One of my favorite trope for Steddie is Steve hunting down Eddie when the kids join Hellfire and giving him a long list of dos and donts.
At first Eddie thinks he’s just being a prick, and worried he’s going to turn the nerds into freaks like him. Especially when he says not to mention drugs in front of Dustin.
But then he starts pulling out lists of monsters that can’t be in campaigns. And like what??? Why can’t he use demagorgons? They were gonna be in the next combat! He’s tempted to ignore the warnings, in fact he’s all set to, but something about Steve’s face when he was laying it all out haunts him. Something so deadly serious about it. So first he decides to test the waters to see if he’s full of shit.
When the session starts, he makes a throwaway comment, “you’re acting like there’s a mindflayer around the corner.”
All the kids freeze but Wheeler especially looks like he’s going to be sick. He even grabs at the bracelet around his wrist. The one he always said his best friend made him before he moved.
Eddie curses himself for even trying to test it out after that, and immediately bullshits the whole session so he can scrap any hint of demogorgans from the campaign.
After that session he drives straight to Harringtons house and demands they go over all the things he can’t include again, in detail, while he takes notes.
He doesn’t know what’s going on with these freshmen, but he knows trauma when he sees it and well he’d gotten attached to the gremlins.
When he leaves that night, he thinks Steve is looking at him with approval. Like he trusts him with their well-being now.
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DC x DP Prompt *25*
Everything hurts. It hurts! It hurts so much! Ithurtsithurtsomuchpleasemomstophisheartwi-
He can't feel anything.
He is floating and thank the Ancients, he can't feel a thing.
It takes quite some time he thinks until he feels something again. Phantom is in the ghost zone. But Danny was just in his parents lab - ithurtssomuchdadstopplease! - but now Phantom is here...
After some time he realized that he feels different, even though he can't explain why. But he didn't have much time, Jazz was probably worried sick. He needed to get home.
He found the portal without a problem and flew through. But the panic set in as soon as Phantom saw the lab. Instinctual he was going invisible and intangible. Danny died here. There is no Danny anymore, just Phantom.
After his panic attack he spots other ghosts. Mostly Blobs and Animals. Some already vivisected, some just in cages. But he also finds Boxlunch. Just bound to his death spot the operation table. She wasn't hurt yet. He quickly frees everyone and takes the injured Ghost to the Far Frozen.
This was going on for weeks. Just Phantom trying to rescue the other Ghosts from his parents lab and later from the GIW labs. The Fentons started to work full-time for them.
But then they moved bases. Away from Amity Park. Just far enough that he couldn't reach them anymore, without burning through all of his ectoplasm and then some.
But they had kidnapped Desiree, Technus and a few more Ghosts! And he needed to safe them!
He remembers some rumors he heard in the Zone. In Gotham exist a Revenant. The Avenger of the unavenged. The Red Hood. And with the Infini-Map he could find a natural portal to Gotham. It was a long shot, but his last hope.
So he flys invisible through the dark streets of Gotham, frantically searching.
Jason was about to throttle his family, every single one of them at the same time. He was already trying to punch the Demon Brat, when a white haired, floating teen with Lazarus green eyes materializes in front of him.
The teen completely ignored the Bats and zeroed in on Red Hood with a look of desperate hope.
"My parents killed me and they are killing more of my friends"
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Guys idk if this is a joke anymore
Alan x GN!reader boyfriend hcs
wc: around 300
warnings: none
- will know your food and coffee order down to the letter, will cross towns just for it if you asked
- scares easily, not good with scary movies (an excuse to hold onto you)
- will always try to comfort you, even if he doesn’t successfully do it but he will always mean well
- does the thing where he slowly reaches out to hold your hand in public but if you move even slightly he will immediately retract
- gets overstimulated easily, stresses easily
- very solution oriented, you’ll need to teach him to ask “do you want a solution or do you want to complain for a little”
- malewife if you work long hours, will be wearing an apron and everything when you get home
- silently needs to recharge by holding you, likes to rest his chin on yours which he can easily do no matter how tall you are
- baggy eyes, speaks mostly in “mhm” and “mmmh.”
- wears his glasses sometimes when he’s around you, but only you
- urges you to wash your face and brush your teeth when you come home super tired, will do it for you including removing any makeup or cleaning your glasses before putting them away
- not a pet person, but would warm up to yours
- speaking of, animals LOVE him (the whole you attract what you don’t want law)
- definitely smokes I mean look at him
- very vocal when it comes to being sassy
- would let you try out makeup looks on him / hairstyles but only if you lock your phone in a physical safe
- enjoys self care like face masks and the occasional late night tea
- small acts of appreciation, like packing your lunch or replacing your bed sheets
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I think it's interesting to look at the 'Mr. Bridgerton' scene as a backdrop for the eventual mirror scene. Firstly, in the fact that I think we've kind of misinterpreted it.
So many people are of the mind that scene's purpose to 'drag' Colin, but really, that scene has 3 primary functions. The first is to inform Colin that Penelope is aware of what he said of her, thus opening the door to clearing the air between them and providing an avenue for which Colin can apologize. The second is to establish the ground that they are currently on: Penelope has given up on the dream of Colin Bridgerton, in particular the perfect prince that can do no wrong, and has made it clear to him. It also creates distance between them that they will bridge.
But the third, and to me the most wrapped up in the mirror and the inner workings of their relationship is that it reveals how Penelope feels about *herself*. It's not necessarily an echo of what the ton considers her as, after all, we have a lot of evidence indicating that, for all intents and purpose, people aren't *unkind* about her, but rather that they ignore her. Audience members recognize this as Penelope's own shyness being the cause, she is often sitting off on the sidelines or not really talking to much of anyone, in the books she's referred to as the 'one who doesn't speak', and her LW business takes her away from being a character in the action of the ton to a bystander, kind of a self-fulfilling prophecy of sorts that perpetuates itself. Pen felt unseen so she became LW to have some power, but then LW herself must remain unseen and Penelope continues to be by design of her own making.
No, I think what it really reveals is that Penelope has incredibly low personal self esteem. We as a fandom has lauded that scene as her dragging Colin, saying that he's cruel and calling him Mr. Bridgerton is absolutely meant to create distance between them, but I don't think she's dragging him.
Because the person she is *actually* dragging here. . .is herself. And it is a general theme in her life. In Whistledown. Aloud. Even with Marina, when she complimented her, she assumes that she's lying. When Edwina says she's wearing a pretty dress, Penelope puts herself down and doesn't believe her, even when the compliment is genuine. In truth, Portia is not seen as being particularly unkind to Penelope. At least, speaking as someone who's mum was *awful* about my size and weight and outfits, Portia is. . .overall rather mild. She's not KIND and loving, not by a long shot, but she's also not targeting Penelope only. She's plenty mean and critical to Prudence, too, even to the point where she foists her off to her own cousin as a pawn piece. Penelope has low self esteem because of a lot of reasons, she's bullied by Cressida (I think a lot of girls are, she was pretty mean even to Daphne in S1) and her family isn't very tender to her, and she's not being pursued at every turn, but part of it is also her own perpetuation.
Listen to what she says "Of course you would never court me" "I embarrass you" "I am the laughingstock of the the ton". She sees *herself* as an embarrassment. She puts *herself* down. Arguably, more so than the ton does. She's meaner to herself than anyone else is, aside from Cressida. And honestly? Looking at Colin's face there. . .he is HURT that she considers herself this way. That she's projecting that onto him. Yes, he's hurt that he hurt her, of course he is, he never wants to hurt her. And yes, he's ashamed that he said he wouldn't court her the way he did and that in doing so, he validated her fears that she is unloved and unwanted, but also because. . .she already feels that way about herself. She's felt that way for years. And it's painful to care about someone, to see them as wonderful, and realize. . .they don't feel the same about themselves at all. I don't think Colin is out here feeling so wounded over the fact that she called him cruel and won't refer to him by first name anymore, but that he's most hurt by what she says about herself.
Because he *doesn't* see her the way she accuses. She says she never expected him of all people to be so cruel, but he feels the same way. He never expected her to be so cruel to *herself*. He wants to go somewhere private, not because she is an embarrassment, but because he wants to have a private conversation with her. Maybe assure her. Maybe explain himself. Maybe hash it out. But god Luke Newton's acting. . .he is *aching* for her. And it feels like he's going to do those lessons not in atonement for what he said (thank god) but to genuinely help his friend who thinks badly of herself. To lift her up. It's not about him at all, not about earning forgiveness, but about elevating Penelope. And that's. . .fuck, I just find that's just so heart stoppingly beautiful.
You can see, in that scene, how much he cares about her. How deeply and genuinely he adores her as a person. And just how painful it is for him to know he has validated, whether on purpose or otherwise, how poorly she feels about herself. How low her self-confidence really is. She is giving him a glimpse into the cracks of her heart, and when he sees them, he wants to reach out with both hands and make it feel better. Make her feel better.
After she says 'even when I change my entire wardrobe', he looks so fucking crushed. So 'don't say that'. So 'you really believe that?'. So 'God, I hate that you think that way'.
Because regardless of it all, he does love her. It's not romantic yet. It's not sexual yet. But he genuinely, truly, from the bottom of his heart, thinks she's wonderful. That was evident even in the 'purpose' scene. Every time Penelope opens up and reveals a facet of herself, he likes it. He likes her barbs and her dreams, he likes talking to her. He likes her. And he feels awful that he hurt her. And he feels awful that she's hurting herself. He loves her. He wants her to love herself.
And that's where the mirror scene comes in. Because the mirror scene isn't about sex, not really. Not entirely, at least. The mirror scene is about *intimacy*. The mirror scene is about being seen. Not just her seeing him, or him seeing her, but for Penelope to see *herself*. In a way, through his eyes. Because hers are biased rather negatively toward herself, which is evidenced in the 'Goodnight Mr. Bridgerton' scene, and in so many little moments we've already gotten where she's literally looking down on herself, feeling down. She doesn't necessarily *like* what's in the mirror, but he does. Because he likes *her*. And he wants to show her that he does. Show her that he finds her beautiful and have her recognize that in herself.
The 'Goodnight Mr. Bridgerton' scene is about Penelope revealing how she sees herself. The mirror scene is about Colin showing her how *he* sees her. The Goodnight scene is about Penelope thinking she means nothing to him, that he thinks of her the way she thinks of herself, that this is how everyone thinks of her, and the mirror scene is a direct response to that: No, he doesn't. No, he doesn't think she's embarrassing. No, he doesn't think she's a laughingstock. No, he doesn't think she's unappealing. And he doesn't think she should, either.
And he's going to show her that. Not just tell her, but show her. The mirror scene is so often a focus on Penelope, so much of Polin is in Penelope's focus, but approaching it from Colin's perspective and his motivations is so fulfilling, too. It's a glimpse into them in conversation, and a demonstrate of how Colin loves her. How Colin loves in general, openly and earnestly and altruistically. How he encourages her to be braver and more confident in herself, bolstering her because he just likes her *that much*. How he finds the most fulfillment and satisfaction in caring aloud. The mirror scene is a demonstration of his heart in reflection.
When Luke Newton said the first word that came to mind with the word 'Mirror' was 'Exposed', he doesn't just mean physically. He means emotionally, too.
God this couple is so fucking good.
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