"If you need anything at all, do not hesitate to call 911." ( lol )
" why? so they can make it worse? "
" no thanks man; you made the mistake of giving me your number, and now I'm gonna use it. " and abuse it. " you're my on-call doctor from now on. "
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at some point it's just like. do they even fucking like the thing they're asking AI to make? "oh we'll just use AI for all the scripts" "we'll just use AI for art" "no worries AI can write this book" "oh, AI could easily design this"
like... it's so clear they've never stood in the middle of an art museum and felt like crying, looking at a piece that somehow cuts into your marrow even though the artist and you are separated by space and time. they've never looked at a poem - once, twice, three times - just because the words feel like a fired gun, something too-close, clanging behind your eyes. they've never gotten to the end of the movie and had to arrive, blinking, back into their body, laughing a little because they were holding their breath without realizing.
"oh AI can mimic style" "AI can mimic emotion" "AI can mimic you and your job is almost gone, kid."
... how do i explain to you - you can make AI that does a perfect job of imitating me. you could disseminate it through the entire world and make so much money, using my works and my ideas and my everything.
and i'd still keep writing.
i don't know there's a word for it. in high school, we become aware that the way we feel about our artform is a cliche - it's like breathing. over and over, artists all feel the same thing. "i write because i need to" and "my music is how i speak" and "i make art because it's either that or i stop existing." it is such a common experience, the violence and immediacy we mean behind it is like breathing to me - comes out like a useless understatement. it's a cliche because we all feel it, not because the experience isn't actually persistent. so many of us have this ... fluttering urgency behind our ribs.
i'm not doing it for the money. for a star on the ground in some city i've never visited. i am doing it because when i was seven i started taking notebooks with me on walks. i am doing it because in second grade i wrote a poem and stood up in front of my whole class to read it out while i shook with nerves. i am doing it because i spent high school scribbling all my feelings down. i am doing it for the 16 year old me and the 18 year old me and the today-me, how we can never put the pen down. you can take me down to a subatomic layer, eviscerate me - and never find the source of it; it is of me. when i was 19 i named this blog inkskinned because i was dramatic and lonely and it felt like the only thing that was actually permanently-true about me was that this is what is inside of me, that the words come up over everything, coat everything, bloom their little twilight arias into every nook and corner and alley
"we're gonna replace you". that is okay. you think that i am writing to fill a space. that someone said JOB OPENING: Writer Needed, and i wrote to answer. you think one raindrop replaces another, and i think they're both just falling. you think art has a place, that is simply arrives on walls when it is needed, that is only ever on demand, perfect, easily requested. you see "audience spending" and "marketability" and "multi-line merch opportunity"
and i see a kid drowning. i am writing to make her a boat. i am writing because what used to be a river raft has long become a fully-rigged ship. i am writing because you can fucking rip this out of my cold dead clammy hands and i will still come back as a ghost and i will still be penning poems about it.
it isn't even love. the word we use the most i think is "passion". devotion, obsession, necessity. my favorite little fact about the magic of artists - "abracadabra" means i create as i speak. we make because it sluices out of us. because we look down and our hands are somehow already busy. because it was the first thing we knew and it is our backbone and heartbreak and everything. because we have given up well-paying jobs and a "real life" and the approval of our parents. we create because - the cliche again. it's like breathing. we create because we must.
you create because you're greedy.
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public service message that thinking "Maybe speaking up about Palestine is too controversial/political for me to do" or "maybe mentioning good aspects about Palestinians while they're suffering so much is not okay" is exactly the kind of mindset zionists want you to have and have been hard at work for years for people to develope. thank you.
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i see this jason todd who actually looks his very young age (instead of the 30yr old man that comics like to portray)
and feel my heart breaking just imagining bruce beating him up, almost killing him, mind-breaking him, and just overall being a total piece of shit father towards him.
a huge chunk of the reason why people don't view bruce's actions towards jason as abusive or wrong is because jason doesn't look his age. he's drawn to be this 35yr old father of three who looks even older than dick (and way too on par with bruce) that people see their fights as one between batman and any of his regular rogues. when they fight, it just looks like batman is fighting a man his age and not an actual young person. it doesn't look like batman is fighting his son who's barely even drinking age (and who def wasn't drinking age in utrh). their fights are portrayed in a way that eliminates the very real power struggle between them.
this applies to jason's entire character as well. a lot of people don't sympathize with how he died or his actions as robin or his fights with the other bats because he doesn't look his age. he always looks older and scarier than everyone else. tim has many sympathizers from the titans tower incident because jason just looked like a grown man fighting a 12yr old (even tho i disagree, tim was built and like 17 lmfao).
anyways, i just wish comics would actually draw jason to look his age, which literally ranges from 19 to early twenties. he's young- so young, and it's so annoying to see him drawn and written as someone older than even bruce.
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A demon twins idea where they think they're brothers, but due to some mishaps half of Danny's DNA belongs to Dick while Damian got Bruce's. They only find this out because Danny got real mad at his Grandfather and bit him hard enough to draw blood that one time so Ra's checked to see if he got rabies from his idiot grandchild and something in those tests didn't look right. He got his doctors to investigate further and oh no that child is Grayson's, they have to get rid of him fast.
Because Bruce might get a little mad at Talia for hiding his son from him if he ever finds out, but Richard Grayson? Richard Grayson would rain hell upon them.
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