#new cartoon 2020

[tygerland]

Erica Dorn Magazine covers created for the movie The French Dispatch (2021).

[princess-unipeg]

Food in Cartoons 6

[funkbun]

pornbots coming back from their yearly migration to the north

[lovelybrandt]

Source: Images From Winx Club Official Store The Sirenix Season 8 🧚‍♀️🧜‍♀️🌊🐚🐠 Figurine Doll With Stand Star Shaped And Magazine New Issue From Trendimensional Italy.

These Are Stores Available Now On!! Amazon And eBay Muscara FutuartShop.

Countries Toys With Gifts Magazine Germany And France Spain Portugal Poland Serbia Russia Ukraine Slovenia Greece Available Now!! From Blue Ocean

The Sirenix Season 8 Action Figure With Magazine 6 To Collect The Season 5 Year Old Version Era 2013 Style

Thanks To Sharing For: Free Palestine.

[whencartoonsruletheworld]

Wish (2023) dir. Fawn Veerasunthorn, Chris Buck

hey do you think the overworked creatives about to go on strike are trying to tell us something

article sources under the cut

Mattson, Kelcie. "How Disney Almost Killed 'Nimona.'" Collider, January 2 2024.

Earl, William. "Shelving Batgirl Was the Right Decision, Says New DC Studios Head Peter Safran: 'It Would Have Hurt DC.'" Variety, January 31 2023

Couch, Aaron. "Warner Bros. Reverses Course on 'Coyote vs. Acme' After Filmmakers Rebel." The Hollywood Reporter, November 13 2023.

Ridgely, Charlie. "Scoob! Sequel Director Revealed Film Was 'Very Close' to Completion Before HBO Max Cancellation." comicbook.com, August 2 2022.

Clark, Travis. "Staffers at the animation studio Blue Sky say it's 'heartbreaking' that Disney canceled its final movie, 'Nimona.'" Business Insider, February 18, 2021.

Harrison, Mark. "Why was the Batgirl movie cancelled?" Yahoo! Entertainment, January 31 2024.

Amidi, Amid. "Warner Bros. Shelves Fully-Completed 'Coyote Vs. Acme' For Tax Write-Off." Cartoon Brew, November 9 2023.

Lee, Alex. "Why Netflix keeps cancelling your favourite shows after two seasons." Wired UK, September 28 2020.

Tyrrell, Gary. "We All Knew It Was Coming." fleen.com, February 10 2021.

"Warner Bros. Reverses Course on ‘Coyote vs. Acme’ After Filmmakers Rebel." see: 3.

Bergeson, Samantha. "Warner Bros. Will Let 'Coyote Vs. Acme' Filmmakers Shop Movie to Other Distributors." IndieWire, November 13 2023.

Strapagiel, Lauren. "Disney's First Feature Animated Movie With Queer Leads May Never Be Released." BuzzfeedNews, February 24 2021.

"We All Knew It Was Coming." see: 9

@/scottderrickson. "I think it’s absolute bullshit that a studio can and does shelve the creative work of hundreds of people for a fucking tax break." Twitter, 10 Nov. 2023, 4:52 p.m..

[renthony]

In Defense of Shitty Queer Art

Queer art has a long history of being censored and sidelined. In 1895, Oscar Wilde’s novel The Picture of Dorian Gray was used as evidence in the author’s sodomy trials. From the 1930s to the 1960s, the American Hays Code prohibited depictions of queerness in film, defining it as “sex perversion.” In 2020, the book Steven Universe: End of an Era by Chris McDonnell confirmed that Rebecca Sugar’s insistence on including a sapphic wedding in the show is what triggered its cancellation by Cartoon Network. According to the American Library Association, of the top ten most challenged books in 2023, seven were targeted for their queer content. Across time, place, and medium, queer art has been ruthlessly targeted by censors and protesters, and at times it seems there might be no end in sight.

So why, then, are queer spaces so viciously critical of queer art?

Name any piece of moderately-well-known queer media, and you can find immense, vitriolic discourse surrounding it. Audiences debate whether queer media is good representation, bad representation, or whether it’s otherwise too problematic to engage with. Artists are picked apart under a microscope to make sure their morals are pure enough and their identities queer enough. Every minor fault—real or perceived—is compiled in discourse dossiers and spread around online. Lines are drawn, and callout posts are made against those who get too close to “problematic art.”

Modern examples abound, such as the TV show Steven Universe, the video game Dream Daddy, or the webcomic Boyfriends, but it’s far from a new phenomenon. In his book Hi Honey, I’m Homo!, queer pop culture analyst Matt Baume writes about an example from the 1970s, where the ABC sitcom titled Soap was protested by homophobes and queer audiences alike—before a single episode of the show ever aired. Audiences didn’t wait to actually watch the show before passing judgment and writing protest letters.

After so many years starved for positive representation, it’s understandable for queer audiences to crave depictions where we’re treated well. It’s exhausting to only ever see the same tired gay tropes and subtext, and queer audiences deserve more. Yet the way to more, better, varied representation is not to insist on perfection. The pursuit of perfection is poison in art, and it’s no different when that art happens to be queer.

When the pool of queer art is so limited, it feels horrible when a piece of queer art doesn’t live up to expectations. Even if the representation is technically good, it’s disappointing to get excited for a queer story only for that story to underwhelm and frustrate you.

But the world needs that disappointing art. It needs mediocre art. It even needs the bad art. The world needs to reach a point where queer artists can fearlessly make a mess, because if queer artists can only strive for perfection, the less art they can make. They may eventually produce a masterpiece, but a single masterpiece is still a drop in the bucket compared to the oceans of censorship. The only way to drown out bigotry and offensive stereotypes created by bigots is to allow queer artists the ability to experiment, learn through making mistakes, and represent their queer truth even if it clashes with someone else’s.

If queer artists aren’t allowed to make garbage, we can never make those masterpieces everyone craves. If queer artists are terrified at all times that their art will be targeted both by bigots and their own queer communities, queer art cannot thrive.

Let queer artists make shitty art. Let allies to queer people try their hand at representation, even if they miss the mark. Let queer art be messy, and let the artists screw up without fear of overblown retribution.

It’s the only way we’ll ever get more queer art.

_

Like this essay? Tip me on Ko-Fi, pledge to my Patreon, or commission an essay on the topic of your choice!

[inbarfink]

Okay, with the 2010’s era of cartoons now firmly in the rear view, I’m curious…

If I missed your favorite 2010’s cartoon, feel free to add them in the tags. If I get enough ‘what about X’ comments I’ll probably do a second poll with all of the write-in answers. Please just note that I’m talking about cartoons that started between 2010 and 2019 (and preferably ended before 2020, that's less mandatory but I want to prioritize cartoons that did all or at least the majority of their run during the New Tens), there’s a reason why ‘Kipo and the Age of the Wonderbeasts’ or ‘The Owl House’ are not on the list.

[silverysongs]

tried to watch lockwood and co and it was too scary for me :( which is very sad because I love the cozy english vibes. anyone got any good show recs?

[antivivziepopparade]

All of the proof that we have that Vivziepop is abusive. (So far....)

While you support this post please go ahead and support my channel to see more about Vivziepop's abusive behavior. Thanks!

1. She rushes her employees.

Season 1 was made in 2020. While Season 2 was made in 2021 while being released with MULTIPLE EPISODES only ONE year later.

That's-

INSANE!

-and im about to tell you why:

The average cartoon needs almost ONE WHOLE YEAR to produce one episode. And this is what we see in MAINSTREAM shows.

Meanwhile, Helluva Boss took only one year (and a half) to make MULTIPLE ENTIRE EPISODES that last over 20 minutes. The longest waiting time for an episode being 8 months. Not even a year, and we get multiple episodes off the drawing board.

You can even see here that it's taken only three years to make 16 episodes. When this is an indie studio, so this should have taken so much longer to make. Yet for some reason, it took only a few years for us to get full seasons. In 2021, we got over 4 episodes alone. Have you ever wondered why these episodes come out so fast while other shows take a lot longer to get new seasons? That's an easy question to ask... Spindlehorse...

Is being ABUSED.

And I have the proof to show.

2. The pay controversy.

Spindlehorse's payment has been under controversy for providing the lowest pay possible to those that work at the studio.

One piece of evidence was given by Adam himself (albeit unintentionally) by saying this:

This kind of pay is highly unstable! And before you say "But he didn't force them to be there-"

LOOK.

The employees themselves admitted that they had no choice. People had no choice and Vivienne Medrano took advantage of that for her own selfish desires. This is disgusting treatment of a studio as small as Spindlehorse. Or any studio for that matter.

Hell! chaifootsteps said once that once Zeurel released that he was paying his animators too low, he deleted one of the tweets showing the low pay and decided to do something to give his employees better wages. Meanwhile, Chimera Bunny pays even less than Viv does and just because paying your workers low is normal in the animation industry- plot twist: Doesn't make it ok!

People have suffered so much in this industry, it's why "New Deal for Animation" exists. The only reason you haven't seen many Vivziepop workers having protests and speaking out is because Vivziepop says things like this behind people's backs if they "dare" do anything she doesn't like:

So that explains as to why so many people remain as "anon" or say nothing at all because they got cold feet. Vivienne's terrible!

Especially since even her top employees have admitted to not being paid enough despite Adam's "I pay them to stay if they make us the most mon-ey!" claims from the article:

Also this:

This is how she speaks about her own employees:

"YOU DONT LIKE HOW I TREAT YOU?! FUCK OFF!"

Straight up abuse.

Also, wasn't Walt Disney known for abusing his employees?

To the point where people had an entire protest in 1914 about it?

Wow... such a healthy workplace treatment comparison. Doesn't make Vivziepop look more like a jerk.... at all! /s

3. She bullies kids/laughed at a sa victim that was sa'ed by her friends. As one kid was bullied into a panic attack (I know them personally) back in about 2020 and Viv decided to vague post about them behind their back even after they apologized.

For someone who's so focused on "forgiving despite cancel culture" she sure likes to blame and harass people for disliking even ONE thing about her show or herself. One thing- and you're harassed over making a meme about a cartoon with fictional characters (What Froot Did that set Vivziepop and Gumball off.)

Secondly, one of her friends sexually harassed a minor.

And instead of acknowledging the sa, Vivziepop wrote this:

She ended up calling it a "joke" and made fun of the victim involved.

This is outright abusive behavior that should not be tolerated.

Children don't deserve to be traumatized this way. Especially over something as simple as making memes about a cartoon (negative or not) or simply telling someone to stop fetishizing abuse.

More on this in this video made by Gummypop:

AAAAAAAAAAAAAAAAAAAAAAAAAAND-

That's all that I have for now!

Will likely be updating this post in the future. Goodbye!

EDIT:

More evidence of Vivziepop using abusive language and slander against her employees behind their back. Claims of them being a "stalker" (like she did to Kedi and also its clear that she told her employees to say that Kaz was a "stalker" otherwise how else would they be saying these things after she fired them.) along with using abusive language such as "CUNT!" to prefer to Kaz this way in a professional setting I cannot. 💀

More evidence of Vivziepop harassing a kid:

ANOTHER edit:

More evidence, she's burning them the HELL out!

Yet ANOTHER edit:

More evidence of Spindlehorse being abusive:

EDIT:

Even MORE evidence:

The fact that the story AND the storyboards AND the animating for season one's episodes were all done in one year is just so crazy to me like... WHAT?! Either way, this post will continue to extend the more that I find evidence. So remember to look forward to that one!

EDIT:

Sadly no, as animation abuse is so common that the police dont even see it as an issue. The last time I tried to call the police on her they needed a location. The problem? There is no location of Spindlehorse since it's a "private" studio. So because of that viv gets away with abuse despite the obvious implications of her behavior and how many people came out with allegations towards her.

[hansoeii]

Hello! Hope you're having a great day/night! I absolutely adore your art, you are one of my favourite artists. I love the way you shade and do backrounds. Also everytime I get into a new show I immediately see your art for it??

I was wondering if you had any advice on drawing more realistically (backrounds, anatomy etc) but still keeping a style?

Hey hey!

Thank you so much!

I have a pretty good understanding of facial structures, because before I got into drawing more semi-realisticly, I heavily focused on realistic portraits. Here are some example, these are from around 2019!

(yes, I was really into danmei and kpop back then, haha)

I just always loved drawing/painting faces and it was all I did. But at some point I realized that I wanted to do more than that because just portraits felt super restricting. So it took me around 2-3 years to somewhat find my style. Thought it would be fun to show a little timeline! Advice will follow afterwards :)

2020

I began working on my OCs in 2020 and since I didn't have an exact reference to work off of, I struggled a lot. My art from this year is super wonky.

2021

Still wonky, but the Lokius obsession was the jumpstart into finding my style! My work from this year is all over the place haha, I was experimenting a lot.

2022

This first ofmd piece is pretty much the first drawing where you can see where my style is gonna go, which I think is pretty cool! This is the year I made the biggest progress cos I was drawing SO much. These two pieces are only six months apart. The one on the right was the first time I gave drawing a background a proper go, too! It was a good year.

2023

And this is where I am now! I'm still constantly learning and improving, but I'd say I have a style you can recognize now!

Now here comes some actual advice, haha:

What I highly recommend you to do is to study your favorite artists as much as you can! I have like 5 A4 sketchbooks all from 2020 that I filled with sooooo many studies, where basically all I did was look at artists I like and copy how they draw stuff, to try and figure out how to stylize certain things. Some of my favorite artists are Ami Thompson, Velinxi and TB Choi. But I also liked to just scroll through pinterest and study all the art I came across that I liked! For example, if I saw a really great drawing of a pair of pants I would copy it many times in my sketchbook and try to learn how they stylized the folds. Doing this for a prolongued period of time will naturally improve your own work! It'll be difficult at first, but you gotta push through, it's gonna be worth it!

I also highly recommend studying unique faces to try and avoid the same-face syndrome. Find some cool looking people and try to draw them as simple as you can! Maybe even draw a little timeline where you first draw them as cartoon-y as you can, and keep going until you end up with a more detailed, realistic drawing. Maybe in the middle of it you find a step that feels the most fun to you, so you can try to build on that! It's a great way to figure out what kind of style might be the best for you.

Here are some cool faces I found on pinterest!

I have a pinterest board with many more!

One REALLY important part of learning how to draw all kinds of things is to understand forms and shapes and how to manipulate them. I have so many pages in my sketchbook filled with just shapes that I drew from all kinds of angles without any references.

This is a great video on it:

6 Ways to Draw Anything by Proko

Learning how to do this is so crucial! Young artists often think they first have to learn all kinds of detailed anatomy before doing anything else, but all that's gonna do is make you tired and hate drawing. Shapes are where it's at! Once you understand how shapes work and which ones to use for certain parts of bodies or objects, drawing is gonna get so much easier! Once you understand them, you can get into details such as muscles and bones!

And honestly the most important point is to just absolutely love what you're doing! I wouldn't be doing this if it wasn't for the fact that I get extreme hyperfixations on certain media that turn me into some kind of beast where I can suddenly draw 10 detailed illustrations a week, haha. Just be passionate about what you do, find something you REALLY love and go crazy!

I really hope this was somewhat helpful! My inbox is always open if there's any more questions :)

[httpswritings]

We've created an artist — Alexia Putellas x Jenni Hermoso x Child! Reader

Warning: angst, abandonment issues, hitting. avoid reading if you feel uneasy about these topics.

Word count: 1386.

Summary: Alexia and Jenni had a daughter back in 2020. They split up in 2022 and Alexia started dating Olga the same year. In this fic, Jenni and Alexia do not end up together but they do face some challenges coparenting.

A/N: I almost sobbed writing this lol. It's pretty dramatic but it's worth it. 🫶

Through 2023, Alexia began introducing Olga to you. She started to make some comments about “her friend Olga” so you could get used to her name. Then, she gave you some gifts her friend Olga gave you; they made you really excited, as they usually were toys, fluffed animals, cute pieces of clothing from your favorite cartoons, etc. As you got used to Olga being in your mother's life, she eventually introduced her to you.

It went well. Olga was caring, all smiles for you. She was a bit timid, which you thought was wonderful, as you found her to be a delicate and loving woman. Alexia ended up telling you Olga was, in fact, her girlfriend and not her friend. It didn't change anything between the three of you, as your mother, Jenni, was also around, and everything carried on well.

While you were going through the life challenges of a two-year-old, your mother, Jenni, had to explain to you that she was going to be away for some time. It was not an easy, but necessary, decision for her and her football career. Even if you did not understand it, the psychologist your mothers talked to said it was crucial for your well-being to explain to you why Jenni was going to be away for some time, even if it sounded odd. She kept in contact with you through video calls, calls, and gifts she kept sending you and visiting you in Barcelona anytime she could, giving up any opportunity to visit her family in Madrid as you were her priority. The reason she didn't bring you to Mexico is because she didn't have any family there, while Alexia had her whole family near her. You still got to spend some time in Mexico when you visited Jenni with her family, especially your uncle, Jenni's brother, who you always had such a great time with. Because of these trips to Mexico, being far away from your mother, Jenni, wasn't that tough. Of course you missed her, but you saw her every month for a few days.

The World Cup came, and it was the best moment of your life. You got to spend about three months with both of your mothers and their teammates, especially the one who was closer to them. You celebrated your third birthday during your stay in New Zealand, as you were born in July.

September arrived. You started kindergarten when you were already three years old. You had a great start, coming home amused by how much fun you had at school each day. Alexia was the one who picked you up from school most days, but some of them you were greeted by Alexia's family, Olga, or Jenni's family when they came to visit. 

It took you almost a month before you started having an issue with Jenni not being able to pick you up from school. Your class was quite diverse, with different kinds of families: with one parent; with two mothers or fathers; with one mother and one father. But you had two mothers in your life; you wanted one of them to pick you up from school, just like you noticed some of your classmates were.

“Where can I go back to Mexico to see Mami?" you asked Alexia as she was picking you up from school. “Where's the «Hello, Mamà»?" she said as she tried to avoid the question. “Hello, Mamà. When am I seeing Mami again?” Alexia smiled at your innocence. “Soon, baby, soon.” You did not keep asking her about it, as you noticed tears threatening to escape your eyes. But that didn't imply that you were taking Jenni's absence well. The videocalls with Jenni kept getting quicker, as you couldn't bear seeing her through the phone for too long.

“What's up to her, Ale? Is everything alright?" Jenni asked one afternoon, when you didn't even spend one minute talking to her. Alexia tried to hold you but snapped back at her, “Leave me; I want to leave.” Afterwards, you went to your room to play with some toys.

Some weeks later, Alexia told you it was time to talk to Jenni, but you refused. “I don't want to talk with her.” “What do you mean you don't want to? Mami is waiting for you, baby. Did something happen?” “No. I'm not talking to her or to you."

Alexia sighed. She was usually calm when it came to you. Whenever something happened with you, she would sit with you and let you express yourself, even if that implied crying out of frustration because you couldn't go to the park. Something not a big deal to her but a huge deal for you at your age.

“What do you need, my love?” She kept asking you questions with a delicate tone. Olga got nearer and caressed your cheek, to which you responded by smiling. Alexia was dealing with some discomfort in her knee, which had her very worried. Still, she managed to keep calm and try to understand you. But you kept quiet. Worryingly quiet. Your mind felt so loud inside that you noticed your sight getting blurry. Images of Jenni came to your mind in a rush. You loved Alexia, but you needed Jenni's gentle and motherly touch.

Alexia began to lose her patience, and you shouted, “I need Mami. I want Mami. I want her now.” Alexia tried to calm you down, but you refused to let her touch you. “No! Don't touch me. I want Mami, not you”, as you got out of her embrace, slightly hitting her on the arm, running to your room, and shutting the door harshly.

It was the first time you did something like that. Getting out of Alexia's embrace the way you did wasn't a big deal for you, but Alexia felt like the whole world was collapsing. Olga rushed to hug Alexia, but her mind was repeating the moment of you hitting her. “Ale, baby, come back, please. Look at me.” Alexia's eyes had no expression overall. "Alexia." Olga said as she made Alexia look at her.

“She doesn't want me, Olga.”

“Yes, she does. Alexia, Y/N adores you. She just needs Jenni here too. She knows she has you here, in the room next to hers, at home. She's going to see you when she wakes up. She's going to have lunch with you. She plays with you at home. You both go on walks. She knows it, baby. But she also knows she can't have all that with Jenni. She doesn't have her other mother with her.” Alexia nodded, trying to understand Olga. “Y/N probably isn't aware of what she has just done. It was her way of expressing it. Later, you can explain to her why she can't hit people, even if she's sad, but right now, let her have some time to go through her anger and calm yourself down before talking to her.” Alexia finally hugged Olga back. “Thank you, Olga. Thank you.”

Half an hour later, Alexia came into your room, finding it empty. She freaked out as she called out your name, but you didn't respond. She went to her room. Still, you were nowhere to be found. “Alexia, she's here." Olga said. Alexia rushed to an empty room in the house, used for nothing in particular. You were sleeping on the floor with a drawing next to you. As Alexia got closer to you, Olga got out of the room to leave you both some time alone. In the paper, you drew yourself, with Alexia and Olga to your left. Olga was dressed with a timid smile and in a dress. Alexia was dressed the same way as you, in a fairy costume. This was enough to make Alexia cry. In the drawing, you also drew Jenni next to your right. She was drawn with a huge smile, emphasizing her dark black hair.

Alexia took a photo of your drawing and sent it to Jenni. “Look, we've created an artist. A very talented girl, Jenni. Talk to you in a couple of hours, as I know it's still pretty early there in México.” Then, she took a photo of you sleeping on the floor and sent it to her too. “Even geniuses need some sleep 😴 ”

[henrykathman]

The Miraculous Horror of Stop Motion

From the same artform that brought you Coraline and Rudolph the Red-Nosed Reindeer, comes three stories that evoke the existential fear of art.

Original Music by Molly Noise

Bibliography below

Atrocity Guide. “The Animators Who’ve Spent 40 Years on a Single Film.” YouTube, 9 Oct. 2021, www.youtube.com/watch?v=73hip3pz0Xs&pp=ygUMdGhlIG92ZXJjb2F0. Accessed 19 June 2024.

Brubaker, Charles. “The Japanese Studios of Rankin/Bass.” Cartoon Research, Jerry Beck, 14 Apr. 2014, cartoonresearch.com/index.php/the-japanese-studios-of-rankinbass/.

Bute, Paris. “Introduction to “a Rankin/Bass Retrospective from a New Perspective.”” Citizen Jane, Stephens College, 19 Nov. 2021, www.citizenjane.org/home/cwwicd2ucb2fvs64kgfaocfykjhaum. Accessed 19 June 2024.

Crome, Althea. “Coraline.” Althea Crome | Micro Knitter, 2012, www.altheacrome.com/coraline. Accessed 19 June 2024.

Harold Halibut. Directed by Onat Hekimoğlu, Slow Bros., 16 Apr. 2024.

Hekimoglu, Onat, and Gabriel Schmitz. “Unite Berlin 2018 - Harold Halibut and Making a Stop Motion Game.” Unity, YouTube, 6 Aug. 2018, youtu.be/9usssSQc0wQ. Accessed 6 May 2023.

Jon "Sikamikanico" Clarke. “The Making of Harold Halibut.” XboxEra, YouTube, 21 Mar. 2024, youtu.be/WMyxM9t3o7A. Accessed 19 June 2024.

LAIKA Studios. “Sweater and Gloves: Knitting Coraline by Hand.” YouTube, 11 July 2017, youtu.be/zUvkfcGR-7U. Accessed 19 June 2024.

Mad God Productions. “Phil Tippett’s “Mad God.”” Kickstarter, 17 May 2012, www.kickstarter.com/projects/madgod/phil-tippetts-mad-god/posts.

Olson, Mathew. “Report: Michel Ancel Accused of Abusive, Disruptive Practices on beyond Good & Evil 2.” VG247, 25 Sept. 2020, www.vg247.com/report-michel-ancel-accused-of-abusive-disruptive-practices-on-beyond-good-evil-2. Accessed 19 June 2024.

Ono, Kosei. “Tadahito Mochinaga: The Japanese Animator Who Lived in Two Worlds.” Animation World Network, AWN, Inc, 1 Dec. 1999, www.awn.com/animationworld/tadahito-mochinaga-japanese-animator-who-lived-two-worlds.

Orland, Kyle. “Claptrap Voice Actor Accuses Gearbox CEO of Assault, Underpayment.” Ars Technica, 7 May 2019, arstechnica.com/gaming/2019/05/claptrap-voice-actor-accuses-gearbox-ceo-of-assault-underpayment/. Accessed 19 June 2024.

Pilling, Jayne. A Reader In Animation Studies. Indiana University Press, 1998. Project MUSE muse.jhu.edu/book/40033.

Prehistoric Beast. Directed by Phil Tippett, Tippett Studios, 1984. https://www.youtube.com/watch?v=hlaXIRTjNfo

Randles, Jonathan. “VFX Studio with Star Wars, Jurassic Park Credits Goes Bankrupt.” Bloomberg Law, 1 May 2024, news.bloomberglaw.com/bankruptcy-law/vfx-studio-with-star-wars-jurassic-park-credits-goes-bankrupt. Accessed 19 June 2024.

Shanley, Patrick. “Gearbox Software CEO Accused of Contempt in Latest Filing.” The Hollywood Reporter, 27 Aug. 2019, www.hollywoodreporter.com/business/digital/gearbox-software-ceo-accused-contempt-latest-filing-1235064/. Accessed 19 June 2024.

The Making of “Jurassic Park.” Directed by John Schultz, Amblin Entertainment, 1995. https://youtu.be/8r01mk6F_Pk

The Making of Mad God. Directed by Maya Tippett, Shudder, 2021. https://youtu.be/sfUOHh0xmwc

The Tale of the Fox. Directed by Irene Starewicz and Ladislas Starevich, UFA GmbH, 10 Apr. 1941. https://youtu.be/Us_Pn6Q1dBQ

Wikipedia contributors. "List of films with longest production time." Wikipedia, The Free Encyclopedia. Wikipedia, The Free Encyclopedia, 12 Jun. 2024. Web. 19 Jun. 2024.

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Wikipedia contributors. "List of Rankin/Bass Productions films." Wikipedia, The Free Encyclopedia. Wikipedia, The Free Encyclopedia, 9 Jun. 2024. Web. 19 Jun. 2024.

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Wilson, Josh. “Phil Tippett: 24 Frames per Second < the Fabulist Words & Art.” The Fabulist Words & Art, 5 Nov. 2021, fabulistmagazine.com/24-frames-per-second-the-phil-tippett-interview/.

Worse than the Demon. Directed by Maya Tippett, Shudder, 2013. https://youtu.be/ghKqvDNRe4c

[laurenillustrated]

I’m sure you’ve been question loads but I think your art is gorgeous and it really inspires me, so i was just wondering how/when you found your style (like have you always drawn similar to this, or did it used to be more cartoony/realistic) because i’m really struggling with that line between stylising and still having recognisable human proportions lol

love your work 💕

Thank you so much! And I’ve only really been drawing like this current style since this summer 😅 over the last 5 years my style has changed almost every month lol you can even scroll down to my posts last year and see it’s totally different. I think only the last couple months I’ve stuck with this more painterly, children’s illustration style with semi-realistic proportions.

For a while my style was very influenced by modern cartoons and anime but my style changes with my interests! Now I’m more into art nouveau, late 19th - early 20th century illustration as well as children’s books from my childhood. But that could even change by next year and I try not to worry about it :)

Best tip I’ve heard and what I’ve been saying for a while is just try to find a few different artists you really like and take reference when you’re creating your own work. You’ll see as you practice the small influences from each artist shows up in your work creating a whole new style!

Here’s just a few comparisons to see some of the changes over the years.

Wirt (2020 vs 2023), Coraline (2022 vs 2023)

[disneytva]

The Disney Afternoon’s’ programming block launched 34 years ago, September 10, 1990.

The block will turn 35 years in 2025, wishful thinking for a crossover series with all characters like Jellystone! from MAX getting ordered.

The 2010s and 2020s saw new interations of some shows of The Disney Afternoon block with DuckTales as reboot for Disney XD , Chip 'n Dale: Rescue Rangers as a live action/cgi hybrid film for Disney+.

New interations of The Disney Afternoon shows are still being made with Darkwing Duck having a reboot in the works since 2020 and a TaleSpin reboot very early in development since 2023 both projects for Disney+ are being helm by Disney Television Animation, Seth Rogen, Evan Goldberg and Point Grey Pictures. (Nickelodeon Animation Studios "Tales Of The Teenage Mutant Ninja Turtles") In October 2023, it was announced that Gargoyles was getting a live action reboot handled by Atomic Monster and Blumhouse Television, Gary Dauberman (Warner Bros “Anabelle” franchise), acts as showrunner with James Wan and Michael Clear (Universal Pictures “M3GAN”) as Executive Producers alongside Jason Blum (Universal Pictures "Five Nights At Freddy's").

As of right now there's two major Disney Afternoon IPs still left to be rebooted:

-Adventures Of The Gummi Bears

-Goof Troop

Who's next? i guess the future knows however attempts by current Disney Television Animation artists where made:

"Goof Troop" by Becky Dreistadt and Frank Dreistad  (“Big City Greens”, “Big City Greens The Movie: Spacecation”, “Star Vs. The Forces Of Evil”, Cartoon Network Studios “Steven Universe The Movie”, “Steven Universe Future”)

"Adventures of The Gummi Bears" by Pedro Eboli and Mark Satterthwaite (Netflix “Cupcake and Dino: General Services”, Cartoon Network LATAM “Oswaldo”, Nickelodeon “Ollie’s Pack”, Discovery Kids LATAM “Bada Bean”, Amazon Prime Video "Gary and His Demons")

[wanderinginksplot]

What to watch during the writer's strike:

Don't pay attention to companies who blame writers for delayed movies and television shows! The WGA strike comes from people who are trying to make things better - not only for themselves and other writers, but the films and tv shows we all love.

While we wait for a resolution, I thought I would share some existing television shows that I enjoy. I didn't bother with too much well-known stuff. Instead, I focused on shows I feel many people missed because of the glut of content that all premiered at once over the last few years. (I may make another one of these for movies later on, but this one is about tv.)

[Update: Movie version here]

Feel free to add on! Just try to give a quick, spoiler-free synopsis for the show and the streaming service where it can be found.

List under the cut!

Netflix:

The Good Place (2016-2020) - A 'bad' woman is accidentally sent to heaven. She and her moral philosophy professor of a soulmate try to save her soul by making her a better person. Genre: Comedy with deeper implications and one of the best endings in television history.

Russian Doll (2019-2022) - When Nadia dies at her birthday party, she's more than a little confused to come back. Especially when it keeps happening. Genre: Time loop drama with a wicked sense of humor and a dash of theoretical physics. Potentially not ended?

Narcos (2015-2017) - The fight of the American DEA and the Colombian army against cocaine kingpin Pablo Escobar and his reign of terror. Genre: Drama with thrilling elements. Lots of violence, some sex and language. Lots of subtitles. Features Pedro Pascal and Boyd Holbrook, if you need some extra incentive.

Derry Girls (2018-2022) - Five teens grow up in Derry, Ireland in the 1990s, amid the final years of the Troubles, a low-level war that lasted roughly 30 years. Genre: Comedy. Some sexual content, some religious content, less violence than you would expect, and the best nun ever to appear on film.

Arcane (2021-?) - Two sisters are alienated when one accidentally kills their adoptive father. Their different paths threaten the fragile peace of a city already on the breaking point. Genre: Drama with elements of action-adventure. Though it's animated, Arcane's animation is beautifully done with tantalizing steampunk elements that will keep you invested.

Disney+:

Star Wars: The Clone Wars (2008-2020) - If you haven't seen any of the Star Wars animated series, this is a good place to start. Set in the time gap between Episode II and Episode III, this series helps flesh out Anakin Skywalker and the Jedi. It is also a great introduction to some of the characters and plots of The Mandalorian. (Star Wars: Rebels is another good choice.) Genre: Adventure with some drama. Violence and death are a large part of The Clone Wars, but it's usually appropriate for children. The clone troopers will steal your heart!

Gravity Falls (2012-2016) - Dipper Pines and his sister Mabel are sent to Gravity Falls, Oregon to live with their great-uncle for their summer break. But when Dipper finds a mysterious book in the woods, the pair find that Gravity Falls is far more mysterious than it seems... Genre: Adventure with a lot of comedy. Though it's billed as a children's cartoon, Gravity Falls is an intriguing watch with mystery subplots that will keep anyone guessing. It also features a famously strong and cohesive series ending. I was in my late 20s when I first watched this and I was still invested!

Daredevil (2015-2018) - After being blinded as a young boy, Matthew Murdock trained his other senses to replace the sight that he lost. He uses his skills to protect the helpless in the New York City neighborhood of Hell's Kitchen. Genre: Action and superhero. Features a lot of incredibly choreographed violence. (Jessica Jones is also an excellent show to watch, especially if you think of David Tennant as the consummate 'good guy'. He's got range!)

HBO Max (Just 'Max' now, I guess):

Ghosts (2019-2023) - Petty roommate squabbles don't stop just because you're dead! Alison and her husband Mike inherit a house, then a near-death experience allows Alison to see its ghostly inhabitants. Chaos and humor ensue as the ghosts try to adjust to the house's new owners. Genre: Humor. Ghosts is a British sitcom, but since the writers are comedians (writing and performing in Horrible Histories), the show is done in a style that feels more natural to American viewers. Hint: watch the BBC version, not the American one. They're fairly similar, but definitely not the same!

Pushing Daisies (2007-2009) - A pie-maker with the ability to bring back the dead helps to solve murders. He's helped by his once-dead childhood sweetheart. Genre: Comedy with some dramatic elements. Some of the CGI-heavy moments haven't aged particularly well, but the show has a unique premise and an incredibly talented cast!

Hulu:

Abbott Elementary (2021-?) - This mockumentary series showcases an inner-city elementary school in Philadelphia. The teachers and administration do their best for the kids, but they're constrained by budgets and the limitations of the educational system itself. Genre: Comedy mockumentary. Though Abbott Elementary is fictional, some of the issues brought up are all too real. This is a funny and incisive look at the American public school system.

Amazon Prime:

Fleabag (2016-2019) - The unnamed protagonist of the show struggles through life on her own with limited support from her alienated family and the memories of her recently deceased best friend. Genre: Comedy with lots of dramatic elements. Lots of sexual content and references, some language, breaking the fourth-wall, and several characters you just long to hit. I watched the second season in a single day, that's how good this was.

Unknown Streaming Service:

Black Sails (2014-2017) - This prequel to Treasure Island features elements from the book, original characters, and real pirates from history in a setting that emphasizes realism. Captain Flint and his crew search for a legendary prize... one that might allow them to claim Nassau for their own. Genre: Action and adventure. Think Game of Thrones, but with pirates. Incredibly well-written and well-acted with gorgeous scenery, LGBTQ representation, and just enough historical accuracy to keep things grounded. Black Sails also boasts one of the best endings ever given for a television show.

Like I said, please feel free to reblog and add your own television show recommendations onto this list! There are plenty of things to watch and plenty of ways to support the WGA strike that don't involve giving in to big studios.

[poisonousquinzel]

Batman: The Animated Series Harley Quinn being the Blueprint for Modern Harley Quinn

my actual version of this post

Working On The Side Of / With The Batfam

Harlequinade (EP) • "Batman and Robin have no time to spare in stopping the Joker from detonating an atomic bomb, so they enlist the help of Harley Quinn to hunt the Joker down."

Batgirl Adventures • "When Poison Ivy is captured by mobsters, Harley Quinn must act quickly to save her, so she turns to the only hero she can find: Batgirl!"

Batman: Gotham Adventures #43 • "Who's out to get Harley Quinn? Batman has to take her on as a sidekick to find out. The answer awaits deep in Harley's history...that is, if she and the Dark Knight survive the traps set for them all over Gotham!"

Batman: The Adventures Continue Season 1 (2020) #12 | Season 3 #2, #5, #7

-

Also before anyone comes @ me all "oh but what about her participating in the Death in the Family storyline", I've made a post here talking about the exacts of Harley's involvement in Jason's death.

Trying To Have A Better, Reformed Life / Redemption Arc

Batman: The Animated Series "Harley's Holiday"

Batman: Gotham Adventures #10

Batman: The Adventures Continue Season 3 (2023) #2

Ending Scene In Batman Beyond: Return Of The Joker

Being A Little Goofy Gal

Batman: The Adventures Continue Season 2 (2020) #7

Batman: The Animated Series • "Holiday Knights", "Harlequinade", "The Man Who Killed Batman"

Dressing Revealingly / Being Sexual

Batman: The Animated Series • "Harley & Ivy", "Harley's Holiday", "Holiday Knights", "Beware The Creeper"

The Batman Adventures: Mad Love

Being Bisexual (cry about it♡)

Paul Dini: When Bruce and I did the Harley and Ivy miniseries, it was certainly implied that [Ivy and Harley] had a relationship with each other—they shared hugs and kisses. I didn’t want that to overpower what the story was, but the relationship between them is so natural.

Paul Dini: The more I worked with [Harley Quinn and Poison Ivy], the more I could see [a romantic relationship] happening. Unfortunately, at the time, in an animated kids cartoon, you really couldn’t get into the complexity of that or honor what a relationship like that could really be. We just showed them together as friends and on fairly intimate terms when they were out of the costume, but nothing was implicit because if we couldn’t do that relationship properly then we didn’t want to do it at all.

Batman: The Animated Series • "Holiday Knights"

Batgirl Adventures (1997)

Love Is Love (2016)

Batman: The Adventures Continue Season 3 #2-7

Breaking The Fourth Wall

Batman: The Animated Series • "Harley's Holiday"

HQ, turning her head towards the camera: "Talk about grasping at straws. Oh, well, at least I'm going out on a joke."

Being A Domestic Violence Victim (And That Being A Prevalent Aspect Of Her Story)

"Everyone else sees the Joker laugh, only Harley has ever seen him cry. It's the only reason she stays with him.

Harleen, having once been a therapist, has touched onto his vulnerability. She knows who he is underneath. That’s what keeps her there."

- Arleen Sorkin [Batman: Animated | Interview Add-On Comment]

Batman: The Animated Series • "The Laughing Fish", "Harley & Ivy", "Mad Love"

Justice League • "Wild Cards"

The Batman Adventures: Mad Love (comic)

Harley Quinn: Mad Love (Novel)

Batman: The Animated Series | The New Batman Adventures Episodes

Harlequinade Aired: May 23, 1994 Writer: Paul Dini Director: Kevin Altieri

Harley's Holiday Aired: October 15, 1994 Writer: Paul Dini Director: Kevin Altieri

Holiday Knights Aired: September 13, 1997 Writer: Paul Dini Director: Dan Riba

The Man Who Killed Batman Aired: February 1, 1993 Writer: Paul Dini Director: Bruce Timm

Harley & Ivy Aired: January 18, 1993 Writer: Paul Dini Director: Boyd Kirkland

Beware The Creeper Aired: November 7, 1998 Writer: Rich Fogel Story by: Steve Gerber Director: Dan Riba

The Laughing Fish Aired: January 10, 1993 Writer: Paul Dini Director: Bruce Timm

Mad Love Aired: January 16, 1999 Writer: Paul Dini Story by: Bruce Timm & Paul Dini Director: Butch Lukic

Justice League Wild Cards Aired: December 6, 2003 Writer: Stan Berkowitz and Dwayne McDuffie Director: Butch Lukic

Ending Scene In Batman Beyond: Return Of The Joker Story: Paul Dini, Glen Murakami, Bruce Timm Screenplay: Paul Dini Director: Curt Geda

The Batman Adventures: Mad Love Writers: Paul Dini, Bruce Timm Pencilers: Bruce Timm Inkers: Bruce Timm Colorists: Bruce Timm, Rick Taylor Letterers: Tim Harkins Editors: Scott Peterson, Darren Vincenzo

Batman: Gotham Adventures #43 Writers: Scott Peterson Pencilers: Tim Levins Inkers: Terry Beatty Colorists: Lee Loughridge Letterers: Albert DeGuzman Editors: Joan Hilty, Harvey Richards

Batman: Gotham Adventures #10 Writers: Ty Templeton Pencilers: Rick Burchett Inkers: Terry Beatty Colorists: Lee Loughridge Letterers: Tim Harkins Editors: Darren Vincenzo

Batman: The Adventures Continue Season 1 #12 Writers: Alan Burnett, Paul Dini Pencilers: Ty Templeton Inkers: Ty Templeton Colorists: Monica Kubina Letterers: Josh Reed Editors: Andrew Marino

Batman: The Adventures Continue Season 2 #7 Writers: Alan Burnett, Paul Dini Pencilers: Rick Burchett Inkers: Rick Burchett Colorists: Monica Kubina Letterers: Josh Reed Editors: Andrew Marino

Batman: The Adventures Continue Season 3 #2 Writers: Alan Burnett, Paul Dini Pencilers: Kevin Altieri Inkers: Kevin Altieri Colorists: Monica Kubina Letterers: Josh Reed Editors: Andrew Marino, Ben Meares, Katie Kubert

Batman: The Adventures Continue Season 3 #5 Writers: Alan Burnett, Paul Dini Pencilers: Ty Templeton Inkers: Ty Templeton Colorists: Monica Kubina Letterers: Josh Reed Editors: Ben Meares, Andrew Marino, Katie Kubert

Batman: The Adventures Continue Season 3 #7 Writers: Alan Burnett, Paul Dini Pencilers: Ty Templeton Inkers: Ty Templeton Colorists: Monica Kubina Letterers: Josh Reed Editors: Ben Meares, Andrew Marino, Katie Kubert

Batgirl Adventures (1997) Writers: Paul Dini Pencilers: Rick Burchett Inkers: Rick Burchett Colourists: Rick Taylor Letterers: Albert DeGuzman Editors: Scott Peterson, Darren Vincenzo

Love is Love (2016) Writer: Paul Dini Illustrator: Bill Morrison Colourist: Robert Stanley Letterer: Sal Cipriano

Harley Quinn: Mad Love (Novel) Written By: Pat Cadigan and Paul Dini

I am aware this last one isn't technically in the BTAS universe, but later on in the novel, it blends into the Mad Love comic/episode and then goes past it. I only used scenes that were originally featured in the comic/episode as they are just those scenes in a purely written form.

Harley Quinn: Mad Love (Novel) Pg. 261 He lowered his head and slumped, the very picture of dejection. Harley couldn’t stand to see him that way. She cuddled up next to him and took him in her arms. “I know how to make some smiles, puddin’,” she said in a playful, sultry voice. His whole body stiffened under her touch. “Puddin’?” But she knew it was hopeless; she’d done the wrong thing again. A moment later, he was leading her down the stairs by her nose, pinching it so hard between his thumb and forefinger that she cried out on every step. “Ow-ow-ow-ow-ow! That hurts! It really, really hurts! Please, puddin’—” He pinched even harder as he led her to the door, opened it, then turned her around. “How many times do I have to tell you?” he roared, applying his foot to her backside. “Don’t call me puddin’!” Harley scrambled to her feet just as he slammed the door in her face. She started to beg him to let her in but suddenly all the fight went out of her and she sank down to sit cross-legged in front of the door. Thrown out again; how many times was this? She’d lost count. No, she hadn’t. This was the twenty-fifth time. That averaged out at roughly three times a week for the past two months. - Harley Quinn: Mad Love (Novel) Pg. 255 “Hey, that’s a real gasser, ain’t it, Mistah J?” she said between giggles. In the next moment, Gordon thought the nitrous was making him hallucinate as events took a sharp turn into the surreal. The Joker grabbed the floppy points on Harley’s hat, pulling her to him so they were nose to nose. “I deliver the punchlines around here!” he bellowed into her face. “Got that?” “Yessir,” Harley Quinn said, her voice tiny and fearful. The Joker shoved her aside and the jolly Clown Prince of Crime persona was back.