convinced me to watch it? One of them was wearing blue and the other pink, two of my favorite colors. Yep, that’s the reason. Told you it would be ridiculous.)
Since then, I’ve been exploring this rabbit hole and loving every second of all the bad shit that’s out there (there’s some great shit too, and some great things that aren’t shit at all, but they’re not really my taste because my taste is trashy, remember?).
I quickly noticed what my taste was pulling me towards and, in some cases, the trashier it was, the more I liked it.
(I’m talking about fiction here. I’m mature enough to be able to separate fiction from reality. Just because I enjoy watching a series/film that depicts a problematic topic, and sometimes do it in a problematic way, doesn’t mean I condone it in real life. I’m just putting this here as a disclaimer because people on the internet are easily offended nowadays. And I honestly don’t have time to respond to people who are venting their anger after purposefully misinterpreting what I’ve said, unless there’s a very valid reason, which there usually isn’t.)
So, what are some of my favorites that I absolutely do not recommend you watch?
Unless you want to watch trash, then, have at it. Just don't say I didn't warn you.
(Btw, if you like any of these, I apologize for calling your taste bad and trashy. But, if you like any of these, I think you already know your taste is bad. Also, if you like any of these, hey, bestie!)
Let’s start with the less extreme ones so I don’t scare you away from the start. After that, they’re in no particular order.
(With the issues/TW section for each series/film I include possible trigger warnings, taboo topics, what viewers/commenters have brought up as problematic, my possible issues with the writing, etc. I won’t list everything (because some of them would have looong lists) but I’m including some of the major ones.)
Kiseki: Dear to Me (Taiwan)
Issues/TW: Dubious consent, age gap, “adoptive” brothers becoming lovers, etc.
Both couples in this series have their own set of issues. Ai Di and Chen Yi are the “adoptive” brothers who become lovers while Ze Rui and Zong Yi have an age gap (I can’t remember how big of an age gap but I think it was close to 10-ish years).
(Before I move on there’s one thing you should know about me… I was born into a family with a varying degree of age gaps within marriages, from 2 to 23 years. Even though we’ve talked about the bigger age gaps occasionally, it’s never been an issue. I don’t mind age gaps as long as they’re legal. Does that mean I would hook up with someone in their late teens or early twenties? No. I would rather hook up with someone who has a fully developed brain, which science suggests doesn’t happen until somewhere in the mid-to-late-twenties. But it does mean that age gaps (as long as they’re legal) aren’t something I’ll be bothered by or judgemental of.)
Kiseki: Dear to Me is one of my favorite series because:
It’s from Taiwan, and the Taiwanese QLs are generally great at dealing with more difficult and taboo topics.
Ai Di is the feistiest, most colorful, and pettiest bitch and I love him with my entire ice-cold heart.
Chen Yi looks amazing in black.
The neon lights (because I’m a slut for that).
Also, the kissing (from both couples) is great.
You know, I did say that these would be series/films I absolutely do not recommend you watch. But I’ll actually recommend this one. Watch it. It’s great.
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Unknown (Taiwan)
Issues/TW: Age gap, “adoptive” brothers becoming lovers, etc.
This is another one I’ll actually recommend you watch because it’s great.
The main couple (Qian and Yuan) are the “adoptive” brothers becoming lovers while the age gap is most prominent between San Pang (Qian’s business partner) and Lili (Qian’s younger sister). There’s also the fact that San Pang is part of their chosen family and has seen Lili grow up and stuff. So, if that bothers you, then don’t watch it.
The biggest reasons I would personally recommend it to those I know aren’t particularly bothered by taboo topics are because:
The yearning is palpable (and I love shit like that).
Qian would move heaven and earth for his family.
The great story.
The even more amazing acting.
Some moments made me bawl (and since I'm an ice queen, I get obsessed with shit that shatters my ice and makes me cry).
I know I said my taste is trashy… but I would actually give myself a gold star for loving this one.
Now, back to the real trash…
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Love in the Air (Thailand)
Issues/TW: Dubious consent, SA, rape, MAME, etc.
Everyone and their aunt (or however the saying goes in English) seem to have an issue with MAME (the original creator of LITA and several other trashy BLs) and for good reason. (I would say that she improved a lot with Wedding Plan, which is the least problematic thing I’ve watched from her and it’s the latest series of hers, as of right now.) If she’s grown, remains to be seen. But it doesn’t change the fact that LITA has some issues.
Honestly, I just watch this for the visuals, as in the motorcycles and the neon lights. That’s it. That’s the reason.
I mean, if you look at the whole first sex scene between Sky and Prapai, you get what I mean with the neon lights. It’s divine. (I recently rewatched LITA for this very reason. A waste of time, you say? Not when you’re a slut for neon lights.)
Don’t watch this though! Just enjoy this gif instead…
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I just saved you 13-ish hours of your life. You’re welcome.
TharnType and TharnType 2: 7 Years of Love (Thailand)
Issues/TW: Dubious consent, homophobia, domestic violence, MAME, etc.
Don’t watch this. This is bad. As in, really bad. And all the issues are in the main couple’s relationship.
But, since my taste is really bad, I rewatched this recently for horny reasons (it’s Mew, after all, and he’s got me in a chokehold for some reason). It’s still as bad as I remembered it, but I would still rewatch it for Mew’s sake (and because Techno is ridiculous throughout both seasons, which means I love him).
To be fair there are other, a lot spicier, series that I watch more often for horny reasons (yes, some of them are in this post because they’re trashy too), but none of them include Mew. And since I have to get my dose of Mew from time to time, I return to TharnType (especially the second season).
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Big Dragon (Thailand)
Issues/TW: Dubious consent, blackmail, etc.
This isn’t that problematic in my opinion, but there is definitely a drug-induced sexcapade that’s taped and used for blackmail for a while. And that's how the series starts.
I recently did a rewatch of this and it was still bad (in a good way) and I loved every second of it.
What I love about this series are:
The visuals. The set designs are beautiful (especially Yai’s home and the bar, before he demolishes it). As a visual artist, this is speaking to my soul.
The chemistry between Yai and Mangkorn.
Pong and Park. Two idiots I love with my whole ice-cold heart.
And the title track because it’s addictive as hell to listen to.
Also, the sex (which my horny ass needs). Let's not forget the sex. Those scenes were also visually stunning, which made me love them even more.
Honestly, I'll kneel and bow down to this shit because it's that great.
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Don’t trust my judgment, though, because my taste is trashy.
Only Friends (Thailand)
Issues/TW: Manipulation, stalking, promiscuity, etc.
This series is messy in terms of intrigue (especially from Boston and then Boeing’s part). The ending had some issues. The sex isn’t everyone’s cup of tea, either. I, on the other hand, would drink a whole pot of this.
Overall, I loved this trash. Mainly because of:
How visually stunning it is.
Sand. He’s a hardworking, good person. He’s also a proud bi!
How they depicted and handled Ray’s addiction and recovery. (I know some watchers were upset that the focus of the series landed on Sand and Ray towards the end while neglecting the other characters, which is a valid point. However, setting that aside, the way they portrayed Ray’s addiction and then his road to recovery in the last couple of episodes was realistic, and I loved it.)
The promiscuity, because I loved it and the mess it created.
Boston being a slutty asshole. The more of a slutty asshole he was, the more I loved him. (I know, it’s a me-problem.)
Boeing coming in and kissing (almost) everyone.
It’s trashy, it’s messy, and I love it!
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But, I don’t recommend it to anyone.
My Beautiful Man 1, 2, and 3 Eternal (Japan)
Issues/TW: Dubious consent, obsession, bullying, lack of (or no real) communication, etc.
I love this series (2 seasons + 1 film), but I honestly don’t see it as particularly problematic. But I know others will disagree with me, so here it is on my list of trashy QLs.
I don’t mind Hira’s obsession because I know Kiyoi is just as whipped for Hira (even though he doesn’t know how to communicate it to Hira at first, especially in a way that Hira understands). Would I be okay with someone’s obsession and stalking in real life? Of course not. But, as I mentioned before, I’m mature enough to separate fiction from reality.
Also, I love miscommunicating characters, especially when the misunderstandings they create bring out all the emotions (angst, hurt, anger, sadness, embarrassment, etc.) and even the flight response. I especially love miscommunicating characters when they learn to communicate throughout the series/film. And this series is especially delicious on the miscommunicating part.
But, it’s also problematic, apparently. So, don’t watch it.
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The End of the World With You (Japan)
Issues/TW: Blackmail, biphobia, cheating, etc.
I’ll be honest and say that I’ve only watched this series three times. And that’s because the biphobia is fucking annoying. In this series, the bi character is depicted as a cheater (which is common in QLs, btw). It’s an exasperating stereotype. Cheating has nothing to do with your sexuality and everything to do with who you are as a person.
(I mean, you can be a proud bi like Payu in LITA or Sand in OF. They have eyes only for one person as soon as they’re pursuing or dating someone. Give me more bi characters like this, please.)
We could discuss how cheating can be used as characterization in certain stories. But not in this one. Here, they’re basically using Ritsu’s bisexuality as the reason he’s cheating (since he’s sleeping with Masumi while having a thing going on with a girl, and then sleeping with a girl when he has a thing with Masumi), which is why it’s bothering me in this series.
If I’m going to tell you why I like this series, however, it’s for 2 reasons:
It’s about getting a second chance, a topic I love.
The sex (laser-focused horny Ritsu is my favorite Ritsu).
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Check Out (Thailand)
Issues/TW: Biphobia, cheating, lazy writing, etc.
(It should be mentioned that I’ve read some comments about some issues involving the company behind this series. I haven’t dug deeper into this so I don’t really know if there’s any substance to the comments I’ve read (like official statements from the company or the other people involved, etc.). But I’m putting this out there in case this might be a potential issue for you (even though I’ve already told you that I don’t recommend you watch any of these because they’re all trashy).)
When I first checked this out at the beginning of this year, this series seemed to have created a storm of bad comments and reviews on MDL since it first came out. So, obviously, I needed to watch it because my taste is trashy.
And, you know what? I loved it!
Besides having the bi character depicted as a cheater (again, the use of this biphobic stereotype is so fucking annoying) and the sporadic clunky and stale scenes, I loved this series because:
It’s about second chances. As I mentioned before, I love that topic.
Best (the actor playing Daonuea) is the best in this series. There’s just something about him that grabs my attention every time. He has me in a similarly tight chokehold as Mew.
There’s sex (and my horny ass needs it).
But, it’s also trash, so don’t watch it.
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Pit Babe (Thailand)
Issues/TW: Domestic violence, non-consensual, SA, age gap, etc.
This became popular. Really popular. I saw people comment about it everywhere. And usually, when stuff becomes popular, it’s more than likely reduced to trash quality by the general public. So, obviously, I had to watch it.
Did I end up loving it? Yes.
Honestly, the biggest issue this series had for me was the whole omegaverse thing (this was a new thing for me because I don’t come from an erotic fiction background, my head was rather stuck in fantasy fiction). And, from my limited understanding of this, they didn’t seem to fully commit to the omegaverse thing in Pit Babe, which was unfortunate.
The racing was also so-so for me, which hurt my soul because I usually love racing (cars, mcs, boats, etc.).
What I did like, however, was:
The chemistry between Pete and Kenta (and I’m so sad I only got crumbs of this).
Pavel (the actor playing Babe). I would watch and listen to him recite product placement scripts for toothpaste all day long.
The sex, especially the scene with Babe and Charlie in ep. 9 (even though it was mixed with clips from the racing) and Jeff and Alan’s scene in ep. 13 (because it was sensual, if we ignore the music).
The neon lights (have I mentioned that I’m a slut for neon lights?). I mean, just look at this:
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I can watch that pinkish light all day long, even though Babe and Charlie are trying to distract me. (Especially Pavel!)
Dead Friend Forever (Thailand)
Issues/TW: Grooming, bullying, suicide & suicide attempts, etc.
Besides the issues listed above, this also suffered from lazy writing at the end. BUT, I fucking loved DFF anyway.
I never expected to love this series because it’s just a bunch of teenagers stuck at a house in the woods. How interesting could that be? Turns out, very.
DFF wasn’t perfect (perfection doesn’t exist anyway), but what I loved about it was:
The morally ambiguous characters.
The revenge plot.
The poetic justice.
The questioning of what was real vs hallucination.
The visually stunning shots.
The mask!
And Tan’s mask!
The beheading scene.
I could go on, but you get the point. I just love this piece of trash.
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But, please, don’t watch it. You will suffer from brain rot. Trust me.
I, however, am currently rewatching this because I choose the brain rot. And my taste is trashy, remember? Or, perhaps I just love watching chaos unfold…
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HIStory 3: Make Our Days Count (Taiwan)
Issues/TW: Dubious consent, age gap, tragic ending, etc.
Everyone and their aunt and even their dog have an issue with the ending of this one. And it’s understandable.
I don’t necessarily like or dislike the ending. Obviously, the bury your gays trope is tragic in itself, and, tragically, it’s still being used. That’s why I couldn’t find myself liking the ending, even though I don’t mind tragic endings. (Romeo and Juliet is one of my favorite classics, which people tend to forget is a tragedy and not a romance, btw, but I digress…)
At the same time, though, this series made me cry for a whole episode before tragedy struck because I could feel it. And you have no idea how obsessed I get about shit that makes me cry (since I’m an ice queen).
(Another side note: one of my favorite BLs is Once Again, which made me bawl throughout the whole series. It’s not on this list because it’s neither trashy nor bad, but it’s still one of my favorites because it broke me in the best ways. But, anyway…)
The best part of this series from beginning to end was the other couple, at least for me. This couple is the one with the age gap (which, again, doesn’t bother me) and I fucking love them! One, because Wilson Liu (the actor playing Bo Xiang) is such a gem. Second, because their first time was such a spur-of-the-moment thing fueled by a desire that went from 0-100kph in less time than a Ferrari would. And I loved it (just as much as the squeezing of boobs from behind, which, for some reason, appeals to me).
Also, the twins are so pretty it’s annoying.
Do I recommend it, though? No, because I don’t have time to respond to the clap back I’ll get when you come to the end.
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HIStory 4: Close to You (Taiwan)
Issues/TW: Dubious consent, SA, obsession, age gap, stepbrothers becoming lovers, etc.
This one has some problems (especially the relationship between Yong Jie and Xing Si), but I love both the series and its problems (yes, I’m trash). You could say that I’m as obsessed with this series as Yong Jie is with Xing Si. Would I get this series drunk and fuck the living daylights out of it? No. But I would watch it once every 3 months or so. Oh, wait… I already do that. Because I’m trash.
What do I love so much about this series (other than what I mentioned above):
It’s from Taiwan.
Li Cheng is ridiculous, which is exactly why I love him.
Every time I rewatch it, it gets funnier.
The chemistry between Li Cheng and Teng Teng is amazing.
As well as the chemistry between Yong Jie and Xing Si.
The kissing is just as amazing.
The main fujoshi girl, Mei Fang, is so cute I can’t handle her.
And the bathroom scene! In that lighting! It’s iconic!
I don’t care what anyone else says. This is fucking gold to me. But, then again, my taste is trash. So, don’t listen to me.
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KinnPorsche (Thailand)
Issues/TW: Dubious consent, SA, torture, Stockholm syndrome-ish, etc.
This is some next-level trash, and I fucking love it.
Two of the major relationships in this series (Kinn & Porsche and Vegas & Pete) are problematic at some point. Especially Vegas and Pete who have this whole captor/captive, torture, BDSM-ish type relationship. Of course, I love Vegas and Pete because my taste is super trashy (yes, it’s a me-problem, but I don’t force my taste on other people, so, for the love of all that is holy, don’t watch this!).
Other reasons I love this series and rewatch it from time to time:
It’s visually stunning! The cinematography is amazing. As I mentioned before, I’m a visual artist, so this is a very valid reason for me to watch it again and again. And again.
The neon lights.
The whole mafia thing.
The sex (because my horny ass needs it).
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Playboyy (Thailand)
Issues/TW: SA, homophobia, suicide, etc.
I was debating whether or not to add this to my list solely based on the ending. However, up until that point, I really liked it.
The fact that every episode starts with a whole ass list of trigger warnings tells me this is my shit. And it was.
At times, it was so bad that it was good (until the ending, which was just so bad it was bad). The things I liked were:
The mystery.
Win (who played Nuth). His acting was great.
The chemistry between Nuth and Phop.
The tattooed daddy that’s Aob and his chemistry with Puen (there’s also an age gap here, btw, but as I’ve mentioned before, it’s fine by me as long as it’s legal).
The weird ass sex scenes (and the underwear).
And the not so weird ass sex scenes (like the ones between Aob and Puen and the ones between Nuth and Phop).
But, this series is trashy. Keep as far away from it as possible. If you still decide to dip in, don’t say I didn’t warn you.
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Red Wine in the Dark Night (Thailand)
Issues/TW: Obsession, blood, human blood bags, etc.
This is a queer film that’s BL-ish with some dark themes. Mainly, it’s about how far Wine would go to help the person he’s fallen for (or become attached to).
What I loved about this film was:
Fluke (who plays Wine). He’s such a great actor and I love him in everything he does.
Wine who is so desperate to love someone and be loved that he ends up doing some weird shit.
The darker and sadder vibe, which I love.
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Irresistible Love 1 and Irresistible Love 2 (China)
(This is also called Uncontrolled Love.) 
Issues/TW: Obsession, homophobia, codependency, adoptive brothers becoming lovers, etc.
This is another queer film (in two parts) that is more BL-ish than the films I’m getting into below.
This depicts a weird relationship dynamic between Xie Yan and Shu Nian where Shu Nian was basically adopted into the family to become Xie Yan’s friend/babysitter/lackey. This is some weird ass shit, and I love weird ass shit so I really enjoyed this rare, uncensored, gem from China.
But, it’s also trashy. So, don’t watch it.
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The next couple of films I’ll mention are (obviously) trashy, but also complex and deep (which is why I love them).
One Summer Night (South Korea)
Issues/TW: Obsession, dependency, oppression, etc.
This is a low-budget film from 2016 (so, production-wise, it’s definitely nothing like the usual stuff from South Korea you can watch on Netflix), but I love it.
It’s gritty, it’s raw, it’s explicit (an emphasis on explicit because you’ll see dicks), it deals with being a North Korean defector but ending up in an impoverished situation in South Korea, and it ends with a dubious ending you can interpret in different ways.
This is definitely not for the general QL viewers who watch QLs for the cutesy stuff.
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And it's trashy. So, don’t watch it.
Dangerous Drugs of Sex (Japan)
Issues/TW: All the trigger warnings! Seriously. I feel like it’s better to say that so you’ll look up the TWs for yourself (if you choose to watch this, which I'm asking you not to) rather than me mentioning a few and forgetting others.
With this film, what others see are all the trigger warnings (and, yes, I see them too, they’re fucking obvious). However, I can see beyond that and watch it for what it is at the core: Two characters dealing with incredible grief.
Grief is a topic that often affects me and I can relate to it because I’ve had to deal with a lot of grief in my relatively short life. Watching a film like this where grief pushes the characters to their very limits will (often) get a special place in my heart, especially if done well. And it’s done very well in this film.
Do I condone the characters’ behaviors? No (especially not Yoden Ryoji’s). But I do understand that grief can send you over the edge (and in some cases throw you off the edge) because I’ve experienced it. I do understand that grief can cause you to make horrible decisions because I’ve done it (though, not this extreme). I do understand that grief can be self-destructive because I’ve been there. This film shows it all. That’s why I love it so much.
Do I recommend you watch this, tough? No. Don’t do it. This is not for everyone. It’s definitely not for those who watch QLs for the cutesy stuff.
But it is for me because I love trash. Especially good trash. And this is the best trash I’ve ever seen when it comes to gay films.
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Anything by Scud Cheng
Lastly, I want to mention any film by Scud Cheng because…
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And I’m an artist so art means everything to me.
Cheng is a screenwriter and director from Hong Kong. His films, the ones I’ve seen, are gritty, nude, and real. They are more on the art side than the others I’ve listed above, which is why they have a special place in my heart.
They’re also deep and explore themes like introspection (are we doing things because we believe they’re the right thing to do, or because external forces have “brainwashed” us to believe they’re the normal thing to do?), the porn industry and how it exploits young and queer men, death, politics, and love, to name a few.
These are not for the average QL watcher. They’re not for the faint of heart. They’re not for those who want an entertaining watch.
These films require multiple viewings. I’ve watched some once, some twice, and some more times, and I still find new themes and meanings woven into the stories. So, they’re complex and deep.
But, don’t watch them because I know you’ll come at me later. So, to spare us both the time and energy it would take to argue about this shit, just don’t watch any of it.
Now, if you still want to ask me for recommendations after all that, don't tell me I didn't warn you!
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sciderman · 1 day
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I sorta do remember an ask, where it is implied that Wade and Peter are open to let other participate into the "fun" bed activities, but I can't find it.
If Cable is gonna be one of them, is Johnny also gonna be one of the luckiest?
nate being a third is something joked around a few times ! it's not something peter and wade have explicitly discussed on the blog thus far, but it is something hanging in the air ominously.
wade's thought about it.
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peter's thought about it.
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and it's just something that kind of constantly bubbles up from the depths of their subconsciouses
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i think they're both game for a third, even if they're too shy to pop the question - i think peter, specifically, has initial reservations but could so, so easily be talked into it, with very little effort at all from wade's side whatsoever.
a simple "don't tell me you haven't thought about it" and peter almost immediately admits defeat. because he has thought about it.
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nate is kind of the natural first choice, really. wade has him on speed dial. and i think - oddly, the mystery might help with the situation - i think peter would be nervous out of his mind if it were with someone he knew intimately. but nathan is almost a stranger to him. so maybe it's easier. a good way for him to test the waters. and wade trusts nathan to a supernatural degree. and i think that would give peter comfort, too.
as for johnny - it's kind of a little complicated. we know peter is attracted to johnny. we know that. wade knows that.
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wades attracted to johnny too. i've written a fic that takes place in the future of 9319 - where johnny and peter finally talk about what's hanging in the air between them. and wade encourages them, because wade really wants peter to embrace his truths. and it might lead up to peter and johnny exploring that more, together but - fact is, i don't think johnny is romantically or sexually interested in wade at all. i don't know, for some reason i just don't see it.
i'd like to see it. i've even started writing it, and it works, it works - it's a really funny dynamic, but...
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buuuut... i don't know. i still don't think johnny is interested in wade in that way. what he and peter have is – you know, i don't know, it's special. i think johnny wouldn't exactly want to be a third. it might be just a thing between him and peter, maybe. if that happens. and that's okay, because while peter and johnny have their fun, wade and nate can go at it, sure. wade might be a little bummed, but he gets it. he's just happy peter's living his best life.
i do remember AGES ago (back when everyone hated johnny storm) i wanted to do a stupid reveal that johnny was a third in their bed simply for the fact that it would make people mad. i knew people would get mad about it. but now people love johnny and they wouldn't get mad about it and i don't do anything unless it makes people just a little bit mad. i can't give people what they want, there has to be a catch.
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3hks · 1 day
Text
Writing Character CHANGE
Character development is absolutely CRUCIAL to a story, but having spent more time thinking about this topic, I came to the realization that I misunderstood a lot of points other people have made when teaching how to write character development.
There are a lot of factors that play into character development, but in this post, I'll cover some overall, but the main thing concerns any change to your character! (Which is also a huge part in development, really.)
So with this post, I'll be teaching you MY personal tips regarding this subject!
*The Basics*
Before we really get into the developmental stage, there are some things you want to establish, in which I'll explain later!
A couple of flaws.
How your character views themselves at first.
Your character's morals/ideals and how they think.
These things may vary, but you want your readers to be able to at least roughly predict how your character will act during specific events!
*Change*
Character development is just about how your character changes throughout the story. I like to say that there are several different ways one may change, (we'll get into that later on) but your character should NOT stay the same as the same person during the exposition and during the resolution!
"During character development, your character should grow."
This is a common piece of advice; your character needs to grow. And while I've assumed for the longest time that I understood what it meant, it never truly clicked.
While they will use words such as grow, what they really mean is that your character should mature. By the end of your story, your character may not always end up as a better person. When I say mature, I mean that they have reflected back on their life and have understood the consequences that came with their actions (if any) or how they could've done things differently.
Your character will not always end up as a better, fixed person, but they should understand their world and themselves better.
*Negative/Passive Change*
Alright then, so how does a character develop if they don't necessarily change for the better? Well, I'll get into that!
No matter what, your character should have learned a lesson through their experience. Even if they haven't exactly improved as a person, there should be a moral they can learn from what they have gone through.
If not, then did they really grow?
Additionally, how did their qualities negatively impact themselves? If they are bad traits, then it needs to be clear. And the best way to achieve this is by demonstrating how it hurts your character! However, it is rather uncommon for a character to undergo little to no change after a story!
*Positive Change*
Let's circle back to the basics, real quick. Remember how I said that before any development takes place, your character should be anything but perfect? That same thing applies to after the change.
Do NOT create a flawless character by the end of your story. Instead, focus on one or two flaws that get fixed as the story continues. These don't have to be huge, life-changing imperfections, but they can be minor ones that still shape their life in one way or another.
"Fixing" too many shortcomings can make your character seem, well, out of character, producing a character development that's more forced. The same thing applies if you're attempting to FULLY alter a fault that's just too big. The change will be too noticeable.
What am I talking about? Here's an example!
Imagine a character who's incredibly closed off to other people, wanting to ensure that he never gets too close to others.
That's a pretty sizable flaw, no? By the end of your story, you do not want to completely change because you need to preserve character, but you can change it a bit. Does he have a few friends now? Does he understand that there are some people worth trusting?
He may still be closed off to majority of people, but at least it's not everyone, and that's a realistic change.
*Different Changes*
As I continue to read more stories and watch more shows, I have realized that character development is not always about fixing flaws or personality, but it can extend far past that line.
So listen up, because I feel like no one really talks about this.
Your character can change their IDEALS, MORALS, and how they VIEW THEMSELVES.
Hear that? If your character has strong morals, they will hardly stay the same as they reach the end. Remember the requirements I mentioned at the beginning?
See how it connects now? There is SO much more to character development than changing a few imperfections. Like I said in the start, your character needs to grow and mature. Things like new morals or ideals assist with that!
*SUMMARY*
In order to start character development, you need a couple of flaws, an idea of how your character looks at themselves, and their morals. This is because those are the main parts of you character that may change through time.
Growth = Maturing (gaining a better sense of who they are and the world they live in.)
NOT ALL CHARACTER DEVELOPMENT IS POSITIVE!
For negative or passive change, make sure to clarify how their imperfections affected or hurt them and have some sort of moral that follows.
YOUR CHARACTER SHOULD NOT BE PERFECT!
They should not be perfect in the beginning, and not perfect in the end! Do not 'fix' too many traits because you want to preserve character.
I think that's all! It's quite the post for something so simple, eh? But hey, character development is absolutely PIVOTAL to a story so I hope I at least explained the 'change' part of that well!
Happy writing~
3hks <3
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How does the protection magic that Lily's sacrifice placed on Harry work? On that note- how do the blood wards placed on the Dursley household operate?
Like- does the latter act as a notice me not/ fidelius of its own? Protecting Harry's location from other magicals? (It would have been easy for another Longbottom tragedy to occur after all) from what I remember the blood wards have no affect on the protection cast by Lily's sacrifice, and instead sort of extend the effect to the household???
Also on the topic of the protection- we saw the end Quirrel met. And... I just wondered- why didn't this sort of reaction extend to all the people - the Dursleys included- who laid their hands + spells on Harry with the intent to harm? By all means the blood wards should have fallen the moment The Dursleys tried to physically harm Harry. Can't see a protection powered by Lily's intent, extending to people who mean her son harm.
Unless of course the magic and the wards are targetted at Riddle specifically. Which brings the question- why didn't it set on fire/ harm anything considering even the traces of Riddle's presence/ influence. Eg. The people with the death Eater brands, the horcruxes, the soul shard inside Harry himself??
Ugh. Just so many questions.
Ps. Could the blood wards have been transferred/ worked in a residence comprising of the people Harry considered as his family and who reciprocated this sentiment? (based on the importance of intent to keep the spell going)
Wow, @ana-lyz, just like with the veil and death asks, I just started drafting a post about Lily's blood protections and what Dumbledore says about them. So...
Lily's Love Protection and Dumbledore's Blood Wards
Alright, strap in...
Okay, so let's start by seeing what we're told about the blood protections and whether we can gather something cohesive that makes magical sense out of it.
We have Voldemort's statement on this piece of magic:
“...I wanted Harry Potter’s blood. I wanted the blood of the one who had stripped me of power thirteen years ago . . . for the lingering protection his mother once gave him would then reside in my veins too. . . . “But how to get at Harry Potter? For he has been better protected than I think even he knows, protected in ways devised by Dumbledore long ago, when it fell to him to arrange the boy’s future. Dumbledore invoked an ancient magic, to ensure the boy’s protection as long as he is in his relations’ care. Not even I can touch him there. . . .
(GoF, 657)
Notice there is the lingering protection from Lily's magic and the ancient magic Dumbledore invoked. These are, I believe separate spells.
Dumbledore's statements:
“But why couldn’t Quirrell touch me?” “Your mother died to save you. If there is one thing Voldemort cannot understand, it is love. He didn’t realize that love as powerful as your mother’s for you leaves its own mark. Not a scar, no visible sign…to have been loved so deeply, even though the person who loved us is gone, will give us some protection forever. It is in your very skin. Quirrell, full of hatred, greed, and ambition, sharing his soul with Voldemort, could not touch you for this reason. It was agony to touch a person marked by something so good.”
(PS, 215)
“But I knew too where Voldemort was weak. And so I made my decision. You would be protected by an ancient magic of which he knows, which he despises, and which he has always, therefore, underestimated — to his cost. I am speaking, of course, of the fact that your mother died to save you. She gave you a lingering protection he never expected, a protection that flows in your veins to this day. I put my trust, therefore, in your mother’s blood. I delivered you to her sister, her only remaining relative.” “She doesn’t love me,” said Harry at once. “She doesn’t give a damn —” “But she took you,” Dumbledore cut across him. “She may have taken you grudgingly, furiously, unwillingly, bitterly, yet still she took you, and in doing so, she sealed the charm I placed upon you. Your mother’s sacrifice made the bond of blood the strongest shield I could give you.” “I still don’t —” “While you can still call home the place where your mother’s blood dwells, there you cannot be touched or harmed by Voldemort. He shed her blood, but it lives on in you and her sister. Her blood became your refuge. You need return there only once a year, but as long as you can still call it home, there he cannot hurt you. Your aunt knows this. I explained what I had done in the letter I left, with you, on her doorstep. She knows that allowing you houseroom may well have kept you alive for the past fifteen years.”
(OotP, 835-836)
Here again, Dumbledore mentions the ancient magic he made the decision to protect Harry with as a separate thing from the lingering protection from Lily.
And (as per this post) the Dumbledore Harry hallucinates statement:
“He took my blood.” said Harry. “Precisely!” said Dumbledore. “He took your blood and rebuilt his living body with it! Your blood in his veins, Harry, Lily’s protection inside both of you! He tethered you to life while he lives!”
(DH, 598)
And then we have what happened to Quirrell:
Quirrell raised his hand to perform a deadly curse, but Harry, by instinct, reached up and grabbed Quirrell’s face — “AAAARGH!” Quirrell rolled off him, his face blistering, too, and then Harry knew: Quirrell couldn’t touch his bare skin, not without suffering terrible pain — his only chance was to keep hold of Quirrell, keep him in enough pain to stop him from doing a curse. Harry jumped to his feet, caught Quirrell by the arm, and hung on as tight as he could. Quirrell screamed and tried to throw Harry off — the pain in Harry’s head was building — he couldn’t see — he could only hear Quirrell’s terrible shrieks and Voldemort’s yells of, “KILL HIM! KILL HIM!”
(PS, 212)
What we know from this
Well, from the above quotes we can divide the magical protections on Harry into 2 different spells as I mentioned above:
Lily's sacrificial love protection - the intention magic Lily cast by protecting her son. This is the magic that blocked the Killing Curse and killed Quirrell.
Dumbledore's blood ward - this is the spell Dumbledore cast that (supposedly) protects Harry in his relatives' home. Voldemort says Dumbledore invoked this magic, and Dumbledore also mentions it's a ward he left that built upon Lily's protection, but it's not a spell Lily left.
So, what can Lil'y Sacrificial Love Protection do:
Makes the Killing Curse not kill Harry.
Returns the Killing Curse back to the sender.
Continues to hurt that initial "sender" whenever he tries to kill Harry.
What about Dumbledore's Blood Wards what do they do:
Nothing.
Dumbledore and Voldemort say this magic exists but it never does anything. We never see it active, it never protects Harry from anyone, neither his relatives nor Death Eaters. So, we don't know what it's supposed to be doing since it doesn't do anything in the books.
Voldemort says it won't allow him to touch Harry in his relatives' house.
How I think these spells actually work
I'll start with Dumbledore's Blood Wards:
I simply don't think this ward actually exists.
Dumbledore isn't very consistent with how this protection works. He says Harry needs to return for a bit to live with Petunia for the magic to work, but if that's all the requirement, why long weeks? Couldn't he return for a shorter time? And each year he spends a different amount of time at Private Drive? Couldn't he always be sent back just for the minimal required time? At first, the ward was about love but then it isn't, he says this: "While you can still call home the place where your mother’s blood dwells, there you cannot be touched or harmed by Voldemort."
Harry didn't think of Private Drive as a home:
Harry could hardly believe it when he realized that he’d already been at Hogwarts two months. The castle felt more like home than Privet Drive ever had.
(PS, 123)
“I believe he had several reasons, though he confided none of them to Professor Dippet,” said Dumbledore. “Firstly, and very importantly, Voldemort was, I believe, more attached to this school than he has ever been to a person. Hogwarts was where he had been happiest; the first and only place he had felt at home.” Harry felt slightly uncomfortable at these words, for this was exactly how he felt about Hogwarts too.
(HBP, 431)
Harry never considered Private Drive and the Dursleys his home. Hogwarts was his first home.
If there is no love and it isn't a home, even if Dumbledore did cast a blood ward based on Petunia and Lily's sacrifice it won't actually be active. But personally, I don't think this ward actually exists.
Dumbledore needs a reason to keep Harry with his relatives.
Dumbledore needs Harry malleable, low on self-esteem, and lacking in a support network. Because he knew since October 1981 (but probably before) that he'd likely need Harry to die. He suspected Harry was a Horcrux from practically day 1:
Under a tuft of jetblack hair over his forehead they could see a curiously shaped cut, like a bolt of lightning. “Is that where —?” whispered Professor McGonagall. “Yes,” said Dumbledore. “He’ll have that scar forever.” “Couldn’t you do something about it, Dumbledore?” “Even if I could, I wouldn’t. Scars can come in handy...
(PS, 13-14)
And being raised by the Dursleys ensured that when the time came, when Dumbledore needed Harry to die to destroy Voldemort, Harry would be willing. Because Harry would not put much worth in his own life. Because of that, I think it's not outside the realm of possibility Dumbledore would lie about this ward to have an excuse to keep sending Harry to the Dursleys.
(Sure, Dumbledore would've preferred not to kill Harry if it could be avoided, but he had been preparing for the situation since October 1981)
It's not like he did anything to better their treatment of Harry until book 6, when he needed Harry to start trusting him more...
And like I mentioned above, even if the ward was there, it would not be active because Private Drive was never a home for Harry. And after year 4, when Voldemort took his blood, any protection from any blood-related magic would be moot. Because Voldemort would not be counted as a threat by the ward.
So Dumbledore sending Harry back to the Dursleys after he knew the wards he left (if they were there at all) were gone, proves to me Harry's placement at the Dursleys was never about the wards to begin with. Because if the blood wards are gone, literally anywhere else around wizards who could protect Harry would be safer than at the Dursleys, even when thinking of Death Eaters and Voldemort as the only threat. If they came to find Harry at Private Drive, nothing would've stopped them (except Harry himself).
I could guess wards like this, if they actually were active, would have been an extension of Lily's protection and stopped Voldemrot from being able to enter the Dursleys' residence. From what's said, it seems this ward seems to target Voldemrot specifically, and no one else. But, as I mentioned, I don't think it's really there.
Lil'y Sacrificial Love Protection:
I mentioned in the past how intention and emotion mean a lot for magic in the HP universe. Lily, a witch who we are told repeatedly was powerful, intelligent, and talented, could very well cast a powerful protection out of her love and intention to protect her son. That is 100% possible with what we see magic is capable of and how magic seems to work.
That being said, the fact this never happened before suggests to me Lily did something different than just having a very strong wish for her son to survive. Dumbledore says it's because she had a choice, and in a way it is, but not because Voldemort gave her the option not to die, but because she chose to die instead of Harry.
I'll try to explain it, bear with me.
“Not Harry, not Harry, please not Harry!” “Stand aside, you silly girl. . . stand aside now.” “Not Harry, please no, take me, kill me instead—” “This is my last warning—” “Not Harry! Please . . . have mercy. . . have mercy. . . . Not Harry! Not Harry! Please—I’ll do anything—” “Stand aside. Stand aside, girl!”
(DH, 297)
This is the "spell" Lily casts — the incantation. This is her wish moments before her death: "Not Harry, kill me instead," that's what she says, that's her promise, that's her wish, that's the magic.
Lily's protection only works on Voldemort because her spell essentially made a bargain with Voldemort (that he didn't agree to). that he'd kill her instead of Harry. Once he killed Lily, he couldn't kill Harry because that was the protection she left him, and Voldemort won't be able to kill him because she died in his stead.
That's why we don't see the same thing happen after James dies to buy Lily and Harry time, why when others die to protect someone they aren't protected from the killing curse. What Lily did is a combination of a few extraordinary circumstances coming together:
She's an incredibly powerful witch (shown by her childhood magic that was very controlled and advanced (not unlike Tom Riddle) and Slughorn's boasting)
She loved Harry dearly. Loved him enough to power an accidental spell.
Chose and intended to die instead of her son. She had intent when making her plea, intent required for any spell.
So what essentially happened is that Lily created a situation where Voldemort physically can't kill Harry because Lily died in his stead. If, for example, Quirrell touched Harry without intending to kill him (like he did when they shook hands in Diagon Alley or when he pulled Harry to stand in front of the mirror) the protection won't activate. All it does is stop Voldemort from killing Harry because he already killed Lily in Harry's stead.
So, Voldemort, as I mentioned in the past, wants to kill Harry, this is his only ambition in the 2nd war. So he takes Harry's blood into himself so the protection won't work anymore. And we see it doesn't in the woods when Voldemort casts the killing curse and it doesn't rebound back on him (which would've happened otherwise).
This love protection from Lily doesn't require anything to stay active. It was cast because Voldemort killed her and Harry doesn't need to do anything to keep it active. Staying with the Dursleys wasn't for the sake of Lily's spell but for Dumbledore's ward.
As for Lily's spell not protecting Hary from anything else, like I mentioned, the bargain was that Voldemort would kill her instead of Harry, it would only protect Harry from being killed by Voldemort. If Voldemort just asked a random Death Eater to kill Harry it still wouldn't have worked, but that won't be because of Lily's love magic, but because of Harry pretty much always being the Master of Death.
Basically, Voldemort was doomed because he had no chance of killing Harry. Ever.
But what about when Harry died in book 7 and said he cast the same sacrificial love?
Well, I don't think Harry cast the same sacrificial love. His feelings and intentions were completely different. In his case, I think he just took the mastership of the Elder Wand so it wasn't performing as well for Voldemort afterward.
Conclusions
There are actually two different and distinct spells referred to by the characters when it comes to the protections Lily left for Harry.
The first is Lily's Sacrificial Love Spell which worked like a bargain. She pleaded with Voldemort to kill her instead of Harry and after he killed her, he could no longer kill Harry because he was protected.
Voldemort taking Harry's blood does indeed circumvent this spell and allows him to kill Harry in the woods (if temporarily).
The second is the Blood Ward Dumbledore talks about that is supposedly placed on the Dursleys' home. This spell was invoked by Dumbledore and is not part of Lily's spell.
It's supposed to build on and strengthen Lily's protection from what's implied.
this second spell would've stopped its activity the moment Harry stopped considering number 4, Private Drive his home (which happened quite young, as he doesn't remember ever considering it a home)
Personally, I don't think this blood ward ever existed, but even if it did, it was moot from the get-go and never done anything.
Voldemort taking Harry's blood in year 4, circumvented this ward too.
Basically, Dumbledore kept Harry at the Durselys less because of the wards and more because it suited him to ensure Harry would become the martyr he needed him to be (something I should write a full post about eventually).
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I've found that when it comes to discussing who has the best claim to the iron throne and/or the Targaryen dynasty, there's often this implicit assumption that when Jon finds out about his true parentage, the knowledge will inevitably leak to the general Westerosi public. People love to theorize about whether or not the Northerners would continue to support Jon if his being Rhaegar's son came to light, or if he would be pushed as heir to the iron throne over Dany & Aegon, & I'm just like...how would any of them find out about it? Why would any of them find out about it?
I feel like some people believe that when Jon finds out about R + L = J, he'll, I dunno, send out news letters about it or something? Publicly renounce his status as Eddard Stark's son? I don't exactly understand what people think Jon would do with the information, but anything less than keeping as tight a lid on it as possible would be very out of character for Jon. Guys, we're talking about the same guy who purposefully gave a young mother the wrong baby. He's not gonna be cavalier about this.
The only people we can really be certain he'd feel the need to tell the truth to are Arya & Sansa. We know that Bran is likely to already know the truth himself by then through his greenseer tree-god bullshit; Rickon, even if he is found & taken to Winterfell by the time the other siblings reconvene (which I find highly unlikely), would probably be considered too young to trust with information like that.
Daenerys is also an extremely likely candidate for being one of the few people Jon would tell, although this is variable, as it depends on what sort of relationship you believe she & Jon will have by the time R + L = J is revealed. I for one am betting on she & Jon already being involved in some capacity by the time he finds out, thus making her one of the people he'd tell. But if you're in the camp of people who think they'll be enemies by then, he probably wouldn't tell her in that scenario.
Sam is furthest down on the very short list of people Jon would probably tell. I think it's likely, seeing how much he trusts Sam & leans on him for support. But still, it's not a sure thing.
So, including Howland Reed (who has successfully kept the secret for ~17 years now), that makes just 6-7 people who would be privy to Jon's parentage. None of whom would have much motivation to go screaming about it from the hilltops in any scenario where they're still behaving like themselves. (If any of you bring up show!Sansa here, then I'm gonna beat you with a hammer. Don't be a hypocrite; if you can acknowledge & accept that literally every other character was wildly ooc in Season 8, then do the same with Sansa. Betraying Jon's trust after swearing not to before a heart tree is just as ooc for book!Sansa as purposefully burning Kings' Landing to ash would be for book!Daenerys.)
Even in the event that Jon rides a dragon, I think that can easily be explained away by lying about Jon's mother. "Oh, why can I ride a dragon? Not many people know this, but my mother was actually a Lyseni whore. You know they have some Valyrian blood in them. She died in childbirth, though, which is why my lord father took me in." Who's gonna call his bluff on that? Ned's resolute silence on Jon's mother would absolutely work in his favor. The historical precident set by Nettles & others like her means that Jon can 100% just say his mother was the daughter of some unknown dragonseed or something.
IMO, the real question we should be asking is, if Jon were to have children, would he ever tell them the truth?
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yuri-is-online · 7 hours
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Keep thinking bout Yutu and his relationship to his dad. Like we know a little more about Ace, Floyd, Azul and Riddle (maybe I miss someone else?) but I was curious about other details or interactions with the other Overblot boys.
Like how does talking with someone who tries his best to not get involved in other people's business like Jamil work for making his parents fall in love (if that's even something Yutu can see happening with how distant he is)? How does Yutu go about trying to lay some clues for Vil without being found when Vil's doing his best (with Rook's help) to figure out what's going on?
Or what about the shenanigans Ortho would get to to ensure Idia and Yuu get together so they can try to stop the apocalypse and how would Yutu feel about having at least one person (his uncle at that!) who he can rely on? Or does Yutu ever find himself in a situation that makes him go "oh, I could've had this with dad if it weren't for the council" whenever Malleus says something deep without realizing?
Gaaaaahhhhh I just really like this au and I wanna ask you so many questions but I also don't wanna be annoying
ask is referencing the fyuuture kid au, information on which can be found here and here, or under the series section on my masterlist.
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No one is annoying for asking questions! I have asks for Idia and Leona's Yutus, which I think makes every overblot boy except for Jamil and Vil due for a detailed post. Azul! Yutu is a bit of a grey area since I have talked about him a bunch but haven't done detailed hc for him. Yet anyway, Jade and Floyd got one so he needs one too otherwise it'll bug me.
Jamil! Yutu absolutely has a lot of guilt and self hatred around his entire existence. As I talked about in the post about the main cast, Jamil was executed in Yutu's future, and he feels personally responsible for that. If his dad had never fallen in love with Yuu then he would have had a chance at his freedom, that's how Yutu has come to see it anyway. He doesn't want Jamil to fall in love with Yuu, even if it means erasing his existence. Down that road lies only tragedy, but there is also something so beautiful about the way Jamil interacts with Yuu when he thinks no one is looking. There is a degree of mutual respect for how hard the other works and intense desire for approval and praise he can sympathize with. He just doesn't see a way for this to end well if it's allowed to continue, he's a very pessimistic kid Jamil! Yutu. But then again the others didn't have to see the rotted corpse of their father getting dragged around by a blot phantom and be told by a few angry relatives of Kalim that he is the one who put him there.
Vil! Yutu is a bit afraid of his dad. He knows from personal experience that the man is intense and does not take no for an answer but he's never been in the position to see 1) what a good thing that can be or 2) just how silly that can make him act. He's also NEVER had to contend with the real Rook before. The Rook he's familiar with is a mindless monster, dangerous sure, but with patterns you can memorize and protect yourself from. This guy is just wild, sure his dad says that he's only putting up for his behavior "for now" but someone tell him where the fucking line is??? The last thing he wants is to just say everything and risk ruining the timeline but Vil keeps demanding specifics. The main thing Yutu tries to do is get him cooperating with Idia in learning about blot phantoms, the way he sees it things will be much easier if his two most trusted adults are on the same page. It's not a difficult ask either post chapter six, I think Vil is someone who would want to understand what happened to him on a scientific level to some degree, but oh Yutu. Now you've just made him wonder how you know that little piece of information, not everyone knows about his overblot, but he didn't know that bit did he?
Ortho and Idia! Yutu wind up being very close. Having his uncle on his side puts Yutu in a much more stable place emotionally and mentally than other Yutus. They spend a lot of time analyzing old records about blot and phantoms, everyone else is convinced they're just hyping each other up for some weird PhD project inspired by the Ramshackle Prefect's time at NRC and hey. They aren't exactly wrong. As for how they go about trying to get Idia and Yuu together... it's a lot of anime recommendations and conveniently forgetting they had something else to do. Yutu has just as in depth knowledge of Idia's tastes as Ortho does, and the added bonus of knowing Yuu's, so they search through lists of things, pick out the shows they know will get the two of you talking and then sit back and let you interact. Yutu is genuinely confused about why or if this is working... but Ortho did send him a video of his dad hyping himself up to try and ask you out (he over heated and just hid inside his room instead but hey. It's the thought that counts.)
Malleus! Yutu just got his post here. And yes he does think regularly about what he could have had with his father if things had been different, but a lot of those thoughts come from his sillier moments. Hearing Malleus talk at length about ruins or seeing him confused about how to interact with technology make him seem more... human for lack of a better term to him. He's very familiar with the myth of Malleus Draconia, but he wasn't fathered by a myth. He was fathered by a man who fell in love with a human under very extraordinary circumstances and Yutu wants to know about why. What things did Malleus like most about Yuu? About Twisted Wonderland? If he had gotten a chance to be raised by him what things would Malleus have wanted to teach him? Would he be any different?
Azul! Yutu is also afraid of his dad, but not based on any personal experiences just his own insecurities. He's not a thin guy, he's not in Octavinelle, and he is extremely worried that his dad will see him as some sort of stupid muscle head and be disappointed in having him. He's also, understandably, extremely angry at him when he learns what he did in Book 3 to his parent. Fuck this guy, he'll just save Yuu himself and hopefully if they still get together he'll grow up to be a totally different person when he's born in this good timeline. But there's just something about Azul's approval that he can't help but want now that drives him crazy. Why can't he just be ok with being alone? He has been all this time anyway...
(Meanwhile Azul is deeply impressed with how well Yutu is at disguising himself as a dumb muscle head. Just look at the kid, he's got everyone thinking he just is controlling their shadows while he's actually using a really complicated bit of cosmic magic. Suckers all of them. Not him though. He's not being fooled by anything about Yutu, no sir.)
Leona, Leona, Leona. He's tricky for me to write. Scar apparently has children? In one the the Lion King sequels? Leona's dislike of kids seems to come from his complicated feelings around the throne and his want for people to be independent. I think he would be one of those gruff intense kind of dads who does the whole "we are never getting a pet" thing and then you see him asleep on the recliner with Princess Nooodles III chilling on his lap with him. Anyway back to Yutu-
Leona! Yutu's relationship with his dad is tempered by the fact Leona knows who and what he is from the start and demands to know why he has traveled back in time. He doesn't explicitly say he knows that he is his father or that Yuu is his other parent, just that he knows time travel is involved, so they have a fairly open amount of communication regarding the overblot "business" but not on much else. Yutu has a desire to understand his father and Leona has a desire to not disappoint him. Who would want their dad to be the second prince? He's destined for nothing but a miserable life anyway, all of the responsibility and none of the privilege (outside of the money but lets be real, Leona's ass does not understand that.) I don't think either Leona or Yutu fully understands that his existence is enough for the other to be happy. When they are forced to talk about it they both laugh it off and roll their eyes at how cheesy that sounds but deep down it means a lot to both of them.
Riddle! Yutu has gotten a lot of posts about him and his "hatred" of his dad but I thought I'd take this post to mention I like the idea of Yutu's favorite food being the chestnut tarts/mont blanc that aren't allowed at Unbirthday Parties but that Riddle still wanted to eat anyway. He's a lot like his father in his love of sweets and his determined denial of it, but he isn't the exact same. Also gives him one more thing to pick a fight with Riddle over (his dad doesn't get the big deal, they can just have a private tea party with Yuu and have all the different sweets they want... can't they?)
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