#long opinion piece

[zoluulife]

Imma say it, it’s so funny seeing zosan Stan’s saying that thriller bark is a zosan moment. Like is the zosan moment in the room with us..? I think personally the reason zoro didn’t let sanji take the pain instead of him was because of the duty he felt as a first mate. He felt obliged to be the sacrifice, he knew he had to be. But also because I mean come on it’s Luffy zoro will do anything for Luffy including giving his life for him. He values and respects Luffy the most out of anyone.

He didn’t not let sanji do it bc he was in love with him or something that’s just stupid, and honestly something zosan shippers say bc they are desperate for something. The whole zoro giving his life for Luffy vs sanji saying he should instead moment if you look at the two manga panels you will see an difference. Even though zoro says it for the crew it’s clear that his actual main reason for doing it was for Luffy while with sanji when he said he should be the one to do it it’s clearly shown he was talking about the crew in a whole.

The two panels are so different thriller bark IS zolu angst arc cry if you think otherwise bc that little “hand holding “ thing sanji did when he fainted was NOT a zosan moment

[canisalbus]

It's canon. The way I see it, the events taking place in the fic and after it aren't canon but a lot of them significantly mirror and overlap with what I've had in mind, so the line is blurry in places. Character details like the one you mentioned are accurate, or at least I can't think of any that aren't.

[meara-eldestofthemall]

Tim and Damian: A Tale of Two Robins

The latest issue of Batman (# 147) clearly underscores the differing ways Tim and Damian each approach the role of Robin. It's why DC has been able to get away with having two very different characters simultaneously wearing the mantle.

For Damian, Robin is fundementally a position of honor and a source of pride. It's an affirmation of his unique status as the biological child of Bruce Wayne. Damian wants to do good and he wants to be the best at it. There's nothing wrong with that per say. Many heroes are driven by the same inner need for validation. Being Robin is an honor to which Damian feels he has earned the right.

For Tim, Robin is foremost a calling or vocation. The Robin mantle is definitely an honor but it's not the primary driving force behind why he's in the cape. To him Robin is much more than just a kid who fights with Batman. Tim is heavily invested in in protecting the symbolism of what both Robin as well as Batman and Robin stand for. Please note that it's not Damian or Dick that tracks Bruce down in this issue even though they're both quite capable of doing that. It's Tim who goes after Bruce.

Tim being the one to step up to save Bruce from his own worst impulses is what he does. He's an Emotional Support Robin as much as he is a partner to Batman. From the very beginning Tim saw Robin as someone Batman needs to function properly.

To this day Tim still maintains that Robin's primary responsibility is not to be a sidekick but be someone who will save Batman from both external and internal threats when required. He's a vital balance, a counterweight to the shadows that Batman inhabits.

In many ways that idea is at the crux of the differences between Tim and Damian's approach to being Robin.

Damian initially saw the mantle of Robin as his birthright due to his being Bruce's biological son. Yes, it seems like a strange idea but let's cut the kid some slack. Damian was all of ten years old when he first met his father. He'd also been raised in a cult that all but worshipped the AL Ghul family. He was an arrogant little princeling because that's what he was raised to be.

Tim sees Robin as Batman's partner but not his subordinate. Sure, all the Robins started as "sidekicks" but Dick and Jason's Robins never had the kind of independence Tim's Robin enjoys. Remember that it was a lack of autonomy that drove Dick away from Bruce in the first place. Jason's Robin rarely, if ever, worked independently of Batman. Tim, on the other hand, started handling his own cases less than a year after debuting in the role. Tim doesn't see himself as an apprentice but as a full partner. What's more he throughly enjoys that aspect of being Robin.

People wonder why Tim hasn't created a new identity that's not linked to Batman. The short answer is that Tim feels that he's already doing that. Robin is an independent hero and has been for years. He's been more than capable of operating without a net since before Damian showed up. Tim isn't shy about that view point, either. When Bruce tries to push Tim's Robin in ways Tim doesn't like, the kid will tell Batman "no" then continue doing things on his own .

Damian, on the other hand, constantly chafes against how Bruce's Batman wants him to act as Robin. Just like his father Damian doesn't like to be wrong and that shared stubbornness causes the two of them endless arguments. Damian's earliest teachings within the League will forever be at odds with Bruce's demands of Robin. The clashing expectations cause an internal conflict that leaves him at war with both his father and himself. No wonder the poor kid has a short temper. Trying to be both Damian al Ghul and Damian Wayne has got to be exhausting.

It's a testament to Damian's strength of character that he's been able to overcome the indoctrination from the League as much as he has. It's never going to completely leave him, however, because the lessons engrained into Damian at such a young age formed the core of his personality. Working with Dick's Batman helped him to learn some empathy and the value of tempering his worst impulses. Unfortunately Damian is primarily working with Bruce not Dick.

Damian is also 13 years old who has been seeking his father's approval and respect since the day he met the man. Bruce, being the emotional disaster that he is, fails to recognize that most of the time. This is why Damian is so completely taken in by Zur pretending to be Bruce. For the first time Damian is getting both approval and positive attention for being more violent than is necessary. His dysfunctional childhood and his work as Robin are finally in harmony and Damian loves it. It's also why poor the poor kid is so crushed when he figures out what's going on.

Tim, meanwhile, has stepped into his role as Emotional Support Robin (whether that's a good or bad thing is a debate for another time). His ability to ground Batman is why he can have this conversation with Bruce:

Tim also has one other crucial advantage that Damian, Dick or Jason never had. Tim was Bruce's partner long before he became his son. He's able to slide back into that role at the drop of a hat.

Damian will always be the son of Batman first and Robin second. That father/son dynamic that Bruce isn't very good at will try and lock Damian into a subordinate position in a misguided attempt to keep his son safe. That kind of micromanaging is something Dami will only tolerate for so long. Leaving Robin to take up a mantle of his own creation is all but inevitable.

Tim and Damian may both be Robin to Bruce's Batman but their perceptions of who and what Robin should be is radically different. And as I said before, that's not a bad thing at all.

[doverstar]

actually I love Tentoo and he is the Doctor and it was the only ending for Rose that worked and it is a huge gift to be able to have the man she loves grow old with her, they were always heading for that, y'all be quiet. I 100% understand the angst but it's okay, they're okay, good ending-

[justastrugglinghotchocolate]

So like a year ago, I made a post asking why Dorian confessed to murdering Basil in the 1891 edition of the book, but not the 1890. For the last few months, while working on tlg and the comic, I’ve on and off again worked on a small animatic for the ending of TPODG. Because of this I’ve had to reread the ending conversation with Henry again and again. And a thought occurred to me:

Is Dorian’s ‘desire to be good’ actually an attempt to stop being objectified?

Dorian’s ‘desire to be good’ is obviously horseshit, even to himself, but why does he do it? "To feel something new" is a lazy explanation especially when the book literally says that “[h]e felt a wild longing for the unstained purity of his boyhood”. He doesn’t want something new, he wants what he had before. But it’s not the innocence of his youth, nor something material he desires—it’s the way people treated him before Henry and Basil.

The thing that always stood out to me was this exchange (occuring after Dorian’s confession): 

“There is someone at White’s who wants immensely to know you—young Lord Poole, Bournemouth’s eldest son. He has already copied your neckties, and has begged me to introduce him to you. He is quite delightful and rather reminds me of you.”

“I hope not,” said Dorian with a sad look in his eyes.”

While many modern adaptations either forget this line or give a charitable reading, to me it reads as though Dorian realizes he’s replaceable. Even though he has a magic portrait and eternal youth, he still is a dying relic of a changing world. He will never be anything more than the innocent, youthful doll society and Henry treated him as.

His confession, to Henry of all people, was a final plea to be seen as more than the dumb youth, as an innocent angel—he is begging Henry to look at him and see that Dorian Gray is a person. That he feels more than youth, or beauty, or idolatry. That he is capable of great violence and even greater crime, like any other man and through that can be capable of evolving with the time like any other. He doesn't want to live as a passing fancy of perverts and naive young people.

But Henry breaks all of that in one simple line:

“You and I are what we are, and will be what we will be.”

But, Lord Henry was never going to see Dorian as a real person. Because Henry himself isn’t real. ‘Lord Henry’ is a role he plays, one that consumed him far before the first chapter. In many ways, his cynical philosophy is his own defective portrait. He hides any semblance of a person in his role of ‘cynical hedonist’ and denies any change. He too is a dying relic of a changing world.

When Henry denies his attempt to change, Dorian seeks Basil’s portrait of him. I think it's quite telling that even after he murder him, Dorian seeks implicit comfort from the man who had idolized his rose-white purity. Basil was the only relationship that was closest to what he had before. But the sad truth is laid bare:

No one ever saw Dorian Gray as a real person. 

He was always a role being played. 

And he dies tragically discarded.

[assiraphales]

it's so funny that i have you on one side shipping zolu and a mutual on the other shipping sanlu. feels like i'm in the middle of a war i don't know anything about and everyone is winning

you are walking down the streets of a very peaceful verona

[kotarchipelago]

something that irks me a tiny bit about sekai/group/unit swap aus (specifically in the context of n25 swaps) is how when a character is placed into n25 sekai, sometimes they just become completely devoid of personality?

like i love love love exploring the deeper/more psychologically stimulating part of a character’s personality and more unpleasant desires and maybe some of the angst because at its core that’s what n25 swaps are meant to be to me. but ive seen some people take characters that are full of vibrant personality and life and reduce them to husks, which can be narratively very cool and fun to delve into, but a lot of people dont take full advantage of the potential possibilities for character exploration and its very unfortunate to me.

i worry that part of it is because n25 is seen as the “stoic/depressive group” compared to the others, which isn’t entirely false but it does lack some merit; mizuki and ena are full of life and joy and they, along with kanade, have tangible hopes and dreams and desires. id argue one of the only negative underlying themes among all of them is the desire to disappear. and i’m all for angst with no/little plot and my opinions do not make your hcs/aus any less valid, this is just something ive noticed that i felt like sharing my opinion on.

[iratusmus]

fiona fox is the love + light of my life . also no i am not taking any criticism on her questionable tshirt collection i can and will defend all of my choices.

also bonus artist commentary in the alt text

[beif0ngs]

if this ain’t me on the day One Piece inevitably ends...  

[panharmonium]

Hi! I love your Naruto thoughts and meta posts with all my heart and I want to ask your thoughts on something that has been on my mind literally since I was 13: what do you think about the relationship between Sasuke and Sakura? I went from being a hardcore shipper when I was a teenager, to being against any romantic relationship in Naruto after finishing the anime when I was in my early twenties. Nowadays I'm very into platonic love and depictions of friendship and I think the anime's obsession with forcing the "romantic interest" curse upon the main female character robbed us of... so much. There are a few wonderful moments in the anime where Sasuke and Sakura acknowledge each other, but because she's always "the girl with the crush", her actions are so often interpret as irrational or selfish by the fandom.

Hi @riemmetric!  It's great to talk to you again! Sorry it's taken me so long to answer this; RL has been making demands of me lately and it took me way longer to finish writing this up than I wanted it to (then again, I knew from the minute I read your original ask that my reply was going to get long, so I suppose I should have predicted a delay XD)

It's funny, my sister once asked me to choose between Sasuke or Sakura for an “unpopular opinion” meme, and I ended up doing Sasuke solely because I think the negative fandom opinions about Sakura are so unhinged and divorced from the actual text that I wouldn’t even know where to start.  People are entitled to dislike whatever characters they want, obviously, but there are some fandom takes that are, for me, so obviously rooted in bad faith viewings/readings that there’s no urge in me to discuss them.  That said, since you asked, I’m happy to go into my own thoughts on this a bit, with the disclaimer for other potential readers that I only write about fandom things for my own personal enjoyment, not as a contribution to The Discourse. If you don’t like Sakura, great!  I have no interest in changing your mind. Please consider this a sincere invitation to scroll on by and go enjoy whatever parts of the fandom appeal to you.

In general terms: I love Sasuke and Sakura’s relationship as much as I love all of the relationships in Team 7.  If we’re talking about them specifically as a romantic couple, then I probably fall somewhere in the middle of the spectrum, because I do like them together in a post-canon (to be clear: non-Boruto) setting, after time has passed and they’ve continued to develop individually and reconnect with each other, but I also wouldn’t exactly call myself an intense “shipper,” in the sense that I have no interest in pulling things out from the text and incorrectly citing them as evidence that Sasuke has hidden romantic feelings for her during the canon period. He cares about her in the canon period, just like he cares about Naruto and Kakashi.  That’s not up for interpretation; it’s the text.  But Sasuke during the canon time period does not demonstrate specifically romantic interest in anyone.  

[A note before people who might ship Sasuke with Someone Else emerge to rail against this statement - please just scroll past and continue enjoying fandom in whatever way is most fun for you. It is cool to ship whatever fanon thing you want; I think that’s great!  But earnestly citing any loving or emotional thing Sasuke does re: various characters in this story (yes, Sakura included) as indicative of specifically romantic love isn’t supported by the text. I know there are always going to be enormous subsets of any fandom who insist that it is, and I'm certainly not going to barge into anyone else's space to complain about that (because other people having fun together is harmless and none of my business), but I'm not obligated to indulge it on my own blog, either.]

Anyway, that said - the reason why I love Sakura and Sasuke’s relationship (from here on out I’ll use “relationship” in a general, non-romantic sense) is precisely because Sakura isn’t just “the girl with the crush.” Sakura has an arc when it comes to Sasuke, and its trajectory moves in the exact opposite direction of “irrational” or “selfish.”  She specifically goes from “the girl with the crush” to “the girl who steels herself and tries to put her personal feelings for Sasuke aside for the greater good” to “the girl who knows she can’t put her feelings aside, but who also knows full well that Sasuke doesn’t reciprocate them, and who still wants to save him regardless, because he matters to her as a person and a friend.”

[I'm putting the rest of this under a cut to save everyone's dash, and also to emphasize once again that this is a personal post on my personal blog which I wrote in response to a question from a personal acquaintance, the full content of which no one is obligated to read. I am not sending this post to random strangers and forcing them to look at it. I'm not even putting it in the character tags. I'm typing it up on my own blog and putting it under a cut. If you already know that you don't like Sakura, but you still click the link/read the post and then feel an urge to comment and complain, I am going to copy-paste this disclaimer and remind you that I specifically recommended that you scroll past and go have fun with fandom in your own way. Thanks in advance for responsibly curating your own fandom experience!]

So, from the top:

1. the girl with the crush

Sakura is, obviously, completely obsessed with Sasuke at the beginning of Part 1.  She’s also deeply clueless about him and his history (bizarre though it is, the story seems to indicate that she initially doesn’t know what happened with his family, the same way young!Obito is initially clueless about Kakashi’s father).  But what I like about Sakura and Sasuke’s Part 1 relationship is how this changes over time.

The critical scene that kicks this off happens right at the beginning of the manga, when she and Sasuke are talking by that bench - she complains about Naruto and blames his behavior on him being all alone/having no family to scold him; and even says she’s jealous that he doesn’t have parents to nag him all the time.  This obviously triggers an outburst from Sasuke, who tells her she has no idea what loneliness means and that she “makes him sick”/she’s “annoying” (importantly, the exact same thing Sakura said to Naruto in anger earlier that day), which in turn prompts Sakura to reassess herself and wonder whether she’s been making Naruto feel this terrible all the time, too:

From that point on, it’s a process of her putting little pieces together.  She still has a MAJOR crush, and she still acts like a twelve year-old, but as we approach the end of Part I, Sakura actually has a more accurate grasp on Sasuke’s current state of mind than Naruto does.  Naruto is initially excited to fight Sasuke on top of the hospital, because he feels like Sasuke’s finally acknowledging him, whereas Sakura is the one who immediately recognizes that something is wrong about this situation.  She is also the one who, after this fight, is concerned that Sasuke is really unwell and might do something drastic like run off in pursuit of the power Orochimaru promised him, but when she communicates this to Naruto, he assures her that this would NEVER happen:

(Sakura isn't convinced, though, because she goes to monitor the exit out of the village anyway.)

I’m not criticizing Naruto for his response here.  I ADORE hearing him say that Sasuke is too strong to need Orochimaru, with such perfect confidence - I love seeing how much respect and admiration he has for Sasuke underneath all their fighting, because that’s the whole reason he’s always baiting Sasuke and yelling at him and claiming “you're not so great!” He looks up to Sasuke; he wants to be like Sasuke; he thinks Sasuke is awesome! (It’s that Obito @ Kakashi behavior, you know?) But the fact remains that he is clueless about what’s actually going on with Sasuke in Part 1, and he remains clueless(ly optimistic) for a long time.  

(Eg, when he catches up to Sasuke during the retrieval arc and Sasuke climbs out of that cursed seal coffin, Naruto waves at him and calls "Come on, let's go!" as if Sasuke has been successfully rescued and is now going to come running home.  Even in Part II, when Naruto hears that Sasuke killed Orochimaru, he beams and immediately says, “So he must be on his way back to the Leaf Village!”  And everyone else in the room is like, “....,” because they know better.  Naruto doesn’t yet fully understand [or doesn't want to accept] the extent to which Sasuke has willingly chosen this path, and it’s not until after Jiraiya’s death/the Pain attack/the Five Kage Summit that Naruto really starts to understand Sasuke more clearly, which is something he himself admits.)

Sakura, in Part 1, has access to more information about Sasuke - she’s there for his first dissociative monologue during the bells test, she’s there for the curse mark’s placement, she’s there for his first violent transformation in the Forest of Death - she is, in fact, the unwitting catalyst for it (“Sakura…who did this to you?”), and her compassion is the reason Sasuke is later able to overcome the curse mark’s influence - so she has a more accurate/complete picture of “how he’s doing,” for lack of a better phrase, whereas Naruto, who doesn’t know about the curse mark in the first place, is still in the dark.  This means that Sakura is able to accurately discern that Sasuke is struggling more than Naruto realizes, and specifically to predict that he’s going to run away.  

(This dynamic is then interestingly flipped in the back half of Part II, since at any point after the Five Kage Summit, Sakura doesn’t have access to extremely relevant [if currently questionable and unproven] details that would in any other circumstance inform her behavior).

Of course, just because she has more info in Part 1 doesn’t mean she has some kind of miraculous insight into Sasuke’s every thought and feeling.  There are parts of her attempt to convince Sasuke to stay in the village that are as clueless as any of Naruto’s assumptions, and they showcase the kind of magical thinking common to childhood - like when she says that if he stayed with her, she could give him happiness, she’d do anything for him, even help him get his revenge - this idea that she herself can do something to make him feel better, that she can love him powerfully enough to defeat his pain - obviously none of that is rooted in realism.

Is this part of her approach irrational and immature and inadvertently self-centered?  Of course it is!  But it’s no more irrational and immature and inadvertently self-centered than Naruto’s stated plan to drag Sasuke back to the village even if he has to “break every bone in [his] body!” 

Hating on Sakura for her Part 1 attempt to convince Sasuke to stay in the village while simultaneously lauding Naruto for his feels like a bad faith misread of what is, to me, pretty clear narrative intention.  The story doesn’t at any point intend for us to see her begging him to stay as a selfish or conniving attempt to get something she wants.  She’s begging him to stay for the same underlying reason that Naruto is: she cares about him.  She thinks he’s making a mistake that will only cause him more pain in the end (she’s right) and she wants to make it so he feels less pain right now (she can’t.  But she doesn’t understand that/isn’t able to admit that, and she’s willing to try ANYTHING that might help).  

It’s critical that this farewell scene is set in front of that same bench from their first important confrontation - she references that day and how angry he got at her, and this time she tells him that she understands his reaction.  She’s learned things and she recognizes how insensitive she was being back then (“I know what happened to your clan, Sasuke”), even though she still can’t fully grasp all the complexities of the situation. She tells him that him blowing up at her back then helped her understand what loneliness actually meant (as opposed to her previous shallow understanding of it), and she challenges him about his choice right now: "So that's it, you're choosing the lonely path?" And when she tells him that she'll be very lonely if he leaves, we're immediately shown a panel of Sasuke thinking of both his friends, with the very clear implication that if he goes through with this, he will be lonely without them, too - that he's still struggling with the idea of leaving them, no matter how hard he tries to pretend:

Sakura at this point knows that Sasuke isn’t interested in her the way she is in him, but she still wants to give him happiness, however fantastical and immature her ideas sound to us (and, I’m sure, to him).  “I’ll do anything, even help you get your revenge/we'll have fun every day, and...and you'll be happy! I'll make sure of it!” - of course, it’s completely childish.  It’s irrational.  It’s ridiculous to think that any of this would ever be effective, but no more ridiculous than Naruto’s belief that he can simply break every bone in Sasuke’s body and keep him in the Leaf by force.

Both Naruto and Sakura are children who have a deeply oversimplified understanding of Sasuke’s situation.  They both still think they can fix him themselves.  They both think they can save him themselves.  They both think they can convince (or force) him to do what they want, what they think is in his best interests.  Both of them don’t yet understand that he has to want to come back, if it’s ever going to mean anything.  Their attempts to keep him in the village are immature and unrealistic, yes.  What they aren’t, however, is selfish, because neither Sakura nor Naruto are doing any of this with the intention of advancing their own interests.  They’re only thinking about Sasuke - how to keep Sasuke safe, how to make Sasuke happy - even when neither of them are taking an approach that will actually work.

Naruto and Sakura are children.  They’re afraid of losing somebody they care about.  Their attempts to prevent that from happening are desperate and messy and ultimately ineffective, but they are also genuinely felt and rooted in a true desire to rescue Sasuke from his pain, which - and this is the single most important thing that should impact our viewing of Part 1 - is something that Sasuke RECOGNIZES.  He doesn’t spend that agonizingly long moment bowed over Naruto’s defeated body so we can pretend he doesn’t understand that Naruto was just trying to help him.  He doesn’t take the time to murmur, “Sakura…thank you,” before laying her out carefully on a bench, just so we can discount it and pretend that he doesn’t recognize and appreciate her genuine intention to make things better for him, however clumsy that attempt might have been.

2. the greater good

If Stage 1 Sakura is "the girl with the crush," then Stage 2 Sakura is a progression to “the girl who decides to put her feelings for Sasuke aside in order to protect innocent people, including (but certainly not limited to) Naruto.”  She’s driven to this decision by interactions with Shikamaru, who all too recently had to grow up fast himself (“We're not kids anymore...we can't allow a war to break out between the Hidden Leaf and the Hidden Cloud because of Sasuke") and Sai, who risks his new friendship with Sakura and Team 7 in order to speak some hard truths and deliver one of my favorite lines in the whole story: “I don’t know what promise Naruto made to you, but it’s really no different than what was done to me.  It’s like a curse mark.”

(INCREDIBLE.  How can anybody be complaining about a season where Sai gets to say something that goes THIS HARD and Sakura LISTENS and takes DRAMATIC ACTION that actually propels the story forward in a meaningful way - )

[Okay, yeah, brief personal opinion interlude - it is just bonkers wild to me that there are people who complain about Sakura in the Five Kage Summit arc. That entire season is the greatest character arc she ever has.  Literally she has never been more interesting and dynamic than in Season 10; it’s the first time she ever gets to be as deep and fascinating as the boys; what is everybody so worked up about?  Oh, “she lied to Naruto that one time” - Sasuke joined infant-kidnapping baby-murdering human experimentation machine Orochimaru when he was twelve years old in order to (dare I say it????) selfishly pursue his personal goals and yet, somehow, we are still able to root for him.  He abandoned his friends/allies to imprisonment and death (Suigetsu and Jūgo) or outright stabbed them in the chest himself (Karin) in order to (SELFISHLY) get what he wanted, and yet, somehow, we are still able to love him, understand him, and be on his side.  Naruto is canonically not upset with Sakura about her lie after receiving context for the situation and I think we can probably take our cues from him without feeling the need to bring her up on war crimes; please calm down]

[Sorry, I just really love most of Season 10 and think it’s one of the best examples of how good this story can be when every single character gets to do something that matters (as opposed to things being all Naruto, all the time) so I get a little bit worked up over people complaining about some of the best writing Sakura ever gets.  I don’t understand what certain elements of fandom want from her. People complain about her being “useless” and not doing anything that contributes to the story, but then they complain just as much when she does finally get to act decisively and have just as complex/dynamic an inner world as the boys.  She’s “weak” for being unreasonably in love with Sasuke, but when she tries to be “strong” and put her love for him aside and eliminate him in order to protect Naruto and the rest of the world, she’s evil, because she should have been more understanding of his situation (despite the fact that she doesn’t KNOW anything about his situation).  But then when she can’t go through with killing him after all because she cares about him too much despite the things he’s done, she’s not "compassionate" or "kind" or "a good friend," she’s “weak” again. Nothing Sakura does in S10 is more wrongheaded or rash than any of the batshit, buckwild things Naruto and Sasuke have done in the past (and will continue to do in the future), but when Naruto and Sasuke have big feelings or take bold action, it makes them interesting characters, whereas Sakura can’t breathe in anyone’s direction without being minutely scrutinized for moral impurities.]  

Anyway. Back to a more measured response.  

Every single piece of development Sakura has with regard to Sasuke in this season satisfies me so much.  Her initial shock and disbelief at hearing that Sasuke had joined the Akatsuki?  Good, appropriate.  The fact that she starts to acknowledge the reality of what Sasuke’s done sooner than Naruto does?  Also extremely appropriate, very in-character for both of them.  Her taking Sai’s words to heart and deciding that the promise she asked Naruto to make when they were children is causing him to suffer and she has to relieve him of that burden?  Juicy!  AND thematically significant (promises!!!!  the burden that a promise places on a person, especially when it can't be kept - we've seen that before in this story and we'll see it again).  Her anguished pivot from wanting to protect Sasuke to realizing that she has a responsibility to protect the countless innocents who will die because of the war he’s trying to start?  HELLO THIS IS INCREDIBLE CHARACTER DEVELOPMENT.  Her knocking out the classmates who agreed to help her so they don’t have to share in her burden (and so the only person Naruto will hate when it’s over is her)?  BRUH.  Her being so committed and focused on her goal of saving innocents and protecting Naruto (not just from being harmed by Sasuke/the Akatsuki, but by the possibility that Naruto will someday have to hurt Sasuke himself) that she tries to take everything on by herself and walks into a confrontation that she absolutely cannot win??  INCREDIBLE.  (Literally the first time I watched this, I said, “Finally!!!  It’s Sakura’s turn to go off the rails!”  I laughed with my sister about how Kakashi isn’t even mad, because Naruto and Sasuke have been pulling stunts like this for years and Sakura was way overdue for her own meltdown.)  And then, after Kakashi intervenes in the fight - Sakura barreling back into the battle when she realizes he’s going to take on the burden of killing Sasuke himself in order to spare her and Naruto the horror - “I can’t let Kakashi-sensei bear this burden!”  I love her for that.  

And then, of course, in the end - her not being able to do hurt Sasuke after all.  Despite committing herself to the act, despite forcing herself to put her feelings for him aside, despite resolving to stop him from starting a war and killing innocent people, she can’t harm him.  She cares about him too much.  This, too, is thematically significant - think about Itachi’s “you don’t have enough hatred” - she doesn’t have enough hatred to kill someone she cares about, even if it seems like he deserves it, even if would be the right thing to do to protect others.  She can’t do it, and Sasuke almost kills her for her compassion.  

I love the dynamic this sets up between her and Sasuke, for a few reasons:

1) Personally, I think Sasuke respects Sakura much more for trying to kill him than he would have if she’d just tried to talk him out of his behavior or beg him to come home (a la their original confrontation in Part 1).  This is the first significant interaction he’s had with Sakura in years, and the fact that she does something SO contrary to his memory of her is an important demonstration of the fact that she’s not the same girl she used to be.  Sasuke spends a lot of time after his defection declaring to his old team “I’ve changed; I’m not that person anymore,” but this is one of the moments where he’s forced to acknowledge that his teammates have changed, too.  Time didn’t just stop for them when he left.  While he was turning into someone new, so were they.  They grew up without him, and his old memories of them can’t encompass the whole picture of who they are now.  

(This is a little tangential, but in general, I love the spectrum of reactions that Naruto, Sakura, and Kakashi have in this sequence, and the way that all of them are ultimately messages Sasuke needs to hear.  Sasuke - who we know textually regrets what he did here, who apologizes to Sakura for it later - for “everything,” in fact - needs Naruto’s aggressively optimistic open-arms policy, yes, needs that potential, that unconditional possibility of return.  He also needs Sakura’s refusal to let him hurt her friends and start a war that will kill thousands of people, needs her surprisingly ruthless attempt to take him down; needs just as much her failure to do so, because it shows him that she still loves him too much to kill him even as she condemns him.  And he needs Kakashi’s grim line in the sand, needs someone who very possibly won't hesitate like Sakura (despite the horrifying personal cost), someone who will try to reach him but also won't let him escape and become the next generation’s Orochimaru, who won't let him cause untold suffering to untold numbers of people just because a teacher loved him too much to stop him when he had the chance. 

(And then even Kakashi chooses not to deliver a killing blow when he has the opportunity -)

(I know that in fandom people are more likely to be all, “oh, Naruto Good, everybody else Bad,” but I don’t think the narrative frames Sakura or Kakashi as “worse” than Naruto in any way.  The story goes out of its way to make it clear how desperately they don’t want to hurt Sasuke and how much they care about him.  And [this is just my interpretation, so obviously I won’t claim it as fact], I personally think that Sasuke - Sasuke, who, looking back, can see how lost he was then and how tortured he would have been if he’d gone through with many of his plans - would be grateful to Sakura and Kakashi for making an attempt to stop him when he couldn’t stop himself.)

2) On the other side of this, the fact that Sakura wasn’t able to deliver the killing blow means a lot. Sasuke was incapacitated under that bridge; he was completely at her mercy - but she stopped with the kunai an inch from his back.  She couldn’t kill him, even though she knew that he was completely willing to kill her (because he'd attempted to Chidori-assassinate her from behind just a few minutes ago).  That’s huge!  Sasuke is too out of his head right now to process this or understand it, but later, it's going to matter.  She stayed her hand.  She spared his life.  She loved him too much to hurt him, even when he’d given her every reason to take him down.  She hesitated, and he almost killed her for it, but her inability to strike him ultimately gave him yet another chance to come home, another chance to get better, another chance to have a life outside of his pain.  Despite everything, some part of her still hadn’t really given up on him, and that knowledge will matter later, when he’s finally able to acknowledge it.  

The point of all this is to say that I really have no complaints about Sakura and Sasuke’s dynamic in their S10 confrontation.  This season is the point where Sakura fully grows past her “girl with a crush” stage and into her “shinobi must make very harsh decisions” adulthood, but it never means that she doesn’t care about the person she’s trying to take down.  Her ultimate inability to deliver the killing blow remains a dangling lifeline for her relationship with Sasuke, an open door that Sasuke is able to walk through at the end of the story (literally, in fact, when Sakura opens that portal for him and saves him from Kaguya’s desert prison, and figuratively, too, when Sasuke apologizes to her).

3. she only wants to save you

The last stage in their relationship is what Sakura settles into during the war arc.  She started off Part 1 being just a girl with a crush, then tried to harden her heart and put her feelings for Sasuke aside in service of the greater good, but she was unable to actually follow through and kill him, and because of that, what she’s come to accept by the war arc is actually two things: that 1) Sasuke truly is willing to let her die if it furthers his goals, and 2) she wants to save him anyway.  

She has no intention of pursuing Sasuke romantically.  She knows full well that Sasuke isn’t interested in her.  She even knows that Sasuke isn’t really on their side (there’s a great scene where Sai questions Sakura about Sasuke’s return, and she reassures him that everything is fine, and Sai sadly thinks to himself “even I can tell your smile is fake”).  She’s well-aware that Sasuke didn’t try to help her when Madara stabbed her.  She’s well-aware that he left her to die in the lava pit.  She’s also well-aware that none of this is enough to make her stop loving him.  He doesn’t have to care about her - she still cares about him.  She still wants to help him.  She still wants to save him.

This is not hidden, hard-to-parse character development.  It’s explicitly articulated on the page:

Sakura’s not trying or wanting to make you hers!  She only wants to save you.

I’m not sure if people look at this last confrontation and unquestioningly take Sasuke at his word (as if we haven’t just read 71 volumes/watched 700 episodes showing us how how painfully distorted his thinking is), or if they stop reading/watching before the end of the scene, or if they don’t understand that Sasuke saying something doesn’t make that statement an accurate representation of reality.  The entire point of this scene is to show us how deeply mistaken Sasuke is about Sakura (and, by extension, the rest of Team 7).  He’s locked into a false pattern of thinking.  His single-minded focus on revenge and destruction has blinded him to the unconditional love his friends feel for him; he’s become so accustomed to using others and being used that he can’t understand or accept that someone would care about him without needing a reason, without needing him to love them back, without needing to receive something from him in exchange.

Sakura’s not trying or wanting to make you hers!  She only wants to save you.

Sasuke matters to Sakura as more than a love interest.  He always has.  She does love him romantically, yes, but she doesn’t only love him romantically, and her desire to help him is not and has never been contingent on him returning her feelings, romantically or otherwise.  Sasuke isn’t able to acknowledge that in this scene, but that doesn’t mean we’re supposed to just sit back and agree with his warped perspective.  Kakashi is the one who’s explicitly positioned as the voice of the narrative here.  We, as the audience, are supposed to recognize that Kakashi is the one telling us the truth.

[tangential thing 1: You don’t have to love Sakura's last plea to Sasuke here. It’s not my favorite, either - the best part, other than Kakashi’s speech at the end, is the moment after Kakashi collapses when Sakura’s expression changes from pained uncertainty to pure rage, when she grits her teeth together - when I first saw that, I almost leapt out of my seat like “Oh my god.  She’s finally going to let him have it.  It’s finally happening - ”  I wanted that so badly, and I still think it would have been a more effective writing choice for Sakura’s last words to lean more into her anger at the suffering Sasuke is causing all of them (himself included!) and less into yet another of Kishimoto’s “let me have Sakura articulate what a shame it is that she can’t do as much as Naruto despite the fact that I literally just went through a major reveal sequence in the war to show that she’s caught up to the boys; I can’t make up my mind about whether I want her to progress or not” - it’s extremely frustrating (and it's something he does at the very end of the S10 Team 7 reunion, too, which is the ONLY moment of S10 that falls flat for me).  But at the same time, even if there are ways this sequence could be more satisfying, it doesn’t change the fact that her plea to him is not remotely motivated by a desire to be with him romantically and not anything to condemn her for.]

[tangential thing 2: I do like how she remembers that moment when Sasuke says “Thank you.”  That panel precedes her saying “If there’s even a tiny corner of your heart that thinks about me…” (which I’m sure is one of the things that people like to criticize about this scene, aka “oh she’s sooooo self-centered” etc), but that particular line of dialogue is preceded by that particular flashback panel for a reason: Sakura knows that Sasuke DOES think about her.  He thinks about all of them.  Sakura remembers that “thank you,” and it reminds her that despite everything Sasuke has done and said since, despite all evidence to the contrary, she knows in her bones that his expression of gratitude back then was genuine.  He cared about her once.  He cared about all of them.  She’s trying to reach the part of him that still does, if it exists.]

[tangential thing 3: The fact that Kakashi says “she suffers from loving you,” and it triggers Sasuke to remember his own family - thinking about how much he suffered (and still suffers) from loving them - “Perhaps…those are the ties to a failed past” - the idea that it’s not worth it to have bonds if it means you suffer this much…that it’s too difficult, it’s too painful, and if Sakura and the rest of Team 7 were smarter they would just give it up (all Sasuke knows how to do now is sever potential bonds before they can hurt him; so why aren’t Sakura and the rest of his teammates doing that, why can’t they let it go, why are they making this so hard - ) << yeah, he clearly doesn't care about her/them at all.]

4. the shadow of my family

This has all been a really long way to answer the original question, but the short response to “What do you think about the relationship between Sasuke and Sakura?” is “I really care about it,” just like I really care about the relationship between Sasuke and Naruto, just like I really care about the relationship between Sasuke and Kakashi. And I don’t think the story ever asks me to choose between them.

I’m not sure whether it’s the impact of Boruto-era “canon” that gets in the way of other people approaching things this way (I don’t consider sequel material when I evaluate the original story), or if it’s Kishimoto’s frequent disinterest in/disrespect towards female characters, which yes, does sometimes make it harder, or if it's a shipping thing (bane of my existence), or some combination of factors, but for me, taking one member of Team 7 out of the equation hobbles the rest of the story.  I can’t read/watch Naruto while hating one of the protagonists and loving the other three.  It doesn’t work like that for me.  The story wasn’t written that way, and there’s nothing in the text that would cause me to receive it that way.

That doesn't mean there's anything wrong with disliking one of the main foursome (or any character, for that matter) - obviously we're all going to have different preferences, and everyone is free to enjoy or reject whatever parts of a story they want, or to like or dislike whatever characters they want. I know that some people have more fun disregarding canon and doing their own thing, which is fine.  My own personal zone of enjoyment comes from receiving the story as closely to how I think it was intended to be read as I can, and personally, when I look at this particular story, what I see is that all the members of Team 7 clearly demonstrate their love for Sasuke in ways that he himself later recognizes and acknowledges. All of them are driven by their desire to save him and their unwillingness to hurt him. All of them make repeated choices to chase after him when he runs away, to trust him when he hasn't exactly earned it, to give him another chance when he doesn't appear to deserve it. ALL of them, not just Naruto, do these things multiple times throughout the story, and Sasuke owes his life (and thus his eventual recovery) to ALL of them, many times over. Kakashi disobeys Hokage-elect Danzō and breaks the law to negotiate for Sasuke's life with a foreign head of state. Sakura and Kakashi both have opportunities to kill Sasuke in the Land of Iron, and they choose to spare him instead. Kakashi stops Sasuke from killing his only friends at two different points in the story, which would have been a mistake Sasuke couldn't have recovered from. Sasuke would have died in Kaguya's desert dimension if Sakura hadn't saved him (Sakura, who knew that Sasuke wasn't even truly on her side yet, who knew he'd abandoned her for dead multiple times already that day). Kaguya's bone bullet would have killed Sasuke too, if Kakashi, with his intention to die in Sasuke's place, hadn't leapt in front of it (Kakashi, who also knew that Sasuke wasn't fully on their side yet, who also knew that Sasuke had abandoned him for dead earlier that day). Sasuke and Naruto would have BOTH died in the Final Valley if Sakura and a severely injured Kakashi hadn't chased after them to heal their injuries.

Remove any one member of Team 7, and Sasuke never makes it home. Without the combined efforts of all three of his teammates, he doesn't survive.  That’s the way it should be, thematically, for a story whose first and most foundational premise was the importance of teamwork, and since Sakura was just as essential to that framework as everyone else, I’m just as invested in her relationship with Sasuke as I am in his relationship with everyone else.  You can’t remove one leg from a four-legged stool without damaging the integrity of the entire structure, and for me, discounting any single member of Team 7 irreparably damages the integrity of the entire story. 

TL;DR: I love all of the Team 7 relationships, including Sakura and Sasuke's, because despite what some segments of fandom seem to believe, the text of the story never gives me any reason not to.

[goobtacular]

Be warned, longish mini essay about the Netflix Daredevil show from someone who hasn't finished season 1.

I think the similarities between Daredevil and Kingpin go hard. Both have very similar motivations and backstories. Ironically, Kingpin has a more traditionally good backstory. His harsh taskmaster was his father, and he rose to defend his mother, killing him in the process. But throughout the whole process, the torment of his father's rule, and dealing with the aftermath, he is in the company of his mother.

There is one thread throughout Wilson Fisk's life: he always has a companion. Not someone who can order him around, not always someone he can order, but always someone he is above in some way, and always someone who plays the role his mother did. Before he meets Vanessa, he has his assistant who chooses his meals, plans his itinerary, and is part of every difficult choice or conversation he must have.

Even Vanessa is, unfortunately, put into that mothering role, playing to the more traditional gender roles and even taking on the burden of the emotional turmoil his troubled past gives him. As long as he has his mother or a replacement, Wilson knows he's not a monster, and he can rationalize any sacrifice, usually on behalf of others. His decision to become a public figure is entirely out of his comfort zone, but also something he wouldn't have done if his assistant and Vanessa hadn't plotted to aid him in his turmoil. Functionally performing emotional labor on his behalf.

Daredevils, Mathew Murdock's, upbringing contrasts this. He had a loving, supportive father who had a violent career. Upon the death of his father to crime, he turns to another, harsher, violent father figure who abandons him when he gets attached. Every time someone fills a paternal role, they leave him. And there seem to have never been any takers for a maternal role. Instead, the influences on his life have always been highly masculine, sometimes soft, but always masculine.

In some respects, it seems as though Matt is a success story for toxic masculinity. He's a superhero and a lawyer, he's exceptionally romantically successful, he never lets anyone in, and he solves every problem as alone as he can with the strength of his body and his moral character. He suffers because of this, but even his downfalls still echo the toxic masculinity that's consumed his life.

But for all that, Matt and Wilson come at it from different angles, paternal and maternal, and they ultimately arrive at the same destination. They're both violent men trying to save Hell's kitchen through violent means. The only difference is the extremes they are willing to go to. And even then, Wilson is quite a bit older than Matt, and I'd be willing to believe a middle-aged Daredevil might kill.

Certainly, Kingpin's methodology is more classically villainous, but it is only Daredevil's superhuman abilities that allow him the moral high ground. They remove his ability to mistakenly target innocents, an advantage Wilson does not have.

It strikes me as interesting that the main difference between the two characters is what flavor of toxicity they were molded by: Wilson by a toxic level of support, by people egging him on when it might be time for introspection and pushing him forward when he turns inward and considers stopping. And Matt, by toxic masculinity, pushing him on even when he really should rest—not providing him the support he needed to heal from the trauma of his father's death or Stick's abandonment or even the emotional toll his vigilante career took. Forcing him to bottle everything up and 'stay strong' not to disappoint others, mostly Stick.

That's why I think, ultimately, neither should be doing what they're doing. Kingpin for, I think obvious reasons, he's doing just real bad stuff with vaguely good intentions, and Daredevil for less apparent reasons. He is doing good, and as Matt, I think his choices are solid, but as Daredevil, he's straight up using beating up people as a way to deal with his trauma. It's incredibly unhealthy and even if the violence doesn't take him out, he's still leaning on it to support him emotionally. I fear he can't stop, even if he wanted to. After all, if he did, he'd have to face his demons like the rest of us.

They're just two men running from their problems, and I guess I can't fault them for that. Wouldn't all of us if we could?

[cdlunee]

Kataang and Zutara Shippers on my dash:

Me ignoring it all so i can just enjoy amazing art, discourse, headcanons, fic, popular and rare ships, and analyses in the atla tag:

[shanksxbuggy]

DID YOU WATCH THE TRAILER?!? DID YOU SEE BUGGY!?!?!?

I saw it and I’ve fallen for Buggy’s smile. He looks like such a little shit, he’s got me weak for him. 👍 I was just making a post with my thoughts on some of the characters, so I’m gonna post it all under here.

Points to them for leaning into the circus theme and having them fight in an actual circus tent under the spotlights. This is what Buggy Pirates fans imagine, it’s about the showmanship, the performance, the lights and flashiness. I want the whole genuine circus act coming to life. Jeff Ward oozes charisma, and he’s serving us good as Buggy.

I could stare at Jeff Ward Buggy all day long. That’s what I’ve been doing actually.

The only thing is they better have Richie. CGI that lion in or fuck it give us a guy in a fur suit, but they better have him.

I’m dying Shanks’ hair looks like a wig 😂

Well, it is canon that after losing Uta, he tried to drown his sorrows in alcohol, so him looking haggard and lousy is accurate if nothing else.

This is what teenage parenthood does to you everyone.

Seriously though, I’ve seen people complaining he looks too much of a drunk, but it’s literally canon in the film red extra volume that he was drinking a lot because he was so broken up over leaving Uta behind. In my opinion, he’s not supposed to be a carefree pirate here, he’s a father dealing with the loss of his daughter, and he’s teaching Luffy the realities of a pirate’s life.

They really made sure Mihawk looks flawless. I’m surprised they made his eyes accurate, since Sanji doesn’t have his eyebrows and Usopp doesn’t have his nose. I think he would’ve looked just as good with brown eyes.

Just look at how Shanks’ stubble looks pathetic compared to Mihawk’s glorious beard.

(Sorry for dragging Shanks I just like bullying him, but I love Peter and I think Shanks is pretty accurate. He’s not a heartthrob, he’s a goofy pathetic guy who collects bounty posters of his childhood crush.)

[doverstar]

Okay, two whole people asked me to share my thoughts on River Song as a character and my thoughts on Doctor/River after I wrote a whole Clara Oswald essay, and it took me 4 days to write that I ship River with the Doctor and I love her, but there are so many problems. The biggest is named Steven Moffat. And because you asked, I will tell you why, turn up your screen brightness here we go-

*huge inhale* In a nutshell, River Song is ridiculous. Stop wait let me explain- *hands you the nutshell and pats your hand* Shh. River Song as a character first appeared in Silence in the Library, right? We were with the Doctor’s tenth incarnation and Donna Noble, statistically the most popular era in the show’s long history. And this episode was Moffat’s fourth-ever story for the show. Blink and the The Doctor Dances two-parter were all so good. He was on a roll. River comes in and she’s so much fun. And she knows the Doctor. Already. And the crowd goes oooooh collectively. She knows him intimately, it seems. And he has no clue who she is, so oooh again, she’s from his future! It is heavily implied that they'll be married—it’s just the first place anyone’s brain goes.  And then she dies. And we loved her, end scene. Then Moffat took over the show and got the opportunity to explain himself, and he explained himself really poorly.

River went from being a very interesting flash-in-the-pan to being an overdecorated ideal. She is Moffat’s ideal woman. She’s crazy, she seems independent and powerful and unattainable, but she’s actually totally obsessed with the protagonist and consistently making innuendos at him. Her sun rises and sets on the Doctor. Why? Because that’s Moffat’s idea of an attractive woman. I kid you not. I think the problem with writing something that is pure self-indulgence is that you’re so excited about what you’re writing, you don’t stop and think, hey, is this working? You don’t measure the quality. You’re not thinking clearly, it’s just wish-fulfillment. River is everything Moffat thinks a woman should be. Mysterious, strong, insane, violent, but only because of the man she’s drooling over. Her whole story is an excuse to write a woman like the one I just described, because it’s hot to Moffat. (I know. Gross.) Here comes a Moffat rant. The man is insanely talented, and I am not silly enough to believe that all of his writing regarding women is fetish-fueled – I just don’t think that way typically when I’m watching something, but it’s really hard to miss with Moffat. Haven’t you noticed every one of his female characters is full of lust for the protagonist? That’s weird. It was weird when Amy kissed the Doctor against his will, engaged to Rory and not interested in “anything quite so permanent”. It was weird when Nanny Clara kissed him after having just met him, in the middle of a dangerous situation, and then not keeping her eyes front up the magic ladder. (It was weird that Oswin was dressed like that and lounging in all of those poses the first time we saw her, as a dead woman in a Dalek shell, go back and watch it. Laugh like I did. You’re [hallucinating that you’re] stranded on an alien planet in a ship that crashed—and that’s what you’re wearing to work? The last survivor?) It's weird that rando Tasha Lem divulges intense, universe-altering danger to the Doctor in a breathless voice with space wine as they creep closer together over a bed. Ew. What? Why is that even happening? And finally, it’s weird that a girl brought up to murder her parents’ much-older alien best friend, who she was brainwashed to believe is the universe’s biggest problem, should want to eat his face off. Especially when their timelines are out of order and she hasn’t gotten to know him for real at all yet.

Is the Doctor attractive? Yup. Was any of that necessary? Nope. Now we’ll transition for a bit into what I think is wrong with the ship, even though I do ship it. (More on the pros of it later.) The more we learned about her, the less River and the Doctor made sense. The only truly wonderful thing about their dynamic (my favorite part!) is that the Doctor and River act like they’re already married, even though they’re meeting out of order. They have that assurance in one another. They each know the other person will become someone they’re willing to marry someday—they each get a sneak peek of that future together. (River in Let’s Kill Hitler, the DoctorinSilence in the Library.) So when they do meet, even when she’s in Instant Kill Mode and he’s in You Scare Me mode, it’s with an expectation that, hold on, eventually I’m going to really really care about you. Everything they do with one another from that point forward is influenced by that expectation, which makes them comfortable around one another. So that’s sweet and I love it. The problem is—River isn’t the Doctor’s ideal woman. She might be Moffat’s, but on paper she should not work with the Doctor romantically. Moffat engineered this woman—who is supposed to eventually be the Doctor’s wife—to be violent, self-centered, insane, very sexual, and willing to shatter any laws of time (or morality) she sees fit. That’s the opposite of what the Doctor admires, chooses, and is attracted to from everything we’ve ever seen of him. (Does the Doctor like smart, capable women who are good in a crisis? Yes! Obviously! That’s not what I’m talking about.) But suddenly after meeting River, being told one day she’ll be his wife, (instead of organically learning why he would marry her and organically learning who she truly is and then growing to love her naturally), very quickly and without explanation he’s all “And unlike me, she really doesn’t mind shooting people. I shouldn’t like that, kinda do a bit!” What? Since when? Since Moffat. Because Moffat is behind the wheel and Moffat finds that hot. Sir, just because you told me to ship it doesn’t mean I’m convinced. Now, is it her fault that she’s a murder weapon? Is it River’s fault that she was brought up to believe it’s okay to choose violence, wear poison lipstick, and be the girlboss of murder? Absolutely not. Melody Pond was kidnapped, tortured, brainwashed, and used as a human/Time Lady weapon just because she was there. She had absolutely no choice in the matter. And when she did eventually, finally get to choose, she chose to rescue the Doctor and start over. She sacrificed every remaining regeneration she might have had to reverse her actions. That last part? That’s awesome. I love that. But that nice moment doesn't fix the rest. The story goes that River was stolen, raised to kill the Doctor, and then fell in love with him along the way—and the special sauce is, she’s meeting him out of order; every time she sees him he knows her less because she’s moving backward along his timeline. (Unnecessarily complicated, but very fun, Moffat! Can’t forget fun in Doctor Who.) The story goes, too, that the Doctor meets his wife from the future in the biggest universal Library one day, watches her die, and waits for her to appear again so he can start a love story he knows the ending to—and the special sauce is, he’s meeting her out of order; every time he sees her he’s getting to know her more and she knows him less, because she’s moving backward while he moves forward. That does make for an interesting love story. You’re excited to see it play out because you and the Doctor expect it to be a doozy based on River’s “not those times, don’t you dare, you watch us run” speech in Forest of the Dead. But the problem is, they were both told they’d marry one day and therefore they treat it as a foregone conclusion, so there’s no organic attempt at really, truly falling in love. They behave as though they didn’t fall anywhere, they were pushedinside and someone locked the door. (I just pictured Moffat outside with the key. “Now KISS!”)

The point is that nobody worked for this relationship. If you’re going to explain how they fell in love, because the audience already knows they apparently will, then actually show them falling in love! When did the Doctor decide he loved River? When he found out she was Amy’s literal daughter? When he found out she was a psychopath? Or did it all begin in the Library when she died for him, because he already knew that for some reason one day he would marry her, and it’s all just placebo from then on? Or did Ten just regenerate into the sort of man who inexplicably “love(s) a bad girl, me”, and really gets off on those moments when River threatens to shoot and kill other life forms? Yeah, that makes sense. When did River decide she loved the Doctor? When Kovarian told her he’s the scourge of universes? Or was it when River heard he's ultimately the reason she was kidnapped and made to be raised by the Silence and forced into a space suit as a child, because one day she has to rid the universe of this man? Oh! Maybe she fell in love with him when her literal parents went to primary school with her as peers and Amy told her about the Raggedy Doctor as little girls and Mels decided she’d marry him for some reason one day even though she was trained to kill him! (*big pause to catch my breath*) Do you see what I’m saying? We didn’t see it happen. We were told, not shown, that they were in love, or that they would be in love enough to marry one day, and then we watched it not actually happen. And so did the Doctor and River. They are both living in a constant state of resignation to their relationship. Moffat didn’t tell a love story, he told an epilogue, and neither of the lovers got to experience the beginning! For all the cutesy times they quipped “spoilers” at each other, they never once just let things take their course naturally. They lived in the spoilers. The spoilers are the only reason they’re together in the first place! 

And one more thing. A side thing. The Doctor did not want to marry River. That’s disappointing, isn’t it? The wedding was not a happy one. They did it because according to River, their history (their relationship’s “archeology”) differed - she’s either the woman who murders or marries the Doctor, and given those choices, the Doctor wanted to choose murderer instead of wife as River’s role because it was the only way to save reality, but she wouldn't listen to him until he called her wife. Their wedding, just like everything else about their romantic history, is something they’re forced into. It’s contrived. It’s confusing. It’s very difficult to believe in. Moffat gave us all the relational-dynamic payoff prematurely and never actually showed us the part where they fell in love.

That’s my problem(s) with their relationship. Now let me talk about (as requested) River as a character again and what I actually do find most interesting and endearing about her and about her relationship with the Doctor. Like I said, I actually do love her, I actually do ship it, and now I’m gonna vomit out why.

The most endearing thing about River to me is that she is insecure, and that humanizes the silly ideal. Now, in spinoff material River led a very long and varied life, and the Doctor was not the only man she was intimate with. But he’s the only one she loves. That love is what makes her so insecure. And it is love—after a while of repeatedly running into him after Lake Silencio, River is consistently choosing to put the Doctor and his needs before herself and her own. She always had it in her; she’s Amy and Rory’s daughter and the child of the Tardis, after all. But it’s the influence that the Doctor has on her that makes her go from psychopath to heroine. She genuinely believes he’s the best man ever, which is saying something when your father is Rory Williams.

And she, River, murdered him or tried to. She was stolen from his friends and made to attack him, made to put them in danger. She had to lie to him nearly every time they met, or at the very least withhold important information from him. Every time she met him, he trusted her less and less and less. 

And the Doctor is not perfect, but think about how River must see him. He must seem perfect, right? He’s so, so kind, he’s so, so good. He’s so brave. He’s so selfless. He’s so smart. He’s amazing, and he uses his time and his talents for other people, saving lives and helping out all across the stars. He even helped her. He even forgave her. That’s why she fell in love with him, not because he’s hot when he’s clever, not because she’s a psychopath and really, Madam Kovarian, who else was she going to fall in love with, what a basic mistake – NO. If you want to look at it from its most compelling angle, no matter how confusing it gets, how contrived, the most compelling angle is that River loves the Doctor because the Doctor forgave her. In spite of everything. And we see how she really thinks of him, how insecure she truly is, what she really thinks he must feel about her, in The Husbands of River Song. That episode is my favorite River episode.

She got to marry him, but it was under force. She got to be with him, but not forever. She got to help him, but not always. They kissed, but he treated it like it was the first time. He forgave her, but he had to bail them all out in the end, because when she tried she made a mess of it. “Trust you? Seriously?” “I don’t wanna marry you.” “You embarrass me.” “Why do you have to be this? Melody Pond—your daughter, I hope you’re both proud!” River is in love with him, but she genuinely does not think he is in love with her. On paper, it doesn’t seem like she’d be someone he chooses to love. Maybe someone he chooses to pity. Maybe someone he chooses to look after, because her parents are dead now and he loved them and he failed to save Melody the first time, guilty to the last. Whichever way she looks at it, he can’t possibly love her. Sure, he flirts with her, but he flirts with everyone. Yes, she’s smart, but he only takes the best. He’s surrounded by smart. She saved him and it was her honor, but she’s not the first to do that anyway. And like I said, neither of them got to see when the other person first started loving them, because it’s all back-to-front and they exist in a state of resignation. I can think of no better way to feel insecure about where you stand with the man you love than literally never ever knowing when it will begin.

But River’s cool. She’s brave and clever and she can do just about anything she wants with whoever she wants. She can live like the Doctor—adventures in time and space, and maybe sometimes he’ll run into her. In fact, she keeps calling on him when she needs help, and doesn’t he always come? Doesn’t that mean something? One day they’ll be married, just keep waiting, okay, now they are married, he’ll get used to it, he still flirts with her, stay cool, stay funny, stay smart, at least he’s still around, just keep waiting— And then after a while she stops waiting. She’s not like her mother. She gets on with life. The Husbands of River Song is genius because their timelines are synced perfectly, at last, for them to be at the peak of their affection for one another. River doesn’t know him, but not because he’s wearing a new face, because he’s actually really, really obvious about the fact that it’s him. He’s constantly trying to get her to see it without outright saying it, but she has this mental block that will not even consider that he’s there, especially the deeper they go into danger together. Why is that? Well, she says it. The enemy says she’s the perfect bait, refers to her as the woman who loves the Doctor, and what does River say? It's right here. And it’s made very clear by her actions throughout the episode before this speech that River really does believe it. Because he’s standing right behind her listening to all of that and she hasn’t seen that it’s him, because of course he’s not here. She suffers from the same mentality her sweet dad Rory did—that the person she loves will never love her the way she loves them. River doesn’t think she’s nothing, but she thinks she’s nothing to the Doctor.

I think it’s beautiful that she was wrong. I think the Doctor loves River, and I think it’s a very different love than what he had for Rose Tyler (or, now that I think of it, Sarah Jane). It’s still love, it’s just not the same. It’s nice that you can ship both, actually.

(If you ask me which I think is the better love story between the two ships, that’s a different essay for a different time, and one that I think will have people drop-kicking me throughout every facet of the internet. Right now we’re focusing on River and on her ship with the Doctor, which I do enjoy.) I may not think that it was brilliantly executed, but the fact remains that at some point, the Doctor did grow to love and care about River Song. And there’s one part of their wedding that I also liked a lot— When he marries her and her parents give consent, the Doctor’s first request of his wife is “help me”. That’s what wives do! That’s what husbands need from wives! That’s marriage. The sticking together no matter what, being the person you both turn to in life’s darkest moments. River understood that concept, because when Amy asks in The Angels Take Manhattan if allowing the Angel to touch her will send her to Rory, who has just died in front of them, the Doctor says he doesn’t know, and Amy asks “But it’s my best shot, yeah?” The Doctor shouts no, but River tells him to shut up. “Yes, yes, it is!” And she’s crying, but she’s smiling too. She knows what she would do if she were Amy. She knows why Amy is going to let the Angel touch her. Because that’s marriage. And that’s what she feels for the Doctor. I do ship it! I love the idea that love helped shape River instead of hate, contrary to Kovarian’s plans for Melody. I love the idea that the Doctor started out untrusting of River and in the end, trusted her implicitly. I love that he had her when he needed help. And let’s face it, they really are so much fun.

[kaizoku-gary]

For your eyes only

Pairing: Buggy x female reader

Genre: smut

Word count: 2490

Warnings/Tags: dom/sub play, masturbation, teasing, cursing, dirty talk, rough sex, squirting, Buggy putting his DF to good use.

Summary: Buggy wants you to pull a little show for him.

A/N: "His penis can fly too." Eiichiro Oda.

Read it on AO3

Cover: credits to the author.

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It is high noon. There isn’t a single cloud in the sky, and the blazing midday sun is cooking everyone on deck alive. Being the lookout on such a hot day would be torture if you hadn't brought an umbrella with you.

"Oi! Y/N! Are you up there? The captain wants to see you...now!" Galdino's voice rises effortlessly above the lively sound of the men working on deck. There's a hint of discomfort in his tone, but you ignore it; climbing down with considerable expertise. 

"~ On my way ~" You reply in a sing-songy tone, jumping down the ropes when you're sure the height won't break your legs. The man throws an unamused look at you and you chuckle teasingly before leaving.

"Right before lunch. I swear to God..." You hear Galdino mumble between his teeth as you hurry to the captain's cabin, unable to hide your excitement.

You've been dating Buggy long enough to know the meaning behind his urgency. If he'd only wanted to talk or spend some time with you, he'd come to you personally. Unless he's got something else in mind. Something way more fun than just having a chat.

You reach his door and remain still for a moment, taking a few deep breaths to calm you down. Your heart races with expectation after you announce your presence with a distinctive knock on the door. Buggy's voice coming from the other side puts an end to your nervous fidgeting and you step into the room.

"How can I help you, captain?" You coo, closing the door behind you and walking towards his desk. All the while letting your eyes wander on his features.

The room may not be as hot as the surface, but it is warm enough for Buggy to be wearing a tight tank top. His strong arms and broad chest instantly catch your attention and you bite your lower lip as you ogle him. I hope you bend me over that desk and fuck me blind. You think as you wait for an answer.

"Take off your clothes," Buggy commands in a rough tone without taking his eyes off the papers in front of him.

From the way he writes on his logbook -almost like stabbing its thick pages- you can tell he's dealing with a lot of stress. The captain is a time bomb about to explode and you're happy to find yourself inside the blast radius, even if that means you won't be able to sit or walk properly for a couple of hours. Maybe days if you're lucky enough.

"As you wish, captain," you reply, noticing your core already throbbing with anticipation. Following his orders, you step out of your shoes and slowly pull your shirt up, revealing a collection of hickeys scattered across your torso. Some of them -the recent ones- have a dark purple tone, others are barely visible.

"Flashy," Buggy says in a deep voice, admiring his masterpiece. The beautiful sight of your abused skin distracts him from his work, and he is eager to mark you further in case you dare to forget to whom you belong.

Buggy's greedy hands float towards you. The tips of his fingers trail the bruises on your ribs, before traveling to your belly. You squirm under his light but electrifying touch and the temperature of your body raises, making your ears go red. His hands wander to your back and a needy whimper scapes you when he firmly grabs your buttocks. There is nothing but lust in his dazzling blue eyes and you tremble knowing what awaits you.

“Go on,” He commands, giving your butt one last squeeze before letting go of you.

Unbuttoning your shorts is not an easy task when you're desperately aroused and sweat makes your fingers slippery. But you manage to unzip them and pull them down in a slow movement before kicking them away. Your thighs are also covered in marks and Buggy grunts at the sight, leaning back on his chair with a devilish grin on his face.

Without wasting time, you unhook your bra and free your soft breasts; eliciting a pleased hum from your captain. His predatory gaze is setting your skin ablaze and your whole body aches for him. You are impatient to feel his weight on top of you, and hear his low groans as he sinks into your soaked slit.

"Play with them, pet,” Buggy demands in a deep velvety tone, bringing you back to the present. The captain licks his lips as he places a hand around your neck, letting his thumb ghost over your pulse.

Your fingers tease the underside of your breasts and you close your eyes to let the delicate sensation engulf you. Sweet quiet sighs leave your mouth as you cup your breast and rub the palm of your hand against your hardened peaks. Your body begs for more and you indulge in pinching your sensitive nipples, moaning at the intoxicating sensation.

"On the bed. Now,” Buggy orders, giving your cheek a gentle pat. His pants have grown uncomfortably tight and he wonders how long will he resist his own hunger.

You climb on the mattress to rest your back against the pillows, while he moves his chair in front of the bed. The bulge in his pants catches your attention and your mouth waters. Fuck me now, Buggy. You think, rubbing your thighs together for a little friction.

"Let me see that sweet pussy of yours," Buggy hisses and you buck your hips to the sound of his voice. I'll let you do whatever you want to this pussy. You think, considering all the delicious possibilities.

In a single swift movement, you get rid of your soaked panties, and the piece of fabric meets the rest of your clothes on the floor. The pounding in your chest intensifies when you notice the weight of the captain's gaze on you. Your half-lidded eyes meet his and you spread your legs, finally exposing your wet folds to him.

"Touch yourself," Buggy demands, leaning back to enjoy the show. "Imagine my hard cock teasing your wet little cunt," he adds, letting out a low grunt while he leisurely strokes his clothed erection. His deep dark voice and the lewd way he looks at you are driving you insane.

Letting lust take full control over your body, you open your legs further; giving yourself more room to play. Your hand ghosts over your lower belly until the tip of your fingers reach your nub. You let your head fall back, closing your eyes as quiet moans leave your mouth. Your digits move in a slow circular motion and the intoxicating sensation makes your toes curl.

"B-Buggy... Please" you pant a few moments later as you increase the rhythm of your fingers. Your whole being is begging for him to come and fuck you into the mattress. To use your body as he pleases until you pass out from sheer pleasure.

“What is it, pet? Need a hand?” Buggy teases, letting out a breathy chuckle when you moan an affirmative answer.

With your eyes still shut, you don't notice his hand floating towards you until two fingers push smoothly inside your throbbing entrance. The sudden but welcomed intrusion makes you choke a moan and you open your eyes to meet Buggy's mischievous gaze. The captain teases you g-spot and you lose the ability to form coherent words.

“So fucking naughty” Buggy whispers when you begin rubbing your clit desperately, seeking for that sweet release. "I love it when you're nothing but a horny mess, my treasure," he adds increasing the tempo and you scream his name.

Buggy's fingers undulate inside you, hitting that sweet spot, again and again, while you moan and curse aloud. The tension between your legs becomes unbearable and when he adds a third finger, you go over the limit.

"Fuck... Buggy~" you cry out his name as the climax overcomes you in warm violent waves; making your muscles spasm involuntary as your juices spill on the sheets, leaving a wet spot on the bed.

"So tasty," Buggy growls, looking at you with lecherous eyes as he licks his fingers clean. "Are you ready for another round, pet?" He teases, unzipping his pants to free his rock-hard erection. A clear stream of pre-cum drips down his shaft and you lick your lips.

"Yes, captain,” you plead, using your fingers to spread your folds open; inviting him to lose himself in you.

"Not yet, my treasure," Buggy chuckles, detaching his member. "I want you to play with it as you do with your toys," he says with a predatory tone, moving to the edge of the seat to rest his forearms on his thighs. The crimson blush on your cheeks and the nervous way you avoid his gaze let him know this isn't the first time something like that crosses your mind.

You wrap your hand around Buggy's erection and something primitive and wild possesses you. A long drawn-out moan scapes you when you bring its velvety tip to one of your nipples, coating it with pre-cum as you tap its head on your oversensitive skin. From the noises coming from Buggy, you can tell he's having a hard time controlling himself.

“Fuck, pet,” Buggy pants, closing his eyes to relish the enticing sensation as he groans deeply. "Should I go over there and work that dripping pussy open?"

"Yes, captain... Please," you beg, letting go of him; wishing he would join you at last.

"Open your eyes," Buggy commands, and you do as told.

Locking his gaze with yours, the captain takes off his hat. His silky blue hair falls over his shoulders and he ties it in a loose ponytail, perfectly aware of the effect it causes on you. The muscles in his torso contract and stretch as he leisurely takes off his clothes, and you mewl, eager to run your hands down his well-built body. His skin is also covered with bruises and bite marks... Just in case he dares to forget to whom he belongs.

Buggy climbs on the bed to place himself between your legs and you hold your breath. His intense blue eyes are full of animalistic desire and he holds your gaze while entering you slowly; allowing you to savor the feeling of his girth stretching your walls.

You moan wrapping your legs around his waist to take him even deeper. His mouth finds your neck and you melt under his body when he begins sucking on your skin. Later you'll be proudly wearing his new mark.

The world around you disappears as your bodies heatedly press together, crashing like ocean waves. His length sinks over and over into your heat and all you do is moan his name like a prayer; clinging to him as if you were going to float away otherwise.

"Fuck. You're so wet," Buggy breathes against your collarbone, making your walls clench around him. 

You tug lightly at his hair, guiding him to your mouth until your lips meet in a hungry kiss. His taste is strong and intoxicating, and you sigh happily under his spell; welcoming him as he deepens the kiss and pounds harder into you, setting an agonizing pace.

"Oh, Buggy,” you moan, digging your nails into his back; leaving red trails on his skin as he continues to massage your walls so delightfully.

"You feel so fucking good, my treasure" the captain groans, pounding harder into you. Pleased at the way your warmth engulfs him so perfectly. 

"Turn around," Buggy orders, suddenly slipping out of you and sitting on his heels. You follow his command without a second thought, lifting your hips for him.

Buggy takes a moment to admire your dripping slit. Your folds are swollen and he teases them with the tip of his fingers, making you whimper against the pillows. He knows your body is aching for him and his chest puffs with pride seeing you so desperate.

"Are you ready, pet?" Buggy teases in a dark tone, positioning himself against your entrance before giving your butt a firm slap. "Let's see how loud you can scream my name," he concludes, digging his nails into your hips as he sinks into you.

"Fuck, Buggy," you cry out as the captain slams his hips against yours. The wet obscene sound of your squelching juices mixes with his low growls, making your core throb.

"You take it so well, my treasure," Buggy growls against your ear before pulling your hair; forcing you to arch your back. The sharp pain in your scalp combined with Buggy's merciless thrusts feels like heaven.

"Come on my cock, pet," Buggy growls, letting go of your hair to hold your hips in place as he uses his remaining energy to bring you over the edge.

The fire burning inside you finally grows beyond your control and your body combusts in an explosion of ecstasy. You squirt for a second time and your mind goes completely blank. Your body floats in a sea of bliss and time seems to stop.

Seconds after, Buggy sinks his teeth into your shoulder as his thrusts become more and more erratic; letting out a muffled growl when his own release takes over, spilling himself inside your pulsating walls.

"Fucking flashy,” Buggy pants in your ear as his body spams against yours, and you chuckle. 

With eyes closed and a soft smile on your face, you lay prone on the bed. Exhausted and sore, but extremely happy. Buggy drops next to you with the same foolish expression you're wearing.

"Was I helpful, my captain?” you tease once you get back your breath. Reaching out to stroke Buggy's chest.

“Fuck yes, you were, baby,” Buggy replies letting out a breathy laugh as he runs his fingers over your arm. "Are you alright?" He says rolling on his side to look at you. His fingers grace over the new bite mark he left on your shoulder.

"I am," you reply moving closer to kiss him softly, letting your fingers play with his hair.

"Are you hungry, baby” Buggy asks, breaking the kiss and staring lovingly into your eyes.

"I’m starving,” you reply sitting on the bed.

"Hey, you out there! I know you can hear me! Your captain and the love of his life need food! NOW!" Buggy yells and you cover your ears, shaking your head as you chuckle.

"What?” Buggy asks as "Right away, captain" can be heard from outside.

"Nothing... What do you think we can do in five minutes?” You ask jokingly, leaning down to kiss him again.

"Change the sheets and then... cuddle?” Buggy replies and you laugh.

"I love you, Buggs,” You say, standing up to search for clean bedclothes.

"Who doesn't?” he replies jokingly.

"Idiot,” you chuckle, throwing a pillow at him.

"I love you, too." He replies blowing you a kiss.

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[pr]

What did she say about Shawn to CNN?

its so gross, like she is either very maliciously and knowingly using him as a human body shield so the conversation will revolve around making jokes abt how gay he is, or very ignorant to not only the widespread rumors about him (and other men - harry styles - being super common) but ignorant to the fact shes being a huge hypocrite by drawing attention to someone else's sexuality