#one of the most important things to ever happen this year

[luna-azzurra]

do you have any advice for writing a love confession without making it grossly cheesy or awkward?

im writing one between long time childhood best friends that are EXTREMELY close and im so stuck

Since these two characters have been best friends for a long time, the confession should feel like it’s built off their history together. Maybe start with a memory that’s meaningful to both of them. It doesn’t have to be a huge, dramatic moment, something small but personal, like a time they supported each other or a running joke they’ve had forever.

For example, one of them could say something like

“Remember that time we got caught in the rain walking home from school, and you made up that ridiculous song to keep me from freaking out? I’ve been thinking about that a lot lately… and I realized that’s when I first started seeing you differently.”

When people confess their feelings, especially in a real and vulnerable way, it’s usually not in flowery language. If you try to make it too poetic or dramatic, it might feel forced. Instead, keep it honest and straightforward. They don’t need to say “I’ve loved you all along” in some grand, movie-like way. Let the confession come out more naturally, almost like they’ve been fighting it for a while and finally just have to get it off their chest.

You could have them say

“I don’t really know how to say this, and it might sound weird… but somewhere along the way, I started seeing you as more than just my best friend.”

There’s no way for this kind of confession to be totally smooth, and honestly, that’s what makes it feel more authentic. They’ve been best friends forever, so there’s going to be nerves, maybe some hesitation or stumbling over words. Lean into that awkwardness, it actually makes the moment more relatable and shows how important it is to them.

Maybe one of them starts talking, realizes they’re rambling, and tries to correct themselves. Like

“Okay, wait, that sounded dumb, let me start over. What I’m trying to say is… you mean a lot to me, more than I’ve probably ever said out loud, and it’s kind of terrifying because I don’t want to mess things up between us. But I’ve gotta be honest, this is how I feel.” The vulnerability in admitting they’re scared to ruin the friendship makes it more heartfelt and real.

This is probably the most important part! These two aren’t just falling for each other out of nowhere, they’ve built this strong, deep friendship over the years. So the confession should acknowledge how much that means to them. Make it clear that the romantic feelings don’t take away from their friendship but add to it.

You could have one of them say something like

“You’ve always been the person I turn to for everything, and that’s not gonna change, no matter what. But lately, I’ve been feeling something more, and I can’t keep pretending it’s not there. I just hope it doesn’t mess things up between us.” This way, they’re emphasizing that the friendship is still the foundation of everything, but they can’t ignore the fact that it’s evolving into something deeper.

Overall, just make sure it feels true to the characters and their relationship. Don’t feel like you have to tie it up neatly with a perfect line or a romantic kiss right away. The beauty of this kind of love confession is that it’s messy and emotional, and it should reflect the complexity of their relationship. They don’t need to have all the answers right away. Let the moment be about the honesty and the fact that they’re finally admitting something that’s been building for a while.

Maybe end with something like

“I don’t know where this goes from here, but I had to tell you. You’re too important to me to keep pretending like I don’t feel this way.” This leaves room for both characters to process what’s happening without forcing a big romantic resolution right away. It’s more about them taking that first step into new territory, which feels more genuine and in line with the close friendship they’ve had for so long.

[drdemonprince]

hey, so this is super random and I’m not sure if you have thought about this but figured I’d ask: (came to my mind after reading your story in *unmasking* about intervening in street harassment)

I’m audhd and it really affects my sensory processing, social/ situational awareness etc since it’s hard for me to discern which stimuli are important in any given situation. I’m also realizing that I never really feel unsafe as a single woman in a dense city environment, even when my friends feel unsafe. Makes it hard to trust my own intuition about that kinda stuff since everyone I know apart from myself has that experience.

Question is, do you happen to have any info/ best practices about situational awareness and judging the danger of potentially sketchy situations? Walking around the city at night, creepy rural gas station, online hookup, greyhound bus alone etc.

Everything online says “trust your intuition” but my intuition always says “ehh it’ll be fine” lol.

The truth is, it usually WILL be fine. Most people's *~magical crime and danger intuition~* is a combination of true crime slop, inaccurate media coverage of the crime rate inflating their anxieties, and classism and racism. The vast majority of crimes are not committed by random strangers lurking in the dark, but between individuals who know one another and in circumstances that are at least somewhat explicable, and so you do not need magic empath powers to determine if you will be safe somewhere or not.

The way you keep relatively safe is by informing yourself of the facts, not the hype -- look up the actual crime statistics for your area, for example, though be highly skeptical of them. These figures are collected by the police state and we cannot trust them to define what safety or unsafety even IS, as they are the source of the danger for the majority of us. What they classify as crime and where they bother to enforce crime is highly skewed, and itself can create massive misapprehensions. So make sure to also speak with people in the communities you are visiting about what happens to them and the general vibe. Also spend a lot of time out in your community yourself, observing things, talking to people, hanging out, maybe volunteering, and learning the lay of the land. You'll have more people around to help you if you ever need it, and you'll find more occasions where your help is needed, too!

Follow some basic, common sense advice to avoid making oneself especially vulnerable, but don't over-isolate yourself. Things like keeping one earbud out of your ear when walking home alone at night and not keeping a purse open on the train are always sensible maneuvers; carrying pepper spray or a gun that will more likely be used to harm you is not. Learn how to de-escalate people if you don't already know -- acting calm, making your posture non-threatening but confident, moving slowly and predictably, avoiding provocative eye contact, changing the subject of conversation, engaging a victim of harassment and pretending to know them in order to drag them away from a bad situation, etc. These things will be helpful to you if a situation arises, and the more prepared you feel, the less anxious you ever have to be.

Honestly, moving through the world with a "this feels fine / seems fine" energy is ITSELF massively protective. I have ALWAYS walked around alone at night, even when I was a small 18 year old "girl," including in areas where the majority of women of my then-demographic would have not felt "safe" going out on their own. By and large, I was completely fine. People really don't want to mess with you if you seem like you have a handle on your shit and are not afraid of them.

The worst that ever happened to me was a guy grabbing my tit -- in broad daylight on a sunday on a train packed full of people. It really couldn't have been avoided. And a guy flashing me -- again in midday in a family oriented neighborhood many would deem safe. I survived these things, and I defended myself by getting aggressive with the guys who did them, and physically attacking them, which scared them off. I'm glad I did what I did, and I'm glad I wasn't so intimidated by the possibility of scary stranger danger that I kept myself sequestered away.

The few other times anyone made me uncomfortable, it was things like leering comments or walking alongside me for a block, hitting on me (sometimes, yes, late at night), but because I was able to be assertive, unbothered, and stand my ground, the guys always gave up or were scared off (by me). And this reaction from me is one I largely credit to having no instinctual "stranger danger" crime intuition of the sort most white women are conditioned to have.

In short, I think your instincts might be more accurate to reality than your friends' are. It's good to look around and pay attention to things, to learn to recognize patterns, to study one's area, to speak to people in your community and know what's going on, and to prepare oneself for hard situations, which WILL happen to you sometimes no matter what you do. but the world is rarely as scary as it's made out to be.

[f1ghtsoftly]

my head is scrambled but in Kate Manne’s “The Logic Of Misogyny” she put to words something I always, always knew was true.

Most of the time Men don’t hurt women for no reason, they punish women who assert themselves/their personhood. Misogynistic violence is a punishment, it’s a form of conditioning to get women to behave submissively towards men. To punish women for existing in public without male protection. To punish women for daring to think her intellect, athletic or artistic achievement could come before her sex.

I don’t present super femme anymore or hang around men outside my family basically ever-but when I did I was frequently targeted for sexual assault, usually by men who were frustrated they were attracted to me but couldn’t have me. They felt like I was taunting them-but asserting my right to exist as someone they were attracted to/without any sort of male protection or a male protection that didn’t involve sexual favors/submission. That wasn’t an accident, I’m sure if I meekly cowered behind a big boyfriend, I’m sure if I stayed inside, I’m sure if I didn’t assert myself as extraverted, intelligent, funny or charismatic those men would have left me alone-but that would have meant hiding myself from the world, hiding myself from other women and to me that was a bigger loss than a ‘lil danger. I made choices as a young person that I knew with certainty would bring me in closer proximity to men who wanted to hurt me, I decided that living a freer life was better than living a safe one. I don’t necessarily regret my assessment of patriarchy, I am sad that the price you pay for being an independent woman (in a social sense) in public is assault. I don’t blame women who think their safety is more important than making a statement. I’m sad for us both. I’m grateful I was able to find feminist communities because victimization isn’t just something casual you can shake off, even if it feels like men constantly target you/women in general.

Assault doesn’t just roll of your back either. It hurts. In the moment and for years afterwards it hurts. It’s always senseless. Always dehumanizing to the extreme. Always enraging. Always profoundly violating. Always a shock. I struggle to reconcile what I know about rape with what I know about people. I know people can be cruel, unthinking, insecure. I don’t know how someone can plot the rape of a friend or a stranger who has done nothing to deserve it. I don’t know how men can secretly tape their lovers, manipulate a young woman into sex she doesn’t want or do any of the things men do consistently or routinely. I don’t know how a boy could look at the face of his too drunk friend and go “this is my opportunity to have my way with her” instead of putting her to bed. Carelessness, thoughtless is easy to imagine. Conscious cruelty is not. Men know what they do and they either don’t care or like it.

I’m crying in a park in my Dad’s pickup truck. “There are worse things than this, you didn’t die-you’re alive” He says “this wasn’t your fault, I just want to keep you safe and what happened to you isn’t something I can control even though I wish I could”. “I’d feel better if you lived in Austin, because their self defense laws are better, there are lots of gay people there too”

He makes me laugh. I won’t move to Texas. He’s right, it’s not my fault, and helping me get better at self defense helps him feel like he can do something and while self defense does help-it’s not a perfect strategy. The misogynist’s prerogative is to snuff out the life force of the woman he interacts with, the only way to stop him from trying to do that is to become apart of the living dead. Even then, he’ll get your corpse.

There are worse things than rape in this life. A woman alive is better than a woman dead. I guess, but what life is it when constantly forced to battle for your right to live? When at a moments notice you can be filled from the inside out with death. Rotted from your insides out. I wish New York would let me have a gun. I wish I could make men afraid and polite in my presence the way I feel afraid and polite in theirs. I’m so tired of this.

[thoseyoulove]

"There is Lestat, first and foremost, the author of four books of his life and his adventures comprising everything you could ever possibly want to know about him and some of us. Lestat, ever the maverick and the laughing trickster. Six feet tall, a young man of twenty when made, with huge warm blue eyes and thick flashy blond hair, square of jaw, with a generous beautifully shaped mouth and skin darkened by a sojourn in the sun which would have killed a weaker vampire, a ladies' man, an Oscar Wildean fantasy, the glass of fashion, the most bold and disregarding dusty vagabond on occasion, loner, wanderer, heart-breaker and wise guy, dubbed the "Brat Prince" by my old Master - yes, imagine it, my Marius, yes, my Marius, who did indeed survive the torches of the Roman Coven-dubbed by Marius the 'Brat Prince,' though in whose Court and by whose Divine Right and whose Royal Blood I should like to know. Lestat, stuffed with the blood of the most ancient of our kind, indeed the very blood of the Eve of our species, some five to seven thousand years the survivor of her Eden, a perfect horror who, emerging from the deceptive poetical title of Queen Akasha of Those Who Must Be Kept, almost destroyed the world. Lestat, not a bad friend to have, and one for whom I would lay down my immortal life, one for whose love and companionship I have ofttimes begged, one whom I find maddening and fascinating and intolerably annoying, one without whom I cannot exist.

[...]

But Lestat was calling. Lestat was, or so he claimed, afraid. I had to go. The last time he'd been in trouble, I hadn't been free to rush to his rescue. There is a story to that, but nothing as important as this one which I tell now. Now I knew that my hard-won peace of mind might be shattered by the mere contact with him, but he wanted me to come, so I went.

[...]

Of course I knew the very moment that he left this world. I felt it. I was in New York already, very near to him and aware that you were there as well. Neither of us meant to let him out of our sight if at all possible. Then came the moment when he vanished in the blizzard, when he was sucked out of the earthly atmosphere as if he'd never been there. Being his fledgling you couldn't hear the perfect silence that descended when he vanished. You couldn't know how completely he'd been withdrawn from all things minuscule yet material which had once echoed with the beating of his heart. I knew.

[...]

I didn't fear for Lestat, not really. I had no hopes for his adventure, except that he would appear sooner or later and tell us some fantastical yarn. It would be regular Lestat talk, for nobody aggrandizes as he does his preposterous adventures. This is not to say that he hasn't switched bodies with a human. I know that he has. This is not to say that he didn't wake our fearsome goddess Mother, Akasha; I know that he did. This is not to say that he didn't smash my old superstitious Coven to bits and pieces in the garish years before the French Revolution. I've already told you so. But it's the way he describes things that happen to him that maddens me, the way that he connects one incident to another as though all these random and grisly occurrences were in fact links in some significant chain. They are not. They are capers. And he knows it. But he must make a gutter theatrical out of stubbing his toe. The James Bond of the Vampires, the Sam Spade of his own pages! A rock singer wailing on a mortal stage for all of two hours and, on the strength of that, retiring with a slew of recordings that feed him filthy lucre still from human agencies to this very night. He has a knack for making tragedy of tribulation, and forgiving himself for anything and everything in every confessional paragraph he pens. I can't fault him, really. I cannot help but hate it that he lies now in a coma on the floor of his chapel here, staring into a self-contained silence, despite the fledglings that circle him for precisely the same reason as I did, to see for themselves if the blood of Christ has transformed him somehow and he does not represent some magnificent manifestation of the miracle of the Transubstantiation. But I'll come to that soon enough. I've ranted myself into a little corner. I know why I resent him so, and find it so soothing to hammer at his reputation, to beat upon his immensity with both my fists. He has taught me too much. He has brought me to this very moment, here, where I stand dictating to you my past with a coherence and calm that would have been impossible before I came to his assistance with his precious Memnoch the Devil and his vulnerable little Dora. Two hundred years ago he stripped me of illusions, lies, excuses, and thrust me on the Paris pavements naked to find my way back to a glory in the starlight that I had once known and too painfully lost. But as we waited finally in the handsome high-rise apartment above St. Patrick's Cathedral, I had no idea how much more he could strip from me, and I hate him only because I cannot imagine my soul without him now, and, owing him all that I am and know, I can do nothing to make him wake from his frigid sleep. But let me take things one at a time. What good is it to go back down now to the chapel here and lay my hands on him again and beg him to listen to me, when he lies as though all sense has truly left him and will never return. I can't accept this. I won't. I've lost all patience; I've lost the numbness that was my consolation. I find this moment intolerable."

THIS CHAPTER ISN'T OVER YET AND IT'S ALREADY PEAK INSANITY OMG

[oswildin]

Debated making this, but oh well, here we are…

I rewatched the Loki series.

Going to add here quickly that I have been a fan of Loki since 2012/2013, and I personally relate to his character for a multitude of reasons.

Now, I enjoy the series, but I wish they made it more character focused than they had. I do feel like they prioritised story in terms of making it fit the next phase over exploring and expanding on Loki’s character to some degree (a lot of it was surface level).

For example, I would’ve loved to have seen:

Exploring Loki’s Jotun heritage, even if it was a variant of him in the void that embraced it, dropped his aesir form, a conversation between Loki and his Jotun variant as they explain why they chose to embrace it, giving a different view to maybe how our Loki sees himself/the Jotuns. If ‘What If’ could have a frost giant Loki variant, why couldn’t the show?

Expanding upon what happened to Loki during that year after his fall from the Bifrost. The reason for this is self explanatory really, it would add more lore/depth to his experiences/actions during the Avengers. Maybe address the trauma he has from it.

Loki fighting with his so-called ‘desire’ for a throne more. By this I mean, I felt he flipped pretty quickly from his plan to overthrow the time keepers to just following along with Sylvie - which is fine, but I kinda thought there would be more push back from him. I get it was a life or death situation and Loki’s whole thing is ‘survival’, but it would’ve added to their dynamic and the fact the writers clearly wanted to push how Sylvie was different to other Loki’s.

Exploring Sylvie’s backstory more. It really did feel like it was an afterthought, which is a shame. I suppose they left it ambiguous for certain reasons, but I think they should’ve had more flashback scenes of what Sylvie could remember. I think it would’ve helped people understand and relate to her more. (I do love her though).

Actually showed Loki’s gender fluidity & shapeshifting ability more. Again, self explanatory really & important to his character, plus the whole implied only ‘woman variant’ thing with Sylvie should’ve not been a thing, like at all.

They should’ve given Loki more time to process everything. This show really should’ve had 8 episodes each season, I get that’s not the writers fault, likely Disney/marvel’s doing. Perhaps then the shift in his character wouldn’t have felt so jarring, especially considering he’s 2012 Loki. I do agree they wrote him as if he was Ragnarok!Loki, and that’s not necessarily a bad thing, but it just felt jarring considering the last we saw of this Loki was Avengers. But then I could also argue that maybe he thought ‘what’s the point of it’ because the TVA know everything about him, but I digress.

Used Sylvie more in S2. It did feel like they didn’t quite know what to do with her, her and Loki clearly just needed to sit and discuss the citadel fight, but the closest thing we got is in EP3 where Sylvie says ‘this is all rather familiar, isn’t it?’, referencing their different/opposing opinions on the TVA/He Who Remains. And also maybe the pie room scene, but it’s very vague/not directly addressed.

Explored the fact that Mobius is not a good guy more. Because, he isn’t. And that’s okay. To me, the whole point of the show is based on Loki’s quote of ‘no one good is ever truly good, and no one bad is ever truly bad’, and whilst they do reference Mobius’ own morally grey actions/traits, they don’t particularly make it clear and most just see him as this ‘happy go lucky old man who likes pie and loves Loki variants’. In fact, I actually really liked the scene where Sylvie confronts him - which is a very unpopular opinion to have it seems, lol.

Delved into the psychology of Loki further than surface level/what we already know about him. Yes, we know he’s the God of Mischief. Yes, we know he isn’t evil. Yes, we know he is redeemable. Yes, we know he’s cunning, manipulative and selfish. We get that he projects this ‘illusion’ of himself, but it was only really mentioned in S1 EP1, maybe slightly EP2, before it’s never really mentioned again. I suppose S2 does this to a degree with the bar scene and EP5 of S1 in the time cell with Sif - also I think they tried to take the narcissist angle from the pov that it’s because of his low self-esteem as to why he needs validation and it’s a defence mechanism, but they didn’t particularly make that clear and made it seem like he just thinks highly of himself.

I know it seems like I have a lot of issues with the show, and I do, but I still enjoyed it. It’s okay to be critical of a piece of media and still enjoy it.

I do prefer S2 to S1, mostly because I prefer the direction they took it in and whilst I, of course, wanted better for Loki, I can’t deny S2 EP6 is a stunning finale. I sobbed so hard during the ending and still feel the grief that I actually lost someone I knew personally. But I also have hope that this means Loki is now a main player in the next phase (am I delusional? Maybe).

I enjoyed the dynamics, the back and forth/chemistry, the story was interesting, the set & costume design, the acting, the directing/colour grading, the music (Natalie Holt, you are genius), the emotions, the fun, the characters…

So this is not a hate post by any means, I will once again state, I enjoyed the show. But, I do have issues with it, and that’s okay too.

Please, dni if you’re just going to be argumentative or confrontational. I also don’t want to hear that just because I enjoyed the show that I’m ‘not a real fan’ lmao. I’m sorry, but I’ve been a Loki stan for over a decade, and I will not have someone tell me I’m not a real fan because of a piece of fictional media. Also, please do not mention anything regarding ships on this post, I do not care for it because it always ends up in arguments and I am a multishipper so I don’t tend to fight for any side. Thank you! :) /gen

[rowanisawriter]

10 years, 10 stories

2024 is my 10th year on ao3. i’ve been writing for a lot longer than that and have had some years where i didn’t write anything at all. in a way ao3 is like a timeline for me or a diary, i can track my adult life with it. i wanted to pull like 10 stories that i’ve written over the course of these past 10 years that i think kinda define me

1. fantasy and fallacy (young justice/dc)

this isn’t my most popular young justice fic but it is my favorite. i wrote it a long long time ago and copied it into ao3 when i first got my account. looking back on it now it’s when i started developing what i think is now my true writing voice, focus on emotions and atmosphere rather than dialogue or plot strictly speaking

2. runner (assassin’s creed)

this is the first thing i wrote that felt experimental, free form before i understood what that really meant. i write like this all the time now and love it, but it felt really novel to me at the time

3. lucky one (avatar/legend of korra)

i’m still proud of this fic, i always remember the feeling i had writing it, how i was exploring something really emotional and strange. it’s about the relationship between siblings, jealousy, maybe even hatred. i have a complicated relationship with my own siblings and this story helped me untangle some of the feelings back when i was in the middle of it

4. heretic (bg3)

this story connects a lot of my favorite things about my writing—religious themes, selfish and power hungry characters, flowing and rhythmic prose, it feels like one of The stories for me tbh

5. self aware (mass effect)

i think this is my most important story because i wrote it after a 6 year writing break, when i had completely given up on ever writing anything again. i had just had my baby, i was fighting for my life with post partum depression, covid etc, it felt like the world was ending. so i wrote this and in some ways it fixed me, it fixed everything

6. butterflies (dragon age)

i’ve written so many dragon age fics but this one is important because it was my first multichap ever! i realize now i like these short multichaps where each chapter has its own theme (usually the chapter title) and now i do this all the time but butterflies was the first

7. real world (stardew valley)

not sure where this one came from lol i have a lot of feelings about being a parent, about the life i chose when i became a parent, how tiring it is, how unprepared i was even though i wanted it, all of that is distilled into this fic that i very much wrote for myself

8. starry-eyed (bg3)

i like to read poetry but haven’t written any before, so i try to infuse my writing with the rhythmic style i like to see in poetry. starry-eyed feels like it hit that rhythm i look for while still holding onto some semblance of plot lol i’m very proud of it

9. the fall (hades)

weird writing, allegory, symbolism, mythology, these are my favorite things to read and it just so happens the bible is full of that lol so i rewrote lucifer’s fall as a short thanzag fic and rereading it now feels so natural, i feel like i was born to write like this

10. glass slipper (classics)

i usually prewrite an entire story before posting it. for this one, i had about half down and a vague outline for the rest and it was an experiment kind of, to post and just go with the flow, and it worked, i didn’t abandon it, i felt connected to it the whole time while people read and liked it, and now i feel like i trust myself more as a writer tbh

[sherlock-is-ace]

the imposter syndrome i feel every time i even slightly think i might be autistic is insane, specially for a person who highly relates to the lived experiences of people who are professionally diagnosed.

Like I was just watching this one youtuber, and she was talking about very specific examples in her life and childhood where she saw autistic traits that made her realize she was autistic and then seek a diagnosis and then get one, and everything she was saying was like she was describing my life! But yeah no, I can't be autistic tho

[pilots-ghost]

The ArchiveDilfs Twitter poll results were released today, and I am very sad to announce that Ben Willbond has not made it to the top 50 ☹️

Top tier dilf in my heart tho 🫶🫶 💞

[cuteniaarts]

What if… Suiren in Vaatu’s colours 😳👀

[luvsavos]

random vent(?) in the tags, feel free to ignore i just have a lot of pent up emotions to get out today apparently

[mintmentos]

The Grace Year / Yellowjackets venn diagram that’s almost a circle >>>

[pepprs]

today is the last day of one of the hardest and heaviest years of my life (i.e. my first year in this job) and also the last day of me being contractual / contingent (i.e. not a permanent employee which has been fine but also fucked me up just in the wording of it). i don’t think the horrors will relent just yet but i hope so sincerely that they ease soon and that this next year will be kinder and less turbulent and that i will be stronger for what i experienced this year

[tovaicas]

I literally can't believe you do not get a one-on-one section or conversation with estinien until the VERY END OF THE GODDAMN EXPAC

[robocops-a-christ-allegory]

Thinking about Berserk again. I havent read any of the new chapters because Miura's death kind of got to me really bad so thinking about or talking about berserk at all just made me really depressed and I think I probably havent even looked at it since he passed (after I used to reread huge chunks of it like every week) but now its been like two years and Im thinking I should just accept it and give the new stuff a shot.

One thing I am always thinking about though is how Miura's death effected discussion around Berserk and how much it will continue to effect discussion. Like, I always felt Berserk never got enough criticism. You can search Berserk on here and find all my old posts complaining about how everybody was jumping the gun on calling it One Of The Greatest Manga Ever when it wasnt even done and at the time most people were convinced it hadnt been good since like what, conviction arc? And that was back before Kentaro Miura died and his death has only made the discussion even more like "Berserk is a beautiful wonderful masterpiece and anyone with problems doesnt GET IT".

So like I stopped reading under the idea that no matter what happened it wasnt gonna be what REALLY shouldve happened, now I think thats kind of unfair and maybe I should give it a shot, but I think that idea is gonna be influencing how people talk about a manga that was already being given alot of undue praise and adoration from people who seemed to mostly never have actually read it and had nothing more interesting to say about it beyond it being the manga that popularized the idea of a guy with a big big sword. I dunno.

[magentagalaxies]

idk why my brain decided folding laundry while listening to rollercoaster by bleachers at 11:26pm was the perfect conditions to finally process the fact that other girls is going to be finished in less than three weeks but im genuinely gonna lay motionless on the floor letting all these feelings wash over me rn????

[myheartxmyman]