#peter and neil

[fuckyeahgoodomens]

https://thinkingplace.co.uk/2024/04/08/episode-17-of-right-place-right-time-is-live/

An interview with Peter Anderson from Peter Anderson Studio that did the Opening Titles and some other graphics for Good Omens ❤

Peter Anderson: "At the moment I'm working on Anansi Boys, right this second with Neil Gaiman who is one of my favourite people in the world, brilliant author and showrunner."

[deadpoets1society]

[bitterkarella]

Midnight Pals: Souper

[at unicorn fuck club] JRR Tolkien: tonight we've got a special story from everyone's favorite fantasy writer GRR Martin: CS Lewis: Peter S Beagle: Hans Christian Andersen: L Frank Baum: Tolkien: whoops shouldn't have said that ha ha Tolkien: i mean, you're all winners in my book

Tolkien: but when i say everyone's favorite fantasy writer Tolkien: i mean terry practchett GRR Martin: oh yeah that's fair CS Lewis: yeah fair Peter S Beagle: fair Hans Christian Andersen: yes yes of course L Frank Baum: that's fair

Terry Pratchett: hello unicorn fuck club today i've got a story about a wizard who is - get this - actually very bad at his job Tolkien: oh ho ho! terry my boy, you've done it again! Pratchett: there's also girl dwarves Tolkien: [suddenly stone-faced] i hate this

Pratchett: but first Pratchett: all this story telling is hungry work! Pratchett: do you happen to have anything to eat around here? Tolkien: are you talking about... Tolkien: having Tolkien: a Tolkien: feast????? Brian Jacques: [squeaking incomprehensibly in rising excitement]

Tolkien: why, terry, my boy, what an idea! Tolkien: instead of merely DESCRIBING a feast, we'll have one! huzzah! Martin: huzzah! Lewis: huzzah! Jacques: [squeaking] i use a mercury head dime as a serving platter!

Pratchett: no no nothing so fancy as that Tolkien: eh? Pratchett: i was more thinking along the lines of Pratchett: soup Tolkien: soup? Pratchett: yeah just a big bowl of heart soup right about now would just be the best thing Pratchett: oo i just love the sound of it!

Pratchett: think about it: no work... no worries... no failures... no waste... when you serve maggi homestyle soups, the finest money can buy yet priced reasonably within your budget Tolkien: interesting! tell us more Pratchett: maggi soup! es ist echt ausgezeichnet!

Pratchett: how often have you had this problem Pratchett: say, you're on a budget but you have to feed your hungry hungry boys Tolkien: oh man i have been there! Tolkien: more times than i can count!

Tolkien: but terry Tolkien: i need something substantial and nourishing for my hungry boys. can maggi soup satisfy? Pratchett: ahh jirt my friend, maggi soup does more than satisfy! Pratchett: as the good people at maggi say, "kartoffelsalat volkswagen fahrvergnugen lebensraum!!"

Tolkien: What's that sizzling sound I hear? Pratchett: Get up! It's soup and eggs, my dear! Martin: What can I cook without much fuss? Pratchett: maggi soup would tickle all of us! Lewis: What's a lunch that's good and quick? Pratchett: Hot Maggi soup mix does the trick!

Pratchett: mm mmm! i tell you, nothing's as good as a rich bowl of maggi soup! buy some today! eat it with someone you love! Neil Gaiman: something's not right here

Gaiman: of course the power of imagination is infinite, friends Gaiman: but in all the worlds in all the multiverses of possibility, i cannot imagine one in which terry pratchett shills for soup Pratchett: [sweats] nein, nein, ich bin der echte terry pratchett!

Gaiman: if you are in fact, the real terry pratchett Gaiman: and not an imposter Gaiman: like the imposter sandman hector hall in The Sandman, vol. 2: The Doll's House Gaiman: then you won't have any trouble telling a joke Pratchett: [sweats] ein witz? du magst ein witz?

Pratchett: [sweats] i mean ha ha of course i can tell a joke Pratchett: i am the real terry pratchett after all Pratchett: [sweating intensifies] and you all know me, i'm a real spaßvogel Pratchett: Pratchett: a-are you sure you wouldn't all rather just have some soup?

[janus-cadet]

Timetoys. Always.

This was made for an art exchange on the Toymaker server Discord, and it was so dang fun! I haven't try doing such a small comic in ages, and I do love the result.

An alternate universe where the Toymaker made a deal with the 9th Doctor...

[numberonejameswilsonfan]

my strong dps opinions that might get me burned at the stake like a witch

CW// mention of sh.

- todd isn’t a “soft boy”. he is teenager with crippling anxiety. while he may be shy, doesn’t mean he won’t be angry.

- neil may not have cut, but he still self-harmed. for example, in the book, he pushes his pin into his thumb til there was blood.

- ginny never “got in the way” of anderperry. it was one kiss on the cheek. people are way too quick to hate a female character when they show the slightest amount if affection to a male character in a gay relationship.

- not all of the poets would have been accepting of lgbtq. you have to think of the time period it was. not everybody was accepting in 1959.

- cameron wasn’t a bad friend. he was a bit in the wrong for saying it was all mr. keating’s fault. but that doesn’t mean he’s a bad person. he was a teenager grieving with the death of his friend, so he wanted to blame someone for it that wasn’t neil himself.

- neil must’ve had at least SOME internalized homophobia. again, it was 1959. no further explanation for now, because i feel it explains itself.

- knox was not a good person, book or movie. he should not have touched a girl without her knowing. especially while said woman is ASLEEP or kissing HER boyfriend.

[mndvx]

The way I see it even a ghastly future is better than no future at all. DOCTOR WHO — Before The Flood (S09E04) directed by Daniel O'Hara | written by Toby Whithouse ››› Peter Capaldi as The Doctor ››› Neil Fingleton and Peter Serafinowicz as The Fisher King

[a-reverii]

⭑ 𝐌𝐀𝐑𝐂𝐇 + 𝐀𝐏𝐑𝐈𝐋 𝐅𝐈𝐂 𝐑𝐄𝐂𝐒 ⭑

— 𝐇𝐀𝐑𝐑𝐘 𝐏𝐎𝐓𝐓𝐄𝐑.

sirius black

tulips. ⇢ @amiableness

safe place. ⇢ @/amiableness

don't delete the kisses. ⇢ @that-bwitch

regulus black

time to pretend. ⇢ @delicrieux

the arranged marriage or regulus's dreams. ⇢ @ellecdc

see me. ⇢ @mmoonysgf

hold her! ⇢ @kquil

secret admirer. ⇢ @itsbuckytm

remus lupin

clandestine. ⇢ @spncvr

sirius the matchmaker. ⇢ @fishley

his girl. ⇢ @opalesquegirl

our band. ⇢ @wzrd-wheezes

james potter

boundary less. ⇢ @wicchyy

no boundary!james. ⇢ @ddejavvu

best friend!james. ⇢ @/ddejavvu

personal trainer. ⇢ @fourmoony

about you. ⇢ @ma1dita

and i love her. ⇢ @dilf-lover99

— 𝐃𝐄𝐀𝐃 𝐏𝐎𝐄𝐓𝐒 𝐒𝐎𝐂𝐈𝐄𝐓𝐘.

neil perry

if i fell. ⇢ @sorencd

two of us. ⇢ @/sorencd

art class. ⇢ @/sorencd

charlie dalton

orlando (first kiss). ⇢ @dearsnow

under the neon glow. ⇢ @augiewrites

secret admirer. ⇢ @/augiewrites

todd anderson

todd can't help the way he feels about you. ⇢ @writersmacchiato

— 𝐓𝐇𝐄 𝐀𝐌𝐀𝐙𝐈𝐍𝐆 𝐒𝐏𝐈𝐃𝐄𝐑 𝐌𝐀𝐍.

peter parker

new york private life. ⇢ @astxroiid

← back to fic rec masterlist.

[kafkamus]

i don’t know how to explain to normal people that i’m madly in love and feel an actual emotional bond with a fictional character without sounding like i should be locked in a psych ward.

[remusfinglupin]

It’s funny. Not like funny haha but funny.

[maroonmused]

“spider-man 2 was robbed” “the game awards are rigged” and only yuri lowenthal was brave enough to raise the discussion of would peter parker and astarion explore each other’s bodies in their respective action adventure/rpg narratives

[henry-fox-biggest-stan]

The misunderstanding of carpe diem + physical harm in dps makes me absolutely crazy

Knox stalks a girl, doesn’t take no for an answer and gets hurt because of it (gets punched by Chet). He deals with physical harm. He ends up getting the girl, but he had a price to pay, a punishment to endure. Chet threatened him, he could have been in danger. Knox didn’t think he did anything wrong. He apologized to Chris, but with the stalking and such, it never went through his head “hey this might be kinda fucked up” while he was doing it.

That’s not what Keating said. He didn’t told them to be careless and act on their impulses even if that might get them in danger.

Charlie pulls his “phone call from god” prank and many things happen. One, when he first published the article he revealed the club (although not its members or activities) without anyone else’s permission. Two, he could have gotten expelled. Three, he got hit by Nolan, a physical punishment. Just like knox, he dealt with physical harm and risked expulsion. Charlie didn’t think he did anything wrong.

Keating himself told him that he flew too close to the sun, than he didn’t mean that in his lessons. Carpe diem is not choking on the bone.

Neil seemed to understand Carpe Diem, he was just desperate. It’s not than he was impulsive, or careless, he was just incredibly desperate, and that’s somehow worse. Neil goes behind his father’s back and joins a play. He writes a letter pretending to be him, sneaks off to rehearsal. When his father finds out, he has a price to pay (his father enrolling him on military school and forcing him to stop acting) and ends up dying by shooting himself (physical harm). Neil definitely knew, and thought about what would happen if his father discovered, but he was so desperate to live, to do something he wanted for once, he didn’t care, he began hoping he would manage to keep it hidden. Neil thought he was in the right (which, honestly, he was). He didn’t see anything wrong in what he did, simply wanted to fulfill his passion, passion than didn’t hurt anyone, passion than didn’t involve anyone else other than himself. The contrast with Charlie/Knox and yet, still having the same consequences… Peter Weir I’m hunting you down.

This is not what Keating encouraged. Remember how Keating asked him to talk to his father? Remember how he asked him if he talked to him (and Neil lied and said yes) and he was very happy and supported his decision about the play? Remember how, before knowing his father “agreed” Keating didn’t tell Neil “oh you’re already in the play, go through with it, carpe diem, who cares what your father says?” but instead told him “talk to your father. If he says yes then you can continue with the play with no worries, and if he says no then wait until you’re out of school and he won’t be able to control you as much anymore. You have options, this is not the end of the world. Either talk to him and come to an agreement or wait.” Remember that? Keating didn’t want Neil to go behind his father’s back, because he knew the consequences this would have.

(Interesting how, out of all the physical harm than the misunderstanding of carpe diem caused, Neil’s is the only one inflicted by himself to his own body. I’m definitely very normal about this.)

Charlie, again. He punched Cameron. Acted on impulse, didn’t think of the consequences punching another student on school grounds, on school hours, actually meant. He got expelled. He suffered a punishment. But now he didn’t receive any physical harm, but rather caused it. To Cameron. He didn’t think he did anything wrong, he thought Cameron deserved it.

Cameron. He’s the hardest to understand. He wants to seize the day, in his own way. After all, he joins the club despite not really having to, but he simply seems too scared to actually carpe that diem. He ends up seeing this as dangerous. After what happened to Neil (dead), and after seeing what happened to Charlie (almost expelled) and Knox (ended up with a bloody face) he gets scared. Damn, this might actually be dangerous. It’s a good reasoning. 3/7 members got hurt. Not half of them, but almost. He misunderstood carpe diem based on the consequences seizing the day had in the others (the others who misunderstood what it actually meant) and so he snitched to nolan. And this is what causes him physical harm, what causes him to be punched by Charlie. He loses something (his friendship with the other poets) and gets physically hurt. So, so, sooo interesting how despite this being considered the complete opposite to seizing the day, it’s framed in the exact same way as all the other instances where carpe diem takes part. He suffers the same consequences as everyone else. He believed himself to be doing the right thing, to be saving the others’ academic lives and doing now what he couldn’t have done for Neil before (protecting others from keating’s influence).

Keating never meant for carpe diem to be dangerous, or hurtful, or scary.

But then Todd.

Todd’s carpe diem is just becoming more confident. Reading his poems aloud, becoming more sociable and comfortable around his friends, accepting than he’s allowed to receive love, to rely on others, to believe in himself, to stand up for himself and his beliefs (refusing to sign the paper and saying no to his parents and nolan).

His final stand, his seize the day moment, is at the end of the film. He’s the first one to stand on the desk. This is the perfect rebellion. Meaningful, happens for a reason (Keating getting unfairly fired), doesn’t harm anyone else and doesn’t harm himself (doesn’t cause him nor anyone else physical pain). No danger (he might get in trouble, but I doubt he could face expulsion for standing on a desk). Charlie’s act on Neil/Keating’s memory was one of anger, impulsive, one that drew blood and ended in expulsion. Todd’s was one of defiance, impulsive, but that hurt no one and ended well. It’s more, it caused happiness (Keating felt better, saw his contributions).

The one who felt more scared to go through with it at first is the only one who truly understood it.

Then with Meeks/Pitts idk honestly. They don’t really have a big moment. I guess at the end, standing on the desks, but they’re not the ones who start it or are particularly important in that scene. The radio scene, perhaps, but I don’t really see what was stopping them from building a radio before. If the radio scene was their carpe diem, though, then another example of someone understanding what it truly meant. The scene ended well, didn’t hurt anyone or involved anyone who was unwilling, they didn’t get any punishment after, etc.

[crybabysunflower]

Robert Sean Leonard characters and their light eyed boyfriends

[moonsnqil]

talking only me and you

[chameleon3]

peter weir you make me sick. they were just boys. they weren’t even twenty. they still had acne around their mouths and soft jawlines. they didn’t even shave yet. peter weir i spit at your feet and then fall to the ground sobbing.

[numberonejameswilsonfan]

😼

[slowburningechoes]

I can’t get over these close-up shots! Just absolutely gorgeous.