#miserable or dead because of who they are and the world they live in but not in a 'so that's on them' way but rather 'three hours of

[couldnt-think-of-a-funny-name]

I like your blog, we've been mutuals for years. But blogging about the met gala when there are children dying in Gaza? Fuck the met gala and your celebrity worship

at what point have I made it seem like I don't care about/support what's happening in gaza? I don't share a lot about it, but that's because most of what I see have graphic images and videos attached to the posts, and while I understand the thought process behind sharing them to make it seem more real to people, I'm uncomfortable with it because I know that if I was in that situation, vulnerable and injured or dead, I wouldn't want people gawking at me online just so they can pat themselves on the back for 'suffering in solidarity' by making themselves uncomfortable and miserable looking at me. I'm trying to be respectful. I've still reblogged things about gaza though. but honestly, if you've been following me for years, you'd know I'm a pacifist and wouldn't need me to make a statement saying I don't support people being killed. my God, dude.

also, celebrity worship? I can't even tell you who half the people at the met even were. I just like fashion. I post about a bunch of different things on this blog, and you haven't complained about that, so where's the threshold for things people are allowed to enjoy while bad things are happening in the world? fashion is off limits, but doctor who isn't? I can still post about musicals and not support murder, but aesthetic pictures are on par with launching a bomb myself? I truly hate to break it to you, but sharing links on tumblr is not going to fix this situation. denying yourself any shred of entertainment or enjoyment does not give you a moral high ground. what's happening is horrendous, but even if this is somehow magically peacefully solved tomorrow, there will still be other atrocities happening elsewhere in the world. that's unfortunately just how life goes. in no world am I saying we shouldn't care about every single atrocity that happens, I'm just saying if you can't find some time to be happy in your own life just because bad things are happening to others, you will never truly live a life at all. it sucks! but that's how it is. it's like when someone close to you dies, and the first time you laugh after you've started grieving feels like you're betraying them. but you aren't betraying them for continuing to live, just like you aren't betraying anyone else in the world who's suffering just because you don't spend 24/7 thinking and talking about them.

I do truly, genuinely, hope this all comes to a peaceful end, and soon. I'm not naive enough to believe for certain that it will. but I do know, at the end of the day, people are already aware of it. people know what's going on. sharing photos of dead and mutilated babies will not make any difference. you, and I, and everyone else online are not going to personally save gaza. pressure needs to be put on the people who can actually do something to make a change, and they don't care about what's online. arguing with people because you don't perceive them as doing 'enough' isn't going to accomplish anything other than getting them to a point of making them eye roll whenever they see you post, because at the end of the day, unless you're literally a top politician, you are doing the exact same amount to help as someone who reblogs less posts than you. sorry.

[leatherbookmark]

i fear this is going to, as they say it, Flop, but: kind people, share your blorbo thoughts. even if they are as follows: “a yao somft” or “purble..” or “rotates him in my mind”. any thoughts are welcome. i’ll take them all

[cowboykakashi]

See the problem is I want to live in a way that is no longer compatible with the world at large and therefore I think I will be miserable every day I live

[omegalomania]

so im sure everyones fully well aware of the magic 8 ball site fob is using to promote a contest to win some tickets to see them in nashville. the little 8ball widget theyve got in browser is also modeled on the physical 8ball that they had in the vip merch packages for tourdust's first leg, which is cool! but of particular note is the way that, to fill out the contest form, you have to pick your favorite fall out boy songs. and the sheer breadth of what is allowed is...interesting? it's not cohesive by any means, but it is really wild the selection of songs they have here because not all of them are fob songs. in fact, quite a few of them aren't.

i went directly to the source code and got a full list of all possible songs that you could input (which you can check for yourself by right-clicking and selecting "view source"). i'm going to list them here for archival purposes, with a few notes/explanations cause some of these are WILD.

there are 187 songs total listed.

bolded songs indicate songs that are demos or never received an official release

italicized songs are songs by other bands

underlined songs indicate songs that are covers

songs with an asterisk beside them (*) indicate they are from patrick's solo catalogue. two asterisks (**) are for pete's.

additional commentary by me will be [in brackets]

20 Dollar Nose Bleed 27 7 Minutes in Heaven (Atavan Halen) 7-9 Legendary A Little Less Sixteen Candles, a Little More "Touch Me" A Nice Myth [one of the earliest fall out boy demos, found on their first ep, and only the casette version at that] Allie* Alone Together Alpha Dog America's Suitehearts American Beauty/American Psycho (song) American Made Art of Keeping Up Disappearances As Long as I Know I'm Getting Paid* Austin, We Have a Problem Baby Annihilation Bad Side of 25* Bang the Doldrums Beat It Big Hype* Bishops Knife Trick Bob Dylan Bounce [this is a song that came out on then-Decaydance labelmates The Cab's debut record, Whisper War, which patrick produced. he has writing credit and also is credited with background vocals (and also shows up in the music video)] Caffeine Cold Calm Before the Storm Centuries Champagne for My Real Friends, Real Pain for My Sham Friends Champion Check Your Phone** Chicago is So Two Years Ago Church City in a Garden Coast (It's Gonna Get Better)* Coffee's for Closers Cryptozoology* Cute Girls* Cyanide** [this is a nothing,nowhere song that pete did some spoken word parts and backing vocals on] Dance Miserable* Dance, Dance Dead on Arrival Dear Future Self (Hands Up) Death Valley Deep Blue Love* [song patrick did for the indie short film "spell"] Demigods Disloyal Order of Water Buffaloes Don't You Know Who I Think I Am? Electric Touch [the (in?)famous taylor swift song patrick featured on] Eternal Summer Everybody Wants Somebody* Explode* Fake Out Fame Less than Infamy Favorite Record Fellowship of the Nerd [this is an alternate title for world's not waiting, as far as i can tell] Flu Game Flu Game [yes flu game is listed twice for some reason] Footprints in the Snow [demo from the Llamania ep] Fourth of July From Now on We Are Enemies G.I.N.A.S.F.S. Get Busy Living or Get Busy Dying (Do Your Part to Save the Scene and Stop Going to Shows) Ghostbusters (I'm Not Afraid) Golden Grand Theft Autumn/Where Is Your Boy Greed* Grenade Jumper Grow Up and Be Kids [this song is on The Cab's sophomore album Symphony Soldier, which release after they left decaydance. nonetheless, pete does have some writing credits on it. give it a listen and you'll hear for yourself in the first 10 seconds or so] Growing Up Hand Crushed by a Mallet [this is a remix of the 100gecs song of the same name; patrick did some vocals for it] Hand of God Have I Got a Gift for You* [song patrick did for the horror movie black friday] Headfirst Slide into Cooperstown on a Bad Bet Heartbreak Feels So Good Heaven's Gate Heaven, Iowa Hold Me Like a Grudge Hold Me Tight or Don't Homesick at Space Camp Honorable Mention Hot to the Touch, Cold on the Inside Hum Hallelujah I Am My Own Muse I Don't Care

I Got Nothing, But You Got Something [this is the one that really perplexes me. there's no evidence of this song actually existing, other than an unverified genius post and an article on a single fandom wiki. it is inexplicably listed here despite its very existence being questionable at best.]

I Slept with Someone in Fall Out Boy and All I Got Was This Stupid Song Written About Me I Wanna Dance with Somebody (Who Loves Me) I'm Like a Lawyer with the Way I'm Always Trying to Get You Off (Me & You) I've Been Waiting [this is technically a lil peep song with fall out boy as a feature] I've Got a Dark Alley and a Bad Idea That Says You Should Shut Your Mouth (Summer Song) I've Got All This Ringing in My Ears and None on My Fingers Immortals Irresistible It's Hard to Say 'I Do', When I Don't It's Not a Side Effect of the Cocaine, I Am Thinking It Must Be Love Jet Pack Blues Just One Yesterday Lake Effect Kid (song) Lake Shore Drive [this is a song patrick covered on the piano at wrigley, first night of tourdust] Love from the Other Side Love Will Tear Us Apart Love, Selfish Love* Love, Sex, Death Lullabye Mad at Nothing* Miss Missing You Moving Pictures My Heart Is the Worst Kind of Weapon My Songs Know What You Did in the Dark (Light Em Up) New Dreams [this is a bonus track on pax am days, a naked rayguns cover] Nobody Puts Baby in the Corner Novocaine Of All the Gin Joints in All the World One of Those Nights [another song from the cab's whisper war. this one has patrick doing vocals very prominently] Open Happiness [this was a huge collaborative piece done for a coca cola commercial. patrick was on it along with big names like cee lo green, janelle monae, and labelmates travie mccoy and brendon urie] Our Lawyer Made Us Change the Name of This Song So We Wouldn't Get Sued Parker Lewis Can't Lose (But I'm Gonna Give It My Best Shot) Past Life [llamania ep] Pavlove People Never Done a Good Thing* Porcelain* Pretty in Punk Rat a Tat Reinventing the Wheel to Run Myself Over Roxanne Run Dry (X Heart X Fingers)* San Diego [this is a blink-182 song that patrick did some writing for] Saturday Saturday Night Again* Save Rock and Roll (song) Sending Postcards from a Plane Crash (Wish You Were Here) She's My Winona Short, Fast, and Loud Snitches and Talkers Get Stitches and Walkers So Good Right Now So Much (For) Stardust (song) So Sick [this is a song patrick has exclusively covered live, so it's a fascinating inclusion] Sober [another blink-182 song patrick did some writing for] Sophomore Slump or Comeback of the Year Star 67 Stay Frosty Royal Milk Tea Sugar, We're Goin Down Summer Days (song) [this is a martin garrix song patrick lent some vocals to] Sunshine Riptide Super Fade Switchblades and Infidelity Tell That Mick He Just Made My List of Things to Do Today The "I" In Lie* The (After) Life of the Party The (Shipped) Gold Standard The Carpal Tunnel of Love The Kids Aren't Alright The Kintsugi Kid (Ten Years) The Last of the Real Ones The Mighty Fall The Music or the Misery The Patron Saint of Liars and Fakes The Phoenix The Pink Seashell The Pros and Cons of Breathing The Take Over, the Breaks Over The World's Not Waiting (For Five Tired Boys in a Broken Down Van) This Ain't a Scene, It's an Arms Race This City* Thnks fr th Mmrs (song) [for some reason the site specifies song here, despite that not being necessary. the only other times this distinction is relevant is when songs share a title with their albums, i.e. save rock and roll] Thriller Tiffany Blews Twin Skeleton's (Hotel in NYC) Uma Thurman Untitled 1 (Colorado Song) Untitled 2 (Jakus Song) [both of these are recently released tttyg era demos] W.A.M.S. We Didn't Start the Fire We Don’t Take Hits, We Write Them [this is a song that famously was only ever performed live. we don't have a studio recording or even a demo, as only live versions exist] We Were Doomed from the Start (The King is Dead) West Coast Smoker What a Catch, Donnie What a Time To Be Alive What's This? When I Made You Cry* Where Did the Party Go Wilson (Expensive Mistakes) Wrong Side of Paradise [llamania ep] XO You're Crashing, But You're No Wave Young and Menace Young Volcanoes Yule Shoot Your Eye Out

in conclusion i have no idea who compiled this list. it doesn't include every song patrick and pete have ever touched (notice the lack of gym class heroes, cobra starship, and hush sound discography) but it has a really weird selection of songs. i mean, blink songs patrick wrote on?? its bizarre.

anyway do you think if we mass request swing me by the rafters they'll have to do it

[steveshairychest]

5 years he's been in hiding.

5 miserable years he's had to go by a different name, wear different clothes and tell a different story to everyone he meets. He's been James, Frank, he thinks he even went by Dustin at one point. He's had long hair, short hair, he's been bald. He had a beard for a while and taught music in a small music store, but he shaved it off after a week because all he saw in the mirror was Wayne, his uncle, his family, the man he abandoned.

For 5 years, he's been everyone but Eddie Munson.

The government told him he couldn't be Eddie anymore.

"Eddie Munson is dead." They told him; they even had the death certificate to prove it. "Don't come back to Hawkins. Keep moving. There are still people looking for you." Was the last thing they said to him before dropping him off with a wad of cash in some town he's never been to before.

He'd asked for the date at the front desk of a motel, and they'd told him April 20th. Eddie had crumbled down to his knees and cried, he'd cried so hard the motel clerk asked if she should call someone, asked if he was alright.

"I'm fine." Was his broken reply. He'd taken the key for his room, curled up on the uncomfortable bed, and didn’t move for days. He wasn't alright. He'd been in a government hospital for what he thought was a few days but was actually over a month and then released into the world like some rehabilitated animal. He didn't get to say goodbye to anyone. Fuck, he didn't even know if they all made it out of the upside down. All he knew was that he was alone. And that he couldn't go home. Ever.

He'd eventually gotten over himself and made some kind of life for himself.

It took him a few tries to find something that stuck, something that felt sort of like himself. Every few months, an ungodly amount of money appears in his bank account. The formal bank statement says it's from an estranged relative. Eddie knows it's not. He knows it's the government's way of buying his silence. His expensive rent and struggle to find a job is the only reason he doesn't send it all back to them.

He's lived in his current place for a year now, which is a new record for him, but he's got no friends. Well, he has acquaintances, people he can laugh with every now and then and go out for drinks with, but no one who knows him. No one who knows why he wakes every night screaming, no one who understands why he flinches when the lights in the bar flicker, why he hates the sound of people cracking their knuckles and why his hands shake whenever anyone mentions the scar on his face.

It's late at night when he's covered in sweat and his throat is raw from screaming awake from a nightmare, that he really misses his friends, his family, the people that he went through hell with. He's not allowed to call them, not allowed to send them letters or visit. He's not even allowed to know how Wayne is doing. It hurts. It hurts so much. He can't even look at himself in the mirror anymore because he's aged, and he's slowly starting to look more and more like his uncle.

But his friends are a little harder to escape, it's like parts of them have found him and are trying to haunt him, trying to remind him that he can't be a part of their lives.

Just last week, he walked by a book store and saw a brand new fantasy graphic novel on display in the window, 'written by Mike Wheeler & illustrated by Will Byers' was displayed on the bottom of the cover in gold letters. He's never bought a book so fast in his life. He's read it front to back 3 times already.

He can't even watch the news in peace because they were doing a news story about a small town basketball player who's made it to the big leagues and is winning everyone's hearts with his skills and bright personality. Eddie had cried and wished he'd been there to congratulate Lucas, wished he could have been there to tell him how proud he was.

Even Nancy is haunting him. Her news articles get delivered to his front door every day in the paper and most of the time the articles aren't even sad, but he cries at his small dining table alone, his breakfast cold and his coffee filled with his tears.

He misses his friends. He misses them so much and it's eating him alive. It feels like he's lying on the ground of the upside down all over again, tiny little mouths ripping away at his flesh except this time it's happening from the inside. Each time he's reminded how far away he is from his friends, a small piece of him is eaten away.

He doesn't know how much more he can take.

And then something odd happens. He gets a postcard and it's addressed to him, the real him; Eddie Munson.

The handwriting is hard to read and some words have been crossed out but the name signed at the bottom of the card pulls a sob from Eddie's throat and has him almost crumbling on his doorstep.

I'm sorry I took so long. I'll see you soon.

From Steve Harrington.

[rillils]

STEVE & BUCKY'S LOVE STORY, UNABRIDGED SOMEWHAT ABRIDGED, part 2/3 (here is part 1)

picking up from where we left off:

some 65 years into the future, steve's plane is fished out of the ice, and they find him, frozen like a sexy hot-dayum popsicle, but still alive thanks to the same super serum that made him go from Smol to Lorge.

steve is thus brought back into the world, but it's a world he no longer recognizes after all these years; a world where all the people he used to know and love are long dead, and his own face has been turned into a tool for propaganda over the years. obviously, he has a hard time adjusting, and he turns to fighting again, joining this group of kinda possibly superheroes, aka the avengers.

lots of exciting new things happen, sure; but steve is still pretty miserable. until one day, a mysterious masked assassin dressed in bondage gear (but not really), and sporting one very shiny metal arm (!!!!), is sent to kill steve's sort-of-boss. and then to kill steve himself. oh no!!

in what is possibly the most gripping, most visually pleasing hand-to-hand fight sequence in the history of cinema,

(NO BUT SERIOUSLY, all jokes aside, if you've never watched it then please do bc it's!!! *shrieks* so fucking good!!!)

a fight sequence which also happened to unlock both steve's and an entire fandom's competence kink with that little sexy knife-flipping trick alone -- i know you know what i'm talking about, don't you lie to me babes--

as i was saying, steve manages to knock the mask off of his opponent's face. and who do you think appears before him? can you guess??

DING DING DING!!! EXACTLY!!! IT'S HIS LONG-LOST BAE BUCKY! who apparently doesn't recognize him??

confused and upset, steve fights to uncover the truth. turns out, the man is indeed the very same bucky he grew up with and loved. only, he didn't actually die in that tragic fall in the ravine; rather, due to the experiments performed on him while he was a war prisoner, he survived long enough to be found and captured by the enemy. who then proceeded to torture and brainwash him, using him as a tool for murder against his will, and literally putting him back in the freezer when they didn't need him.

which, as it happens, is how he stayed so young in the first place: he, uh, spent the better part of 70 years frozen. yeaaah, are the parallels paralleling or what, hmmmm?? preserved in ice like your mom's best lasagna from last week? plunging to a 'death' that isn't really a death? waking up in the future kinda screwed over? :D

ANYWAY

steve is even more devastated than before, now that he's learned that while he was asleep in the ocean, bucky was out there suffering. when he finally confronts bucky again (and it's fucking epic and also fucking heartbreaking, believe you me) steve is desperate to bring bucky, his bucky, back. knowing in his heart that his bae is still somewhere in there, no matter how deeply buried.

in the most critical moment(TM), steve chooses to stay behind, on a plane that's about to fucking blow up around them - just like bucky did for him all those years ago - because if he can't save bucky, then he'd rather die with him.

only, bucky is scared and confused af at the moment, and he attacks steve, because 1) he has a mission after all, he's supposed to kill this guy dammit, and 2) wtf is even going on here??? who IS this man, WHY does he keep saying that they've known each other their whole lives?? and WHY does bucky feel like he's actually seen him somewhere else before?????

AND HERE IS THE PIVOTAL MOMENT OF ALL PIVOTAL MOMENTS: for the first time in his life, steve refuses to fight back. like he literally drops his shield out of the plane and into the river underneath, in a very powerful and symbolic gesture, signifying his surrender: he's not going to hurt bucky anymore, no matter what. THIS FUCKER LITERALLY LETS BUCKY BEAT HIM TO A PULP, WITHOUT EVEN TRYING TO DEFEND HIMSELF, 100% ready to let bucky kill him if that's what's gonna happen here, because that's still better than living in a world where bucky's gone - a world where bucky will look at him and only see a target, or a stranger at best.

and then!!!!

no this is like, this is THE most romantic shit, okay, like you could try to convince me that it isn't for the next hundred years and i wouldn't buy it, because. BECAUSE.

at the very last moment, steve finally manages to break through bucky's brainwashing, breaking the metaphorical spell bucky was under. and do you know how he does that? i ask you, do you know how steve does that, my love?

by repeating to bucky the very same words bucky offered him way back in the beginning, when he proposed asked steve to move in together. till death do us part the end of the line, baby. romeo could NEVER

bucky, who was about to deal the fatal blow, freezes instantly, finally recognizing the man under him.

and when steve falls out of the plane, bucky jumps after him, instinctively saving his life instead.

but bucky can't stay. confused, wounded, vulnerable, and only just beginning to remember who he used to be and what was done to him, he slips away and hides from steve - and from all the other people who might be looking for him, and probably want him dead. you think this is gonna stop steve, though?? now that he knows that bucky is still alive, and that he remembers him??? now that he knows that bucky's not lost to him forever?? AS IF!!

(to be continued in part 3)

[tongue-like-a-razor]

Less Talk | Part III

Jake Seresin x F!Reader

Summary: Jake can't stand Bradley's best friend. What's more, he's probably in love with her, which really pisses him off.

CW: mild angst, Hangman being a dick aka Hangman being himself, unresolved sexual tension, swearing, drinking

Part I | Part II | Masterlist

You’re watching Jake so grimly that he almost wants to give you a hug. But, the next moment, you let out a heated sigh and shake your head irritably. “God, Jake, nothing happened,” you say, as if he’s the one who’s shown up at your doorstep unannounced in the dead of night.

He gives you a stony look that, unfortunately, you don’t see because you’re no longer watching him, so his efforts go completely unnoticed. “If nothing happened, then why are you here? Past midnight. Crying.” To his chagrin, the tone of his voice is far too vexed to emulate the indifferent attitude he means to preserve.

You lick your lips and sniffle. “We had a fight,” you say.

Jake stares at you impatiently, waiting for you to look back up. When you don’t, he says, “You fight with everybody.”

This makes you look. He’s dreadfully satisfied with peeving you – the only satisfaction you’ll likely ever give him. “It was a big one, obviously.”

Jake studies the expression on your face, trying to gauge whether or not you’re hiding something. “Where is he?” he asks, feeling like he needs to punch something. And soon.

You take a long time to respond – so long that Jake almost poses the question for a second time. “I don’t know,” you finally say.

“What do you mean you ‘don’t know’?”

You shrug, your lips beginning to tremble anew. “He just left.”

What Jake experiences at the sight of the fresh tears filling your eyes is abhorrent. The simultaneous desire to alleviate your pain and beat the living shit out of Mustang offsets his entire world in a way that puts your well-being at the top of his priority list. Hell, he doesn’t even have a priority list. You are it. And with this absurd notion weighing on the ever-growing vortex of his newly discovered emotions, he resolves to tell you just what he thinks of your idiotic boyfriend. “Well, he’s obviously a moron,” he says curtly.

You glance up at him again, less angry than before. “He’s a lot like you in that respect,” you say with a hint of a smile.

Jake scoffs and, before he can stop himself, says, “I would never walk out on you.”

You stare at him for a moment before lowering your gaze awkwardly.

Jake cringes, realizing that he could have said just about anything else and it would have been better. Moreover, in his attempt to rectify the situation, he blurts out this obnoxious tidbit: “You’d never let me hear the end of it.”

You roll your eyes but then you bite into your bottom lip and your eyebrows lift inward. You glance up at him woefully and say, “I’m not that bad, am I?”

Jake watches you carefully, wondering why you’d care what he might have to say on the matter. He tries to determine what his response might be before deciding if he’s going to be honest. On the one hand, you are that bad. On the other, when it comes to you, bad takes on an entirely different connotation. “You could be worse,” he responds vaguely.

You stare at him miserably. “You can’t stand me,” you remind him.

Jake nearly laughs; that’s how absurd he finds your statement. “Well, that’s more or less mutual, is it not?”

You nod slowly.

“In any case, it’s hardly relevant since I’m not your boyfriend.”

“But what does that say about me?” you ask. “I piss off everyone around me. You said it yourself, I just can’t shut up.”

“Why should you?” he says, his anger flaring despite his every effort to control it. His response seems to catch you off-guard because you blink up at him sharply. “I just mean, who cares if you piss someone off? That’s not a you problem,” he reasons, although he’s painfully aware of just how much he’s contradicting his every complaint where you’ve been concerned.

“Well, it’s kind of my problem if my boyfriend hates me,” you say, your mouth finally relaxing into the beginnings of a smile.

Jake cocks his head to the side and purses his lips. “I don’t know,” he says. “Sounds like you just need a new boyfriend.”

You scoff and turn away. The moment your back is to him, Jake shuts his eyes and passes a hand over his face with a silent sigh. He watches you travel the length of his living room and unplug a fan that isn’t turned on. “You shouldn’t keep your electric appliances plugged in when they aren’t in use,” you mutter absently. “You’re wasting energy.”

Jake rolls his eyes despite the smile tugging at the corner of his mouth. “How much energy does a table fan waste when it isn’t even on?”

You shrug, glancing over your shoulder. “How many electrical devices do you currently have plugged in that aren’t ‘even on’?” you ask, using air quotes to emphasize the final two words. “It adds up, thereby increasing your carbon footprint. Imagine everybody lived as carelessly as you do?”

Jake grins broadly. “The horror.”

You nod without the tiniest bit of amusement. “My thoughts exactly.”

Jake watches you resignedly, not at all surprised that you’ve found yet another reason to reproach him. “Are you hungry?” he asks.

You eye him suspiciously, as if you don’t quite trust that he won’t poison your food.

“We’ve got some leftovers,” he says, nodding toward the kitchen through the corridor. “Have you eaten?” You consider his offer at length as though he’s proposed a shotgun wedding rather than a pot roast. “Come on,” he says, waving you over as he makes his way into the hallway. “I can’t wait to hear what you have to say about my cooking.”

…

“This is surprisingly good,” you comment as Jake pours you a glass of wine.

Jake chuckles. “That might be the first nice thing you’ve ever said to me.”

You lick your lips and smile up at him as he takes a seat across from you at the table, popping the cap off a beer. “Your turn,” you say, wiggling your eyebrows.

Jake sneers and then guzzles half his bottle in one gulp. He sets the beer down to find you watching him expectantly.

“You can’t think of anything?” you ask incredulously.

Jake runs a hand across his chin, watching your smile widen at the thought of him having nothing decent to say about you. Ironically, he can’t think of a single thing that isn’t nice, which is truly agitating him. He racks his brain trying to come up with at least one negative quality because something about you drives him absolutely crazy.

You sigh, returning your attention to your plate. “It’s fine, Seresin,” you say. “Don’t think so hard, I know you aren’t accustomed to it.”

“That,” Jake says, leaning into the table as he points a finger in your direction. “That sharp sense of humor.”

You raise your eyebrows with a laugh. “Oh, you think I’m joking?” You tilt your head sympathetically, but your smile remains.

Jake meets your gaze with an affectionate smirk, silently listing off every other ‘nice’ thing about you, including, but not limited to, the sound of your laughter. He swallows uncomfortably when you don’t look away, unsettled by the unrest in the pit of his stomach that churns every time your eyes meet. He tries to regulate his breathing before it becomes apparent that you’re actively rattling him.

The creak of the front door interrupts the obscenely prolonged period of mutual eye fucking contact. You glance toward the corridor while Jake disconcertedly rubs his eyes.

“Y/N?” Bradley says, walking into the kitchen. “What are you doing here?”

“Uh.” You sigh, setting down your fork and reverting to your previously dejected state.

“Don’t tell me you guys had another fight,” Bradley says jadedly. He glances over at Jake with a grave expression which Jake means to completely ignore.

“He stormed out,” you say, sighing into your half-eaten plate. “I think I really ticked him off this time.”

Jake gives Bradley an unimpressed look when the latter starts thrusting his head around to indicate that Jake should add something to the conversation. Jake takes another gulp of his beer.

“He shouldn’t be taking off,” Bradley says when Jake remains silent. “I don’t care how angry he is.” He looks to Jake for approval.

Jake rolls his eyes. “Why are we still talking about this dumbass?”

Bradley eyes him pointedly. “Didn’t realize you’ve already discussed him,” he says, glancing between you and Jake.

You pick your fork back up and start stabbing at the meat on your plate.

“How was the rest of your evening, Rooster?” Jake asks, avoiding looking directly at him.

“Pretty good,” Bradley responds, and Jake can hear the glee in his tone without even seeing his ridiculous grin. “Yours?”

Jake aims a disdainful scowl in his direction. “Bradshaw,” he says. “You look tired.”

Bradley holds back a laugh and then turns to you. “Y/N, do you want to talk?”

You look up at your best friend with a weary smile. Your gaze slips to briefly glance at Jake before you shake your head at Bradley. “I think I’m good. Thanks.”

Bradley gives you a hug and heads for the stairs, pausing momentarily to throw Jake a final, cautionary look before heading to bed.

“I should go,” you say once Bradley leaves.

“You sure?” Jake asks. “You haven’t criticized my dishwashing skills yet. I bet I use too much water.”

You give him an amused look as you rise from your chair. “Recognizing the problem is the first step.”

He recognizes the problem alright; it’s standing right before him. “What’s the next step?”

“Well,” you say musingly. “In this case, I would say action.”

Jake nods, getting out of his seat. “I could use some of that, for sure.”

Your gaze lingers on him as you let out a soft laugh. You’re an entire table length away and yet he can feel the force of your presence as though you were pressed up against him.

“You could stick around,” he offers casually. “We could watch a movie or something.”

You continue studying him brazenly. “I’d probably ruin it for you.”

He laughs. “We could watch something I already don’t like.”

You smile back at him. “Haven’t you done that enough for one evening?”

Jake doesn’t altogether know how to respond without making it painfully obvious just how much he doesn’t not like you. “Yeah,” he says finally. “So, what’s another couple of hours?”

You’re watching him thoughtfully which makes him almost hopeful that you might agree to stay, but then you respond with, “Maybe another time.”

He nods, keeping his eyes trained on yours. “Another time,” he agrees. But as you head for the door, he decides to try another tactic. “Should you be driving after having that wine?” he asks.

You give him a flat look. “I had half a glass. If that.”

Jake shrugs slightly. “It was a big glass.”

You roll your eyes. “It’ll be fine, Seresin.” You reach for the doorknob.

“Wouldn’t it be nice if, for once, he came home, and you weren’t there?” he asks.

You look at him sharply. “He won’t be home for hours.”

Jake gestures at the open living room. “We have several fine couches. Take your pick.”

You sigh, evaluating his pitch. “No,” you say finally. “He’s already so mad at me. If I stay here, that’ll be the end of our relationship.”

This outcome sounds just dandy to Jake, but he can see the worry in your expression, so he pulls on the door and holds it open for you, following you out onto the porch to walk you to your car.

“Drive carefully,” he says once you’re seated, leaning down to peer into the car as you buckle your seatbelt.

You nod. “Thanks for dinner.”

“Thanks for the company,” he responds.

You chuckle. “Yeah, about that… sorry I imposed on your evening.”

“Yeah,” Jake agrees with a smirk. “That was kind of rude of you.” When you laugh, he adds. “No, but really, I don’t mind. Come over anytime.”

You gasp at him to simulate shock. “And subject you to my numerous opinions?”

Jake’s grin widens. “I’m getting used to tuning you out.”

“So, what exactly is it that you gain out of my company?” you ask with raised eyebrows as you start your engine.

Jake raps on the hood of your car a couple of times before responding. “I just don’t want to deprive you of my company.”

You snort. “That would be a tragedy.”

Jake lets himself admire your laugh for several seconds before straightening his back. “Have a good night, Y/N,” he says, and then he shuts your door.

You pull out of the driveway and stop your car on the side of the road. Jake watches curiously as you step out of the car. He approaches you slowly, his eyes drifting up and down your figure involuntarily. He blinks to reorient himself, exhaling sharply as he comes to stand before you. He slips his hands into his pockets to avoid the temptation of using them to pin you to your car and then running them along the curves of your body. You’re looking up at him with a sheepish expression, completely unaware of the turmoil he’s up against in this very moment. “What’s up?” he says sternly; employing exaggerated masculinity to help assuage his crippling desire to kiss you.

Instead of responding, however, you stretch up onto your tiptoes and wrap your arms around his neck. In his shock, it takes a second for Jake to loosen his rigid stance; to remember that his hands are still safely tucked into the pockets of his jeans. He draws them out slowly, holding them cautiously on either side of your body, wondering just how catastrophic it would be if he were to reciprocate the hug. “You really helped me tonight,” you say softly, your breath warming the crook of his neck.

He lets out a weak chuckle that dies the second it leaves his lips because, at that moment, you press your cheek into his shoulder. His hands close gingerly around you. He’s barely holding on, but you feel just right in his embrace. Like the dip in your waist belongs between the palms of his hands. “Glad to be of service,” he mutters, his voice a little rough as he attempts to process this turn of events.

You detach yourself from his grasp and give him a friendly smile. So friendly, it nearly kills him. “Maybe I can return the favor someday,” you say.

Jake stares at you, trying to come up with at least one favor you could do for him that isn’t sexual in nature and drawing a complete blank. “Maybe,” he says uneasily.

“Anyway,” you say. “Sleep well.”

You flash him one last smile before climbing back into your car while Jake takes several steps back, wondering how the fuck he’s going to sleep at all after having experienced that.

Read Part 4

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[crystlizabeth]

I miss you

Simon ‘Ghost’ Riley x Fem!reader

Warnings: suggestive, angst, toxic relationship, mention of death.

.˚₊‧ ── ⋆⋅☆⋅⋆ ── ‧₊˚.

It was scary the way he could love you so tenderly and leave with out a word. How his lips trailed down your body his praise putting you in a state where you felt like you were floating his large hands intertwined with yours his body above yours. You let yourself fall into his gravity kiss, your kiss brought him back to life. He wanted every single pice of you and you handed it to him. You were his to treat you soft, yet so cruel.

And if you weren’t under him you stood across from him tears falling down your face, his harsh words digging so cruelly. His thumbs whipping them away his words telling you to stop that. To stop crying making him the bad person, that he didn’t mean to say those mean things.

His arms holding you close in your shared bed pulling you into his chest his warmth. But when you woke he wasn’t there anymore you where cold, and it would be like that for weeks, months at a time him reaching out maybe once. He did this to keep you safe, from the monsters he was when he wasn’t with you. You wish he never let go but that’s just the way it was.

It became a simple routine. When you saw him again his arms held you closed the lights going down. His word were soothing to you, his careful whispers and he kissed your face.

You played so filthily in the dark, for you both were living so many worlds apart. That’s what made everything so hard. And every time he left again with nothing to say not a single fucking word it only made it harder.

You held yourself as a sort of comfort reminding you weren’t alone that he would be back. You missed him, you missed his touch, his kiss, even how he yelled at you.

You could only hope that he wouldn’t be so bored of you. But he would always say how could I that you were the reason he came home. Even if he acted cold he would come behind and kiss your shoulders whispering sweet nothings to you the reassurance drowning out your insecurities.

You wished he stayed and he wished he stayed to, but his work was his life and you were just a light in his life important yes, but not important enough. He wished he’d done a lot of things with you he wished he wasn’t so scared to put that band on your finger.

He must tell the truth, but he already made you cry how he knew your heart stayed heavy with out him. Your teary eyes looking up to him begging him to stay before he went away. He couldn’t keep hurting you he couldn’t trap you to continue to love him, I love you, you would say.

I know he would answer, tell her the truth that he loved her that he would do anything for her yet he never did he never said I love you.

He knew what your friends said to you that if you weren’t such a fucking loser with no self respect you drop him because he treated you like shit. But you insist that he was who you wanted that you missed him and loved every bit of his broken soul.

You both were nothing but two broken kids who hurt eachother. Everyone said that if your love died would it really be a bad thing? That maybe you would be happier but with Simon your smile was so bright, you’d given so much and he’d given you barely anything. He knew how hard you cried over him, how miserable he made you yet your smile was so bright. How could he the man’s that’s made you throw up sob cause a smile that was so happy.

His arms pulled your body out of the tub the cold water soaking him and his clothes as he held you close. Your limp body falling close to his as he cradled you your dead body close to him. Your hair sticking to your face. He cried, normally rather die than cry in font of you and god he’d rather lie then tell you that he was so deeply in love with yiu, but his fucking pride his fear to love and open himself kept that part of him from you. You did nothing but show him your love and friendship you had him smile and laughed like he’d hadn’t done in years. He wasn’t there, maybe if he’d just pick up that damn phone when you called you still be here warm, filled with life and not cold and dead.

I miss you, was the text you last sent after all of those blue bubbles keeping him updated with what you were doing.

His back was against the wall as he held you so close he could save you, he wish he stayed. He couldn’t be what you needed to him he was unlovable, but now he could see that how he made you feel. While you were bleeding in the tub, you could only whisper how much you missed him, that you wished me love you the way you did him.

I love you, god I love you so much I’m so— harsh sobs left his lips im so fucking sorry..

I miss you, god he missed you.

[gnomeantics]

for those unable to attend the livestream i present:

NOTES FROM THE HATCHETFIELD HALLOWEEN PARTY 14th October 2023, 01:00 BST (my time!) / 13th October 2023, 17:00 PDT (their time!)

Note: These notes are at times a little nonsensical and useless and just quotes. This is because it lasted from 01:00-04:00 for me meaning I was incredibly tired. Please bear with <3

Section 1: Nerdy Prudes Must Die talkback

Started with chiptune of Feast or Famine and then chiptune of Jane’s A Car

Steph’s dad may be dead but at least she has a boyfriend <3

Joey was eating beef and potato stew for most of the first segment

When Jeff was asked for the inspiration for The Summoning: “[…] I don’t know. That just popped in my head. It could be true.”  (His answer was Wizard of Oz.)

Section 2: Hatchet Town Trivia Challenge

I tried to keep track of “chat vs cast” points but lost count and failed rather miserably

Nora’s last name is Beanie. Nora Beanie

Jeff is “an avid lover of baby-water” (water pure enough for babies to drink) and “widely known as Doctor Spreadsheets” (my notes just say “baseball game”)

Every time the world destroys, Ted dies twice: once as Ted, once as homeless guy

Lex helped deliver Hannah by teleporting her out of the womb through the Black and White

Greenpeace Girl’s name is Harmony Jones!

Wilbur Cross murdered Duke Senior (Duke Keane’s dad) this may be explored in future.

Section 3: Workin’ Boys

All of my “notes” here are just gushing about the characters. I have written nothing useful enough to be put here

Section 4: Workin’ Boys talkback

Chad was not included in WB because it was deemed that nobody could live up to the legend. This spawned the “Darren 4 Chad” movement in chat

The Workin’ Boys album will be out around next week if all goes to plan. It is 5 tracks and would include Mariah’s version of the Show Stoppin’ Number monologue as well as at least some of her singing it (as seen in the show; hoping for a full version!!)

Mariah’s character in the audience was called Woman.

Lauren’s character in the audience was Courtney, Thrash’s girlfriend from Killer Track

Paul Gabriel’s character was Paul Gabriel

Linda Monroe auditioned for Workin’ Girls and was the only one who didn’t get a part (Ruth was chosen over her). This is why she was happy to see it crash and burn

The programmes made for Workin’ Girls had very detailed bios, which hopefully when in full quality will be readable when paused. This may set up the potential for the Workin’ Girls actresses to be in future HF projects where this can be explored

Jaime will hopefully be in the next Starkid musical!!!!

The Black Book was originally supposed to debut in Workin’ Boys, in its original form in 2020

The 2020 version was planned as a feature-length film but eventually it was decided that it was confusing and remodelled.

The Summoning was supposed to be in Workin’ Boys – the producer would have tricked Hidgens into making the girls perform a ritual; it was realised that this didn’t make much sense so the song was transferred to NPMD

Section 5: The Future Of Hatchetfield

Hatchetfield was supposed to be finished by 2020

Starkid is not going to be exclusively Hatchetfield in the future; their next full-length musical will not be Hatchetfield

NMT3 is hopefully going to happen provided there is enough interest! It was supposed to happen in the same year as NMT2 but they take a long time to write (much longer than a full musical) so that couldn’t happen

NMT3 would conclude Lex and Hannah’s story after Yellow Jacket

It would be produced more face to face like a TV show – Nick said “less Zoom call-y”

It would include stories withheld from NMT1 and NMT2

It would entirely depend on how much interest, particularly views on NMT2.

It would be Halloween themed.

“More things akin to Workin’ Boys would be nice” - Nick

The episodes would be:

Bottle Imps

“Bill Woodward has been chosen to test CCRP’s latest and greatest product: Bottle Imps. These reality-bending buddies will bring their owner the one thing they desire most. When his new imp, Lovely, leads him to his soulmate, Bill decides to use his magical companion to play matchmaker. But to help Charlotte find the man of her dreams, Bill will have to bend the Imp’s rules. Rules he’s been warned, must never be broken…”

Frankenruth

“Desperate to see a naked body, Ruth Fleming and Richie Lipschitz volunteer at the morgue of St. Damian’s Hospital. Their terrible plan becomes exponentially more terrible, when they become unwitting subjects in the experiments of the body-snatching madman, Doctor Lazlo, who claims to have conquered death itself. If Hatchetfield thought Ruth was bad before, then they will cower before the unspeakable horror of… Frankenruth!”

Becky Barnes Climbed A Tree

“Becky Barnes is on top of the world! Not in a literal sense, of course. She’s deathly afraid of heights. After years of struggle, Becky’s life is finally everything she dreamed it would be. She’s engaged to her High School sweetheart, Tom Houston, and the two have a surprise baby on the way! But as the couple prepared for the arrival of Baby Marie, a shadow from Becky’s past returns to haunt them.”

Devil’s Night

“Tim Houston has a crush. Unfortunately, it’s on his older, mature, and totally cool babysitter, Grace Chasity, who he fears will never see him as anything but a snot-nosed little kid. But when a devilish maniac with murderous designs on Grace attacks Hatchetfield the night before Halloween, Tim must protect his beloved, or join the killer’s growing body count. It’s another slashing adventure on the night HE came home… Devil’s Night.”

Miss Holloween

“It’s Halloween in Hatchetfield once again, and Miss Holloway is celebrating the same way she’s done for decades, staving off the horrors that go bump in the night. But when Duke gives her an invitation to his wedding, the dejected Miss Holloway begins to chafe under the terms of a contract forged many years ago. She strikes a new bargain, but unfortunately her creditors are known for their tricks, not treats. Just as Miss Holloway gives up her powers in exchange for a mortal life, a monstrous new threat rears its ugly head. As All Hallows Eve descends, and all Hell breaks loose, Miss Holloway must save the town or die trying… for real this time.”

Orbweaver

“Lex Foster had a life once. A home. A boyfriend. Now there is only the road, and her sister, and the fear of the men who are hunting them. As Hannah Foster watches Lex sink deeper into despair, she is certain of only three things: Webby is gone. She cannot help them. They are alone. Elsewhere, an old soldier awakens from a catatonic state. Returned from some unimaginable Hell with a mission. He knows that somewhere two magical girls require immediate evac… then maybe some coffee.”

As NPMD was conceived of first, it was supposed to be a Nerdy Prudes series: Nerdy Prudes Must Die, Horny Campers Must Die… (this was turned into NMT2’s Abstinence Camp)

The next Hatchetfield full-length musical would probably be about Miss Holloway if there was enough interest.

There is the possibility of a full movie set in Hatchetfield if there is enough interest. (Workin’ Boys was like a trial for how Hatchetfield works in film)

It would be called Cast Party Massacre

“The Hatchetfield Community Players. You will never find a cattier troupe of two-faced thespians. But when the blood begins to flow at their latest show’s cast party, they must consider: is there a secret murderer in their midst? And more importantly, who amongst them is a good enough actor to pull off such a performance? Can they set aside their petty squabbles and tangled romances, or is it curtains for this ensemble? Who will survive… the Cast Party Massacre!”

It would possibly feature the girls from Workin’ Boys.

The licencing rights to TGWDLM will be available soon!

[super-paper]

"When I was shouting from the top of that building, thoughts of Himiko Toga filled my head. I shouted at her about what I thought was right, but it twisted her face into the saddest expression I'd ever seen."

This one is mostly directed at the "Himiko *was* saved and dying is a fantastic way to end her arc because she's dying happy, fulfilled, and on her own terms" and "Hawks is too injured to help, there's no one else capable of helping, she's dead, get over it" crowd.

Himiko has the same laments as Touya-- "If only someone had loved me sooner, then maybe I would have been happy just being myself..." "If someone had reached out and given me love sooner, then maybe I could have finally given something back to the world....." It's an utterly dismal, depressing note to go out on.

Himiko isn't smiling happily in her dying dream-- she's wearing the same miserable, resigned smile she had when she let go of that last bit of hope that Ochako and Izuku would ever understand her. This time, she's smiling resignedly because she’s letting go of the life she thinks she’ll never have-- because she thinks it's too late and that the world will never be any easier for her to live in. In both scenes, Himiko is letting go of her hopes-- and in a series that's all about inspiring hope, this is something that needs to be challenged.

Ochako's goal started from wanting to alleviate her parent's burdens because they always wore tired, unhappy expressions-- that goal eventually grew into wanting a future where they can all smile together. And Himiko is explicitly tied to that goal.

I'm getting more and more convinced that Ochako's role as a "normal girl" who is able to inspire the civilians to see the heroes as human is what's also going to play a big part in getting them to see the villains as human. Ochako's heroism touched Himiko and made her heart lighter-- but it also touched the civilians, the media, and Keigo.

The phrase "the feelings of a single girl can change the world" has been repeated several times now throughout Ochako and Himiko's arcs during the final act. Ochako reaching out to Himiko and saving her, and Himiko attempting to sacrifice herself to save Ochako... both scenes are being broadcast to the world right now. Multiple civilians who got stranded within the vicinity of Gunga are currently watching the battles via livestream... while in possession of multiple high-speed transport vehicles. Basically, what I'm saying is: There are more people who are capable of reaching out and helping than this chapter leads us to believe, and that's relevant to Ochako's arc as someone who has connected the spirit of OFA to the people.

If "the feelings of one girl can change the world," now would be a good time for "the world" to respond to those feelings.

[fandoms--fluff]

Hi I was wondering if you could do a Damon x teenage reader but the reader sees Damon as a sorta father figure

Enough

Female teen Gilbert reader x Damon Salvatore

Warnings: bullying, ed, cutting, I think that's all

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

You're sat on his bathroom floor, thinking. Just two weeks ago you got back from Denver. Being compelled to move there because of your big sister, Elena, is one of the worst things that's ever happened to you. You were miserable there. The empty feeling after being forced to leave Mystic Falls never went away for those long months your and Jeremy were there for.

Your anxiety went through the roof, not being familiar with the place. And having to make new friends and meet new people.

But the worst was the bullying.

The kids at the high school there were cruel. They took one look at you on your first day and by lunch there were horrible rumors about you going around. Which you obviously hadn't told Jeremy about, not wanting him to worry about you or bother him with something as stupid as that.

The boys would come up to you, pretending to be interested, but then burst out laughing with their friends who were behind them when you looked even mildly interested in them.

The girls were the worst yet. Especially the one friend group of nine. They would come up to you in the hallway, during classes, during lunch, and even after school. They'd harass you, talk about your dead parents that has somehow gotten out, pretend to feel pity towards you, basically anything to make you rethink your existence.

They even made fun of your weight for a straight week, and the body you once loved, became something you hate. You hadn't consumed anything but water and maybe an apple here and there, just so no one would question anything. It wasn't until Jeremy brought up how pale you looked and started watching you more carefully at meal times did you start to eat more consistently.

But only a bit. Not enough a fifteen year old girl should eat per day.

Damon had fed you some of his blood yesterday. You had gotten hurt from one of the last remaining hybrids. The hybrid tried to suck you dry, but Damon had showed up in time to get you out of there and healed the bite mark and bruises on you.

You looked down at your wrists where there were cuts just a second ago before they healed, a razor laying on the ground in front of you. The blade littered with your blood and a couple drops on the floor underneath. 

The blood must've been still on your system.

Again you picked the razor up and slid it across your wrist and fore arm causing a deep scratch releasing some blood. You kept on repeating this action before switching to the other wrist. 

You had started cutting your wrists when you had gotten back, not knowing what to feel, and what to think is true or not. Always gave those girls and kids voices in your head. And not knowing how to act around Damon since you've learned he was the one to compel you. Someone who you trusted countless times before. You just don't know what to say or how to act around him. You've just done your best to avoid him.

Which had gotten kind of hard, considering you lived with him and his brother. Safer there than at your actual home. At least at the boarding house you didn't have the lingering memory of your parents.

Everyone thinks you're fine, you responded exactly how you knew they would want you to when they asked if you were okay. No one suspecting a thing. Except for Damon, yes he hasn't been the best person in the world, though he does care for you a lot, he can't tell exactly why, but he does. That's why it was so hard for Famon to compel not just Jeremy, but you as well to leave Mystic Falls to go to Colorado.

You had grown close to Damon after he came to town. You met him when Elena and Stefan brought you over to the boarding house to keep you safe for a couple of days while Jeremy was staying with Alaric. He immediately took a liking to you. You would just sit in the library reading one of the many old books for hours and when you weren't doing that you would be hanging out with him. You and gotten close fast.

Stefan and Elena didn't like it at much in the beginning, but came fonder of you guys having a friendship as the weeks went on. Damon had sort of mellowed out because of you. Not a lot, but some.

Damon can tell when there’s something going on with you and all he has to do is figure out why. Surely it can’t be about the trip. You'd say something to someone, or come to him or at least to talk to him about it a little right? 

Damon is sitting on one of the couches in the main room with a glass of bourbon in his hand and the tv on playing re-runs of old sitcoms from the 70′s. He was carefully thinking of a way that he could get you to open up, in the end he came up with nothing before going into a daze.

It was getting later and you finally stopped cutting yourself feeling somewhat a little better. There are some littered left over cuts that hadn’t healed but you paid no attention to them. You took deep breathes before falling asleep, hoping to not have any nightmares tonight cause you don't think you can hold in the screams so Damon can’t hear you anymore like you had been holding them the past weeks. Before that you grasped one of his pillows bringing it towards your chest, hugging it tightly.

You've been having horrible nightmares about the school and the bullying and the others finding everything out and callig you a bay for how you reacted to the kids there. The nightmares have been taunting you and they won't go away, they've gotten worse every night.

Damon quickly jolted awake hearing screams coming from inside the house. At first he looks at his surroundings, the living room...he must of fallen asleep here. Then he listened and soon realized that those screams were coming from you.

Stefan isn't here tonight, and he hadn't told you at least where he was going to be.

Worried, Damon vamp sped upstairs to your room, surprised that your door is unlocked. He got closer to your screaming and squirming form, placing a hand on your shoulder.

"Y/n....come on wake up. It's just a dream.......Y/n?" Damon slightly shook you.

That only caused you to swing around to face him, still asleep but now hyperventilating. Damon started to shake you more cautiously now, who knew how hard it would be to wake you up from a nightmare. He'd never witnessed you having one before.

“Y/n/n Wake up!” After more shaking and talking to you, you finally sprung up, awake.

While you're trying to calm your breathing down, Damon twisted to his side and turned on the lap that’s placed on the nightstand. 

“Damon? W-what are you doing in here?” you asked the vampire, confused as to why he was in his room. 

“I heard you screaming because of a nightmare and I needed to know you were alright” Damon said softly and gently pushed you back down so you were lying down again. 

“No, no y-you don’t care I-if I’m alright or not” you said looking away from him. Not having anyone beside Jeremy and maybe a few times Elena comfort you after a nightmare. And this was the worst possible one for Damon to be there for.

Damon had a hurt look on his face, but hid it before reaching his hand out and placing it on your shoulder. The action making you face him with dried tear streaks down your cheeks. 

“Baby, of course I care about you. Yes, I may not have said it, but I do” Damon said gently and wiped the tear residue off your face.

“You do?” you mumbled with a tiny pout on your face from your dream and everything going on around you right now. 

Damon nodded and pulled you into his arms, you immediately climbed into his lap and started to sob into his chest.

Damon ran his fingers up and down your back soothingly. He was surprised how fast you broke and hugged you closer to his chest, wanting you to feel safe.

After some time, you pulled back to look at him with teary eyes and your hands shaking. Damon gently grasped your hands to stop the shaking and looked down to see an angry red patch on your wrist. Bringing your wrists up closer to see, he rolled up the sleeves of your hoodie to show all of the unhealed scratches on you wrists and forearms. 

“Y/n? Why would you?” Damon was at a loss of words.

You looked at him in the eyes, mouth parting, wanting to explain but just can't and not knowing how to.

"Y/n/n, you need to tell me what made you do this. Is it from Denver?" Damon asked more gently this time.

You nodded slowly with tears running down his cheeks.

"It w-was bad. K-kids made f-fun of me. St-starved myself. C-cutting myself helps t-take pain away fr-from me" you explained, whispering.

He quickly wrapped his arms around you again. You relaxed a little into the vampire, nuzzling your head into his chest before you started talking.

"Why don't you think I'm pathetic? You can be honest, we both know the answer is yes" You mumbled.

"Y/n, you are not pathetic, don't ever call yourself that again. You're enough, you're an amazing person, don't let anyone tell you otherwise. If anyone ever calls you pathetic again, you tell me and I'll make sure to raise hell on them." Damon explained and placed a kiss on top of your head which he's never done before.

That brought a small smile to your face and you mumbled out an 'okay'.

Damon is about to get up but you quickly wrapped his arms and legs around him tighter making sure he won't leave you alone.

"Don't worry baby, I wasn't going to leave I was just going to get into the bed so we can get a bit more comfortable than on the chair" Damon reassured you. You nodded, understanding and got off Damon, climbing into the bed. You moved over a bit so he could also get in. When Damon laid down, right away you cuddled into him, using a strong grip.

"Baby, promise me you won't ever cut yourself again and if you do have those thoughts just come to me and we can talk about it" Damon kissed the top of your head.

You looked up at him and nodded, "I promise" you mumbled and Damon smiled hearing your small words while you started to doze off on his chest.

"I love you Dee" You said right before falling into a deep sleep.

"I love you too, Baby" Damon responded, knowing full well that you couldn't hear him.

[msookyspooky]

i would love to hear your thoughts on mickey alterti as a yandere cause he definitely would be one 🫶

OMFG I'VE BEEN WAITING FOR THIS ONE 😩😭😏

♡ Mickey Being Obsessed With You ♡

Yandere Mickey x GN!Reader • Problematic af

- He saw you on campus and flirted with you regularly. You just laughed it off and soon he started mingling within your friend group.

- You didn't think much about it at first...But it was odd that everytime something 'bad' happened; he was there to offer you comfort and support

- When the Ghostface kills happened, he was the first one to tell you everything was okay and he wouldn't let anything happen to you

- When you found a body for the first time, he hugged you close to him and sshhed you that everything would be alright...How weird he didn't seem too distraught over seeing someone mangled...

- Soon people that slighted you were coming up missing and later found dead. Mutilated beyond recognition, actually. You always saw the way Mickey would glare at them. Absolute hatred towards anyone mean or rude to you...You just thought he was a good friend!

- But when your friends came up dead, this time, you started to freak out. Mickey talked to you in private after a good friend was attacked with a superficial wound. He told you, "...Why would the killer not kill them? Just be careful with them, YN."

- The police were suspecting you or someone in your inner circle. Mickey panicked when the police made you a suspect. You thought he was just THAT loyal that he believed you could never be the killer.

- Soon, your friend was found with evidence in their bag that they screamed wasn't there's. They were arrested and all you could do was accept your friend was the killer all along. You were devastated!

- You felt suspicious of Mickey just because his behavior was odd but with your friend being caught red handed; he was just a good guy! A bit cynical, dark humor, overbearing and overprotective but he wasn't a killer.

- Mickey was the only person you had left and he wanted you to have a movie night with him just to make sure you were okay.

- While at his place, he went to get snacks and you saw his camrecorder just sitting there...You smiled to yourself and snuck a peak. Thinking you'd see movie shots or his friends....Your face fell when you saw the footage.

- Every video was you. From far away a long time ago before you even talked to him clear up to present day. It was endless reel of you. You. You....You.

- You snuck out and ran as fast as you could. Terrified.

- You hid, trying to get to the police when a Ghostface appeared. Trying to grab you as you fought back. You fought with everything you had. Then you heard the voice. Confirming who the killer really was.

- "Don't make me hurt you, YN!" He peeled off the mask and looked at you like you were the only person in the world. "We're okay now. Especially with all those annoying people out of the way. Don't you see it!? We can be together now! It's okay...You can be with me now."

- He holds you captive from that point forward. Whispering sweet words to you in a soft voice while he held his knife dangerously close to your throat. He took you back to his place, letting you know that if you told; he'd kill you or someone you care about. Be a shame if you told police and he wasn't caught. What if your entire family or friends off campus came up dead?...He knew where you lived, where they lived, when they were home....He knew everything about you.

- The killings stopped. Your friend was going to trial. Mickey and you were 'dating' now. It was A-Okay and only because you let him love you.

- He constantly recorded you no matter how miserable you looked. Claiming you were his muse with an adoring smile.

- He was extremely loving towards you. So soft, playful, loyal. He was arguably the best boyfriend you had when he was in a good mood.

- However, that dark look would enter his eyes whenever anyone but him held your attention for too long. Especially another guy. His grip on you would get painful, his mood would sour and he'd start making threats again. Swearing that if you left him; people would die. Maybe even you...If he couldn't have you, no one could.

- He'd hunt you down if you tried to leave him. Knife in hand and a feral look in his eyes. "Don't fight me, YN. You know I love you. You know I only want what's best for you...Just accept it!"

- You were his only. You didn't need friends when you had him. As long as you were good; the mask and knife stayed hidden. But if you acted up and someone got killed? That wasn't Mickey's doing, that was yours. If you ran away and he hurt you? That was your fault too. He can't control himself, you know this. Just be so good for him and let him be a good boyfriend.

- Once you accepted it; he was an amazing guy. He did anything for you. Had no eyes for anyone else. Laughed at every joke. Listened intently to what you had to say with a grin on his face. Would hold you close if anyone dared come near you especially in a flirty way. Loved you like you were the only love he ever knew. Desperate for you every time you were together.

- HOWEVER...Friends were only permitted as long as they didn't take time away from him. People joked that you and Mickey were attached at the hip and you forced a smile to play along no matter how much you wanted to tell them. He had to come to every family get together. He would become distraught, close to tears and rage if you just simply wanted time away with a family member or alone time. It took hours of him trying to emotionally manipulate you and you trying to argue it was fine...He usually won.

- You were his. Only his. You just had to accept this was your life now. That your boyfriend was an obsessed serial killer that made you the object of his obsession.

[engie-ivy]

(Inspired by @wolfstarmicrofic 's Alternative Universes theme! A sort of combined Performer AU and College AU🙂)

1058 words

Sirius Black's emotional break-up songs are topping the charts all over the world. But hearing those songs everywhere he goes, Remus is about to reach his breaking point.

With His Song

Home is where the heart is,

But it's not the concrete, nor the stone,

Not the room you sit in,

But the smile that lights it up.

Not the bed you sleep in,

But the heartbeat besides your own.

Home is where the heart is,

But it's not necessarily a place,

Sometimes, it's tracing the scars on someone's hand,

Sometimes, it's counting the freckles on someone's face.

It's been so long,

Coming home to you,

And did you know,

I could easily move on?

But the truth is,

I just don't want to.

If home is where the heart is,

Then baby, could it be,

That your home is still with me?

Mary lets out a sigh that seems to be coming from somewhere deep inside of her. “My god, I'm going to listen to that song on repeat for the rest of the week,” and after a moment she adds “potentially the rest of my life.”

“Then you're gonna have to get some headphones,” Remus says. “Because I'm already getting sick of hearing it.”

Mary gasps and clutches her chest. “Blasphemy!”

Remus gives her an unimpressed look. “I don't think you're using that word right.”

“‘Irreverence toward something considered sacred or inviolable’,” Mary states unfazed. “So yes, the perfect description of you insulting Sirius Black's music.”

Emmeline nods emphatically.

Remus sighs. “I'm not saying it's a bad song,” he says. “Just that I'm getting tired of hearing it everywhere, all the time.”

Mary opens her mouth to retort, but Emmeline interjects.

“I do sort of relate. It has gotten a painful tinge to hear the song, now that I know I won't be seeing Sirius Black perform it live…”

“You didn't get tickets for his show?” Marlene asks.

“No,” Emmeline sighs miserably. “I'm on the waiting list. Number 329.”

“Not as bad as Hestia. She's number 1550 or something.”

Emmeline shrugs. “In the end, it makes no difference. 329 or 1550, neither one of us is going to the concert. I mean, 329 people will have to die, and I don't reckon I'd be that lucky…”

“Emmeline!” Lily scolds.

“Well, that's the only excuse for not going to a Sirius Black concert, literally being dead,” Mary says. “I'd actually skip my mum’s funeral if I could see him live.”

“Mary!”

“No, no, Lils,” Emmeline says. “You don't know Mary's mum. If Mary were to miss out on seeing Sirius Black for her funeral, she'd actually come back from the death to haunt her.”

Mary nods. “She's a huge fan. Not going to a Sirius Black concert would be disrespecting her memory.” She glances over at Remus. “She might have some things to say as well if she hears that my actual roommate has openly disrespected Sirius Black’s music.”

Remus sticks out his tongue. “Sue me.”

“As soon as they create a law that makes depreciating Sirius Black illegal, which they should, I will!”

“Anyhow,” Emmeline says. “I haven't heard Sirius Black's voice for almost five minutes and I'm getting withdrawal symptoms,” and she reaches out to put the record back on.

Remus gets up to his feet. “That's my cue to leave.”

“You don't have to, Remus,” Lily says quickly. “If you really don't want us to, we won't put on his music. We value your company more than listening to Sirius Black.”

“Says who? Ow!” Emmeline rubs her shin where Lily kicked her.

Remus smiles at Lily. “Thanks, Lils, but it's okay. I have a paper I need to work on anyway.”

The moment Remus closes the door to his bedroom, he lets out a sigh that seems to be coming from somewhere deep inside of him.

Then, almost without thinking, he takes out his phone and punches in the number by heart.

“Hello?” The voice on the other end of the line sounds surprised and, dare Remus think, hopeful?

“You have to stop doing this,” Remus hears himself say. “No,” he then corrects himself. “You don't have to do anything. I'm asking you. Please stop doing this.”

“Remus, what are you talking about?” He seems to be walking away from something– A promo event? A fancy dinner? An exclusive party?– as Remus can hear the voices in the background grow softer. Remus feels a brief hint of satisfaction; no matter how big the event he's at, how important the people he's with, when Remus calls, he gets up and walks away to talk to him, but Remus quickly corrects himself, because it's not like that anymore.

“It's killing me,” Remus admits, pressing a hand against his forehead. “I understand, but… God, it's killing me.”

“Rem,” Sirius, because of course it's Sirius, says gently. “You're still not making much sense. What are you trying to say? Why are you suddenly calling me? Why… Why now?”

“Your latest releases,” Remus says, as he starts pacing the room, though he can barely take two steps before he reaches the opposite wall. It's rather telling of the difference between them, he can't help but think. Sirius undoubtedly in some grand building surrounded by dozens of people who would fall over themselves to cater to his every whim, and Remus hiding out in his eight square meter bedroom cluttered with textbooks and scribbled notes. “I get why you do it. I'm probably terribly biased,” he lets out a brief laugh. “But I think the songs you wrote when we were together, and even after we just broke up, are your best songs, so I get that you would want to release them, to share them with the world and show everyone once again just how bloody talented you are. And you have every right. They're your works, your creations. But gods, Sirius, I can't pretend anymore.”

“Pretend,” Sirius repeats, his voice almost a whisper, and Remus lets it all out.

“I can't pretend anymore that hearing those songs everywhere I go all the damn time doesn't make me want to die! That it doesn't just break me, to hear your voice sing those words, knowing what they once meant, and knowing that they don't mean that anymore! That you don't mean that anymore.”

“Remus,” Sirius interrupts sharply, and Remus immediately stops talking as Sirius speaks. “Do you really think I could sing those words like that, if I didn't still feel that way?”

And Remus’ breath catches in his throat.

[astarionconsort]

Ascendant Astarion was driven by fear, but can you really blame him?

Okay so I just read the newest interview that mentioned Astarion reasoning behind his ascension was driven by fear and I thought it made sense?

Tho I don't believe that fear was the only force behind the reason of his decision to ascend, there's a longing to be alive again to enjoy everything that the world has to offer, the need for certainty and also to protect his loved ones (when he has a love interest)

But let's talk about this fear part, there are people (even the companions) who expected that 'he should have known better' or 'shouldnt even think about ascension' and sees this fear in the recent interview as something that is so horrid but here's the thing.

"You are right to be afraid." I mean DUH obviously it makes sense. Astarion lives in a very dangerous world where countless undead risen from their graves thanks to necromancer toying with life and death, there are bandits everywhere, monsters, evil gods who never failed to make life even more miserable than ever and even the supposedly good aligned god can be so awful at times, etc etc.

The party that he traveled with and himself were infected with worms that would eat their brain and transformed them into a living husk, the absolute cult and the dead three were on their tail, angry devils, Cazador wanted him back and not to mention the Githyanki and their lich queen wanted them dead as well for what happened with the prism

Even during act 3 where they were supposedly close to victory. The victory was not set in stone yet, nothing is certain and something could have gone wrong. They could have died or even worse!

Not to mention he's a man who was tormented for 200 hundred years. He was stripped of everything that he had and even his own reflection, reduced to catched rats to sustain himself.

Can you really blame him for wanting to seek a way out from Cazador's torment, the hunger for blood and the indignity that he suffered for so long?

Also it would be harder to convince him to not ascend if Tav or Durge romanced him. Because now he's not just afraid for his own safety and his future but also his lover. The only person whom he ever love and genuinely love him back in 200 years (also not ending up as a victim for Cazador)

Most people would have killed him when they found that he's a vampire and infected with an Illithid parasite. Most people would have abandoned him

Tav/Durge was the only light in his life after years of living in darkness and torment, you can't really blame him for wanting to keep this light from being snuffed out by untimely death

And if that means sacrificed 7000 souls that he already damned anyway (undead like vampire wouldn't be accepted by good aligned gods in the after life, not sure about evil gods but most deities most won't accept them) so be it

I don't see this fear behind his decision as something that is objectively awful? I mean it is a natural respond anyone would have if they were in his shoes

Then you might ask "If Astarion loves Tav or Durge that much why he insisted on turning them into a vampire? And break up if they refused?"

Because he was overwhelmed by his beating heart/ his renewed sense, the high from his power and he's also insecure. At that point in act 3 he expected Tav and Durge to stand by his side no matter what

Because they were the only person who didn't kill the parasite infested vampire spawn at the beach, who loves him anyway despite the face he was a man with nothing to his name, who were willing to sacrifice 7000 souls and killed the Gur for him!

Ascended Astarion didn't want THAT special person to be taken by early death or a fate worse than death

He needed the reassurance that his love would be safe and no gods nor fate will take them away

If they refused to be an immortal vampire then they were as good as sealed their fate to death. Astarion didn't want to face that heartbreak

The thing that I don't agree with the interview is that the interpretation that ascension sent him to a horrible place? It was kinda vague? Like worse place when? During or after the ascension? Because this cannot apply after the ascension since I have taken so many screenshot and recording of ascendant astarion and I didn't see him feeling miserable about his fate. He was happy that the hunger gone and he could see his reflection again

Post final battle? The epilogue? After the epilogue party? This cannot be applied to all people, all route, all Tav/Durge and Astarion in general because there's variations. I mean you might see ascended Astarion as a bit lonely because he doesn't end up with anyone but in my Tav's universe he has a consort who stay by his side and their relationship is still going strong because my Tav is aligned with him

[volturissideslut]

What if the Humans adopt a child just to see what’s so special about humans and why the Cullens like them so much, not knowing how troublesome a 8 year old can be?

𝖁𝖔𝖑𝖙𝖚𝖗𝖎

strap in because this is going to be one hell of a ride (also I'm assuming asker meant volturi adopt a chaotic human child)

Aro, ever the curious one, cannot even fathom why dear Carlisle cares so much for these... creatures

And it's been like over 3000 years since he was human and he can't really remember much about living

It would also help if it would stop making Marcus be such a miserable slab of stone, and perhaps even Caius could do with a new toy

It just seemed like destiny when an 8 year old child strayed from the feeding group one day, too entertained by chasing a fat tabby cat that had jumped the wall to the garden

Whatever parent or guardian that came with seemingly hadn't noticed - not that they were alive long enough too

And, of course, Felix was the one to deliver the child to Master Aro considering he's the only one with a modium of decorum or respect for life in the castle

Any of the other guards would have eaten you on sight to be honest (they wouldn't in the future but you're just some random human child right now, they don't care about you yet)

Aro takes one look at you're little form, sticky fingers; muddy knees; grazed elbows; a leaf in your hair

Perfect

They're keeping you

easy, right?

wrong

Why is a overexcited yet hysterical human child such a lovable inconvenience, you may ask

well

1) none of them can fully keep track of you're emotions,why are children so confusing???

2) they can't fully keep track of your whereabout either

"HOW ON EARTH DID YOU GET OF THE ROOF YOU HEATHEN CHILD" - Caius probably

3) they know nothing, and I mean nothing, about humans. Expect them to ask the secratery for help next time you're sobbing, only to find out you're hungry because they haven't fed you a proper meal in days thinking you'd forage for it yourself

I swear Marcus is the only one who is knowledgeable, despite how small it is

"the child requires sustinence again" - Jane, fed up of this shit

4) they're used to the traumatic stuff of vampire life, you are not, they don't realise that

poor kid is gonna be so traumatised, by the age of 10 killing someone over cereal seems socially acceptable

At least Caius actually has a soft spot for you, otherwise you'd be dead dead by now

Marcus reads you bedtime stories

Aro wants you to grow up appreciating everything he does, there are many 'daddy/daughter dates' where he takes you to see plays, musicals, concerts, or whatever that he deems suitable

Caius pretends to be impressed with your drawings and fakes excitement at whatever lego monstrosity you've made

Alec shows you the world, taking you around on his days off to Scotland, Brazil, India or wherever you randomly point to on a map

Felix let's you use his cloak as a blanket when he's not using it, you like to play with it and use it for dens and pillow forts (it can also be used as one of those massive fabric parachute tent bubble thingys the class played with in nursery/FS1/kindergarten and hid under (you know what I'm talking about))

Demitri let's you win at hide and seek despite his gift letting him know where you are at all times. He is also not above pretending to play to keep you out the way and quiet for a solid five minutes before you come out giggling saying you won again

Jane will capture butterflies and set them free with you because she knows you love them and you also love to chase them

The queen's are always dressing you up like a doll and doing your hair, they basically get a list from the secratery of everything humans need (food, water, socialising etc) and fulfil those needs for you

The secratery is the only one who actually knows what you want and need most times, being human herself. The kings are seriously considering turning her instead of just killing her you your sake

And God forbid anyone touches their precious baby, you've grown on them and they'd burn the world for you in an instant

[heli0s-writes]

forget your perfect offering*

summary: Captain America hasn’t been home in years and it’s turned him into something a little lost, a little broken.

a/n: Hi hi!! Guess who's back on the Nomad Steve angst/smut train after 5 months??? 3k words. Please stop reading if you're not 18+ This is very Clumsy adjacent.

--

Captain America hasn’t been home in years and it’s turned him into something a little lost, a little broken. Going dark on the United States government when it’s put a price on your head will do that, he supposes. He’s even picked up a new habit of flinching at shadows despite maneuvering in them for eternity.

Not eternity, but he’s dramatic and full throttle. Never once learned that some things can be half-measures, can be compromised on. He’s got his handful of soldiers—friends— and he can’t forget that they’re friends because soldiers are pawns and friends are crucial.

Back then, he was just a newly reanimated statuette, a votive figurine to justice rendered flesh and bone and so damn brittle. And how could he believe it would last? The entire thing fell apart within a few years—a team scattered to pieces; an entire nation’s vision discarded on the side of the road.

A lot of Americans are angry with him for that, and most days he tries not to be angry at himself, which is stupid according to you and Sam and Nat. But being angry at propaganda and history and circumstances is too intangible to do much with, so at least being angry with himself means he can kneel into a fight, leave too little in the tank for the trip back, find a way to be punished for his transgressions.

He’d always been reckless, but it’s becoming a flag much to red to ignore.

You tell him he’s got a death wish. Plain and simple: keep it up and you’ll die, and nothing more, leaving the jet ride in silence, everyone averting their eyes. But he just wipes the blood out of his mouth and says, “Hasn’t seemed to work out for me yet.”

Back at the house—the house, not his house, or anybody’s house, certainly not a home in its unremarkable exterior, interior, living spaces cobbled together with rickety, mismatched furniture and chipped ceramic kitchenware—he returns to his book. Sinks himself into the reading nook and opens it up to a page he’s been pretending to pay attention to.

Natasha showers first, Sam crashes into his bed face-down, and you linger by the old T.V., poking at the adjacent radio.

“Hey, death boy.”

He looks up, startled. “Death boy?”

“Yeah,” you grin, glancing over your shoulder. “Death boy. Your new superhero name.”

You say it breezily, eyes half-mast because it’s been a real dog-shit kind of day and even Steve can hardly focus.

Sam’s dead to the world and Nat’s going on 30 minutes under water, so it’s a fair estimate to say that it’s to the point where he can feel how powered-down his brain is, and that if he tries to speak more than three phrases at a time, it’ll hardly make any damn sense. Or, inevitably, make matters worse.

He tries for controlled, comes out not so much. “It’s a little morbid, don’t you think?”

You gasp, scandalized. “Silly me, you haven’t been morbid at all recently. Gosh, it’s not like you were trying to get gutted—he was swinging so wide and slow, how could I think you’d manage dodging in time?” You clasp your hands over your mouth dramatically, “How could I suggest—”

“That’s enough.” Steve pinches his nose-bridge with one hand and closes the book with the other. He’s going to drown himself in the bathtub when Natasha’s finished—go drama—but he’s grinning a little bit, not dumb enough to hide when he’s been caught out.

You punch a button on the radio, tune it to a station that’s only slightly screeching with interference. There’s a discernible piano melody but he doesn’t know the song. You tap along, feeling out the rhythm, and then you cast your eyes to the reading nook he’s crushed into before pointing at the middle of the floor.

For all his miserable ruminating he always forgets to account for you at the end of the day, standing there and waiting for him like he’s got any choice. He declares all sorts of bullshit about how making the right decision can feel like no decision at all when it’s inherently justified; reason should feel like reflex, ethics an extension. But lately, the only reflex he’s felt is closer to vanishing.

He’s disappearing from view a little more each night, reduced to a crumbling idol of an endangered faith because humanity’s stopped believing in him and part of him is following the same course. He’s become an old relic chipped away in the flow of time, and some days he’d rather just be good and gone.

Keep it up and you’ll die.

Part of him already has. Part of him’s already in the ground.

“Come on,” you say with a surprising amount of patience, eyes soft and hand extended. “Are you gonna get up or am I gonna have to drag your ass again?”

The song is plunking away, cutting in and out intermittently, notes quivering on scratches of static. Nat’s started to dry her hair, the sound like a tornado alarm trapped in a bathroom but it’s persistent, fighting the wailing blow-dryer for an audience. She’s probably freezing cold because the house’s water heater is shoddy at best and Sam can fix that but he’s been exhausted lately and no one’s going to complain because they’ve never complained about their situation-- not once.

He bites down, frowns a little deeper, but then he’s on his feet, giving chase like you could take him somewhere whole and unbroken. Somewhere he’s been craving for. His hands around your waist are careful, resting his chin on top of your head as you nuzzle in.

He asks through gritted teeth, “Listening for a heartbeat?”

“I know where your heart is.”

He’s so goddamn maudlin, can’t stop the bitterness from lashing out. “Where’s that?”

“With us, death boy. With me.”

He makes a noncommittal sound, dismissive and very, very rude of him, but he’s on a roll and won’t be appeased. You lazily read the lines of his face with stunned eyes, then touch your nose to his bearded chin as you lean up.

You stroke his scalp, spinning the feathery ends of his long hair. “You want to be hurt so bad, don’t you?” Your nails rake down the length of his strong neck. “Is that what you’re used to? Is it more comfortable that way?”

“Enough,” he murmurs faintly, but makes no move to push you away, only stepping in time, rocking along. When your hand tightens into a fist to pull at him, he bites down, shuts his eyes. You do it again, harder, and then let go, letting your fingers spread at the base of his skull, cradling it like a child.

“You want to be beaten within an inch of your life, want to be pried open so you can check if you’re still capable of dying.” Cold words, but your breath is hot, and he’s starting to feel it—that telltale shiver at the base of his spine at the way you won’t break eye contact.

“I know, I know,” you coo, “it hasn’t happened yet.” You move away, smiling big and dark and glistening with promise. “But listen, Steve, all you have to do is ask.”

He can’t tell what expression he’s making, only that your pupils open to swallow him. You’re staring at him, not through him. Taking in his flesh and the warm blood cascading down his face.

The night is taking its toll, it seems. Collecting on long, hard hours, making the both of you reckless.

He thinks about months ago, and the complication of ethics in the way.

Not sleeping with teammates, not losing the fucking plot no matter how much he craved losing it for a couple of hours. There were several weeks before it went sideways, before Bucharest and the Accords, where he spent doing nothing but dedicating himself to daydreaming. He sank into the quiver of his own body as he imagined you and everything he wanted to know by touch.

There were dances, like this. Swaying back and forth in Sam’s backyard and gala celebrations, onlookers getting a few ideas about what his eyes were communicating when he’d trace the curve of your shoulders or the delicate insides of your wrists. How everyone else might follow Captain America into the jaws of death but he’d follow only you, headlong, beyond, and into the goddamn afterlife if you asked him.

But there was a line he couldn’t cross. A soft, tangerine horizon much too far out of his reach when the dark was at his back, beating him to the ground. Making him flinch from warmth because entanglement was too complicated and love was too kind.

Tony asked him what it felt like to fuck up so astronomically. Nat only clucked her tongue, more disappointment in a single sound than Steve had heard from many grand lectures.

Because you would have been vibrant and glorious, damn it. You would have giggled— giggled— when you made love, crooned his name like a songbird and touched him everywhere, all at once. You would have kissed fire back into him, licked your way into the center of that votive figurine and traced his broken heart. You would have excavated him, clawed him out clean, led him into the light.

So, he knows. He knew then, knows now, knows for the rest of his days when he’s let a beautiful thing slip through his fingers.

But sometimes, this happens and his hands feel like they’ve still held on despite his attempts. Sometimes you brush his knuckles, smile at him small and sweet and come into his makeshift room, sit on the side of his bed and exist side by side. Sometimes there wouldn’t even be conversation.

But when you linger by the door, gaze slowly raking down the length of his body and his throat, his mouth, all ten of his fingertips—god, what he wouldn’t give then, to take you to the floor and declare fuck it.

Fuck ethics and fuck his entire life, if needed, because there was only you, only what he’d been needing for ages, only that brilliant and terrifying afterlife awaiting him.

The reflex, then, is not to disappear anymore, but to kneel in.

You say, both hands come to rest around his throat— because you’ve seen him now, seen him the entire time, “If you want it that much, Steve, I can give it to you. A hundred tiny deaths, so sweet and good, until it hurts so bad you really do feel like you’re dying.”

He gulps, Adam’s apple catching each of your fingers on the way up and back down. Says, “Yeah,” before he even registers it. He blurts, going cold and hot and shell-shocked, “I’d let you do anything you want.”

Just then, the bathroom door clatters open and Natasha steps out, towel wrapped around her as she pads across the living space toward her room.

She looks from you to Steve, briefly studying the single foot of distance between your faces, the forgotten music, the way he can’t seem to keep his breathing in order.

The way you’ve got his throat in your hands.

She doesn’t even stop as she passes by, carding her fingers through her hair for a final act of detangling. “Wilson sleeps heavy,” she yawns, which implies, I don’t, so keep whatever the hell it is you two are doing down.

Then she’s gone with only pressure left in her wake. Only his breath fighting with his lungs, his belly tight and hot and his flavorless mouth so fucking starved for yours.

You raise a judgmental eyebrow after he does nothing for a beat too long, too lost in potential backpedaling to advance the plot.  “That’s not asking, Steve.”

He’s stupid, dizzy, like he’s been dropped on his head, but not that stupid. He can’t keep his eyes off your mouth. Doesn’t even know if he says it, but tries anyway, “Will you please,” and the rest goes out the window. You lean in. You kiss him better than he could ever have imagined.

-

He’s living the teenage years he never had.

You kiss him like you’ve got all the time in the world—like it isn’t past four in the morning and the both of you are one silent minute away from slipping into unconsciousness. You kiss lazy and slow and sublime. You press a thumb at the corner of his mouth, touch inside of him, and he wants to do it back. But he wants it right.

“This,” he starts, almost whimpering when you run your teeth beneath his ear, molding your body to his, the two of you staggering into the wall and the end table and poor Natasha across the house must be digging up her earplugs. “I’m not good with—casual—”

“Yeah, you don’t think I know that?” You only pause for enough air to hassle him before taking his hands, your own so small over them, so much power over him, and place them on your waist. “You don’t think I know you’re an all-in kind of guy?”

Of course, you know. Of course, anyone who’s ever heard of Steven Grant Rogers can figure it out. It’s always going to be full throttle for him. Casual isn’t a word that exists in his dictionary, and he won’t compromise on that. He couldn’t do this any other way because now he wants to do it all—to feel you, inside out, across time and the universe and infinity.

He shucks off your clothes, doesn’t mind the grit of the day on your skin, wants it even, to know what you’re like every hour of every day. He tears off his own tac gear, can’t keep his mouth off yours for even a second as he stumbles across the floor.

When he reaches the bed, you climb on top, warm between your legs and so perfect over his thigh. He’s rocking his hips against yours, mouthing at your breasts, grabbing your ass and waist and snarling into your neck like an animal. Lazy and slow twists into frantic and desperate, him throbbing and throbbing against your skin.

He leans back, takes you down with him, bra strap limp at your elbows, panties to the side and he wedges back between the space of his thigh and your sex. He wants—wants.

“You’re warm,” he breathes.

When he pulls out, there’s a sloppy noise following your moan and he rubs his fingers together, awed at the glistening web slipping down to his palm.

One finger becomes two, the coat of slick up to his knuckles and he’s using too much tongue when he kisses you but you don’t mind that at all.

He’s not any kind of virgin but he really feels like one. In the sense that he’s turned on by everything. Too much stimulation. On his skin, in his brain, he’s immersed in one second while predicting the next, seeing the possible ways it could go. Too much pent-up desire swells up the length of his cock as he palms and presses it against the underside of your thigh for contact. His chest is heaving, breath stuttery, eyes wild and unfocused.

You grab his face, pull him away from your collar. You’re only a slight mess, but Christ, what a sight. He must be about fifty times worse because you’re grinning wide, looking him up and down as he arches forward to get you back.

You tut, “If I really wanted to kill you,” you say, “I’d leave you right now.”

“Please don’t,” he manages hoarsely, the fire in his belly lashing out.

“Because I’m so nice.”

“Yes.” And suddenly, his sunny face turns overcast, all the joyful cacophony from before muting. “Yes, you are.”

“Steve,” you sigh, rubbing your forehead with your hands for something to do with them.

He hauls himself up on his elbows, starting to feel upset.

You lean back on your palms, head lolling between your shoulder blades, aggrieved.

“Sorry,” he recants.

“Steve.”

He can’t make eye contact, but you don’t ask him to again, only touching his jaw with a finger and erasing the last few minutes with a nuzzle of your nose to his, like saying don’t worry about it, it’s okay.

Then, more kissing, more of that touch he dreamed about and he wants to kick his past self for missing it, for even daring to fantasize when the real thing is so much more.

The night melts away, each hour lasting a blink or an eternity—he can’t be bothered by it now. He figures the sun’s coming up, though, because there’s that haze of early morning past the gauzy, frayed curtain.

Your palms are on his chest, pawing at him for leverage each time you grind down, each time you swallow him back inside of you. You push, like an act of resuscitation— one, two, one, two— a rhythmic, electric, life-giving staccato beat that has him gasping for air, has him keening and groaning without any thought to how loud he might be.

And, fuck it, fuck it all. He is, admittedly, loud.

Sorry, Nat, he winces mentally before his brain’s wiped clear of all thought.

There’s nothing but you, and you, and you.

And that poor, broken heart inside of him, crushed to fine powder, being reworked into brilliance.

He lies there afterwards, gazing into the ceiling as he breathes back down to calm. There’s the thrall of exhaustion behind his eyes but it’s being overridden by a terrible, traitorous voice that’s telling him how he can’t seem to stop fucking up.

He can’t breathe suddenly, the room collapsing into a pinhole, darkness threatening the edges of his sight.

And then you say, because you always know what to say, “It’s okay to be a little broken,” you stroke his chest. “Baby, that’s how the light gets in.”

And the morning is breaking through fully now, streaks of it clearing up his eyes, cutting him to pieces beneath you.

“Yes,” he agrees and meets you for another lengthy kiss, every shrapnel inch of him raw and searing hot. All his exposed parts—the grief and agony and self-hatred—turned to gold. You touch his dark edges with your fingertips. You trace a new dawn’s light in his hair.