#not as they are in the “game” but as like actual monsters made for a movie

[blackkatdraws2]

This little NPC is lost. The Narrator [Black] has come to guide her back to where she needs to be.

I imagine Black would be a lot more tolerant toward his NPCs since they're basically just the Dungeons spawns, and by extension, his own creations.

[If you're familiar with manhwas / manhuas that features the dungeon / system genre, you'd be able to understand this AU a lot easier. The majority of my inspiration for worldbuilding came from those specific genres.]

[NOTE: 'Dungeon' is just another term for the Parable. Technically, Black owns a Dungeon and the Parable is just a small part of it. The Dungeon itself is much, much larger.]

For context, the comic below references this post about the Dungeon's children/guard dogs.

[They're more like the immune system since all they do is make sure the (body) is safe.]

[The reason the Narrator [Black] considers them his children is that the Dungeon is feeding off his energy and in turn shares the 'nutrients' to the monsters it produces, which transforms them into an image that resembles his power.]

And the old man below is Joseph!

Joseph is NOT AN NPC! He is a person who exists outside of the Dungeon!

[There are two separate 'worlds' for this AU. Inside the Dungeon (where most of the game-like stuff is happening) and the world outside (pretty much their normal world.)] [There is a secret third world, and that's our world. Our reality.]

These characters are not actually important or anything, I just made them to make the AU feel more lively. To make a world that exists, you know?

When the Narrator [Black] first established himself in their world, he found a growing problem with homelessness. Not understanding human norms or why this has become a problem in the first place, he offers (tricks) them into working for him as janitors for the Dungeon and they accept for the money.

Most of them left after they got paid, but Joseph was one of the people who stayed. He doesn't have anywhere else to go and has no ambitions in life. He just wishes to live a peaceful life with food and a roof over his head.

Joseph defaults to referring to the Narrator [Black] with feminine terms due to his appearance despite his voice. The Narrator [Black] is not the type to care for such terms anyway so he doesn't care how other people refer to him as long as there's respect.

--------------

This post focuses more on the worldbuilding and background aspects of the AU! There are a lot more in store for the Blank Scripts AU, and I want to explore more on how the characters might interact with their surroundings and how this would work to make a world that makes sense.

It would be so cool if people made self-inserts or OCs for my AU actually. I'd love to see how you guys would work with my stuff. Play around with it like a barbie world for your little barbie dolls. Be canon compliant, be canon divergent, who cares, have fun.

[notaplaceofhonour]

really fucking tired of this cycle of

*goy keeps talking about how October 7th was good actually*

*Jew says it’s bad actually*

goy: “why are you still talking about something that happened months ago, omg get over it 🙄anyways things that happened 70+ years ago were worse & Israel has done worse since”

like if we respond to someone else talking about oct 7, we get treated like we brought it up. and then our collective dead are constantly pit against each other by people with no stake in the conflict, like fucking points in a sports game.

& when it comes to talking about jewish & israeli trauma we have to treat oct 7 like a singular isolated event disconnected from the broader context of violence against jews & israelis, which we would never be expected to do for palestinians (nor should we). but we have to ignore the near constant attempts to murder israelis that have been made practically every single day of this war (and many days in the years long before) (and if successful probably would have already leveled the country by now) just because israel defends its people (and I am talking true defense, like the iron dome, not the offensive against hamas) while hamas actively puts its subjects in harm’s way.

like what, would you be happier if both sides had 36,000+ dead? if israel stripped the entire iron dome program away & let hamas & hezbollah’s rockets blow tens of thousands of Jews away, would that be satisfactorily “equitable” to you fucking vulturous ghouls? or if roles were reversed & more israelis finally did die, would you start doing this shit to the palestinians? if that happened, would you be this shitty to palestinians, denying their trauma, attacking them for talking about it?

because if so, how can you not see how much of a fucking monster you are. and if not, then stop fucking doing it to us. it’s no less monstrous when you do it to us.

how is it so fucking hard for you fucking vultures to not be so fucking heinous?

[sephirthoughts]

Vincent’s lingering obsession with Lucrecia is excellent drama, but their story is not a doomed romance.

This is an unpopular opinion, but I don’t think Lucrecia deserves nearly as much pity and excusing of her actions as she gets. This is not character-hate post, it's an analysis of a character I think gets short shrift as a Mother-Mary in a bell jar, and deserves better.

Lucrecia is morally grey. Charcoal grey. I love complex, morally grey characters, particularly when they're women, since usually women are relegated to roles that infantilize and objectify them, particularly in video games, which have historically been a very backward, androcentric medium. I strongly dislike brainless victims, subject to the whims of the male characters, without much agency, and Lucrecia was not such a character.

Lucrecia was an adult with agency and brains. She was a grown ass adult. She was a brilliant scientist. She made decisions with her eyes open, and even sacrificed her unborn child to her work. She is a very interesting character. The fact that she didn't idolize motherhood as the end-all of female existence, and that her obsession with her work was stronger than her desire to be a 'good mother' makes her far more interesting than otherwise. The fact that she regretted it later and wanted him back doesn’t magically make her a good person, or change the choices she made. It demonstrates guilt and remorse, which are part of character development. The bottom line is that she committed atrocities in the name of science, then felt guilty about it later, once she realized how devastating the consequences were to her personally. To say she didn’t know what she was doing or Hojo manipulated or controlled her is to infantilize and disrespect her character. She’s not some sacrificial angel who was a victim of circumstances; she was a willing participant in her own downfall.

Lucrecia is a tragic character, but she's not a romantic lead. Except in Vincent's head. After all was said and done, she had one of those too-late changes of heart that make tragedy so emotionally impactful. She had a human reaction to Vincent's death and felt terribly guilty for her role in all of it, as she should. That doesn't mean she loved him, it means she wasn't a monster. She lost her son, and gradually, Hojo's callous inhumanity and her inability to escape the net she wove with her own hands closed in on her. Did she deserve to never hold her baby son and never see him even once? No. But she caused it, with her own actions. That's tragedy. She was miserable, bereft, and riddled with guilt, so she made a last-ditch effort to make something right...by doing more insane science shit that turned Vincent into a monster. Seeing that she'd only made everything worse, she tried to kill herself, but was unable to, and thus ran off to become a crystal statue in a cave (this is a trope that I dislike, but that's the story, so that's what we've got).

Vincent is a bad judge of the circumstances. Vincent persists in seeing her as a lost love, and someone from whom he was unjustly separated by circumstances. The fact that he is so blinded by his feelings for her that he places her on this pedestal and can't blame her for what she did is excellent characterization, and I love it, but it's because he’s wrong. He loved her. She didn’t love him (I think she was in love with his father, but that's just icing on the tragedy cake, at this point). His lingering attachment, not to the real Lucrecia, but to the idealized version of her he has in his mind, is a very sad reality that adds so much delicious pain to his character. In the end, he is unable to blame her, because he loved his image of her (and Hojo is a way easier target for anger, because he's literally the worst), which speaks far more to his personal bias in the situation than to her actual role in it. She’s not moustache-twirlingly evil like Hojo but she’s not Vincent's star cross'd soul mate tragically torn away by cruel fate. Lucrecia was her own person.

In summation. Their story is not a doomed romance, it's a complicated, messy, ugly tangle of thorns, and one of the best written tragedies in a game that literally bleeds tragedy from every orifice. It's got one-sided love, obsession, mad science, betrayal, jealousy, fetal experimentation, murder, corpse reanimation, and a guy who can't die, and is left to deal with the consequences of everyone else's actions by himself forever. No one is innocent and no one comes out unscathed…strike that. Vincent is innocent and Hojo comes out unscathed. But still. Lucrecia is not a holy mother, she's not a brainless victim, and she's not Vincent's lost love. She's a person he loved, and who didn't reciprocate. Most importantly, she's a person. A whole-ass, complex, morally grey, fully developed person, who made terrible choices, then made even worse choices, and in the end, couldn't escape the fate she wove for herself.

And then wound up encased in crystal so she could be a pretty statue forever cause the game devs just couldn't help themselves I guess.

[tobiasdrake]

what do you think of the most important relationship in all of dragonball? I speak, of course, of the world champion Mr. Satan and his pupil, mr. Buu

The entire Satan and Buu plotline is delightful, and it's not without reason that their bromance has become an ever-enduring part of post-Z materials.

Story-wise, this may be the best decision that the Buu arc made.

Toriyama sets this up in advance with the little boy whose blindness Majin Buu heals.

While flying around and slaughtering people for funsies, Buu finds this kid that's not afraid of him because he can't see Buu. He heals the boy's blindness so he can be properly afraid, but the kid is grateful rather than scared.

Buu finds himself enjoying that.

So Buu decides to offer his new friend a little more help, even while he's killing and blowing up everything else.

This moment demonstrates that Buu has a capacity for kindness; He just hasn't learned better. Like a child, he craves attention and validation from others but doesn't know the difference between negative attention and positive attention.

He's acting out because he wants to be noticed. Which brings us to the Earth's response.

The man who defeated Cell is here to slay Majin Buu and restore order to the world! Hail Satan!

He's fucked. He is so unbelievably fucked. Even he knows how fucked he is.

To his credit, Satan doesn't run for the hills as soon as these two guys leave. He actually did come here with the intent to confront Majin Buu and save the world.

Satan is often taken for a full-on coward because he does typically try to get out of fighting people who could end him in a flick of a finger. He's Pamput tier as a fighter and he knows these people outclass him by an unbelievable margin.

But I think it speaks very highly of him that when the world looked to him to save them from Majin Buu, he didn't try to run from it. He's not going to try and fistfight Buu, hell to the no, but he does make a good faith attempt to slay the dragon, to the best of his meager ability.

Hell, when all else fails, he even does try to fight Majin Buu directly.

It takes a lot of nerve to swing on an invincible god-killing monster who will absolutely turn you into candy and eat you the moment this conversation stops being fun for him.

This isn't cowardice. Satan's an arrogant blowhard who steals glory he doesn't deserve. As he and Buu settle into their friendship, he even makes plans to steal glory for Buu's defeat should it ever come to pass.

But he does want to save the world from Buu. He just has no idea how to do it. This is so far beyond him it's not even funny. Even after he basically moves in with Buu, he's still got victory on his mind.

He's here for the same reason he went to the Cell Games. Satan has the spirit of a hero somewhere under all that bluster, deceit, and glory hogging.

It's the arrival of Bee that changes everything.

This is the blind boy with the milk all over again. But this time Satan is here to see it, and it changes his approach to how he's engaging Majin Buu.

Once Satan sees this nicer side of Majin Buu, he finds himself armed with the greatest secret weapon he could possibly bring to this conflict. More powerful than bombs or poisoned chocolate. The one weapon that can truly defeat Buu: Empathy and understanding another person's point of view.

BOOM. It's done. Mr. Satan just saved the entire fucking planet from Majin Buu. His ultimate technique is asking Buu nicely to stop. No one's ever said this to him before. He didn't know better.

And this comes at the worst possible fucking time, oh my god. Seconds after Majin Buu agrees he won't kill or destroy anymore, snipers shoot his puppy.

This wouldn't be a big deal ordinarily. Buu would just erase these two assholes. But he just promised he wouldn't kill and destroy anymore. He wants to keep his promise. So all he can do is stand there and fume.

Buu has no idea what to do in this situation if he's not allowed to kill these two shitheads. Satan has not thought to convey the correct nuance for how he can behave in this context. So he's trying so hard to keep his promise in a situation where he should rightly be allowed to defend himself and his friends.

Satan's able to defuse the situation by beating the shit out of these clowns himself, and they save Bee's life with Buu's healing. But when Shooty McDickface shoots Satan in the back, Buu fucking erupts.

The contradiction between his promise not to hurt humans anymore and his furious need to waste these bastards is too much for him, allowing the darker aspects of the true Majin Buu an opening to seize control over Daikaioshin's innocence, which had up to this point resulted in this childish demeanor of his and made this friendship possible.

It's noteworthy that the first thing Evil Buu does is resolve the contradiction.

He does not care what he promised Satan. He's going to kill. And then he's going to resume killing. It was a mistake to have ever stopped.

The other really noteworthy thing, after he becomes Super Buu, is his behavior during his Human Extinction Attack.

God, what a horrifying image. This is the darkest fucking moment in Dragon Ball history. This is somehow worse than blowing up the planet. It's so horrific. Buu is really living up to his function as a god-killing horror whose very existence is a slight against the heavens.

Super Buu uses God's Temple in Heaven as a vantage point from which to fire billions of homing shots down into the Earth precisely targeted to kill every last human being remaining in the world. In a matter of minutes, he purges all human life from this world.

All human life except Tenshinhan and Chiaotzu, who were able to evade the shots aimed at them. Look, if you're going to shoot billions of ki blasts at once, there's a limit to how powerful they can be.

And Mr. Satan, who Buu skipped. Even with his innocence restrained and chained inside of him, Buu still can't escape his feelings for the one man in all the world he can call a friend. Even in this moment as he purges life from this world, Buu simply couldn't bring himself to do it. Not this one.

Even at his darkest, Buu's love for his friend will remain so long as any scrap of influence from Daikaioshin, so long as the thing that makes him sapient to begin with, still lives inside of him. A problem that only Pure Buu would ever manage to solve.

"The surge of emotion that shot through me when I saved your life taught me a valuable lesson: Where Caroline lives in my brain. Goodbye, Caroline." ~Majin Buu apparently

Such a weird resolution to their developing friendship, but Majin Buu is a magical creature unbound from any physics whatsoever so it works.

And then, for good measure, Satan legit saved the Earth from Majin Buu for real by convincing the totality of the resurrected Earthlings to contribute as much genki as they could muster to Goku's Genki-Dama, because there are genuine advantages to being a publicity hound.

Mr. Satan's greatest martial art is PR. He may be a glory-stealing publicity shill sitting pretty off the achievements of others, but goddamn is he good at getting his face out there and being a household name.

People underestimate the value of PR. He might just be a figurehead, but he's a damn good figurehead.

And he got to keep his new bestie too.

This is so unexpectedly sweet. Satan's relationship with Buu was the highlight of this arc. It gave a lot of depth and personality to both characters, turning Satan from a funny joke at the Cell Games to a powerhouse MVP of a protagonist.

It's just. Y'know. Shame about his daughter who basically drops off the face of the plot never to be cared about again. Videl's basically a cameo now, existing mainly to be the mechanism by which Gohan has a daughter.

So. Y'know. That sucks. But I've already talked about Videl and how screwed she was by the narrative.

Looking at post-Z materials, however, you can feel how much of an "Endgame, we don't have to go anywhere with this" sort of thing Satan and Buu's friendship is. GT basically wrote Mr. Buu out of the plot by having him fuse with Uub, while DBS goes out of its way to not let him participate in anything. The one arc he's featured in replaces him with Daikaioshin directly.

I don't think anyone really knows what to do with Mr. Buu now that he's one of the gang. Instead of writing plots and thinking about, "What can Buu do to contribute to this?" the vibe is always "Oh fuck me, what are we going to do about Buu?"

But even when the writers are struggling to find something for him to do, his ironclad friendship with Satan never wavers.

[anglerflsh]

Making sure he'll fit in

[a2zillustration]

I carried this thing for MONTHS with the EXPRESS PURPOSE of putting Raphael in it (knowing full well Larian wouldn't let me do that, mechanically) and I had one major miscalculation.

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[[ All Croissant Adventures (chronological, desktop) ]]

[[ All Croissant Adventures (app) ]]

[ganondoodle]

rough beast ganondorf design + sketches + notes design combines the typical boar form (dark beast + cloud form from botw), the oni one (demon king gan) hint at the draconic one to come but keep part of his humanity with his clothing being mostly intact

as the battle with Demon King Ganondorf comes to an end, the sages previously knocked out start to wake up again, he is cornered and hurt and as fear of being imprisoned, tortured and exploited overwhelms him he transforms into the Beast form, breaking the arena you were fighting him in and him going for Zelda as she is the biggest threat (he remembers her destroying dark beast gan and she reminds him of sonia, who is the one you sealed his human body back in the day)

you and zelda flee through the cracks of the earth as more earthquakes happen with a beast at your heels thats now truly only out to kill as fast as possible as he burrows after you (first sketch)

the path takes you both just below the surface and as you are trapped in a dead end zelda shields herself and link with her light shield ability, which protects you both from immediate damage but cant soften the impact from gan charging at you, the impact of which breaks you all three to the surface and the battle takes place in the same spot as botws dark beast fight-

fight is very challenging as gan is smaller than the dark best version, jumping and charging at you while still able to cast spells, now truly throwing everything he can at you in the hopes of ending you both

fight ends with you shooting an arrow at zelda, her deflecting it at the right angle and it shooting off the enigma stone on gans forehead; he falls seemingly defeated and as zelda runs to take the stone away gan through sheer panic lunges for the stone triggering his dragon transformation and making way for the final fight

(summary of the end: in the final fight gan snatches up both link and zelda once he transformed into the black dragon and takes flight toward the sky, zelda falls from between his teeth and knowing that she cant get to link and help him in any way from the ground she, while falling, takes out the enigma stone she has kept in a save container in her backpack all this time and swallows it for her own transformation, in her white dragon form she takes active action and charges at gans head so link is freed, then supports him in the fight itself; at the end link plunges into dragon-gans mouth to reach the stone on the inside where he makes use of the 'medicine' previously made using the moonbloom taked from kogas secret lab, link and the stone are spit out and as gan reverses into a human and falls link is caught by zelda and he uses the second charge of it on her to bring her back as well; as all three fall from the skies as the sages have made their way through the tunnel that beast gan made earlier, they help link and zelda getting to the ground safely while the yiga do the same for gan - final end end isnt determined yet but this is waht i got so far and even if i have written this once before i felt it was fitting to do it again and no you cant tell me this is too much of a wishfulfillment thing bc it literally is just that as i cant actualyl change whats in the game, so even if im trying to make it all fit well together i can still do what i want nhakjdbgshdbhsjka)

(totk rewritten project)

[egophiliac]

Hello!! I followed you for your absolutely amazing Twisted Wonderland comics (thank you for making them, by the way-) but I saw you posting about something called Ride Kamens? I haven’t heard of it before, what’s it about? Or if that’s a bit much to ask, where could I find more info about it? It seems right up my alley 👀

Thank you!

thank you! :> :> :> (this is also for the other anon who asked about where to find it, I am honored to be infecting the world spreading interest in this silly game)

Ride Kamens is still doing prerelease marketing and isn't out yet; it's set for "early summer 2024", so a bit yet to go! similar to Twst, it's a mobile game about anime boys loosely based on an existing franchise (Kamen Rider), although it seems like it's going to be more standalone/won't require familiarity with Rider going in.

the (very) basic premise is that your player character has just taken over their late father's role as a secret agent, supporting the city's superheroes by running a secret base disguised as a cafe (plus you have a personal butler for some reason) (the reason is because it's amazing). you also have to help the heroes regain their lost memories, and it looks like it'll have a bit of a route/choice aspect there (not romance, just different endings to the character episodes depending on what you do). the details are kinda hard to tell at this point but the characters seem like a really fun bunch; there's definitely big "idiots with emotional problems" energy which I am extremely into.

all the official info is in Japanese only at the moment, but here's the website and the ride_kamens twitter! (though the twitter is sort of overtaken by posts about the AnimeJapan exhibit right now, whoops.) and I believe some people are already planning on doing translations for it too? lots to look forward to! :D

[sysig]

A very normal scientist doing very normal gene splicing experiments (Patreon)

[fishyfishyfishtimes]

5

(F I V E)

5. What's your controversial marine biology take? Oh, have I been talking about my controversial takes these past few days! Ocean sunfish.... beautiful, so silly but so beautiful.

To name another thing, perhaps this is moreso something that grinds my gears rather than a controversial take but I haaaaate when people say that male seahorses get pregnant. It's what it looks like but it's not the case!!! He just has a pouch where the egg are deposited for safekeeping, it's like mouthbrooding but with a designated pouch!! He does not produce the eggs and all the nutrition the eggs receive was never from him!!! Perhaps I get too hung up on these aquatic animal technicalities, but it still makes me needlessly annoyed whenever in fiction there's like, seahorses, and they imply that the process of seahorse baby development is the exact same as human baby development but.... backwards for sexes..?

[thatoneudguy]

I love Until Dawn (evidently) but omg everytime I play the game or think abt the game I end up feeling so gd sad. Like damn its bleak. Josh Washington genuinely has made me cry more times than I can count.

[maraschinotopped]

undertale yellow. clutches head in anguish.

[forcedhesitation]

the end of wyll's quest is....interesting. it was VERY cool. I thought having the archetypal fairy tale prince go "slay the dragon" was a fitting ending, I just feel like it was....a little underwhelming in some ways.

more under cut

first and foremost- I wish that it was not possible for your tav/durge to converse with ansur. I wish that it automatically selected wyll, because I simply do not think that this entire scene has as much impact if it is not wyll at the forefront of everything. which is why I also have to complain about the emperor here.

the reveal that he is balduran is.... well. I knew about this already, through accidental spoilers. Initially, I thought it was a stupid reveal. but reframing the reveal in the context of a fairy tale...well it makes perfect sense. it just FEELS a bit underwhelming and strange, because your player character is not wyll. this entire area feels like it was written with an avatar wyll in mind. and I wish that there were changes made to the companion wyll version of the game that made up for this. wyll is a character who is hugely tied to the main plot by virtue of being the duke's son. he spends the game searching for his father, while trying to deal with both mizora and the absolute. mizora is the one he sold his soul to to save the city before, the reason he was cast out. the absolute wants to destroy and steal his city. and ansur, a legendary dragon, might be his way of saving the city and getting his father's approval back. ansur had wanted to kill balduran because balduran had been infected with a mindflayer parasite, but had embraced his illithid nature rather than rejected it. I feel like there's some parallel that can be made to wyll there. in that he was othered, like balduran was, because he accepted mizora's help. ansur condemned balduran because ansur is a bronze dragon and therefore lawful good. wyll's father exiles wyll because wyll was "at best a fool, at worst a traitor," in his father's eyes and his father tolerated neither. wyll & balduran are both victims of the inflexible nature those of lawful good alignments have. they are both seen as monsters for what happened to their bodies. I wish that was emphasised a little more. like autoselecting wyll for the ansur dialogue & giving him dialogue with the emperor would have made this ending feel a little more complete, in my opinion. and it would have better demonstrated the point of having the emperor even be balduran. because that's such a fairy tale thing, the stuff of real legend! for the hero's mysterious guide to actually be some great old hero thought to be long dead. and I do think it works. it just doesn't feel as impactful if wyll is not your avatar.

I also wish this area was overall bigger & more developed. I know they redid wyll's character from EA. I know they had less time. I just. I wish that this area was as detailed as the sharran temple in act 2. it feels like SUCH a big deal, it feels like it should be bigger. especially since at lvl 12, you're just. unkillable.

but the dialogue afterwards, where he says he's in the mood for celebration and wants to make a celebratory dinner? SO CUTE!!! that man's joy is contagious!!! I could practically feel him holding back how much he just wanted to jump around with joy. and the sweet little "let's hope gale won't be too upset that I'm cooking for once and not him." I love you. you are too fucking sweet wyll. this fucking city does not deserve you. this playerbase does not deserve you. you are a true gem and I wish people saw you are just as beautiful and interesting as astarion and gale.

a cool possible scene they could add, to given wyll's questline more material IS that dinner he talks about. or preparation for it! something where he asks tav/durge to taste the food beforehand? or where your avatar can ask him about where he learned to cook, prompting him to talk about his time as the blade of frontiers? out in the sword coast on his own? this scene could easily be platonic or romantic, but be given extra options for a romantic relationship. but something like this could truly be added at an earlier point in the game too, it doesn't have to be tied to this particular moment.

but overall really cool area of the game. very cool bossfight. and a rather clever ending to wyll's quest, contrary to what his haters say. I love the commitment to the fairy tale theme. it just needs a bit more. maybe it feels more satisfying if you've romanced him. although I've heard his act 3 romance scene is currently bugged? his unromanced questline is slightly bugged (doesn't rob you of any material, though, it just replayed some dialogue for me). either way, I hope that gets fixed asap. I so badly need to experience this romanced version in my other campaign.

[rocketbirdie]

Thoughts on the new Monster Hunter trailer?

Equal parts thrilled and apprehensive!

I've always preferred a more cartoony and colorful MH that doesn't take itself too seriously. World wasn't my cup of tea for various reasons, such as the emphasis on realism, too much time sucked away by a disinteresting plot, and the disgustingly visceral sound design.

Wilds is very obviously World-like. As soon as I learned it's FULLY voice acted, I groaned in agony not gonna lie. I'll be perfectly fine with it being plot heavy as long as they make cutscenes skippable. Not sure yet how I feel about having a handler again. Would like to see Sunbreak's followers system return, but I'm not confident.

New locale looks beautiful!! Mohran hype maybe??? The new large monsters are curious. Amphibian monster! Zamtrios?? Please please please zamtrios please pleeease please. Great Sword moveset is funky. I like the gap-closing counter attack, but I also kind of miss the goofy simplicity of the old school hit-and-run playstyle.

Seikret is precious. I hope we get to customize their colors and deck them out in cute cringey outfits. Very surprised that you can sharpen/drink potions etc. while riding them, that was the thing about Rise's palamutes that I felt needed to be nerfed. I DO like that Seikret can carry one other weapon for you to switch out between. Hopefully that means you can't freely change equipment at the main camp like in Rise. I like having to prepare more carefully for hunts!

[sophiethewitch1]

me playing undertale yellow: ah. i am going to cry

[strangesickness]

i LOVE gay werewolf posting its my number one hobby. going to write richie gay werewolf very scary door one-shot because we as a society are deprived of bill & richie friendship moments. like don't get me wrong i love fics where bev or stan know he's gay first but like. i feel like it could be any of them, they all know each other so well, they're all so close, it'd just take one oh moment for any of them to realize how in love and how afraid richie is.