Spoilers ahead for the finale!
An aspect of the final battle that got lost after Viola's amazing attack, was the fact that Tula nearly killed her son. And that, I think, is something I would really like to delve my teeth into, to properly look at what happened.
The thing that struck me the most during Tula's attack on her son, was that Jaysohn did manage to snap her out of it. In the context of the story, Jaysohn grappled his mom to get her to stop, and even after getting viciously bit by her, he still managed to get her back to herself. He managed to get to his mom fast enough, and used himself to protect the others from the mindless being Tula had become. And, even when faced with near death, this little kid manages to get back up and attack the creature that did this to his mother. Not once did he blame her, having understood enough about the situation to realise his mom was not in control. He knows, he understood, that this was Phoebe, not Tula. And so, the moment he is able to free his mom, still wounded and near death's door, he goes after Phoebe so that his mom won't be taken again.
Tula, however, was aware of everything she did to Jaysohn. She was painfully aware of how badly she hurt her son, how she nearly killed him. And, as Brennan describes;
She is broken, in a way she has never been before. She nearly killed her baby, used as a puppet because she's alive when she should have been dead. The Blue that keeps her alive is what nearly caused her to kill her son. Tula nearly lost everything, yet, once more, it was hope and love that brought her back once more. Her son brought her back.
However, she was silent for the rest of the battle until Phoebe finally fell, and Jaysohn nearly died. She was quiet, too horrified with what she nearly did. Perhaps, had more time been afforded to that moment with Tula and Jaysohn before he decided to retaliate against Phoebe, there would have been...something...that went on. A focus on the fact that it was Tula who went for another member of their family, whilst Ava went for the ground and the reactor. What would that do to her, I cannot help but wonder. What did that do to her, in the immediate aftermath, when she could slow down and process what happened. She must live with the knowledge she nearly killed her own child, and that, had he been just a little weaker or just a little slower, she would've succeeded. She might have been able to bring him back, like she did with Sybil...but she would have to live with the knowledge that she took her son's life. And that thought is horrifying.
Yet, it makes her gentleness with Lukas later all the more significant. Even with the blood of her son on her hands, she still chooses to hope for a better tomorrow. She still chooses to give Lukas - and herself - another chance, another tomorrow. Bad things could have happened, but they didn't, and they all made it out. The "what ifs" will remain in the shadows, in the nightmares, but in the daylight, she will keep her head high. It doesn't lessen the impact of her deeds or her burdens, but it can make them bearable. And, with the addition of her son's refusal to blame her, it makes it just the little easier. She deserves a new tomorrow, too.
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You are all going to block me but I just realised that I do low-key ship Aether/Lumine.
Hear me out.
It's the plot of so many myths. The best known is, of course, Izanami and Izanagi's story (the whole reason why siblingcest is so popular in Japan. same level of cultural importance as the madonna/whore complex for Christians), but there are also Fu Xi and Nuwa, Sun and Moon gods of the Inuit mythology, a bunch of Greek gods, a bunch of Egyptian gods too iirc.
Old cultures that had god-kings (some dynasties in Egypt and, as we discovered recently, Ancient Ireland) considered marriages between siblings a norm for them specifically and something to be frowned upon or at least unusual for everyone else.
You can't convince me the twins were not god-rulers in some faraway world (they also found it so boring that they don't do it anymore. actually, I'll stand by this headcanon even without shipping them).
Celestial beings that already are one and the same in some sense. Twin stars.
The symbolism just does something to me.
I wish I could say this is not about boring human sex (they are interstellar eldritch beings anyway. merge your photons my funky little sibcons, as Ray says) but nope, I think their interactions can easily take the form of boring human sex too.
(it's just not the main thing they have going on)
I'll show myself out.
P.S. there's also a bonus: all Traveler ships are now threesomes
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i can't believe there's still people out there who genuinely think Ochako would "kill Toga on sight" at this point
like, okay, there's the anime-only people who aren't aware of manga developments or are actively avoiding spoilers, and of course there's all the people who clearly stopped giving a shit ages ago (yet somehow still feel completely secure making blanket declarations about a franchise they no longer keep up with???)
but even then, and even if you're not a shipper or just don't like the characters-- how can anyone have ever believed that makes any sense ever? like we're not even talking self-defense apparently? just "on sight"? who do you think Ochako is, the Punisher in pink?
like i don't think i'm especially media literate myself, but-- how is it possible for people to be this bad at reading where a narrative is going?
because of course that's exactly what the Togachako plotline was leading up to, clearly the ultimate endpoint of developing Toga Himiko as a sympathetic villain important to Ochako's heroic actualization was a teenager unquestioningly enacting the extrajudicial murder of another teenager
that's exactly what MHA is all about, right? that's the sort of person Ochako is, the kind of hero that she wants to be? that's definitely good storytelling and not at all inane or grotesque? ugh
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not to be all "what if death note was rly edgy !!!!" but genuinely kind of sucks that the default way death note kills is not very violent. for a show w such a distinct edgy dark goth aesthetic its really incredibly tame. i need light yagami to be getting blood all over her hands, ripping ppls organs out of their bodies etc all while she mumbles to herself that this is for justice. i have to its for justice. the death note should turn people into blood eagles and light should secretly find it beautiful and angelic. she has to do it in the name of justice its not her fault it hurts. i want her to cleanse the world in pain and blood not just bodies
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Me: And you see, here’s the thing, right? Here’s the thing. While it’s fairly reasonable to assume that Ignitor—who is canonically stated to distrust and despise all witches—would dislike Hex for no other reason than her simply being a witch, I think what’s missing from this take on their hypothetical dynamic are all the things that they have in common. Now, I don’t doubt that Ignitor would be wary of Hex at first. But I also think that over time, he’d be able to shake off his bias and grow to really cherish Hex as both a teammate and a close friend, especially because they share so many of the same traumas. See, becoming Undead was not Hex’s choice. She had her life taken from her by Malefor, the Dragon King. Once she was cursed, people began to fear her. People began to hate her for reasons completely out of her control. She began to hate herself. She began to mourn the life she’d lost. She doubted she could ever be happy with herself again. And then you have Ignitor. Ignitor didn’t start out as a flame spirit. He also got cursed, just like Hex. And coincidentally, he lost his body during a battle with a dragon as well. He too grew to loathe what he had become. He didn’t feel like himself anymore. He wasn’t sure he would ever be able to accept his fate. But slowly, these two characters not only learned to love themselves, but they also began to realize the amount of love people still have and will continue to have for them. For so long they had believed that their curses made them unloveable and monstrous, but over time, they came to realize that they’ve always been worthy of love and always will be worthy of love. Hex and Ignitor’s journeys are so similar. Their experiences are so similar. I lose my mind thinking about it. Did the author of their character bios even notice the parallels? Did they realize the fact that—
The burglar who has broken into my house: They’re mirror images. They’re the coalescence of sword and sorcery. They’re two lines of poetry that end in rhyme.
Me: They’re two lines of poetry that end in rhyme!
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