#not the least of which is. the name of a place is spelled differently in the chapter and the chapter title running head

[j-esbian]

i was just talking about this the other day so maybe that’s why it’s so obvious but tbh it’s always at the top of my mind. it is so frustrating that some books don’t even feel like they’re read over a single time before they get published

[foldingfittedsheets]

At this point in our relationship my betrothed is well versed in my compulsive need to help animals. It wasn’t part of their upbringing but it was a huge part of mine. So now whether it’s lost dogs or injured birds they know that for me it’s not a matter of convenience, it’s just the only possible option.

My most notable rescue took place during one of the least opportune times. We were watching a friends boxer puppy, Bella. The dog was dumber than a box of rocks and I took deep offense that at six months old she still didn’t know her own name. My betrothed and I were working with her on that as well as leash manners, so we walked her frequently.

On our way home from a walk I looked across the street and saw a cat. My betrothed didn’t need to ask, it was simply a given that faced with a cat I’d go say hello, so they waited with Bella as I crossed the road.

As I approached the cat several things caught my attention. The first was that he wasn’t wearing a collar. The second was that his coat was greasy and disheveled- this was not a cat that was thriving if he didn’t have energy to groom. The third thing was that he was way too skinny, with bones jutting out from his shabby coat.

The fourth thing I noticed was that this cat was a purebred Bengal.

Now, I understand that it’s suspect to identify cats as bengals. Many people see tabbies and call them bengals. But as a teenager I became obsessed with these cats and went on a hyper obsessive deep dive. I spent hours reading about them, looking at pictures, and dreaming about Bengal cats.

The cat in front of me had unmistakable rosettes, the narrow frame, piercing eyes, and from a very rough estimation probably cost thousands of dollars. There was no world in which he should be wandering my neighborhood with no collar and his ribs jutting out.

Which all led me to one conclusion. He was lost.

The second I realized that it was over. It wasn’t a matter of thinking the situation through it was a simple conclusion: he was lost so I would help him by any means necessary.

This sweet cat showed he was friendly and trotted right over to greet me. I pet him and tentatively went for a lift. He did not care for that. Suddenly we were tussling, and it was instantly clear to me that he was going to stay lost if I couldn’t restrain him, so we pitted all our wiles against each other and at one point I had him agonizingly by just a toe but I refused to let go and finally I had him in my arms, one hand scruffing him and the other supporting his weight.

That’s when I noticed a couple things. There was blood dripping down my elbow. Across the street Bella was going crazy barking and pulling toward me and the cat. And my betrothed was giving me an agonized look.

Without a word they started power walking Bella back to our house. I followed at a slower pace, keeping my grip on this poor lost cat.

It was a warm summer afternoon and several neighbors were out chatting. They saw the circus parade of my betrothed dragging a yelping puppy and me following holding a screaming cat.

Oh yeah. So I forgot to mention. Bengals are not normal cats. They’re bred back with a wild cat and their vocalizations are on a completely different level. The cat in my arms wasn’t meowing or yowling. Instead he was making one long continuous eldritch wailing, oscillating in rage and distress.

My neighbors saw this, me, stonefaced carrying a cat who was casting evil spells with his voice, blood dripping down my arm, while a puppy frantically fought my betrothed to reach us, and they laughed.

I don’t think I’ve ever been more offended that no one offered any assistance, but it was fine. I knew I could count on my betrothed. I slowed my steps slightly again when I saw my betrothed round our corner. I knew they would kennel the puppy and bring a cat crate for me.

Sure enough, I rounded the corner and they had our door open, crate at the ready. I popped the Bengal into the carrier and we shut him into the bathroom.

Then I looked at my shaking, bloody hand. He’s scraped his back claws up me and it wasn’t deep but I was bleeding heavily. Then I looked at my betrothed and started to cry.

They held me while I had a panic attack and helped me thoroughly peroxide my cuts.

“That was so brave, weren’t you scared to grab him?” they asked me.

Truly, no. I think to be brave or scared you need to actually conceptualize what you’re doing and I hadn’t. I saw a cat that needed help, and then there wasn’t options, I just acted.

They asked what my plan was and I didn’t have one. Where would we put him, in a home with three other cats and a puppy? I don’t know. I just grabbed him.

We ended up calling a friend who’s special interest is dog rescue. She brought her chip reader and a huge dog crate we could keep him in overnight with a disposable little box, food, and water.

He’d been summoning demons behind the bathroom door the whole time, making sounds previously confined to various netherworlds but she bravely uncaged him to read if he had a chip. No, to my surprise. It also turned out he was a love machine despite the ghastly sounds.

We loved on him and gave him small portions of food every fifteen minutes so he didn’t eat himself sick.

The next day we brought him to the local pet rescue, after I called ahead to warn them I was bringing in a Bengal. The lady had a very blasé attitude about this claim, clearly used to people claiming every lost tabby was a rare cat breed.

When she pulled him out of the crate she exclaimed, “Oh my god, it is a Bengal!”

“That’s what I promised. One whole ass Bengal.”

We said our goodbyes to the sweet man, and the posted him on the website as a found pet. He was picked up by his family two days later. I’ll never know how he escaped but I’m certain his family was so grateful to have him returned.

[ataraxianne]

This will be long and I apologise in advance, but I've spent the last hours researching and analysing so here we go

Analysis of the flowers in the recent Helluva Boss characters' portraits in the new Spring collection (or, at least, what I think these flowers are)

Blitzø ~ White geranium: this flower mainly symbolises pure love, but also innocence, purity and protection. While protection is quite evident in Blitz's character, the other three meanings may seem out of place, but that is precisely what they've been doing with Blitz's personality this whole time. He follows the "they think I'm a monster, so I will become one" path, but despite his flaws and self-sabotage he is a nice person, full of love that he does not know how to properly express and he is not really the one to blame for the accident that happened years ago at the circus. He is not the heartless imp he make himself up to be, but a rather simple, hurt guy who's hoping and longing for love

Loona - Purple rose: this is also an interesting choice. The main meaning of this flower is the "love at first sight", but it also gives the idea of an endless love. It is, then, also a symbol of nobility and royalty: this may be a reference to the fact that in the group, she is not only the only one who can read and use the Grimoire, but that has also learned a lot of spells from it (ex: being able to give herself a human disguise). Unless there are also other possible future connections with her and nobility...

With Moxxie and Millie there really aren't any double or secret meaning (or none that I could find)

Moxxie - Hesperis matronalis: this flower is present in many legends, all related to a promise of eternal love and fidelity (of course, this is for his marriage with Millie). I read somewhere that they're also a symbol for loyalty, which may be a reference to his relationship with Blitz (and also something he probably struggled with too, after Chaz betrayed him), and its name "matronali" is a reference to ancient Roman matronae, probably a reference to his mother (who was featured in the merch as well)

Millie - Geranium pyrenaicum: apparently in folklore they were said to counter love spells, which is hilarious considering the serenade Moxxie did to her at Ozzie's, where he literally says he feels under a love spell when he's with her. Maybe it's a way to say that their love is actually real and that it will last, since this flower also symbolises love, joy and health - and in some cases also protection

Stolas - Dahlia: (I'm going to fucking die)(when I tell you I SCREAMED) Yellow dahlias are a symbol of affection and gratitude (THANK YOU BLITZ. FOR MAKING ME SO HAPPY. EVEN IF FOR ONLY A LITTLE WHILE)(kill me now please). These flowers are said to despise cold temperatures since it prevents them from flourishing (call 911 I'm begging you). They also symbolise kindness, dignity, resilience and inner strenght, together with eternal love, and in some cases they're also viewed as a symbol for regality

Octavia - Purple hortensia: oh this is interesting. Hortensia's significance may vary depending on the culture: while in Japan they're a symbol for an heartfelt emotion and apology, in Europe they symbolise arrogance and vanity. I think both these versions apply to Octavia and to her way of, not seeing the world in general, but probabily her now-complicated relationship with her father. She's a bit arrogant in her teenage headstrongness, but she still loves and cares for him. Purple hortensias, then, specifically symbolize a desire to deeply understand (again, definitely in relation to Stolas)

Fizz - Orange carnation: these flowers are said to generally symbolize positive feelings, while the orange ones specifically connotates happiness, warmth, determination and creativity, but also desire and enthusiasm - all qualities that are easily attributable to him.

Verosika - Azaleas: this one is interesting too: these flowers convey a lot of different meanings, but the most typical one is womanhood, femininity, but also passionate love, especially in their red variant. They can also mean "taking care of" (both of one's self or of others, but even "take care of yourself for me"). Another prominent answer, then, was temperance (as per Moxxie and her mother, Verosika too is featured in other new merch products among which there is also a scene of her peacefully sat somewhere in Sloth Ring - where she stayed for rehab). From the trailer it is clear that, at least in one episode, she will have an important role both for Stolas and for Blitz, and maybe we will also have some more information about her relationship with my favourite disaster imp, together with infos about herself and, at this point, a possible recovery for her and her clearly-still-broken-but-she-won't-admit-it heart?

(I'm starting to get tired, I guess y'all are too)(If you even kept reading this far)(I'm almost done, I swear)

I'm putting the sins together simply because their flowers are strictly related to their "sinful roles" and not to their characters

Ozzie - Poppies: I mean, I guess in this case we're referencing more the opium you can extract from them, so lust's and sex's narcotic and feverish effects on people

Beelzebub - White peony: apparently they convey an idea of shamefulness?? Probably what people feel after drinking whatever they can at her parties lmao. Also disgrace and, to a certain amount, wealth and prosperity

Mammon - Mimosa: honestly here the only meaning I want to give is that they smell of piss

LOOK HOW BEAUTIFUL THEY ALL ARE, THEY MAKE ME BELIEVE IN LOVE AGAIN

Okay so, they're all the same flowers, lilies, which in general represent purity, probably in relation to the depth of their love. However, there are additional meanings depending on their collours

M&M - Yellow lilies: symbols of joy, happiness and desire of enjoyment (they're each others' shadows and main interest, this is all too accurate)

Fizzarozzie - Blue lilies: serenity, rebirth and new beginnings (EXACTLY WHAT FIIZ DESERVES AND WHAT THIS RELATIONSHIP IS GIVING HIM)

Stolitz - Red lilies: they symbolize pASSION AND ROMANTIC LOVE, THEY'RE USED TO EXPRESS DEEP FEELINGS OF LOVE AND ITS STRONG INTENSITY

[thisapplepielife]

Written for a @astrangersummer.

Tip Your Driver

Week #15 Prompt: Modern AU | Word Count: 4115 | Rating: T | POV: Steve | Characters: Steve, Eddie, Wayne, Robin | Relationships: Steddie, Platonic Stobin | CW: Language, Non-Explicit Mentions of Sex | Tags: Modern Setting AU, Delivery Driver Steve, Rock Star Eddie, Meet Cute, Good Uncle Wayne Munson

Of all the shitty service jobs Steve's had, this one is definitely among the worst.

And he's been stuck working some pretty shitty jobs over the years, both before and after they moved out here. If he hadn't hated the one at the shoe store so much, because ew feet, he wouldn't be doing this in the first place. At least that was in one location, a steady paycheck, and not that far from their apartment. But, he didn't know that feet draw in some weirdos, so here he is, lugging other people's shit around, because he needs the money.

He just sighs as he pulls up in front of the address on the app. He double checks the posted numbers over the garage, and it seems to be the right place. Everything matches enough for him to call it good.

The house is really nice.

It's not in The Hills or anything, so he hadn't expected something so nice.

Now, Steve doesn't mind delivering groceries, not really, but this guy, Eddie it says, ordered a bunch of heavy shit, and the tip was only the mediocre bare minimum. Which, he wasn't that mad about, until right now, after he's seen the house this guy lives in. 

No, now he's pretty annoyed.

Whatever. Par for the fucking course from Fancy Pants Rich McGee over here. How the hell you spell chauffeur? Chauffeur. Indeed. Maybe he should make tiktoks about situations just like this. Robin keeps hounding him, saying if he'd just do it, that he could rake in a little extra cash. 

He's skeptical. 

Steve looks back at the house. 

Oh well. He left his money behind for a reason, the only thing he kept was his car because his parents were dumb enough to put it in his name. And honestly? It does him no good to be jealous or whatever the fuck he's feeling right now.

At least this guy had been responsive, and pretty nice, when answering Steve's messages about substitutions and out of stock items. Not everybody is, unfortunately, acting as if Steve is the one stocking the store himself.

Steve opens the back hatch of his car, and leans in to grab the first items to be left at the door, as requested. If they don't see you, they feel less bad about the shitty tip, Steve's learned.

But it's fine. Steve doesn't want to deal with anyone face-to-face today, anyway. Because he needs to hurry. He and Robin are already a couple days late on rent, and he's gotta try to make up the difference today. If not, they're gonna be fucking screwed. Why is this city so goddamn expensive to live in? It's bullshit.

"Let me help," comes the voice right next to him, and Steve jumps, hitting his head on the open hatch door.

Now, he's skipped over annoyed and has been vaulted straight into pissed off. 

Partly at himself for being so far in his own head that he didn't even hear this guy approaching, but mainly at this asshole for even being in his personal space in the first place. He needs to take about three big steps back.

"Oh, fuck! Sorry! I didn't mean to startle you!" the guy shouts, and Steve hasn't even seen this asshole yet, but he knows he hates him. 

"Most people don't help unload the car," Steve snaps, turning to look at him, and the guy is looking back at him with big, big brown eyes. Robin would call them doe eyes, without a doubt. Well, fuck. Fine. Steve softens his tone, "It's okay. I just wasn't expecting you."

"Sorry," Eddie says again, still too close. "I'm Eddie. I ordered the groceries. Can I help? Please?"

Steve nods, and lets him reach in and grab his own case of water, while Steve picks up a few of the sacks. It's the least the guy can do, now that he's given him a headache. Literally.

Steve carries the sacks towards the porch, and leans over to put them down.

"Just come on in," Eddie says, and the door swings open, banging against the rubber doorstop on the wall.

"Don't bang the door!" comes the yell from the other room, and Steve peers into the house and sees an older guy sitting in a lift chair, with a walker in front of him.

"It's my door, old man, I'll bang it if I want to!" Eddie yells back, but there's no heat there. Steve can hear the teasing affection in his voice, and Steve can't help but smile.

"Don't come crying to me when there's a hole in your wall. Can you patch drywall? Because I can't right now," the guy, probably Eddie's dad the way they're bickering, snaps.

Eddie ignores the question from his dad.

"C'mon, this way," Eddie says, looking over his shoulder at Steve, as Steve lingers on the step. 

Well, no. That's not. You don't go in stranger's houses. It's, like, rule one. And just good common sense. Which apparently Steve has none of, because he does follow Eddie into the house. 

Robin will kill him, if this Eddie dude doesn't kill him first. 

Steve puts the bags down on the counter, and heads back out to make another trip, Eddie following, "That's my uncle. He's just crotchety that he had to have his broken hip replaced, and now he's dependent on me for the near future."

Steve laughs, "Well, maybe don't bang the door and he won't be crotchety."

"You heard me. It's my door," Eddie says, smiling wide. He's pretty, very pretty. Long, dark hair tied up on top of his head, and heavy tattoos all along his arms, creeping up onto his neck.

He's honestly gorgeous. 

Steve wonders if he's famous. He doesn't look familiar, but he looks like he could be famous. And his house is pretty fucking nice. This is L.A. Everybody is somehow famous in L.A. Except for Steve and Robin. They are definitely not famous.

Unless he's a tech bro? But he doesn't really look the type.

Either way, famous or not, Steve smiles back, can't not, not when he looks like that, then asks, teasing him, "Well do you know how to patch drywall?" 

"Fuck no. But I could hire someone to fix it if the door knob somehow gets through the stopper."

"Well, at least you have a plan," Steve says, and Eddie laughs.

"He just hates the city. Hates my house. Hates everything. Except me. He loves me," Eddie says, as he grabs a case of Gatorade in one hand and the case of pork and beans in the other.

That's a lot of beans. 

"That's a lot of beans," Steve says aloud, even if he doesn't mean to, even if he knows better than to comment on other people's groceries. 

But Eddie laughs. "Tell me about it. Man likes what he likes, though. There's no changing him now." 

Steve nods, grabbing another handful himself. It's nice that Eddie is taking care of his uncle.

"I'm not usually home much, hence all the groceries being ordered at once. Sorry about that. The cabinets were pretty bare, and I just didn't want to leave him home alone. He's still a fall risk, even if he keeps insisting he's not."

"That's okay, I understand. Big orders are more common than you'd think," Steve says, stepping back into the house that he's probably not going to get murdered in, thankfully.

Big orders are common, he's not lying about that, and more often than not, the tips offered for shopping hundreds of items, are less than you'd think. So, this order wasn't even out of the ordinary. Not really. That's why Steve took it. Some pay was better than none, especially today, that's for sure.

"Still. I'm grateful. You saved my ass today, man," Eddie answers. 

"Well, it's my job," Steve says, and Eddie laughs.

They finish bringing everything in, and Steve nods at Eddie, "Okay. I think that does it."

"Here," Eddie says, and plucks an envelope off the counter, "I always worry that your tips in the app will get eaten up by the corporate assholes taking their cut off the top. So. Cash is king."

Steve takes the envelope. A tip he doesn't have to report? Why thank you, Eddie. 

"Thank you. You didn't have to do this, or help bring it in, you know? But I appreciate both."

Eddie smiles, "Thank you for getting all that shit for us. We both appreciate it. Don't we Wayne?"

Wayne grumbles, but Steve's pretty sure he doesn't appreciate anything right now. He knows he wouldn't either, if he had broken his hip.

They say their goodbyes, and that's that. Steve will never see Eddie with the pretty eyes ever again.

At the next red light, Steve opens the envelope, expecting an extra ten or twenty bucks, maybe, but is shocked to see that there are three, insanely crisp one hundred dollar bills inside. 

Holy shit. 

That's way more than he usually makes in a single day. Two days, even. Just by delivering one order that he didn't think was gonna pay well at all.

And he got to look at a hot dude for a minute or two. 

It's enough to cover what they were short on the rent, even. It might not have felt like a lot of money to Eddie, if he handed it over so readily, but it feels life-changing to Steve, right now. He remembers when three hundred bucks wasn't anything to him either, back when he had access to all his parents' money and all their unhappiness.

Now, it's different. 

Robin's gonna shit.

Hot damn.

Thank you, Eddie.

"Booyah," Steve says, slapping the envelope on the counter. 

Robin picks it up, and thumbs through it. It has Eddie's tip, and the few extra bucks he picked up during the rest of the day. 

"Oh my god, no way! Where did you get this much cash, dingus? Are you turning tricks on the side now?" Robin asks, and Steve laughs. 

"Yes. I thought I'd see what I could get for this ass," Steve says, turning and pushing his ass outwards in her direction. 

She doesn't even look, but says, "Honestly, you might be worth more than this, as much as I hate to admit it," she comments dryly, and he smiles. 

"No, some rich dude that ordered a bunch of heavy shit gave me a big tip," Steve explains.

"That's what she said," Robin teases, and her eyes are still wide as she looks at the bills in her hand, "Seriously, though. Thank you, rich, old dude," Robin says. 

"Rich, but not old. I think he might have been famous in some way. YouTuber? Musician? I don't know. Nice house." 

"Well. Describe him. Let's Google him," Robin says, wiggling her fingers in the air like she's stretching before this big task she's about to undertake.

Steve isn't sure searching for him is gonna work, but he lets her try, "Eddie. Probably a little older than us. Lots of tattoos." 

"Was it Eddie Vedder? Please tell me you know who Eddie Vedder is, dingus?" 

He knows who Eddie Vedder is, Jesus. 

He gives her a look, "Not that old. And he was heavily tattooed. Is Eddie Vedder tattooed? Plus, this guy had dark eyes. Really dark. And no flannel." 

She keeps looking on her phone, showing him options, "Him?" 

No. 

"Him?" 

No. 

"Him?" 

"No. Not him." None of them are. Nobody she shows him is the same guy. So, he thinks of all the famous Eddies he knows of. 

"Was it Eddie Van Halen?" Steve asks. 

"Since he's dead, probably not," Robin says. 

"Oh," Steve says. He didn't remember that. And he'd be too old, anyway. "We're looking for someone that looks kinda like young Eddie Van Halen. But with tattoos."

"You're obsessed with the tattoos. Was it Ed Sheeran? He has lots of tattoos," Robin asks, and he rolls his eyes. 

"Robin. I think I know what Ed Sheeran looks like. This man was not ginger. Dark hair, dark eyes. And he was American. Maybe this guy is just rich? Not famous at all. It doesn't matter. I'll never see him again, anyway. We'll just thank him from afar for saving our asses today." 

Robin sighs heavily, and puts her phone down, "If you'd got yourself a rich boyfriend we'd have it made all the time." 

"Well, I'll work on that," he says sarcastically. 

At least for now, they can pay another month's rent. That's a big win. Huge.

Maybe they can keep their heads above water, now.

And they do, by some sort of miracle. It was only three hundred bucks, but that was enough of a windfall to get them back in the black. And somehow they've stayed ahead since, for nearly two whole months. They haven't been this stable financially since they arrived in town.

Today, Steve flips through the different apps he drives for, trying to decide what order to take, when he sees a huge pizza order. The order is absurdly big, but the tip is decent, and picking up a stack of pizzas is infinitely easier than shopping a whole-ass grocery list. Steve's just seriously questioning if it'll all fit in his car.

He's gonna risk it.

Luckily, it does, but there are pizza boxes piled high in every seat and the rear. He definitely doesn't have hot bags for all of them. Hopefully he doesn't get caught in traffic.

The area seems familiar, but when Steve pulls up in front of the house, he knows why. Eddie. Only, the last time it was groceries, not food, that he delivered here. 

There are vehicles everywhere. Clearly some sort of party, Steve thinks, to require this amount of pizza. And as soon as Steve steps out of the car, Eddie is out of the house, being trailed by three other, mostly leather-clad, guys. It'd look threatening, if Eddie wasn't smiling so big.

"Steve! When I saw Steve was my driver, I was like, maybe? But Steve's a common name, and there was no picture, so I didn't get my hopes up, but hey! It is you!" Eddie shouts, moving to the back of the car, "Watch your head this time, sweetheart," Eddie adds, and Steve is sure he's blushing. 

He just stands there kind of dumbly, watching as Eddie commandeers his order right out of Steve's vehicle. Eddie's definitely unusual. 

Eddie hands stack after stack of pizzas to the waiting guys, making them carry the bulk of it. And Steve watches as they ferry them off towards the house, Steve not having to even lift a finger this time. 

Now, it's just him and Eddie standing on the curb. 

Eddie holds out an envelope, and Steve looks at it.

"Man, thank you, but you tipped so well last time, you really don't have to again."

"I want to. You provide a service, I want to pay for that service," Eddie says, shaking the envelope, and Steve reluctantly takes it. Whatever is inside, will really help him and Robin stay ahead. It did last time. He's not really in a position to say no, even as well as they are doing at the moment.

"Thank you, truly," Steve says, tucking it into his pocket, "How's your Uncle Wayne's hip?"

Eddie smiles, so fucking wide, "You remembered! He's good. Great. Headed home soon, which I'm certain he's thrilled about. He's definitely never coming here again. I'll have to go home when I want to see him."

Steve laughs, "Glad to hear he's better, if annoyed."

"Do you want to stay?" Eddie asks, "We're having a little going away party for him. The more the merrier. Or, is your shift not over? You could come back?"

Steve doesn't have a shift, he can clock in and out to take orders as he pleases, and right now he'd really like to accept Eddie's offer. Even if it's probably just Eddie being polite. A pity ask, if you will.

"You don't have to invite your delivery driver into your house, you know? I could be a murderer."

"Unlikely," Eddie says, "and I'm not inviting my delivery driver. I'm inviting you, Steve."

Steve thinks over the options, and then nods. He can go in for a bit. If he's uncomfortable, he can get right back on the clock, no harm, no foul.

"Okay, let me park," Steve says, and he does just that. Putting the envelope of cash into the glove box without opening it. He doesn't want Eddie to see him scrounging through it. That feels tacky.

The pizza boxes are already open on every available flat surface in the kitchen and living room, and Eddie shoves a paper plate into Steve's hands, "Eat. Drink. Be merry."

Steve nods, and grabs a slice from the nearest box. He's not picky.

The house is full of people, and a lot of them seem vaguely famous. Like this is an industry thing, instead of a going away party for an old man with a newly not-broken hip.

Steve's worked enough of these events. They tried the catering thing for a while, and it was fine, for Steve anyway. Robin was just a little too clumsy to carry trays of dainty hors d'oeuvres around rooms filled with beautiful women in expensive dresses.

This isn't any of that though. This is cases of beer being chilled in kiddie pools, and dozens of pizzas. Fancy house, but not a fancy party. Steve spots Eddie's uncle sitting by himself on a couch, a beer resting on his knee and a paper plate of pizza on the arm rest.

Nobody else is sitting by him, so Steve goes over, "Can I sit?"

Wayne grumbles something that could be yes, could be no, Steve's not wholly sure, but he chooses to go ahead and sit down beside him.

"How's your hip?" Steve asks.

"Who are you?" Wayne asks, looking at him, suspicious.

"Steve. Uh, a delivery driver? I've brought a couple orders to you guys now. And Eddie invited me to stay."

Wayne nods, and goes back to his plate, "Hip's fine. Ready to go home."

"Where's home?" Steve asks, and he's not sure why. Clearly this man has no interest in making small talk with him.

"Indiana," Wayne says. 

"Hey! For me, too. Small world."

"What're you doing in California, then?" Wayne asks. "Trying to get into show biz?"

"No. No way," Steve laughs, "Not for me. Uh, my best friend? Robin? She wanted to move out here. Wanted an adventure. And I wanted her to be happy. So. Here we are."

Wayne nods.

"Did you break your hip in Indiana and Eddie dragged you all the way out here?" Steve asks.

"No," Wayne answers, "I came to visit him and broke my hip before I got out of the airport. This is why I don't take vacations."

Steve smiles, "That's bad luck. Sorry."

Wayne nods his head, and Steve assumes that's the end of this conversation, and they sit in silence for a few moments.

"You're Steve? The one that brought the groceries a few weeks ago?" Wayne asks.

"That's me," Steve confirms.

"He's been talking about you non-stop. I was like, just order more groceries. So, he tried. It was never you. Now we have more food than he'll ever eat. Probably need to take it to the food pantry."

Steve grins, looking down at his plate. He isn't sure what Eddie would want to see him for. They definitely aren't on the same level.

Eddie is across the room, talking wildly with his hands.

"He's a good kid," Wayne says, quietly, "All this? Not him. Not all of him, anyway."

Steve looks back at Wayne, "What do you mean?"

"All this fancy shit. I'm proud of him that their music has done so well. But he's a good kid. And he just wants to be happy."

"Don't we all," Steve says.

"People take advantage. If you're here for the money, for the fame. Just. Move on. Eddie would give it to you. But he wants something more. Needs it, I think."

Steve thinks he could be something more. But he doesn't really have anything to offer Eddie in return, and maybe heeding Wayne's warning wouldn't be such a bad idea. What business does he have getting involved with a famous musician? None. 

"Got it," Steve says. "Well, I'm glad your hip healed."

Wayne grumbles at that, and it makes Steve smile.

Steve puts his trash in the can, and looks around. The hallways are lined with platinum records, news articles, and he leans close to read the name. Eddie Munson. Corroded Coffin. He's never heard of them. He'll have to look them up on Spotify. 

He doesn't belong here. 

He takes one last look at Eddie. 

Eddie Munson of Corroded Coffin.

He tries to memorize his name, his band, so he can tell Robin later, solving their little mystery.

And then he ducks out of the front door, walking down the long driveway towards his car. 

"Hey, Steve! Wait!" Eddie yells from behind him, and Steve slows. 

"Hey, man. Thanks for having me," Steve says, turning to look at him.

"You're leaving already?"

Steve nods, "Work, you know."

Eddie nods, "Okay. Well. Come back. Anytime."

"Thanks, Eddie," Steve says, because he's pretty sure Eddie means that, "Enjoy your party. I'm glad Wayne's hip is good as new."

Steve turns to keep walking.

"Steve. Uh," Eddie says, and Steve considers pretending he didn't hear him. It'd be easy. The music is loud, probably pissing off the neighbors, but Eddie keeps talking. "Listen. I like you. Yeah, I know. I barely know you. But. We got good vibes, man. Can you not feel that?" Eddie asks, and when Steve turns to look back at him, he sees that Eddie's hands are shoved deep into his pockets. 

He looks nervous.

He's famous, clearly rich, and beautiful. He could have anyone he wants. But he looks nervous talking to Steve. Who delivered the pizza. Make it make sense. Goddamn. 

"Eddie," Steve says.

"Do you not feel it? If you don't, I'll leave you alone. I swear. But if you do…"

Steve nods, "I do. But I'm a delivery driver. I live in a tiny apartment that I share with my best friend. We barely make ends meet. You could have anyone. Why would you want me?"

"Because I like you," Eddie says, "and I want to get to know you. I didn't grow up with anything either. I'm not old money. I'm new money. Brand new. So. I'm not that out of touch yet."

Steve smiles. He's old money, he just doesn't have access to it anymore. Eddie's new money, and doesn't know how to handle it. They'd be quite the pair.

Eddie keeps talking, trying to wheedle a date out of him, "Just. Let me take you out. Just us. Let's see if there's anything here," he says, motioning his hand between the two of them.

Steve wants to, he really does. 

"Okay," Steve finally says, "nothing fancy. A normal date."

"We can definitely do that," Eddie says, and reaches into his pocket, pulling out his phone. "Let me give you my number."

Steve rattles off his number, Eddie texts him, and it buzzes against Steve's thigh. Already coming through, showing he's serious.

"Dinner? Movie? Bar? You name it," Eddie offers, eyes never leaving Steve's.

"Dinner's good. Nowhere fancy, though," Steve warns. 

"Do I look like I like fancy places?" Eddie asks, looking down at his own clothes.

And Steve's eyes cut back to the gorgeous house.

Eddie laughs, "Fair enough. But I don't."

"Can you go out in public? Or are you too famous?" Steve asks. "I'm not familiar with your band, sorry."

Eddie laughs, "I think I like that you aren't, sweetheart. That means that maybe you like me, just for me. And I can go out. Nobody cares about me all that much."

Steve nods. Alright. They can go on one date, and see how it goes. 

Well. That's how it goes.

Very, very well.

So well, that Steve's now satisfied and loose in Eddie's bed, when Eddie laughs, rolling into Steve's shoulder, face pressed to his skin. Lips kissing his shoulder, biting at him gently. Playing with him.

"What?" Steve asks, smiling as Eddie slides his hand into his, squeezing. "What's so funny."

"I tipped my driver," Eddie chokes out, laughing around each word, pressing his crotch into Steve's thigh.

Steve laughs, looking down at this ridiculous man clinging to him, "That you did. And damn well."

If you want to write your own, or see more entries for this challenge, pop on over to @astrangersummer and follow along with the fun!

[waayfo]

i said, “do u think u’ll kill for me one day?” (yes, of course i will, my darling)

dottore x gn!reader. lyric from national anthem (demo). mentions of killing or murder / possessiveness / mentions of dottore’s real name / pet names / cursing / slight ?? yandere / ooc ( kinda soft dottore ). english is not my first language !

You know that Dottore, or your boss is a mad man who does as he pleases—at least that's what people think. But he always acts a little differently to you, which clearly shows favoritism. An act of favoritism that is certainly not left to some other people.

Other people try to take advantage, by asking you to make dottore do something. The most common thing that happens is when they ask you to beg dottore to release their newest prisoner (?) that became the subject of Dottore's experiments who is either their family or friend or partner.

And of course, you’re not happy with it.

You are not a tool to fulfill their wishes. And they were merely just strangers who suddenly came to ask for help, without repaying.

You are pissed.

But also scared at the same time.

Just now you came out of the room called the ‘sacred’ dottore's office. But a stranger who you guess is a new worker just by looking at his impolite behavior, suddenly grabs your arm and takes you somewhere.

“What the heck?!” You yelp. Ignoring the fact that the stranger's hands were shaking violently.

The stranger is now facing you. While his hand was still gripping yours tightly, to the point where you were in pain. "P- please help me!"

You let out a harsh sigh. "No, i won't help you. Thanks to your very impolite behavior.”

“W- w- wait! What do you mean?! This is urgent, and you must help me!” The audacity, you curse him in your mind.

“I said no!” Those three words managed to make him angry instantly.

“You��you should know your place! Is it because you managed to tempt The Doctor with your body and face means you can do whatever you want?!” You winced at his words, it felt like you were being stabbed by a knife, even though you know that it's all not true.

“If you will not tell that crazy man to free my friend—I will cut off your head, and present it to him.” You just looked at him in disgust thinking that he was a strange man. A disgusting strange man.

“Fuck off!” You yell at him.

Long story short, you managed to release his grip. But you couldn't help but notice the bruise on your wrist. You are increasingly annoyed and decide to end all this in an ‘inelegant’ way; using your heels, you stomp on his feet full of revenge. It should hurt a lot, you think.

And when you saw his reaction of pain and screaming, you immediately ran as fast as you could. Your body feels like it's on autopilot when you subconsciously search for someone you know too well— A tall and pale skin man, with light blue and slightly wavy hair, which makes anyone know his identity. And makes anyone afraid and even begs for mercy.

And there he was, standing straight with his hands behind his back like always.

“—tore,” Your breath hitches but tries to reach for his name.

“Dottore!” The man— Dottore looked at you quickly, as if he had been looking for you all along. He opened his arms, making room for you to fall into his embrace again. And you (will) happily return to his arms.

“Zandik!” You call his name once again, as if it were a spell that could make you happy for eternity. “Yes, dear?”

He lifted your chin, making you look up at him. His hand moved to wipe away a few tears that had fallen. Ah, since when have i cried? Why did i cry?

“What happened?” His calm voice made you shudder. You tightened your grip on his white lab jacket. And you know it won't cause him any pain.

You shake your head. "Nothing happened."

“Something happened,” His other hand, covered in a glove made especially for him, is now cupping your cheek. And his other hand, stroking your hair. “Am i right?”

The words are reluctant to come out and get stuck in your throat. You were too afraid to answer, too afraid to imagine what would happen to that stranger.

Silence enveloped the room. You only feel warmth, whether because of the heater in the room or because of Dottore's touch.

Knowing there would be no answer from you, dottore sighed. He placed you to sit on his desk. The desk was a little messy because of the papers, but there was still a place for you to sit.

Dottore's head lifted so he could see your face and what expression you were wearing right now— scared, with traces of tears.

His hand again rose to cup your cheek, then traced every curve on your face that he thought was beautiful. The touch felt strangely soft. Knowing that it was a touch from The Doctor— someone who had killed many people in order to achieve perfect experimental results.

And when he was about to hold your hand, he noticed something. A bruise on your wrist, a fucking bruise. That somewhat pissed him off.

“Who did this to you?” You can easily tell that he is angry, by the way he talks and the questions he asks.

“It’s— it’s just a random bruise i got—” “Stop lying.”

You were silenced quickly.

“You’re always been patient when other people try to take advantage of you,” Dottore's calm voice was whispery. If he knew about it all along, why did he continue to comply with your request?

Dottore closed his eyes for a moment, trying to connect the dots. “Someone asked you for help again? And you refuse, then they gets angry?” You nod.

“Is it a new employee?” You nod again.

“Tell me about them.” You told him straight away.

Dottore nodded. He noted it in his mind.

Out of sudden, you cupped Dottore's face. Cold, is the first thing that comes to your mind. Everything about him was cold, and so was his skin. You saw his pale face, but you couldn't guess what expression he had behind his mask.

As if he could read your mind, he took off the mask that covered part of his face. He put the mask right next to you.

“You’re not angry?” You ask, breaking the silence.

“Why?”

“Because i touch you– i touch your face.”

“Foolish question. Absolutely no.”

Dottore's hand covered yours that was touching his face. Maybe dottore can see your cheeks are a little red right now. Maybe now that stranger is scared right now that you managed run away.

You kissed Dottore's forehead as a thank you.

“I'll take care of it quickly.” And you can't imagine what experiments Dottore would do to the stranger.

[imaprettygirl]

A drop of ink, a blot spread across time

(Vintage au)

Plot summary: It was 1950s when pen pals were popular and almost everyone had one! You used to have a handful of them but the camaraderie between you and them faded as you got older. One day, you found a newspaper on your late great-grandpa's shelves in his bedroom. Excitedly, you flipped the papers to get to a specific page and bingo! There was a section for the addresses of people who are looking for a pen-friend much like yourself. After randomly choosing, you sent out your first letter and he replied back! However, you noticed something weird in the photo he sent...

Crds to @drinkthesky for the divider!

Men I deem fit: Alhaitham, Albedo, Imbibitor Lunae/Dan Heng, Dr Ratio, Diluc, Zhongli, Venti, Neuvillette, Scaramouche, Sunday.

(Fck alphabetical order, I can't do that sh*t)

The amber glow of the afternoon sun bathed the room as the open windows situated at the opposite of the door allowed sunlight streams to enter the room as its panes quivered in hushed symphony due to the beckoning of the hot air. If you moved closer to the windows, you could see dust particles illuminated by the natural light. Even after the passing of your great-grandfather, the bookish scent of his cologne still lingers in his bedroom along with his possessions which were either coated with a thin layer of dust or covered with a big white cloth.

The wooden floor creaked beneath you as you walked towards his bookshelves in hopes of finding pieces of classical literature and maybe learn a thing or two from it. You delicately traced your index finger through the long vertical rows of books, leaving a trail of dust on the pads of your digit. As you peruse through countless novels only to be unsatisfied until you saw a newspaper at the edge of the shelf, untouched by the dust that plagues the rest.

'How strange...' you thought to yourself as you rubbed your thumb and index finger against the surface of the paper to determine its texture: it was sandy and rough, definitely ancient but the format was similar to the ones your dad reads in the morning so it must be a freshly produced newspaper, albeit printed in a different quality of paper.

Or so you thought...

The newspapers in your hands gave you a glimmer of hope; it was an opportunity to find a pen friend! You used to have a few ones but stopped writing to them either because they used too much colloquial words or they had at least twenty spelling mistakes in each sentence which gave you a migraine whilst trying to make out if your correspondent was writing in a foreign language or not. But this time, maybe you could hit the jackpot and find an actually nice pen-pal. Excitedly, you flipped through the papers and stopped at the specific page which had a list of names along with their addresses under the bold heading:

'Pen-friends! Make new friends around the world!'

Your eyes scanned across the list of names, allowing your intuition to guess the personality of that stranger based on their names alone. But then, a specific name caught your eye- it was uncommon which was the main reason it stood out from the rest of the names which probably were taken from 'Top 10 best names for children of this year'. You took a closer look of the address below that person's name and turned out, both of you lived in the same area! A surge of enthusiasm rippled throughout your body and immediately tucked the newspaper into the inside pocket of your coat.

~~~~~♡~~~~~♡~~~~~♡~~~~~

The curtains of your living room slowly opened as you peeked your head out and pressed your face against the glass. A day had passed after you had sent your very first letter and heck, you even went a mile far by sending a photograph of your two cats to make a memorable first impression. Then- just like you had anticipated- the postman on his bike suddenly came into view and halted his vehicle by your mail-box and placed a letter inside. You clutched the folds of the curtains unable to contain the happiness blossoming inside you. As soon as the postman disappeared out of your eyesight, you rushed outside to take the letter out of the mailbox. The first thing that greeted your eyes was the immaculate handwriting and the scent emitted from the paper.

'How sweet of him...' you thought as you continued reading the letter in your mind. The paragraphs were neatly organized and made of outdated vocabulary that you wouldn't understand had you not taken an interest in classic literature. You could tell this man practiced utmost eloquence just by his letter alone. Overall, he wrote a few things about himself and asked you about your hobbies, what you like and blablabla.

But then, something struck within you concerning with the photograph he sent and notes written behind it:

"The construction of the mall is making my ears bleed. I cannot stand the constant sounds of the drills and other sounds coming from it. I daresay, you must be experiencing the same disturbance as we are only one street apart from each other. Perhaps we should plan to meet up after the mall opens. What do you think of it?"

The more you stared at the photograph and the note, the more confused you became. The picture showed the mall with the same as the one down the street but it was still in construction according to the photo. 'Huh?' A frown stretched across your face. That specific mall had been going on more nearly a century now to the point that the community had been urging the government to shut it down in order to build a more innovative one. Didn't it finish construction like a hundred years ago? But his photo told a whole new different story.

Suspicions rose inside of you as a spiral of questions revolved around your head- you found it difficult to process it. Not missing a beat, you hurried to your room to find that newspaper you took from your late great-grandfather's shelf. You mumbled in frustration when you couldn't find it; you swore you left it either on the desk or on the bed. Finally, you found it under the bed and oh my...

The letter was published a century back in time which meant that...

"T-The man I just sent a letter...was from the past...." The newspaper dropped from your hands. Your letter had ripped its way out of the fabric of time and went into the mailbox of a man who lived in the same area as you but different time period. He was in the past, you were in the future.

Still, a part of you felt curious about the interaction between two people of different dimensions. So you decided to reply back to his letter. What could go wrong...right?

To people who are more knowledgeable in time travel or parallel universes, pls don't attack me, I know what I wrote may or may not make sense for some of you but pls don't mind me 😭😭😭

And also, not proofread because I wrote this around midnight and I'm literally on the verge of dozing off- (Ik I have such healthy sleep cycles and I have to wake up at 6 am yayyy!! Sleep-deprived-students-core😘🙆🤗)

[youuuimeanmee]

Get ready with me to be surprised with

✨️Anya's Origin✨️

Hint: Romania

I had some free time, so I reread the latest chapter of Spy x Family, chapter 92.

Barbara said she and Sigmund were in Covenia for awhile. We know Westalis and Ostania are a reference for the West Germany and Eastern Germany, so I wondered if Covenia is based on a real place too. I was bored, y'see.

I quick-searched a country name that ended with -nia, but no luck.

I remembered a theory that Anya is more superior in Classical languange because she might've come from a place that uses that languange. A wild idea popped up to me that Covenia still uses (or references) that language. Since Sigmund has many classical books, it's not a stretch to assume he learned that language because he used to live in Covenia. Based on that assumption, I searched what country is still using Latin languange, what languange that references Latin.

... bingo.

Covenia and Romania. Who would've thought.

I searched where is Romania located because my geography sucks.

Oh it's in Europe, great! And it's close with Ukraine too, Russia...

Wait. I thought the story is based in the '60s, so, could they be related at that time?

Wow, so they ARE related.

And the timeline matched with SxF's world too.

When I clicked the "Romania" word, I stumbled on this.

.....

Could it be,

Anya originally comes from Covenia, which is a reference to Romanian People's Republic?

Does it mean the organization that experiment on Anya is based in Soviet?

And to think that Sigmund, a well-known neurology professor, used to rehabilitate wounded soldiers in Covenia... Is it really a rehabilitation though?

*cold sweat*

Anyways.

If Anya really comes from Covenia/Romania, the initial spelling of her name would make sense then, but I have zero idea about Romanian alphabet to confirm it.

Of course I searched it.

The Romanian alphabet is a variant of the Latin alphabet used for writing the Romanian language. It is a modification of the classical Latin alphabet and consists of 31 letters, five of which (Ă, Â, Î, Ș, and Ț) have been modified from their Latin originals for the phonetic requirements of the language

Oh shoot it's getting warmer.

Double check to make sure, I tried to look if [î] is really the replacement alphabet for [y].

OH SHIT.

K, Q, W and Y, not part of the native alphabet, were officially introduced in the Romanian alphabet in 1982.

Now it makes sense. No wonder Anya spelled her name like that.

It's because in the place where she came from, the alphabet Y wasn't used yet. And it's not supposed to be Ania either; it's Anîa. But I doubt a small child like her would understand the difference between i and î.

Summary:

Anya might've come from Covenia/Romania. It explains her initial name and her excellence in Classical language.

The organization that experimented on Anya might've come from the Soviet.

Sigmund might have some connections with Anya more than we thought; the theories were right on track. Because he studies neurology and lived in Covenia for some time, he is fluid in Classical languange and he knows how to make learning more fun.

I wanted to try searching what kind of brain-related research did Soviet do at that time, but then I might come up with lobotomy or some dark shit and I'm not prepared for that, so I'm gonna let the sleeping dogs lie until we get more informations from Endo.

Annd that's it. I'm very surprised with this finding. My quick 5-minutes search turned into 2-hours brainrot. And my hands are still cold. I'm not sure if it's intentional from Endo or it's just some happy coincidence, but at least I'm more aware with Covenia now.

Thank you for following me in this short journey! Byee 👋

[vqlluna]

CLOSURE ━━━ REMUS LUPIN

summary: it's been years since you confessed your love to Remus, and he couldn't reciprocate it. It's been years since your days at Hogwarts ended, and you're now recouped back with your schoolmates for a holiday party. What could go wrong?

pairings: f!reader x remus lupin, angst, fluff,

a/n: ngl this is partly based on the beginning of my parent's little love story, and of course, this is based on closure by taylor swift (and basically the whole evermore album)

      ❝ IT'S BEEN A LONG TIME, and seeing the shape of your name just spells out pain. It wasn't right the way it all went down, looks like you know that now... ❞

     You quickly ran down the stairs of your apartment, trying your best to fit the silver hoop through your ear without harming yourself. You tripped your way into your incredibly small kitchen, shuffling at the island counter, which only was filled with months-old letters, bills, and notices, trying your best to find a specific invitation.

     Mary Macdonald had been your best schoolmate during your years at Hogwarts, and despite, by now a few years, of barely speaking to her or anyone in her crowd, she'd been so kind as to invite you to a wonderfully large and fancy Christmas Party.

     And it was for this very reason as to why you stood in your most expensive dress, dug out from the back of your closet. You wiped your sweaty hands on the velvet fabric before delving back into the mountain of parchment searching for the envelope that held every single piece of information you neglected to put to memory that would get you into that party.

     You were desperate to spend your Holidays not stuck in your parent's home for once. But it was only once you accidentally stumbled into a large stack as every single piece of paper collapsed on the floor, that you realized who might actually be there. You carefully picked up small clumps, replacing them back on the counter as you eyed the very last one.

     It was quite dusty with small water stains sprinkled and it was extremely crumpled. Your jaw clenched as you picked it up and placed it at the edge of the counter. You inhaled a large breath before snapping your head in a different direction as you finally saw the invitation in your peripheral.

     You ran to your living area grabbed your purse and ran back as you gripped the envelope. As expected, you've managed to make yourself late. You waddled on over in your heels to the small entranceway and picked up your coat and wand from the coat rack.

     Maybe in a moment of weakness or a flood of memories, you looked back to the dirty crinkled piece of parchment in your kitchen. It was a big party, there would barely be any chance you'd see him, you assured yourself. And in fact even if you do, you can do you best to avoid him, you planned.

     You shook your head and stepped back towards the island. Gripping the envelope tightly you shoved it into the pocket of your coat.

     But if by any chance you ended up speaking with him tonight, you'd surely give it back, you couldn't possibly bear the weight of that note anymore, and you surely had no use for it now.

     Taking a deep sigh you adjusted the collar of your jacket, patting now your hair in the mirror before exiting your old townhome. You locked the door behind you and shoved your hands into your pockets. You squeezed the envelope inside it almost in comfort before you apparated yourself away.

     ❝ Yes, I got your letter, yes, I'm doing better. It cut deep to know ya', right to the bone... ❞

     After you found yourself apparated to an area which you knew was near your designation you crunched the snow beneath your heels as you walked, almost aimlessly, to the party. Upon seeing the large estate you felt wildly unprepared and under-dressed. Least to say it was a luxurious event.

     You stumbled up the steps, nervously searching through the vast halls, filled with fishes of people, to find a pair of, wanted, familiar eyes. You found yourself in the gigantic main room, as witches and wizards conversed among themselves, grabbing the treats and drinks off the trays of staff.

     You were stopped as one of the waiters offered you a truffle, interested in the beautiful dessert you picked it up and turned around as you shoved it in your face, only to accidentally bump into another figure. The woman you'd crashed into turned around, their bright red hair flashing your eyes. As you got a good look at the person your face fell.

     "Oh my—Merlin! y/n is that you?" she excitedly asked, disregarding your muttered apology and quickness in trying to whip back around. You cringed and turned back around on your heel giving a fake smile.

     "Lily—my Godric, hi," you breathed.

     Lily slowly parted from her current conversation to partake in one with you. "Well I haven't seen you in forever! Where are you, what do you do now?" she questioned.

     You wiped your sweaty palms once again on the fabric of your dress, "I, uhm, I live in Chudley now," you chuckled nervously "I'm an artist, a painter actually."

     The red-headed girl looked at you in such awe, and you were certainly in disbelief as to why. "Wow y/n, have you sold much? Featured in a gallery ever?" she was completely interested. It was then that you remembered that she was always like this, but it'd been so long that you'd forgotten what it was like to have someone engaged in what you had to say.

     Your smile finally picked up a bit, "Yes, actually, got my first gallery showing about a week ago, it's still up for a couple of months! But uh, regarding sales, it's enough to keep the lights on, y'know?"

     "Well I think it's absolutely lovely that you're working your dream, that's really great," Lily appreciated, "I'm assuming you're trying to find Mary, come along this way, she with the rest of them!" she waved on, but your feet were planted in the ground.

     You gulped down the last tiny bit of your truffle, you eyebrows knitted together as you stuttered, "The—the uhm, the rest of them?"

     Lily's excitement softened at your mutters, "Oh you're still—" she said slightly surprised but she cut herself off in fear of saying something offensive, "He hasn't arrived yet," she assured, then lowering her voice in a whisper, "We're not sure if he's coming, it's around that time."

     You grew a small frown, "Ah," you hummed, "He uh, well," you dug out the letter from your pocket, waving it in front of Lily as she read the senders name printed in the corner. Her lips pressed together as she nodded, giving you relief as she disregarded it and intended to act like she didn't see the letter, nor knew anything of the situation guiding you through the nets of attendees.

     You took a large breath of bravery through your nose as you slowly approached the circle of very familiar faces. You first caught Marlene Mckinnon's attention, catching you in her view her eyebrows lifted as her mouth formed a small O.

     Following her gaze, Sirius finally saw you, his eyes widened in utter shock as he absentmindedly nudged James beside him. Looking at the disturbance James' cheeks puffed up with air before exhaling it out. Dorcas, who stood at the other end beside Marlene watched the scene and you could see her mouth the word "shit," at everyone's upset.

     How were you to approach a group of old friends who now semi-hated you but yet felt incredibly sorry for you? Instead of stressing over the others, you focussed on how Mary squealed with joy upon seeing you. She slightly waddled a run in her heels over to you as she embraced you warmly. "You came!"

     You scrunched your face with a grin as you pulled back, "Of course, Mary! Needed to get out of the house anyways," you smiled, she put you at ease even while Marlene looked at you so skeptically and as James and Sirius exchanged glasses before downing the rest their glasses of champagne in their hands.

     "Well if it isn't y/n y/l," Marlene smirked, it completely confused you because while the rest of her face seemed elated to see you, her eyes seemed to almost be throwing daggers at you. The rest of the women quickly warmed up to you as you entered the conversation, though James and Sirius kept almost unnervingly quiet. Above all, you noticed the absence of Peter and him.

     Finally, the conversation began to smooth, the group being able to get quite a few good hearty laughs from you. Though the ends of your Hogwarts days were a touchy subject that everyone mindlessly agreed not to talk about, you all got caught up in reminiscing on events previous to it.

     But it soon came to a close as Peter ran up, "I've got a surprise f'you all!" he exclaimed gripping the back of James' shoulder as he squeezed himself between the pair of men before he looked across the circle to you. He opened his mouth to say something before tightly shutting it closed. 

     Behind him followed another man. He was tall, dressed his best scraggly black coat, a white undershirt, and black slacks all tied together with a matching black tie. His ruffly brown hair didn't match his attire, and neither did the deep scars that lined his face, some old but some fresh and new, but either way he was undeniably beautiful.

     He slowed to a stop in the small opening between Peter and Sirius as his half-lidded eyes and warm smile turned into repetitive blinking of disbelief and lips in awe.

    And for a moment, the rapid growing beat of your heart, as you saw his figure coming, came to a complete stop.

     And everything was deadly silent.

     ❝ Yes, I got your letter, yes, I'm doing better. I know that it's over, I don't need your closure... ❞

     The group stood still and quiet for seconds as their eyes flickered between the two of you, itching to see the reactions. The awkwardness between everything grew to a hot before Sirius shut it down, to the relief of everyone except you.

     "So who needs a drink?" he asked, and like a pounce of a tiger, everyone utters their Yups and Yes's and Count Me In's, scurrying away quickly. Mary was the last to leave, fighting with herself in her head if it was better to let you deal with it for once or keep you safe from this horror you desperately tried to stay away from.

     You dipped your head down staring at your shoes trying to avoid his eyes. It was only when he cleared his throat that you snapped ur attention back up to him. "Remus," you greeted quickly with his name, flashing a fake, uncomfortable smile.

     He grazed your figure with his eyes for a beat before he muttered your name, "y/n."

     The air felt cold and thick against your exposed skin, your necklace and dress growing tight on your skin from hearing your name from his lips again. "How are you—"

     "Cut it with the niceties Moo—Lupin," you stopped him, "You can have your letter back," you growled digging the letter back out of your pocket and shoving it in his hand, "I've gotten all of them, but this one... you need to take this one back. I don't want it," you gritted.

     "Y/n, I just. You wouldn't talk to me, I needed you to know—" Remus changed, not wanting your disacceptence.

     "So filling my mail with your stupid words would get us through to each other? You did all this to yourself."

     "I didn't know you had—Look I'm sorry but I was scared—"

     You scoffed and laughed in his face adjusting the strap of your purse on your shoulder, "I'm not doing this with you right now, here, after all this time. I'll send the rest of your letters over another day, K?" you ended turning around walking out of the grand room and through the halls.

     Remus' heart clenched in love of hearing your laugh but hated the circumstances it was under, begging for this conversation, to clear up every single miscommunication and wrong step, he followed you out. 

     You crossed by the open bar finding Mary and everyone else downing drinks. You took her hands into your own, "Thanks for inviting me Mary, truly, but I best get going now," you thanked quickly, ignoring Remus behind you with his open mouth with empty words. He only flicked his eyes to the group for a fraction of a second before landing back to you, still closely following you out as you grabbed your coat at the door and exited the mansion.

     ❝ Don't treat me like some situation that needs to be handled. I'm fine with my spite, and my tears, and my beers, and my candles. I can feel you smoothing me over... ❞

     You were halfway across the large courtyard as Remus scurried down the steps, "I loved you!" he exclaimed. You froze and a sharp breath filled your lungs as you whipped around, and you let yourself fully remember what happened for once.

     It was the start of your seventh year at Hogwarts. Everyone knew something was brewing between you and Remus. The strong tension, the back-and-forth banters, subtle compliments, and executing favors with no question.

     It felt like a silent agreement between you two as the flirtations grew more obvious. Every sight of him caught you winded, and every touch had you melt to the floor, when he finally kissed you, you couldn't help but feel yourself explode with your own personal fireworks. Until he pulled away.

     Rumors that he started talking to someone new shattered you. Soon your heartbreak filled with rage, he'd lead you on only to crush you and leave you stranded. And where once, he helped you captain your ship, you soon found him drowned away as you frantically steered yourself into an iceberg. 

     Your anger so strong you couldn't even look at him, and so you left anything related to him altogether.

     Because you thought you had something, only to be made to feel like you meant nothing. Your graduation day only led to more despair as Remus sought you out once again, with the courage to confess. You shut him down and locked him out. It was the loudest and yet most silent, lonely, train ride home.

     You blinked back to the present, Remus and you still in the exact moment and positions. Your jaw clenched as his next words came out so softly, so slowly, like a whisper only you could hear across the courtyard. "I still love you."

     ❝ Yes, I got your letter, yes, I'm doing better. It cut deep to know you right to the bone. Yes, I got your letter, yes, I'm doing better. I know that it's over, I don't need your closure. Your closure, your closure, your closure...❞

     The fire in your stomach was lit again, "Don't. Moony, just don't. What was that letter? Huh?" you begged, "'I'm letting you go. I hope you're life is swell'? What was that bloody shit? Because it sure seemed to me like a let's-catch-up-like-good-old-friends type of letter! Not a I've-loved-you-after-all-these-years!" you shouted angrily stomping your way up to him.

     "You didn't even try! In any of your letters! All you do is act like it's fine or give empty apologies. So please, explain now, give me a real reason for everything, but don't give me this shit."

     He stared at you in worry as your bottom lip quivered, eyes glazed in gloss. "I was trying to stop loving you."

     You sobbed a wolfish laugh, "Bull. Shit." you said, pushing his chest away, "You knew I was interested! You knew! So don't give me that absolute fuckery because it makes no sense!" 

      "I couldn't burden you with—everything—all my...problems," he whimpered, "You needed, you need someone stable. You need someone who can give you a home and family like you wanted."

      You parted you lips at his confessions of insecurties, "Remus, I'm a full time artist, barely making it to keep my water on—" you tried explaining back to him.

      "I saw your gallery, you know! You need someone who's going to help you show off more of your talent, not hold you back! So why haven't you found someone yet? Stop sitting around hung up on me—" he rambled on, getting angier as you tried driving him away, but bits of every sentence he said added fuel to your burning fire.

     "I am not hung up on you!" you exclaimed.

     "So why are you here begging me for reasons why I didn't want to be with you? Why do you have to freeze every damn time you look at me, and for Merlin's sake, why've you kept all my letters?"

     Your face blackened while you glared into his eyes. And while your fear of confrontation was afraid of confronting what went down, it was the fear of confronting what still lingered. You still loved him. That's what you wrote in the only letter you ever wrote back, the letter you never sent.

     And maybe that's why his letters stopped coming. When he was finally ready to let go and take his risks to have you, you neglected to accept his grasp.

     ❝I know I'm just a wrinkle in your past life. Staying friends would iron it out so nice. Guilty, guilty reaching out across the sea that you put between you and me. But it's fake and it's oh so unnecessary...❞

     You didn't know why you did it, well you knew why you did it, but you didn't know what came of you. Because instead of pushing him away, you gripped tightly onto the collar of his white shirt, dragging and pulling him to you as you crashed your lips onto his. 

     And when he, very quickly, kissed you back, your hands skidded up grasping the sides of his face, his own hands pressing your back closer into him. Your lips toppled over each other fueled with passion, craning his neck down just to feel more of you. 

     You didn't mind that the chilly air froze your cheeks because when the snow came falling you knew it was for the two of you, hoping that it'd freeze you in this moment. You panted lightly through your nose as Remus finally pulled back from you, dashing his eyes all across your face trying to read you.

     "Because I don't want you to let go, Remus," you whispered your answer back, Remus shaking his head sofly and rapidly in assurance of your words, "I'm fine with your problems, I'm fine if you can't give me a family, I'm fine if you can't give me a steady life." you scrambled tripping over your own words.

     After avoiding his gaze you finally let his chases of finding your eyes catch up with you. "I don't want just a life, Rem. I wanted a life with you. You can't just try to let go of me, can't just stop loving me because you're scared of that," you scolded, furrowing your eyebrows at him.

     "You need to let yourself love someone, you've— you need to give me a chance so I can love you." you pressed. Your stomach fluttered as he gave you a soft kiss as your lips once more, and this time when he pulled back he kept his eyes on yours, not letting you look away. You didn't want to look away, you were hanging on waiting for him to say something, anything.

     "I will."

     ❝ Yes, I got your letter, yes, I'm doing better. It cut deep to know you right to the bone. Yes, I got your letter, yes, I'm doing better. I know that it's over, I don't need your closure. Closure, your closure, your closure.❞

[animeyanderelover]

Characters of your choice from JJK with a darling who has a tattoo of their ex please

Holidays, everyone! I finally have my holidays! I changed it slightly so that the darling has a tattoo of the name of their ex.

Tw: Yandere themes, toxic relationship, possessive behavior, obsession, delusional thoughts, clinginess, manipulation, controlling behavior, forceful behavior, death

S/o has a tattoo of the name of their ex

Fushiguro Megumi

💙You have never told him of your tattoo before, aware how paranoid Megumi tends to be. Perhaps that would have been the wiser choice yet instead he discovers the name engraved on your skin himself as you fail to cover the name on your shoulder in time as he accidentally walks in on you changing. Thick silence befalls the room as he just stands there, frozen as his eyes are glued to the black kanji signs on your skin. His mind repeats the name over and over again until he suddenly remembers where he has heard it before. His heart drops, a lumb of fear and insecurities forms at the back of his throat and his eyes widen frantically. You try to come up with something, anything to explain this to him yet he is faster. Suddenly he stands in front of you, arms seizing your shoulders as he asks you with a slightly raised voice why you never told him that you had a tattoo of your ex. Why?? Why would you do that?? Were...were they that important to you? What about him then?

💙He can't bear to look at you the same way as before after that for quite some while, not without imagining the name of your ex tattooed on your shoulder. It's like a marking that spells out that you once loved someone else and whenever he actually sees your tattoo, he feels something clenching deep inside his chest. His insecurities and paranoia increase as he starts wondering if you still harbor feelings for your ex. Going as far as carrying a tattoo of their name around is a pretty big sign of devotion after all. You find yourself having a harder time to calm him down, the tattoo on your shoulder triggering him whenever he catches a glimpse of it. It haunts him, torments him a bit and he has wondered a couple of times already if he has to threaten your ex as paranoia poisons his ability to think rationally and instead whispers into his mind that you might return to your ex. He knows that it isn't good for his sanity which is why at some point he begs you to remove it somehow. Please, it torments him.

Zenin Maki

💚​Maki has known about your tattoo for a longer while now, it's hard to hide something written on your wrist with black and permanent ink after all. She already questioned this decision of yours back then quite a bit because it's quite risky to get a tattoo of the name of your ex without any guarantee that they'll stay. All you could do back then was to give her a pitiful laugh as you couldn't help but agree with her. Back then this was still fine though but now it is a different story as she's grown rather possessive over you. The tattoo is an eyesore for her whenever she sees it and due to the visible spot you chose, she sees it multiple times a day. She lets out a scoff whenever her eyes find the kanji signs and her mood is almost always worsening a tad bit whenever she spots the name of your former lover. At least she is reasonable enough to understand that both of you have broken it up for good so she isn't as wavering and paranoid as Megumi. She knows that you don't have any feelings for them anymore.

💚​That doesn't mean that she hasn't completely forgiven you for your stupidity to get a tattoo in the first place. In fact she is scolding you more nowadays for your decision than before. Maki knows that you regret that mistake yourself but she can't help it sometimes, she is a bit mad and tends to express that with not so kind words. At the very least she notices that her words only cause you to feel worse so she tries to comfort you as good as she can everytime her tongue slips and she accidentally cuts you with her words. She makes it very clear to you though that she greatly dislikes that you have the name of someone else decorating your body whilst you're together with her and you can't even blame her for it. She would appreciate for you to somehow get rid of this tattoo and sometimes you have the feeling that her wish sounds more like a demand.

Gojo Satoru

🩵​It's perhaps not the best idea to let Gojo ever find out about your tattoo but how is that even supposed to work? The man is so terribly clingy and intrusive and despite his goofy facade, you have a feeling that he might react very badly to the sight of your tattoo. You try to figure out a way how to tell him as harmlessly as possible but you can't come up with anything. Maybe it wouldn't have made a difference in the first place. That's at least what you think as you try to wiggle free from his unusually tight grip, one of his hands lifting up your shirt as dull blue eyes stare at the name written slightly above your hip. Your breath hitches in your throat when those same blue eyes finally meet your own and you feel like you could drown within the abyss of the darkness swirling behind those beautiful orbs. A forced smile stretches his face as he asks you why you have someone's name tattooed on your body. Especially that of your ex.

🩵​You have a hard time convincing him not to go after your ex as your gut screams at you that something terribly will happen otherwise. You beg him to have mercy since both of you have ended the relationship years ago and you don't even have any contact with them anymore. You swallow heavily when his heavy and colder gaze rests on you yet still plead him to not do anything to them as you promise to do whatever he wants. Your wish is somewhat granted as Gojo doesn't harm them but he still wants to have seen the person whose name stains your skin at least once. Needless to say, he is disappointed when he sees your ex who is in his eyes a nobody but perhaps that reassures him a tiny bit. He can't help but torment and scare the poor soul though and they don't know even why. He organizes an appointment for you where the tattoo will be completely removed and only after that he seems to return to his usual self, happily kissing the now empty spot on your skin.

Kamo Choso

🩸​Choso is absolutely attached to your hips. He's needy, soft-spoken, careful and surprisingly considerate. If he wouldn't have been your kidnapper and creepy stalker, you might have appreciated him more though. There is something about him that sometimes just unsettles you and he himself doesn't even seem to notice when he's creeping you out until he witnesses your reaction. You don't even notice him until you feel his fingertips brushing against your skin and nearly jump out of your skin, turning bewildered around to see Choso staring at the same spot where your tattoo was only a few moments ago. He doesn't move as he now stares into empty air as if trying to process something until dark eyes finally meet your own. He swallows before apologizing that he just walked in on you without telling you anything. A few seconds of silence before you hear him asking you once again, this time in a slightly shaky tone, what that was he just saw on your back.

🩸​It's like Choso initially refuses to believe that a tattoo is something permanent as he rejects the thought that you will walk around with a name of your ex-lover forever engraved onto your being. You wake sometimes up in the middle of the night only to feel his hand rubbing against the tattoo as if trying to erase it himself, you notice the way his hands start trembling when he realizes that the ink doesn't fade away even a tiny bit and pray that he won't have a meltdown. Choso would never blame you for it but that means that his hostility is turned against your ex as he starts genuinely believing that they tricked you and manipulated your feelings, abused your kindness which is why you were fooled into getting such a tattoo. He never goes out to kill them though, only because you stop him though and successfully manage to coax him into not doing such a thing and instead he just clings onto you. He asks you anxiously more than once if there is a way to get rid of the tattoo and you know that it's probably the best way to preserve his sanity somehow.

Mahito

🔷​Good luck in general with Mahito because that is a recipe for disaster anyways. Mahito's perception of love differs greatly and is much more twisted and warped than anything and in his eyes he wouldn't even label his feelings as love. He likes to view you more as a sweet experiment, an interesting specism he just likes to spend time with whilst poking and tormenting you to gauge all of your reactions. The best you can do is try to endure it without giving him too much of a reaction because the bastard loves seeing you respond strongly to anything he does. Unfortunately you don't react quite as level-headed as you would like to have when he notices the dark ink on your legs and suddenly yanks you towards him, his hands roughly holding your leg, unimpressed by the way you're kicking and hissing at him. Cold fingers brush over the lettering on your skin, mismatched eyes curiously go back and forth between your eyes and the dark ink on your thigh before he asks you what this is.

🔷​He's genuinely interested to hear your reasons why you would decide to have the name of your ex tattooed on your skin and it is hard for you to tell if he is angry at all about it or not. He's definitely mocking and degrading you though as he labels you stupid for doing something like this despite never having known if they would actually stay with you. His fingers are still tracing over the tattoo and when he suddenly falls quiet for a while, you realize that he's thinking about something. Then he suddenly asks you if you just feel better if you have someone's name on your body which successfully makes you feel like you belong to someone. You're offended by his words but he doesn't give you time to answer as a grin suddenly flashes across his face, his grip tightening as he says with an excited tone that he wants to see his name on your skin too. You can't do anything but watch as your leg deforms in a grotesque way before returning to it's normal form. Your previous tattoo has disappeared and instead the kanji signs now read Mahito's name. Do you want more~?

[thiscoldheart]

some details that i loved in la chimera (spoiler heavy) :

i posted this on twitter as well but i wanted to include it here too. i love this little moment here where italia rests her head on arthur's shoulder and for a brief moment, he's anchored to the present by that touch, but him being the orpheus that he is, just HAD to turn back and find himself gravitating towards the tombs, the past and his eurydice.

the fact that italia's name is literally italy in italian and by the end of the movie she creates a community of her own where she's looking out for those that are outcasted by society, in an abandoned train station named riparbella which literally means "to start again".

arthur's eye always being blocked by shadow throughout the movie until he sees the light at the very end

according to wiki, the goddess the statue is based on is cybele, goddess of nature, animals, wild places and represents the "creative and destructive force of nature." her phrygian name matar (mother) alludes to the fact that she was a "mediator between the boundaries of the known and unknown, the civilized and the wild, the worlds of the living and the dead." i love that this goddess' presence in the movie symbolizes arthur traversing between the living and the dead worlds and getting closer to beniamina. i love that by the end of the movie, the statue itself becomes unknown to human eyes and returns to the wild, far away from civilization, which is arguably the same fate that arthur meets as he dies.

the red string that's following arthur around is very reminiscent of the red string ariadne gives theseus to find his way through the maze. it's beautiful how this red string seems to appear only in his dreams at first but slowly starts crossing the boundaries of dreams and reality as the movie goes on until he is able to tug at it by the end and cross over into beniamina's world.

arthur, at the beginning of the movie, says "so it's you. my last woman's face." how cool is it that beniamina's face resembles cybele's?

arthur goes back to flora's house after being injured and her daughter finds him in the bathroom. spooked, she says "i thought it was a ghost" which arthur might as well be considering how he's essentially been a walking corpse this entire movie.

also a special shout out from the bottom of my heart to the sped up sequences, didn't even realize how badly i needed them until i saw them. the chaos in these sequences is everything to me. this is REAL cinema!

in general, one of the themes that i've come to love about this movie is how objects can have different meanings to everyone. an object like the bell arthur found was just "a thing that rings" whereas italia interprets it as a gift until she comes to realize it's been excavated from a grave. the statue was part of a shrine back when it was made, but to the tombaroli and the sellers, this is only a means to make more money. the train station started off as a place that symbolizes movement of people from the city to the countryside but has now become a home for the outcasts of society. the apotropaic phallus would've have warded off evil and bad luck back in the day, but is now used as a means of escape from the law. a simple red string is the literal lifeline for arthur as he tries to find his way back to his lover.

also want to give another shout out to the inclusion of the italian troubadours (our greek chorus) who beautifully spell out the tragedy of our protagonist and his gang.

speaking of music, i really liked this particular song italia was singing as she was practicing. the lyrics go "i'd like to explain to you, o god/ where my suffering lies/ but fate condemns me to weep/ to weep" and that's exactly when arthur finds her crying son. at least italia finds a way for her suffering to end by the end of the movie. maybe we can say the same about arthur too?

i'll probably add more as i keep rewatching the movie lol and make a thread of this on twitter too (x) thanks for sticking around and let me know what other cool details y'all noticed!

[tyrantisterror]

Who's THE Devil?

You know, from, like, The Bible?

One of the things the various takes on Hell more or less agree on is that there is one demon among the legions of Hell who more or less reigns supreme - The Devil with a capital The. What they rarely agree on, however, is which devil that is. So, for funsies, let's look at all the candidates for The Devil, shall we?

Belial

The concept of demons arguably predates Abrahamic religions, at least if we take it at its most nebulous definition of "supernatural people from an Other world who are somewhat antagonistic toward humanity." But the more specific and probably more familiar version of them began with The Book of Enoch, one of many texts that were deemed non-canonical by Christians yet still holds a great deal of influence on Christianity as a whole. It's an extended account of the Noah story, positing that a group of angels rebelled against heaven because they wanted to sleep with mortal women, and created a race of giant half-human half-angel offspring called the Nephilim (Goliath, of David and Goliath fame, was one of the nephilim). God wasn't happy with this, and sent the rebel angels to a fiery pit before killing most of the nephilim with the big ol' flood (though Goliath's lineage survived somehow I guess).

It's not quite how most people picture the War in Heaven and rebellion of the angels, but it's nonetheless where that story started, and that makes it important. This is the first take on what would become the classic origin story for demons and Hell itself. And who is the leader of the rebel angels in this story? Why our good friend Belial, of course. Belial would remain a prominent demon from hereafter, but despite having the earliest claim for the crown of The Devil, Belial has not remained the frontrunner in the race, and is generally demoted to just being a high ranking demon, rather than the Highest ranking one.

2. Beelzebub

I've talked about Beelzebub before and I don't want to spend too much time rehashing that post, so brief recap: Beelzebub began as a mean nickname for a god from a rival religion to Judaism who was named Baal Zebul, which means Lord of the Heavenly Place. Baal Zebub, by contrast, means "Lord of the Flies." Eventually Baalzebub becomes Beelzebub and, divorced from the original context of its creation, becomes a character in his own right, being a prominent demon. And because Beelzebub appeared in a lot of texts, many of them very old as demonology go, he became a major competitor for the title of The Devil, and remains so to this day. I think it's partly because the name "Beelzebub" is really fun to say, but the sheer history and volume of demonology texts portraying him as a big, powerful devil also help. In the rare stories where Beelzebub appears but does not get to be The Devil, he's still portrayed as fairly high ranking, with both Milton's Paradise Lost and Marlowe's Faust making him The Devil's right hand demon, second in command of Hell. So even when he loses the crown, Beelzebub takes home a good silver medal

3. Asmodeus

Asmodeus is another of our "predates Christianity" demons, right up there with Beelzebub and Belial, and as far as I can tell from what I've read he was originally intended to be The Devil rather than just a devil. It's kind of right there in the name - "deus" means god, so Asmodeus having that name marks him as a demon who thinks himself equal to God.

(well, ok, there's some debate about the full origin of his name, with some arguing the "deus" part was originally a play on "deva," which in turn is loosely translated as... demon. The fact that Asmodeus's name is pronounced/spelled differently to a preposterous degree is part of why the water is so muddy - Asmoday, Asmodai, Asmodee, Osmodeus, it goes on and on)

One of his better claims to the crown comes from the story of Solomon - you know, the wise king who told people to cut babies in half. Solomon's less canonical feats include enslaving a shitload of demons to build a temple for him by way of the rite of exorcism, using a magic ring and the power of Christ to compel the damned to do manual labor for him. Asmodeus is specifically stated to be the strongest demon he summons in part because he is the King of all Demons, i.e. The Devil - and the other demons weep at the sight of their king being reduced to a slave by mortal hands.

Why is this a strong claim? Because the story of Solomon in turn inspired The Lesser Key of Solomon, a text about using the rite of exorcism to summon and use demons to do your bidding. The Lesser Key of Solomon includes the Ars Goetia, which is basically a big ol' bestiary of demons, and where many of your favorite pop culture demons - like, say, Stolas the owl guy - come from. Being the King of all demons in the story that inspired one of the more thorough and exhaustive lists of demons and their hierarchies should count for a lot.

There's one other great claim to fame Asmodeus has in his favor. While not directly named in Dante's The Divine Comedy, the description Dante gives of Satan's physical appearance matches with the most popular descriptions of Asmodeus - in particular, his three heads, one of which is yellow, one red, and one black. Granted, it'd be more of a smoking gun if one of those heads was a bull and the other a goat, but they're all very ogre-like, so I still think it stands. Dante's Devil is, more likely than not, Asmodeus, and that's a BIG point in Asmodeus's favor.

4. Hades/Pluto

Ok, so, a great deal of the Old Testament was originally written in Greek, and the New Testament was written in Latin, both of which happened when belief in the Olympian Gods was pretty strong. As such, the word "Hades" appears in the Bible a lot when talking about the place where dead people go, though it probably wasn't meant to literally be the same underworld as that in Greco-Roman mythology. Probably.

But because Christianity was spread primarily by the Roman empire once they converted to Christianity, and because Europe ended up getting a centuries-long case of stockholm syndrome for the Roman Empire that involved many people in power declaring that Greco-Roman mythology was super important literature and Latin was the language of God Himself, there is a good chunk of Biblical apocrypha that treats the use of Hades as, well, a literal crossover of sorts. Which is to say that Hades the god is sometimes treated as, like, a figure in Christianity, generally a demon specifically. And because he's, you know, Hades, from, like, The Odyssey, people feel he needs to be prominent. I mean, Hades RULED the underworld in Greek mythology, so if we're stealing him for Christian folklore, he should at least be in upper management, right?

The strongest case for Hades being The Devil comes from The Book of Revelation, one of the few books in the Bible that actually contributes to demonology (despite what people tell you, demons really don't show up in the Bible that much - most of what we think of as iconic demon lore come from non-canonical works). You know the four horsemen of the apocalypse? War, Famine, Plague, and Death, right? HA, WRONG! It's Conquest, War, Famine, and Pestilence & Death, you fake horseman fan. Well, anyway the line that introduces Death/Pestilence & Death ends with "And Hell followed with him." Except, no, not really, because the specific word used is... Hades. "And Hades followed with him." Which, depending on how you want to interpret the line, could very well mean a literal, King of the Underworld Hades.

Of course, the problem with using Revelation as proof is that Revelation itself is pretty unclear on who's leading the forces of evil. Is it the Seven-Headed dragon who's cast out of Heaven at the beginning of the end of the world? Is it the seven headed leopard monster that the dragon gives his crown to? Is it the monster who crawls out of the ground to speak for the seven-headed leopard with the voice of a dragon? Is it Hades? Is it God, the one who's allowing all this violent shit to happen and frequently sending his angels to make it way fucking worse? Who can say.

So, while it's not super common, there are more than a few works where The Devil is none other than Hades himself. Disney... might not have been completely off the mark, I guess?

While I think Hades's claim is pretty weak, I should note that one of the works that puts a LOT of Greek mythology into Hell is none other than Dante's The Divine Comedy. 70% of the demons in Dante's Hell are just Greek monsters, with the remaining few being Asmodeus and some OC demons he made up with portmanteu names a la Pokemon. Notably, Hades is one of those demonized Greek figures - presented as the Judge who decides where in Hell sinners end up based on their crimes. He's not The Devil, though, so while Dante kind of helps Hades's case, he also kind of ends up making a counter argument to it.

5. Abaddon/Apollyon

Ok, so, the word "abaddon" is used in some texts to refer to Hell, and sometimes it's personified as well. It literally means "ruin." Well, in time, Abaddon is personified and become a demon, which should feel like a familiar story to you by this point. And because Abaddon can also literally be Hell itself, it's only natural that some stories posit Abaddon the demon as the rule of Hell, much as Hades is the ruler of Hades in Greek mythology. This is Abaddon's big claim, and it's not bad, but it's not super strong. Nonetheless, it was enough for at least one prominent Christian text, Pilgrim's Progress, to make Abaddon (under one of his synonym names, Apollyon) to be The Devil, so we can give him that too.

6. Sheol

The sections of the Bible that are written in Hebrew use the word "Sheol" to refer to the underworld/afterlife rather than Hades. Now, Judaism doesn't have the same Hell as Christianity, or the same concept of Heaven either for that matter, and Sheol is less a place of torment for the damned and more of a waiting room for the dead to hang out in until the Messiah comes.

Nonetheless, Sheol did get personified like Abaddon and Hades, and that personification (which, in some versions, is a batty old lady, which is fun) later became a demon in its own right, and thus, for the same reasons as Abaddon and Hades, has a claim to being The Devil by dint of also being, you know, Hell itself. Not the strongest, most popular claim, no, but a claim nonetheless.

7. Satan

Feels rather obvious, doesn't it? Ok, so, in The Bible, one of the characters who was retconned into being The Devil is the angel in the Book of Job who takes on the title of Satan. In the original context of the story, "Satan" is not a name, but, again, a title - a job title, really, roughly akin to "prosecuting attorney." The Satan in the Book of Job isn't a rebel angel, but an angel whose job is to argue for the opposing view point to make sure everyone is doing the right thing. Less "The Devil" and more "the devil's advocate."

But! Christians fucking LOVE the devil, and they want more devil in their Bible, so many translations treat (the) Satan not as the hard-working servant of God he was originally written as, but as, you know, The Devil, arch-enemy of God and justice. And so Satan becomes synonymous with The Devil, and over time more and more appearances of The Devil give him the name Satan.

I can see an argument for this being the strongest claim, because the sheer amount of works where "Satan" is treated as The name of The Devil is enormous. But I think it's important to note that many of those works actually treat it as a name for the devil, which is to say, not the only name. I guess a lot of modern works think the name is so commonly used that it lacks its punch, and so they have The Devil pull the "I have many names" schtick to sound more imposing.

8. Lucifer

So there's a part of the Bible that talks about a star falling out of Heaven as a sort of metaphor for how people can fall from grace. Well, good ol' King James translated this as not just a falling star, but specifically The Devil himself, giving him the name Lucifer, which means "light-bringer." The King James translation of the Bible is bad in that it's immensely inaccurate, but good in that it's a beautiful piece of poetry in its own right, and since it had the authority of a goddamn king behind it, it quickly became a prominent Christian text and is still the preferred translation of many Christian sects to this day.

So, you know, that's pretty fucking big as claims go. There is one incredibly prominent (if woefully inaccurate) translation of the Bible where Lucifer is The Devil. Kind of hard to fight that one.

But it doesn't end there! I would argue that the most influential origin story for Christian devils, the one that has become ingrained in the cultural consciousness as THE story of the War in Heaven, is Milton's poem Paradise Lost. That's where most of the tropes we associate with The Devil and demons and Hell really come together to form the great devil mythology - well, it and Dante's The Divine Comedy, anyway. You know which name Milton chose for The Devil?

Lucifer.

Well, ok, he also calls Lucifer "Satan" with about equal frequency, but still - Lucifer is The Devil of Paradise Lost. And because of the sheer weight that both Paradise Lost and the King James Bible have in culture, Lucifer has ended up being used as The Devil in countless works since! Not bad for a translation error, right?

While the sheer number and notability of literature that uses Lucifer as The Devil is kind of argument enough for him having the best claim, I'd like to add one more argument in his favor: dramatic irony. I think what draws people to Lucifer is the meaning of his name - "the light-bringer" - and how it contrasts with his role as the king of a pit of darkness and misery. "Light-bringer" is a heroic name, the name of a character who brings hope and joy, which makes it so delicious when it turns out our "light-bringer" is an utter bastard. It's just irresistible, isn't it?

9. Mephistopheles

A good number of demon stories - arguably the majority of them - focus on mortals who make deals with demons and end up damned to Hell for doing it. We call these stories "faustian pacts," and we do that because the most famous story of this kind is the story of Faust, a scientist/alchemist who makes a deal with a devil named Mephistopheles to learn the secrets of the universe and ends up doing a lot of sinning in the process. Since Faust is such a famous and influential story, it only follows that its main devil is frequently viewed as The Devil.

...except

In most versions of Faust, Mephistopheles is not presented as The Devil within the narrative. He's a henchman, a flunkie, with one of the bigger names like Lucifer or Beelzebub pulling the strings. So while there are a number of stories (including a few versions of Faust itself) where Mephistopheles gets to be The Devil, it's far more common for him to be a devil - perhaps a prominent devil, maybe even one of the strongest and a close member of The Devil's inner circle, but rarely the one in charge.

10. Baphomet

Baphomet is a god whose name and appearance was repurposed as a demon by The Church of Satan, and so while I have to admit that is a claim to the crown, I don't think it's a great one. First, nothing about the Church of Satan's belief system is meant to be taken genuinely, with them admitting that they view Satan/Baphomet as a symbol rather than a literal supernatural being they believe in. Second, by rights Baphomet should be allowed to be Baphomet instead of being literally demonized. I honestly think it's better for Baphomet to lose this race than to win it.

11. Iblis

Demons in Islam work differently from demons in Christianity. Rather than being fallen angels, demons are wicked Djinn - a race of people made from fire and smoke rather than ash and dirt like humans. Djinn aren't quite as powerful as angels in Islam, but do have significant supernatural powers that humans lack. Like humans, Djinn have free will and can choose whether to be good or evil - and those that choose to be evil reside in Islam's version of Hell, where they are ruled by Iblis, the first Djinn to choose the wicked path and the ruler of Islam's Hell.

Unlike Christianity, there isn't really any debate on this. Iblis is, for all intents and purposes, the CANONICAL ruler of Hell, The Devil of Islam, and thus has the strongest and really ONLY claim to be The Devil of that religion.

...but, at the same time, Iblis can't really be the Christian devil, because Christianity doesn't have Djinn, and all the iconic parts of Christian demonology kind of hinge on the idea of demons as rebel angels, which demonic djinn very much aren't. So while Iblis's claim in Islam is irefutable, he doesn't have one in Christianity. Ain't that wacky?

I think it should be noted that there are more-or-less canonical texts where Iblis isn't treated as purely evil, either, including one where he actively asks for help in repenting and is turned down because, well, evil has to exist, and someone has to rule over it, and like it or not, that's Iblis's job now. It ends with Iblis wailing that he has become the greatest martyr of Islam. Which is so fucking hardcore, I love it. In Christianity, the texts where we humanized demons are non-canonical at best and deemed heresy at worst, but Islam allowed it to be more-or-less canon. They saw the coolest takes on the Devil and said "yeah we can allow that" - so much more rad than what Christianity did with them.

~

~

~

So, who do YOU think is The Devil? You know, from, like, The Bible?

[bitchb0ybunny]

LONG READ, BUT WORTH IT!!!

COD FANS, PRO-PALESTINIAN PALS, LISTEN TO ME FOR A SEC. I know this might be crazy, but hear me out. Just for a moment, I promise it'll be worth while. I thought for like 5 minutes on whether or not I should post this, but I say fuck it. My account isn't big, I'm not popular, but I know this will at least get on one persons page and get one persons attention and that's what matters.

THIS MAN! THAT MAN UP THERE ^

COD besties love him, some people might not know who he is. His name is Johnathan Price, he's a fictional character played by Barry Sloane in the Modern Warfare 2 Remaster. Friends, take a close look to that thing around his neck.

Some of y'all think it looks familiar, right?

Me too. I might be slow on this, some people might've pointed it out on different platforms already, but I'm bringing it to attention anyway. It looks like a Kuffiyah. (Kuffiyeh? Kuffiya? Keffiyeh? I'm still a little confused on which spelling of the name is correct, so I'm using all of them). I might be crazy here, but it looks like one to me. If you don't know, a Kuffiyah is a Palestinian garment that, in very simplified terms, symbolizes their culture and freedom. I'm sure everyone already knows that that freedom has been threatened and that the people of Palestine are currently being slaughtered like cattle, no matter their age, sex, gender identity, etc. It's pure bloodshed of innocent people, a genocide, a holocaust if you need more terms.

I have a very simple theory that I don't think is hard to believe, but first let me show you what a Kuffiyah looks like for those who don't know.

Protesters at University of Michigan in the US, this month. Photograph: Anadolu/Getty Images

The black and white garment these people are wearing is a Kuffiyah. You can find numerous videos on TikTok and other platforms showing up-close images and videos of a Kuffiyah and explaining what the pattern symbolizes.

Now, if you need a second look at that scarf-like garment Captain Price is wearing around his neck, you can scroll back up. There also should be a video below, a clip taken directly from the game, that shows that same garment at different angles if you need a better view.

Now back to that talk of a theory.

Farah Karim, another Icon from the Modern Warfare games. Again, some of you might not know her, here's an image of her.

She's an occupant to a made-up Arabic country called Urzikstan that is located near the Black Sea. She's a solder, and leader, of the Urzikstan Liberation Force, which is an army that fights against the occupation and invasion of her country. In this case, Russia. Farah Karim and John Price are close and, in the games, team up to fight common enemies often. If you look at the country of Urzikstan on the map, in the COD universe, I believe it looks like the same area Palestine should be located on a map if it weren't for Israel's 70+ years of occupation and colonization on Palestinian land.

According to the games lore, the invasion and occupation of Urzikstan from Russia started in 1999, and I'm not sure if its confirmed but I believe it's at least once it's alluded to Price having helped the ULF (Urzikstan Liberation Force) fight off the Russian occupation and free the country.

By this point, I'm sure at least one of you incredibly intelligent people reading this post have figured out what my theory is exactly:

Urzikstan is Palestine in the COD Universe. Or, at the very least, is modeled after and has its history inspired by the very real horrors Palestine has been facing since around 1947 when one of the first/the first attack(s) on Palestine took place on December 31st (Here is an article you can read about that, and there are plenty of similar articles from that outlet). Some of you probably have stopped reading, or think I'm crazy, or something along those lines, but hear me out for a second.

That Kuffiyah that Captain Price is wearing, remember that? People who are in support of Palestine are buying and wearing those to help financially aid Palestinians who can still sell their goods and show their support. I believe that is exactly what Price did, and why he's wearing it.

Now, I raise a question to those who weren't in support before. If Captain Johnathan Price can do something so basic is show support for a population and help fight for a countries freedom, why can't you? It's not hard to reblog a post, or sign a petition, or attend a protest in your area, or at the very least educate yourself on the matter. So, if you aren't, why? If someone who I know most, if not all, of the COD community here on Tumblr loves can do it, can go to war and fight for it, then why can't you do something that's real?

Free Palestine, and have a nice day/night to those of you who actually read all of this to the end.

[iveriee]

Oh, what about like kidnapping fluff? Like yan!Tom has kidnapped reader and been holding then hostage for awhile and they've finally begun developing feelings/Stockholm syndrome for him and so reader and Tom cuddle and get to know each other a little bit or something?

★;ANSWER: Of course. I apologise for the late response.

★;CATEGORY: A yandere x Reader

★;PAIRING: Yan! Tom Riddle x Gn!Reader

★;SUMMARY: In which...you, perhaps, submit to his otherworldly tendencies. (May be read as a Sequel to 'Acceptance')

★;PS: This fic contains severe mentions of Stockholm syndrome,obsessive and possesive behaviour, and a slight implication of sexual content. In absolutely NO way do i support or encourage such abusive behavior, this is only for entertainment purposes. I sincerely hope nobody would be offended by this. If I have made any inaccuracies or grammatical incorrections, please let me know as I strive to improve my writing no matter the cause or topic. I have attempted to do the most accurate research on Stockholm Syndrome and it's symptoms, causes, etc as i could. If I have made anything inaccurate, i heavily apologise for it. As I have mentioned before, English is NOT my first language. This may be quite rushed as I have a Hindi Examination to prepare for. I attempted to add a pinch of comedy, however, I must warn you that my humour is equivalent to the Sahara Desert.

To say what had occured resulted in astonishment would be an utter and complete understatement. Of course that was to nobody's shock, what words could comprehend or convey being locked up in the 'Chamber of Secrets' and, as gruesome as it sounds, having empathy for your very own captor? Perhaps, it wasn't empathy. Perhaps, it could have been just a mere..feeling towards him. After all, Everyone did idolize Tom Riddle. However, could you even have justified your own opinion? You were not aware when such reactions had begun to take place, yet your cheeks began to boil crimson when he was around. Yet you began to tolerate his cloying affection. Yet you began to believe,that, perhaps, it was not so awful as you had painted in your mind like a permanent stamp. Of course, every permanent stamp has a counter spell. Perhaps he was the counter spell in your case.

And Henceforth, out of a quite intrusive thought, you embraced him. As untrue as it sounded, Riddle was startled (if you'd observe potently, that is). In a matter of mere seconds, he reciprocated your embrace, perhaps, tighter. His embrace, however, differed with yours, seemingly, due to his hands clutching you being acquisitive in a manner, unwilling to let go or share.(perhaps, a way to show you were completely and utterly his, and indeed you were). His breath smeared your earlobe, causing embarrassment to plunge your face. "I am flattered to know that you have arrived to your senses, my dearest [Name]." He stated, smirking provocatively as he plunged your frame you closer to his, in quite an ..intimate..manner.

"No. It's not that, Riddle." You murmured hastily, your breath quite unsteady as you, quite literally, could not approach his gaze anymore. Perhaps you never would. "I'd much rather prefer to cuddle than...be intimate as you mentioned.." You proposed, your frame quivering. What in Merlin did he assume of your embrace? You did not know and did not ought to know as your gaze destined at the floor.(an equivalent fraction to answering incorrectly in class) "I do not feel comfortable with the idea of intimacy yet."

Though you could not gaze at that perfect face of his, you could, at the very least, make out a sort of.. discouragement. Was he, perhaps, disheartened by your proposal? Your heart concluded. His hands tilted your gaze upwards. "Indeed, I will cuddle you. However, please let know, is the floor, perhaps, a more pleasant view than I am?" He questioned (most likely, sarcastically). Was he envious of the floor? The FLOOR? Perhaps you should not embraced him in the first cause.......And to be frank, he was far more pleasant to gaze at than the floor. Of course, you'd never say that as you knew it would only fuel his desire of devouring you. You sought a plan to derive the conversation far from such a topic.

"Let us not argue...could we perhaps just cuddle in peace?" You pleaded, gazing at him. To examine Tom Riddle frowning was, truly a rarity of the sort. Of course, he could not have refused you when you had utterly and completely submitted. He could have done anything to possess you and now that he had you asking for affection, he simply could not have responded 'No' in any cause whatsoever. His slender fingers stirred to your waist, tugging you inwards.. lovingly? Perhaps your stomach had accomdated into an abundance of butterflies or perhaps, you were in love. With him. And your suspicion only flared into explosion.. when his hands bolted through your hair...when he murmured cloying words onto your ears and when he merged his lips to your forehead.

Perhaps, you'd forgive him. Not without interrogation, however. And your submission did initiate a charismatic side of him, Henceforth why not continue doing so?

[y-rhywbeth2]

Lore: The Bhaalspawn

Link: Disclaimer regarding D&D "canon" & Index [tldr: D&D lore is a giant conflicting mess and it's borderline impossible to cover everything. Larian's lore is also a conflicting mess. You learn to take what you want and leave the rest]

I decided to compile all of the information I could find/remember on the Children of Bhaal in one place; drawing on the original games, BG3, WotC "canon", and a magazine article written by the writers of the original games meant for playing Bhaalspawn in pen and paper games. There's a surprisingly large amount of information.

Also prodding a bit at the distinction between a Bhaalspawn, as in a quasi-deity, and their tiefling descendants, who are also called by that name.

As with all D&D lore, sources may conflict, but nevertheless, here it is.

-

There are technically two variants of being that can be referred to as bhaalspawn (three, if we count the Dark Urge as something separate).

The term "Bhaalspawn" is usually applied to a Child of Bhaal, a quasi-deity who has the Lord of Murder for a father. Most are Demigods, born of a mortal parent, although Bhaal has seemingly also produced at least one Titan, who has no mortal lineage at all (hi, Durge). With the exception of that last one, they were all sired before his death during the Time of Troubles. Many, if not most, had Bhaal's priests as their mortal parent - willingly conceived as part of the greater plan to resurrect their god.

As is the norm for half-planar-half-mortals, the offspring of a Child of Bhaal will be of the planetouched (tieflings, aasmiar, genasi). As Bhaal is an evil-aligned god, his grandchildren and descendants are specifically tieflings (or some humanoid equivalent, if they have children with non-humans).

Each Child carries the divine essence of their father, woven into their very being (the god himself specifically derides them as having "borrowed" existences). This divine essence wasn't distributed evenly, and some carried more of Bhaal's taint than others. Some were aware of his influence acting on them from birth, and others never knew what they were until their more powerful and ambitious siblings came knocking to tear their essence out of them.

Being so tied to Bhaal, the souls of his children are inherently tied to him and the Throne of Blood - when they die their essence returns to him and takes their souls with it. A Bhaalspawn can worship another god and receive spells as a divine spellcaster if that deity accepts them, but there is no other afterlife waiting for them except for their father's domain. Specifically, this is the Throne of Blood, a section of Banehold (Bane's domain) which should be on the first layer (Khalas) of the plane of Gehenna (also known as "The Bleak Eternity of Gehenna"). Every single game has placed the Throne of Blood on a different Lower Plane (the Hells, the Abyss, the Grey Wastes), but none have used the one actually given in the tabletop canon, for some reason. Mount Khalas is an active volcano, hundreds of thousands of miles high with slopes of at 45° at their very flattest. The slope is generally more like a sheer cliff face, and falling may "completely shred" the would-be climber. The mountain floats in an infinite void by the border of the Nine Hells. The ground is full of bottomless black chasms and magma flows fed by "waterfalls" of the stuff, and the ground glows crimson from the heat of the molten rock. The air is clogged with pyroclastic ash and it's impossible to see further than a dozen feet in any direction. It also features the River Styx, a river polluted by all the filth and evil of existence that flows through all the Lower Planes. The next layer of Gehenna, Mount Chamada, is visible overhead, glowing faintly, "burning like a small, bloody moon." The spirits of the dead who are sentenced to this plane are those who were consumed by greed and a ruthless and insatiable lust for power in life; in death they are selfishness embodied. The domains of the deities who reside there are carved into ledges on the slopes. Banehold - also known as the Barrens of Doom and Despair - is "an inhospitable locale, filled with vast deserts of black sand and huge plains of dark granite." The sky is blood red and sunless. The only source of water on the plane is the Styx.

Some Bhaalspawn feel the pull of their father's domain so strongly that their soul can be pulled into Gehenna before they die. Should these individuals become sickened or injured enough they will fall into a coma as their connection to life weakens and their soul is dragged into their father's realm in the Lower Planes. It will return to their body once they're healed and that the pull of life is strong enough.

Some Bhaalspawn have reported the ability to "feel" deaths occurring around them, which is also said to be a pleasant experience that calls to them.

Due to their inherently divine nature, every one of them has the latent capacity for sorcery, though not all will manifest it.

It was originally claimed that all the Children perished in the Bhaalspawn crisis, however a small ttrpg supplement published by the writers in a magazine article (meant for playing Bhaalspawn as tabletop characters) claimed that while many died, including all the most powerful of their kind, many "weaker" Bhaalspawn survived the crisis.

There is conflicting information about the free will of these survivors following the foiling of Bhaal's first resurrection. As per the original game's canon, Bhaal's command over them is gone once broken, and these Children were free to act out their lives as they saw fit - bar stuff like the occasional nightmare and inherent urge to go on a killing spree. The power in their blood is their own to repurpose.

Baldur's Gate 2 presented the possibility of a Bhaalspawn being totally cleansed of their father's taint and rendered fully mortal and free of all divine meddling. 5e has retconned this in both tabletop supplements and BG3 canon, and posits that while one of the Children can (seemingly) be unchained from most of Bhaal's control, his divinity is an inherent part of them and they may still become pawns in his designs.

Judging by the first two games it seems that a Bhaalspawn's ability to resist their father's control is related to their own willpower and how tied to death and negativity they are. Being sheltered from death and suffering allows themselves to distance themselves from him, while exposure and harbouring feelings of hatred will destroy the barriers and push them closer.

One of the things Bhaal may try to push his children into doing is interfering with the plans of Cyric, who originally killed him during the Time of Troubles and temporarily usurped him as god of murder.

Bhaalspawn grow in power with age and experience. While signs can start early, by the end of their adolescence they will all have begun manifesting various abilities and signs. What defines "growing in power" is rather nebulous - in game mechanics it's tied to character levels. Technically, a Bhaalspawn could manifest the ability to create supernatural darkness and turn into the Slayer at age 17 and, by the time she's 18, have manifested as much as eleven more powers (and a plethora of dark influences plaguing her to go with them, including an addiction to killing). Or she could go her entire existence never having more than those two traits, a nasty temper, and some horrific nightmares.

Quasi-deities are immortal - ageless and unable to die from natural causes. While theoretically, a Bhaalspawn might not manifest this trait, it would conflict with other established lore on half-deities (because D&D lore loves conflicting with itself). Bhaalspawn immortality tends to kick in at any point in adulthood, at which point their age freezes. They could be in their twenties - and is more likely to manifest at a younger age, but theoretically it could kick in when they're 87 or older.

A Child of Bhaal can usurp their father and take his godhood for themselves: They must prove themselves worthy of being Lord of Murder by deliberately orchestrating a thousand innocent deaths (the method can be anything). They must seek out a portion of their father's flesh. Remnants of Bhaal's slain avatars, such as the remains of the Raveger in the Moonshaes, or traces remaining in the Winding Water from the Time of Troubles are recommended. Bhaal's actual corpse would've been in the Astral Plane, pre-Sundering. What one is meant to do with this chunk of flesh is unspecified. And then one is meant to present themselves for judgement by the overgod Ao, who will decide if they deserve the job. This seems to involve some kind of epic quest in a very dangerous location to prove oneself.

-

The term "bhaalspawn" also seems to be applied to the tiefling children and descendants of the true Children. Tieflings descended from Bhaal show no outward signs of their heritage the way most other tieflings do, appearing as regular members of their species under physical examination and lacking strange quirks - such as those seen on tieflings descended from the god Mask, who cast no reflections. That said, planetouched descended from deities are known to bear birthmarks in the shape of their divine ancestor's holy symbol, so that might be the exception. Like many of the non-Asmodeus tieflings, they bear the taint of the lower planes in their being, and from birth they often feel it pushing them to bend to their whims. In the case of bhaal-spawned tieflings, these urges would be murder ideation and an obsession with death. God-descended tieflings are no more inherently powerful than the regular kind descended from fiends like devils, demons and night hags.

As with all of the non-Asmodeus tieflings, after the first tiefling grandchild the blood tends to go dormant and hide itself for generations, until it suddenly manifests in a child born to an unsuspecting normal family who is unaware that the taint of the god of murder lurks in their bloodline.

-

There are various abilities (and side-effects) a Bhaalspawn might manifest. Interestingly, while a Bhaalspawn can manifest the vast majority of them, they will never manifest all the possible powers available to their "family." Meanwhile, the most powerful of them will manifest all of the dark urges and traces of evil that threaten to consume their kind.

There are no rules given for their tiefling descendants. Tieflings have been known to manifest a variety of quirks and spell-like abilities, such as those that have been provided for the Children of Bhaal, it's not unthinkable that their heritage may cause them to manifest one or two of them. Going off of the tiefling creation chart from 2e, a tiefling will randomly manifest one advantage, and one drawback.

So a grandchild of Bhaal might have poisonous blood and be unable to control herself from going berserk from bloodlust in battle. One might heal at an unusually fast rate and give off an aura of death that causes strangers to respond to them like they're a monster. Another tiefling may be able to temporarily boost his strength to impressive levels, but be consumed by the urge to murder.

While only the most powerful manifest every trait, the signs of being a Bhaalspawn include:

The undead can sense a Bhaalspawn if they're within 60ft of each other - so clearly that they can pinpoint their exact location. Even protective magics that should hide them from the undead's senses won't keep them from being aware of their presence, it will only prevent them from being able to know exactly where they're standing. In BG2, a vampire named Phlydian describes it as being able to "smell the murder in [their] heart."

Being around the Children of Bhaal triggers the fight-or-flight instinct and makes others uneasy; they give off an unsettling aura that causes those nearby to subconsciously pick up on them as predatory, and Bhaalspawn have a harder time convincing others to like and trust them. Divination spells that reveal alignment and intention will detect them as evil, regardless of whether they truly are or not.

Bhaalspawn are harmed by holy weapons, and those who are particularly murderous can also be harmed by holy water.

Bhaalspawn blood is black and viscous, and the divine essence within it calls out to the lower planes. A bleeding Bhaalspawn leaves a "scent" that calls to all fiends of the Lower Planes, including devils and demons. Even if it doesn't have the texture and colour, the blood is poisonous. If their blood enters the bloodstream of another being it will immediately cause weakness and fatigue. If the blood is not purged, the individual will weaken into a coma and eventually die. Of course this won't affect beings immune to poison. According to Phlydian vampires find the divine blood of the Children of Bhaal irresistibly "sweet."

They experience chronic, horrific nightmares that are traumatic enough to impair the demigod's daily functioning. These visions can occasionally be resisted through willpower, but not staved off indefinitely.

Bhaalspawn always want to kill, and may lose control of themselves in physical conflict, trying to strike at everything within reach. They struggle to restrain themselves, and limiting attacks to non-lethal damage requires will saving throws. They are reckless in combat, paying attention to little except slaughtering their opponent/s - not even caring about their own safety, The urge to kill can be a fundamental need, If not met, thoughts of murder slowly overwhelms their willpower, thoughts and their awareness of their surroundings, until they're finally driven to kill somebody. This urge cannot be sated by anything except for the murder of a sapient being. (This is similar to the effects of some hungers that affect the undead, causing them to devolve into mindless, feral animals driven by hunger - it may look the same.)

They are possessed by a constant undercurrent of rage, and when humiliated or frustrated they must keep a grip on their anger or slip into a state of violent killing rage not unlike that shown by barbarians in combat - their strength and endurance is greatly strengthened as they attempt to attack the subject of their ire.

They may actually find their sense of free will is innately weaker than that of regular mortals.

They are drawn to the sight of the dying and the dead, and take involuntary pleasure in the sight.

--

Bhaalspawn are also known to manifest various quirks and spell-like abilities (which they can cast as three times per hit dice/character levels a day. So a level 12 Bhaalspawn with "death knell" can cast it 36 times a day). Again; not every one of them manifests every ability, many will probably never have more than two, but powerful individuals may still manifest most of them.

They are able to boost their strength to impressive or even superhuman levels (depending on base strength) for anywhere between 1-20 minutes.

They are immune to all poisons and toxins.

They are resistant to being wounded, unless the wounds are caused by an object made of or plated in silver. Complete immunity to being harmed by unenchanted weapons is also a possibility for the most powerful individuals. (I've never been clear on what damage reduction looks like - I suppose either it's harder to break their skin, or else the wounds simply close up or at least heal up a bit automatically.)

They can cure moderate wounds like a divine spellcaster.

If they touch a dying creature they can drain the remaining life-force from them, killing them and temporarily strengthening themselves (as in physical strength and hit points, as well as boosting the power of their spells) Some may manifest the similar ability to drain the life force from a target by looking at them, stealing their vitality to heal themselves. The target doesn't need to be dying, and may be perfectly healthy

They are unaffected by any but the most extreme of temperatures, to the point where they're resistant to elemental damage of that kind (this could be cold or heat, or both). Some Bhaalspawn are also resistant to electricity and any magic cast on them.

They can strike mortal dread into nearby beings.

They can use divine energy to smite their foes - or they can maifest it as a 20ft area of darkness and tangible evil ("cold, cloying and greasy" to the senses) that damages non-evil beings within it.

They can create supernatural 15-20ft clouds of impenetrable blackness that extinguishes all sources of light, as per the darkness spell.

One Bhaalspawn manifested the (involuntary) ability to instinctually teleport to safety whenever he panicked - this is just speculation, but I would assume this works the same as the ability available to Bhaal's Deathstalker priests; they can teleport to the Throne of Blood in the Lower Planes, and from there teleport back into Toril at any location not protected by warding magic.

And, last but not least, Bhaalspawn are known to be able to transform into the Slayer when particularly favoured by their father. In one, exceptional, case a Bhaalspawn was known to manifest Bhaal's other avatar; the Ravager.

[thegreymoon]

Mo Ran is so gay it isn't even funny.

Now, this is just my opinion and I realise other people have their own interpretations, but this whole episode is super telling to me of just how unreliable his narration is about having tons and tons of sex with people of both genders in his previous lifetime. He's just so... oblivious. None of this reads as a man with a lot of previous experience with many different people. He did not pick up on her flirting with him at all. Sure, he did have a lot of insane sex in his past life, but as the book unfolds, it becomes very clear that most of that sex was with Chu Wanning. At best, there were only a handful of other people he was involved with, and one was a prostitute he was paying, while the other was his wife whose relationship with him was also transactional.

I know people argue that he is bisexual because he married Song Qiutong, but when we actually get her POV on their marriage, it turns out that they had unenjoyable sex only a handful of times, at least one of which was him taking her from behind and very much imagining that it was Chu Wanning in her place. There are plenty of gay men who end up married to straight women (and vice versa) for whatever reasons and none of this makes them any less gay. He also identifies as a 'cut-sleeve' himself at one point, so he doesn't seem at all confused about his sexual attraction to men. Later on, when we finally get his unaltered POV on his life in the brothel, it comes out that he considered the girls there as sisters at best, never as sexual partners. The only other named sexual partner is Rong Jiu, who is male, and I can buy that there were possibly other people who looked like Shi Mei that he was with under the influence of the cursed love spell, but there was never any real attraction there, which is why some argue that he is attracted only to Chu Wanning and would still be attracted to him regardless of gender.

But I think that this is also not true. He definitely was obsessed with Chu Wanning from an early age, which makes it hard to see what his preferences would have been if Chu Wanning wasn't in the picture, but that chapter when he finally realises his feelings also reveals that he does have a type, which he never dared to think about before because he thought he was unworthy of having a choice. However, Chu Wanning fits this type to a tee, so it's easy to run away with the idea that he is shizunsexual and that Mo Ran's attraction begins and ends with him.

With that said, we do get confirmation later on that he does find other men attractive, in particular, Jiang Xi. It's just that he never has the space or the inclination to do anything about it because of his preoccupation with Chu Wanning. In the extras, when Mo Ran misunderstands Xue Men's relationship with Jiang Xi and thinks they are having a love affair, in his unfiltered Taxian-jun state, he is full of approval because he personally finds these powerful, beautiful, prickly, emotionally unavailable older men to be the height of attractiveness. If Chu Wanning hadn't been in the picture, Mo Ran would have definitely been attracted to Jiang Xi or someone similar. Even Ye Wangxi, whom he also fixates on, fits this type (except for the older man bit because I understood her to be only a few years older than Mo Ran). The fact that she turns out to be a woman also cannot be used as an argument for Mo Ran's bisexuality because she very much presents as a man throughout the book (but whether or not she actually identifies as one is debatable).

In short, Mo Ran does have a type of man he is attracted to and it is definitely men that he likes, regardless of his few dubious and very unsatisfying dalliances with women. While Chu Wanning definitely fits this type of ideal man, there are other men out there whom Mo Ran finds attractive too, it's just that he is too unhinged about Chu Wanning to actually do anything about it. Also, I very much doubt that Mo Ran was nearly as promiscuous as he makes himself out to be because he reads as very oblivious when it comes to sexual relationships in general. Even with Chu Wanning, who was right there and about to pass away from sheer horniness that he couldn't even begin to disguise, Mo Ran was still going, "Shizun is so pure and virtuous!" 🙄

(I'm not going to get into the whole Shi Mei situation and how badly he misread him every step of the way too, but that is because his brain was so badly mangled by him that he really stood no chance on that front until it was entirely too late.)

[ar1mas]

- a rant

no because ive watched this stupid show 5 years ago, and i only noticed this now?? how???

ok. some context first. this is about fox' gotham, a prequel series to batman. or at least a potential one with slight changes. one of those changes is the relationship between oswald cobblepot and edward nygma (spelled with a 'y' for mayhap legal reasons? idfk its silly). whats their relationship like in the show? well...

theyre gay af. idk what to tell you.

okay so oswalds gay as fuck. edwards... ambiguous. totally ambiguous. he had a girlfriend or 2 and a half (kristen kringle, the-woman-who-shall-not-be-named (aka kristen but... blonde? this show is weird), and lee. not comfy counting lee, but technically shes one, hence the 'and a half')! very straight, much hetero (on another side note how tf is oswald the gay one, like i know he wears make-up and shit but eddies all about theatrics and showmanship and flair and hOW IS OSWALD THE GAY ONE NEXT TO HIM?? ok anyway).

so oswald was (is. be real.) canonically in love with ed, ed was.........., and 'penguin in love' is a piece of music composed by david russo for season three in which the whole "im in love with my best friend" thing took place.

that song has been used all over season three, as far as i can tell not once in season four, and once in season five.

.....or so i thought.

because yesterday, while in another obsession phase (of which i get one a few times a year. ive only ever watched the show once, in 2019, when it ended. still dream about nygmobblepot though. i dont dream about media, like ever, but with them, its different), i saw 5x8 to satiate my never satisfied craving of nygmob scenes, obviously skipping the main story bc i dont care about that straight shit. i got to the scene where oswald kills mr. scarface and frees arthur penn from said mr. scarface, after which ed shoots him in the head because thats what one does in such a situation, thought "aw how cute", again, as one does, and then realised.

what was that background music just now? rewinds.... oh. oh haha, its 'penguin in love'. how fun.

WHAT.

WHY IS THAT IN THERE. WHY DID THEY INCLUDE IT.

correction. it wouldve made sense to have it here. they used it in 5x5 for the speech about not backstabbing each other (wedding vows for murderers fr fr), so using it again after their relationship has solidified wouldve made sense.

note how im saying 'would have'.

because it would have made sense, if they used it when ed said "i accept you for the person that you are, just as you accept me for the cold logician that i am. thats why this friendship is great." they didnt, though. they used another equally heartfelt song for that. dunno what its called, it sounds a bit like 'penguin in love' but isnt, not sure if that one has a specific meaning like 'penguin in love' does.

so when was the song used? at 36:08 – 36:17. barely ten seconds, right before eds lines, right before ed kills penn.

...right when penn was sitting in oswalds lap because theyd been fighting for the gun and os fell on the ground.

now. the most obvious answer to "why in the fucking hell" would be because ooh this dudes on his lap so sexy, but no. no. 'penguin in love' is about one specific thing: love. the pure kind. the kind that makes you giddy with butterflies in your stomach, kicking your legs, while youre on your bed, writing in your diary about this guy you have a crush on. and oswald and penn do have history, oswald was more or less fond of penn, but not in love (i mean where would he have found the room in his heart if it was already filled with EDWARD EDWARD EDWARD martin my sweet boy EDWARD EDWARD EDWA-). im also definitely not thinking that penn was so happy about being free from mr. scarfaces influence and not having to kill oswald (oh yeah, the horror. who would wanna kill oswald, the guy with the big ego, who never does anything for anyone without some kind of endgoal- well, unless your name is edward of course) that he instantly fell in love with the guy. i can deal with the homicidal kind of crazy, but that? no. thats where i draw the line.

the next most obvious answer is that it was about oswalds love for ed. more believable, since its what the song was made for, but more believable doesnt mean believable. or likely. because even if i 100% believe that hes been loving this dude for so long its not something he has to think about anymore for it to be true, im pretty sure that itd be very random to suddenly focus on that when oswald was just about to die. so no, even if its what the song is intrinsically about.

so next most obvious answer is- wait. thats it. huh? theres no obvious answer anymore? everything else is brainrot? oh. oh well. its been five years, im sure its too late to worry about it now. what the hell.

im sure you know where im going with this. or maybe not. honestly idk what the fuck im talking about-

youre smart. you know what im about to say. if it wasnt about what oswald was feeling because he was otherwise preoccupied, and it wasnt about penn because that makes no fucking sense, then who was this song used for? who else was in the room?

...oh.

YOU.

YOU FUCKING IMBECILE. YOU STUPID DENSE PIECE OF-

inhale, exhale. no. don’ get mad, you know he cant help it. you know hes totally helpless when it comes to emotions. just breathe. ok.

i hate him. i hate him so much.

if the song wasnt for oswalds sake, it was for his. because i know hes in love with oswald, but does ed? does the producers??

'penguin in love' is about oswalds love. its about his love for edward. its about their love, their relationship. its about edward just as much as it is about oswald.

a-fucking-PPARANTLY, I DIDNT KNOW THAT!! I JUST THOUGHT OH YEAH OZZY BE THE GAY ONE HAHA FUNNY, I DIDNT KNOW IT COULD BE ABOUT ED DIRECTLY!!!

(why am i like this? what is my life? i will never be normal.)

ed has always been the obsessive one. first kristen (and the woman who shall not be named is just an extention of that ofc), then oswald, then lee. and as weve seen with kristen, when hes obsessed with someone, he can become possessive. absolutely not on the scale oswald is on, but still. theres a wee bit of jelly there. oh you have a boyfriend? better get rid of him! oh you wanna run away from me bc i murdered your boyfriend? better keep you right in place and- oh shit did i kill you? ono D:

this is a huge oversimplification, but you get the point. its there. or at least it has to be there because why else do you get so angy that someone is sitting in the lap of your just friend because they were fighting and they ended up in that position totally accidentally? like thats not normal behaviour, for anyone, unless you have possessive tendencies.

i mean its not like penn was a threat in any way. "he wasnt the threat, the dummy was the-" like i understand ed told penn about the submarine which was supposed to be a secret, but come on, like they couldnt make sure penn wouldnt say anything. so why would ed shoot him? its not even like penn was a random dude where that type of thing would be very inconsequential, oswald knew him. hed worked for oswald, and like i said, oswald was more or less fond of the guy. penns just a poor little meow meow, y u kil him eddie? 🥺

unless this fondness was part of the problem. unless ed saw how happy oswald was to see him, got annoyed but let it slide, then used penn attacking os and knowing about the sub as an excuse to kill him. and why would oswald being happy to see penn be a problem to ed? it wouldnt be. it wouldnt be, unless ed thinks oswald is his.

which makes sense. i know im calling him names and calling him out, but like. oswald told him he loved him like 5 times 2 years prior, i dont blame him for believing that maybe theres something to it (especially since that was the point of 3x14, oswald really being in love with him and surprising himself with it). but i thought ed didnt feel the same way? because hes very hetero? because he had a full-on girlfriend before, twice, technically? because-

"the truth is oswald, you would sacrifice anyone to save your own neck. even me."

"like i said! you will always fail, because youll never change."

hm. i know this is a bit off topic, but i just got a war-flashback and... why did ed sound so hurt when he said that? "youll never change." "you would sacrifice anyone. even me." why does he care? they were friends, best friends, yes, but why does he sound like a heartbroken wife who just found out her husband cheated on her again? why does-

"honestly you deserve this. you are opportunistic, your loyalty is.. shaking, at best, and you will hurt anyone, anyone, to get what you want."

"and yes, i was not a good friend. to you or anyone. its why im alone. but i saw you for what you are and i valued that!"

...why would edward nygma, the man who literally said "i dont love you" to oswald, be jealous of even the idea that maybe penn could have something going on with oswald? and why would he act on it if hes usually so careful to not reveal his feelings (unless its about kristen. the original obsession, the american dream, the just be normal, show them you are normal, and people will accept you)? he wouldnt.

unless oswald just told him that he knows he messed up. that hes sorry for it.

and unless that made him think that maybe theres a chance.

"love is about sacrifice. its about putting someone elses needs and happiness before your own."

"you gave up your revenge for me?"

a chance... for what?

"life begins anew."

"shall we get to work?"

and if theres a chance, hes not about to risk losing it. not this time.

so maybe 'penguin in love' is about more than just oswalds feelings. maybe they were trying to tell us that, yes, we see you traumatised gay kid, were sorry this is all we can give you, but here you go, eds in love with him too, but don’t tell the channel. subtlely. just for barely ten seconds. and maybe it can be enough.

nope, it wont be. im gonna sit here crying about the injustice of not having them kiss on screen in the finale as was originally intended for the rest of my life. seriously though, what is this, nbc's hannibal, where im noticing something new details every single time i watch the show, causing me to spiral? no, i was already spiralling. the spiralling was the reason i rewatched the scene. the scene simply made it worse.

so yeah, im done freaking out about a mediocre show that was cancelled 5 years ago and is honestly not worth anyones time (like, its ok. it might even be better than i remember since its been so long. i doubt it. but its ok).

tl;dr: ive only now realised that a specific gay song plays in a specific episode of a show i watched 5 years ago and the only reason theyd include it in the episode is if the dude that was not canonically in love with the other dude was in fact gay, they just werent allowed to make it canon, so they added the gay song to subtlely tell us about it.

have a wonderful day, hellsite. dont do what i did and go crazy about fictional gay people. i know you will though, that’s why im here too. i hate gay people. these two make me homophobic so bad, i wanna gauge my eyes out and skin myself-