#like it’s just so evident to both of them that they are The Person

[pucksandpower]

Hall Pass

Charles Leclerc x Reader

Carlos Sainz x ex!Reader

Summary: Carlos’ desire to fantasize about other women leads you straight into his teammate’s arms (or in which your boyfriend chooses a famous actress as his hall pass while you decide on someone much closer to home)

The hotel suite is bathed in the warm glow of the setting sun, casting long shadows across the plush carpet. You sit on the edge of the king-sized bed, your fingers idly tracing the intricate patterns on the duvet cover. Across the room, Carlos leans against the ornate writing desk, his arms crossed over his chest and a pensive look on his face.

“Y/N,” he begins, his voice low and measured. “We need to talk.”

You look up, meeting his gaze with a mixture of curiosity and concern. “What’s on your mind?”

He shifts his weight, uncrossing his arms and shoving his hands into his pockets. “I’ve been thinking ... about us. About our relationship.”

Your heart skips a beat, a knot forming in your stomach. “Oh? And what have you been thinking?”

Carlos takes a deep breath, his eyes darting around the room before settling back on you. “I love you, Y/N. I do. But ... I can’t help feeling like we’re stuck in a rut.”

You furrow your brow, confusion and hurt mingling in your chest. “A rut? What do you mean?”

“It’s just ...” He pauses, searching for the right words. “We’ve been together for so long, and it’s been great. But don’t you ever wonder what else is out there?”

You stand up, taking a step towards him. “Carlos, are you saying you want to break up?”

He holds up his hands, shaking his head quickly. “No, no. That’s not what I’m saying at all. I just ... I had an idea.”

“An idea?” You repeat, your voice laced with skepticism.

Carlos nods, a hint of excitement creeping into his tone. “What if we each got a hall pass?”

You blink, taken aback. “A hall pass? Like ... permission to sleep with someone else?”

“Exactly,” he says, snapping his fingers. “But not just anyone. We each choose one person, and if we ever happen to meet them and the opportunity arises, we’re allowed to go for it. No hard feelings, no guilt.”

You stare at him, trying to process his words. “Let me get this straight. You want us to choose people we can cheat on each other with, guilt-free?”

Carlos winces at your phrasing. “It’s not cheating if we both agree to it. Think of it as ... spicing things up. Adding a little excitement to our relationship.”

You cross your arms, mirroring his earlier stance. “And you think this will solve our supposed ‘rut’?”

He shrugs, a boyish grin spreading across his face. “It could be fun. Just imagine the thrill of knowing we both have this secret possibility out there.”

You shake your head, disbelief coloring your voice. “I can’t believe you’re seriously suggesting this.”

“Come on, mi amor,” Carlos coaxes, taking a step towards you. “It’s not like anything will actually happen. We’ll probably never even meet the people we choose.”

You raise an eyebrow. “Then what’s the point?”

“The point is the fantasy, the excitement,” he explains, his eyes lighting up. “It’s like ... buying a lottery ticket. You know you probably won’t win, but the possibility is thrilling.”

You chew on your lower lip, considering his words. Part of you wants to shut down this ridiculous idea immediately, but another part is intrigued by the challenge. “And you really think this will help our relationship?”

Carlos nods eagerly. “I do. It’ll add a spark, keep things interesting.”

You sigh, running a hand through your hair. “I can’t believe I’m even considering this.”

“So ... is that a yes?” Carlos asks, hope evident in his voice.

After a long moment, you nod slowly. “Fine. But we set some ground rules first.”

Carlos grins, clapping his hands together. “Of course! Whatever you want.”

You hold up a finger. “Rule number one: we tell each other who we choose. No secrets.”

“Agreed,” Carlos says quickly.

“Rule number two: if anything ever does happen, we tell each other immediately.”

Carlos nods. “Absolutely. Honesty is key.”

You take a deep breath. “Okay. So ... who’s your choice?”

Carlos’ grin widens. “Margot Robbie.”

You can’t help but laugh. “Seriously? Margot Robbie?”

He shrugs, looking pleased with himself. “What? She’s gorgeous, talented, and there’s practically zero chance I’ll ever meet her, let alone have the opportunity to sleep with her.”

You shake your head, amused despite yourself. “Well, at least you’re being realistic about your chances.”

Carlos chuckles. “Exactly. It’s the perfect choice. Exciting, but safe.” He leans forward, curiosity sparking in his eyes. “What about you? Who’s your hall pass going to be?”

You pause, pretending to consider your options carefully. In truth, you’ve already made your decision, a plan forming in your mind. “Well,” you say slowly, “I think I’ll choose ... Charles.”

Carlos’ brow furrows in confusion. “Charles? What Charles?”

You allow a small smirk to play across your lips. “Charles Leclerc.”

The color drains from Carlos’ face as realization dawns. “Charles ... Leclerc? My teammate, Charles Leclerc?”

You nod, feigning innocence. “That’s the one.”

Carlos sputters, his earlier confidence evaporating. “But-but you can’t choose him!”

“Why not?” You ask, your voice sweet. “He fits all the criteria. He’s attractive, talented, and exciting.”

“But he’s my teammate!” Carlos exclaims, running a hand through his hair in agitation. “You see him all the time!”

You shrug, echoing his earlier nonchalance. “So? You’re the one who wanted to add some excitement to our relationship.”

Carlos paces back and forth, his earlier enthusiasm replaced by panic. “This isn’t what I meant! I chose someone I’ll never meet. You chose someone you could literally bump into tomorrow!”

“Carlos,” you say, your voice taking on a patronizing tone, “are you saying you don’t trust me?”

He stops pacing, turning to face you with wide eyes. “Of course I trust you. It’s just ... it’s Charles!”

You take a step towards him, your expression hardening. “Let me ask you something. Did you really think this through when you suggested it? Or were you just hoping for a free pass to fantasize about other women without feeling guilty?”

Carlos opens and closes his mouth, struggling to find a response. “I ... that’s not ... I didn’t mean ...”

You cut him off, your voice sharp. “Because from where I’m standing, it looks like you thought you could have your cake and eat it too. You’d get to keep me while indulging in your little fantasies about Margot Robbie or whoever else catches your eye.”

“Mi amor, please,” Carlos pleads, reaching for your hand. “That’s not what this was about at all.”

You pull away from his grasp, shaking your head. “No? Then what was it about? Because it sure as hell wasn’t about improving our relationship.”

He runs his hands over his face, frustration evident in every line of his body. “I just ... I thought it would be fun. A little harmless fantasy to spice things up.”

“Well, congratulations,” you say, your voice dripping with sarcasm. “You’ve certainly spiced things up now.”

Carlos looks at you, desperation in his eyes. “Can we just ... can we forget this whole thing? Pretend I never suggested it?”

You shake your head, a bitter laugh escaping your lips. “Oh no, Carlos. You don’t get to backtrack now. You wanted a hall pass? You’ve got one.”

“Please,” he begs, reaching for you again. “I was being stupid. I don’t want this.”

You step back, avoiding his touch. “Too late. What was it you said? No hard feelings, no guilt?”

Carlos’ face crumples. “I didn’t think ... I never imagined you’d choose someone like Charles.”

“Maybe you should have,” you snap. “Maybe you should have considered how I’d feel about you wanting permission to sleep with other women.”

He hangs his head, shame written across his features. “I’m sorry. I really am. Can we please just talk about this?”

You shake your head, moving towards the door of the suite. “I think we’ve talked enough for one night.”

Carlos’ head snaps up, panic flashing in his eyes. “Where are you going?”

You grab your purse from the nearby chair, slinging it over your shoulder. “Out. I need some air.”

“Y/N, wait!” Carlos calls, his voice rising in desperation. “You can’t ... you’re not going to ...”

You turn back to face him, your hand on the doorknob. “Going to what, Carlos? Use my hall pass? Isn’t that what you wanted?”

He shakes his head vehemently. “No! I mean, yes, but not like this. Not with Charles!”

“Why not?” You challenge. “He’s attractive, available, and conveniently located just down the hall. Isn’t that exciting?”

Carlos’ face contorts with a mixture of anger and fear. “You wouldn’t. You’re just trying to teach me a lesson.”

You raise an eyebrow. “Am I? Are you willing to bet on that?”

He takes a step towards you, his voice pleading. “Mi amor, please. I’m begging you. Don’t do this.”

You open the door, pausing in the threshold. “You know, Carlos, you were right about one thing. This definitely isn’t boring anymore.”

As you step into the hallway, you hear Carlos’ voice rising behind you. “Y/N! Come back! We need to talk about this!”

You let the door swing shut behind you, cutting off his desperate pleas. As you walk down the corridor, your heels clicking against the polished floor, a small smile plays across your lips.

You have no intention of actually going to Charles’ room, of course. But Carlos doesn’t need to know that. Let him stew in his own jealousy and insecurity for a while. Maybe next time he’ll think twice before suggesting something so foolish.

As you reach the elevator, you can still hear Carlos’ muffled shouts echoing from your suite. You press the button for the lobby, a mix of emotions swirling in your chest. Part of you feels guilty for causing him such distress, but a larger part feels justified in your actions. He needed to understand the consequences of his thoughtless suggestion.

As the elevator doors slide closed, you let out a long breath. It’s going to be a long night, but perhaps this will be the wake-up call your relationship needed. Not in the way Carlos had intended, but in a way that forces you both to confront the real issues lurking beneath the surface.

The elevator begins its descent, carrying you away from the drama upstairs and towards an uncertain future. One thing’s for sure — your relationship will never be the same after tonight. Whether that’s for better or worse remains to be seen.

***

The hotel bar is a sanctuary of soft lighting and hushed conversations. You sit perched on a high stool, nursing a glass of red wine and trying to quiet the storm of emotions raging inside you. The bartender, a middle-aged man with kind eyes, keeps glancing your way, clearly sensing your distress but respectfully maintaining his distance.

You’re so lost in thought that you don’t notice the figure approaching until he speaks.

“Y/N? Is everything alright?”

You look up, startled, to find Charles Leclerc standing beside you, concern etched across his handsome features. For a moment, you’re struck by the irony of the situation.

“Charles,” you manage, forcing a smile. “I’m fine, just ... needed some air.”

He raises an eyebrow, clearly not buying your act. “At the bar? Must be some very alcoholic air.”

Despite yourself, you let out a small laugh. “Caught me. Mind if I buy you a drink to keep my secret?”

Charles slides onto the stool next to you, a warm smile playing across his lips. “Only if you let me buy the next round and tell me what’s really going on.”

You hesitate, swirling the wine in your glass. “It’s ... complicated.”

“I’ve got time,” Charles says softly, signaling the bartender. “And I’ve been told I’m a pretty good listener.”

As the bartender sets a Moscow Mule in front of Charles, you take a deep breath. “Carlos and I had a fight.”

Charles nods, his expression neutral. “I see. Do you want to talk about it?”

You laugh bitterly. “Oh, you’re going to love this. He suggested we each get a hall pass.”

Charles’ brow furrows in confusion. “A hall pass? Like in school?”

“No,” you explain, taking a sip of your wine. “A relationship hall pass. Permission to sleep with one chosen person if the opportunity ever arose.”

Charles’ eyes widen in surprise. “He suggested that? Really?”

You nod, feeling a fresh wave of anger wash over you. “He thought it would ‘spice things up’. Add some excitement to our relationship.”

“And how did you feel about that?” Charles asks carefully, studying your face.

You sigh, running a hand through your hair. “Honestly? I felt ... hurt. Betrayed. Like I wasn’t enough for him anymore.”

Charles reaches out, hesitating for a moment before gently placing his hand over yours. “Y/N, you’re more than enough. Any man would be lucky to have you.”

You look up, meeting his intense gaze. “Thank you. That ... means a lot.”

He squeezes your hand before pulling away, taking a sip of his drink. “So, what happened next?”

You feel a mischievous smile tugging at your lips. “Well, I agreed.”

Charles nearly chokes on his drink. “You did?”

You nod, unable to suppress a small chuckle at his reaction. “I did. But not for the reasons Carlos wanted.”

“Oh?” Charles leans in, curiosity sparking in his eyes. “Do tell.”

“Well,” you say, lowering your voice conspiratorially, “Carlos chose Margot Robbie as his hall pass.”

Charles snorts. “Of course he did.”

“Exactly,” you agree. “So when it was my turn to choose ... I picked you.”

For a moment, Charles is speechless, his mouth opening and closing like a fish out of water. Finally, he manages to sputter, “Me? You chose me?”

You nod, feeling a blush creep up your cheeks. “I did. You should have seen Carlos’ face. He was furious.”

Charles runs a hand through his hair, looking both flattered and bewildered. “I ... wow. I don’t know what to say.”

“You don’t have to say anything,” you assure him quickly. “I didn’t choose you because I actually intended to ... you know. I chose you to teach Carlos a lesson.”

Charles nods slowly, processing this information. “And did he learn his lesson?”

You shrug, finishing off your wine. “I don’t know. I left him screaming in our hotel room.”

“Y/N,” Charles says softly, his voice full of concern. “I’m so sorry you’re going through this. You deserve better.”

You feel tears prickling at the corners of your eyes. “Do I? Sometimes I wonder ...”

Charles reaches out again, this time cupping your cheek gently. “Listen to me. You are an incredible woman. You’re smart, funny, beautiful ... any man would be lucky to have you. And if Carlos can’t see that, if he’s willing to risk losing you over some stupid fantasy, then he doesn’t deserve you.”

You lean into his touch, feeling a warmth spread through your chest that has nothing to do with the wine. “Charles ...”

He leans in closer, his voice low and intense. “If you were with me, I would treat you like the queen you deserve to be. I would never even think about another woman, let alone ask for permission to be with one.”

Your breath catches in your throat, your heart pounding in your chest. “Charles, I ... we can’t ...”

He pulls back slightly, his eyes searching yours. “Why not? You have a hall pass, don’t you?”

You shake your head, trying to clear the fog of emotions clouding your judgment. “That’s not ... I didn’t mean for this to happen.”

Charles sighs, dropping his hand from your face. “I know. And I would never want to be the reason you and Carlos break up. But Y/N, you have to know ... I’ve had feelings for you for a long time.”

Your eyes widen in surprise. “You have?”

He nods, a rueful smile on his face. “How could I not? You’re amazing. But you were with Carlos, and I respected that. I still do. But seeing you hurt like this ... it kills me.”

You feel tears spilling down your cheeks now, unable to hold them back any longer. “I don’t know what to do. I love Carlos, but after tonight ... I don’t know if I can trust him anymore.”

Charles pulls you into a gentle hug, his strong arms wrapping around you protectively. “It’s okay. You don’t have to decide anything right now.”

You bury your face in his chest, inhaling his comforting scent. “I just ... I feel so lost.”

He strokes your hair softly, his voice a soothing murmur. “I know. But you’re not alone. I’m here for you, whatever you need.”

You pull back slightly, looking up into his eyes. “Thank you. You’re a good friend.”

He smiles, but there’s a hint of sadness in his eyes. “Always. But Y/N ... I want you to know that if you ever decide you want more than friendship, I’m here. I would never hurt you the way Carlos has.”

You feel a flutter in your stomach, a mix of excitement and fear. “Charles, I ...”

He shakes his head, placing a finger gently on your lips. “You don’t have to say anything. I just wanted you to know.”

You nod, suddenly very aware of how close you are, of the electricity crackling between you. “I should ... I should probably go.”

Charles nods, but makes no move to let you go. “Probably. But do you want to?”

You bite your lip, torn between desire and duty. “I ... I don’t know.”

He leans in, his lips barely brushing your ear as he whispers, “Come up to my room. We don’t have to do anything. We can just talk or watch a movie. But I don’t think you should be alone right now.”

You shiver at his closeness, your resolve weakening. “Charles, I ... what if someone sees us?”

He pulls back, his eyes meeting yours with an intensity that takes your breath away. “Let them see. You haven’t done anything wrong. You’re allowed to have friends, to seek comfort when you’re hurting.”

You take a deep breath, knowing that you’re standing on the edge of a precipice. One wrong move and everything could come crashing down. But looking into Charles’ eyes, feeling the warmth and safety of his presence, you find yourself nodding.

“Okay,” you whisper. “Let’s go.”

Charles stands, offering you his hand. You take it, allowing him to lead you towards the elevators. As you walk, you can feel the eyes of other patrons on you, but Charles’ steady presence beside you helps you keep your head high.

In the elevator, you stand close together, the air thick with unspoken tension. Charles’ thumb traces small circles on the back of your hand, sending shivers up your arm.

“Charles,” you say softly as the elevator begins to ascend. “I need you to know ... I’m not using you to get back at Carlos. Whatever happens tonight, it’s because I want it to.”

He turns to face you, his free hand coming up to cup your cheek once more. “I know. And I want you to know that whatever happens or doesn’t happen, tonight doesn’t change anything. I’ll still be here for you tomorrow, and the day after, and every day after that.”

You lean into his touch, feeling a sense of peace wash over you for the first time since your fight with Carlos. “Thank you.”

The elevator dings, signaling your arrival at Charles’ floor. He leads you down the hallway to his suite, fumbling slightly with the key card before pushing the door open.

As you step inside, you’re struck by how different it feels from the suite you share with Carlos. Where your room is cluttered with both of your belongings, evidence of your life together, Charles’ suite is neat and minimalist. It feels like a blank slate, a fresh start.

Charles closes the door behind you, leaning against it as he watches you take in the room. “So,” he says softly, “what now?”

You turn to face him, suddenly feeling nervous. “I ... I don’t know. This is all happening so fast.”

He nods, understanding in his eyes. “We can take it slow. Why don’t we sit down, maybe order some room service? We can talk, or not talk. Whatever you’re comfortable with.”

You feel a rush of affection for him, grateful for his patience and understanding. “That sounds nice.”

Charles moves to the phone, quickly ordering a selection of snacks and another bottle of wine. As he hangs up, he turns back to you with a shy smile. “I hope you don’t mind, I ordered your favorite.”

You blink in surprise. “You know my favorite wine?”

He shrugs, a faint blush coloring his cheeks. “I pay attention.”

You feel your heart skip a beat at his words. How many times had you had to remind Carlos of your preferences?

As you settle onto the plush sofa, Charles takes a seat beside you, close but not touching. “Y/N,” he says softly, “I want you to know that you’re in control here. We don’t have to do anything you’re not comfortable with.”

You nod, feeling a mix of gratitude and desire. “I know. And I appreciate that, Charles. But ...”

He raises an eyebrow. “But?”

You take a deep breath, gathering your courage. “But I think I want to kiss you.”

Charles’ eyes widen, a look of surprise and joy spreading across his face. “Are you sure?”

Instead of answering, you lean forward, pressing your lips to his in a tentative kiss. For a moment, Charles is still, as if he can’t believe this is happening. Then, with a small groan, he responds, his hand coming up to tangle in your hair as he deepens the kiss.

As you lose yourself in the sensation of Charles’ lips on yours, his strong arms pulling you closer, you feel a sense of rightness settle over you. You know that there will be consequences to face tomorrow, difficult conversations to be had. But for now, in this moment, you allow yourself to forget about everything else and simply feel.

When you finally pull apart, both breathing heavily, Charles rests his forehead against yours. “Y/N,” he whispers, his voice thick with emotion. “I’ve wanted to do that for so long.”

You smile, running your fingers through his hair. “Me too. I just didn’t realize it until now.”

He pulls back slightly, searching your eyes. “What happens now?”

You take a deep breath, considering your words carefully. “Now ... now we take things one step at a time. I can’t make any promises, Charles. I need to sort things out with Carlos, figure out what I really want.”

He nods, understanding and a hint of sadness in his eyes. “I know. And I’ll respect whatever decision you make. Just know that I’m here, Y/N. Whatever you need.”

You lean in, pressing another soft kiss to his lips. “Thank you. For everything.”

As you settle back into his arms, feeling safe and cared for in a way you haven’t in a long time, you know that whatever the future holds, this night has changed everything. And for the first time in a long time, you’re looking forward to what tomorrow might bring.

***

The soft morning light filters through the curtains, a sliver landing directly on the warming skin of your face. You stir slowly, awareness creeping in as you realize you’re not in your own bed. As your eyes flutter open, you find yourself nestled in Charles’ arms, his steady heartbeat a comforting rhythm against your cheek.

For a moment, panic flares in your chest as you try to piece together the events of the night before. But as memories flood back, you relax, remembering that while you and Charles shared kisses and conversation, nothing more intimate transpired.

Charles shifts beside you, his arms tightening slightly as he wakes. “Good morning,” he murmurs, his voice rough with sleep.

You tilt your head to look up at him, a small smile playing on your lips. “Good morning.”

He brushes a strand of hair from your face, his touch gentle. “How are you feeling?”

You take a moment to assess, surprised by the sense of calm that settles over you. “Better than I expected, actually.”

Charles nods, relief evident in his eyes. “I’m glad. I was worried you might regret ... well, everything.”

You shake your head, sitting up slightly to meet his gaze. “I don’t regret anything. Last night ... it made a lot of things clear for me.”

He raises an eyebrow, curiosity and hope warring in his expression. “Oh? What kind of things?”

You take a deep breath, steeling yourself for the conversation ahead. “I think ... I think I want to be with you. Not just for a hall pass, not just for one night. I want to see where this could go between us.”

Charles’ face lights up, joy radiating from every feature. But then, just as quickly, concern clouds his expression. “Y/N, as much as I want that — and believe me, I do — what about Carlos?”

You sigh, running a hand through your hair. “I need to end things with him. Properly. What he did, suggesting that hall pass ... it was just a symptom of bigger problems in our relationship. I see that now.”

Charles nods slowly, sitting up beside you. “Are you sure about this? I don’t want you to make any rash decisions because of one fight.”

You turn to face him fully, taking his hands in yours. “I’m sure. Last night, talking with you, being with you ... it made me realize what I’ve been missing. The respect, the understanding, the way you actually listen to me. I want that. I want you.”

A smile spreads across Charles’ face, but there’s still a hint of hesitation in his eyes. “You have no idea how happy it makes me to hear you say that. But ... are you sure you want to do this now? Maybe you should take some time, think things through.”

You shake your head, determination setting in. “No, I need to do this now. If I wait, I’ll just be living a lie. Carlos deserves to know the truth, and I ... I want to start this — us — with a clean slate.”

Charles squeezes your hands gently. “Okay. If you’re sure. But I’m not letting you face Carlos alone.”

You blink in surprise. “What do you mean?”

He meets your gaze steadily. “I mean I’m coming with you when you break up with him. I know Carlos, and I know he’s not going to take this well. I want to be there to support you.”

“Charles,” you protest weakly, “I can’t ask you to do that. It’s going to be messy enough without you there.”

He shakes his head firmly. “You’re not asking, I’m offering. More than that, I’m insisting. We’re in this together now. Let me be there for you.”

You feel tears prickling at the corners of your eyes, overwhelmed by his support. “Okay,” you whisper. “Thank you.”

Charles leans in, pressing a soft kiss to your forehead. “Always. Now, why don’t we get cleaned up and face this together?”

An hour later, freshly showered and steeled for the confrontation ahead, you stand outside the door to your suite with Charles by your side. Your hand trembles slightly as you raise it to knock.

“Hey,” Charles says softly, catching your hand in his. “It’s going to be okay. I’m right here with you.”

You nod, taking a deep breath before rapping your knuckles against the door. For a long moment, there’s silence. Then, just as you’re about to knock again, the door flies open.

Carlos stands there, his hair disheveled and dark circles under his eyes. His gaze flicks between you and Charles, confusion quickly morphing into anger.

“What the hell is this?” He demands, his voice rough.

You step forward, trying to keep your voice calm. “We need to talk.”

He laughs bitterly, throwing the door wider. “Oh, now you want to talk? After disappearing all night? Come on in, let’s have a nice chat.”

As you and Charles enter the suite, you can’t help but notice the state of disarray. Empty bottles litter the coffee table, and it’s clear Carlos hasn’t slept.

“Have a nice night?” Carlos spits, slamming the door behind you.

You flinch at the sound, but stand your ground. “I’m sorry for leaving like that. But we need to discuss what happened.”

He rounds on you, anger blazing in his eyes. “What’s there to discuss? You used your fucking hall pass, didn’t you? With him?” He jabs a finger at Charles, who remains calm but alert beside you.

“No, Carlos, I didn’t,” you say firmly. “Charles and I talked, that’s all.”

Carlos scoffs, pacing the room like a caged animal. “Oh, you expect me to believe that? You disappear all night, then show up with him in the morning, and I’m supposed to think nothing happened?”

Charles steps forward, his voice level. “She’s telling you the truth. Nothing happened between us last night.”

Carlos whirls on him, fury contorting his features. “Stay out of this, Leclerc. This is between me and my girlfriend.”

You feel anger bubbling up inside you at his possessive tone. “That’s just it. I’m not your girlfriend anymore.”

The room goes deathly silent as your words hang in the air. Carlos stares at you, shock replacing anger for a moment before his face hardens again.

“What did you just say?” He growls.

You stand tall, drawing strength from Charles’ presence beside you. “I said I’m not your girlfriend anymore. I’m breaking up with you.”

For a moment, Carlos looks like you’ve physically struck him. Then, with a roar of rage, he sweeps his arm across the nearest surface, sending glasses and bottles crashing to the floor.

“You fucking bitch!” He shouts, advancing on you. “You sleep with my teammate and then have the audacity to break up with me?”

Charles steps between you and Carlos, his voice low and dangerous. “Back off. Now.”

Carlos sneers at him. “Oh, defending your new whore, are you? How noble.”

You push past Charles, anger overriding your fear. “That’s enough! I told you, I didn’t sleep with Charles. But even if I had, it would have been my right. You’re the one who suggested this stupid hall pass in the first place!”

Carlos laughs bitterly. “Oh, so this is my fault now? I suggest a little harmless fantasy to spice things up, and you use it as an excuse to cheat on me?”

“It wasn’t harmless!” You shout back. “It was hurtful and disrespectful. Did you ever stop to think how it would make me feel, knowing you wanted permission to sleep with other women?”

Carlos runs his hands through his hair, frustration evident in every line of his body. “It wasn’t about that! It was just a game, a fantasy!”

You shake your head, feeling a wave of sadness wash over you. “That’s the problem. Our relationship isn’t a game. It’s not something to be risked on a whim. And the fact that you don’t understand that ... it just proves we’re not right for each other anymore.”

Carlos’ anger seems to deflate, replaced by a desperate pleading. “Y/N, please. We can work this out. I’m sorry about the hall pass thing, okay? I was an idiot. But don’t throw away everything we have over one stupid mistake.”

You feel tears welling up in your eyes, but you blink them back. “It’s not just about the hall pass. It’s about everything. The way you take me for granted, the way you never really listen to me. I deserve better than that. I deserve someone who respects me, who values me.”

Carlos’ gaze flicks to Charles, understanding dawning in his eyes. “And you think he’s that someone? My teammate? My friend?”

Charles steps forward, his voice soft but firm. “I’m sorry it happened this way. I never wanted to hurt you. But Y/N is right — she deserves better. And I want to be the one to give her that.”

For a moment, you think Carlos might lunge at Charles. But then, to your surprise, he crumples, sinking onto the edge of the bed with his head in his hands.

“How long?” He asks, his voice muffled.

You move closer, but stop short of touching him. “How long what?”

He looks up, his eyes red-rimmed. “How long have you two been ... feeling this way about each other?”

You exchange a glance with Charles before answering. “Honestly? I didn’t realize how I felt about Charles until last night. When he was there for me, really listening and supporting me ... it made me see what I’ve been missing.”

Carlos nods slowly, a bitter smile twisting his lips. “And you, Charles? How long have you been in love with my girlfriend?”

Charles takes a deep breath, meeting Carlos’ gaze steadily. “A while. But Carlos, I swear to you, nothing ever happened between us until last night. And even then, we didn’t sleep together. I respect you too much for that.”

Carlos laughs humorlessly. “Respect me? You’re stealing my girlfriend and you talk about respect?”

You feel a flare of irritation at his words. “He’s not stealing me. I’m not a possession. I’m making my own choice.”

Carlos stands abruptly, moving to the window and staring out at the city below. For a long moment, silence reigns in the room. When he finally speaks, his voice is quiet, defeated.

“Get out. Both of you. I can’t ... I can’t look at either of you right now.”

You take a step towards him, your heart aching despite everything. “Carlos ...”

He whirls around, his eyes flashing. “I said get out! Take your things and go. I’ll have the rest sent to you.”

You nod slowly, knowing that pushing further will only make things worse. As you move around the room, gathering your essential belongings, you feel a profound sadness settling over you. This is the end of a significant chapter in your life, and despite your certainty that it’s the right decision, it still hurts.

Charles waits by the door, a silent, supportive presence. When you’ve finished packing a small bag, you join him, pausing at the threshold to look back at Carlos one last time.

“I’m sorry it ended this way,” you say softly. “I hope ... I hope someday you can forgive us.”

Carlos doesn’t respond, doesn’t even turn to look at you. With a heavy sigh, you step into the hallway, Charles close behind you.

As the door clicks shut, you lean against the wall, suddenly feeling drained. Charles wraps an arm around your shoulders, pulling you close.

“Are you okay?” He asks gently.

You nod against his chest, taking comfort in his warmth. “I will be. It’s just ... it’s a lot.”

He presses a kiss to the top of your head. “I know. But you’re not alone. We’ll get through this together.”

You look up at him, managing a small smile despite the turmoil of emotions swirling inside you. “Together. I like the sound of that.”

***

The soft glow of the setting sun filters through the curtains of Charles’ hotel suite, casting a golden light across the room. You sit on the plush sofa, your legs tucked beneath you, a glass of Prosecco cradled in your hands. Across from you, Charles leans against the minibar, his own glass in hand, a soft smile playing on his lips as he watches you.

“What?” You ask, feeling a blush creep up your cheeks under his intense gaze.

Charles shakes his head, his smile widening. “Nothing. I just ... I can’t believe you’re really here. With me.”

You take a sip of your Prosecco, savoring the crisp, bubbly taste. “I’m having a hard time believing it myself. But I’m glad I am.”

Charles moves to join you on the sofa, settling in close enough that you can feel the warmth radiating from his body. “How are you feeling? After everything that happened with Carlos ...”

You sigh, leaning back against the cushions. “Honestly? I feel ... lighter. Like a weight I didn’t even know I was carrying has been lifted.”

Charles nods, his expression thoughtful. “I’m glad. But I want you to know that I don’t expect anything from you. If you need time, space ...”

You cut him off by placing your hand gently on his arm. “I appreciate that. But I’ve had years of space with Carlos. What I want now is to be here, with you.”

His eyes light up at your words, and he leans in, pressing a soft kiss to your lips. As he pulls back, you can’t help but smile at the joy radiating from him.

“You know,” you say, taking another sip of your Prosecco, “I have to admit, I was surprised when you ordered this.”

Charles raises an eyebrow. “The Prosecco? Why?”

You shrug, a wry smile tugging at your lips. “Carlos always insisted on ordering Spanish cava. He said it was better. I never had the heart to tell him I preferred Prosecco.”

Charles looks at you incredulously. “You’re kidding. He never noticed?”

You shake your head. “Nope. I mean, I drank it, of course. But ... I don’t know. It just never seemed important enough to make a fuss over.”

Charles sets his glass down on the coffee table, turning to face you fully. “Y/N, listen to me. Your preferences, your likes and dislikes — they’re important. They matter. You matter.”

You feel tears prickling at the corners of your eyes, overwhelmed by the sincerity in his voice. “Thank you. That ... that means a lot.”

He reaches out, gently wiping away a tear that has escaped. “It’s the truth. And for the record, I’ve known you preferred Prosecco since that team dinner in Monza two years ago.”

Your eyes widen in surprise. “You remember that?”

Charles nods, a soft smile playing on his lips. “Of course. You lit up when they brought out the Prosecco. Your whole face changed. I’ve never seen someone so happy over a glass of bubbly.”

You laugh, feeling a warmth spread through your chest that has nothing to do with the alcohol. “I can’t believe you noticed that.”

“I notice everything about you,” Charles says softly, his hand coming up to cup your cheek. “I always have.”

You lean into his touch, your heart racing. “Like what?”

Charles’ thumb traces gentle circles on your skin as he speaks. “Like how you always twist your hair around your finger when you’re deep in thought. Or how you bite your lip to hide your smile when you’re trying not to laugh at one of the guys’ bad jokes.”

You feel a blush creeping up your neck, touched by his attention to detail. “What else?”

He grins, his eyes twinkling with mischief. “Well, I know you have a secret stash of gummy bears in your purse for long flights. And that you always hum Dancing Queen under your breath when you’re in a good mood.”

You gasp in mock horror. “Charles Leclerc, have you been spying on me?”

He laughs, the sound rich and warm. “Not spying. Just ... paying attention. Is that okay?”

You nod, feeling a lump form in your throat at the tenderness in his gaze. “It’s more than okay. It’s ... it’s wonderful.”

Charles leans in, pressing his forehead against yours. “You’re wonderful. And you deserve someone who sees that, who appreciates every little thing about you.”

You close the distance between you, capturing his lips in a soft, sweet kiss. When you pull back, you’re both a little breathless.

“Charles,” you murmur, “I think I’m falling for you.”

His face lights up with joy. “That’s good, because I’ve already fallen for you.”

You laugh, feeling lighter than you have in years. “Oh really? When did that happen?”

Charles pretends to think for a moment. “Hmm, probably around the time you yelled at that journalist for asking me stupid questions after my DNF in Canada.”

You groan, hiding your face in your hands. “Oh god, I forgot about that. I was so embarrassed afterwards.”

He gently pries your hands away, his eyes shining with admiration. “Don’t be. It was amazing. No one’s ever defended me like that before.”

You shrug, feeling a bit sheepish. “He was being an ass. You didn’t deserve that after the race you had.”

Charles pulls you closer, wrapping an arm around your shoulders. “See? That’s what I mean. You care. Deeply and fiercely. It’s one of the things I love most about you.”

You snuggle into his side, reveling in the warmth and safety of his embrace. “You know, it’s funny. I always thought I was happy with Carlos. But being here with you ... it’s making me realize how much I was missing.”

Charles presses a kiss to the top of your head. “Like what?”

You take a moment to gather your thoughts. “Well, for one thing, this. Just sitting and talking, really talking. With Carlos, it always felt like we were just going through the motions, you know? Like we were playing the roles of the perfect couple without really connecting.”

Charles nods, his hand rubbing soothing circles on your arm. “I get that. It’s easy to fall into patterns, to stop really seeing each other.”

“Exactly,” you agree. “And it’s not just the big things. It’s the little stuff too. Like ...” You pause, a memory suddenly surfacing. “Oh! Like the flowers.”

Charles raises an eyebrow. “Flowers?”

You sit up, turning to face him. “Yeah. Carlos always sent me these huge bouquets of red roses. Which, don’t get me wrong, were beautiful. But ...”

“But they’re not your favorite,” Charles finishes for you.

You blink in surprise. “How did you know that?”

He grins, looking a bit bashful. “Remember that charity gala in Milan last year? You spent at least ten minutes gushing over the centerpieces.”

You gasp, the memory flooding back. “The peonies! Oh my god, Charles, how do you remember these things?”

He shrugs, his eyes soft as he looks at you. “Like I said, I pay attention. Especially when it comes to you.”

You feel your heart swell with affection. “Well, Mr. Attentive, what else have you noticed about me?”

Charles pretends to think hard, tapping his chin dramatically. “Let’s see ... I know you prefer your coffee with just a splash of milk, no sugar. You always double-knot your shoelaces before a run. Oh, and you have a secret obsession with cheesy 80s power ballads.”

You laugh, playfully swatting his arm. “Okay, now I know you’re making things up. There’s no way you could know about my power ballad addiction.”

He raises an eyebrow, a mischievous glint in his eye. “Oh really? So if I were to start singing Total Eclipse of the Heart, you wouldn’t immediately join in?”

Your jaw drops. “How ... how did you ...”

Charles grins triumphantly. “Team karaoke night in Singapore. You thought everyone was too drunk to remember, but I wasn’t as far gone as I let on.”

You groan, burying your face in your hands. “Oh god, I’m never going to live that down, am I?”

He gently pries your hands away, his expression soft and sincere. “Hey, no hiding. I loved it. You were so free, so happy. It was beautiful to watch.”

You feel tears prickling at your eyes again, overwhelmed by the depth of his feelings. “Charles ...”

He cups your face in his hands, his thumbs gently wiping away the tears that have escaped. “Y/N, I want you to know that I see you. All of you. The good, the bad, the silly, the serious. And I love every part of it.”

You lean into his touch, your heart racing. “I’m starting to see you too, Charles. And I ... I think I might be falling in love with what I see.”

His face lights up with joy, and he pulls you in for a deep, passionate kiss. When you finally break apart, you’re both breathless and grinning.

“So,” Charles says, his voice low and husky, “what do you say we order some room service? I’m thinking ... chocolate lava cake for dessert?”

You gasp in delight. “How did you know that’s my favorite?”

He winks, reaching for the room service menu. “I told you, mon cœur. I pay attention.”

As Charles calls down to place the order, you lean back against the sofa, a contented smile playing on your lips. You can’t help but marvel at how different this feels from your relationship with Carlos. With Charles, you feel seen, heard, understood in a way you never have before.

When he hangs up the phone and rejoins you on the sofa, you curl into his side, feeling perfectly at home in his arms. As the night deepens around you, filled with laughter, deep conversations, and stolen kisses, you know that this is just the beginning of something beautiful. With Charles, you’re not just being loved — you’re being cherished, appreciated for every little thing that makes you who you are.

And as you drift off to sleep in his arms later that night, the taste of chocolate and Prosecco still lingering on your lips, you can’t help but feel that you’ve finally found where you truly belong.

***

Carlos stands at the edge of the pit lane, his eyes fixed on the scene unfolding before him. You and Charles are huddled together by the Ferrari garage, laughing and talking animatedly. The sight sends a sharp pang through Carlos’ chest, a mixture of anger, jealousy, and regret swirling in his gut.

He watches as Charles leans in, whispering something in your ear that makes you throw your head back in laughter. Carlos grits his teeth, remembering a time when he was the one to make you laugh like that.

“They look happy, don’t they?” A voice says beside him.

Carlos turns to see Lando standing there, a sympathetic look on his face. “What do you want?” Carlos growls, not in the mood for conversation.

Lando holds up his hands in a placating gesture. “Just checking on you, mate. I know this can’t be easy to watch.”

Carlos scoffs, turning his attention back to you and Charles. “I’m fine. It’s not like I care what she does anymore.”

Even as he says the words, Carlos knows they’re a lie. He does care. He cares so much it feels like he’s being torn apart from the inside.

He watches as Charles pulls out a small package from his pocket, handing it to you with a flourish. Your eyes light up as you unwrap it, revealing what looks like a bag of candy.

“What’s that about?” Carlos mutters, more to himself than to Lando.

Lando squints, trying to get a better look. “Looks like ... gummy bears? Huh, I didn’t know Y/N liked those.”

Carlos feels like he’s been punched in the gut. “She doesn’t,” he says automatically. But even as the words leave his mouth, he sees the way you’re beaming at Charles, popping a gummy bear into your mouth with evident delight.

“You sure about that?” Lando asks, raising an eyebrow.

Carlos doesn’t respond, his mind racing. How had he never known you liked gummy bears? Had you ever mentioned it? Had he ever bothered to ask?

He’s pulled from his thoughts by the sound of your laughter again. Charles is holding out his phone, showing you something on the screen. As you lean in to look, Charles’ arm slips around your waist, pulling you close.

Carlos feels his hands clench into fists at his sides. He wants to look away, but he can’t seem to tear his eyes from the scene.

“You know,” Lando says carefully, “maybe you should talk to them. Clear the air.”

Carlos shakes his head vehemently. “There’s nothing to talk about. She made her choice.”

Lando sighs. “Look, mate, I know you’re hurting. But-”

“But nothing,” Carlos snaps. “Just drop it.”

Lando holds up his hands in surrender. “Alright, alright. I’m here if you need to talk, though.”

As Lando walks away, Carlos continues to watch you and Charles. He sees the way Charles’ hand rests on the small of your back, the way you lean into him as if it’s the most natural thing in the world.

Suddenly, Charles looks up, his eyes meeting Carlos’ across the paddock. For a moment, they just stare at each other, an unspoken tension crackling between them. Then, to Carlos’ surprise, Charles says something to you and starts making his way over.

Carlos straightens, steeling himself for the confrontation. As Charles approaches, he can see you watching anxiously from a distance.

“Carlos,” Charles says, his voice cautious. “Can we talk?”

Carlos crosses his arms, his jaw clenched. “What’s there to talk about?”

Charles sighs, running a hand through his hair. “Look, I know this situation is ... complicated. But I want you to know that I never meant to hurt you.”

Carlos laughs bitterly. “Hurt me? You stole my girlfriend. How did you think that was going to make me feel?”

Charles shakes his head. “I didn’t steal anyone. Y/N made her own choice.”

“Right,” Carlos spits. “And I’m sure you had nothing to do with that.”

Charles takes a deep breath, clearly trying to keep his composure. “I won’t deny that I had feelings for Y/N for a long time. But I never acted on them while you were together. Never.”

Carlos scoffs. “Oh, how noble of you.”

“Carlos, please,” Charles says, his voice softening. “I know you’re angry, and you have every right to be. But can’t you see how happy she is?”

Carlos’ eyes flick back to you, standing by the garage and watching them anxiously. He hates to admit it, but you do look happy. Happier than he can remember seeing you in a long time.

“She was happy with me,” Carlos insists, but the words sound hollow even to his own ears.

Charles gives him a sad smile. “Was she? Really? Because from what she’s told me, there were a lot of things you never noticed about her.”

Carlos feels a flare of anger. “What’s that supposed to mean?”

“It means,” Charles says carefully, “that sometimes we take the people we love for granted. We stop seeing them, really seeing them.”

Carlos wants to argue, to defend himself, but he finds the words sticking in his throat. Because deep down, he knows Charles is right.

“Did you know,” Charles continues, his voice gentle, “that her favorite flowers are pink peonies? Not red roses?”

Carlos blinks, caught off guard. “What?”

Charles nods. “Or that she prefers Prosecco to cava? Or that she has a secret addiction to 80s power ballads?”

With each revelation, Carlos feels like he’s being hit with a fresh wave of regret. How had he missed all of these things? How had he failed to notice what made you, you?

“I ...” Carlos starts, then stops, unsure of what to say.

Charles puts a hand on his shoulder, the gesture surprisingly kind given the circumstances. “I’m not telling you this to hurt you. I’m telling you because I want you to understand. Y/N deserves to be with someone who sees her, who appreciates every little thing about her.”

Carlos nods slowly, the fight draining out of him. “And that someone is you?”

Charles smiles softly. “I hope so. I’m certainly trying to be.”

They stand in silence for a moment, both looking over at you. You’re still watching them anxiously, clearly worried about what they might be saying to each other.

Finally, Carlos speaks, his voice rough with emotion. “Just ... just promise me you’ll treat her right. Better than I did.”

Charles nods solemnly. “I promise. With everything I have.”

As Charles turns to walk back to you, Carlos calls out, “Charles?”

Charles pauses, looking back over his shoulder.

“Thank you,” Carlos says quietly. “For loving her the way she deserves.”

Charles gives him a small, understanding smile before continuing on his way. Carlos watches as he returns to you, sees the way your face lights up as Charles pulls you into a comforting embrace.

As he turns to walk away, Carlos feels a mix of emotions swirling inside him. There’s still pain, still regret, but there’s also a glimmer of something else. Something that feels a lot like acceptance.

He realizes now that he had taken you for granted, had failed to see the beautiful, complex person you truly were. And while it hurts to admit it, he knows that Charles sees all of that and more.

As he makes his way back to his own garage, Carlos makes a silent promise to himself. To pay more attention, to really see the people in his life. Because he never wants to make the same mistake again, never wants to lose someone else because he failed to appreciate them.

And as he glances back one last time, seeing you and Charles walking hand-in-hand, laughing and lost in your own world, Carlos feels a weight lift from his shoulders.

It’s not easy, and it still hurts, but he knows now that this is how it should be. You deserve to be with someone who knows you, truly knows you, inside and out.

And as much as it pains him to admit it, that someone isn’t him. It’s Charles.

With a deep breath, Carlos turns away, ready to face whatever comes next. He’s lost you, but in doing so, he’s gained a valuable lesson. One he won’t soon forget.

[snapscube]

Hello penny please excuse my ignorance but im curious, is there any evidence present within the games that supports the franmaya ship? Like for Miles and Phoenix for example? Or is this more of a "I just think they'd be cute together" deal?

I wasn't aware of that ship before you started playing through the aa games and I'm honestly super into the ship I'm just so curious how it started

oh it’s like 95% just playing with my favorite barbies and making them kiss

i will say, by the end of justice for all i felt Something abt the two of them that i suspect didn’t come from nowhere but that left pretty quickly by the end of trials and tribulations which basically has zero franmaya fuel anywhere in sight LOL

i think i need to replay 2-4, that feels like the most likely candidate for having some kind of nugget. but, yeah, it’s mostly just them being my favorite characters and me extrapolating a lot of imaginary chemistry based on their personality archetypes in spite of how little they directly interact. there’s some sauce about them both having to live up to the expectations of deceased family members potentially. they’re both very cartoonish but in different ways that would bounce off of each other nicely. etc etc.

[starcurtain]

A Look at Ratio and Aventurine... and Ratio/Aventurine

I was morally obligated to use this picture.

Anyway, I got an ask about my understanding of Ratio and Aventurine's relationship both in canon and as a ship that I have been holding on to for a while now because... phew, there's like... a lot to talk about there... But I felt I should at least give it a try, so here is my attempt to comment on the intersection of two of Star Rail's most complicated personalities. Long post is longgggg; you have been warned.

First, Aventurine's canon relationship to Ratio:

In the interest of not hitting tumblr's image limit, let's just throw out some of the information we have in one go:

It's pretty complimentary. (Yet somehow...)

The implication of the infamous "Keeping Up with Star Rail" video is that Ratio understands Aventurine better than anyone else, and Aventurine knows this. At the very least, putting all shipping aside, Ratio is the person who can explain Aventurine's behaviors best. He's the person Aventurine chooses do so. This suggests significantly more knowledge of each other's lives than the game first led us to believe.

Other people (read as: my GOAT Owlbert) perceive respect from Aventurine to Ratio, and although I read them as a bit sarcastic, the 2.1 mission logs not only repeatedly confirm that Aventurine views Ratio as smart and reliable, but that Ratio is reliable "as always," again indicating a longer and closer history of collaboration than we get to actively see in game. The devs were working hard to tell us "Penacony isn't Ratiorine's first rodeo," which is interesting--given Topaz's voiceline recommending the Trailblazer avoid working with Aventurine whenever possible, we're led to believe through 2.0 and 2.1 that not many people will willingly work with Aventurine more than once, let alone many times.

While going through psychological scrutiny from the Ghost of Christmas Yet to Come his Harmony-infused self, the "Future" Aventurine suggests that Ratio and Aventurine are quite similar, and that Aventurine puts a surprising amount of trust in Ratio, to be willing to hinge such a dangerous plan on something as untested as Ratio's ability to act. At the very least, Aventurine's own psyche is pondering on Ratio and whether or not their connection has any emotional meaning.

But despite all this evidence suggesting Ratio and Aventurine spend significantly more time with each other than we get to see in game, Aventurine's own thoughts cast strong doubt on whether he and Ratio are actually close.

Aventurine's "About Dr. Ratio" voice line suggests that Aventurine believes Ratio does not particularly like him. He seems to think that Ratio would prefer to stay away from IPC operations where possible, and it's "unfortunate" for Ratio to be stuck with Aventurine as a conversation partner. He's tolerated, rather than enjoyed. His overall impression seems to be that Ratio mostly views them as distant coworkers.

When the "Future" Aventurine suggests Ratio did not betray Aventurine willingly, actual Aventurine immediately pushes back:

(Personally I'm on the fence about whether this was real doubt or just a ploy to continue sussing out Sunday; see my other post about this scene for some more thoughts.)

But if we take this statement to be played straight, it implies that Aventurine doesn't fully believe Ratio will side with him, even (maybe especially) in dire circumstances. If this statement is real doubt, then despite considering Ratio the person who best understands him, despite building an entire life or death gamble around Ratio's loyalty... Aventurine still doesn't think Ratio even likes him.

Aventurine's not stupid or blind, so theoretically he should be able to read the situation better than that. But actually, there's plenty of evidence both in the game and outside it to suggest that Aventurine is not the most accurate judge of his own relationships to others and is a down-right terrible judge of his own worth as a person.

"Future" Aventurine suggests that one of Aventurine's deep inner flaws--the truths that he rejects about himself--is a massive inferiority complex. This is backed up well by the mission text, where Aventurine's thoughts about himself spiral into self-harm, and the scene in the maze, where "Future" Aventurine taunts our Aventurine with the unforgettable fact that his entire life was only worth pennies:

There's also pretty consistent self-deprecation, with both "Future" and real Aventurine noting several times that he's a pathetic mess of a person that other people don't trust or like.

The overall impression 2.0-2.1 left me with is that Aventurine is perfectly capable of respecting and caring for others, but virtually incapable of accepting other people genuinely respecting and caring for him.

Part of this seems to stem from the directly-stated sense that he's a failure whose only worth is in transactional exchanges, using and being used by others (there's so many layers to this--internalized racism even), but I also suspect that much of his inability to accept genuine connection from others is defensive behavior.

Aventurine's true self, Kakavasha, is deeply hidden away, like the ghost of the child that manifests from his Harmony delusion in the Dreamscape. Although Aventurine clings to that person, claiming that he has "never changed," he actively coats over his beliefs, his kindness, and his authenticity with the mask of a "cavalier gambler," with glitz and glamor and showy distractions. No one gets to see Kakavasha. No one gets to know him, because being buried deep in the dirt is the only way to remain untouchable, and fiercely keeping one's distance is the only safe bet. (For both Kakavasha and any fools who would doom themselves by daring to care for him.)

So: Canon is telling us that Ratio is one of, if not the, closest people in the world to Aventurine. But canon is also telling us that that still means absolutely nothing at all, because Aventurine won't let himself be close to anyone living.

Aventurine's senses of self-worth, trust, attachment, and safety have been warped so badly by ongoing and untreated trauma and mental health issues that, at least until the end of 2.1, I just don't think he was capable of even accepting genuine friendship from Ratio, let alone anything more.

(Interesting side note here: Ratio is actually one of the people Aventurine calls "my friend" the least. He only says it directly to Ratio a single time in all of their lines of dialogue across 2.0 and 2.1, and even then, does so only when right outside Sunday's door, while almost certainly being spied upon by the Family. Anyone who knows how often "my friend" is peppered into Aventurine's dialogue otherwise should know that the absence of the phrase is actually pretty telling. It almost feels like canon Aventurine's not even sure he can call Ratio his friend, at least to Ratio's face.)

Which makes Ratio's canon relationship to Aventurine quite sad and ironic:

From start to finish, Ratio canonically esteems Aventurine more highly than almost any other character in the game. I'm not even talking about shipping when I say that there is no character Ratio is closer to in the entire game.

At present, Ratio has only four voice lines about other characters, and of those four, Aventurine's is the only one that isn't someone from the Genius Society. The only one. Ratio's voice lines are also notably, uh, not very complimentary. Herta is "talented but not helpful to others" and "sees no one as her equal" (read as: she's self-absorbed). Screwllum is a "monarch, rather than a genius" (with the vague implications of being a tyrant), and Ruan Mei is overly ambitious and "fooling everyone."

Meanwhile, Aventurine is "our man" (who is "our" Ratio? who?) whose success "can't all be chalked up to luck," implying that part of Aventurine's success must come from skill. Ratio notes that Aventurine questions his own ability... but as far as Ratio's evaluation goes, he seems to doubt that Aventurine will ever experience a downfall. For someone who thinks 99% of the people he meets are mediocre failures scrambling around in the filth of existence, to be recognized as skilled and unlikely to fail is quite obviously glowing praise.

Then, of course, there are numerous moments that echo Aventurine's hints, implying that Ratio spends significantly more time with Aventurine than we see on-screen, that he knows Aventurine extremely well, and, although he tries (vainly) to pretend he isn't, he's clearly quite concerned with what Aventurine thinks of him.

Especially this last one. "No wonder that gambler likes you so much" is pretty intentional on the devs' part, confirming that Ratio and Aventurine are having off-screen conversations we players are not privy to, which obviously would indicate a closer relationship than the in-game cutscenes could cover.

Then, Trailblazer has the option to flat out ask Ratio to "rate" Aventurine. (Star Rail ship bait is not even subtle.)

At first, this line might read as all over the place:

"The bosses say we're partners but I wouldn't say that" -> Read as: Ratio wants people to know how their relationship is classified but doesn't want to admit to being actually invested.

"I see myself as the teacher to everyone I meet" -> Read as: Ratio at least pretends that he doesn't view anyone as his equal; everyone is either above him--geniuses--or below him--students.

"Aventurine is not that bad of a student" -> High praise; even Ratio can't pretend Aventurine's untalented.

"Actually, Aventurine's probably in metaphysical danger" -> Read as: Ratio is aware of the "void" Aventurine is experiencing and his mental struggles.

The ultimate takeaway of Ratio's "rating" actually says more about Ratio than Aventurine. When it comes down to it, Ratio's choice to answer this question for the Trailblazer instead of dismiss it tells us that Ratio has spent time quantifying and trying to define his relationship with Aventurine, is willing to at least discuss that relationship with other people (when we have no evidence he ever discusses any other personal/non-academic matters with anyone), and that Ratio pays attention to Aventurine's mental states.

Canon Ratio is not beating the allegations, I'm afraid.

But actually, I think the biggest tell about Ratio's canon relationship to Aventurine is that Ratio's behavior completely changes the moment Aventurine appears in the game.

In every single one of Ratio's other appearances, two facts are hammered home again and again:

First, Ratio hates interacting with fools and "noisy" people. He wears his plaster bust so that he doesn't even have to see them. Canonically, we're informed by both March 7th and Argenti that Ratio brought and was wearing his headpiece in Penacony. Curiously though...

The players never see it throughout 2.X--probably because 90% of Ratio's scenes are with Aventurine, and Ratio is never shown wearing his bust on screen with Aventurine--even in their very first meeting in the Final Victor lightcone. Aventurine clearly knows of the bust, but despite Ratio verbally going on and on about how Aventurine is the most "flashy" and "devoid of logic" person Ratio knows... the devs deliberately send their message: Ratio has chosen not to cut himself off from Aventurine.

Aventurine can be more "clamorous" than a screaming peacock, but Ratio will still not put up walls against him. This isn't accidental. The devs had every opportunity in the world to go the opposite route and make jokes about Ratio refusing to take the bust off in Aventurine's obnoxious presence; instead they decided that Ratio apparently has a glaring, Aventurine-shaped exception to his "I don't want to perceive you fools or be perceived by you" life rule.

This "willing to tolerate shenanigans only if Aventurine is involved" behavior continues basically throughout all of Penacony's plot. In 2.3 for example, if you turn around and talk to Ratio again on the Radiant Feldspar, he flat out says:

But there's no actual explanation for why he's there in the first place. He mentions he was assigned to watch over "the IPC's ambassadors," which theoretically should apply to Jade and Topaz, yet we never see him interacting with them in any capacity. He's never even shown in the same room as Jade or Topaz, and he's not shown doing any other form of business for the IPC on the Feldspar either. Theoretically, he could have been on the Feldspar to meet regarding the Divergent Universe... except Screwllum wasn't there yet, and Ratio doesn't mention a single word about the Divergent Universe to the Trailblazer.

The only person Ratio talks about in his dialogue on the Feldspar is Aventurine, and the only non-Trailblazer he talks to in 2.3 at all is also Aventurine, replying to him and only him in the group chat.

He looked like he might give it a shot to try to befriend Boothill and Argenti at the end of 2.3... but immediately changes his mind and leaves without saying a word to them.

It's not really a stretch to suggest that the only reasonable excuse for Ratio to attend the party on the Feldspar was if he was there for Aventurine, a behavior that he himself notes is out of character. ("A waste of time" he says, as he stands there anyway.)

But, second and even more importantly: Ratio's single most defining character trait is that he believes people need to pick themselves up. The entire point of his debut appearance in the game was to present his philosophy that if the powerful or privileged intervene to continually "save" the mediocre, ordinary people will never learn for themselves or get the chance to grow. It is in times of desperation, he says, that fools exceed their limits and reach greatness.

This is why, in 1.6, he insisted on Asta and the Trailblazer being the ones to solve the attacks happening on the space station, without relying on Screwllum or the other geniuses. Although Ratio did actively intervene a little (using the phase flame to save the researchers from death), he did so only from behind the scenes, where his actual help would not be noticed by those affected and where it had no impact on their decision-making or their struggles to solve the mystery.

He let Asta and the Trailblazer panic. He let them flounder. He even deliberately misled them at points, claiming that Duke Inferno must have kidnapped the researchers (when it was actually Ratio himself who re-routed them).

Ultimately, Ratio let Asta and the Trailblazer grow from their experiences.

This is also why he lets the Trailblazer go blazing in to fight Ruan Mei's faux emanator of the propagation, despite knowing that Trailblazer was not actually strong enough to win. Ratio watched and was ready to intervene... but in the end he did not, because it was the Trailblazer's fight to lose.

Ratio's most defining character trait is that he believes standing back and observing is the true kindness, rather than inserting oneself and denying people their autonomy or opportunities to grow.

Buttttt... then there's Aventurine, and suddenly the story is completely different.

Suddenly, Ratio isn't an observer but becomes essential to the plan. He's even walking around making big claims about being the manager of the task, flexing all of his C+ acting ability to actively carry out their mutual ploy.

In 2.3, he claims he was just there to watch, and his Penacony sticker asserts he's only "a supporting character"--yet we have never seen Ratio take a more active role in the entire game. Unlike with the Trailblazer in 1.6, he's not primarily watching events unfold from shadowy corners. He's in Penacony as Aventurine's active partner in crime.

And, even more telling--he later jeopardizes their entire mission just to ask if Aventurine needs help.

What? Huh? The character who is famous for the voice line "You look distressed. Is something troubling you? If so, you can figure it out for yourself" is suddenly offering his assistance entirely unprompted?

The guy whose motto might as well be:

Is suddenly out here throwing his own core philosophy out the window to solve Penacony's mystery for Aventurine and save him from himself in Aventurine's hour of greatest need?

A lot of people get hung up on the second half of Ratio's letter, the part about staying alive, which of course is very sweet. But I think the second half causes people to forget that the first part of Ratio's letter is, quite literally, the answer to Penacony's mystery.

Ratio gave Aventurine the answer.

This is like if your professor just gave you and you alone the score key to the final exam and then turned around to insist he "doesn't play favorites."

Of course, Aventurine is brilliant and didn't need Ratio's answer about dormancy, which makes the fact that Ratio went out of the way to give it to him even more odd. Ratio despises unnecessary repetition. If he wasn't dead worried, he would never have given Aventurine an answer that Aventurine had the power to find on his own.

And, as far as canon tells us, Ratio has never done this for anyone else.

The difference is night and day. It's literally the Gordon Ramsay meme, with everyone else in the entire game being the "fucking donkeys" to Aventurine's "Oh dear. Gorgeous."

So: Even if we entirely put aside shipping, if we look strictly at what we're given in canon:

Ratio treats Aventurine with more respect than he treats most other characters in the game.

He involves himself in Aventurine's struggles in a way that he flat out refuses to do for anyone else.

He compromises his own beliefs purely out of concern for Aventurine.

So, at least as far as we've been shown in canon, it is accurate to state that Aventurine is the closest character to Ratio--and unlike Aventurine (king of self-gaslighting), Ratio isn't even good at acting like he doesn't care.

Frankly, the whole thing is a little sad. Ratio's behavior is so blatantly out of character that a smart person like Aventurine should easily be able to determine it is genuine, but Aventurine's personal hang-ups and ongoing trauma make it difficult for him to even see that authenticity, let alone put faith in it. Even in canon, Ratio is mostly unable to help himself when it comes to Aventurine, which is especially unfortunate given how badly skewed Aventurine's perception of himself and others is by the start of Penacony's story.

PHEW! I finally made it through canon content!

Now there's just... everything else... 🫠

Well, to be honest, I don't think I could ever manage to put all my thoughts about this ship into one post. Probably not even fifty posts.

So rather than trying to say everything there is to say about Ratiorine, what I want to focus on is how fantastically these two characters just fit together. Like puzzle pieces that need to be mirror opposites in order to link, these two characters parallel each other while also perfectly filling in each other's voids. It's some of the best character pair writing I've seen in a long time (though I'm still sort of convinced it was at least 50% sheer luck on Hoyo's part), and my perspective on their ship can really be tied to my underlying perception of Ratio and Aventurine's characters as remarkably similar individuals:

It's obvious that Aventurine is not a healthy or well-adjusted adult man, but like... neither is Ratio.

Both of these characters are "not quite right" marginalized people who, at least in my interpretation, have essentially given up on even faking normality and are now just vaguely play acting their way through being functioning members of a universe that is entirely unequipped to accept them for who they are. In a world full of cyborg cowboys and people with wings growing from their heads, the game still manages to somehow convince us that Aventurine and Ratio are odd ones out.

Kakavasha can't even exist in the dystopian capitalist hellscape of the IPC's machinations. "Aventurine" isn't even a real person, just a never-ending performance, a slick, devil-may-care persona without a single ounce of substance.

Ratio, meanwhile, is a world of one, rejected from the only place he thought he could find validation and acceptance but unable to lower himself to fit in anywhere else.

Aventurine is so bad at making genuine connections that he turns everyday conversations into gambles because he doesn't believe people will care enough to keep talking to him without tangible incentive.

Ratio's insistence on treating everyone as students, not as equals, also means he has an excuse to never emotionally engage with anyone he meets. (This is not at all a textbook method of intentional avoidance to prevent any chance of social rejection. Not at all.)

At the end of the day, Aventurine and Ratio both come across as desperately lonely, and so caught up in their own situations that they really don't have the ability to climb out of that hole on their own.

Preventing them from even being able to maintain any form of relationship is also the fact that neither one of them can even find justification. Neither one of them has a reasonable answer to the question "Why am I alive?" anymore, because Aventurine's reason died on Sigonia and Ratio's reason died with an IPC invitation instead of a Genius Society letter. Though their differing perspectives have led them on opposite paths pursuing their own answers to that ultimate question of "Why should I keep living?" (Aventurine was headed toward giving up before the end of Penacony, while Ratio has invented an immeasurable, impossible goal to distract himself from feeling purposeless), both of them are pretty much miserably unfulfilled in their current lives.

They're also both violently allergic to emotional vulnerability and to having any of their flaws or true desires actually be perceived. Both of them put up insanely high walls. Aventurine pushes boundaries with everyone he meets to provoke their hatred in advance, before they can come to disdain him for his "real" flaws. He acts out harmful racist stereotypes to use others' preconceptions for advantage, manipulating every situation he's in--incidentally affirming the stereotypes against his people by doing so.

Ratio puts a physical wall of plaster between himself and others, but the plaster bust actually doesn't have anything on the mental and emotional gymnastics he's engaged in to justify his isolation from the world, doing everything in his power to convince himself that he's isolated by choice, that it's perfectly logical for Veritas Ratio to have nowhere to truly belong, no one to truly belong with. He's so mundane after all. Of course the geniuses don't want him, that's just commonsense. But everyone else is so... different, so foolish, so illogical... It just wouldn't be reasonable of him to try to become one of them either, to be their friend instead of their distant educator. (You know, if you never try to integrate with others, then they can't reject you. Ratio has learned his lesson.)

Somehow, Aventurine and Ratio are two of the most competent and successful people in Star Rail's entire universe and simultaneously also two of the most misfit, reject, dysfunctional messes in the game. Like... Blade has a better support network than Aventurine and Ratio combined. The 7000-pound murderous mech with a disabled, genetically-modified war veteran who never got to live a normal human life hiding inside it is more capable of making friends than Aventurine and Dr. Ratio.

Which is why I love that the devs decided to make their canon backstory: "Some absolute treasures in the IPC and the Intelligentsia Guild had the galaxy-brained idea of pairing Ratio and Aventurine as strategic partners." The game's writing really said: "These two characters are so socially stunted, they have to be assigned a relationship like it's homework."

They may not have it all figured out yet, but the fans see the design: Now that Ratio and Aventurine have each other, they're not alone anymore. I have never seen two characters better fit the "Is anyone going to match my freak?" meme only for the actual answer to be "Yes."

Ratio is "plays chess with himself" levels of loner weird? No problem--Aventurine is "Wanna take bets on who's going to die today?" weirder. Ratio wears a plaster bust to ward off idiots? Aventurine transforms into a monster on command, which is pretty much guaranteed to achieve the same effect.

Ratio wasn't chosen by Nous? That's fine, Aventurine's one job as a "chosen one" was to save his people and now they're all dead. Nobody can keep up with Ratio in conversation? Watch a single comment from Aventurine turn him into a fumbling mess on live television.

Ratio's inability to relate to the experiences and development of any peers his own age have left him extremely isolated and with a permanently scarred sense of self-worth? Wow, I wonder if Aventurine knows exactly what that feels like.

They just... fit.

And, changing focus a little here at the end: While I personally think that recovery from trauma requires internal motivation and self-kindness foremost, I also think that Ratio and Aventurine's relationship should be considered from the perspective of how they help to fill each other's gaps.

Unlike any connection at the Genius Society who will always evoke unpleasant memories of Nous's rejection, Aventurine isn't going to make Ratio feel intellectually inferior. Aventurine has nothing but good things to say about Ratio's intelligence, and it's even apparent that Ratio felt comfortable enough to at least mention his Genius Society woes to Aventurine, something he explicitly does not do with anyone else.

Even when it comes to social interactions, Aventurine isn't going to make Ratio feel inadequate, because honestly? Aventurine's almost as bad at them as Ratio. Aventurine is much better at faking it socially, but when it actually counts? When he's trying to be real with others? A solid 70% of the people who meet Aventurine still end up wanting to strangle him. The guy tried to apologize for threatening to detonate the Trailblazer like a bomb by buying them a model train...

Then there's this:

Aventurine is the only character explicitly called Ratio's equal in game, and more than just treating him respectfully as an equal, Aventurine also exhibits one extreme appeal that no one else in game has ever shown to Ratio: Aventurine makes Ratio feel needed. For Aventurine, Ratio is not a forgettable after-thought as he is to Herta and most of the other geniuses. He's not just "some weird guy who scolds me about school" like he is to the Trailblazer. Ratio's intellect and skill were integral to Aventurine's plan from step one to the very end. Ratio has a place in Aventurine's plots. For a character who directly assesses worth by how beneficial a person can be to others, the fact that Aventurine can make Ratio feel wanted and valued probably produced some of the strongest personal fulfillment Ratio has had in years.

On the opposite side, Ratio's in a unique position. Out of every relevant character in Aventurine's story, Ratio is the only one who has nothing to lose by choosing Kakavasha over "Aventurine." Ratio doesn't profit off Aventurine or take any expensive gifts from him, like the Trailblazer does. He doesn't need Aventurine's luck for anything at all. He'd be able to work for the IPC even if Aventurine wasn't in it. Ratio certainly doesn't want the glitz and glamour of a shallow gambling hustler persona. His work doesn't require Aventurine's continued involvement like Topaz's and Jade's does. He'd probably prefer not to know any Stonehearts at all, thank you for asking.

Outside of deliberate-acting insults about Sigonians for Sunday's sake, we're not told that Ratio has any connections to--and therefore has no preconceived biases against--Sigonians. Being a person who values self-determination and a refusal to live in mediocrity above all else, he would have nothing but esteem for how far Aventurine has managed to come despite the harsh circumstances of his life. Ratio probably wouldn't even think Aventurine's belief in Gaiathra is that strange; one of Ratio's doctorates is actually in theology.

Unlike literally everyone else in the universe who needs "Aventurine," we have every indication that Ratio's respect and admiration will only grow when he finally gets to meet "Kakavasha."

Loneliness, rejection, betrayal, a lack of understanding from others--all of these can leave wounds that only genuine, deep bonds with others can heal.

On death's doorway, in the darkest shadow, when Aventurine had to make the choice between passing on to be with the family that loved him and choosing to return to a reality without them... Ratio's letter was there, telling Aventurine the exact thing he needed to hear to choose life: Someone is waiting for you to come home.

If the resounding rejection of Star Rail's Nihility is belief in humanity's power to make meaning in our own lives through our connections to others, then the ultimate message of Ratio and Aventurine's arc in Penacony is that no one needs to be alone. The world is not as empty as you fear.

And that is a message that Ratio and Aventurine can learn best through each other.

(I just... love them so much...)

[persevereforahappyending]

No Man's Land |2|

Pairing: Sam Carpenter x Reader

Summary: Sam can’t help but be drawn to the cute stranger from her gym, even if everything about them makes them the perfect suspect, just when Ghostface has returned.

Warnings: Talks of Murder and Killing

Word Count: 3k+

Main Masterlist | Series Masterlist

Part 1 | Part 2

Sam had her head thrown back, trying to calm her nerves as she and Tara waited for Detective Bailey to arrive. When Quinn called her father, he had said he wanted to speak with Sam. He wouldn’t confirm or deny whether the killings on the news were the work of Ghostface, but he wanted her to come down to the station. Tara had refused to let her go alone and Bailey even agreed that he’d like to see Tara as well. They arrived at the police station first thing in the morning and were immediately escorted to an interrogation room, without anyone telling them anything.

Sam finally looked up when she heard the door open, seeing Bailey enter. “Sorry about the wait,” Bailey said, giving them an awkward chuckle.

“What’s this about?” Tara asked, tapping her fingers on the table.

“The killings,” Sam cut in. “Was it Ghostface?”

“We found this,” Bailey said, tossing an evidence bag containing a bloody card onto the table, ignoring both the girls’ questions. “At the crime scene,” Bailey sat in the chair opposite of them. “In which two of your,” he pointed at Tara. “Classmates were murdered. Care to explain?” he shrugged.

Tara leaned forward, her eyes widening at what was in the baggy before she looked back at Sam. Sam furrowed her brow as she took a look as well, her face instantly going white at seeing her ID, covered in blood, and in the evidence bag. “I lost my ID months ago,” Sam mumbled, shaking her head. “I had to get a new one.”

“Why didn’t you report your ID as stolen?”

“I didn’t know it was stolen,” Sam glared at Bailey.

Sam didn’t know detective Bailey too well. She knew he was a homicide detective and when Quinn decided to go to college at Blackmore, he transferred to New York so he could keep an eye on her. Quinn complained about him occasionally, usually saying how overprotective he was, though he did allow Quinn to live on her own with Sam and Tara, even though it would be much cheaper for her to live with him. Bailey always seemed like the typical dad, but Sam wasn’t sure, she saw danger around every corner but the majority of the time it was just her being paranoid.

“Where were you last night?” Bailey asked, getting back to his questioning.

“You can’t seriously think she’s a suspect,” Tara said. “That’s ridiculous.”

“I’m just trying to figure out what happened,” Bailey held his hands up in defense. “Do you have an alibi?” He looked at Sam.

Sam sighed and ran a hand through her hair. “I was at work,” Sam answered. “Then when I came home Chad and I went to the gym, then back to the apartment.”

“And someone can verify this?”

“Lots of people probably,” Sam shrugged. “Your daughter being one of them, she was at the apartment last night.”

“It’s true,” Tara said, crossing her arms. “We were all with someone the entire day. Anything else?”

“Your classmates,” Bailey said, pointing at Tara. “Had a Ghostface shrine, it seems they killed their professor a Ms. Crane.” Tara sucked in a breath, Sam didn’t know her personally, but she had heard Tara and Mindy mention her a few times. “Earlier this evening. Know anything about that?”

“Why would we? I barely talked to them.”

“Are you familiar with a,” Bailey flipped open a file, squinting his eyes at something in the file, “Richie Kirsch?”

Sam couldn’t help the way she shifted in her seat, trying not to react. “He’s my ex,” she answered with a tight-lipped smile. “And he’s dead.”

“Yeah, he and my best friend tried to kill us last year,” Tara snapped. “What’s this got to do with anything?”

“Well, it seems these boys,” Bailey said, tapping his fingers on the photos of the two guys killed. “Intended to finish his movie.” Sam and Tara’s faces both fell at those words. “It seems they were working on a plan to kill you two.”

“We don’t know anything about that,” Sam said.

“Right, right,” Bailey mumbled to himself. “So, it’s just a coincidence these two boys end up dead?”

“There are no coincidences when Ghostface is involved.”

“Look,” Tara cut in, seeming frustrated and tired. “Are we under arrest or can we go?”

Bailey looked between the two sisters then down at the photos and evidence bag. Sam held her breath as she waited for his response. She wasn’t sure what was going through his mind, he still never confirmed if Ghostface was back, and she didn’t know if Bailey suspected her or thought she and Tara were in danger.

“You’re free to go,” Bailey said. “Just don’t leave town,” he gave Sam a look, like he knew she wanted to run.

Tara didn’t hesitate to get up, nearly knocking over her chair in the process. Sam gave Bailey one last glance before following after Tara. They flagged down a cab and Tara gave the guy directions to Blackmore. When Sam furrowed her brow Tara showed her Mindy’s text saying to meet at the school so they could go over suspects before class.

Before she knew it Sam had her head thrown back again, this time as she sat on a bench outside Blackmore College. Everyone was already there when Sam and Tara arrived and since then Mindy had been standing in front of everyone pacing back and forth. Sam just wanted her to get to the point already, she wanted to try and get some sleep before she had to go to work. She knew she wouldn’t get any sleep though; she wasn’t able to sleep last night and there was no way she’d be able to before her shift, not with Ghostface out there.

“Suspects!” Mindy said, finally seeming to get to the point. “With Ghostface, most likely, back we should go over potential people who might want to kill us! Because Bailey clearly won’t be of any help.”

Sam couldn’t help but glance at Quinn. The girl frowned at Mindy’s words but didn’t move to argue with her. Mindy also didn’t bother sparing Quinn a glance, let alone an apology. Sam couldn’t help but frown at Quinn’s reaction, or her lack of reaction. Detective Bailey was Quinn’s father, and she wasn’t saying anything to stick up for him or defend him. Sam wasn’t sure if that alone was suspicious or if Quinn just knew by now there was no point in arguing with Mindy.

“First!” Mindy continued, holding up a finger. “Ethan! The shy, dorky guy who no one suspects because he’s just so shy and dorky.”

“I’m a suspect because I’m randomly Chad’s roommate?” Ethan questioned, gesturing at Chad awkwardly.

“Roommate lotteries can be fixed,” Mindy rolled her eyes as if it was the easiest thing in the world to do. “And second, Quinn!” Mindy turned, smiling at Quinn. “Tara and Sam’s slutty roommate, a horror movie classic.”

“Sex positive,” Quinn corrected. Though she didn’t seem offended by Mindy’s accusation like Ethan had.

“How did you come to live with Sam and Tara?”

“I answered their ad online.”

“No need to say more, you’ve implicated yourself enough!”

“It was an anonymous ad,” Tara said. “And we vetted her.” Sam nodded, she had done incredibly thorough questioning to both Quinn and Bailey when they were interviewing potential roommates. “Plus, her dads a cop.”

“And that makes it more likely!” Mindy gestured wildly. “Cop dad is a great cover! Besides, what are the odds, your dad, would get this case?” Mindy crossed her arms, raising an eyebrow at Quinn.

“How the hell would I know?” Quinn crossed her arms, finally seeming to get annoyed by Mindy.

“And lastly, Anika,” she smiled at her girlfriend. “You aren’t clear either.”

Anika’s face fell. “Are you kidding me?” she asked.

“Sorry babe,” Mindy shrugged. Anika just scoffed, crossing her arms and turning her head away as she refused to look at Mindy.

“I think that’s all the suspects,” Mindy said, giving herself a little nod of approval.

“And Y/N,” Sam added. Everyone turned to her with raised eyebrows. “What?” Sam shoved her hands in her pockets. “I just think they should be on the list.”

“I thought you said you haven’t ever spoken to them?” Mindy narrowed her eyes.

“I haven’t.”

“Then why would they be a suspect?” Tara questioned, crossing her arms.

“Because we have the same schedule!” Sam tried to reason. “No matter when I go, no matter what day, or what time, they’re there.”

“Suspicious,” Mindy admitted. “Anything else?”

“They have fighting experience. Not sure how much but I’ve seen them train, they definitely know what they’re doing.”

Sam continued to ramble on about you. She told them once again about how similar your schedules seemed, even when it was well after midnight and there was no one else there you’d show up. She talked all about the kind of people you did talk to and how you were otherwise reserved. Then she got into your workout and mentioned how much you lift and how much you focus on either sparring with someone or hitting the punching bag. When Sam was finished revealing all her observations about you, she looked around at the others. Everyone was looking back at her with raised eyebrows, she was going to assume they were just shocked by her keen observation skills.

“They are pretty badass,” Chad added, holding a finger up. “I hate to admit it because they seem so cool,” he let out a little chuckle. “But the way they fought that dude in the ring,” he let out an impressed whistle. “I’d hate to see what they’d do to an enemy.”

Everyone’s face slowly morphed into one of worry. Ethan and Quinn gave each other a look of concern and Tara looked at Sam as if Sam would have a solution to their problem. Sam could only offer her sister a comforting smile, she didn’t know who this new Ghostface was, but she wouldn’t let him hurt Tara.

“Okay, we’ll add them to the list,” Mindy agreed.

Sam nodded. A part of her felt a little guilty for suspecting you of such heinous things when you’ve only ever been nice, but she couldn’t take the risk. She dated Richie for months and he betrayed and used her, she hadn’t even spoken a single word to you. Sam didn’t have a real reason to suspect you, besides the fact that you went to the same gym, which a lot of people went to, but none of them had even close to the same random schedule she did, and she had never seen any of them fight like you could. She hoped you were just the cute stranger from her gym though, and not some psychopath. But she knew her life, there was no way her first crush since Richie was just a normal person that went to her gym, and all the other stuff, the stuff that drew her to you, was just coincidence, she wasn’t that lucky.

After being satisfied with their suspect list everyone went their separate ways with most of them going to class, while Sam went to work. Sam managed to get home and change but didn’t have time for a nap before having to head to her job. She managed to make it to the diner she worked at, just before she had to clock in.

Sam tried to focus on work and not let her mind wander to Ghostface and what was happening. She ignored the way people kept glancing at her, she ignored the articles she saw on their phones when she came to fill their coffee cups, she ignored the way customers bumped into her, spilling their milkshakes, ketchup, and syrup all over her. She ignored it all, she put on her fake smile and apologized to the next person who bumped into her.

Sam glanced at her phone every time she had a spare moment, when she knew, she wouldn’t get caught by her boss. She ordered everyone to text her throughout the day, so she’d know they were okay. She ordered her sister though to text her every fifteen minutes, Tara had rolled her eyes, but she had been doing it, if Sam didn’t hear from Tara within the time frame she would try calling first and then head off to wherever Tara was supposed to be.

When Sam’s shift finally finished, she rushed home, ignoring the way everyone was lounging in the living room once again as she ran to her bedroom. She didn’t have long before she needed to be at her therapy appointment, and she needed to shower and change first. She moved as quick as she could, showering long enough to get rid of the diner smell but not long enough to actually enjoy having the water rain down on her.

“I have therapy tonight,” Sam said as she rushed around the living room, ignoring her still damp hair. “I’ll be back later.” Tara nodded. “Be careful, stay inside, and don’t unlock the door for anyone.” Sam gave all of them a pointed look.

“We know,” Tara sighed. “You be careful too,” she whispered.

Sam smiled at her sister, giving everyone a quick wave goodbye before making her way out the door. She made sure to lock all the locks and double check herself before walking down the stairs. Her neighbor Danny offered her a kind smile, holding the door open for her as he was coming, and she was going. Sam did a quick check of her surroundings before shoving her hands in her pocket and began making her way to her therapy appointment.

Before Sam knew it, she was sitting in her therapist’s office, pulling at her sweater as she refused to look her therapist in the eye. She hadn’t been seeing the woman very long, she was seeing a guy for a while but when he learned her dad was Billy Loomis, he basically stopped being helpful. When Sam found Doctor Williams, Sam had started the first session by telling her all about her father, if this therapist wasn’t going to be helpful either Sam figured she might as well figure it out right away instead of wasting all her time and money.

“We’ve been sitting in silence for twenty minutes,” Doctor Williams said, not looking up from her notepad as she continued to write something down. Sam wasn’t sure what the doctor could be writing considering she had yet to speak. “Your session is only an hour long, if you want to talk,” she glanced at her watch. “You might want to think about starting soon.”

Sam frowned and flicked a glare at Williams. “I met someone,” Sam said, breaking the ice.

“That’s good,” Williams smiled, setting down her notepad and pen. “How has that been?”

“Well, I haven’t exactly talked to them yet.”

“How-How does that work?” Williams furrowed her brow.

“We go to the same gym,” Sam nodded along with her words. She was sure this was probably making her sound even crazier than she already seemed. “We’ve shared looks and a few nods,” Sam smiled to herself

She didn’t miss the small smile still on Williams’s face. “And what’s stopping you from talking to them?”

Sam’s eyes drifted down to the carpet, she pursed her lips, nodding to herself. “I think someone is trying to kill me and my sister again.” She looked up to see William’s staring at her with wide eyes. “And they’re on the suspect list,” Sam gave a little shrug.

Williams opened and closed her mouth a few times, clearly trying to process her words. “You think the person you like is trying to kill you?” Williams said slowly.

“Well, not just them, everyone’s a suspect.” Williams nodded unsurely. “I’m not being paranoid,” Sam tried to assure. “At least I don’t think I am,” she shook her head. “Tara always says I’m too paranoid but this time there’s a legitimate reason.”

Sam’s words slowly died down as Doctor Williams raised her hand. “Let’s start from the beginning,” Williams said softly.

Sam swallowed, ringing her hands as she tried to calm her nerves. “There was a murder last night. Two boys in Tara’s class killed their professor.” Williams furrowed her brow. “Then someone murdered them in their apartment.” Williams opened her mouth, but Sam wasn’t done yet. “There’s no proof, but the killings might have been committed by Ghostface.”

“And what makes you think this is Ghostface? Are you sure he’s not just on your mind, it’s around that time of year, no?”

Sam clenched her hands together. “The two students, they were fanatics,” she rolled her eyes. “Fans of Richie apparently. They were planning on killing me and my sister, but someone killed them first.”

“And you think that someone is Ghostface?”

Sam nodded. “Ghostface would never let two kids,” she scoffed. “Take out me and my sister. Not that they could,” she ran a hand through her hair.

Before Doctor Williams could say anything else the timer went off, signaling the end of their session. “See, you next week, I guess.” Sam gave a shy smile as she got up from the couch.

“Wait, I don’t want you to do anything rash,” Williams rushed, following behind her but Sam was already out the door.

Sam checked her surroundings once again as she exited the building. She began her walk back to the apartment. When she got back to the apartment, she saw everyone still in the living room. “We got pizza,” Tara said, nodding to the box on the table. Sam snapped a glare at her sister as she dropped her keys into the bowl by the door. “Anika went to pick it up,” Tara held up her hands, but Sam didn’t miss the eyeroll.

Sam sighed, shaking her head at her sister as she made her way to her room. She got ready for bed, but her mind wouldn’t stop. She kept thinking about the killings, about Ghostface potentially being back, and who they could trust.

Taglist: @thatshyboy1998

[timmydraker]

CW: drugs

When Tim is seventeen, Bruce gets a call from his principal asking for a private meeting to discuss Tim’s education. It’s not abnormal, but the parent teacher meetings weren’t due for another month and something about the tone of Professor Wilcot’s voice leaves Bruce concerned.

He organises it for the next afternoon and politely tells the timid looking man to please get to the point.

Wilcot answers with a tight lipped frown, “I recently discovered that Tim has a few nicknames. Now, that in itself isn’t a probably but the names themself are… concerning.”

Bruce immediately thinks of Red Robin and worries his son has been caught, but that makes little sense when Tim has shown to be the best at contingencies and secret keeping.

“Such as?”

With a deep sigh the man continues, “Well, there’s ‘Benzo’ and ‘Opi’. As well as ‘27’, which is recently learned references a so called ‘club’ of celebrities who die at that age for-for drug abuse.”

Even if he wasn’t a detective, Bruce could easily put it all together. Benzodiazepines and opioids, both drugs and a number well tied to such a thing all regarding a famed person.

It’s like he’s just gotten inside from being drenched in snow and had hot water dunked on him as dozens of different moments come to mind. He remembers Tim going from being down and low, tired and drained to suddenly being extra alert and chatty. He assumed it was coffee, but Tim often had a red nose and sniffled like mad.

He also got shakes, was made fun of by his brothers for being a sweaty person, and irritable at the best of times. He was jumpy and easily spooked, which everyone connected to him growing up safe and getting no sleep.

Tim also had forgotten basic case information a few times but usually managed to cover it up.

Bruce had noticed and responded by trying to lessen his work load, only for Tim to scream at him, storm off and come back looking drowsy a couple of hours later.

Wilcot doesn’t speak for a while, seemingly giving Bruce the chance to process his words but when he does it’s just to put forward the last bit of evidence Bruce needs.

“I admit it isn’t exactly ethical, but I check Mister Drake-Wayne’s locker and… I thought it would be best if I let you chose how to proceed lest I harm his reputation.”

A bottle, almost empty, of Oxycodone and a half full bottle of Oxymorphone.

Bruce looks away when the last bottle lands on the table, it’s a benzodiazepines called Dalmane and there are no pills because they’ve all been crushed into a powder.

Bruce doesn’t even want to think about how those drugs interact.

Wilcot says one last thing before he leaves the room, quit clearly giving Bruce a moment as the reveal settles in his mind, “Tim is a good kid. He’s kind to everyone and I truely hope he can get help. Please, if there is anything I can do, contact me. Other than that, I will keep this quiet. Please take care of him.”

Let it be said that Bruce Wayne loves his children, he genuinely cares for them and most importantly, he likes who each of them are.

But he’s not always the best father to them, not when he’s too far in his head and his head is too far up his arse.

He tries to confront Tim calmly and with compassion at first but it becomes clear he isn’t qualified to deal with it and he should have gotten Alfred or even Dick. When Batman deals with addicts all he has to do is get them to a hospital and show he isn’t judging them, but with his own son and when he’s not being Batman…

Tim instantly locks up when Bruce shows him the bottles and his defences go straight into overdrive, “Bruce, don’t. That’s not fair! Did you go through my fucking stuff?! That’s fucked up!”

Bruce looses his composure quickly, “Don’t you dare curse at me, Timothy. You are a goddamn hero and you’re doing this? Why did you tell me?! I could have helped you! Why, Tim?! You e seen what people who abuse drugs end up like-“

Tim screams so loud Bruce can practically hear how it hurts his throat, “WHAT FUCKING DRUGGIES?! IS THAT WHAT THEY END UP LIKE?! TOO FUCKING LATE BRUCE, YOU’RE TOO LATE! I GAVE YOU EVERY FUCKING SIGN AND YOU DID NOTHING SO FUCK OFF! I. AN HANDLE IT ON MY OWN!”

“This ain’t handling it, Tim. You’re addicted. You’re erratic, you’re bouncing from mood to mood and, have you seen how skinny you are? I’m worried, Tim.”

Maybe Tim would have been able to handle it better if he hadn’t been a few hours into withdrawal, but all he does is swing. He manages to catch Bruce of guard and hit him square in the jaw, only to realise what he’s done and start hitting himself the same way.

Bruce breaks as he watches his son who is usually so calm and controlled break down in a fit of aggression and pent up energy.

When Tim manages to hit himself hard enough Bruce. An hear a crack from his hand.

As he speaks again he dooms himself to a life time of regret, forever wishing he had gotten Alfred’s advice first.

“I’m sorry son, but until you’re clean, you will no longer be Red Robin.”

There’s a silence before Tim releases a wheezing laugh of disbelief.

It’s soon followed by the most enraged, harrowing scream Bruce has ever heard. It feels as if it shakes the walls before Tim kicks at his father’s stomach and bolts.

Bruce is too stunned to follow and foolishly assumes he can track his son anywhere.

Tim, even after he manages to shakily pull out the Dalmane he had in his pocket just as he passes the gate and take a big inhale, manages to put his mind together enough to remove his watch and key.

Bruce is forced to shamefully admit what happened a few hours later when he can’t find him and realises that Tim isn’t coming back.

Alfred for the first time in Bruce’s entire life actually glares at him.

Dick shouts at Bruce about how unbelievably stupid he is.

Jason just scoffs and says the kid will come back while Damian makes a comment about Tim being weak.

Maybe they would have reacted better if Bruce told them why Tim left, but he shamefully doesn’t want to admit he didn’t notice that Tim was a dealing with addiction under his own nose.

But Bruce has never been good with honesty.

[crxzytogether]

Lol I wanna address this even tho nobody asked because I’m mad. Like ship whoever you want as yk this person said but leave it out of our tag-💀 my problems more with the fact that they tagged byler for this post than what they said but yk since they tagged us might as well respond.

Firstly, “ideas planted by your community”? Huh? Girl what- you mean our evidence? You mean our analysis and perceptions and ability to interpret what we’re watching beyond surface level? And honestly after season 4 even surface level melodramas not looking too good- Secondly, what harsh truths were brought up? The lies? Your perception of montauk? which idk sounds a lot like mike and wills relationship to me but to each their own… “they’ve been together since pretty much day one”, “they have a deep connection”, “four seasons of character development”?? Do I even need to explain? Who’s been together since day one? Right mike and will, in the beginning of episode 1 before any of the upside down shit even happens we’re shown that their relationship is different from their relationship with the other party members. A fact that’s proven time and time again throughout season 1 where we see how much more Mike is affected by Will’s disappearance(not tryna negate everybody else’s feelings or reactions but it’s clear that we’re supposed to notice Mike cares slightly more or in a different way). As for the deep connections? Season 2 shed scene ring a bell, the first one of Mike’s monologue that’s an attempt to help someone he cares about that actually works and is completely honest, deep connection boom. And that connections emphasized again in s4 with Will being able to encourage Mike and make him feel better and we already know why it’s special on Will’s side and their whole plot-line that season. Next, “four seasons of character development” im sorry what?, season 1 and season 3 maybe are the only seasons I’d consider they had that meanwhile season 4 I’d say they had character regression because tell me how Mike goes from being able to comfort El about her feeling like she’s a monster but then does a 180 not only unable to comfort her but also make her feel worse-(I’m talking about she didn’t look fine in case you didn’t catch that). Back to s1/s3, s1 where they were friends for the most part is the healthiest their relationship has ever been the entire show- like😭😭it literally just goes downhill from there. Season 2/season 3 their codependency I’m- and season 4 El feeling like she has to lie to Mike about her life and Mike unable to comfort her and also hiding his own interests from her. Like sure the bullying thing I get why she’d hide that maybe not really but El lies about so many things😭😭 she feels like she has to lie to keep up the relationship. THAT 👏 IS 👏 NOT 👏 HEALTHY 👏. Like maybe after they’ve both grown separately I’d consider it but as of now? No sir. Also let me remind you how El confronted Angela and asked her to help El keep up the pretence- SHE STILL DIDN’T FEEL SAFE OR COMFORTABLE ENOUGH TELL MIKE THE TRUTH. That’s not healthy for either of them. My byler agenda aside I still don’t think Mike and El should be together. Lastly, “the fact that Mileven IS endgame”, again I’m sorry what? Have you watched season 5? Have you read the scripts or been on set or talked to anybody working on st5 or work on st5 yourself? No? So then how is that a fact- it’s a prediction, an assumption but it’s not a fact. If after season 5 comes out and it did end up becoming true then you could use that phrase but as of now when you have no idea how season 5 is gonna go you can’t call that a fact. Also rip how are you so confident when Mike and Will are literally attached at the hip so far from what we have seen besides the rooftop convo and if that is enough to convince you then yikes- bc we’ve got like 10 of those to convince us so good luck watching season 5 and have a good day ig

[camilledlc]

Because I love relating songs to characters and analysing why it works so well, I just have to rant about how So Long, London by Taylor Swift is Vanessa's perspective of her break up with Wade. This one is reaaaally long, so be ready for that if you still chose to read this. It is 4,5k of a weird analyse no one asked for. You have been warned :

I think the main reason why Vanessa (that I will from now call Ness) ended things with Wade was because of how bad he was doing. She tried to be there for him, but there's only so much you can do for someone who doesn't want to be helped. So really, it is quite evident as to how this song can be related to their story. I'll go in order of the lyrics, and really dive in with the meaning of the song. I'll write this as if Ness wrote the song herself, kinda. But despite me relating it to Ness, it will also kind of be a study of the song in itself, if anyone is interested in that.

The opening line "I saw in my mind fairy lights through the mist" shows two main things that to me will be crucial to understand exactly how it all went down and Ness' state of mind. The two central element being obviously the fairy lights and the mist. The mist represents this gloom, this sadness that had surrounded Wade, and therefore herself. He was extremely depressed because of the Avengers' rejection, and didn't seem to be able to pick himself back up. Everything for him became a mist, but it also made everything for Ness turn into a mist. Always being around a deeply person, to whom you're entirely devoted, it will take a huge tole on you. Their sadness become yours, etc. And by that point, you may think that there was no reason for her to stay, but no. That's why the fairy lights are here. The fairy lights doesn't represent the exit, the ending of this relationship that would finally brought her peace. This early on in the song, it wouldn't make sense. The author is still too deep into this relationship. The fairy lights are probably the reason why they are still together by that point, despite all the pain that it's causing Ness. Because while the relationship can generally be associated to a mist, there are moments of happiness, of "fairy lights through the the mist". Not all moments are bad, and they are occasions where Ness can see the old Wade, and what they used to have. And she wants to fight for that. Because deep down, they love each other in ways that can't be matched, and they loved each other for so long.

And so, this leads us to the next lyrics : "I kept calm and carried the weight of the rift / Pulling him tighter each time he was drifting away". Because Ness can see that not everything is bad in her relationship, that there are still pieces of what they used to be left to fight for, she tries. She tries to "[keep] calm", to be the rock Wade is in desperate need of. For Wade, it feels like his world is falling apart, as he can't seem to find a purpose for his life, a way to matter. He falls more and more into depression, unable to pull himself back up. The only thing stopping him from "drifting away" is Ness. But on the other hand, she can't keep carrying them both on her shoulders. It "weights" on her, and understandably so. She wants to be there for Wade, and she tries as much as she can to save him. But maybe it's a responsibility that's too heavy for her, and so, the come the next lyrics.

"My spine split from carrying us up the hill / Wet through my clothes, weary bones caught the chill". Those are pretty easy to understand and very explicit. The weight of Wade's sadness is becoming too much for us, and she is breaking under it. By being the only one trying to lift them up, she's going to end up even more broken than Wade. I of course think that "wet" references sadness in general. Sadness is often paired with deep blues, cold colours and a general theme of water--because of tears. With the "mist" being also a metaphor for this sadness, it isn't surprising. But this means that this sadness that Wade carried, this "mist", finally got to her. The "mist" finally reached her and made her "wet", meaning that his sadness started to become her sadness. She "caught the chill", she started to feel depressed too, because always being around someone depressed--especially if you're the only one lifting them up--makes you depressed too.

"I stopped trying to make him laugh / Stopped trying to drill the safe". Another easily-understandable set of lyrics, yet devastating in the context of Deadpool. We know a handful thing about him and how he is generally perceived by others, and one of his main traits is that he's funny. He is always one to laugh, or crack a joke, the one that makes you happier when things are bad. He is the one supposed to make other laughs, but with how bad he feels, the roles are reversed, and Ness has to try and try and try to make him happier, to "make him laugh". It must have been really heart-breaking to see the dynamics in their relationship change this much, see a person she knew like the back of her hand becoming a ghost of who they used to be. And eventually, he started to close up too much to her. He would be 'somewhere else, not fully there'. He wouldn't let her in, tell her what he was truly feeling--despite the fact that she could sense how bad he was doing. He became a "safe", a total stranger that she couldn't figure out, until she eventually had to give up. This is even more depressing when you know that Wade has had tendencies to lie to protect himself and push people away, which he could've also done here with Ness.

All of this leads her to start being angry, and confused, and wanting answers from him. Not the Wade she saw before leaving him, but her Wade, from before all this. She wants to understand : "Thinkin, how much sad did you think I had / Did you think I had in me?". I see this as both a rhetorical question, telling him that she can't handle all of his sadness and that she has to leave him behind at some point. That she doesn't have this much sadness in her to support him. But I also believe it has some genuine aspects of an earnest question, always waiting for an answer. Yet, she will repeat this multiple times, probably alluding to the fact that she doesn't have any. Because Wade doesn't have an answer to that either. She wants to know just how far Wade was willing to let himself fall down while thinking that Ness would stay, that she would pick him up. In a way, I think she felt betrayed and hurt by the way he was treating her, waiting for her to be there for him while he purposefully let himself drown in his own misery. So, eventually, she's angry and demands answer, demands an explanation to all of this, because this isn't the Wade she fell in love with.

And that's why it's so tragic : "Oh, the tragedy... / So Long, London". In this, we see just how heart-breaking their entire story is. It wasn't supposed to end this way, yet at that point in time, she saw no other issues. She didn't want to leave him, but she had to. It was tragic because it couldn't have been avoided, yet she felt as if it wasn't fair, and it wasn't meant to be this way. She can only constate that their ending is tragic, and she has to accept it despite the evident pain and sorrow (the punctuation). And so, she leaves. All of this, only could lead to that conclusion. She went through all stages, from loving him, to trying to support him, to giving up on helping him, to being angry at him, to giving up on them altogether now. She isn't fully saying goodbye, as she still feels as if their lives are too intertwined for them to not see each other again eventually. They both love each other too damn much to never do so, to truly end things here. By that point, she accepts that she must leave, and that their story ends, but she knows the love hasn't completely disappeared yet.

But when she says "You'll find someone...", she does admit that while love may persist, the relationship is over for good. By that point, she only includes him in the finding someone part. I think it's because she herself hasn't moved on from him, and she isn't sure by that point that she can. They know they can't date anymore, but she doesn't think that she'll fall in love as hard as she did with Wade with anyone else. But for him, she wants him to move on and find someone who will be able to handle Wade. In a way, she may feel guilty for leaving, despite knowing that it was killing her on the inside to stay. So she wishes for Wade to find someone who, unlike her, will be able to help Wade, or at least carry his burden with him without splitting under the weight.

I feel that the next part is a bit trickier, so if my ramble doesn't make sense, feel free to ignore it! But otherwise, I think that the lyrics "I didn't opt in to be your odd man out / I founded the club she's heard great things about" are definitely laced with bitterness. To me, it really represents that moment of Wade getting better, and how Ness will view herself into that. One the one hand, she knows she isn't entitled to anything regarding Wade anymore because she chose to leave, but on the other hand, she feels as if she didn't have a choice to leave. Everything was so awful that she had to leave for her own sake, so she didn't opt out of his life. She didn't want to be his friend, but she couldn't be anything else. Yet, everyone--including Wade--will make her feel like it was her decision. Even though they respect it, she feels that they don't understand that it wasn't truly her decision, and that under other circumstances, she would've never left Wade. If it wasn't for her survival, she would still be with him. But now, she is purposefully being left out of everything regarding Wade and all of his accomplishments. People will say that it's great to see him better again, to see him happier, and a true hero that wants to matter, etc. And yes, he did that on his own, but it does feel to her as if it invalidates everything she went through. She helped him for so long, and eventually had to give up. So he got better on his own and is praised for it, but what about all of her efforts? Don't they count in his recovery? Isn't her support the foundation of the person he is today? She is one of the reason Wade found his spark back, yet because she left before he did, she can never say as much. And it must feel bitter to see how much time and energy and love you lost trying to help someone who got better after you left them, after you've had enough.

Which is why we have "I left all I knew, you left me at the house by the Heath". Because, yes, she may have been the one who left Wade first officially, but Wade had left her way before that. When letting himself become a shadow of who he once was, he left Ness to fend on her own, the only one keeping their love, their home alive. The "house by the Heath" represents this home that they made for themselves, it was their lives, their futures. But Wade abandoned that mentally. Yet, it falls on Ness when she decides to abandon it physically. In this whole verse, she is feeling bitter, and angry, and regretful. She left everything behind, because Wade felt like her everything. But she wasn't the first one to do so, and Wade had actually done it before. She had in the past tried to support him when he had cancer, only for him to leave her to bear this alone. So, actually, she was the only one trying actively not to leave, not to let this relationship die.

"I stopped CPR, after all it's no use / The spirit was gone, we would never come to". It implies that for a long time, she tried to maintain their relationship alive, but it was for nothing. "The spirit" of their love had left when Wade did too, when he metaphorically left the relationship. It couldn't be brought back, and even if they had tried, it would've been too late. Their relationship was already too damaged to be salvaged. There is no use to perform CPR on a dead body.

The next lyric is heavily marked by the voice of the singer, showing the anger and resentment growing : "And I'm pissed off you let me give you all that youth for free". For this one, I think it's crucial we remember the context of both who they are in general. Ness is a woman in her mid-thirties/forties, meanwhile, Wade is an immortal guy who can't age nor die. Wade still has the whole eternity in front of him to do whatever he wants, to be someone great. But Ness spent most of her life with him, and now she's getting older. No matter who she ends up with it will be a very recent and new relationship, and it will take time to grow, and so she may have trouble later having the family she'd wanted. For her, it may feels like as if she's spent so many years with Wade, only to be back at square one. Except that for him, he can take the eternity to move up a few square, but her, she doesn't have that time. She doesn't have eternal "youth", which is why she may be so pissed, both at herself and at Wade. It can be very easy to start resenting someone when you feel like you have wasted so much time on them, for nothing to come out of it eventually. And it would be better if Wade was in the same boat as her, because then they would both have wasted time and it would be no one's fault. But she is alone in this, she is the one who gave her "youth for free".

The "For so long, London / Stitches undone / Two graves, one gun" only reinforce this idea. She gave her youth "for so long" and now she's feeling resentful. In a way, it feels like her decision killed them both. She knows the negative impact their breakup had on Wade, of course. But here, she also acknowledge just how much it affected her too. With "one gun", aka her decision to leave, she killed the both of them ("two graves"). Kind of in a "you had to kill me but it killed you just the same kind of way". And now, the relationship that she carefully spent time stitching up each time it split is now completely broken, the "stitches undone".

And so, she accepts that she has to move on : "I'll find someone". She knows how bad her decision also affected her, and how hard it will be to get back everything she lost to this relationship. But she can't stay down, and she has to find a way to move forward somehow. And she knows that it's possible, that eventually, she'll find someone else, she'll fall in love again and that life goes on. It's a way for her to try and find peace, to definitely put her relationship with Wade past her. And by the beginning of Deadpool and Wolverine, she believes that she has found that someone, she found Dermot. Someone good, who is different yet someone she is really happy with. She can fully move on, and so wants to try and befriend Wade, as a way to really put this all behind. Because despite knowing they can't ever get back together, she still has a lot of love for him--whether it's romantic or now platonic, she'll always love him, as he is one of the most important person for her. But it's clear that while she's almost moved on completely from him, he hasn't done the same. And because of the way he still holds out hope for them to be together again, she feels as though he thinks she abandoned him all over again.

So in a way, the upcoming bridge is her way of defending herself. "And you say I abandoned the ship / But I was going down with it" is literally her reiterating that she wasn't the one who left first, she was actually holding onto that relationship even more than Wade was, even though it was killing her, "My white knuckle dying grip". The singer's voice is by then really angry, and I think Ness is too by now. It feels unjust to be blamed for leaving a relationship. I don't think they are blaming her consciously, because Wade would never want to make her feel bad about it. But the sole fact that he's still holding out hope that they work out put the blame on her for the fact that it isn't working out. In a way, him still wanting her and not being able to move on makes her even now the responsible for Wade's misery, which is unfair because she already had to bear it and suffer from it for long enough in their relationship.

The next lyrics will all be analysed as a whole, so sorry for that : "Holding tight to your quiet resentment and / My friends said it isn't right to be scared / Everyday of a love affair / Every breath feels like rarest air / When you're not sure if he wants to be there". This may be a bit triggering, se be careful, but I think that while the original song may be talking about not wanting to be there in a relationship, from Ness' point of view, it will be more like there at all in this life. Wade is canonically a character that has a severe mental instability, a lot of traumas and issues, and he is one of the character who tried to off himself the most--even before having a regenerating factor. He clearly has always struggled with his mental health, and it was even worse during his depression. So when Ness feels scared that because she's "not sure if he wants to be there", she's talking about being scared that Wade would take the opportunity to off himself if he could die. It is extremely scary to be in a relationship with someone who doesn't wish to live anymore, when you never know if they are faking their smiles, planning on leaving it all behind, if you're not sure you'll wake up and they'll still be there. Even while knowing he can't die, it is still a terrifying thought. So now, their entire relationship, their "love affair" is completely overtook by this fear that it will all end at any moment, and also by this need to take every good thing in because they may not last, or there won't ever be any other good thing afterwards. Every moment of true joy "feels like rarest air". Because now, everything in her mind revolves around Wade's sadness, his "quiet resentment" of feeling like he doesn't matter, of not finding his purpose in this world.

But there's only so much that one person can take, and so, eventually, she is back to asking "So how much sad did you think I had / Did you think I had in me? / How much tragedy?". This times, it really feels as though she exposed previously during the bridge every arguments in her favour as to why she had to leave, and now she's showing him all of those arguments and telling him 'see?', and in the words of the song "Just how low did you think I'd go? Before I'd self-implode / Before I'd have to go be free". And those two last sentences summarize pretty much everything : she was self-imploding, so she had to leave and be free. This relationship, despite still having some good moments that guilted her into staying, was more like a prison to her by that point. In this bridge, she seems finale with her explanation, and feels a certain form of validation of her decision. By then, she is certain she made the right choice, and she is trying to show others, and especially Wade, that she had to move on and that still holding hope for a relationship together was just invalidating everything she went through (even if Wade isn't necessarily wanting that, or even realizing she might feel that way. He can't help but love her, but respects her decision nonetheless. There is no bad guy here, just a very complicated situation).

The very end of the song is definitely right by the end of the events of Deadpool and Wolverine. Wade tells her explicitly that he still loves her, still wants her, wants them. But when he tells her he still loves her, all she can think of is : "You swore that you loved me but where were the clues? / I died on the altar waiting for the proof / You sacrificed us to the gods of your bluest days". She may know, realistically, that Wade really did love and still do, but during the end of their relationship, she couldn't feel it. Everything in Wade's life was now centred around his sadness, which is here represented by the "gods of [your] bluest days". Their relationship was too much, and so he "sacrificed" it, because in his mind, there was no room for anything other than his depression. Which is valid and comprehensible, but extremely hard to live for Ness. She was desperately waiting for him to show her that he cared for her, that he still loved her, that he was still with her, like shown in the flashback when Cassandra Nova peered through Wade's mind. She asked him directly for proof of his love, and she eventually had to leave the "altar" because she was dying there otherwise. Wade was feeling so awful that he couldn't remind Ness just how much he loved her, so even now, she can't accept that he still does.

Besides, we know she has supposedly moved on, as she is happy with her new boyfriend Dermot : "And I'm just getting color back into my face". After everything, she eventually felt like a lesser version of herself, beaten up by this tragic relationship. Wade's constant sadness got to her. But now, it's been a while, and she had time to move on, to find her own new happiness. It might be different colours than when she was with Wade, but she has colours nonetheless. She is happier out of the relationship. Yet, she can't help but be mad : "I'm just mad as hell cause I loved this place / For so long, London". It is quite obvious that despite being happy now, she had also been happy with Wade before all this. There had been so long where she thought she was gonna marry Wade, found a family together, that he was her soulmate. She knows it's for the better, but there's also something so frustrating about having to leave something that brought you joy for so long because now it has soured. The lyrics "Had a good run / A moment of warm sun" reminds that. Before Wade got depressed, there relationship was truly and utterly an happy relationship. There was so much good in it, and for a long time, it seemed like it would last. But it didn't.

"But I'm not the one / So long, London". She is here fully letting Wade go, and letting their romance go. In admitting that she isn't the one for Wade, she is admitting that they weren't soulmates who were meant to be, and that maybe it's better this way. She is admitting that even the earlier stage of their relationship was extremely good and happy, it was not enough. She isn't the one for him because she could love him at his best, but couldn't at his worst. And there is no shame in that, she knows now that some people aren't meant to be, despite being perfect for each other in every other aspects. For example, when she sees Logan, she understands that he can handle Wade at his worst, that he can lift him up. At the same time, it's a bit bitter because she wished she could've been the one, but she is also really grateful to be out of this relationship, and yet knowing that Wade's got someone else that will be there for him. She can leave peacefully knowing that.

Then, we have another repetition of "Stitches undone" which symbolize definitely the end of relationship, with nothing holding it together anymore, and "Two graves, one gun". Personally, I always heard something else and liked what I heard more, which is "Two graves, one gone". Here, it would be a representation of how they felt during Wade's depression. He was so sad that he was almost dead, which killed her on the inside too. They were "two graves". But some graves aren't meant to be side by side. She left the graveyard, found happiness again somewhere else. She brought herself back to life by leaving. Now, there is one grave that is "gone". But by using the last sentence "You'll find someone...", she is in a way giving him permission to move on from her as well, to leave the graveyard that was their relationship. She hopes for him that he'll find someone who will bring him back to life to, and she even thinks that Wade found that person already, found that in Logan. Now that she let go, she's telling Wade to do the same. To let her go.

The three different instances of "you'll find someone / i'll find someone / you'll find someone" really represents the progression of the breakup and the healing from it. At first, it's a way to convince herself that she has to leave, that she isn't made to handle this. By then, none of them have moved on. Then, it's her finding her own way of happiness, admitting that she's moving on. And the last one is her telling Wade to move on too. By the end of the song, their relationship has definitely ended, it's over for good.

"So long, London".

[girlactionfigure]

Hi, I’m a lawyer. Do want to know what is really meant by a “#proportionate response” under international law? Then read on - and feel free to ask questions!

Under International Humanitarian Law, #proportionality requires that any degree of damage (up to and including death) to #civilians not be “excessive” in relation to the “military advantage anticipated from a strike against a military target.”

We are going to break that down, so everyone understands what exactly that means.

However, first, you should be aware that it is a misnomer that anytime #Palestinian civilians die after an #Israeli strike, it is automatically evidence of an Israeli war crime. This is completely false - the law does not work that way.

Simply, and unfortunately, the international rules of law recognize that civilians are often killed during war; and, most of the time, those deaths are actually not indicative of a war crime.

Instead, the legal test for “proportionality” requires that each individual strike be looked at with a particular balancing analysis.

First, here is a hard and fast rule: the strike must be intended to target a military objective; it is, therefore, an unlawful war crime to strike with the intent of targeting civilians without any military objective whatsoever.

Now, let’s get a little technical while still keeping it simple.

Under the First Additional Protocol to the Geneva Conventions of 1977 at both Article 51(5)(b) and Article 52(2), we know that when #Hamas uses its own population (or Israeli #hostages) as #humanshields - either by using them to shield themselves or to shield their weapons depots - Hamas has, under international law, turned civilians targets into military targets.

That means that when Hamas places weapons caches in and under schools, hospitals, mosques, etc., Hamas has made each of those places legitimate military targets.

So, it has been well-known for many years that Hamas purposefully placed its headquarters underground beneath the al-Shifa Hospital. In doing so, international law holds that the hospital is no longer just a civilian target, it is a legitimate military target.

That does not necessarily give the IDF carte blanche to attack hospitals, schools, mosques, etc.; however, it does mean that an IDF attack on a civilian target that has been made into a military target by Hamas’ use of human shields is not per se illegal under international law.

Instead, such a strike (as is the case with any strike conducted by a military like the IDF), must be analyzed through a balancing test.

One part of this balancing test performed by Israel before each strike is to determine whether the human shields in question are being used voluntarily or involuntarily.

If the human shields are being used voluntarily - meaning the human shields are there protecting Hamas and its weapons of their own volition - then the target remains a completely legitimate military target.

If the human shields are being used involuntarily - meaning Hamas is forcing people to act as human shields to protect themselves and/or their weapons - then the IDF must go back to the balancing test to determine whether the anticipated military advantage of a successful strike would outweigh the reasonably anticipated loss of civilian life.

Importantly, the IDF rules state that if it cannot determine whether a human shield is being used voluntarily or involuntarily, it must presume the civilian is being used against his or her own will and treat the civilians as an involuntary participant.

Assuming that there is a military target & that there may be human shields that are there involuntarily, the next step in the proportionality analysis for each individual strike (remember, proportionality is determined on a strike-by-strike basis, and not as the accumulation of strikes over time) is to try to determine the likely amount of damage to civilian persons and/or property as a result of the strike.

In other words, under international law, Israel must be able to give a sort of “value” to the anticipated impact on civilians (including potential civilian deaths). Simply, a smaller number of anticipated civilian casualties may make the strike proportionate if there is a significant military advantage to be gained by conducting the strike.

However, if Israel determines that the anticipated impact of a strike may cause many civilian casualties, it must make the difficult determination of whether the anticipated military advantage is so significant that it warrants carrying out the strike anyway.

So, if Hamas has a weapons depot underneath a house with two civilians inside, and that house has been used to fire 500 rockets at Israeli civilians, and it is reasonably expected that there are hundreds more rockets under that house, Israel can almost certainly carry out the strike within the confines of international law.

If that same house, however, had 10 families living inside, including many children, it could - and likely would - tip the scales of the proportionality balancing test toward Israel not being permitted to carry out the strike, even though the house has been used to attack Israeli civilians and can be expected to continue to be used to carry out attacks against Israeli civilians.

Now, that balancing test can always change. If that same house is being used to fire long-range, precision-guided missiles at Israel’s major population centers in places like #TelAviv (effectively putting millions of Israeli civilians in danger), the balancing test may tip back in favor of Israel being legally permitted to carry out the strike.

This all suggests the third and final step in the proportionality balancing test: the #IDF must determine and place a “value” on the anticipated military advantage that would be gained if it were to carry out a particular strike.

An attack on Hamas leadership and/or its weapons manufacturers would be considered a high value target. An attack on a single Hamas member who has no special skill, would be a much lower value military target.

Similarly, an attack on a small cache of mortars would have less military value that an attack on a large cache of advanced rockets that can reach large Israeli civilian population centers.

Once the 

@IDF

 determines the anticipated “value” of the likely effect on civilian persons and property and the anticipated “value” of the likely military advantage to be gained if the strike is carried out, the balancing test can be performed, and a certain amount of judgment must go into the determination of whether that strike would or would not be “proportionate.”

Importantly, this decision is so vital that the IDF does not simply permit a single solder on the ground with his or her hand on the proverbial (or actual) “trigger” to make that determination.

In fact, the decision of whether a strike is proportionate is not even left up to IDF officers. It’s not even left up to IDF Generals.

Instead, before any IDF strike can take place, IDF Guidelines provide that the proportionality balancing test must be presented to and analyzed by IDF military lawyers who then determine whether the strike is legally permissible as “proportionate” under international law and the rules of war.

And these IDF military lawyers are not mere patsies or people who simply “rubber stamp” what the IDF requests.

In fact, the IDF’s military lawyers work entirely independently of the IDF. They are outside of the chain of command and do not answer to anyone in the IDF, including a General (for example).

Plus, every IDF military lawyer knows he or she may very well be held to account if he or she makes a wrong decision based on the evidence available at the time.

Furthermore, sometimes the decisions to be made while balancing the likely military advantage against the likely civilian casualties can be so difficult that the legality of the strike is first brought to the Israeli Supreme Court for instant review.

Another important concept: the comparison of civilian body counts of #Israelis versus #Palestinians (to the extent those numbers can be trusted since they come directly from Hamas-only) is not relevant to a proportionality analysis. Each strike must be viewed individually to determine proportionality. It is not a test of the cumulative nature of the strikes.

Also, by simply comparing body counts, it does not factor in how many people killed were actually #HamasTerrorists, how many were Hamas collaborators there voluntarily, and it does not consider what military advantage was gained by Israel carrying out any individual strike.

As Israel is now in the process of seeking to secure the military advantage of preventing Hamas from having the capacity to carry out repeated attacks of the kind and nature seen on October 7th, Israel is permitted to act proportionately insofar as necessary to achieve that military objective (the elimination of Hamas and/or its ability to make war).

One more important fact people do not know, but that they should know: according to UN statistics of global conflict, the average civilian to combatant killed ratio is a rather appalling nine civilians killed for every one combatant killed.

That’s why civilian body counts in and of themselves are never indicative of a war crime. Each individual strike has to be analyzed, and unfortunately civilians always suffer disproportionately in wars.

In fact, while Israel is routinely criticized for any of its strikes that kill civilians, you may be surprised to know that Israel’s civilian to combatant ratio is routinely much lower than the nine to one average.

In the very last operation carried out by the IDF prior to October 7 (in Jenin), 0.6 civilians were killed for every one combatant killed.

In that conflict, not only were the IDF’s ratio numbers nowhere near the nine to one international average, but the IDF actually managed to kill more combatants than civilians - something that is extremely rare.

In truth, Israel is targeted by accusations of war crimes almost immediately by the media, by politicians, and by the UN General Assembly despite the fact that those accusations are near 100% of the time based neither in fact nor in law.

Since a proportionality balancing test must be used to determine whether a single specific Israeli strike falls within the confines of international law, someone providing an analysis must have all of the facts Israel considered before carrying out that strike as to the anticipated impact on civilians and the anticipated military advantage. Obviously, anyone who is making a snap judgment critical of Israel could not possibly have that information.

Understand then, that when you see talking heads accusing Israel of “war crimes” immediately after and/or during Israeli strikes, that is not an actual legal analysis under international law of what constitutes a war crime.

Much more likely, what you are witnessing is part of Hamas’ ongoing psychological and propaganda warfare campaign of demonizing and delegitimizing the State of Israel in the eyes of public opinion.

[shroomyifiy]

Hello DRDT fandom! Here’s yet another person throwing their hat into the ring about the Chapter 2 culprit.

Spoilers for Episode 14 below.

Yeah no Ace is probably the killer.

Now before anyone comes for me, hear me out!

We know that, currently, the culprit is between Ace and Eden. One of them definitely took the tape, no doubt about that, and is most likely the killer. You could argue the existence of a third party culprit, but currently, it has to be one of them. So we are going to ignore that for now. I will now break down why I believe Ace is the killer.

Step 1: Tape

Okay, first off, the tape. That motherfucking tape.

The tape is located directly in front of Ace’s feet, and disappears the moment he gets up and exclaims he’s alive. At this moment, he also knocks Eden to the ground, making it just a small amount of time for either of them to grab the tape.

Now, we don’t know where anyone directly is besides Ace, due to the way the series is presented. Meaning, we have no idea where either Teruko or Eden were standing relative to Ace revealing he was alive.

A big point for the Eden truthers is that when she was knocked over, she picked it up. Now, it’s possible that she could do so without either of them seeing her do this (Ace was currently bleeding and Teruko wasn’t paying attention to the tape). But, I feel like we need to look at the crime scene.

Teruko specifically tells Eden to “Not touch anything”, so we can assume that Teruko wouldn’t have moved anything around too much during her original investigation. So then that leaves us with an interesting thing.

Teruko and Eden both have to be standing by Ace’s body when he gets up (Eden because he pushes her and Teruko because she is mentioned to have touched his neck, and realized he was still alive). But one thing to note is that the area around Ace is rather messy and cluttered. Meaning, there are likely two spots that Eden could be standing at (3 for Teruko, but we will ignore that one for now).

Visually speaking, Eden needs to be standing in spots 1 or 2 to fit the criteria. If she’s in spot three, she’d have been pushed over the bench, and most certainly couldn’t have gotten the tape, and also would have made more noise. (side note: Teruko is either in spots 1 or 3, but currently, her position isn’t as important. For Culprit!Eden to work though, she cannot be in spot 2, which is the most unlikely spot anyways)

If Eden was standing in spot 2, she would have been more likely to be able to grab the tape without issue (as it would be right in front of her feet). While spot 1 could also work, Eden would have had to reach a much farther distance to grab it, and given she’s not knocked down long, I feel like Teruko would have noticed Eden crawling to grab it more than spot 2.

For Ace to grab the tape, we already know where he is relative to the tape, so we don’t need to explain that.

Now, when either of them got up, it’s likely they would have used their hands to push off from the ground near their feet, which is what they would have to do to grab the tape without being noticed. Otherwise, it would be impossible to grab it without being noticed.

You might be asking yourself, “Shroomy, why the fuck does it matter where Eden (and by extention, Teruko) were standing? That’s such a weird and minor detail!”

THE FUCKING TAPE DISSAPEARING WHEN ACE GETS UP/KNOCKS EDEN OVER IS SUCH A MINOR DETAIL TO START WITH!!!!

Ahem… I mean, clearly, the crime scene of Ace plays a part in Arei’s death. And since such a major piece of evidence comes from such a scene, doesn’t it make sense that eventually, body positions would come up? Especially considering just how cluttered the area was. It’s so minor, but it might be the smoking gun to solve the case.

Now, why would either of them pick it up in the first place?

With Eden, she has to be actively making a decision to grab it for whatever reason. Same with Ace, although you could make more of an argument that he grabbed it either a: help his wound or b: by accident, grabbed it and didn’t realize due to the whole murder thing. Also option c: to murder Nico with it, but that’s less likely.

Honestly, despite being what ties them both to the crime, I really don’t see why either of them would grab the tape, especially since, given how fast everything went, I doubt it was either of their first thoughts to recreate Nico’s murder attempt for their own murder, at least in the moment.

Moving on!

Step 2: The murder method

One of the big pieces of evidence against Ace right now is that, “Oh, he was just attacked. There’s no way he would have realized how he was attacked and would know how to replicate it, he’s not that smart!”

First off, let’s address Ace and his stupidity. Okay, yeah, he’s not the brightest person, but saying he’s not smart isn’t accurate. There are no truly “dumb” characters in drdt, at least in my opinion. And Ace has been shown before to have some intelligence.

For one thing, he is on Teruko’s side during the scrum debate in episode 8 of Chapter 1. Which might be weird to call out, but seeing as a lot of the “smarter” characters were on the other side (namely David [being a xander simp as per usual] and Veronika), Now while this isn’t enough to prove it and he did argue with her before in this same trial, it’s definitely noteworthy to mention.

And also, the carousel thing. The fact that it keeps being Ace that corrects Teruko on what it’s called is funny, but it’s also heavily linked to the murder.

Also also, it wouldn’t be out of the ordinary for yet another person in this cast to have been keeping a mask up. Someone is making a heel turn between these two, so realistically, this could be Ace’s. And also, despite being shown as “dumb”, Ace at least has some understanding of shit, considering his whole monologue about Levi. I’d have to rewatch a lot of episodes to further confirm this, but I doubt Ace is as stupid as some people think.

Now, the second problem. Ace being almost murdered and then using that same method to murder Arei seems like a bit much, doesn’t it? How could he have figured it out the second he woke up?

He didn’t. He would have fully figured it out AFTER he went back to his room and stopped trying to murder Nico, when he calmed down. (Which is what I think happened with Eden if she is the culprit, mind you)

Because, logically looking at the crime scene, ain’t no way either of them figured it out just by looking at it for like what? A few minutes? No way, I don’t buy it.

But here’s the thing. Ace does have an advantage over Eden here. That being, he woke up during the murder attempt, as confirmed by Nico in the latest episode. Huh. After Ace had claimed to not remember the method because he was unconscious the whole time? Hmmmmm?

No way that little piece of info isn’t going to be important. Especially considering this is the first time we’re hearing about it.

“Shroomy, that’s still not enough to prove Ace over Eden!” I hear you cry out.

Time for the smoking gun.

You know why Nico’s drop hanging attempt failed? It’s not because Ace was too heavy for the fan? No.

It’s because Ace was able to fight back when he woke up.

And what is one of the big differences that hasn’t been brought up yet in this case?

The fact that Arei’s wrists were bound at some point, to keep her from fighting back.

Nico and Ace are the only people who would know about this. Because, again, no one knew Ace woke up during the attempt. So, if Ace were to recreate the murder for Arei, he would know to bind her wrists so she doesn’t fight back. Because it’s why he survived in the first place.

Moving on, using this method would work for Ace, because 1: frames Nico who he hates, 2: Ace is probably a little weakened from almost dying, using a pulley method would be easier than risking Arei escaping.

Now rapid fire mode!

Why use fish from the relaxation room? Frame both Nico (primary) and David (secondary).

The killer probably used the ball of clothes to get the rope up and broke the lights doing so. Eden is the weakest one there, and Ace could have the strength to do so.

Why target Arei? Ace probably didn’t care who he killed, he doesn't care about anyone there.

How would he know about the conversation in the infirmary? We cannot deny that someone could have overheard it. Also, Ace has already been established as eavesdropping earlier in the trial. (this happens the same day as his murder attempt, btw)

Ace has spent most of the trial pointing fingers at others (even in the investigation, he’s the first to draw attention to Nico trying to kill him and Arei dying; knowing the cases are connected, this is interesting).

Wow, that's crazy. Loose connection but still.

He’s also the whole reason David had his magical girl transformation, giving the smoking gun evidence that he and Arei met up.

Which, you know, derailed the trial a lot. Like, 2 or 3 episodes worth of time that could have been used to solve the trial faster?

Huh. Now it's that something.

But, what does this mean for the story?

Step 3: Arei and Ace; Teruko, Eden, and thematics

Both start off as unlikable assholes. But Arei wanted to change, and both Eden and David gave her a hand to begin that change. But she’s murdered before that could happen. Ace rejects anyone’s hand, not trusting anyone and causing more issues. One who tried to be better, and one who got much worse. In a way, they’re parallels in this instance. Two parallels getting killed in the same chapter? Where have I seen this before?

Yeah Min and Xander (i miss you both ;-;)

This is the part where I talk about Min and Eden parallels.

Ain’t no way drdtdev is going to make the same repeat of the last trial’s conclusion. The hugs!!!! The crying!!! Teruko, who points out when Eden tries to investigate with her in this chapter that Min did the same thing to deceive her. Eden, who was crying for someone to believe she didn’t kill Arei. Teruko, who decides to trust Eden, the same way that Eden was the only one to believe in Teruko in the last trial.

Eden, who would be able to prove David and Teruko’s points wrong. Who believed in Arei, that she could be her friend! Eden, who if was revealed to be the killer, would likely send Teruko down a worse path, being betrayed for the third time now.

Ace, who shares Teruko’s views that no one can be trusted, and who isolated himself from everyone. Ace who, despite how much I love him, would show Teruko how isolating herself from everyone else would lead to her death. Ace, who would be a dark reflection on what Teruko could have been, had she continued down that path. Both were almost killed, but one who tried to murder everyone to get out and the other who saved everyone from getting killed.

The narrative themes of trust and distrust.

Teruko’s secret quote for god's sake!!!!!

It’s too much to not go anywhere guys!!!

Okay, I think that’s it for now. Sorry if this sounds like I’m rambling too much, or if it doesn’t make much sense. First time posting something here lol. But this series makes me sick!!!!!/pos

I like both Eden and Ace, and don’t want it to be either of them, but I doubt it’s a third party at this point. And between the two, I think narratively, it makes more sense for it to be Ace.

And also, guys, we NEED more positive characters going into chapter 3, after how many mentally ill people are around rn. We have enough asshole men now (cough looking at you, Mr. David Chiem cough). Whit is too sus and is either dying or about to get hit with a truckload of emotions to stay stable long enough.

Also, Teruko learning to trust while Eden learns to distrust!! Teruden!!!! YURI NATION SWEEP GUYS!!!!!

If I’m wrong, I might die on the spot (please Eden I need you to stay alive!!!!)

[paikothecateater]

Currently working on a whale brothers + Sweden mini fic for an ask, but I feel like I have to point this out. (this is unrelated to the mini fic, I just wanted to assure the asker that I am working on it)

So, I'm sure most of you have seen this before.

It's a table of how the Nordics refer to one another.

I think this table is a pretty cool thing. It actually shows a lot more about their personalities than you'd think.

For example: Finland is the only one who calls Sweden 'Su-san' he's also the only one to refer to the other Nordics using honorifics or suffixes and this is actually very indicative of his relationship with the others.

(this is all information from Google, I can't speak for it's accuracy.)

The others do not refer to each other using honorifics which indicates a sense of over familiarity. It makes sense, but Finland being the only one who uses them indicates that he probably doesn't feel close enough to them to not use them. Either that or he's just too polite to.

He also refers to Sweden and Denmark with the suffix (San)

While for Norway and Iceland he uses (Kun)

This is actually also shown in the anime. He calls Sweden 'Mr. Sweden' and Denmark 'Mr. Denmark' though he does not do the same with Norway and Iceland. Now, Google did say that Kun is usually reserved for underclassmen and that may be the case for Iceland, but I'm not sure about how that reflects his relationship with Norway.

I've seen people talk about Denmark referring to Norway as his best friend and whatnot, but something I've never seen anyone bringing up is how interesting the usage of Boku and Ore is here.

Finland and Iceland refer to themselves with Boku. This is a generally more humble, polite and refined way to refer to oneself.

The other few use Ore which is described as being much less formal and a lot more masculine according to Google.

So essentially, the viking trio see themselves as big scary macho men, noted.

There's also something that generally intrigues me here.

Iceland has two ways of referring to Norway

Norway and Nore.

He uses Norway for international settings, but only uses Nore when it's just among the other Nordics.

According to Google there are a few reasons as to why that might be.

The one I've gotten most is this:

It's generally rude to refer to someone older than you by a nickname. It doesn't seem to matter any that they're in fact brothers. It looks like the same rules apply regardless of what relationship the two people have.

So it's just so he doesn't seem rude by calling Norway a nickname? I don't think it's that simple.

See, he calls all the others by a nickname, in fact, more so than anyone else. He doesn't change up in international settings for any of the others, even though, if anything, it would make more sense if he did.

Could it be his way of distancing himself from Norway in front of other countries? It would make sense. Iceland did always act embarrassed about being Norway's brother, so maybe this is his way of acting like they aren't as close as they are.

This is also something that happens with Denmark. Both he and Norway refer to Sweden as Sverige, but Denmark also refers to him as Sweden in international settings.

I don't think any of the last explanations work seeing as technically Denmark here is portrayed as Sweden's superior, so it wouldn't make sense for him to change it out of respect.

Google really did not help with this one so I had to come up with my own theory. While the others have some evidence in canon, this is just pure speculation on my part.

Denmark could be saying it in English to make it easier to understand when it comes to international settings. The Danish accent is known to be quite thick and hard to understand if you're not familiar with it. Denmark could be more comfortable with saying Sweden's name in Danish around the other Nordics as they're more familiar with his accent and could easily understand what he's saying.

What about Norway? Well, the Norwegian accent is considerably more coherent even to those unfamiliar with it.

You're more likely to guess what a Norwegian is saying through context clues than with a Danish person because you likely misheard what the Danish person said.

Sweden is also the only one to refer to Finland by... Well... Finland. The others all call him Fin.

We know by now that Sweden is very socially awkward so it makes sense that he wouldn't feel 100% comfortable calling Finland by a nickname, especially when Finland is the only person referring to him by an honorific. Sweden would likely worry that it'd be considered rude if he called Finland by a nickname.

There's something else I find a little interesting here.

Norway calls Denmark anko or Den

While Iceland calls Denmark Dan.

Why the difference between Den and Dan? Both the Norwegian and Icelandic words for Denmark start with Dan (Nor:Danmark, Ice: Danmörk), so why does Norway call him Den?

Maybe he's using the English spelling, but why would he do that? It's not like it's an accent issue. I actually have no clue as to why this is.

Another thing is Iceland being the only one to call Sweden by Sví.

We know in the anime and manga that Iceland has a particularly close relationship with Sweden, so it may be a product of that. Even when it's not directly shown, it's implied that the two are very close given that Iceland can pick up on Sweden's remote social cues better than anyone else. Is this historically accurate? I doubt it, but that doesn't exactly matter right now.

Here's another thing,

Finland's 'Ta-san' comes from the Finnish word 'Tanska' which translates to Denmark, but where does his 'Su-san' come from? The Finnish word for Sweden is 'Ruotsi'

Well it could be that (スウェーデン) the word for Sweden in Japanese is pronounced something like ( Suu-eden) so that's likely where it comes from. It's a little strange that he'd use the Finnish word for Denmark, but the Japanese word for Sweden.

Well, both Japanese and English are used in this table as what I'd like to call (base languages) the table operates under the assumption that whoever reads it either speaks Japanese or English, so they're used as though they were the same language. Essentially (Su-san) acts as (Swe-san) because (Ruo-san) doesn't help people who don't speak Finnish understand who Finland is referring to. Nordic, English and Japanese names for Sweden all start with the letter S. If I told you Sweden is referred to by 'Su-san' you'd probably think it's not that strange as an English or Japanese speaker, but if I told you he was referred to by 'Ruo-san' you probably would be very confused.

I'll quickly run down this one.

Norway calling Denmark Anko.

Anko is referred to as being (kind of like bro)

It is not in fact kind of like bro.

It means red bean paste.

Why does Norway call Denmark this? Well, it could be because of the red in his flag, but that's not what interests me.

Most Japanese nicknames are just shortened versions of one's name. Ice, Fin, Nor, etcetera.

Anko here is very interesting. It doesn't seem to be a common nickname in Japan. It could be that given that Denmark and Norway are referred to as best friends and are shown to be very close. This could be a classic case of a childhood nickname that carried in into adulthood.

Alright, that's all I have to say on this matter. As always, thank you for coming to my yap session. And for the asker who's waiting on that mini fic, I'm sorry for the wait. I just had to get this thought of mine out there before I forgot. I'll try to have the mini fic out as soon as humanly possible.

Also, let me know if you have any other theories about this name table because I'd be very interested to see if anyone else thought about this.

[chaifootsteps]

was reading this: https://www.tumblr.com/fantasywater/761286441867313152/a-curiosity-about-stolass-love-for-blitz

and though I wouldn't word it entirely the same way as OP, they've got a point. we're supposed to think that Stolas has found a new lease on life after meeting Blitz, but from what we're shown on screen that isn't true at all and he's still the exact same person (if anything he's worse since he hasn't meaningfully changed at all and is in denial about all his own flaws and how he's hurt both Blitz and Via)

He's still drinking himself into blackouts and pretty obviously not taking his medication properly or regularly if he eats a fistful in one episode and runs out unexpectedly in another. He's still miserable most of the time. He can't make friends because he lacks the ability to form any real connections with anyone (or to be kind enough to make them want to put up with his self pitying behavior)

I tend to reflexively dislike comparisons between Blitz and Stella because it implies Blitz is abusive (which he's not, that's Stolas) but it's clear that Stolas responds to difficulties in his relationships with them in the exact same way. He self medicates with booze or pills, usually after either a serious self-pity session or snapping back at them, or both. He doesn't talk to them about their feelings, just grandstands about his own

And they are superficially similar. They respond to things that hurt them in a fiery way - they don't take shit lying down like Stolas does. As OP pointed out, Blitz struggles with illiteracy - the same thing Stolas mocked Stella for.

the only positive difference that I can see is that Stolas enjoys the sex with Blitzo a lot more than with Stella - and that's a benefit only Stolas is enjoying. we don't really have the evidence to say that Blitzo enjoys sex with Stolas more than he has any other partner he's had who was decent in bed - he responds to Stolas with revulsion, then disinterest, then resignation, then him being horny just because Stolas is convenient and they were having a meetup anyway, then finally anxious codependency and trauma bonding post break up. We never see genuine affection from him

this show doesn't seem to understand relationships need more than a functional sex life to work properly. because if you take that out of the equation, it just looks like Stolas hasn't escaped the pattern of conflict in his marriage at all

all he's done is replace a partner who is closer to his social standing with one who is far beneath it, in order to give himself all the power and leverage. and he does it without acknowledging that consciously or not, that is definitely the case.

the darkest possible reading here is that Stolas unconsciously wanted someone who was on the surface similar to Stella - less educated than him, will fight back and snap if provoked - so that he could recreate the relationship dynamic wherein he is the victim who isn't being given enough love even though he's trying oh-so-hard to make things work and they just aren't appreciating him enough. and it indicates a perpetuation of the cycles of abuse - if you take the reading that Stella didn't care about Stolas' feelings while they were trying to conceive, Stolas is now doing that exact thing to Blitzo during sex with a bucketload of classism on top

Got to say, Anon, it's spooky how plausible that darkest possible reading is. Whether Stolas does the things he does consciously or not, it's insane that anyone can look at all of this and not at least acknowledge the possibility that people might find it fucked up.

[robiinurheart33]

Part 1

The next time Soap wakes up, he isn’t screaming anymore.

He sort of felt that after passing out from the pain of Ghost’s touch along with the stitches that he was gonna wake up in a shitton of pain but surpringly he felt…comfortable. Soap opens his bleary eyes to take stock of the situation. He’s obviously in one of the rooms in the safe house, the room completely void of light. Not even the moonlight is able to pierce through the blackout curtains. No doubt Ghost probably would’ve also dead locked the windows. He feels the cooling touch of a bedsheet under his fingers, the whirring of a fan blowing on his face. He can hear shuffling downstairs, Ghost probably settling down for a few days at the house before they’re cleared to go out.

Johnny sits up with a soft groan, hand patting his side where his stitches lie. His mind feels blissfully silent, like for once a higher being is allowing him to rest, if only for a short while. He feels 10 again when his socked feet slide across the ground as he stands, rubbing the sleep out of his eyes and opening the door to the bedroom. Johnny isn’t completely sure of where his bedroom is located, but he manages to find the living room easily and by extension; Ghost. He looks ethereal and deadly in the moonlight, sitting on the couch and cleaning his guns.

“About time you woke up.” Christ, he sounds exhausted. Has he rested even once when he patched Soap up?

“How long was I out?”

A pause. “Long enough.” Ghost sounded more gravely than usual. Soap tries not to dwell on it, what it implies. He knows that even if he tries to get Ghost to rest, it would end up fruitless. He knows other ways to trick him into resting.

Johnny spots his phone on the table and checks the time. 2:37am. Shit, it’s been quite a while since he passed out. They left for the op at 4am, and arrived at the safe house at around 7:30am. He’d been sleeping all this time. He sighs and perches himself onto the couch arm. Far enough that he isn’t invading Ghost’s personal space, but still remaining within his reach. He stares at the generic wallpaper his phone is blinking back at him. His real phone is back in his bedside table at base. The wallpaper is of his family about 8 years ago, all of them grinning at a eyefish filter Johnny’s sister took. Johnny looks ridiculous, his mowhawk not yet making its debut, and an old phase of a beard is evident on his face, bushy and proud. This was taken when they were all on vacation together, a rare occasion when he was able to save enough offs and before all the kids, complications and death. There were the MacTavishes, once upon a time. His mother, two older sisters and a little, blue eyed John. Remember John, His sister hissed, wagging a finger in his face. You’re a Mactavish. When we get down we get the fuck back up again. He’s always admired his sister. he misses them both so, so, much.

“Do you sometimes ever wonder if this life is really worth it?” Johnny suddenly blurts out. He feels his face immediately start burning. God, that’s embarrassing. “Being in the military, I-I mean.”

He knows that Ghost, out of all people would be the worst person to talk to about feelings. He’s an important person that has more responsibilities to lie his focus on, much less his feelings. Shit, can he take back the words? No, that would be even worse. Can Ghost just ignore him? No, wait, that might be even worse if they just stay in this stupid awkward silence Soap subjected them to-

“All the time.”

Johnny whips his head around so fast he’s sure he has whiplash.

“A-all the time?”

To be honest, Johnny never really thought Ghost has a life outside of the military. He never talks about family, friends or maybe even a girlfriend. He doesn’t like to think of the implications or anything about his past. It just felt invasive and inappropriate to do so, even if they were close. Price had told him one late night, smoke curling lazily behind his ear, with low murmurs and blood shot eyes that Simon has no one left to mourn him. Johnny didn’t ask for the details. He didn’t have any right to.

“Yeah.” He doesn’t elaborate. Johnny doesn’t blame him.

He turns back to staring at the wooden walls deprived of any decoration, not even a small potted plant. He takes a deep inhale and sighs, breathing in the stale air. Fuck it. Whether he wants to hear it or not; Johnny can’t take the pain of awkward silence.

“My mom back home, she…” He wet his lips, thinking for a moment. “She writes to me, sometimes. Tells me every single detail of her day, that old hag.” Johnny chuckles, tracing the gnarly stitch work Ghost had done on him over his shirt. “But that’s just because she doesnt have anything else going on in her life. Which, I mean, it does sound depressing, but she’s in her own little bubble y’know? She goes to her yoga class, book club, she bakes, and she’s just fine with that life.” He looks over at Ghost, who’s now looking right at him, gun hanging loosely from his hands.

Soap thinks it would probably be a nice way to go. If Ghost shot him in the head right now.

“She’s…. Happy. I think. I hope so.”

“Hm.”

Soap scratches at the base of his neck, looking out the window. The grass seemed to stretch on forever, into the horizon. The moon is just a sliver today, peeking over from its shadow, casting a light blue tint over everything. He thinks if he stood on the road and looked straight ahead, it would look something like those pictures they make you stare at when they check for eyesight at the doctor’s, but without the hot air balloon.

A soft click alerts Soap back to reality, watching Ghost place down his gun.

“Let me get dinner.”

He blinks.

“You haven’t eaten?”

“No.”

“Why?”

Soap hears a few pots cutleries clink against one another.

“…was waiting for you.”

And fuck, if that just makes his intensities melt and swirl together. Ghost was waiting for him? He was waiting for Soap to wake up to eat dinner together? Jesus Christ. He manages to crack a smile, and a little too tender “aww, Ghostie.” Gets breathed.

He comes back around to face Soap, handing him his MRE with a plastic fork sticking out of it, stream curling from the packet. He can smell the curry chicken and he almost sobs.

“You got me my favourite?”

“Don’t sound so emotional, Sargent. It just happened to be in my bag.”

Ghost plops down onto the couch and pulls off his mask to scarf down his bag, barely stopping for a breath.

Soap chuckles. “Goddamn animal..” He ignores the way his ears feel hot and his chest feels itchy, just holding the packet in his hands.

He fidgets around with it, letting the heat seep into the palms of his hands, wondering how long it would last, if it would stay there forever, cupped in his skin, his bones. Wonders if he could press it to his chest and the heat would spread throughout his body, into his head. If he ate the food would it warm him from the inside out, would it taste as delicious as how Ghost’s considerations made him feel?

“Jesus Christ just eat the fuckin’ food Johnny, before it gets cold.” Ghost grumbles, speech a bit muffled due to the food in his mouth.

He giggles before picking up the fork, scooping up some of the rice and shoving it in his mouth. He lets out an appreciative hum, scooping up more rice and chicken, stuffing more and more into his mouth.

Eventually, Johnny slides from the armrest to the actual couch cushions, tossing the empty packet onto the table with a content sigh. Ghost had resorted to staring out the window now, arms resting on his knees with his hands clasped together as if deep in thought. The Scot lays his head back on the cushions, closing his eyes for a bit. He doesnt want to disrupt the silent peace they have going on right now.

“Soap.”

“Hmm?”

“Let me check your stitches.”

He opens one eye to look at Ghost.

“Mkay.”

Before he could shift his body towards him though, Ghost already slipped to the floor, sitting cross-legged in front of soap’s legs.

“What the hell are you doing?”

“It’s easier this way. I don’t want you to turn any more than you have to. This’ll be quick.” he says, like Soap isn’t currently fighting for the air to go into his lungs at the way he just with no hesitation start to go for the hem of his shirt.

“Jesus, okay! Fine, i can do it myself.” He grumbles, slapping Ghost’s hand away before quickly pulling his shirt off.

Now, it isn’t the first time Ghost has touched him, nor will it be the last. For fuck’s sakes, he was screaming in anguish just less than 25 hours ago, and Ghost was touching him in the exact same spot. But this time, it was different. It wasn’t physical contact for the sake of keeping all his organs intact, it was more out of concern for his safety. It is also a helluva lot more intimate the last few times they’d touched. (Not like he was keeping count) The moonlight hits him from the back of his head, making his brown eyes shine in the dark. He always looked like he was on the verge of tears, Soap noted a long time ago. They were constantly glassy, waterline reddish-pink an eyelashes longer than a damn horse. His pupils always looked intense and scary, black in the sunlight, caramel in the moonlight. Soap’s sweating now, more so that he’s actively pinning Soap under that stare, watching for any painful expression.

As he reached forward, big bastard he is, knocks his knees apart so that he’s more in between his legs than in front of them. Johnny breathes. His ears are definitely red now.

The first touch felt more like a jolt than anything, cold fingertips pressing into his side.

“Fuck, Ghost, you don’t have any blood in ya?” Johnny cracks a nervous smile, trying to lighten the mood. Ghost doesnt reply, eyes now trained on his midriff.

His left hand cups his waist, their contrasting temperatures slowly making its way to even themselves out. Soap can’t help but shiver, Ghost suddenly whipping his hand away like he’d burned him. He blinks, looking up at Johnny.

“Sorry.”

“S’ okay, sir. Just didn’t know you have the touch of an ice princess.”

He slaps his ribs, pretty eyes narrowing as he focuses on his stitches again. His left hand comes back to cup his waist, thumb right above the stitches. His right thumb is below the wound, hand resting on his belly, pinkie on his military-issued shorts.

In all honesty, Johnny’s completely losing it. The touch is like liquid nectar spread across his middle, settling under his ribs and squeezing his lungs. He feels indulgent, gluttony taking in the form of Ghost’s touch. It’s so much more than he’s expected it to be, and he feels a bit light headed. The thumb tracing so, so carefully along the uneven stitches almost feels like it could be mistaken for care, for love. Johnny’s light headed, and his limbs feel heavy like it turned into lead. It felt feather light, and all too special. Like if Soap wasn’t completely honed in on whatever the hell is happening right now, the moment would slip away and he would regret it for the rest of his life. So he savours. He memorises the touch pads of ghost’s fingertips against his skin, the light framing his body, his eyes fixated on the stitches. Fuck, fuck. What Soap would give to feel like this all the time.

In spite of his internal turmoil, Ghost looks up at him, eyelashes fluttering.

“You good?”

Johnny swallows, Ghost’s eyes following the motion.

“Yeah- yeah I’m good.”

please touch me more. please hug me. please cup my face and touch me as gently as you do for my wounds. please take care of me. please care.

Soap’s flushing hot now, he doesn’t need to look in a mirror to know. Ghost’s eyes hone in on him, pupils trained onto his body for what, soap doesnt even know. He tries to look as normal as possible with your CO’s hands on him so warm, so gently, like he belongs there.

Whatever Ghost is looking for, he finds as he sighs softly, letting his hands drop and now resting on his hips.

God fucking damn it Ghost is driving him crazy

“You got any siblings?” His hands absentmindedly squeeze him, and Soap mentally checks out. He’s done. He’s actually dying. This is heaven. Or hell. Either way, he doesn’t ever want to leave.

“Two sisters.” He manages to squeeze out as much as he can without his body moving. He’s tuned in with every nerve, so, so scared that if he moves Ghost will take away his hands.

“Youngest?”

“Mhm.”

“Can tell.”

“Haud yer wheest.” He grumbles, looking at anywhere but Ghost. Why hasn’t he moved yet?

“Tell me about them.”

Johnny scrambles for any kind of information on his sisters to tell him.

“Well- uh. Marjorie is my oldest. Uh- oldest sister. She hates her name. Has a bubbling little husband little ways from our home. Lovely guy, has no backbone. Honestly could not tell you how he managed to bag my sister. He even says it’s a miracle, heh.” The more he talks, the more he relaxes. “Middle sister, Gwyneth, she.. uh. She has a little rascal running around at home. Little runt, that kid. Fuckin’ love her.”

“Sounds like your mom has a knack for naming her kids.”

“Yeah right, imagine a Marjorie, Gwyneth and then just John.” He shakes his head, chuckling softly. “Lame name.”

“It’s a okay name.”

“Ghost, i can literally name you 10 guys I’ve met with the same name as me. Our captain is named John.”

“Yeah you’re right there. John is a shit name.”

“Shut up!” Johnny giggles, raising his hand as if he was gonna hit Ghost.

“It’s better than Simon.”

A pause. “What’s wrong wit Simon? Right bonnie name, there.”

Even with the darkness, Johnny can feel Ghost’s eyebrow raising.

“Am’ serious! Simon…. Yeah, it’s a good name. Solid.”

He huffs, as if not believing it, one of his thumbs tracing patterns absentmindedly on the soft part of his midriff .

“Who wouldn’t love a Simon in their life, hm?” Soap hums, tapping the cheekbone of Simon’s mask with a finger.

“Simon.” He whispers again, just for good measure, and Ghost looks up at him, eyes shining so, so brightly. He looks almost wistful, hopeful if he looks too much into it. The hands at his hips squeeze.

Fuck.

“Simon.”

I love you.

I love you so much I can’t bear it sometimes.

Johnny says nothing else.

“We should probably go sleep now. We have to get up in less than 5 hours.” He whispers.

Ghost hums an agreement, but neither of them move for a long time.

“Okay.” Ghost mumbles, breaking the spell first. He climbs up to his feet and looks down at johnny one last time, hooking an index finger to his chin. “I’ll see you in the morning, yeah?” Johnny can feel the rumble deep in his chest. He doesn’t reply, only nods as he watches Ghost disappear down the hallway.

Once he’s out of sight, Soap buries his face in his hands and groans softly. God, his whole body is alight. How’s he ever gonna sleep now? How’s he going to move on with his life knowing how ghost’s hands felt on his waist, his hips, his chin? His face feels hot, and he scratches at his chest, wringing his shirt he picked up in his hands nervously.

He lays his head back, staring at the water stains on the ceiling.

He’s fucked.

[dullgecko]

Fabian’s gonna freak the F out when Sklonda shows them Riz baby pics “What do you mean the ball was ever an actual infant!”

He then explains about how he thought goblins were born fully formed or grown like plants or something (sorry I can’t remember what u said exactly in the ask) and Sklonda seriously and with actual concern ask Fabian if he knows where babies come from and if his parents ever gave him ‘the talk’.

Also I was thinking about baby goblins being irresistibly cute and how not a lot of people having seen them; while as their instincts told them to sklonda and pok did keep Riz mostly safely hidden away as a baby but there were times they had to for whatever reason take him out and Riz even then was a curious little guy constantly poking his head out to see the world out of whatever bundle he was in unlike most shy goblin kits.

Goblins are normally notwell liked by other species so sklonda and pok were pretty sure a baby goblin would receive the same treatment.

To their surprise it was the opposite problem, everyone found baby Riz adorable and often overstepped boundaries and personal space, treating him more like an exotic pet than an actual baby.

This all accumulates one day day when a complete stranger goes to grab and hold Riz but before they can either/both sklonda and pok are hissing and growling calling the person a number goblin swear words as they’ve backed up a safe distance away while shielding an overwhelmed stressed out Riz.

Honestly it’s lucky the stranger was noticed before they could actually touch Riz, otherwise they would have learnt from personal experience how much damage a goblins teeth and claws can actually do.

Xx

"What the fuck, he was an actual infant at some point? I thought they were grown like plants." Fabian muttered, squinting his eye at the array of pictures Sklonda had pulled from the photo album. The statement earning an amused snort from Fig who was also sitting at the table perusing the stack, occasionally snapping photos of the cuter ones to add to her personal collection. The rest of their party had left to go procure some lunch, given that they seemed to be staying there for the whole day while Riz tried to sleep off his fever.

He'd picked one of the photos up to look at it closer, flipping it over to see the date on the back since Riz was clearly eating birthday cake in the photo and making a mental note of it for later. Riz tended to be very cagey with personal details about himself so all they'd managed to work out so far was the month of his birthday, now they could actually nail down a specific day.

He jumped slightly when Sklonda put a concerned hand on his arm after the comment, lowering her voice and patting it in a way that was entirely too sincere for his likeing.

"Aw honey, did.... has no one told you were babies come from? I mean, I know your mom is a bit uhhhh-" She waved a hand near her head to indicate the general vagueness that Halarial tended to exist in "-but i thought you would have found out by now. If you have any questions just let me know okay?"

Fabian sputtered, face going red as he sat up straighter in his chair. "What? No of course I know where babies come from. Evidently not goblin babies but you know... the rest."

He waved his hand towards the window before pushing his chair back and standing, heading over to his schoolbag to dig out a book he'd clearly borrowed from the library. "I asked Riz and he said he was never an infant, and i mean the book corroborated his story so i believed him."

Fabian flipped through a few pages, finding one titled GOBLIN in all capital letters and placing it down on the table. "See, there. It says so right there."

Fig leaned across the table to read what Fabian was pointing at, wincing and lifting up the book so she could read the title on the front page. "Dude this is a monster encyclopedia.... from like, fifty years ago."

"Well, i mean, i couldnt find anything else talking about goblin children. This is the only thing that even mentioned them." Fabian floundered, going even redder when Sklonda laughed as she read through the wildly incorrect information before shutting the book and handing it back.

"Oh honey no. They're made like any other baby, more or less, our anatomy is a little different than humanoids but its still the same process. If you're that curious i'm sure i have a pamphlet around here somewhere." Sklonda had to wipe a tear from her eye from laughing so hard "Though I can understand the confusion. You've probably never even seen a kit before. They're so small we try to keep them indoors or hidden out of sight in public because a random seagull could snatch them up. Or people. Gods Riz was so cute as a toddler people were constantly trying to pick him up."

"I mean we still pick him up all the time." Fig snickered, Fabian having sat back down in his chair with a huff and crossed his arms over his chest to pout.

"Yes I'm aware. It was worse when he was little though. Despite my efforts to keep him hidden he just wanted to run around and look at everything." She dug through the album, finding a picture of Riz perched on top of one of the wooden horses on a spring down at the local park. Pok hovering nervously behind him with his hands outstretched just in case he fell.

"We also used to take him to the library a lot but got banned when one of the other parents in the reading room tried to pick Riz up. Pok made a bit of a mess of the floor when he grabbed their wrist to stop them and we got banned."

[lillyspeakz]

Soothousebur meeting you at vidcon for the first time.

-

“Hold on lads, I’m getting a call..” Wil said as he pulled out his phone, walking away from the group as they looked around. He smiled down at the screen as it flashed with your name and a little animal that reminded him of you.

You and Wil had been friends for a bit now, both of you being in the music realm as well as streaming. You streamed more than him at the time, but he was getting into it, finding more tips and materials he needed.

When you told him you’d be going to vidcon that year, Wil was on cloud 9! He excited explained how the group planned on going as well, making a full on plan on how he’d get to meet you finally and see you in person and not over a shitty screen. You agreed with him, over the next couple months the plan being in full swing as the day finally came.

“Hello there.” Wil smiled as he placed the phone to his ear, looking around the room, hoping to see a glimpse of you. He’d been doing it all day, every room he walked in he looked for you, ready to run to you and take you in his arms. Yet no luck.

“Hi Wil! I’m finally here! The traffic was insane, we got stuck for a good 45 minutes. But we’re at the entrance, where are you guys?” You sounded like you were out of breath as you laughed at something the person beside you said. Wil knew you were bringing a friend so he wasn’t worried one bit, but it still sent a slight pang to his chest. “Wil?” You asked again, not hearing a response for a couple seconds.

“Oh sorry! We’re in the back.. we can start walking and meet you halfway?” Wil asked as he started to gather his things and waved the group over.

“Yeah! I’ll see you there.” You said, a smile evident in your voice as you started walking.

“See you darling.” Wil finished as you ended the call, smiling up at the group as they looked at him with confused grins.

“What’s got you all smiley Wilbur?” Dan asked as Wil flagged them to follow, falling in step with Wil’s quick steps.

“One of my best friends are here and I’m meeting them for the first time in person. Think of how crazy that is!” Wil giggled out as he jumped in his place, walking faster as he did.

“Wil slow down! I have small legs!” Jack complained as Wil realized he was speed walking, excitement taking over his body.

“Sorry, I’m sorry! But we’re almost there! Just a little longer.” Wil said as he walked with the group, head on a swivel, trying to lock his brown eyes with your own.

As he walked a couple more minutes, he finally saw you. Standing there with your head in your phone as you typed quickly, Wil feeling his phone ping as he lifted your head and looked the other direction.

Pulling out his phone he saw what you asked;

Here,, where are you?

Wil smiled down at his device as he quickly typed back;

Turn around.

Feeling your phone go off, you looked down at the text, quickly ignoring your friend as your body shot around to the other side of the room, a smile quickly forming as you saw everyone there. Including the 6 foot something man you called a best friend.

Tapping your friends arm, you quickly ran over to the bunch, smiling at all of them as you opened your arms, seeing Wilbur reciprocate.

“Rihanna!” You yelped as you ran into her arms, laughing with her as you both squeezed each other tightly. You felt bad, yes. But the waiting was worth it, and he deserved a long hug after this anyways.

Going around the circle of people, finally hugging the last person, someone cleared there throat behind you as you smiled and turned around, making eye contact with the man in question.

“I knew I was forgetting someone.” You joked as you walked closer to the man.

“I’m a little hurt darling…”

“Oh boo hoo..” you giggled out as you wrapped your arms around his neck, his own wrapping around your waist and squeezing your body closer to his. He hid his face in your neck as your own was in his chest, hands running through his hair as his beanie fell off.

You both didn’t want to let go, finally being able to see each other and hug each other, knowing this wouldn’t last forever. Yes, you had a week with them all, but you and Wilbur silently wished you could stay there forever.

No one said anything about it, but everyone knew you guys had a deeper connection than anyone could comprehend. And no one needed to say anything, the group knowing that the two already knew.

“Ok… are we just going to stand here and watch these two or go on and keep looking?” Charlie asked as you and Wil both pulled away, Wilbur telling him to fuck off as he picked up his beanie, placing it back in his head.

Smiling down at you, Wilbur took your hand in his as he pulled you along with the rest of the group, your friend talking to Jack as they all walked.

“What do you say we go our own way yeah?” Wil whispered down at you, face close to yours as you turned to look at him, nose brushing against yours.

A quick blush made it’s way your body to your cheeks as you hide your face in his chest again, a laugh being let out from the man as you gently hit his arm.

“I’d love that, my own personal tour guide.” You said as you pulled him towards a section of the building, hand curling tighter around his.

“Gladly darling.” Wil smile down at you as he kissed your hand that was in yours, starting to ramble about everything that has happened.

[corrodedcoughin]

i just think that steddie is the furthest from those couples who joke about hating each other. they've both been through too much and had been given too little love for what they need (and deserve). someone talks like marriage, huh? end of your freedom and life? and steddie just go straight faced, no. no i love my husband why would you say that.

they're one of those couples where you think they must be faking it, because you can't possibly wake up every day this happy and love your husband more? but they're really that. waking up earlier just so they can spend time together before work. getting each other flowers and gifts for no reason other than "i just thought about you" or "just wanted to make you smile". when one of them is out and he's like. i have to go home because i miss my husband too much now. just genuinely wanting to be around each other all the time. even during the worst arguments, there's never a doubt they're not still completely head over heels. they're It. and they can't even bring themselves to joke about ever feeling anything different. they sure tease each other a lot about everything but this? this is the one thing they're too scared to joke about

Logging on to see this and I am nodding aggressively. They are BESOTTED with each other. They are DISGUSTINGLY in love. They make other people YEARN for silly love songs they make come true. I, for one, am furious

[theactualsunshinechild]

I think Aventio and Screwtio shippers shouldn't fight. After all, Ratio has two hands!

That's right. Two hands.

One for his chalk.

One for his codex.

Both of which he's holding in an embarrassed death grip as they chat away with each other about him.