#or just talking in circles

[worldwithoutmiracles]

Feeding My ADHD

grocery shopping, cooking, and eating is a constant struggle for me, like it is for many people with ADHD. it’s so mentally draining to feed myself, which leads to the ““hilarious”” cycle where I put it off, thus becoming physically exhausted, which increases my mental exhaustion, which leaves even less energy to feed myself, and so on and so on until I either pass out or order takeout. and when I do go out to eat, in an attempt to get some dopamine, I’ll base my purchase entirely on novelty (spicy, sour, or unbearably sweet food; eating food with a theme or based on a recent fixation; trying a new ingredient I’ve never eaten; ordering the thing on the menu I can’t pronounce; eating from nostalgia from childhood; insane food combinations [e.g. got a kimchi and peanut butter sandwich yesterday]; something with bright colors, bonus if rainbow; something over-the-top or actively on fire; the house special; three courses, etc.).

I’ve been wondering if there is something specific about eating that aggravates my executive dysfunction.

I think a big part of it is that “food” is always somewhere on my to-do list, and I never actually get to check it off. as much as I might put off making a phone call or taking out the trash, at least once I do it, it stays done, either forever or at least for a few days, long enough for even my time blindness to register. after doing the task, there is a time where I am free, and the task gets to be “done” in my brain. but food! give it 4 hours, and no matter how good you’ve done “food”, you’ll have to do it again. every day. multiple times a day. there is no escape from it, and it’s horrible. I fall into intermittent fasting and eating only one meal a day naturally, just out of mental fatigue.

I get very anxious and always feel like I’m wasting money when I shop for groceries or go out to eat. it feels like chucking money into a furnace. it feels like a waste, even though it, y’know, keeps me alive. which made me wonder: does some of my struggle to feed myself ultimately come back to low self-value?

after all, paying for food is exactly like chucking money into a furnace, where the furnace is my body and as long as the fire burns I stay alive. staying alive is a good thing (citation needed). if I don’t appreciate being alive, then of course I will never get a sense of accomplishment from feeding myself, just an anxiety that I’m wasting money on something without ever actually achieving it. if I saw eating more clearly, as the life-sustaining action it really is, and if I more actively valued being alive... I think part of my problem is that I don’t currently care enough about my health, happiness, comfort, and right to exist to make the time and space and budget to feed myself every day.

it’s hard for me to see value in every day. I have a lot of days where I jump from distraction to distraction, just trying to avoid my thoughts and make time pass in hopes tomorrow will bring some epiphany or better brain chemistry. it makes sense that on days like that I would see little value in eating to stay alive. maybe if I find a way to live a life I’m proud of, to have more good days, I will find a will to feed myself. but in the meantime, I thank god for Cap’n Crunch (o cap’n my cap’n)

[averaillisa]

I think they should be insufferable together. actually

[chloesimaginationthings]

FNAF movie Mike is suspicious of Lefty…

[kizzer55555]

DP x DC: The Most Dangerous Card Game

Ok so Danny has essentially claimed earth as his. And he is fully aware that there are constant threats to the planet. Now he can’t stop a threat that originates on earth (that’s something he’ll leave to the Justice league) but he can do something about outside threats. Doing some research on ancient spells, rituals, and artifacts, he cast a world wide barrier on the planet to protect it from hostile threats so they cannot enter. This will prevent another Pariah Dark incident. However, barriers like this come at a price. You see, there are two ways to make a barrier. Either make one powered up by your own energy and power (which would be constantly draining) or set up a barrier with rules. The way magic works is that nothing can be absolutely indestructible. It must have a weakness. The most powerful barriers weren’t the ones reinforced with layer after layer of protective charms and buffed up with power. Those could eventually be destroyed either by being overpowered, wearing them down, or by cutting off the original power source. No, the most powerful barriers were the ones with a deliberate weakness. A barrier indestructible except for one spot. A cage that can only be opened from the outside. Or that can only be passed with a key or by solving a riddle. So Danny chooses this type of barrier and does the necessary ritual and pours in enough power to make it. And he adds his condition for anyone to enter. 

Now the Justice league? Find out about the barrier when Trigon attempts to attack, they were preparing after he threatened what he would do once he got to earth. How he would destroy them. The Justice league tried to take the fight to him first but were utterly destroyed, so they retreated home to tend to their injuries, and fortify earth for one. Last. Stand. Only when Trigon makes his big entrance…he’s stopped.

The Justice league watch in awe as this thin see-through barrier with beautiful green swirls and speckled white lights like stars apears blocking Trigon and his army’s advance. The barrier looks so thin and fragile yet no matter how hard the warlord hits, none of his attacks can get through and neither can he damage said barrier. That’s when Constantine and Zatanna recognizes what this barrier is. Something only a powerful entity could create. For a moment, the league is filled with hope that Trigon can’t get through yet Constantine also explains that it’s not impenetrable. And clearly Trigon knows this too for he calls out a challenge. 

And that’s when, in a flash of light, a tiny glowing teenager appears. He looked absolutly minuscule compared to Trigon and yet practically glowed with power (this isn’t a King Danny AU though).

And that is when the conditions for passing the barrier are revealed. And the Justice realize that the only thing stopping Trigon and his army from decimating earth. The only way he can get through….is by beating this glowing teenager in a card game. 

Not just any card game though. The most convoluted game Sam, Danny, and Tucker invented themselves. It’s like the infinite realms version of magic the gathering, combined with Pokémon, and chess. And Danny is the master. So sit down Trigon and let’s play.

(The most intense card game of the Justice league’s life).

After Danny wins, this happens a few more times with outer word beings and possibly even demons attempting to invade earth, yet none have been able to beat the mysterious teenager in a card game. Constantine might even take a crack at it and try to figure out how to play. He’s really bad though. Every time this happens, the Justice league worry that this might be the time the teenager looses. Yet every time, he wins (even if only barely). 

Meanwhile, Danny, Sam, and Tucker have gotten addicted to the game and play it almost daily. Some teachers might seem them playing the game are are like ‘awww how cute’ not realizing this game is literally saving the world. Jazz is just happy they aren’t spending as much time on their screens playing Doomed.

[twilightcitysky]

Hypothesis: Aziraphale HATES that Crowley is living in his car.

Supporting evidence:

The very first thing we see him do in the present is stop Maggie from moving out and making sure she feels welcome to stay as long as she likes.

He clearly knows Crowley’s unhappy before anything happens in the plot: “Does it calm you down?”. And also clearly feels helpless about it. Enter the conspicuous Eccles cakes: Aziraphale’s offer, which is rejected.

Crowley’s obviously, for all his hedging, spending a lot of time at the bookshop— so much that he has his own glasses perch and feels immediately comfortable removing them. See also: “Technically my bookshop but we both get plenty of use out of it”, “Why don’t you wait inside? You like waiting inside”.

It’s Crowley who immediately shoves the box of plants into Aziraphale’s arms after Aziraphale returns from Scotland.

Speaking of Scotland, why wouldn’t Aziraphale take the train? Why insist on driving the Bentley? Is it perhaps because he wants to get Crowley and his plants into the shop, and thinks if he creates a situation where Crowley has to stay there, maybe he won’t immediately leave again?

He’s got an empty bedroom and an apparently pathological need to make the person staying there very comfortable, creating cute little customized souvenirs like he’s an Air B&B host (displacement!).

He immediately jumps to having Gabriel stay with him— he didn’t have to. Arguably, both Gabriel and Aziraphale would be safer if Gabe stayed elsewhere.

That’s what I’ve got for now but I’m sure there’s more. Throughout the show, watch what Aziraphale gives to others and does for others, and it’ll tell you what he wants to do for Crowley. He’s living so deeply in displacement in makes him come across as manic and brittle.

(What probably happened is Aziraphale offered the spare bedroom and Crowley, who unconsciously didn’t want to be his roommate or sleep in a single bed with Aziraphale right downstairs because how could the poor lovesick boy cope with that, told him he wasn’t a “good deed” for Aziraphale to do and stormed off.)

Conclusion: Aziraphale asked Crowley to stay at his place, immediately and probably repeatedly. They had a row about it, and Crowley refused, and to this day Aziraphale doesn’t understand why.

And it hurts him.

[ruporas]

asking and receiving (bonus below readmore)

[ID: A black and white, digital Trigun comic of Vash and Wolfwood. In the first panel is a close up of Wolfwood's mouth as he says, "Vash". Accompanying it is a close up shot of Vash's eye, widen and cheeks flushed. Wolfwood presses a knee against the open space between Vash's legs and says, "Tell me everything you want from me." Wolfwood's face is equally as flushed. He continues to say, "I'll give it to you. Everything." As he talks, a wide shot shows the both of them in white space. Vash is sitting, leaning a little back with both hands pressed against the surface he's sitting on. Wolfwood is in his white dress shirt, stripped of the blazer. He's still leaning in with one knee in between Vash's spread legs, his right hand touching Vash's lips and his left hand behind his back.

The shot closes in on Vash's mouth and Wolfwood's hand against it, pressing down on the lower lip as he says, "You have to ask though. Go on." His hand moves down to Vash's chin, gently holding it. With a shy and uncertain expression, Vash hesitantly asks, "Um... K... Kiss... Please?" Wolfwood, without wasting a second, leans in and kisses him and indulges by pressing deeper, eliciting a small noise of surprise from Vash.

Wolfwood moves away from Vash first and with a smile, asks, "What else?" Vash tugs on Wolfwood's left sleeve, wordlessly budging Wolfwood to give him his hand that was still behind his back. In the next panel, Vash utters, "Hold me..?" He's holding Wolfwood's left hand with his own while his right hand is reaching for his waist. Wolfwood complies, moving his left hand to Vash's shoulder and his right hand continues to touch Vash's cheek. Wolfwood asks again, "What else?"

More comfortable now, Vash leans in to kiss Wolfwood. Wolfwood catches him immediately, pressing his thumb against Vash's lips to stop him before demanding, "Hey. Ask." Vash looks back in surprise and Wolfwood meets his eye with a quiet, insistent look. They're quiet for a moment before Vash leans in again and curtly requests, "Kiss. Me." Wolfwood says "Good", smiling as he lifts his hand away, and meets Vash's lips. In the next shot, Wolfwood had adjusted his position, sitting on Vash's thigh. The hand that was once on Vash's cheek has moved its way to Vash's nape, pushing away the collar of his jacket with his pinky. His other hand continues to grip on Vash's shoulder. Still kissing, Wolfwood asks again, "What else?"

In the next shot, Vash is starting to turn, moving Wolfwood with him. Vash asks, "Let me on top of you?" Wolfwood says, "Mhm" before asking again, "What else?" The next panel shows a close look of Vash's face. He's looking down, flushed and shy just as he had been at the beginning, but now, more decisive. Vash asks, "Wolfwood... Let me have you..?" A panel of Wolfwood taking Vash's hand into his, pulling it towards his chest. The next panel shows Wolfwood lying down where Vash had laid him. Vash's hand is on Wolfwood's chest, covering the cross of his rosary while Wolfwood's hand lingers against his, loosely pressing Vash's hand in place. He looks up at Vash with a shy smile of his own, flushed cheeks. He says, "All yours."

A panel shows a close up of Vash's tender gaze before he leans down to be closer to Wolfwood. The final shot is a front view of their positions, Vash's face turned away from the viewer; Vash is leaning over Wolfwood who's lying down with his right leg draped over Vash's legs. Wolfwood's left hand holds onto Vash's left arm. With finality, Vash says, "...Mine." End ID]

[ID: A follow up bonus comic in a looser, sketchier style. They're laying comfortably in bed when Vash asks, "What was that earlier?" referecing to the start of the previous comic. Wolfwood glances away and says, "To get you used to it. Asking. And getting what you ask for. Since you're alwasy hesitant about it." Vash's eyes widen, tight lipped. Wolfwood continues, "Knowing you, it'll be a tough habit to break..." When he says this, Vash can't help but laugh, unable to deny it. Wolfwood slowly brings a hand to Vash's cheek and continues to say, "So I'll keep trying -- whatever ways I can... to get it through your thick skull." Vash takes Wolfwood's hand with his, kissing the the palm gently. Wolfwood's eyes soften and holding onto Vash's cheek, he leans in to try for a kiss. Vash says, "Hey..." before stopping Wolfwood's lips with the back of his hand, a smug look on his face, "Ask." Wolfwood's embarrassed and with little irritation, asks, "Really?" Vash smiles, saying, "You're in need of practice too." They pause for a moment, Wolfwood looking contemplatively, before he's leaning in again, asking, "May I please kiss you?" Vash looks him in the eyes and says, "Yes." The comic ends with a "chu", indicating an off-panel kiss. End ID]

[ahhrenata]

I’m having an ‘oh’ moment while you bandage my hand, man

MY THOUGHTS FOR THIS ONE ARE IN THE TAGS :)

[yaralulu]

I desperately need a scene where the IC are having dinner and the topic of tamlin gets brought up and they start talking shit about him and going on about how he deserves everything thats happening to him and lucien’s just sitting there gripping his fork,jaw twitching,eyes simmering,hands shaking with rage as he tries so hard to keep his mouth shut because now is not the time to say something stupid—but they just keep talking and talking and talking until eventually he has enough and gives everybody a vanserra style telling off 😁.

[linddzz]

Latest idea floating around in my head: a twist on the Hob saving Morpheus from the time-out ball, except that's where they first met each other.

Hob's still immortal, it's just that Death was the one who came and gave him the deal of meeting every 100 years

(is this also bc I'd love Death being Hob's centennial buddy? Her being way less reserved and straight up telling him who she is. Her delight at his delighting over life. The rage in him when Eleanor and Robyn die. Death took them and she wouldn't even say anything to him when she did it. Also I'd like to see him just immediately choke and squirm like a bastard as soon as he starts explaining his new shipping business to her in 1789. Yes and hell yes gimme Hobsie and Death as bros.)

So Hob is trying out new stuff again. He's never tried out being a magus and gets himself in as a member of Burgess' order and eventually an acolyte.

And then he's introduced to the "devil" that Burgess keeps in the dungeon. He's to help study up on strengthening the wards around the sphere and all that. And boy is he deeply, super uncomfortable with the sight of this frail man trapped in a cage.

("Don't let his pretty face fool you." Burgess will tell him, "the thing is a demon who would destroy us all if given half a chance."

To be fair, Morpheus does not help his case at all and his expression clearly says "you fuckin bet I will")

And Hob is Hob. So while he's working on studying up on wards (which so happens to involve a lot of careful, detailed study of the wards around the sphere) he's chatting at the thing in it. He complains about the boss, talks about the War, tells the demon about his day while the demon either glares at him or makes a hilariously big show of not paying attention. Sometimes Hob straight up shirks work (with a winking "you won't tell the boss right?") And just reads books.

And he nearly shrieks in surprise when he's reading some new novel called The Hobbit out loud and looks up to find the demon watching and obviously interested. So of course Hob is gonna keep reading him stories and keep studying those binding spells super closely.

And ok that's where I gotta admit the story doesn't have a solid conclusion in my head yet (besides obviously Hob is gonna bust Dream out and then get kissed a LOT) but I do have one bit where Morpheus first talks to him and of course it's just cryptic weird shit. Because Morpheus has started watching this shit-wizard who won't shut the fuck up back and can tell that something is OFF about him.

So just imagine Hob is yammering away about how he thinks the masters kid and the gardener have something going on, and he nearly shits himself when the "demon" presses a hand against the glass and says

"Death has touched you. I see it now. My siblings marks upon you. Is that what you are here for? To report to them? To let them see how low their family has come? So they do know what has come of me then, and they have sent you to chatter away and truly make it clear that they will do nothing."

Hob's just like. "WHAT?? SIBLINGS?! You TALK??! Hang on you know Death???!" But Morpheus already is back to curling in on himself in a furious pissy sulk

[sneaky-eel]

Desmond, bartender in 2000s-2010s New York would absolutely binge shitty reality tv and adore eavesdropping on patrons when he can't get his drama fix. He's the RPG tavern owner who you ask if he has heard any rumors and his eyes light up because now he can info dump all the shit he hears. This follows him to the past, where now he has to actively seek out this entertainment.

He abuses his enhanced senses to sit on roofs and listen in with a hand to his mouth like, "oh my god. They were roommates." He is both the best informant and the worst because, while he is a master at getting information, the details he focuses on are useless to the Order.

"Yeah so this guy will be here at this time at this place, whatever. But! More importantly this guy has been having an affair with his wife's sister AND her brother and-"

"Please, Desmond, I am begging you just tell me the information for the mission."

--------

In Altair's time, Malik was originally Desmond's go to but after being chased out one to many times for "loitering and disturbing the peace of the bureau" (i.e. Malik's peace) Desmond switches to the Rafiq in Damascus since he "at least appreciates me." Eventually Malik would begrudgingly miss his presents and send a request for him to come back because Desmond is the only one he can rant at about Altair.

Altair does not know what the hell Desmond is talking about half the time, but now he does know the baker has three sons that his wife never knew of and one of the sons has shown up at the baker's home.

He normally will just let Desmond keep talking cause he likes his voice.

---------

In Ezio's time he is best friends with Claudia and her girls love him. He'll drop in and gossip with them about their patrons or even warn them about some of them. "Be careful I heard that he has some craziness going on between the legs." or the girls will ask questions about Ezio.

"I heard he is a beast in bed, is that true?"

"Well you didn't hear it from me, buuuut~"

He is 100% going off of hazy animus memories, but all the courtesans totally think he has either A.) slept with Ezio or B.) is actively sleeping with Ezio

With Claudia he talks about the goings on in Tiber Island and what Ezio is up to. Ezio doesn't know how the hell his sister knows everything he is doing or why he gets a message from her forbidding him from doing something he hasn't even gotten to do yet and Desmond just stands off to the side sweating.

---------

Connor is gonna go gray early with how often Desmond just disappears from the Homestead because he seems hellbent on not staying still as it gets "to boring there". Desmond will normally pop up in the strangest of places. Either Connor will find him, head tilted like a dog as he listens in on a group or Desmond will just hunt Connor down himself. "Heard you were in the area."

At time he loves it because Desmond always has a ready flow of information and he is very good at sowing discontent with it, making for good distractions. On the other hand he can do without the open commentary or rampant attention he gives any interaction Connor has with his father.

"It's so much more interesting when it's not me"

*Connor and Haytham both glare at him*

[chirpsythismorning]

Thinking about the what if El was never interested in Mike romantically, she just assumed she was discourse on the tag today and how it's very possible what could make El fully realize this, is when in s5 she see's Will's love for Mike in real time, for the first time, and she's just like damn! That is not me!

[turtleblogatlast]

Small but significant character moments that I actually really adore are from both the times we see the boys as tots. There is a reoccurrence that happens in both of them that I find so incredibly interesting.

For the turtle tot short, Splinter leaves the boys with weapons. In the short, Raph is the one who suggests they do “what Lou Jitsu would do” and Leo is the one who takes point when Splinter comes back to reprimand them. Leo, in taking point, is the one to defend them and get Splinter off their tails.

And then, in the flashback regarding the Kuroi Yōroi helmet, Raph is the one who grabs and throws “Skully” as a way to replace their missing ball which breaks it into pieces, but Leo is the one who speaks for the group and rushes into action to fix the teapot.

I love this for multiple reasons, but the biggest are how it shows that Raph has always been inclined toward the bold and fun and making the plans to include his brothers in what he loves and believes they’d love, whereas Leo has always been inclined to be the “Face” of the group and shoulder the attention even if it’s potentially negative all while coming up with on the spot attempts to fix the situation.

[carlos55inz]

we need to have the conversation of how charles fans treat his teammates without falling into the accusatory zone that we want to harm charles by having this conversation.

i mean charles no harm, but it is something that is getting extremely out of hand and it needs to be talked about. some charles fans have gotten too freely with being cruel to others drivers.

people used to call sebastian vettel a CORPSE. yes, scuderia ferrari screwed him. yes, everyone loves sebastian vettel again NOW (because he is far away from it and free from this hell) but back in 19/20? charles fans, mainly on twitter, made his life miserable. he couldn’t win. he couldn’t make anyone happy. if he won, he was taking something from charles that belonged to charles rightfully. it he lost, he was old and bad and should retire already and this sport wasn’t for him. he wasn’t a team player. he didn’t care about ferrari. he wanted to screw charles over.

if you just got here, if carlos is your first experience of how charles’ teammates are treated, let me tell you. everything that is being said about carlos has already been said about sebastian. and it is crazy for some people to understand that because everyone loves sebastian again, so you can’t even imagine what he went throught.

and i’m sorry for generalizing all of charles fans, im a charles fan, but it is something we need to stop and look at and talk about. how long will we let it go. how long until it starts to happen to lewis hamilton, of all people. how long until they dismiss his victories and say he is old and should give up of this sport so charles can win.

and you know one of the worst part? charles loves to race. every time he had to fight for it, he loved it. when he and carlos race in that track, he comes out with a big smile and talking about how he loves to race carlos. how this is real racing. he loves to fight for it. to prove himself. to have to sweat for it.

all while his fans try to make everyone just bow down their heads and give him things in a plate, already chewed and easy to get. as if he would like that. as if he can’t prove himself worth otherwise. as if he isn’t good enough to fight for it.

[butchmartyr]

ultimately you have to remember that complaining about "4chan white trans women who are bigoted and so and so" is almost entirely pointless for any purpose aside from raising transmisogynistic sentiments in observers. this specter of an evil tranny is constantly looming despite the individuals being rare and often total shut ins, and people expect transfems to take this shit seriously and be constantly swearing off association with """bad people""". these people, when they do exist, by and large lack the power to actually do anything with their beliefs; obviously if they do it sucks but this idea that there are trans women ~getting away with it~ and that all transfem communities allow and hide this behavior is blatantly transmisogynistic in addition to often being completely imagined! its insane to act like you have to choose between resisting white supremacy and resisting transmisogyny, and yet, people wind up continually portraying it as this

[magnus-rhymes-with-swagness]

OKAY who wants to hear about why i think nimona challenges amatonormativity? you do! 🫵

one of the main ways this is accomplished is through ballister and ambrosius’s relationship. it’s arguable that it doesn’t necessarily fit the traditional model of romance - not only are they a queer interracial couple, and not only is their relationship ambiguous in the book, but there are certain instances, especially in the movie, that subvert traditional ideas of romance and friendship.

one instance that really stands out to me is when the director asks ambrosius what’s on his mind and he goes on his imagined rant about how arm-chopping isn’t a love language - you know the one. when he mentions ballister, he refers to him as “the man i love, my best friend.” and not just one or the other, but both! the man i love, and my best friend. he places equal emphasis on both the romantic and platonic aspects of the relationship, valuing ballister in both a romantic context and a platonic context without treating either one as more important than the other.

and even moments such as the first “i love you” and the kiss manage to subvert tradition. both of these things are generally seen as a pretty big deal, especially in fiction - if the characters are kissing or saying “i love you,” it’s usually a moment in which everything changes. a line is drawn, dividing the story into after and now. sometimes it’s dramatic and climactic, with fireworks and a swell of music, but even when it isn’t it’s still seen as a turning point of sorts. now it’s official, now it’s real. but this isn’t the case in nimona. both moments are certainly significant - they do a good job of showcasing the character development and where ballister and ambrosius are on their respective journeys, and are certainly important in terms of representation - but neither one follows the path that most fictional romance does.

another way in which nimona challenges amatonormativity would be the emphasis on friendship! in the tavern scene (in the movie) when ambrosius suggests killing nimona, ballister disagrees and says “she’s my friend.” ambrosius replies with “aren’t i more than that?”, implying he’s more important than a friend - thus upholding amatonormative ideas. ballister becomes angry at that and leaves - challenging this idea and prioritizing his platonic relationship with nimona over his romantic one with ambrosius, as nimona is the one he wants to defend.

additionally, a big part of this scene is the way ballister deliberately rejects institute values while ambrosius unintentionally upholds them. and because the story challenges homophobia and transphobia (and other forms of bigotry) through the lens of the institute, it would make sense for it to challenge amatonormativity too! it’s something that’s become incredibly normalized, to the point that lots of people don’t even know it exists, and this is reminiscent of the institute brainwashing, especially when it comes to ambrosius - he’s been manipulated his whole life and probably genuinely doesn’t understand the level to which he’s internalized institute beliefs.

ballister prioritizes nimona many times, actually. when he tells ambrosius she’s “smart, kind, and quite sophisticated,” when he’s overjoyed to see her again at the end, when he refuses to kill her and saves her instead. over and over, he proves how much he cares about her, even when this involves directly going against what ambrosius wants - which, of course, is really what the institute wants. a core tenant of amatonormativity is the false notion that romantic relationships are more important or valuable than other types of relationships, but ballister actively goes against this!

to conclude, as a story that at its core is about identity and challenging societal beliefs, nimona defies expectations and traditional ideas of what it should or shouldn’t be. it’s possible that amatonormativity wasn’t what the creators had in mind, but the story still manages to challenge it with grace and elegance. just like its main character, nimona refuses to conform to what others want it to be.

[alitteraladhdmess]

Bros got that constitutional drip

Don’s being abused, harassed, assaulted, hate crimed, bullied and publicly humiliated. Vote for ❤️💜Bloom From Oblivion🧡💙 and Don might find a fashion era he likes.

Lee and Angelo are having fun tho and Aprils just here for the laughs

@tmntaucompetition you ordered pre 1920’s so the turtles came and delivered!! Applause and applause aaand waiting for your applause.