#needed a change of pace

[a-beginners-guide-to-girlbossing]

Jhariah album/singles art (2018-2024)

[ravsucks]

After a successful debut album and EP, Jhariah was working towards their next great album. However, while experimenting with some singles, a new project started to come together. A mix of old songs and new, of remixes and singles, that started to form one cohesive picture. The end result was 'A Beginner's Guide to Faking Your Death', and it became one of his most famous releases. With some solid music and a cohesive plotline, I knew while listening that it would make the perfect subject for a new video. But I didn't know just how deep the rabbit hole would take me...

[bamsara]

I think that one thing people fail to understand is that unsolicited literary criticism coming from an online stranger who is reading with no knowledge of what the authors intended goal is, is not going to be received the same as say: the authors beta reader or friends who know what the authors intended goal and has the sufficient knowledge and input to help the author reach that desired outcome.

"But I'm only trying to be helpful" How do I know you have the knowledge and literary skill for you to be able to actaully do that when we don't know each other and you are essentially a stranger to me? Are you applying this criticism based out of personal biased experience and desire to see the story or characterization be driven in another direction or tweaked, or do you know the author's intentions for the character? If the story is incomplete, are you basing your criticism of a character on the incomplete narration with only partial information available of them or are you building up a report until the story's completion? Did the author provide you with the information needed to make a fully informed criticism?

Have you discussed with the author what their plans are or are you assuming them based off the narration, especially if the narration is proven or implied to be unreliable or missing key points of the plot? Are you unbiased enough to help them reach their desired outcome for the characters and story regardless of your personal feelings towards the characters/antagonists and setting? Can you handle being told your specific input isn't wanted because you're a reader and/or have no written anything relating to their genre or topic? Do you understand and respect that the author's personal experiences might influence their writing and make it different than how you would have done it personally? Do you understand if an author only wants input from a specific demographic relating to their story?

If it's for fanfiction or other hobby media, are you holding a free hobby to a professional standard? Are you trying to give criticism because you feel like the author has produced 'subpar job performance' of their fic? Are you viewing their work as a personal intimate outlet or something that must conform with mass media? Are you applying rules and guidelines when the fic is shared for simple sharing sake? Is your criticism worded appropriately and focused on the parts where the author has requested input on rather than a general dismissal and or disapproval?

Have you put yourself in a place where you assumed you have the input needed for the story to evolve better, or have you asked what the author needs and what they're having trouble with? Can you handle having your criticism rejected if the author decides their story doesn't need the change and not take it as a personal offense against your character? Are you crossing that boundary because you think you are doing the author a favor? Are you trying to be helpful, or do you just want to be?

I think sometimes when people hear authors go 'please don't give me unsolicited writing advice or criticism' they automatically chalk it up to 'this author doesn't want ANY constructive feedback on their stuff at all' and not "i already have trusted individuals who will help me with my writing goals and- hey i don't know you like that, please stop acting so overly familiar with me'

[skulkingfoxes]

Spent some time this morning putting together the colored pencil zines. I have rescan everything (unfortunately higher res is SIGNIFICANTLY better looking haha) but I think I figured out how I want to edit the drawings.

Want to highlight the color and softness of the pencils.

[mythmagicetc]

sits bolt upright in bed. buck putting in for a transfer WAS originally going to happen in 8.17. because part of the synopsis for that episode was “buck contemplates where he’s supposed to be” and there was that whole conversation with gerrard that they cut. at the time i was thankful (and honestly i still am, i wouldn’t have wanted another part of 8.17 cut) but i’m 99% sure that’s when it was supposed to be introduced

[nerolikestowander]

Ughhhh this has so many flaws but here you go! This song ruined my life 😀

And here are the still versions :(((

[nando-456]

A different life in a brand new place

[hih-food]

sleep, Elliot ! :D

apparently cooked this up very fast?

definitely recommend listening to Jhariah while drawing, he set the mood for this whole thing

[sincerelyrf]

me: *seeing people yell about how they did Glintshore & Percy's death in the show*

also me: ..................anyway

[lethal-spaceship]

And everybody wants to get evil tonight

But all good devils masquerade under the light

Sketch of Dib design from @cosmicriff !! Loved drawing him < 3

[meii-jasmine]

Sketch: The Emperor of Palamecia

[mattzerella-sticks]

Y'know what would be a good storyline coming out of Bruce taking on the mantle of Nightwing (briefly)?

If he enjoys it a little too much.

Nightwing is freedom. Nightwing is light. Nightwing is fighting bad guys while smiling laughing throwing out a funny quip.

Things he never gets to do as Batman.

So what if, after things have settled in Bludhaven and Absolute Power has come and gone, Bruce decides to make a short visit and help out again.

As Nightwing.

"People are used to seeing Nightwing in Bludhaven. It makes more sense for there to be 2 Nightwings than for Batman to be here," Bruce argues. "Besides, this will only help you. Make it seem like Nightwing can be there at any moment."

And Dick relents. For now.

Barbara finds it strange (as does Dick) but he waves off her concerns with, "it's just an appearance here and there. Besides, I've never seen him so happy."

Except the odd appearance "here and there" starts to become a consistent thing. And it reaches an apex when Bruce diverts an emergency call from the Titans and makes an appearance in Nightwing's stead and hangs out with them afterwards (they are a little put off by the total 180 in Batman's personality but don't tell him to leave).

I think Dick stages intervention one telling Bruce he has to go back to Gotham and stop being Nightwing because Dick is Nightwing and Bruce is Batman.

"Maybe I don't want to be Batman?"

And the issue ends with Batman renouncing Batman. Saying that if Dick thinks there needs to be a Batman, he should take up the mantle. It wouldn't be the first time. Which leaves Dick speechless.

The next issue picks up in Gotham with Damian fighting crime, getting ganged up on, when Batman descends and helps him out. Except this Batman is Dick.

They debrief and we also get an update on what's been going on with Gotham in the weeks, perhaps months, of Bruce being in Bludhaven and how the rest of the Batfamily are picking up the slack in his absence. We also see Dick picking the Batfamily's brains about what to do about Bruce, if anything should be done about Bruce.

It takes a conversation with licensed medical professional Harley Quinn to give Dick insight into what's going on with Bruce ("trying to feel young again") and how to shock him out of it ("Bats is a stubborn guy. Even if all of you kids gathered around and said how this was affecting you, he'd say that you weren't seeing the bigger picture or whatever other excuse he can think of. What you need to do is goad him into giving up Nightwing and going back to being Batman.")

So Dick corners Bruce one day in Bludhaven and presents a challenge. Rooftop race across the city. First one to finish is Nightwing. The loser is Batman. Bruce, drunk off playing Nightwing, cocky, agrees.

Cue the night of the race Dick and Bruce, both dressed as Nightwing, stand on the rooftop with Barbara between them. She drops the flag and they're off.

It starts with Bruce in the lead, it's been a while since Dick has run these rooftops, but as the race progresses Dick slowly takes the lead as Bruce's stamina wanes.

It also doesn't help that Dick has been chatting the entire time. First nonsensically which Bruce tries to keep up with as well, but as it goes on it's deliberate strikes at the reasons why Bruce is clinging to Nightwing and, in his exhaustion, in his still existing in the 'Nightwing' persona, Bruce actually engages in the dialogue Dick creates between them and the rapport is strong.

Dick gets Bruce to admit how Dick is the kind of person he wants to be and that he thought it was Batman holding him back, and if he dropped Batman he could be the kind of person worthy of having the family he does now.

Dick tells him that it's because of who Bruce was that Dick is the man he is now, and that Bruce has the potential to be like Dick in those regards even while being Batman.

Then Dick brings up Alfred, at the exact moment they reach the statue of Alfred in Bludhaven. A statue Bruce has been avoiding since he arrived. A statue which Dick had been leading Bruce to in the guise of their 'race'. Dick has Bruce confront Alfred and what Alfred wanted for Bruce and how it's a) things he already has and b) he's never too late to change who Batman is and can be.

Bruce takes off the mask and thanks Dick for helping him out, and they hug as the race is over. Dick has won. He is Nightwing. Bruce will go back to being Batman.

However, the night before Bruce is set to return to Gotham, he and Dick are getting ready to patrol Bludhaven together one last time, as Batman and Nightwing, when suddenly another Nightwing appears. And another. And another.

The entire Batfamily drops in wearing their own Nightwing costumes. "What?" Damian says, "we heard that all we need to do to become Nightwing is win a race. Who wouldn't jump at the chance for something that easy." And the story ends with Nightwing looking to Bruce, saying "Fine. One more time." Cut to a full page panel of Dick Grayson leading a throng of Nightwings across the Bludhaven skies.

The Midlife Crisis event is over.

[catfern]

she will destroy you.

pairing: abby anderson x afab!reader

music: crack baby or bag of bones ( or anything from puberty 2 ) - mitski

word count: 3.3k (i'm exhausted)

summary: rumours are swirling, fighting their way through your front door. you hope to keep your work and private life separate, but your proximity with your boss threatens to catch up with you.

warnings: mean!toxic!abby, cheating, porn with a LOT of plot, swearing, tipsy sex, fingering, oral (r!receiving), zero ( i mean ZERO ) aftercare, angst-ish

an: a quick intermission from cowboy!ellie because LORD. i read one page from one book abt a butch teacher yearning for the headmaster's wife and suddenly I NEED AFFAIRS!! I NEED YEARNING!! I NEED SECRECY!! and who better to do that with than a rlly mean ceo!abby who has a PhD in fucking bitches.

✧･ﾟ: *✧･ﾟ:* 　　 *:･ﾟ✧*:･ﾟ✧

“Shit.”

A line of scarlet trickles onto the warm printer paper and settles. You drop your paperwork on an unknown desk and suck your finger, hissing through your teeth at the sting. Your phone buzzes impatiently in the back pocket of your work pants, and you fumble with your non-bleeding fingers to pull it out.

we’ll talk abt this when u get home

see u after ur party i guess

A shit fucking day.

You hall back to your desk, defeat slumping heavy on your shoulders. The Office makes an effort not to stare as you walk by, low whispers hot on your feet like coals in a firewalk. You pretend very poorly not to see the half-lidded, secretive looks shared between your old work friends by the water cooler. Water off a duck’s back, your mom used to say in a nonchalant way when you cried to her about mean girls at school. Not that you ever really knew what that meant.

You were never really thankful to be shut off from the rest of the cubicles, until now. A fortress of frosted glass and a heavy door, your desk was the secluded gateway to a place dreaded. Just you and The Boss, which you guess didn’t help the flying tongues of the old, bored fucks in accounting, but it kept people away. Away from you, with their knowing looks and unknowing laughs.

You huff, settling into your uncomfortable desk chair and digging out a small first aid kit your dad bought you when you first started. Pulling the seal off the small tin, you eye its contents. Disinfectant, thermometer, some loose aspirin and bandaids. You whine lightly as you wrap one tightly around your ring finger, feeling it throb and pulse, like a complaint. Get over yourself, you tell your body.

A sharp - ahem - breaks through your mumbling silence. She’s never sick, she never coughs. It’s a bodiless beckoning, a call into the wild, it’s the wordless agreement you have with her. You pick up your notebook, and the nearest working pen, and shuffle quickly through the open door into her office.

The opaque shades are drawn, the natural light greying and dying on the dark, decaying herringbone floor. 

Abby is bathed in the orange light of her desk lamp. With impeccable, almost effortless posture, she’s resting her forearms on her desk, one hand scratching notes into her diary, the other distractedly tapping on the leather top. You follow the shadows that the folds in her dress shirt create, your eyes falling on the contour of her body. 

You know she frequents a few gyms. You’re the one who schedules late night international calls around her evening runs, and her weights sessions, and her triweekly spin class. But now, the results of her efforts are on display, tightly wrapped in expensive cotton, perfectly tailored, down to the very last stitch, to her existence. You swallow an uncomfortable feeling when she deigns to meet your eye.

She looks you over in the way she always does, an uncaring, but judgemental once-over, like an army sergeant inspecting a uniform. she hones in on the bandaid,

“Workplace injury?”

Her voice has the warmth of a dying cigarette, rolling like well-spoken honey off her lips. You almost feel ashamed, your finger so offensive to her you could chop it off. You almost feel like you wouldn’t even mind. You start picking at the ends of the bandaid with your thumb.

“Paper cut.” Your voice is always so out of place here. An echo of something that does not belong. She nods her head, ever so slightly, as if she understood.

“Don’t think you can go claiming compensation for that.” It’s a joke you’re not allowed to laugh at. You smile lightly instead. It’s short-lived, “I need you to correct some seating arrangements for tonight.”

Yes, of course. No problem. In wordless agreement, Abby starts listing off adjustments, complaints and warnings from guests about not being seated next to their five ex-husbands, or their whining step-children, or ex-business partners fallen from grace. your pen fingers begin to ache as the whole process draws out.

“And I’m going to need you seated at my table, to keep track of my evening itinerary.”

Uncertainty quickly sows its seeds in your stomach. The unopened messages from your girlfriend burn their way through pocket, searing at your legs like a brand on cattle. Everyone knows, everyone will know. Every detail of your life will be laid bare, and you’ll be tried publicly and without mercy. Your bandaid begins to unravel as you rub anxiously at the glue underneath.

You need to do something, something to get things back under control.

“Actually,” You start, unsure. Abby meets your eye quickly, without hesitation, “I don’t think I’ll be able to make it tonight.”

“Don’t be ridiculous.” It’s quick, and condescending. Undercutting any sudden courage you may have had, she meets your eye and stares you down, pinning you under ice, almost imploring you to feel terrified. And then she looks away, busy packing away the seating chart, and you wonder if she even looked at you at all.

She stands, and you try to meet her, your hands clutching your notebook.

“Your attendance tonight is mandatory.” She says it slowly, harshly, like it’s hard for you to understand. Her eyes chase quickly over your outfit, “It’s a black tie event.”

You’re left alone in a dark office, hyperventilating.

The apartment is empty and cold when you arrive home. 7 unanswered texts to your girlfriend tell you she doesn’t want you near her, but she isn’t packed. You expect her to come home, hopefully in the hour you have before you have to go again, and you contemplate just blowing the gala off to wait.

Abby’s voice is sharp in your head, a familiar dedication wringing your body. You can’t leave her. She needs you there.

You put off the conversation with your girlfriend into the furthest parts of your mind, allowing yourself to be swallowed in the minor decisions of clothes and hair and accessories. It’s not until you’re throwing your shoes on, and three times you think you hear her keys in the door, that you give up.

The phone rings 5 times before going to voicemail.

Hey. Listen. I know we said we weren’t going to talk until we were face to face but..

Whatever Maria told you wasn’t true, okay? I promise-I fucking promise you, nothings happened. Baby, okay? People are fucking bored, and I love you, so so much. I’ve gotta go to this one thing tonight - i tried to get out of it i swear -, and i’ll come home and we can talk, and we can fix this. Okay? Jus-Just, gimme some time to explain. Okay. I love you. Bye.

Echoes of quiet chatter uncomfortably ebb and flow off the walls of the ballroom. Too many people. Shoes scuff the cheap marble as the rich make their rounds, with light touches and reused laughter. They all hate each other.

Abby is a familiar sight. Wearing the same thing she has all day, she looks staggering. Hands just breaching her suit pockets, comfortably falling at her side, her hair in a calculated braid, designed to make her look approachable. 

 The air here agrees with her, her smile wide and effortless. You know she’s come straight from a meeting, and you suppose that adds to her charm. The Working Woman, a success story. Her rich friends, who spend their inheritances on shares and indoor tennis courts, lap it up. She’s a foreign object, something unfamiliar and wild.

You don’t interrupt, skimming the sidelines to get to your table. You can feel her glance, without substance, before returning to her conversation. Your event planner ( a shitty flip notebook that fits in every small clutch you own ) sits on the tablecloth at your seat, and you wait. Eyeing the glasses at the placemats next you, you can tell a few drinks has been shared, raking your eyes over Abby’s looser disposition.

She’s happy, and charming. She’s been drinking bourbon. Mint, with ice and syrup, the way you serve it to her in her office, when the occasion calls for celebration. 

Her conversation finishes, her soft hands bidding gentle, kind goodbyes to the couple as they move on. She’s a friend to the people that matter.

“I expected you here before me.”

She doesn’t bother to look at you as she sits, instead fixing her napkin to her lap. You watch as the veins in her neck rise and fall as she talks, “Doesn’t matter now. Run me through everything.”

Right, fuck. You open your notebook and run your fingers over the scratchy writing. Your days leading up to this were spent copying details from obscure emails, tidbits you thought Abby needed to remember. Late nights at the office, life abandoned, deciphering biographies and 2 hour youtube deep dives. You can watch yourself fall asleep from the future, your handwriting slipping, long and longer strokes, spelling dissolving, long words abandoned. your pen fell to the floor, and you slept at your desk. Twenty missed calls. You argued when you came home in the morning.

“The Ambassador is arriving around 8:00pm with his new wife, also named Rebecca. Oh, Old Rebecca emailed asking why she didn’t receive an invitation.”

She’s slowly sipping at another whiskey, a different cocktail she ordered just as you’d arrived. The orange peel brushes her nose as she tilts the glass, her jaw tightens as she swallows, “Tell her the venue was at capacity. Send some flowers.”

It continues like this for a bit. Quiet and attentive, she listens to what you have to say, as her eyes follow the crowd. You too, spy people that you know, a few slimy execs that share a whisper and a boisterous laugh as they look your way. You order gin.

Soon enough, Abby checks her watch. An inexpensive, vintage piece of leather and quartz. She excuses herself with a measure of politeness. It’s time for an hour of speeches that don’t matter, before you’re finally allowed to eat. You sigh.

A quiet buzz rips through the growing silence. You open your clutch and hide your phone under the silk tablecloth, away from the disapproving elderly eyes.

i told u to leave me alone

jesus christ

A pit in your stomach. Dark, pressing, ever present. Your saliva is heavy in your mouth, and you feel like shrinking away. Luckily, the waiter isn’t far. Drinks are discounted for the company staff.

Finally, speeches finish. Abby looked nice on the stage, effervescent under the lights. Her hair catches warm light nicely in the strands.

The food comes, but people disregard it for shallow conversations. Plates are taken away full, apart from slim, polite pickings. Your table orders more drinks, and syrupy laughter echoes as anecdotes about private schools and hedge funds are shared. You don’t belong here. Your body becomes unsteady, restless. Your legs shaking, a hand finds you thigh in the veiled secrecy of the table cloth.

Abby’s not looking at you, too engaged in tipsy conversation to draw attention. A nice gesture, but it’s not. It’s wordless agreement. Her thumb traces the outside of your thigh mindlessly, her jaw clenching as she feels your gaze.

You hesitate.

What else did you have to do? Apart from go home and wait for an argument.

You let her touch you a little longer, soft, ghostly. It’s kind, unmistakably. You let yourself revel in it, in her uncommon affection, before excusing yourself to the bathroom.

Abby follows not long after. She’s confident, her position charismatic, not unlike the other times she finds a drink, and then goes to find you. She doesn’t stop, so sure that you’ll follow her trail as you’ve done so often before. But you hesitate, again.

She turns back to you, a look on her face that’s hard to decipher. You stumble in your reasoning.

“It’s just-, my girlfrien-“

“Are you coming? Or not?”

Your palms itch, you swallow.

What kind of sick sacrifice. Unfair to have both, some would say, but some don’t know you. How wicked it is to taste both fruit and have to choose the sweeter. Fuck. The drinks settle in your stomach.

Your girlfriend wasn’t coming home tonight anyway, not really.

She’s leading you up the stairs, hands flush to her body. You grip the cold handrail to hold you steady. She’s already steps ahead, the appropriate distance. 

A quiet corner doesn’t need to be found. She’s been here before. You’ve been here before. The holy emptiness of the second floor is an accustomed comfort.

She’s quick and calculated, despite the mix of drinks on her breath. One hand pushing you to the wall, the other finding the zipper for your dress. It falls off you like it never belonged to you, kicked away and piled into a corner, forgotten.

Gripping you like you’d run away, she palms your tits and presses crescent moons into your hips. She holds her head away from you, watching you down her nose as you squirm. Abby has always remained detached, carefully groomed a distance between you that now feels too sacred to break. You long to feel her kiss you, to feel her intimately, to run your hands along her arms and feel every curve, every outline. You’ve needed to touch her since the moment you met her. Craved it.

Abby is disrespectful, impatient. She cups your pussy, still hidden in slick panties, letting the rough ball of her palm grind against your clit. It sets you on fire, and she chases it with a hand on your mouth to keep you quiet.

“Get rid of them.”

You strip fast, in a very unflattering way, you’re certain, and throw your underwear close to the ghost of your dress. She moves against you again, her hand softer as it wraps around your lips and cheeks. You look at her, hoping to see that softness echoed on her face, but her eyes are elsewhere, too focused on the movement your tits make as she holds you against the wall. 

Painstakingly, her fingers slide inside you, her hand pressing down on your mouth as you moan around the feeling of her, the intoxication. Your hands lock and unlock, your nails digging at scratching at the wood boards on the wall as you try to balance yourself.

Merciless. She rocks into you, letting you fall into step with her, find her pace, a relentless one. You feel her melting into your core, her fingers curling and stretching your walls as she pounds into you, again, again, again. You sound pathetic, behind the mask of her hand, whining as she leaves, and nearly screaming when she returns.

Abby watches as your face contorts around her fingers, feels you wrap around her. If she feels even a fraction of what she gives you, you wouldn't know. Her eyes remain unkind, left at a distance, but her breathing is staggered. short, laboured. she looks over you, you feel it, feel as her eyelashes rise as she rakes over your body.

You need it to be desire in her eyes. You need her to starve. To crave, like you do. Desperation.

Her hand moves from your mouth, your whimpering breath filling the room fast, the quiet broken. Her pace slows, and you almost rest on her fingers, left to wonder what she’s playing at. Instead, it comes down on your shoulder, still warm and wet with your breath, and she pushes you down onto her fingers, deep, deep. you feel her at the very centre of yourself, your eyes wide as the pressure builds inside you, her fingernails leaving a trail, evidence of her in your walls. She lets your ragged moans echo, hurt and pleasure. It’s an unkind end to things.

You don’t want to let it to end. You can’t.

The distance is broken. You reach out and grasp flesh, firm under your nails. You’re still riding the ecstasy pulse, the heat in your pussy, and Abby lets you stay, holding onto her as if you would fade otherwise. Your cheeks are almost touching, her breath hot on your ear, you hear her for the first time, raspy groans as you squeeze around her. She’s been holding back.

Damn it all.

“Everybody knows. Please. Please, fuck me like you know you should.”

You meet her gaze. Everything is foreign now. Her skin feels different to how you had imagined it. Softer. Her eyes are more uncertain, more than you’d ever seen before. Hesitance.

“Fuck it.”

Whiskey, and a sip of your gin, and tobacco. You didn’t even know she smoked, but you taste it on her like its the only thing she ever did. The smell of pine came in a wave as she moved, hooking her hands under your legs and hoisting you up. For months, you’ve yearned for her to kiss you, begged for it even. And now, her lips are rough, and bloody, and everywhere. Ghosts tracing your neck, unkind, stinging, exhilarating. 

She moves you to the floor without fuss, holding herself over you, your legs spread around her. She’s smiling, and you become so sure that there’s something not quite right with this side of Abby. You’re quickly aware that you’ve landed in hostile territory, vulnerable, needy.

She usually didn’t like it when you begged.

Her tongue is like the rapture on your clit, spitting fire through your veins, in your nerves. You feel it creep up in your body, twisting and tightening through you like something invasive, moans and prayers dripping from your lips that only push her. her name a curse, fallen on your body. You feel her laugh against your slick walls and it jolts you.

Abby, suddenly so aware of you, so kind, so attentive, shifts her posture, “Oh, you’re so needy.” A hand grabs your face, pulling it up from the floor in a dead lull. Her name rolls off your pretty lips once more, “What? You beg for me, and now you can’t take me?” Her tone is mocking, “Which is it? Hm?”

A cacophony. You, you, you. Your head foggy, unsure of what she wants to hear, you beg for again, telling her you can it take it. I can, please, abby.

Her laugh is cruel, mocking as her mouth finds you again, sending cold vibrations up your legs. Slut echoes against your clit.

Inside of you, she feels like a god. Her fingers stretching your walls, pressing deep against your centre at an excruciating pace, and her tongue lazily laps up all that you give her. 

“Fuck! Fu-uck, fuck!”

It’s clear to Abby that the caution she so carefully designed was useless now. People knew, and fuck it if they knew. Fuck it if they heard you dripping on her fingers, calling out her name. Fuck it if they stop the music, and turn to listen - fucking perverts - because it’s her. And you’re the one begging for her.

Stars creep in through the haze in your vision, and Abby’s trying to ask you something harsh, but you don’t hear it. You’re tethered to the feeling of her fingers, your whole body knotting around her like a planet in orbit of the sun. 

You’d burn if she wanted you to, happily.

You’re so fucking tight around her fingers, your legs shaking and a vicious call ripping through your body. Her Name.

The warmth from your body is too much, and the cool of the floor is lulling, soothing, as you collapse. Abby’s fingers leave you empty, incomplete. You whine as she leaves you, your walls tightening around the absence of her. She wipes your cotton slick on your leg.

She stands, and rolls her shoulders. Fixes the few hairs that fall out of place. Guiltless.

“Get dressed, before someone sees you.”

[brodorokihousuke]

machi ?

I went to get references and this is all I could think when looking at his neutral one 😭

I’d be lying if I said he didn’t freak me out a little. Cool design, though.

[birdhousematerial]

I just posted the first chapter to 'Just A Friend' the Satoru x Suguru, small town AU I've been working on, and here is a snippet of the beginning of it!

It is more like an introduction, about Satoru moving away from NYC but I do plan on working on the next chapter once I'm finished with 'Who We Are' which is almost done.

[itz-pandora]

Cringe n free part 3

Misc Jules, Nikki, Manic, & Chuck

Espio (my favorite 💕)

Rouge (she's albino which is why she's so pale!) (she was difficult at tho so like shush /j)