#obviously not the person who ordered this

[lychee-angelica]

random vedic astrology observations

i thought i may as well post some content that has been sitting in my drafts for over a year xx

౨ৎ libra ascendant 18+

these women are obviously very beautiful, but they are also highly alluring and mysterious. this can be attributed to venus ruling both their first house and eighth house. it is honestly difficult to ignore that these women are seductive and passionate individuals. i have personally observed that these women are highly attractive and naturally possess an evidently strong sexual appeal.

the above can also apply to women with first house lord in the eighth house or eighth house lord in the first house

౨ৎ venus in leo

within my time observing charts of various individuals and celebrities i have found an absurd amount of models with venus in leo. in all honesty this does not surprise me, considering leo is ruled by sun, the most visible, important and prominent celestial body. these women possess a beauty that was almost made for shining above the rest, their beauty is so apparent in the eyes of others. i often think of venus in leo women as embodying the beauty queen archetype.

౨ৎ aquarius ascendant

the identity of these women is heavily tied to something deeply intangible, given that saturn rules both their first and twelfth house. saturn's repressive nature propels these women far from egocentric ideals and toward the undoing of self. that being said, these women can seem very disconnected and even out of touch with reality.

౨ৎ mrigasira

these women can be naturally doe-eyed and have a sweet, bambi appearance. this is due to mrigasira symbolising a deer sniffing the ground, a specific yet beautiful depiction of the deer's face. honestly, even the men have large doe eyes. additionally, i often notice many of these women wear their hair in braids and look beautiful with their hair in this inherently protective style. i say this because the idea of braiding and weaving is deeply rooted in the symbolic nature of mrigasira. deers experience pressure to weave themselves into the heard in order to mitigate the threat of predation.

౨ৎ pisces ascendant

these women are naturally possess a loving curiosity on deeply occult and esoteric knowledge. this is due to venus ruling both their third and eighth house. acknowledging that this aspect of their chart is due to venus, their interest and fascination in mysterious information is something that naturally attracts them, painted with a tinge of romanticism and deep love.

౨ৎ rahu conjunct venus

honestly, women with this placement can get so lost in a world of beauty, indulgence, love and romantic relationships. they most likely have great karma in life that propels them toward learning all of the struggles that come with beauty and love. although how negative this seems, they are undeniably attractive and intensely magnetic women.

౨ৎ saturn conjunct venus

these women are the types who are able to truly let go of unrealistic expectations in love. they are able to love truly, through thick and thin, this placement tends to indicate a devotional and long term orientated lover. another note is that these women can struggle immensely with insecurity in relation to their beauty, it can be very helpful for them to remain devoted to their own beauty. despite the struggle this placement indicates over time their security with their beauty solidities and firms.

౨ৎ ardra, ashlesha, jyeshta and mula

these nakshatras are all considered to embody sharp or dreadful quality. despite the intense struggle these women face, there is a beautiful upside. they are incredibly hypnotising, mystical and deep women.

౨ৎ visakha nakshatra

these women can be have a very intensely ambitious and obsessive streak. particularly when a woman's venus, mars or seventh house lord sits within this nakshatra, they can be highly obsessive and fixated over their partners. despite how intense these women may love, they are very loyal and devoted

[amoscontorta]

Wine time with Sylus | ao3 | other stories in this 'series'

Summary: Sylus invites himself over, helps himself to your first aid kit and your kitchen, manipulates you into tasting wine with him, discusses his latest business venture, and gifts you more than one present before he's good and ready to finally leave.

Notes: Sylus x gn reader, Sylus x mc, second person pov, no use of y/n

This story contains: fluff, banter, angst, mc with obvious self esteem issues, grief, self-destructive behavior, profanity, alcohol use, criminal activity, allusions to violence, sleepy kissing, biting, inappropriate thoughts regarding kitchen tools, the mental gymnastics mc engages in to avoid acknowledging or recognizing feelings on either side should come with their own warning to be honest, one very thirsty mc whose thoughts are NSFW. This part ends with a misunderstanding that you can bet Sylus will not put up with for long.

In the days following Sylus’s latest little… visit, you’re called out more frequently than usual to counter wanderer attacks. You’re barely home, and the few times you stumble home late into the night, you peel your sweat and sometimes blood-stained hunter’s uniform off right in the entryway, promise yourself you’ll do laundry soon, and drag your aching body to the shower. Then you usually spend what little night you have left lying there with your eyes closed, carefully keeping your mind blank as sleep remains elusive. You have to admit to yourself that the few times Sylus kept you company overnight, you slept like the dead, but you refuse to go so far as admitting that you wouldn’t mind if it were more frequent. If you were to admit it to yourself, which you will not,  you only yearn for it strictly for the sake of your sleep schedule, and absolutely not because you’ve come to crave his warm, comforting bulk against your body.

Tonight is no different, but you’re both looking forward to and dreading the next few days, as Captain Jenna has ordered you to take some time off to rest and recover from the brutal schedule you’ve been keeping for months now, capped off by the recent spate of increased attacks. All of your wheedling to let you keep going, that you’re fine, that the people of Linkon need you, that you need the constant distraction, has proven useless. Apparently the frequency with which you are getting injured remains acceptable, but she is finally at the end of her patience reading your barely coherent, misspelled reports with unfinished sentences that you only manage to submit before Association mandated deadlines by the skin of your teeth.

“Go home, get your head on straight, and come back rested … and literate again, please.” She looks back down at the tablet on her desk, trying to dismiss you, but you stubbornly remain at attention at her desk.

“That’s discrimination, Captain. I can be a perfectly functional hunter without being able to read or write,” you protest, while Xavier winces behind you. “I mean, obviously I can read and write, I’m just a little tired, that’s all. Still able to destroy wanderers!”

Jenna’s already formidable expression begins to darken, but you’re not cowed. You open your mouth to helpfully point out that wanderers don’t care about how well you can spell, when you feel Xavier’s gentle hand on your arm. “Come on, why don’t we go together to get some snacks on the way home? I think they’ve started re-issuing that wasabi flavored chocolate bar we tried at the beginning of the year,” he says softly, and Jenna shoots him an appreciative look before proceeding to ignore you both.

You glumly follow Xavier out into the early evening. Rush hour is over, but the sidewalks are still bustling with life. You weave through the mass of humanity, resisting the urge to drop-kick anyone who cuts you off or brushes against you accidentally. I am a role model for the Hunter’s Association, even when I’m off the clock, I am not allowed to arrest someone for bumping into me…. I am not allowed to arrest someone for…

Xavier tries to distract you from your obvious frustration by describing the plot of the latest manga series he’s reading that he thinks you’ll like as you two make your way  home. You listen absently, feeling slightly calmed by his soothing voice, despite its graphic descriptions of violence in the manga that you are pretty sure you’re going to really like.

“Are there any hot guys in it?” you ask as the mass of people begins to thin the closer you get to your building.

“Hot… guys?” he blinks in confusion, his impossibly blue eyes flashing in the streetlamps that have just turned on.

“Yeah. Like that other one we read, Help, I, a lowly office worker, went to sleep and woke up as the Queen’s assassin in the book I fell asleep reading. The main guy in that was super hot.”

“Well, it is by the same mangaka, so you’d probably like the way they draw the main character in this one too,” he says uncertainly, but with a strange expression on his face, like he suddenly doesn’t want you to read it with him anymore.

“Okay, I’ll give it a try. Have you finished the first volume yet? Can I borrow it?”

You’ve reached your building, the trees surrounding the courtyard rustling in the soft end-of-summer breeze.

“…Great,” he says after a brief hesitation. He holds open one of the entrance's doors for you to enter the your building’s foyer. Your boots and his echo on the polished floor as you make your way into the lift. “I’ll be finished by tomorrow. How about we go the bookstore and afterwards you can come over and read since we have the day off? You can start volume one, and I’ll start volume 2. Does that sound good? We can make fancy ramen,” he says, his normally sleepy energy spiking with the idea of adding a boiled egg and some frozen vegetables to the normally plain ramen the two of you consume more often than not while on the go. Xavier’s idea of fancy has always been adorable to you.

The idea of not just sitting in your apartment alone on the first day of your forced leave is a welcome one, and you agree that he can come find you when he’s woken up, so that you don’t risk waking him up. He likes this plan, because obviously, you’re hardly sleeping at all, and he sleeps longer than you ever would have imagined possible for humans until you met him. As the elevator approaches your floor and the doors slide open, you’re about to step out when Xavier’s soft voice behind you has you turning to look back at his pretty face.

“It’s going to be okay,” he murmurs, eyes searching yours. “I know you feel like you’ve lost everything right now, and that the pain seems unbearable.”

You quickly turn your head—you were not expecting this sneak attack of sympathy and kindness from him. You nod jerkily, trying not to let his warmth sink into you, or else you might start crying.

“It sounds cliché, but with time, even this pain will fade. And you have so much time ahead of you. I can promise you that. One day you’ll wake up, and it will be slightly less unbearable. That doesn’t mean you forget about what you’ve lost. But you can think of it without… without feeling like you’re destroyed again, every time.” He’s looking at you, but you also have the feeling that he’s looking at something else, from a great distance. Knowing how secretive he is, it’s unlikely you’ll ever know what it is he’s seeing.

You nod again, and whatever he sees in you profile seems to satisfy him as he offers you a soft ‘Goodnight,’ and you scurry from the lift to your front door. You tuck away his words, and push them down deep. You know they’re well intended. But you can’t handle crying right now. Not yet. Not yet. So you focus on possible plans for the days stretching ahead of you.

There is a part of you that’s looking forward to possibly being able to rest, it’s true. But the stretch of empty days, without work and battle and the social interaction of colleagues, had been filling you with anxiety before your plans with Xavier were made. But even after tomorrow, you’ll try to make the best of it. You can… try to remember what hobbies you had, before your life blew up. Maybe you can take up a new hobby! Within the span of a few days. Yeah, you can teach yourself to crochet,or make stained glass art, in a day, right? Online videos are super helpful. Maybe you’ll even deep clean your apartment, and go grocery shopping, properly, for the first time in weeks. You’ll buy vegetables that have to be prepped instead of the hottest insta-ramen you can find and slurping packets of applesauce while telling yourself that it counts as fiber, right? You can cook, and bake! You just haven’t in… a really long time. Maybe you’ll bake an entire cake, and then eat the entire cake. Yeah. You have plans, you think to yourself, pressing your fingerprint to the scanner under your flat’s door handle and pushing the door open when it beeps.

As soon as the door closes with a soft whump, you carefully hang up your blades and pistol holsters on your wall-mounted weapon rack, and then you’re furiously undoing the laces on your knee high leather boots, hopping from one foot to the other as you try to kick them off without actually having to sit down and pull them off. You yank off your socks, then shimmy out of your pants, which you also kick off unceremoniously. You’re going to be positive about this little holiday! You’re so close to being comfortable and staying that way for days. You almost rip your buttons in your haste to remove your shirt, and just as you’ve gotten the last one undone, you finally notice the dark, looming figure in the shadows at the end of your foyer.

You’re in your fucking underpants, barefoot, and your weapons are out of reach due to your current strangulation by your own shirt sleeves.

Heart racing, you throw yourself backward against the door, prepared to make a strategic retreat and escape into the building’s hallway to buy yourself some time to free yourself from your shirt, no matter the cost to your pride at being caught out in your underwear, when familiar scarlet-ink tendrils of energy gently wrap themselves around your waist and softly lift you in the air. You find yourself kicking and squirming like a kitten picked up by the scruff of its neck.

“The fuck, Sylus?” you choke out.

“Why are you still struggling, when you can clearly see that it’s me? Cease, you’re going to hurt yourself.”

“Why are you using your evol on me without my consent?” you retort, wriggling some more for good measure simply because he told you to stop.

“To prevent you from giving your neighbors the show of their lives without even charging admission,” he responds languidly, eyes the color of sunlight filtering through a glass of wine drifting from your probably red, sweaty face down your barely clothed body.

“Oh, they don’t get a free show, but you do?” you sneer, continuing to struggle to no effect.

“Look at yourself,” Sylus commands, and turns his head as if bored. You note absently that he’s wearing a ruby stud earring in his ear... the one that matches the earring in your own ear. So you never bothered to take it out. That doesn’t mean anything—you’re just lazy. You refuse to think about it anymore deeply than that, and then notice that Sylus not only looks bored, but also looks almost… offended? You do as he asks, and see that his evol is wrapping itself around your body in such a way that its bright-dark tendrils are covering all of your exposed, sensitive areas like a fluid robe.

“Oh,” is all you can think to say.

“Oh, indeed.” He continues to look away from you, aggressively bored, but his evol gently lowers you enough so that your bare feet rest on the ground, and then it loosens, but remains swirling around you.

“Then I’ll… just go get dressed.” You begin making your past him, but stop when you see him nonchalantly hold up a large, elegant shopping bag. It’s black, with some brand name you don’t recognize written in flowy silver script. “What is this?” You look from the bag to his face. He deigns to look at you again. Your eyes drift to his other ear, and you see that where it is pierced is empty.

“Wardrobe options,” is all he says, jerking you out of trying to puzzle out this opaque maniac’s intentions. You take the bag from him and quickly walk to your bathroom. No way you’re going to put on new clothes while feeling filthy from a long day and night of annihilating wanderers. His evol dissipates the moment your bathroom door shuts behind you.

It’s becoming a pattern. Thinking the worst of him, only to be proven wrong. But you don’t know how to overcome the cognitive dissonance of Sylus from your first meeting, and this Sylus who seems intent on taking care of you better than you take care of yourself.

You rinse off as quickly as you can in the shower, towel yourself dry, and take a peek in the bag that he gave you. The first thing you see is a black…? You lift it out of the bag, and it unfolds into a very large sweater. It’s thick, the fabric obviously of high quality. You touch it gently, running your hands along a sleeve—is it cashmere? It’s unbelievably soft. It’s probably a nightmare to wash. On impulse, you lift it to your nose, and take a deep breath.

Your suspicion is confirmed. It smells like him. This isn’t a brand new piece of clothing. This is one of Sylus’s own sweaters that he has worn before. The scent of his clean skin, the sharp tang of gunmetal, the bright burst of citrus, probably from some ridiculously expensive shampoo or body wash. The mix sends a thrill through your entire body: after only a few encounters, you already have bone-deep associations with the way Sylus smells. Fear and adrenaline, yes, but also anticipation—and bizarrely, safety. Instead of feeling terrified, you feel the way you would before riding a roller coaster. Yes, you’ll be screaming and holding on for dear life the whole ride, but you are also inexplicably convinced that in the end, you’ll have your feet firmly planted on the ground, safe again. A part of you whispers that it’s safer to avoid the roller coaster altogether—bolts come loose, wheels pull free from the track, tragic accidents happen all the time. But standing here in your humid bathroom, bone-weary from the day behind you, sniffing Sylus’s unwashed sweater makes you feel more alive than you’ve felt in a very long time.

You pull his sweater over your head, and you’re basically swimming it, it’s so big. The collar is big enough that it threatens to fall off one shoulder. But it’s so soft. And cozy. You hug yourself, and peek into the bag again. There are a few more sweaters, each dark with varying degrees of dramatic flair. This is part of Sylus’s wardrobe, after all. But there are also little sleep shorts, like the ones you were wearing the last time he invaded your home. You pick up a pair—no way would they fit on his big ass. You try, so, so, so very hard not to picture his thick cake stuffed into these tiny shorts.

You fail.

Your brain short circuits for a few seconds.

When it comes back online, you lift out a pair, and the fabric glides silkily along your skin. You’re pretty sure these are silk. They’re black, because of course, but they also have little red … happy pomegranates? Dotted along the hems. They’re adorable. You pull them on over your own bare ass and the sweater-shorts combo is probably the softest thing you’ve ever had on your body. The sweater swallows the shorts and makes it look like you’re wandering around without bottoms on.

You look at yourself in the mirror, silently telling yourself that you shouldn’t get on this particular ride. You don’t know where the track leads, and it scares you. What if it ends over a cliff, and the last thing you ever see is Sylus’s triumphant, cruel face looking down at you as you fall? There are other, less risky rides, certainly ones without wanted posters, right? Right? On second thought, you don’t even have to go the amusement park at all. You’re just fine with trying to get some fucking sleep, with continuing to hone your combat skills, with just trying to be a good person despite really liking knives and being an enthusiastic hunter.

But maybe you can just. Be friends with the roller coaster? Like, you don’t have to ride him. IT. THE ROLLER COASTER. YOU DO NOT HAVE TO RIDE THE ROLLER COASTER. You can just, watch it from a safe distance. You might indulge in little fantasies about what it’s like to ride… the roller coaster. And honestly, fantasies are almost always a hell of a lot better than the reality ever turns out to be. Not to mention! Sylus has never directly expressed any desire to ride … your roller coaster. Sure, he shows up unannounced and cares for you in ways that no one ever has, and he touches you a lot for someone who has no physical interest in you, but physical isn’t necessarily sexual, right? Maybe it’s an evol thing, and the way he touches you has to do with why you both find yourself inexplicably connected for periods of time. Like charging a battery. The point is! There will be no tickets to either ride, thank you, you aren’t open for business and he definitely does not have the proper safety inspection certificates in order, so. No.

You nod firmly to yourself in the mirror. This should be fine. You can be friends with Sylus. You don’t have to let him drag you over a cliff. Maybe you can learn a thing or two from him—he seems to be pretty competent at a lot of things that might be useful for certain aspects of your job. Like intimidating people. And exploding people with a thought and twitch of his fingers. And convincing them to do things they don’t want to do by sheer force of obnoxiousness.

Having sufficiently deluded yourself into believing that your plan of action has a chance of success, you slip out of the bathroom and find Sylus in the kitchen, next to a pretty wine glass that you certainly do not recall owning on the kitchen island.

He’s slicing strawberries with a very sharp knife that you do recall owning, because you do spend quite a lot of time sharpening the set it belongs to. They’re not kitchen knives, per se; you actually have them for work and they are really nice to throw. You already had so many knives before you moved into this place that you didn’t see the necessity of spending more money on probably inferior kitchen knives. But the large, really nice butcher block-style cutting board that he’s chopping the fruit on is not yours. And neither are the delicately arranged variety of cheeses, thinly sliced meat, and savory tarts set in puff pastry that fill up most of the cutting board. And lastly, you do not recall purchasing two bottles of what look like red wine sitting next to the wine glass, nor cleaning your kitchen so thoroughly that Zayne could probably perform surgery in here without worrying about risk of infection.

Despite your presence standing at the island before him now, he continues to serenely slice the ever-growing pile of fruit.

“Sylus?”

“Have a seat,” he says, not looking up.

“Oh, why thank you for offering such hospitality to me, in my own home,” you mutter, pulling out one of the wooden bar stools at the kitchen island. You’re about to sit down when you realize that the repetitive chop of the knife has stopped, and you look up to find Sylus frozen with the knife mid-slice in a fat strawberry. His eyes drift from your neck and exposed shoulder, down the soft expanse of sweater, to your bare legs, and then back again. You’re suddenly self-conscious—he’s the one who gave you these clothes. And now he’s staring at you like a wanderer is about to burst out of your chest.

“Did I misunderstand the assignment or something?” you ask, plopping down on the bar stool in the hopes of breaking him out of whatever weird trance he’s apparently glitching in. He swallows, flicks a final look at your shoulder, and then goes back to slicing.

“I’m simply shocked that you actually did as you were told, for once,” he responds, seemingly unruffled again. “You should also put one of the sweaters in your go bag as a backup in the event that your uniform gets destroyed, again, which it does at an alarming rate these days. The Association’s overheads for keeping you clothed must be in the stratosphere.”

“Mm, yes I’m sure you’re very concerned about the costs of doing business for the Association.” You rest your head in your hand, propped up by your elbow on the counter. The two of you sit in companionable silence for a while, with only the snick of the knife filling the space between you. The lights underneath your cabinets are on, emitting a soft warm glow from below, but you notice that he hasn’t put on the harsher, brighter overhead lights. The city’s skyline blinks serenely like an endless fleet of starships in the dark expanse of space through your windows, and a cool breeze wafts in from time to time.

Finally, Sylus is done, and he carefully rinses the knife in the sink and sets it on the counter. He turns back to you.

“No interrogation regarding why I’m here this time?” he asks, crossing his arms over his chest. He’s wearing a light sweater in a deep grey, of a style quite similar to the one you’re now wearing. He looks domestic, and delicious, and you tell yourself sternly that he is friend shaped, you will not ride the Sylus roller coaster, you will not ride the Sylus roller coaster—

You have to say something. “Oh, are you missing my very effective questioning techniques? Sadly, I left my handcuffs at the office,” you lift your shoulders in a what can you do? gesture, and his eyes follow your bare shoulder again.

“Handcuffs aren’t the only means of restraint available to a truly resourceful hunter,” he says, shaking his head as if disappointed.  “Your lack of imagination is boring.”

“Okay, Sylus. But only because you’re basically begging for it: why are you here?”  You lift a puff pastry and brandish it at him like a knife. “Answer honestly, or you’ll really get it this time!” You take a big, aggressive bite as if to illustrate what he’s got coming to him in case of his non-compliance, and then moan because what the fuck, this is so good, is it goat cheese and honey? And suddenly you’re devouring it, licking your fingers clean when you’re done because you can’t get enough.

“This definitely counts as an enhanced interrogation technique.” His voice is low, and has a rough quality to it that normally isn’t there. You glance up from slobbering all over your fingers and find that he’s staring at you in what is probably disgust.

“Ha, yes, and I’ll keep subjecting you to it until you tell me what you’re doing in my home, again. And how did you even get in? I never got you a key.” You finish licking yourself like an animal and reach for a strawberry. If he’s going to play chef in your kitchen, who are you to refuse to enjoy the literal fruits of his labor? You just live here and pay the damn rent.

He holds up the index finger of his right hand, which is sporting a band-aid that you recognize as one of the same kind you have in your first-aid kit. They’re super cute, with a design of sad little cartoon mushrooms. “I was at my accountant’s, which happens to be in this neighborhood, and I got a paper cut while signing some documents.”

You pause before biting into the berry. “You… came to my flat. With extra clothing, wine, wine glasses, and various appetizers, in order to get a band-aid for your paper cut. Is this a correct summary of events?” You decide you’re not going to wait for him to answer, and take a big bite of the strawberry, feeling some juice drip down your chin. You catch it with your index finger, and then suck the juice off after you’re done chewing.

There is a long pause, and you look up to find him staring intently at your finger. You widen your eyes and wave your hand in the universal gesture of hurry the fuck up, get on with it already? He closes his eyes for a moment and breathes deeply. Apparently you’re so horrifying to witness eating that he needs to seek some zen before he can answer. It’s not your fault that he brought you half of his wardrobe and wine glasses but didn’t think to bring any napkins. “Yes, that is a correct summary of events,” is all he offers.

You look at him.

He looks back at you, occasionally flicking his gaze down to your mouth and back to your eyes. You consider baring your teeth at him just in case he wants an eyeful of the strawberry undoubtedly stuck in them, but refrain because you’re polite.

“Okay. Do you care to explain the motivation behind these events?” you ask slowly, thinking that maybe you will brandish a real knife at him to hurry up this so-called interrogation so you can straight up devour the rest of this charcuterie board that this wanted criminal has inexplicably prepared in your kitchen.

Fortunately, you don’t have to go for the knife, because he begins to speak. “There was a wine merchant that looked rather appealing on the way to your place. Since you revealed a deplorable lack of discernment when it comes to selecting a good bottle of wine the last time you hosted me, I thought I’d do my civic duty for the week and educate the less fortunate on how to choose, and enjoy, a decent bottle of wine.”

“I see.” You nod slowly. “That’s very civic-minded of you. You’re truly a model citizen. And the food?”

“It’s not wise to have a wine tasting without something to eat. Otherwise, you might find yourself making questionable decisions. We wouldn’t want that, would we, sweetie?” he seems to have recovered from his nausea at watching you wolf down food, because he says this with a playful lift of a silver eyebrow.

“Because letting a man whose baggage includes a wanted poster into my home whenever he wants could hardly be considered a good decision, and I made that one while sober,” you sigh. “I see your point.”

“Exactly. Just imagine what kind of trouble you could get into after a bottle of wine on an empty stomach?” He tilts his head to the side, and runs a middle finger slowly over his brow.

You shudder, because his big hands. You can’t pursue this line of thought.

“And the clothes?”

“Now you won’t need to borrow your partner’s clothes in case of an emergency. And I’ll have something to wear at my safe house in case you decide to assault me with beverages again.”

“That was one time. And if you don’t show up, then there’s no chance you’ll be assaulted. Therefore, no need for a change of clothes. And, pardon me, but your safe house? I think you meant, my flat. But what you’re telling me is that the whole reason you were coming to my flat in the first place was to put a band-aid on your boo-boo.”

He lowers his hand and begins running his thumb along his lower lip. “Even a small cut can turn life-threatening if not treated properly. And I wouldn’t want a scar, now would I? It’s not much of a safe house if I can’t make use of it when in danger of lasting bodily harm.”

“Mmm yes, what with your evol that renders scarring impossible for you, we wouldn’t want your paper cut to cause you lasting bodily harm. And you couldn’t acquire a band-aid at a pharmacy, perhaps like at the one next to the wine merchant I’m pretty sure you’re referring to?” You refuse to look at his big thumb pressing into his thick, soft-looking lower lip. You stare up at the ceiling, and consider cataloguing wanderers in your head to stem the sudden urge to vault over the island counter separating him from you and pulling that damn thumb into your own mouth.

“They didn’t have a box containing such cute little designs. I never knew I wanted anthropomorphized fungus to decorate a bandage intended to protect an open wound until I saw your own box.”

It takes you a second to remember what the hell the two of your were discussing when you realize he’s talking about your adorable little mushroom band-aids.

“A wine snob, and a band-aid snob.”

“I prefer the term cultured, but yes, I’ve told you before. Life is too short to waste on the inferior. Your sad little champignons surpass all others.”

He’s done it again. He has hardly even moved this entire time, and has managed to exhaust you to the point of blissful indifference. He shows up unannounced, rifles through your first aid kit, decides what you’re going to wear both this evening and in the future when you need a spare change of clothes, and has prepared an hors d’oeuvre spread worthy of at least a mid-ranged restaurant for you to eat while offering you a wine tasting? Fine. “Okay,” you say, reaching for another one of those puff pastries.

He watches you steadily for a few moments, as if trying to sense a trap. “That’s it?”

You shrug. “Sure. I told you that you could use my house if you needed it. I’ve just learned my lesson: next time I’ll be very careful in drafting the conditions of any deal we make, since your interpretation of certain terms appears to vary wildly from any reasonable person’s.”

“I think I’m quite reasonable,” he examines his nails. “I come bearing gifts, and this is how you show your gratitude? By insinuating that I'm unreasonable?”

Another thought occurs to you. “How did you even get in, Sylus?”

“Ah,” he says, squinting and looking out the window, as if contemplating a very deep philosophical question. “While you were sleeping last time… I took the liberty of adding my fingerprint to your door’s fingerprint scanner.”

What. The. Fuck. “What. The. Fuck.”

“Again, it’s not much of a safe house if I can’t access it without your presence. I didn’t think you’d mind. It’s not like I can’t just use my evol to teleport into your place anyway, but I thought you’d appreciate me coming through the front door. Fewer feathers. You didn’t seem to like cleaning those up the last time I teleported out of your place.”

You just stare at him. How would he even know that you cursed him, loudly, as you were mopping up the mess of blood and feathers he generously left in your entryway after being shot? And then it comes to you. Mephisto. Of course. You pinch the bridge of your nose, and visualize violently shaking that bird until his circuits are rewired.

Sylus continues, ignoring your mounting rage. “Come to think of it, we should probably upgrade your locks, kitten. It was laughably easy to override the system and add my print as authorized for entry.”

Forget riding the Sylus coaster—you think that maybe he isn’t even friend shaped after all. He might just have slid right back to enemy shaped. Frenemy shaped? Where does a frenemy lie on the spectrum of “fuck his brains out” to “polite, but distant acquaintances?” But then you remember that it’s not a linear spectrum, and fucking his brains out is not mutually exclusively to being mortal enemies. You’ve read enough enemies-to-lovers romances to know that perfectly well, so even if he is enemy shaped… you shudder. Why are you like this? You redirect your self-disgust and deflect, like a true emotionally well-adjusted adult:

“Why can’t you be normal? Like, do you do anything like a normal person?”

“Why would I pretend to be normal when I’m so obviously extraordinary?” he scoffs, looking at you like you’re the unhinged one in this little situationship.

 “Sylus.”

“Yes, my heart’s delight?”

You stare at him, and he gazes back at you, leaning leisurely back against your counter, arms folded and long fingers slowly tapping out a rhythm on one bulky bicep. You know that if you remove his authorization on your locks that he will just teleport himself right into your place, and you’ll be endlessly cleaning up feathers. And you also really don’t want your neighbors to wonder who the hell the creep is loitering around your door at all hours of the night and then start asking questions if he actually honors your request not to simply appear in your place on a whim. You did previously offer him a key. Which he declined. Apparently because he was already planning this. You run your hand along the back of your neck in an effort to relieve some tension. “You can’t just let yourself into my place anytime you want. There need to be rules.”

“Fair enough. Provided that they’re not moronic, I can follow your rules.”

“And who decides whether they’re moronic or not?” you ask, knowing the answer.

He just smiles at you, radiating satisfaction.

“Okay. Rule number one—” you begin, only to be interrupted as he lifts a finger.

“I’ll follow your rules, if you promise to taste the wine I brought with me tonight.”

Even though you had already resigned yourself to whatever he had in store for you tonight, you can’t help arguing at this little added condition. “No, the deal is, you can use my flat, with your fingerprint, when you need it, if you follow the rules,” you huff.

He starts shaking his head. “I’m afraid not, kitten. You should have set rules at the beginning of our deal. You can’t just impose new conditions halfway through. A deal’s a deal. I suggest keeping that in mind the next time you have to deal with anyone else less… generous, than myself,” he intones, as if you’re a somewhat lacking student in need of instruction.

“So you’ll follow the rules if I promise to… taste wine tonight?” you ask, hoping that you can catch him out on a technicality and beat him at his own game. He considers for a moment, but must see something in your expression, because his eyes narrow and his smile widens to reveal his sharp canines.

“I’ll follow your reasonable, and not moronic, rules if you promise to taste the wine I brought tonight, with me,” he says.

You need to work on your poker face. You need to get Sylus to teach you how to improve it. Ugh.

“Fine.” If this means more food can happen soon, and honestly, yeah, a glass of wine, you’ll accept anything at this point.

He straightens from the counter and claps his hands once, looking more eager than you think you’ve ever seen him. “Excellent, let’s begin.”

“You didn’t even wait to hear what the rules are,” you protest, watching him fish out a wine corkscrew from his trouser pocket. It looks heavy, with a handsome wooden handle, and the stainless steel flashes under the soft lights.

“Send them in a text, I’ll redline them and return them to you, you can counter, and so on and so forth until we have an agreement. Like any proper contract negotiation. For now, it’s wine time.”

And with that, he sets to work opening the wine, humming a little tune so off-key that you have no idea what melody it’s supposed to be. It occurs to you that you’ve never used a corkscrew as a weapon, but as Sylus uses the small blade to slice through the foil covering the neck of the bottle, and then unfolds the lethal-looking twisted screw and begins expertly driving it into the cork, you realize that it could come in really handy in a fight. And there’s something else that’s really appealing to you—the combination of the contained savagery of the corkscrew, the assured movements of Sylus’s hands, the penetration of the cork—you feel a warmth spreading through you that has nothing to do with the sweater you’re wearing.

“See something you like, kitten?” Sylus’s smoky voice drifts into your thoughts, and you look up, realizing you’ve been unabashedly staring at his beautiful hands, again, and the corkscrew, with undivided focus for the past few moments, and he has noticed.

You clear your throat, and then gesture weakly at the corkscrew. “That’s uh, a very nice looking wine opener.” You nod to emphasize your very normal approval of this very normal household item, because you are not thinking any thoughts about Sylus’s huge hands or screwing or penetration. None.

“Good eye. I’m rather fond of this model. I’ll have one delivered to you,” he says as he firmly pulls the cork from the bottle with a soft pop. He sets it on the counter, and picks up the other bottle.

“Oh, that’s not necessary. I’m sure it didn’t escape your notice that the kind of wine I drink tends to come with a screw cap instead of a cork,” you decline, shaking your head. You can buy your own damn self a corkscrew for tucking into your pocket if you ever find yourself at a wine bar that doesn’t allow patrons to be armed, but you anticipate needing some kind of weapon.

“Refuse me all you want,” he murmurs, and you feel like there’s an implied part of that sentence that he’s just not saying out loud. But then he’s repeating the opening process with the second bottle, and you suddenly find the night view outside your window immensely fascinating, because whatever is continuing to happen in front of you is just. Boring. Utterly sleep-inducing. You can’t look or else you might just pass out from the tedium of it before you even get to taste the wine. And a deal’s a deal, as Sylus is fond of repeating ad nauseum.

After hearing the soft pop of the other bottle, you sigh and turn back to find Sylus holding the wine glass and pouring the first bottle’s wine along the inside of the glass until it reaches the widest part of the bowl. For the first time, you notice that there’s only one glass on the counter. But before you can comment, Sylus begins to lecture.

“Now, if this were an ideal tasting, I’d have brought a decanter to let the wine breathe properly for an appropriate period of time before pouring. We'd also be using a container for spitting each mouthful out in between tastes, to avoid the intoxication and poor decisions I mentioned earlier and interfering with our judge of taste. But since we only have two bottles to try, and it’s just you and me here, I took the gamble that you wouldn’t mind if we were a little less formal.”  

You wait to see if he has any other fun facts to share, but he’s looking at you to confirm that indeed, you can live with not waiting even longer to taste this wine that better have gold leaf flakes in it or something to justify this amount of ceremony and can also live with not… spitting out said wonder wine after tasting it.

But you recognize that Sylus appears to be truly passionate about this, and he’s looking at you so earnestly—you do not have the heart to meet his sincerity with sarcasm, when he's so sweetly trying to teach you something new.

“Your gamble paid off. I don’t mind at all,”  you say, meaning it. He perks up and gives you one of his almost smiles, with just the corners of his generous mouth lifted. He then proceeds to explain, in great detail, what type of wine this is, where the grapes for it are grown, its signature characteristics, what year it was bottled, and how it was received by the international wine community. It’s all actually quite interesting, except once again, right now you’re at the end of a long day, you’ve run the gauntlet of interacting with this unpredictable force of nature walking around in the body of an extremely attractive man, and you feel like you should be taking notes to actually retain any of this information.

After he seems to have informed you to his satisfaction and is looking at you expectantly, you nod. “That is… very fascinating. So how do we go about actually tasting it?” You might be an uncultured heathen, but even before Sylus’s lecture, you knew there are rules when it comes to tasting wine. You just always had other things you needed to learn first, like the weakest spots on a wanderer or human body. Or the best method of sharpening knives for the sharpest edge. Or how to clean guns to prevent jamming. How to affix a scope on a sniper rifle and measure the effect of wind speed and direction on a bullet’s trajectory. Or whether you should use baking soda or baking powder as leavener when baking certain kinds of cake. You have priorities. But tonight, it seems, is the night for you to learn about wine.

Before he answers, he moves around the kitchen island to where you’re still seated on the bar stool and leans down, gently spinning your stool so that you’re facing him instead of the counter. He then pushes the one next to you closer and seats himself. Even sitting, you have to look up into his face. You suddenly realize that the way he has positioned the stools puts him so close to you that his long legs don’t have anywhere to go—he just spreads them so that one is stretched out on one side of you, and the other is between your own, his knee incredibly close to your lap. If you shift forward even a little, you could grind on him.

Why is he doing this to you? What does he want? But then it occurs to you that Sylus has never seemed to either recognize or respect boundaries like a normal person—maybe this is just how he interacts with his friends. Constant, small touches, no sense of personal space. You wonder if he and the twins huddle together on the couch, sharing a blanket, while watching something on television.

So maybe you’re the freak, imagining riding this poor guy’s meaty thigh when he’s only just trying to share his appreciation of a sophisticated beverage with you. You close your eyes. It doesn’t matter whether he’s playing this little game on purpose or not. You refuse to let him see how much his proximity is affecting you, because then he wins. You don’t know what he wins exactly, but you will beat him before you let him have it. You try to think about his big hand choking you, but instead of having the intended effect of reminding you why you should never even consider buying tickets to the safety hazard now wedged between your thighs, it has … unforeseen consequences instead. What has this man done to you?!

You open your eyes, reach across the counter and grab a handful of carefully cut pieces of cheese, and then promptly stuff them all into your mouth at once. When in crisis, cheese is always a good solution. Except for maybe the blue cheese you accidentally mixed in with the Manchego or whatever-the-fancy-fuck he brought with him. Aaaand now you’re going to smell like blue cheese for the rest of the night.

You stare at him defiantly as you chew with puffed cheeks, and brace yourself for whatever is coming next. He side eyes you, face impassive.

You’re expecting some biting comment, but “Well, that’s one way to make sure you’ve eaten enough to absorb the alcohol,” is all he says. He slowly slides the glass with two fingers along the base across the counter until it’s sitting between the two of you. “Whenever you manage to finish inhaling all that dairy, we’ll be sure that we’ve given the wine enough time to breathe.” He pauses. “It occurs to me now that while I was preparing the food, I didn’t think to ask if you’re lactose intolerant.”

You deliberately chew as slowly as you can, making him wait as a punishment for making you feel things that you should not be feeling. When you’ve swallowed, you shake your head. “Fortunately, not one of my many flaws.”

“It’s not a flaw.” He shrugs. “How can anything you can’t control about your body be a flaw? And Luke and Kieran are lactose intolerant, so I always have lactase enzyme tablets on me to avoid… unwanted consequences when they decide to have a cheese tasting contest.”

You cock your head. “A what now?”

 He rubs his middle finger between his eyebrows. “Yeah, they can’t help themselves from making a competition out of every single human activity, so on the nights the chef prepares a cheese board with dinner, they try to outmatch each other regarding who can identify the most flavors of cheeses without cheating by asking the chef or querying Mephisto or searching online. Or asking me, because I’m undefeated.”

You stare at him, and think if there’s ever any universe in which you voluntarily return to the base where Sylus kept you captive for days and touched you like he owned you, hand violently clasped in his, where you were terrified for your life, exhausted and confused… and if you ever have a friendly enough relationship with the chaos twins, you’re going to practice your ass off so that if you’re ever invited to such a competition, you can wipe the floor with them. Their cheese-off sounds fun.

Your train of thought is derailed as it registers how smug the last thing he said was. “You’re undefeated,” you repeat, giving him a chance to redeem himself. “At identifying cheeses by taste.”

“And smell, yes. So I’m not allowed to play anymore. My palate is too refined, and they know they don’t stand a chance.”

Oh, you’re definitely going to start sampling cheese every week. You cannot let this smugness stand.

“Ah yes, his royal snobness and his impeachable palate,” you roll your eyes. “Now, will his grace the Duke of Gouda please get on with the wine instruction?” You would give him a little mock bow, but that would put your face right in his formidable cleavage and you wouldn’t be able to stop yourself from motorboating his unfairly huge pecs. Ugh.

He snorts. “Finally, you’re showing me some long-overdue respect.”

You nod gravely, thankful that the aether core in his eye is not currently delving the depths of your depravity. It’s time to focus. On wine.

“So why do you have to let wine breathe before drinking it?” you ask, because you’re focused.

He looks pleased that you’re interested enough to ask a question. “Much like people, it’s good to expose a greater surface area of the wine to fresh air for a while—it allows undesirable scents and flavors to dissipate, so that it tastes better when you do take a sip than if you drink it straight after opening.”

“Well aren’t you wise, philosophizing about wine and people,” you smile. You find yourself being surprised again and again tonight—at his presence, his bearing gifts, his surprisingly sweet attempt to teach you something, his kind takes on lactose intolerance and what people need to be healthy.

“Did you think I only consist of feathers and spite?” He lifts the wine glass by the stem with one hand, and your hand in his other. He gently wraps your fingers around his own.

“Let’s not forget hubris and violence.” You watch as he gently swirls the wine in the glass held between you. His hand is so warm compared to your own.

“If that’s all, then you still have a lot to learn about me,” he murmurs, but he doesn’t seem offended. Almost as if he’s simply determined. To do what, you’re not sure. “I’d tell you that you should always hold a wine glass by the stem so that the heat from your hand doesn’t affect the temperature of the wine through the glass itself. But your hands are so cold—I don’t think that would be a problem for you. But if you want people to think you’re a connoisseur, you should anyway if you’re ever on an undercover mission. Now, before you take a sip, inhale the scent we’ve just released by swirling the wine.”

You do as you’re told, and lean over, hovering just over the edge of the glass and taking a deep breath. The scent of the wine, warm and deep, fills your senses.

You look up at him and smile again. “It smells really good.”

“Of course,” he lifts the bottom of the glass with his free hand so that you can straighten, and guides your other hand to support the glass while slipping his own from around the stem and allowing you to hold it by yourself. Your hand immediately feels cold again. He leans one elbow on the counter, “I chose it for you. I’m not going to let you drink plonk.”

“Plonk?” What a cute word.

“Shit wine.”

“Mmm, not allowing me to drink shit wine, you’re truly a knight in shining armor.”

“I don’t need armor, kitten. Now that you’ve established that the wine hasn’t gone off by smelling it, you can take a sip.”

You’re about to lift the glass to your lips, when he reaches up and runs his fingertips along your wrist to stop you. “As you do, don’t swallow immediately. Roll the wine with your tongue in your mouth, and try to really think about what flavors you can taste: can you detect the oak from the barrels, earth, tannin, fruit or spices? Is it sweet or dry?”

You nod, mouth suddenly dry. But you follow his instructions and take a slow sip, rolling the rich liquid around in your mouth, and then slowly swallow. A familiar warmth spreads from your stomach, radiating out through your body. His blood bright eyes follow the movement of your lips, your throat. “I taste… fruit.” You pause, trying to appear very serious about finding the perfect description of flavor. You take another sip, close your eyes. “Yes, very fruity notes. Grapes, in particular.”

You open your eyes to find him scowling at you.

“Aren’t you the comedian?” he growls. “I’m going to revoke your wine privileges if you don’t take this seriously. How are you going to feel confident if you ever need this knowledge on a mission? Or on a date?”

You just laugh at him and try to turn a little on the stool, lifting your arm to keep the glass out of his reach, but his knee between your legs prevents you from moving, and he easily leans forward, fingers drifting up the length of your arm to then wrap around your own hand on the stem. He carefully pulls it back between the two of you. Your hand feels warm again. Safely wrapped in his.

“That’s the second time you’ve mentioned my needing to know how to pass as a wine snob on a mission. What kind of missions do you think I’m regularly going on?” You gently lift the glass again, pulling his hand with you, and take another sip. It really does taste so good. You can’t tell if it’s wildly different than the wine you normally get, but you know it doesn’t taste like it’ll leave you with a headache in the morning.

He shrugs. “If we didn’t have to bring the place down when we were at the auction, people would have been watching you at the dinner banquet. What would you have done if people started to notice that you were clutching the wine and swigging it like a drunken toddler and started to suspect that your behavior wasn't matching your cover identity?”

You gasp. “Excuse me, you don’t know how I normally drink my wine!” Who does this bastard think he is? And here you were, thinking he was sweet, sincerely trying to share one of his interests with you. “I don’t need you patronizing me regarding how I’d manage at a formal event or on a date! I’ve been on plenty of dates where I was able to drink wine without driving off my partner.” You try to pull away from him, and the wine sloshes dangerously with your movement.

“Sit still,” he commands, holding your hand tight with his and placing one large palm on your bare thigh. You immediately freeze. “I watched you gulp wine from a mug the last time I was here,” he retorts.

“So you think that just because I don’t care what you think, I can’t read the room and act according to the demands of the situation?” The indignation coursing through you is amplified by the wine spreading through you.

“Then is it fair to say that you didn’t feel the need for any pretense between us last time because you’re so comfortable with me, and not because you’re as civilized as a cactus?” he asks, running his thumb gently back and forth along your inner thigh.

Your brain is being scrambled by his thumb, how close he is to you, his clavicle exposed by the V of his sweater’s neckline, the scent of his warm, clean skin, the wine going to your head after a long exhausting day.

“I’m saying I don’t feel the need to impress you in my own home when you show up uninvited and demand beverages and band aids,” you finally manage. You’re warm. Too warm. “And what’s wrong with being a cactus?”

“Did I say there was something wrong with it? Cacti can survive the harshest conditions on earth and still produce the most beautiful flowers. And they hurt when they stab you.” He smiles like the thought pleases him immensely.

You can’t process this. He says shit like this so easily—he can’t possibly mean it in the way you are trying so hard to deny that you want him to mean it. You refuse to be lured in, only to see the cruel lines of his face when he realizes you have pathetic feelings for him. The man who could as easily rip your spine from your ribcage as offer you a glass of wine, if you lose your usefulness to him. A usefulness you still don’t know the nature of.

You’re suddenly viciously aware of how close he is to you, how he is watching your face with an intensity that makes you feel like the use of his aether core is unnecessary: you’re afraid that he can see everything you’re feeling, and you hate it. You need space. “What are we even doing, Sylus?”

His eyes drift from your eyes to your mouth, and you try very hard to steel your expression, to conceal how utterly raw and exposed he’s making you feel. You can’t tell if you’re successful, when he finally lifts his hand from your thigh and runs the back of his knuckles with such softness along your cheek that it makes you ache. You resist the urge to turn your face and nuzzle his palm.

“We’re tasting wine, sweetheart.” He leans back, pulling the glass of wine you’re still holding with him. He inhales deeply, and then takes a sip, eyes glittering over the rim, watching you. “It is a good vintage. But it’s not the only one I brought.” He guides your joined hands to set the glass on the counter, and then gets up, rounding the counter to rummage in a bag on the floor on the other side. When he stands up, he’s holding another wine glass.

You do a double take. “You brought two glasses?”

He looks from you to the glass in his hand, then back to the glass still on the counter, and then lifts his eyebrows. “Is this a trick question?”

“Why haven’t we been drinking about of separate glasses then?” you demand.

He shrugs. “That glass is for that bottle,” he nods to the glass sitting next to you. “This glass is for this bottle.” He gestures at the other, untasted bottle sitting on the counter. “No need to rinse our glasses in between tastes.”

You want to laugh, and cry. You’re so fucking done with thinking for tonight.

“Okay, Sylus. Whatever you say,” you sigh.

“Oh, I quite like the sound of that,” he smiles, one canine peeking over his lip. “Then you’re going to enjoy the sorbet I brought for us as a palate cleanser.”

He proceeds to go to your freezer, scoop out some of the aforementioned sorbet that has apparently been in there all evening into a bowl, and takes the stool next to you again. This time, he situates one long leg on either side of you, caging you in. He takes a spoonful and offers it to you. “This will help rinse your palate so that you can taste the next bottle without any lingering effects of the other.”

You look from his seemingly guileless face to the spoonful of sorbet. Yup, you’re really done thinking for tonight. You lean forward and open your lips. He slips the lemon sorbet into your mouth. His eyes remain on your lips as he pulls the spoon away, dips it back into the sorbet, and brings it to his own mouth.

After he continues to trade spoonfuls with you until the sorbet is gone, he pours the second glass of wine, and you both take turns sipping it in companionable silence.

“Now tell me. Which one is your favorite?” he asks after you’ve finished the second glass, and return to the first to finish it as well.

“I like them both,” you shrug. “Sorry for not having a more sophisticated answer.” You’re feeling drowsy and loose. He can walk off a tall building for all you care if he doesn’t like your answer.

“They’re both excellent wines. Each one is suited for multiple situations or meal combinations. They’re versatile, just like you are. And I don’t require any particular answer, except your honest one. I think you already know that you don’t need to put on an act for me, ever.”

You rest your elbow on the counter, mirroring his position, and rest your head in your hand. “Why would I pretend with you, if you can just force the truth out of me?”

“I will never do that to you.”

You look away. “You’ve already done it to me once before. What else is there to hide, when you’ve seen the ugliest parts of me?”

“I will not do it again. Not unless you ask me to,” he says so solemnly that you’re tempted to be a fool and believe him. “And is that what you think? That what I saw was ugly?”

You sit up, take the glass from him and knock back the rest of the wine in one gulp. You can't do this right now. You can't think about the the violent hunger, the savage thirst, that his eye brought from the depths of your soul when he forced his way into your deepest, darkest desires the night you met. The extent of how much you wanted to kill him, and make it hurt, when you thought he had killed Caleb and your grandmother. How you still feel that hunger and rage, with every wanderer you kill, every time you hope some dealer in modified protocores resists arrest so you can put them down, with prejudice.

“I’m tired, Sylus. Thank you for the lesson. Now I can successfully fool rich assholes at upscale dens of corruption and unsuspecting dates into believing that I’m a sophisticated connoisseur of overpriced beverages, and swindle them all. And I’ll never horrify you again by swigging wine out of a mug like a drunken toddler. You should invoice the Association for your services. In the meantime, I’m going to try to get some sleep.”

“I see. You’re still on guard, and defensive, when you're drunk too. How fascinating.” He narrows his eyes, not seeming to get the hint that you want him to leave now.

“I’m not drunk. I’m maybe tipsy, and I’m fucking tired. I’m going to bed.”

“All right,” he says easily. He stands and begins tidying up the counter.

“All right,” you repeat, feeling a little dizzy, a little empty. “You know where the door is.”

“As you say,” he says serenely, pulling out food storage containers you also didn’t realize you own and packing the food away.

“Thanks again,” you say, because you are polite, dammit. You make your way into the bathroom and begin getting ready for bed. When you emerge, your flat is dark. The kitchen looks pristine in the streetlight drifting in through the windows. You stare for a moment longer, wondering if maybe he’s finally given up on whatever his agenda with you is after your little emotional display tonight, and he’ll stop coming by now. You’re fine with that. Maybe this is what you’ve needed to do all along. Get drunk and sloppy. Guarded, defensive, he called you. What an asshole.

You pad into the bedroom, yawning, pulling up your phone to look at it as you walk. Maybe you should try listening to audiobooks to try to help with the insomnia. Like, boring ones with deep, sexy voiced narrators who can bore you to sleep like Sylus did the other night. You crawl onto the bed, and then—

“The fuck, Sylus?”

He’s sitting in the middle of your bed, sweater off and replaced by… nothing. Just the expanse of his big, creamy chest. And he’s wearing a pair of silky looking loose, black pyjama pants. An impossibly soft looking line of silver hair drifts from his tight navel, disappearing under his waistband. His gold-rimmed glasses are perched on his nose, like last time, and he’s scrolling through something on his tablet. He glances up at you, but then goes back to his… spreadsheets?

“Haven’t we already been through that little routine tonight?” he asks, and yawns. “I’m getting déjà vu.”

“What. Are. You. Doing?” you seethe.

“Going over the financials from the meeting with my accountant today.”

“Why?” You just sit there on your knees, on your bed, gaping at him like an idiot.

“To ensure that my next acquisition is suited to purpose.”

“What?”

His gaze flicks to you, and he pushes the glasses further up his nose. “Well, I made a promise that I wouldn’t change a thing about my latest business venture, so now I need to ensure that the next chain of businesses I acquire can serve one of the functions I had intended for the arcades.”

“What function is that?” you ask, curious now, despite yourself.

“Well, one of two primary functions,” he amends, tapping his temple thoughtfully with a finger.

“Okay,” you say slowly, inviting him to continue.

“Money laundering.”

You shake your head. “Come again?”

“Oh, I’ll be happy to. Thank you for the invitation. I wasn’t sure I’d ever receive one again, what with your heavily implied dismissal earlier.”

“Sylus!”

“Yes, my most precious gem?”

“What do you mean you intended to use the arcades for money laundering?” You want to cry even thinking about it.

“To be fair, after you asked me so sweetly not to change a thing, I immediately agreed. You don’t have to worry about that.”

“But that’s why you wanted to buy them?” How many times can a heart hurt in one night?

“I said that was one of the two primary reasons I wanted those arcades,” he says, reaching out with one hand and softly stroking your knee.

You look down, watching his calloused fingers drifting so sweetly across your skin. How can this man be so cruel and so gentle at the same time?

“What was the other reason, then?”

“Guess.”

“I’m done playing games with you tonight, Sylus.”

“When was I playing a game tonight?”

“Fine, don’t tell me. Just promise again that you won’t change anything about my favorite arcade.”

He sets the tablet on his lap, and reaches over to grasp your hand. He links your pinkie with his, and lifts it to his lips. “I already promised. And I promise again.” He seals the promise with a brush of his lips, and then rests both of your hands on the bed between you.

You don’t know why, and you will probably never know why, but you believe him right now. It’s clear that no matter what you do, he will not be leaving tonight without great violence on your part, and once again, you’re just too tired to fight him anymore. He reads your body like a damn book, because he silently hands you the glass of water that was sitting next to him on the nightstand. "Even if you're not drunk, but only maybe just a little tipsy," he says, doing an awful imitation of your voice. "You should still drink some water so you don't feel terrible in the morning."

Perhaps because of your easy compliance with his reasonable advice by simply taking the water and drinking it, he seems to deem it safe to pull you into his side. You go down, resting your head on his thick shoulder, and let your gaze wander over his tablet.

“So what are you thinking of buying this time?” you ask, yawning.

 He shifts, lifting your head so that he can wrap his arm around you, repositioning you so that you’re tucked a little closer under his chin, cheek resting against his chest. “A chain of casinos.”

“Casinos?” you laugh softly. “That’s on brand, I guess.”

“Mmhmm.” He runs his fingertips absently along your arm, from wrist to elbow and back again. “Lots of money changing hands. Ideal for functioning as a washing machine for the dirty proceeds from the weapons business, which comes out clean in the pockets of lucky winners.”

“You make your living profiting off the worst in people, you know that?” you ask sleepily, the numbers on the screen blurring.

“They’ll continue being terrible, with or without my involvement. I don’t make them take the bet, or pull the trigger. And if I don't, someone else will put the chip or gun in their hands. Might as well be me collecting the paycheck.”

“Maybe, through the power of friendship, I can change your mind,” you murmur. You don’t think you’ll need that audiobook to fall asleep tonight.

“Friendship, huh?” Sylus asks, but when he looks down at you, he sees that you’ve already fallen asleep. He traces the long sweep of your eyelashes across your cheeks with his eyes, feels your measured, calm breath drifting across his skin. He gently touches one finger to the ruby earring you haven’t taken out yet. The thrill of satisfaction he felt when you answered the door still wearing it would sustain him for weeks. He is absolutely certain that it won’t be the power of friendship that’s going to change him.

He pulls you a little closer into his chest, snorts when he feels you begin to drool onto his pec, and continues scrolling through his tablet.

That night, you dream. You’re walking through your childhood home—but not your childhood home from before your memories, because you will never know what that home looked like. This one, the home from your earliest memories, with its wood panelling on the walls, old-fashioned lace curtains in the windows that you can’t see out of, because it’s pitch black beyond the glass. Hallways lengthening at the same pace as you can walk down them, boots echoing on the polished hardwood floor. You walk and walk, and you can never reach the end. Doors that won’t open, but you know Caleb might be behind them, because in your dream logic, his bedroom is behind every door you pass. You turn the handles, but they remain locked. Sometimes you think you can hear the sound of someone biting into an apple, crisp flesh giving way to sharp teeth, but the door won’t open no matter how hard you throw yourself against it. You hear your grandmother speaking, just around every corner, but you can’t understand what she’s saying. You follow the sound, and every time you think that she’s just around the next turn in the hall, the corridor stretches in front of you again, empty.

You have been in this empty house for years now, and you’re afraid that you’ll never be able to get out. But you’re more afraid that once you get out, you’ll never hear them making these particular sounds again, this slim proof of their existence echoing through the empty hallways.

Slowly, you wake up, and in that endless moment caught between your dream and reality, it’s just peaceful and black—you are coming from somewhere so far away toward something you know will hurt, and you’re not ready to feel that yet. But then a feeling of suffocation is overwhelming you, and you open your eyes to realize you’re literally being smothered by a very big, very warm body.

The relief you feel, the gratitude, that Sylus is still here, that you aren’t waking up alone, again, from the nightmare in your sleep to the reality that the nightmare is real, and you’ll never be able to see your family again, is more overwhelming than your current need for oxygen. Sylus is still here, and the yawning emptiness you were carrying with you for what felt like years during that long dream dissipates in the warmth of his body against yours. You can’t help yourself. Your throw your arm that isn’t being crushed by him over his torso and hug him tightly to you, giving in to the urge to nuzzle his chest and just listen to his steady heartbeat.

You lie like that for awhile, blissfully listening to his soft breathing, when suddenly you realize that pressed so close to him, you can feel every contour of his body, from your chest against his abdomen, his muscular, silk-covered thigh wedged between your legs, and his apparently very, very big dick pressing into your hip.

You freeze, feeling like the creep you have accused him several times of being. He’s just sleeping, and you’ve plastered yourself against him like a vacuum sealed burrito. You have absolutely no business being utterly thrilled that this part of him matches the rest of him in terms of size and intimidation. You will not be taking this joy stick for a test drive. You can get out of this. You’re a very good hunter, and you can evade detection and make a tactical retreat when necessary. And it’s very necessary right now, because you do not want him to wake up and find you attached to him like a love-sick leech.

Slowly, sooo slowly, you slide your arm from where it is slung over his waist, and begin to incrementally scooch backwards, his leg slipping from between both of yours, freezing when he seems to shift a little, and then continuing the slow slide away when he settles again.

You’ve managed to extricate all of your limbs from him, except the one that is currently numb and squashed underneath him. You slowly roll onto your back and contemplate how you’re going to get it out from under him without waking him, when suddenly his arm flops over your waist. You jerk in surprise, eyes flying to his face, but his are still closed. His hand slides from your waist to your hip, and then snakes around to take a big handful of your ass. He makes a little happy noise and then pulls your body into his again. In the process, he has managed to jam his thigh back between your legs. You stare at his face, trying desperately to see if he’s starting to wake yet—how did you even end up in this situation? Then he pulls you even closer, causing his thigh to press deliciously against you. You suppress a whine, because it has been so long since someone has touched you liked this. But of course the person who is touching you is a maniac and is doing so while still asleep. You reach up and pat his cheek to wake him up, simultaneously trying to to pull away from him, but tightens his arms around you again, dipping his head to your shoulder still exposed by his too-big sweater.  You freeze in shock as he inhales deeply and hums, and soft kisses trail from your neck down, and before you can push him away he bites into the meat of your shoulder. The pain, pressure, and warmth of his mouth on your skin have you trying to arch away and into him—you do whine this time, loudly, because it hurts but you want.

Suddenly, his whole body seems to tense. The pressure on your shoulder eases, and he sighs, his breath cool drifting along your over-heated skin.

“Good morning.”

You open your eyes, realizing you’d been squeezing them shut through the last few moments, and meet his sleepy gaze.

"Were you awake?” you demand, terrified of the answer. Because if he was, then what the hell was he thinking, pretending to be asleep? And if he wasn't, was he just dreaming? Was it you in his dream, or was he dreaming of someone else? You don't want to know. You have to know.

“Your rather loud response to my love bite woke me up, I think,” he smiles softly. "I didn't realize that I was... dreaming until then."

“So you didn’t mean to—” you start to pull away.

He tightens his arm around your waist. “Where do you think you’re going?”

“Sylus, let go. I’m sorry for not waking you fast enough. I was just—I was just shocked. I know you wouldn’t have done that otherwise.” You struggle, but his arm is a steel bar holding you in place.

“You’re right, I wouldn’t have,” he agrees, and you feel whatever fragile, tender root that had been growing in the cracks of your broken heart wither, the dry husk drifting away in an autumn breeze. Replacing that faint feeling of hope, you're livid that you do not share the same teleportation ability that Xavier and Sylus have. If you could, you'd teleport in a poof of glittering light or melodramatic feathers. To anywhere else but here.

You nod, and nod, and nod, because he’s not letting you move but you have to do something or else he’ll see it right on your stupid, open face, and you’d rather he slit your throat than see the pain his rejection is inflicting on you. You had lied to him earlier, about not having anything to hide, about always being honest with him. You've been lying to yourself, and to him, ever since you met him.

“What I mean—” he’s looking at you intently, and you want to cover his eyes with your hands, because as always they’re seeing too much, but suddenly, the doorbell rings through your flat.

You both turn your heads to look at the bedroom door at the same time.

Oh. Fuck.

Xavier.

Sylus turns to look back at you, so close that his nose brushes yours. “Expecting company, kitten?”

“It’s Xavier. Shit.” You try to roll away, and this time he lets you. You grab your phone off the nightstand and see that Xavier has already texted you a few times to see if you’re ready to head to the bookstore yet. The texts grow increasingly concerned the longer you don’t respond. The doorbell rings again. “You have to go. Now.”

You turn to Sylus, who is now lying leisurely on his side, head propped up in his hand, silky silver hair cascading across his forehead, occupying the bed like an imperialist force annexing a weaker neighbor’s territory, with no intention of leaving.

“And what are you going to do?” he asks, eyes drifting from your face, to your shoulder, down to your bare legs.

“I need to answer the door and tell Xavier that I’m running late.”

“Late for what?”

“Sylus, I don’t have time for this. You can’t be here. Xavier helped me get into the N109 zone, he spends a lot of time there—he’s smart enough that if he finds out what you look like, he might eventually be able to figure out who you are. You can’t be here,” you repeat, starting to panic. Sylus may not have any feelings for you beyond friendship or a predator toying with its food, but you still don’t want him to get caught because of you.

“You’re not working today. What plans do you have with him?” he asks, completely ignoring your distress.

“We’re going to the bookstore. We were going to spend our first day free just reading manga and eating junk food,” you rush out impatiently.

Sylus just looks at you for a few beats, the picture of lazy boredom on a weekend morning.

“Okay? Are you satisfied? Can you please leave now?” This is good. You can avoid the inevitable, It was a mistake, thought you were someone else, was dreaming about a giant amorous anthropomorphized ruby, you’re not exactly my type, because my type is someone who has their shit together, can identify what fucking region a certain grape was grown in and its exact soil acidity based on the year of the vintage, my type is someone else, anyone else—you reach down and hit yourself hard in the side of your thigh with a fist to get your head on straight, and start heading to your closet, intent on throwing on a robe or longer shorts so that you don't answer the door looking like you're not wearing any pants.

Sylus's irritated voice follows you. “Satisfied? No, I'm not feeling satisfied. But I would advise against answering the door wearing that.”

You jerk to a halt. “Excuse me?” You turn to find him scowling at you.

He waves a dismissive finger at the sweater and silk shirts you’re still wearing. “I think you should change before you answer the door.”

“I look that bad, huh? Thanks for the advice. You need to be gone when I get back.” You turn, hating everything and everyone, and make your way to the front door.

You throw it open, just as Xavier is lifting his hand to ring your bell again. His sky blue eyes, usually so calm and sleepy, widen when he takes in the dumpster fire that you are today.

“Hi, yeah, sorry. I overslept,” you rush out, hoping you can skip this part and go straight to the moving on with your day and your entire life part. “I just need like, fifteen minutes, and then I’ll be ready.”

“Did you get in a fight with a wanderer last night after we go home?” he asks, hand lifting again, this time toward you, as if he wants to touch you, but then thinks better of it and drops it back to his side. He’s wearing the white hoodie that Sylus stole from him. What even is your life right now?

“What? No, I just had some wine and was really tired.” He’s staring at you, brow furrowed now, and it takes a minute to realize that he’s staring at the sweater hanging off your shoulder. You suddenly get a really, really bad feeling. “Why?”

He lifts his hand again, and points, but in a kind of timid way, like a little kid who knows that it’s rude to point but can’t help himself anyway so just points a little so that his mom won’t get mad at him. “It looks like a wanderer bit you.”

You lift your own hand and touch your shoulder, and feel the too-warm skin there, the ache spreading deep into the muscle.

“Oooh, yeah. Yes.” You decide that you need to take acting classes. That is what you will do as your new hobby, on your few days off. You’re going to win the best actor award if it kills you, because if it doesn’t kill you, the embarrassment will kill you instead. And you’d rather die convincing everyone that everything is normal and you’re fine, and not from the embarrassment of the fact that your not-boyfriend, not-fuck-buddy, not-interested-at-all, probably not even your friend anymore Sylus accidentally bit you while fucking asleep and left evidence of it for all the world to see. “I did respond to a really minor alert in the neighborhood last night. It was only one wanderer. Hiding in a trash can of all places,” you laugh, not at all sounding unhinged. Convincing. “Bit me pretty good, but it really was nothing, I had completely forgotten about it. So, still on for the bookstore?” you ask, chipper, eager, well-adjusted!

Xavier stares at your shoulder for a few seconds longer, and then just nods. “Yeah, just text me when you’re ready.”

Bless him. You’ve almost put him back to sleep with your absolutely stellar performance. “Okay, great! See you soon.” You back into your flat again and let the door shut with a heavy click.

Xavier stands outside your door for several moments after you’ve scurried back inside. He thinks about how sharp his light blade is. He thinks about how he’s going to use it on whatever motherfucker thinks that he has the right to mark Xavier’s partner like an animal. And then he yawns, and meanders back to his own flat to wait for your text because he has all the time in the world, and the patience to match it. Xavier is your partner, and he’s not going anywhere, anytime soon. If he murders whatever asshole was in your flat last night right now, that might interfere with your bookstore plans with him.

You stand on the other side of the door for a moment, just trying to collect yourself. You lean against the cool surface, look up at your ceiling. Breathe in the smell of shoe leather, oiled metal. Absently you lift your hand to your shoulder. Why didn’t Sylus warn you before you went to open the door? He even admitted that he wouldn’t have … done that to you if he hadn’t been asleep. Why would he just… and then it hits you. He did tell you to change clothes before you answered the door. The asshole just didn’t tell you why. But he would know by now that you’d actually do the opposite of whatever he says, because he’s not the boss of you. He played you like one of his fucking records.

But why the fuck would he want Xavier to see what happened between the two of you? Does he enjoy your humiliation that much?

You have no idea if you’ll ever have the chance to figure him out, especially if he got the hint that you don’t want to see him anytime soon. You shake your head. Even though you should be exhausted after staying up so late and ending up on the human embodiment of a roller coaster with its wheels coming off despite all of your promises to yourself last night, you feel well-rested. You will survive this. You can survive anything.

You head back to your bedroom to confirm that Sylus is actually gone, because last night proved that whether he actually listens when you tell him to leave depends entirely on his own whims. As you enter, the late morning sunlight spills into the room. He really left. The room is empty. The books and various weapons on your nightstands have been stacked neatly and lined up just so. The clothes that had been left haphazardly hanging off your chest of drawer handles or strewn over the floor are nowhere to be seen. It would be the tidiest your bedroom has been in weeks, if not for the fact that your entire bed is covered in a thick layer of black feathers.

“This bitch,” you breathe.

It’s going to take at least two full size trash bags to clean this mess up.

You decide then and there that Sylus doesn’t have a choice about whether he’s going to see you again. You’re going to bag up these feathers and then tar and feather him with them the next time you see his gorgeous, petty fucking face.

[tame-the-lion-writes]

Thinking about reader finally stumbling onto one of the dogs shifted into their human form. Maybe Soap raiding the cabinets in the kitchen for a late night snack? Reader obviously freaks tf out about a whole ass man in their house... but the rest of the force are still in their dog forms. Reader's confused why their once very protective dogs are completely okay with this strange man in their house, and why this man is claiming to be one of her dogs.

(Note that these answers are non-linear! I’ll be having fun with a few more asks/requests as if this hasn’t happened yet 😉)

All you wanted was some water to ease the dryness in your throat, but as soon as they noticed you picking up your phone from the bedside table, the dogs kept tugging at your clothes to hold you back—something they never did. You swatted them away without thinking much of it, though, too sleep-adled to think that maybe, just maybe, they were doing it for good reason.

And then you saw the man in your kitchen.

“Why are you naked.”

It wasn’t much of a question. More of a statement—or an exaggeration, really—because he wasn’t naked. He was just wearing sweatpants that hung low on his hips, exposing a deep V-line and a happy trail that would’ve had you drooling if not for the sheer strangeness of the circumstances. At first, you weren’t even sure if you should be afraid—because it was comedic, the way he locked eyes with you, halfway through chomping down on a spoonful of cereal from not even a bowl, but a mug.

He swallows hard, and that’s when you grab a knife—earning several barks from your dogs. At you. Not him.

“He’s literally the intruder here!” you argue back. “You bark at, like, every other guy? What about him?! He’s massive!”

“Aw, thank y—“

“That wasn’t a compliment!”

The man’s smile tightens as he slowly puts the mug and spoon down, and lifts his hands as if in surrender. 

“Easy, lass,” he continues, eyes darting between your face and the knife. “I’m a friend.”

“The fuck you are—“

“Look. Look.” He gestures back and forth between himself and the dogs, who stand in place between you two. “You’re missin’ a pup, aren’t ya? Foxhound that gets into everything? Soap? Thah’s me!”

‘Me?’ What the hell was this guy thinking? But sure enough—just as he said—Soap was missing from the group. It was just Price, Ghost, and Gaz—all tense like you. If not more so. Gaz offers a whine in negotiation, stepping forward to get you to back up a little further, away from the stranger. There’s a beg—no—an intelligent plea in the Labrador’s eyes that nearly makes you falter, unsure of reason or rhyme.

Unsure of yourself.

“That’s— that’s not possible,” you laugh nervously, reaching for the phone in your pocket. “Dogs don’t turn into people, or vice versa. Now get out of my house or I’m calling the poli—“

— “Wouldn’t do that if I was you.”

And now there’s a third fucking person. Standing in your kitchen. Right where Price used to be. And now the shock runs cold, adrenaline gone in place of confusion. And a quick skip through the stages of grief into acceptance.

“Well,” is all that gets out of your mouth. “Shit.”

The world spins, and everything goes black. You’re out like a light. All you see is ‘human-Price’ moving forward, then darkness, and the sensation of two arms catching you before you hit the floor.

The boys hang around until morning light after that, sitting in the living room in dead silence. At least until Gaz gives a final suggestion.

“… You think we can pass it off as a dream?”

_

Bonus Thoughts:

You do, in fact, wake up as if it were a dream. Because you’re back in bed per usual, and the house is in order, and the dogs are piled around you like nothing ever happened. You eye them all suspiciously, then slap yourself. Because what kind of weirdo imagines her pets as hot, tall, buff men? Pervert.

Meanwhile, the boys are just exchanging the quietest glances before you settle back in bed. Because for a good few seconds, they think they’ve been discovered.

Also Soap has suffered a collective *bap* from everyone because it’s what he deserves for threatening their free food supply.

[unhinged-waterlilly]

Hello!

Something about @/demigod-jack-hearth

Something I wanna say about this post (with my reblog on it). I wanna give a side of a story. Mine to be exact.

They were one of the first people I talked to outside of rp. They were a close friend. But that fades.

I DONT WANT THEM TAGGED IN THIS I DONT WANT THEM TO KNOW ABOUT THIS. I HAVE THEM BLOCKED. IF THEY LEARN ABOUT THIS, IT IS BECAUSE SOMEONE SEND THIS TO THEM.

Tw: sa, strong language, I'm a little bitch, please please please read at your own risk

When start this by saying Jack worries me. I've seen so many post, rp or otherwise, where they bring up extremely triggering comments...just randomly. This has happened to me too. I don't get bothered by them I've been lucky enough to not deal with most and be comfortable with what I have dealt with. I think he needs professional help. Or to talk to someone that is an adult. This is difficult for some people. But there are free therapy websites out there. I have seen them. I have participated in them. The people on the other line aren't professionals but they are people willing to listen. And adults.

It started with when I saw an rp they had with camp Sky. I can't give screenshots of that but I do have some of confronting them.

Now all good right? Yeah! I thought so too. Untill an anon confronts em.

Posts here and here

Oh...kay? What's wrong about this?

Yeah...

Actively calling out anon

Now mind me I thought they had buried this au deep deep into the ground. Wasn't until I opened Circe's blog that I realised they didn't. I was pissed. I had every reason to be. We have so few stories of male victims as it is and this 'au' was blatantly disrespectful to victims of all genders. I felt really fucking disrespected that's for sure.

Unfortunately I don't confront them. But I do vent.

Now I feel bad for this. Maybe this was dirty laundry I shouldn't have aired out. But I was just so angry I couldn't think properly. I didn't mention Jack in this post, but friends figured it out. I won't say who these friends are for obvious reasons. Also, this is a bit wrong. They thought Odysseus cheated with only Circe, and Calyspo was SA. I got that wrong, and I admit it. I only remembered that when I scrolled up our dm to take a screenshot of it.

Now I wanted to leave that convo because I wasn't in the mood for arguing, and I've learned to give people what they want, which makes em and yourself stop. My fault again.

Things happen. It leads to the apology. Now, obviously, I can't tell if an apology is genuine through a screen, and I am most certainly a pessimist. So, like, I don't think it is. Also, I'm almost certain that most was written by whoever the friend was who 'helped' em.

Sure, people can change, but not enough times do they actually. Just look on the Internet. And real life. A person like Jack, well, they've talked to me enough to know it is most likely not the case. If they were so angry at a piece of good criticism, then I don't have much hope.

Am I an angry person ? Yes. Do I think I have the right to be? Yes. Am I also a logical person? I believe so. The people I've asked think so, too. I don't dislike something for no reason. But I do dislike things. What I do like is reasons for my dislikes. With me so far?

Good. Moving on.

After the apology and after I finally got my thoughts in order, I sent them a message because they tagged me. A lot.

This is what I sent. It's emotional, but in my opinion, it also makes sense. I was mad they lied to me. I was mad they twisted the story so. Fucking. Much. Odysseus isn't a rapist and Circe isn't an innocent flower. That is not what an AU is. What was their reaction to this? Nothing. To me at least.

A mutual friend told me they sent the last half of my messages and told them that they were angry I. Didn't. Thank. Them. For. The. Apology. Take that for what you will.

Now they made another post replying to the first anon who criticized them. I've read it. And when I tell you it is so fulled with self-pity-

I haven't collected my thoughts properly about this so this is bad and more emotion than the above. but this is the basic things behind it.

1) never directly addressing what he did and constantly tell em to read the apology. Don't wanna repeat yourself. How much time is it gonna take out of your day exactly?

2) not acknowledging the fact the male sa victim. At all. They don't say anything about it. No 'my condolences'. No 'I'm so sorry that happened to you' . Not acknowledging how terrible of a thing that is. At all.

3)says they aren't gonna defend themself... and defend themselves

4) have yet to tell us who these people are. Which is just bad cuz there are people out there who are okay with this. If they were IRL friends just say that.

5) it felt just fucking dull

Maybe this isn't right. Maybe you disagree with these points. But do not tell me you disagree with the rest.

I wanna end this by saying I am victim of SA. Did I tell him this? No. Maybe I should've. I don't feel comfortable sharing it. Because remembring fucking hurts. Remembering means crying and opening the lights and either sitting or laying down on my back because I can still. Fucking. Feel. It. And I was nine.

I don't want your pity on this. I don't want you to say sorry. The people you should be saying sorry to are the people who are not believed when this happens. Feel sorry for the people who cannot report this stuff because they don't trust the people who are supposed to protect them. Feel sorry for the people who think it was their fault and they actually wanted it when they didn't. 63% of rape are not reported in females. Only 12% of child rapes are reported.

I can't find a clear fucking statistics on males.

Do you know how difficult it is for males to have any representation at all? How many male victims do you see online? Even Odysseus being regonized as one is recent. Fucking. Stop. This is more than a made up story. It means the world to some people. So this actually happen. It might mean everything. This was taken away from them from so many retellings. And a stupid fucking au.

If you want to talk about SA, wanna make a character out of it, learn about it first.

So I'm not going to forgive and I am definitely not going to forget. You can. If you want. I don't care if you do. But I ask you not to forget. Please.

I am tagging Jack's taglist

@zariahthewitch @thegroovydaughterofhestia @if-chaos-was-a-boy @the-gods-strange-children @silena-daughterofaphrodite @fabulousdaughterofhecate @weakest-son-of-sun @chaos-pers0nified @neoptolemus-achilles-son @bast-the-best26 @goddess-of-bubblegum @hispanic-child-of-hermes @gaygirldoodles @luck-is-crucial @reyna4ever @vicious-daughter-of-zeus @feral-hermes-child @oopsies-i-did-a-thing @unfortunate-daughter-of-hestia @that-girl-cupid @ariathemortal @love-lightning-forethought @emdabitchass @kaiaalwayswins @champion-of-revenge @zoe-aura-of-d3ath @itsyourboyezra @lunar-eklipso-r @pink-koi-lovejoy @that-daughter-of-athena @sleepy-as-a-song @smileyalater @gellyhelio @daughter-ofthe-moontitan @demeters-daughter-is-done @the-smart-and-the-dumb-one @trinket-snatcher @creature-under-ur-bed @burnt-out-bitxhes @cloak-of-ares @heraaaaaaaa @unproblematic-hestia @i-was-never-sane

[cityofmeliora]

notes / thoughts on the Papas' (lack of) involvement in the songwriting process and their connections to the concepts / themes of their albums

thanks for the kind words and thanks for the ask! these were great questions and really enjoyed writing this response. your questions really made me think! (and when i start thinking i always think too hard and take forever to answer– sorry this took so long!)

i'm putting these questions together because i feel they are closely related. this is a topic i've recently been thinking about a lot, actually.

A Ghoul Writer was first mentioned in that 2010 interview with Primo. the Ghoul Writer is Special Ghoul, the Nameless Ghoul character who gave interviews in Eras 2 and 3. in interviews with him, either he himself or the interviewers would usually mention he's the Writer. i'm not linking anything specific here because you can find this happening in pretty much any Era 2 / 3 interview. (though there's one Era 2 Nameless Ghoul interview that refers to the Writer as a separate character.)

the only Papa who wrote his own music was Nihil. the music video for The Future Is A Foreign Land shows that he and his Nameless Ghouls wrote the song together, and he's credited as a writer on Seven Inches Of Satanic Panic. (pic: back of the SIOSP record)

after Nihil, none of the Papas were involved in the songwriting process. everything after Nihil was written by A Ghoul Writer.

PITCHFORK: On the new album, the songs/lyrics are credited to "A Ghoul Writer." Are you this "Ghoul Writer"? If so, what inspired the words? PAPA EMERITUS: I am not the Ghoul Writer. Pitchfork (April 2013)

Does Papa contribute to the composing process? NAMELESS GHOUL: No, Papa doesn’t contribute to the song-writing. Metal Paths (August 2015)

so the later Papas were interpreters of the music, not writers.

as for the question of whether the Papas embody the sins of society or criticize the sins of society by parodying them, i think it's a bit of both– and i think it depends on which perspective we're looking from.

obviously from a real-world perspective, Ghost as a whole is meant to criticize and parody the issues the music is about, and the personality and characterization of each Papa is closely tied to the themes of his album.

from an in-universe lore perspective, as interpreters of the music, each Papa has his own relationship with the themes of his album. i think the Ghoul Writer writes each album for / about the Papa who's going to perform it. however, this is not necessarily a positive gesture.

here are my notes / thoughts on how each Papa relates to the themes of his album:

(trigger warning for mentions of misogynistic violence / rape / forced pregnancy)

Opus Eponymous and Primo: Primo refuses to comment on his interpretation of Opus Eponymous, but it's pretty clear what he thinks. Primo is a misanthrope who believes humans are “vermin” that have doomed themselves due to their “intellectual decline”. in his eyes, humanity is unworthy of life and will eventually be destroyed. Opus Eponymous has been described as an "orthodox devil-worshipping" album, and it is a very violent album, which is great for Primo because he's an orthodox devil worshiper and he loves violence and murder and wants everyone to die. 'Elizabeth' celebrates an alleged serial killer who is said to have killed hundreds of women / girls. 'Stand By Him' is about a woman being raped by a priest, who then accuses her of witchcraft and has her burned at the stake in order to cover up the assault. and the overall narrative of Opus Eponymous is about a woman being raped and forced to carry + birth the Antichrist, which will eventually kill her. this is something Primo thinks is good and anticipates happening because he believes in the cult very literally and agrees with its message / mission of human extinction. Primo is definitely a villain.

Infestissumam and Secondo: interestingly, there is actually an instance of Papa telling us about his interpretation of this album. in Secondo's own words, "the new album is about the presence of the Devil. The title, Infestissumam, means 'the biggest threat' and refers literally to the arrival of the Antichrist, but what it is also is about is what man has traditionally regarded as diabolical presence– namely female form and swagger." Infestissumam is about how humanity can connect to the presence of the Devil, both physically and spiritually. i think this theme really shows through Secondo. to him, all the things traditionally regarded as sin –especially sexuality– are good things. to him, Satan is the way to freedom and enlightenment. on the flipside, all the things promoted by christianity –holiness and virtue and repression– are stupid and stifling. Secondo is a jerk and he loves to have sex and party and he just doesn't care. Secondo, more than any other Papa, is dedicated to indulging in sin and saying "fuck you" to christianity.

Meliora and Terzo: it's complicated. i don't want to give a detailed explanation right now because i already have a separate post in my drafts about my analysis of Terzo's relationship with the themes of Meliora (it will be long). for now, this is what i'll say: Meliora is about the absence of god, and it's described as futuristic and "pre-apocalyptic." the title "Meliora" means "for the pursuit of better", but it's meant to be ironic. it's about the mistakes people make / the bad things people do in pursuit of better. so as your ask states, it criticizes ambition, greed, and abuse of power. i think Terzo wants to criticize those sins. but i think that he also embodies them, to a certain extent, and i think Meliora is also criticizing him.

Prequelle and Cardinal Copia: we don't really have any canon material that indicates Cardi's personal opinions on the album, but there is certainly a connection between the character and the concept / themes of the album. Prequelle is described as a "positive" album about the plague. it's an album about society falling apart during the apocalypse. it's also an album about celebration and survival in spite of being faced with the inevitability of death. i think Cardi certainly embodies this. Cardi is surrounded by death. Prequelle Era begins with Papas I, II, and III being murdered in order to promote Cardi's success, and it ends with Papa Nihil dying, which allows Cardi to ascend and become Papa IV. in a way, Cardi is both a plague rat and a survivor. it's not his fault they died. he didn't ask for them to be killed, and he was not their killer. but he is the herald and the carrier of the true killer, the actual driving force behind everything (Sister Imperator). through all this, Cardi is having a good time! he's dancing the night away! he's glad everyone standing in his way has dropped dead! he is a rising star and he feels invincible! and he is certain he will survive this.

IMPERA and Papa Emeritus IV: the main themes of IMPERA are "spiritual annihilation", reactionary sentiment, and regression. it's about how people who fear progress are afraid of losing their sense of meaning / purpose and their place in the world, so they turn to misogyny, violence, religious dogma, and fascism. they cling to the idea of having a cause to fight for. i think Cardi is certainly criticizing these issues. he doesn't agree with any of this at all. however, there's still a connection between the narrative of IMPERA and Cardi's character arc in this Era. narratively, IMPERA is a concentrated / condensed version of the apocalyptic narrative that plays out through the first 4 albums. it's about the cyclical nature of the rise and fall of empires. IMPERA Era begins with Cardi ascending to the title of Papa. but after the feeling of triumph wore off, Cardi became very aware of and very fearful of his own inevitable end. he knew that no matter how great his achievements were, he would be forced to step down so his successor could take his place, just like his predecessors had for him. Rite Here Rite Now is about Cardi struggling to make peace with this idea. as a side note: i really like the irony of the fact that Cardi was never actually the leader of his own empire– he was a puppet emperor who got his marching orders from his mother. it connects to IMPERA's theme of political manipulation.

[tossawary]

This was absolutely not the point of the "Star Wars: Jedi: The Dark Side" comic, but an amusing thought from an in-universe perspective... If I was a citizen of Telos IV, which is teetering on the brink of civil war, and I found out that the Jedi Order had sent as part of the mission team a padawan (Xanatos) who was, out of the entire organization, very obviously the "Most Likely To Fall To The Dark Side If Things Get Bad On This One", as part of a personal test for that padawan, then I would NOT be impressed. Like, damn, this is my fucking life and home, man, not an opportunity for some kid's personal growth.

[camilledlc]

Because I love relating songs to characters and analysing why it works so well, I just have to rant about how So Long, London by Taylor Swift is Vanessa's perspective of her break up with Wade. This one is reaaaally long, so be ready for that if you still chose to read this. It is 4,5k of a weird analyse no one asked for. You have been warned :

I think the main reason why Vanessa (that I will from now call Ness) ended things with Wade was because of how bad he was doing. She tried to be there for him, but there's only so much you can do for someone who doesn't want to be helped. So really, it is quite evident as to how this song can be related to their story. I'll go in order of the lyrics, and really dive in with the meaning of the song. I'll write this as if Ness wrote the song herself, kinda. But despite me relating it to Ness, it will also kind of be a study of the song in itself, if anyone is interested in that.

The opening line "I saw in my mind fairy lights through the mist" shows two main things that to me will be crucial to understand exactly how it all went down and Ness' state of mind. The two central element being obviously the fairy lights and the mist. The mist represents this gloom, this sadness that had surrounded Wade, and therefore herself. He was extremely depressed because of the Avengers' rejection, and didn't seem to be able to pick himself back up. Everything for him became a mist, but it also made everything for Ness turn into a mist. Always being around a deeply person, to whom you're entirely devoted, it will take a huge tole on you. Their sadness become yours, etc. And by that point, you may think that there was no reason for her to stay, but no. That's why the fairy lights are here. The fairy lights doesn't represent the exit, the ending of this relationship that would finally brought her peace. This early on in the song, it wouldn't make sense. The author is still too deep into this relationship. The fairy lights are probably the reason why they are still together by that point, despite all the pain that it's causing Ness. Because while the relationship can generally be associated to a mist, there are moments of happiness, of "fairy lights through the the mist". Not all moments are bad, and they are occasions where Ness can see the old Wade, and what they used to have. And she wants to fight for that. Because deep down, they love each other in ways that can't be matched, and they loved each other for so long.

And so, this leads us to the next lyrics : "I kept calm and carried the weight of the rift / Pulling him tighter each time he was drifting away". Because Ness can see that not everything is bad in her relationship, that there are still pieces of what they used to be left to fight for, she tries. She tries to "[keep] calm", to be the rock Wade is in desperate need of. For Wade, it feels like his world is falling apart, as he can't seem to find a purpose for his life, a way to matter. He falls more and more into depression, unable to pull himself back up. The only thing stopping him from "drifting away" is Ness. But on the other hand, she can't keep carrying them both on her shoulders. It "weights" on her, and understandably so. She wants to be there for Wade, and she tries as much as she can to save him. But maybe it's a responsibility that's too heavy for her, and so, the come the next lyrics.

"My spine split from carrying us up the hill / Wet through my clothes, weary bones caught the chill". Those are pretty easy to understand and very explicit. The weight of Wade's sadness is becoming too much for us, and she is breaking under it. By being the only one trying to lift them up, she's going to end up even more broken than Wade. I of course think that "wet" references sadness in general. Sadness is often paired with deep blues, cold colours and a general theme of water--because of tears. With the "mist" being also a metaphor for this sadness, it isn't surprising. But this means that this sadness that Wade carried, this "mist", finally got to her. The "mist" finally reached her and made her "wet", meaning that his sadness started to become her sadness. She "caught the chill", she started to feel depressed too, because always being around someone depressed--especially if you're the only one lifting them up--makes you depressed too.

"I stopped trying to make him laugh / Stopped trying to drill the safe". Another easily-understandable set of lyrics, yet devastating in the context of Deadpool. We know a handful thing about him and how he is generally perceived by others, and one of his main traits is that he's funny. He is always one to laugh, or crack a joke, the one that makes you happier when things are bad. He is the one supposed to make other laughs, but with how bad he feels, the roles are reversed, and Ness has to try and try and try to make him happier, to "make him laugh". It must have been really heart-breaking to see the dynamics in their relationship change this much, see a person she knew like the back of her hand becoming a ghost of who they used to be. And eventually, he started to close up too much to her. He would be 'somewhere else, not fully there'. He wouldn't let her in, tell her what he was truly feeling--despite the fact that she could sense how bad he was doing. He became a "safe", a total stranger that she couldn't figure out, until she eventually had to give up. This is even more depressing when you know that Wade has had tendencies to lie to protect himself and push people away, which he could've also done here with Ness.

All of this leads her to start being angry, and confused, and wanting answers from him. Not the Wade she saw before leaving him, but her Wade, from before all this. She wants to understand : "Thinkin, how much sad did you think I had / Did you think I had in me?". I see this as both a rhetorical question, telling him that she can't handle all of his sadness and that she has to leave him behind at some point. That she doesn't have this much sadness in her to support him. But I also believe it has some genuine aspects of an earnest question, always waiting for an answer. Yet, she will repeat this multiple times, probably alluding to the fact that she doesn't have any. Because Wade doesn't have an answer to that either. She wants to know just how far Wade was willing to let himself fall down while thinking that Ness would stay, that she would pick him up. In a way, I think she felt betrayed and hurt by the way he was treating her, waiting for her to be there for him while he purposefully let himself drown in his own misery. So, eventually, she's angry and demands answer, demands an explanation to all of this, because this isn't the Wade she fell in love with.

And that's why it's so tragic : "Oh, the tragedy... / So Long, London". In this, we see just how heart-breaking their entire story is. It wasn't supposed to end this way, yet at that point in time, she saw no other issues. She didn't want to leave him, but she had to. It was tragic because it couldn't have been avoided, yet she felt as if it wasn't fair, and it wasn't meant to be this way. She can only constate that their ending is tragic, and she has to accept it despite the evident pain and sorrow (the punctuation). And so, she leaves. All of this, only could lead to that conclusion. She went through all stages, from loving him, to trying to support him, to giving up on helping him, to being angry at him, to giving up on them altogether now. She isn't fully saying goodbye, as she still feels as if their lives are too intertwined for them to not see each other again eventually. They both love each other too damn much to never do so, to truly end things here. By that point, she accepts that she must leave, and that their story ends, but she knows the love hasn't completely disappeared yet.

But when she says "You'll find someone...", she does admit that while love may persist, the relationship is over for good. By that point, she only includes him in the finding someone part. I think it's because she herself hasn't moved on from him, and she isn't sure by that point that she can. They know they can't date anymore, but she doesn't think that she'll fall in love as hard as she did with Wade with anyone else. But for him, she wants him to move on and find someone who will be able to handle Wade. In a way, she may feel guilty for leaving, despite knowing that it was killing her on the inside to stay. So she wishes for Wade to find someone who, unlike her, will be able to help Wade, or at least carry his burden with him without splitting under the weight.

I feel that the next part is a bit trickier, so if my ramble doesn't make sense, feel free to ignore it! But otherwise, I think that the lyrics "I didn't opt in to be your odd man out / I founded the club she's heard great things about" are definitely laced with bitterness. To me, it really represents that moment of Wade getting better, and how Ness will view herself into that. One the one hand, she knows she isn't entitled to anything regarding Wade anymore because she chose to leave, but on the other hand, she feels as if she didn't have a choice to leave. Everything was so awful that she had to leave for her own sake, so she didn't opt out of his life. She didn't want to be his friend, but she couldn't be anything else. Yet, everyone--including Wade--will make her feel like it was her decision. Even though they respect it, she feels that they don't understand that it wasn't truly her decision, and that under other circumstances, she would've never left Wade. If it wasn't for her survival, she would still be with him. But now, she is purposefully being left out of everything regarding Wade and all of his accomplishments. People will say that it's great to see him better again, to see him happier, and a true hero that wants to matter, etc. And yes, he did that on his own, but it does feel to her as if it invalidates everything she went through. She helped him for so long, and eventually had to give up. So he got better on his own and is praised for it, but what about all of her efforts? Don't they count in his recovery? Isn't her support the foundation of the person he is today? She is one of the reason Wade found his spark back, yet because she left before he did, she can never say as much. And it must feel bitter to see how much time and energy and love you lost trying to help someone who got better after you left them, after you've had enough.

Which is why we have "I left all I knew, you left me at the house by the Heath". Because, yes, she may have been the one who left Wade first officially, but Wade had left her way before that. When letting himself become a shadow of who he once was, he left Ness to fend on her own, the only one keeping their love, their home alive. The "house by the Heath" represents this home that they made for themselves, it was their lives, their futures. But Wade abandoned that mentally. Yet, it falls on Ness when she decides to abandon it physically. In this whole verse, she is feeling bitter, and angry, and regretful. She left everything behind, because Wade felt like her everything. But she wasn't the first one to do so, and Wade had actually done it before. She had in the past tried to support him when he had cancer, only for him to leave her to bear this alone. So, actually, she was the only one trying actively not to leave, not to let this relationship die.

"I stopped CPR, after all it's no use / The spirit was gone, we would never come to". It implies that for a long time, she tried to maintain their relationship alive, but it was for nothing. "The spirit" of their love had left when Wade did too, when he metaphorically left the relationship. It couldn't be brought back, and even if they had tried, it would've been too late. Their relationship was already too damaged to be salvaged. There is no use to perform CPR on a dead body.

The next lyric is heavily marked by the voice of the singer, showing the anger and resentment growing : "And I'm pissed off you let me give you all that youth for free". For this one, I think it's crucial we remember the context of both who they are in general. Ness is a woman in her mid-thirties/forties, meanwhile, Wade is an immortal guy who can't age nor die. Wade still has the whole eternity in front of him to do whatever he wants, to be someone great. But Ness spent most of her life with him, and now she's getting older. No matter who she ends up with it will be a very recent and new relationship, and it will take time to grow, and so she may have trouble later having the family she'd wanted. For her, it may feels like as if she's spent so many years with Wade, only to be back at square one. Except that for him, he can take the eternity to move up a few square, but her, she doesn't have that time. She doesn't have eternal "youth", which is why she may be so pissed, both at herself and at Wade. It can be very easy to start resenting someone when you feel like you have wasted so much time on them, for nothing to come out of it eventually. And it would be better if Wade was in the same boat as her, because then they would both have wasted time and it would be no one's fault. But she is alone in this, she is the one who gave her "youth for free".

The "For so long, London / Stitches undone / Two graves, one gun" only reinforce this idea. She gave her youth "for so long" and now she's feeling resentful. In a way, it feels like her decision killed them both. She knows the negative impact their breakup had on Wade, of course. But here, she also acknowledge just how much it affected her too. With "one gun", aka her decision to leave, she killed the both of them ("two graves"). Kind of in a "you had to kill me but it killed you just the same kind of way". And now, the relationship that she carefully spent time stitching up each time it split is now completely broken, the "stitches undone".

And so, she accepts that she has to move on : "I'll find someone". She knows how bad her decision also affected her, and how hard it will be to get back everything she lost to this relationship. But she can't stay down, and she has to find a way to move forward somehow. And she knows that it's possible, that eventually, she'll find someone else, she'll fall in love again and that life goes on. It's a way for her to try and find peace, to definitely put her relationship with Wade past her. And by the beginning of Deadpool and Wolverine, she believes that she has found that someone, she found Dermot. Someone good, who is different yet someone she is really happy with. She can fully move on, and so wants to try and befriend Wade, as a way to really put this all behind. Because despite knowing they can't ever get back together, she still has a lot of love for him--whether it's romantic or now platonic, she'll always love him, as he is one of the most important person for her. But it's clear that while she's almost moved on completely from him, he hasn't done the same. And because of the way he still holds out hope for them to be together again, she feels as though he thinks she abandoned him all over again.

So in a way, the upcoming bridge is her way of defending herself. "And you say I abandoned the ship / But I was going down with it" is literally her reiterating that she wasn't the one who left first, she was actually holding onto that relationship even more than Wade was, even though it was killing her, "My white knuckle dying grip". The singer's voice is by then really angry, and I think Ness is too by now. It feels unjust to be blamed for leaving a relationship. I don't think they are blaming her consciously, because Wade would never want to make her feel bad about it. But the sole fact that he's still holding out hope that they work out put the blame on her for the fact that it isn't working out. In a way, him still wanting her and not being able to move on makes her even now the responsible for Wade's misery, which is unfair because she already had to bear it and suffer from it for long enough in their relationship.

The next lyrics will all be analysed as a whole, so sorry for that : "Holding tight to your quiet resentment and / My friends said it isn't right to be scared / Everyday of a love affair / Every breath feels like rarest air / When you're not sure if he wants to be there". This may be a bit triggering, se be careful, but I think that while the original song may be talking about not wanting to be there in a relationship, from Ness' point of view, it will be more like there at all in this life. Wade is canonically a character that has a severe mental instability, a lot of traumas and issues, and he is one of the character who tried to off himself the most--even before having a regenerating factor. He clearly has always struggled with his mental health, and it was even worse during his depression. So when Ness feels scared that because she's "not sure if he wants to be there", she's talking about being scared that Wade would take the opportunity to off himself if he could die. It is extremely scary to be in a relationship with someone who doesn't wish to live anymore, when you never know if they are faking their smiles, planning on leaving it all behind, if you're not sure you'll wake up and they'll still be there. Even while knowing he can't die, it is still a terrifying thought. So now, their entire relationship, their "love affair" is completely overtook by this fear that it will all end at any moment, and also by this need to take every good thing in because they may not last, or there won't ever be any other good thing afterwards. Every moment of true joy "feels like rarest air". Because now, everything in her mind revolves around Wade's sadness, his "quiet resentment" of feeling like he doesn't matter, of not finding his purpose in this world.

But there's only so much that one person can take, and so, eventually, she is back to asking "So how much sad did you think I had / Did you think I had in me? / How much tragedy?". This times, it really feels as though she exposed previously during the bridge every arguments in her favour as to why she had to leave, and now she's showing him all of those arguments and telling him 'see?', and in the words of the song "Just how low did you think I'd go? Before I'd self-implode / Before I'd have to go be free". And those two last sentences summarize pretty much everything : she was self-imploding, so she had to leave and be free. This relationship, despite still having some good moments that guilted her into staying, was more like a prison to her by that point. In this bridge, she seems finale with her explanation, and feels a certain form of validation of her decision. By then, she is certain she made the right choice, and she is trying to show others, and especially Wade, that she had to move on and that still holding hope for a relationship together was just invalidating everything she went through (even if Wade isn't necessarily wanting that, or even realizing she might feel that way. He can't help but love her, but respects her decision nonetheless. There is no bad guy here, just a very complicated situation).

The very end of the song is definitely right by the end of the events of Deadpool and Wolverine. Wade tells her explicitly that he still loves her, still wants her, wants them. But when he tells her he still loves her, all she can think of is : "You swore that you loved me but where were the clues? / I died on the altar waiting for the proof / You sacrificed us to the gods of your bluest days". She may know, realistically, that Wade really did love and still do, but during the end of their relationship, she couldn't feel it. Everything in Wade's life was now centred around his sadness, which is here represented by the "gods of [your] bluest days". Their relationship was too much, and so he "sacrificed" it, because in his mind, there was no room for anything other than his depression. Which is valid and comprehensible, but extremely hard to live for Ness. She was desperately waiting for him to show her that he cared for her, that he still loved her, that he was still with her, like shown in the flashback when Cassandra Nova peered through Wade's mind. She asked him directly for proof of his love, and she eventually had to leave the "altar" because she was dying there otherwise. Wade was feeling so awful that he couldn't remind Ness just how much he loved her, so even now, she can't accept that he still does.

Besides, we know she has supposedly moved on, as she is happy with her new boyfriend Dermot : "And I'm just getting color back into my face". After everything, she eventually felt like a lesser version of herself, beaten up by this tragic relationship. Wade's constant sadness got to her. But now, it's been a while, and she had time to move on, to find her own new happiness. It might be different colours than when she was with Wade, but she has colours nonetheless. She is happier out of the relationship. Yet, she can't help but be mad : "I'm just mad as hell cause I loved this place / For so long, London". It is quite obvious that despite being happy now, she had also been happy with Wade before all this. There had been so long where she thought she was gonna marry Wade, found a family together, that he was her soulmate. She knows it's for the better, but there's also something so frustrating about having to leave something that brought you joy for so long because now it has soured. The lyrics "Had a good run / A moment of warm sun" reminds that. Before Wade got depressed, there relationship was truly and utterly an happy relationship. There was so much good in it, and for a long time, it seemed like it would last. But it didn't.

"But I'm not the one / So long, London". She is here fully letting Wade go, and letting their romance go. In admitting that she isn't the one for Wade, she is admitting that they weren't soulmates who were meant to be, and that maybe it's better this way. She is admitting that even the earlier stage of their relationship was extremely good and happy, it was not enough. She isn't the one for him because she could love him at his best, but couldn't at his worst. And there is no shame in that, she knows now that some people aren't meant to be, despite being perfect for each other in every other aspects. For example, when she sees Logan, she understands that he can handle Wade at his worst, that he can lift him up. At the same time, it's a bit bitter because she wished she could've been the one, but she is also really grateful to be out of this relationship, and yet knowing that Wade's got someone else that will be there for him. She can leave peacefully knowing that.

Then, we have another repetition of "Stitches undone" which symbolize definitely the end of relationship, with nothing holding it together anymore, and "Two graves, one gun". Personally, I always heard something else and liked what I heard more, which is "Two graves, one gone". Here, it would be a representation of how they felt during Wade's depression. He was so sad that he was almost dead, which killed her on the inside too. They were "two graves". But some graves aren't meant to be side by side. She left the graveyard, found happiness again somewhere else. She brought herself back to life by leaving. Now, there is one grave that is "gone". But by using the last sentence "You'll find someone...", she is in a way giving him permission to move on from her as well, to leave the graveyard that was their relationship. She hopes for him that he'll find someone who will bring him back to life to, and she even thinks that Wade found that person already, found that in Logan. Now that she let go, she's telling Wade to do the same. To let her go.

The three different instances of "you'll find someone / i'll find someone / you'll find someone" really represents the progression of the breakup and the healing from it. At first, it's a way to convince herself that she has to leave, that she isn't made to handle this. By then, none of them have moved on. Then, it's her finding her own way of happiness, admitting that she's moving on. And the last one is her telling Wade to move on too. By the end of the song, their relationship has definitely ended, it's over for good.

"So long, London".

[batneko]

last night as I was trying to fall asleep my brain gave me a story about Bowser as an imprisoned dragongod who is worshiped but enslaved, kept in a cave where he can't do anything but watch the outside world. He can tell the worshipers what to do (within reason) because his powers are so useful to them that they know if he ever gets angry or miserable enough to off himself they'll all be screwed. They have a LOT of enemies, who all assume that the god is their willing ally, and would be more than happy to crush them the moment they have the chance.

the closest thing to affection Bowser ever had was the woman who decided to bear his child. He genuinely believed she wanted to be the bride of a god, but the moment she was sure she was pregnant she left without even looking back.

years later, when he's told himself he doesn't care anymore (he obviously very much still cares), he sees a beautiful sweet princess and decides he wants her. He orders his "minions" to capture her and present her to him as a... permanent guest. He doesn't think she'll like being a prisoner, of course. HE sure doesn't. But he's stuck down here with no hope of escape, ever, and he can at least make her stay very comfortable. She's a princess, she must be used to being in a gilded cage.

though he knows that the princess has protectors, and they've made things difficult for his followers over the last couple years, he never gives them much thought. Bowser never imagines that they'd be so determined to protect the princess from him that one of them would disguise himself as the princess and willingly get "sacrificed" to the inescapable dragon cave.

(this was briefly brought up as a potential plan by the brothers, but discarded immediately because they don't want anybody to have to be stuck with a dragon forever, especially not each other. But then they got separated and Luigi was the only one left to protect Peach and they were captured and there was no time to spare and... it was the only thing he could think of.)

Bowser is furious, of course, but what he really wanted was companionship. If this random guy is who he's got, it's who he's got. And the random guy is weirdly optimistic about this whole thing, although he's scared of Bowser he never once stops believing that his brother will be coming to save him. No matter how much Bowser explains that not even a god can get out of this hole, Luigi insists that it's only a matter of time. His brother will come for him.

(he does, of course, freeing both of them.)

And that was as far as I got! I probably won't ever write it because it's too dramatic and also absolves Bowser of most responsibility for the evil done in his name. I like Bowser as a villain who really isn't justified in what he does. That's where the spice is! 🌶

But it's fun to think about Luigi being his usual nice guy self around someone who isn't used to being treated like a person, on multiple levels.

[nicosraf]

I hope its alright to ask for writing tips, i know you have plenty on your plate already so definitely disregard if this is a lot to answer. Was there anything you used that helped you develop characters during the writing process? Like guidelines or tips or even other books?? I wanted to take on writing for fun but I'm quickly realizing there is a lot of,,,, planning and learning that goes along with the writing process. I feel like I have so many ideas and if I don't get them out I will soon explode 🥴

Hello! I always like answering writing questions!

I don't use guides! I've mostly got my own method now, but I've been writing for a long time, and one day, you'll probably have your own method too. I can share with you how I make characters, but try different things! Experiment!

(I also want to emphasize that if you're writing for fun then don't worry about it being good. If you're writing seriously, also don't worry about it being good. Write bad characters, if you want. Do what makes you happy and the work will always be good.)

My rubric for a character, in order of importance (for the most part) is: immediate relevance, themes, arc, background, attributes.

(Note: this isn't the order in which I come up with a character, just how I plot them).

Let me use Rosier as an example of how I typically think of character construction (Note: this isn't exactly how I thought up Rosier)

Initial idea: Lucifer needs a kind figure in his life, maybe someone he lives with. Not Michael. I want him to have a strong platonic relationship. Next idea: Maybe he'll stay kind while Lucifer worsens as a person. Next idea: He should fall but not because of a sin he committed. Next idea: He's older than Lucifer. Next idea: He had a life before Lucifer, too. Next idea: Something, something, fruit. It shows up everywhere in the (imagined) story. Fruit angel? Next idea: Messy, messy feelings about sex.

I start sorting this out as per my little guide:

Immediate Relevance: A platonic relationship for the protagonist, someone who will bring fruits to the Earth. Now what can he bring to this book?

Themes (with an eye for Rosier's relevance to the plot (and its own themes) and the most plot-focused characters' themes): Unconditional kindness, fruit and devil, no ambition, loss of innocence, weakness, not desiring sex (opposed to the theme of others and the book itself), unwillingly creating (while some others are desperate to create), falling from choice, demon who isn't a good demon. How can we structure these themes into a story?

Arc: Rosier, the fruit angel, happily takes newborn Lucifer in. He loves the paradise where nothing ever happens. He has a situationship with the angel who will become the demon of lust. He suffers at Lucifer's hands but forgives him. He loves him. But he doesn't do enough. He suffers at Asmodeus' hands. He chooses to fall. He cares for Lucifer's body. He creates a body for Asmodeus. He follows his friends (again) to a cave of demons. He doesn't want to be alone. He chooses demonhood, despite his kindness. But how can this arc happen to him? (There's a seperate checklist for an arc in my head, with the most important part being "Kill your character." It doesn't have to be literal. Kill them in the sense that they're no longer who they were at the start of the story.)

Background: This arc can only happen because of who Rosier is. And a person is their life, so what is Rosier's life? He was born out of a nova in the sky like a fruit. God hugs him tight, but he won't remember, and God will never meet him, not really. [More about Rosier's background here; this post is getting too long]. What has his background shaped him to be?

Attributes: Is kind, is patient, has learned to be happy with the bare minimum, has learned to make excuses for people. Loves fruits (obviously), likes baking, is fussy. [So on]

You see how all these things build into each other? It's like writing a book in itself. Actually, I think writing a plot and writing a character are very very similar! Because a story is a narrative — a collection of scenes/lines with a beginning and an end, each scene typically affecting the next — and a life is a narrative too — a collection of experiences with a beginning and an end, each experience affecting the next.

You might be curious why "Arc" is above "Background"; again, this isn't the order in which you should come up with a character or anything, but I find that placing big (author-ly) importance on the arc happening in the book/story itself can keep you from falling into the pitfall of "backstory of character is more interesting than what theyre currently up to in the plot." (Also this rubric isn't 100%. Sometimes you have to move the importance of things around. Sometimes a minor character should only have immediate relevance and attributes.)

I hope this is helpful! Good luck!! But please don't worry too much... Just have fun! Write a sexy character and see where they take you

[quekerahkerah]

Reading 'Making Money' at the moment and I love how in this one Adora Belle is so CLEARLY the A-plot character. She's off commanding armies of golems and uncovering secrets from lost civilizations and marches back to town like "Hey Moist, come help me find a wizard to translate this ancient scroll" and he's just standing there giving Spencer from iCarly like "Ummmmm. Does it have to be like, right now...? Only, you see, my dog's just been made chairman of the bank—"

[overtake]

“a sexual awakening so intense it registered on the richter scale” is the single best and most accurate description I have ever heard.

pov: you're 16 years old and doing the final test for your super license ahead of joining f1 as the youngest ever driver. you expect the doubt and hate, and you know you can prove on track why you deserve to be there once you actually get in a car, but until then, you just have to be the subject of everyone's headlines and criticism for a factor you can't control.

then this guy comes along.

race winner who got himself to a top team and is beating his world champion teammate, a cool older handsome charismatic guy with a giant smile and big brown eyes, beloved and kind while still being fiercely talented, competitive, and hungry? the guy who you met in 2011 and who gave you the time of day before you were old enough to sniff at the f1 grid. he's not even going to be your actual teammate (yet), but he still takes the time to tell you he's looking forward to seeing you on the grid when so much of what you've heard is nonstop criticism.

he tells you good luck for your super license with a big grin meant just for you

and this is how it makes you feel.

this is live footage of daniel ricciardo becoming a permanent fixture in max's spank bank. it's one of those foundational crushes you have at a young age that sticks with you for life and unconsciously affects "your type" forever and never truly goes away.

also, i just think everyone should hear the way max very softly says "he's a really nice guy, yeah" with so much affection packed into every word.

how are you not to psychosexually imprint on him? one look at that video and max was ready to risk it all. he's been metaphorically tucking his hair, kicking his feet, and giggling since day one. he found a guy who he could race hard, who would challenge him on track, but who would still make the miserable pr days better for them, who was always laughing at max's jokes every time he did his little glance over to ensure it landed. max is so fiercely loyal to his people, and daniel has clearly earned that trust.

tldr: max verstappen is number one dirlie and if he were on f1blr, he would be writing long posts with onboards, data, and that ☝️🤓 attitude of his explaining in detail why everyone is wrong about daniel, and i hope it haunts all the max fans who get their rocks off to calling daniel a washed asshole loser that max's porn folder is daniel late braking compilations.

[loserboyfriendrjl]

James put on his coat. His stubble had started growing out, yet his glasses were as askew as they always were, a reminder that even though they were changing, at their core, they were still the same.

“I should be back in a few hours,” He said, kissing the top of Lily’s head and ruffling Padfoot’s fur as he ran a hand through his hair. “And then I’ll be home. For the time being.”

Lily hummed, turning her head to kiss his lips. “Take care,” She shouted, as James made his way to the door.

“I always do,” He grinned, blowing her one last kiss before closing the door behind him.

Padfoot nudged her with his snout. Lily looked down at him, grey eyes meeting her green ones.

“Did you want something?” She asked; she still found the Animagus thing amusing.

She had read about it, obviously, but she never considered the transformation process in itself; it was very complicated Transfiguration. Yet, who had considered it were her husband and his friends, who had managed to get the hang of the complicated magic at the age of fifteen, no less. The huge, black dog lying down on her couch, who had previously been napping, was Sirius. Peter was a rat, which seemed quite useless to Lily, and her husband was a bloody stag, out of all things, which had been amusing and how she finally understood the strange nicknames they had given each other.

March came with the blooming of flowers and the feeling of their baby starting to kick. In a rush of excitement, she and James had fully decorated their child’s bedroom in hues of blues and browns, because clearly, if both their parents liked those colours, they were bound to, too, right? And even if it wasn’t so, it wasn’t like changes were impossible. That night, they slept skin to skin and whispered to each other sweet nothings and everything.

Padfoot nudged her side with his snout, and Lily rubbed between his ears, the way James told her he liked it, which made him let out a pleased, low growl.

“Do you want to feel the baby kick?” She asked, looking down at him, although she wasn’t exactly sure whether Sirius — Padfoot — could understand her.

It seemed like he could, though, for he gingerly placed his head on her stomach and waited patiently. Lily smiled, petting the dark fur down his back and scratching him from time to time.

Suddenly, his head shot up, and he looked at Lily with his big, grey eyes. She hummed, smiling.

“Yeah, that’s them. You’re gonna be meeting them in no time, considering I’m about halfway through. Now,” She said, getting up and going to the kitchen, Padfoot following her, his tail eagerly wagging, “would you like something to eat?”

[fettiowi]

Actually you know what was the worst thing sega has ever done to Shadow's character?

Making him a GUN agent.

[the-woman-upstairs]

It’s just…so painful to watch Armand readily submit in order to obtain the love he so desperately craves. And while it’s most assuredly a manipulative tactic, it’s still one borne out of fear and desperation. He cannot lose this person he’s come to love and so will become whatever they want, do whatever they want just so they’ll stay with him. But it won’t be enough. No matter how much he acquiesces or seeks to control (himself, others, the environment), he won’t be able to make Louis stay with him in the perfect life, perfect self he built in the hopes of finally being loved. It will all crumble with Armand left alone in the rubble of what he created, the author of his own abandonment.

[the-knife-consumer]

Grah as someone who does sort of like zelink its just??? Disappointing? Disheartening? That people are SO hellbent on them being an explicitly romantic couple and getting mad at others for being like "oh i just see them as friends :)" and coming onto people's posts where they are portrayed as friends or just close with no romance and being like "uuuum actually theyre MARRIED theyre in a RELATIONSHIP! BC OBVIOUSLY you can NEVER share a house with someone without being married! Zelink canon 😏 cope seethe🔥" like do you understand how painfully annoying that is

[constantvariations]

Watching RWBY Chibi for the first time for this essay and I'm in absolute agony. Do people actually find this funny?