#price plan design

[codingflicks]

Bootstrap Price Plan Design Get Code from codingflicks website

[divinector]

Responsive Pricing Table Get Code from divinectorweb website

[reds-skull]

I am thinking about yet another AU

[aureoboros]

commissions are: open, 4/5 slots filled

hello everyone!

i’ve had health problems that are making it very difficult for me to work and function outside of my home, which just isn’t viable with how expensive necessities are. so while i’m in this limbo, i’m opening up commissions! reblogs are greatly appreciated :]

a lot of my examples are bg3/dnd related, but regular ocs are more than welcome, too! i can also do fanart for other media if you’d like.

for right now, these will be through paypal. just send me a dm here if you’re interested! more information below the cut.

commission info:

- first come first serve, i will keep in contact with you throughout the process and start the sketch asap. for drawings with the highest level of detail, it’s possible that it may take a few weeks for me to complete. lower levels will take about a week or a few days over.

- while this is over dms for the moment, i’m going to make a proper form to fill out! reference photos are greatly appreciated for ocs, but detailed descriptions work too! i would also prefer if you provided a short personality description, and any ideas you have for poses or character interactions. i want it to be as close to what you envision as possible! if you want the drawing to be set at a specific time, or a specific aspect ratio for the image, let me know that too! busts cut off at the mid-chest, and half-bodies are cut off at the mid-thigh. i can also make icons (head-shot only) for a discount!

- payment comes after you’re happy with the composition! i’ll block out the characters and where they’ll be on the canvas before moving on to the full detailed sketch.

- i know my example images don’t have much shading. it’s because i enjoy the lineart process a lot more than anything else, so i don’t focus on it as much in my personal work. for fully rendered pieces, though, there will be actual light and shadow.

- more explanation on backgrounds: basic flats, simple patterns, and simple objects for framing are free of charge. keep in mind that detailed backgrounds are not my strong-suit, but i do need the practice, and i will try my absolute best. the more detailed the background is, the more it will cost, but everything is negotiable.

- i can do anthro characters (like tabaxi, dragonborn, etc) in my detailed style too! i don’t have as much experience in drawing robotics or machinery, but it’s not off the table. i like doing little details :]

- i will not draw illegal ships or anything hateful (racist, homophobic, the obvious), and i don’t do nsfw.

- don’t use my art for ai training or nfts.

- if you have any questions, feel free to ask!

- thank you for reading ^^

a better look at some of my examples - for more, check the #digitalart tag:

[sweetest-honeybee]

Aside from that warden lady at the top there and the rest of the ghasts, I have been very busy doing a bunch of adopt designs 👀

Edit: Just gonna cross out the ones that have been pre-claimed

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5 6

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9 10

[ams-lol]

because of this by @gomzdrawfr, have my 141 in pokemon thoughts

For some reason I imagine Price with kinda tanky or bulky-looking pokemon like Conkeldurr or Pangoro, but as a gym leader, ouh. I think of him with more sturdy type pokemon, so like rock, steel, or dragon. Cuz I imagine it'll be hard to take him down with a simple or normal attack like you gotta him where it hurts

Lickitung with Soap. I don't know why, the vibes fit each other, but I'm also thinking of pokemon that have high speed and accuracy stats (befitting to his callsign origins hehe). While flying type pokemon have the highest average speed stat, Soap has an Electric or Normal type vibe to him if he had his own gym, so maybe a Stoutland or Boltund. Typhlosion would be a good main for him as a trainer

Gaz's gym as flying type gym (get it cuz...helicopter 🤡), but it'd be interesting to see him have a Bug gym. He'd have a really cool Farfetch'd as a trainer though. Though if he were following Price's footsteps, I would say ground or fighting. Fighting type pokemon all have this strong and courageous vibe that's similar to Gaz and I'd like to think he'd do ground so it's relating to rock but still his own thing (and totally not cuz I get the two confused cough) He would look so cool with a Lucario or Heracross though.

Ghost definitely had a Duskull and Marowak both as a trainer and gym leader since both Pokemon rock the skull theme he has. And just the general Dark or Ghost pokemon all have this mysterious or serious vibe to them mostly. While Dark or Ghost type gyms play more to his vibe, I can see him having a Steel Gym. Very strong and stern. Bronzong would look cool as his steel main.

A/N: Rereading this and I think the worms were thinking 141 as Gym Leaders instead of trainers. Maybe I'll make another post about them as trainers next time

[secondary-colorentimy]

Love your art btw, what are your commission prices? Didn't find any sorry if I'm blind or something.

hiii tyyy! and i used to have my commission info pinned (definitely lost somewhere in my posts on here ORZ) , it is fully available here on my insta, but i can transfer the images here too ^w^

note for those who check out my insta post about commission prices: since i havent updated my commission prices in about 3 years ORZ, it says that i only take us paypal as payment, since then venmo has also been added as a form of payment. i take payment upfront as well. :p

my turn around time is typically a week after receiving payment, or more depending on the type of commission, again, please ask if you would like progress images of your work :] i don’t usually provide them so just lmk if you want that >0<

[supercantaloupe]

okay don giovanni review from last night. under the cut bc it's me. tldr the vocal performances were great, leporello carried the show, one of the most insane productions i've seen thus far but somehow in a new bizarre direction from normal. good snacks.

first of all i don't care how much wine you offer i think it's kind of ridiculous to charge $165 for a base ticket price for a performance that 1. isn't even in a concert hall or theater 2. is a concert performance rather than a staged performance (which was not advertised ahead of time) and 3. was not even a full production because they made the absolutely mind boggling decision to cut 100% of the recitative and replace it with Some Guy sitting on the stage narrating the plot between every 1-3 numbers

i did not pay that much gd bless. the student ticket was way cheaper.

the narration wasn't even good it was weirdly ungenerous to the women (like how do you even make elvira out be a "women, amirite" thing and also vaguely imply anna was into it in a production with zero acting? well they figured something out) and i don't think it even explained well enough what happens between each number to truly give a first time watcher a good idea of what's actually going on. not to mention that it absolutely kills any sense of momentum in the plot and makes the entire show drag like hell, because you have to wait between every single aria for either Some Guy to talk at you for three minutes straight, or wait awkwardly while people onstage walk off and people offstage walk on. it was so painfully clunky

they had a piano up there but since there was no recit it's not like she was accompanying much of anything. in practice what it ended up being used for was 1. the mandolin part for deh vieni (acceptable in the absence of a mandolin player; they were working with a limited chamber ensemble of musicians so i get it) 2. the party music at the end of act i (egregious fault imo because it absolutely kills the vibe of the scene and completely obfuscates the way the music is supposed to be adding to the tension and chaos with its different instrumental groups playing in different meters)

and 3. used to give singers their notes when the vocal line of their arias start on beat 1 measure 1, which they otherwise would have been able to get from the preceding recits (which is imo painfully amateurish for an ostensibly professional production)

all the numbers in act i were there although the narration was so bad i got jumpscared by fin ch'han dal vino because i forgot it was supposed to be there and thought we had skipped over that point in the plot. act ii had some really bizarre additional cuts made, notably they just entirely skipped over meta di voi and vedrai carino. it was like masetto and zerlina fuck off for the entirety of act ii save for, like, mille torbidi (they VERY briefly mentioned masetto getting beat up in the narration and i don't think they mentioned vedrai carino at all, they just skipped straight from deh vieni to sola sola. and also there was a painful awkward pause before deh vieni because i think the pianist forgot she was supposed to play there and the narrator jumped ahead to the next chunk of plot explanation too early). kept both dalla and tesoro (i'm fine with this ottavio was quite good though could've used a bit of ornamentation imo), kept mi tradi, kept non mi dir (more on that in a bit). no per queste which is probably a good thing not only for the show itself but also my head would have absolutely and irreversibly exploded if they had, probably

the whole thing kind of felt underrehearsed. like a quarter of the time it seemed like people didn't know what they were doing or had to be reminded where to be at that point in the show. and there were a few moments throughout where the orchestra struggled to keep up with the singers, but i really don't think they had much time to rehearse together, honestly.

and then, to my utter shock, the finale was actually really good?? like. insane compared to the rest of the show thus far. though it helps that 1. i absolutely love the harmonieband arrangements of cosa rara/i litiganti/non piu andrai, after possibly the draggiest non mi dir i've yet experienced it was like a breath of fresh air to hear that (and non mi dir was actually well performed i liked this anna but considering how much the Entire Show was dragging, the fact that they cut meta di voi and vedrai carino, AND the fact that they promised this act would be short, it felt crazy to me to keep it at that point.)

2. leporello and the don were by far the best performers of the night. so much so that i sought them out during the post show reception to tell them how great they were and enjoyed their performance. which i usually do not do, but in this like, high school recital ass production value. unbelievable relief that the final scene is dominated by the two actors in the show who most remembered that they can, and in fact Should, be acting. so much more movement and physicality and expression from those two compared to most everyone else. leporello especially, his actor apparently specializes in comedic bass roles and it shows, he was the standout all night

and 3. for the first time in the entire production they made an interesting decision regarding the physical space and staging! they had the commendatore sing from up on a balcony overlooking the audience in the foyer. the bar admittedly was set very low in the previous act and a half but the finale reminded me that i actually like this show again which is appreciated

though they then threw another curveball at me by Cutting the sextet at the end. which like didn't even piss me off at that point i was just baffled. like the don sinks down in agony and leporello sinks down whimpering in fear and the orchestra cuts off. and i'm expecting an awkward pause while they quietly get up and shuffle off so the rest of the cast can come back but nope. big orange title slate appears on the big screen behind them and the audience breaks into a roaring applause and the announcement of the wine and dessert reception. felt like i was in a fever dream

i will say the desserts were very nearly almost worth the bullshit that was the preceding show. they were so good. thank you austria for your dedication to pastry. and because i don't drink and couldn't appreciate the free wine offered i had to indulge in my own manner. spread contained chocolate oat bites (tasted as much like espresso powder as chocolate and coated in coconut, 4/10), almond sponge cake (classic, 7/10), cardamom apple bread pudding with caramel cream (not enough cardamom but otherwise very tasty and autumnal, 8.5/10) and honey cake (11/10. i don't know how they made this so good. i want more right now so much). i take both my mozart opera and my desserts very seriously.

anyway overall the production was. i would say frustrating. the singing quality was Really Good (leporello was the clear standout, probably followed by the don though i prefer my dons with a lighter voice but technically he was very good, then probably ottavio, then maybe masetto or anna. the commendatore was great but he's in it so little it's hard to compare)

i just wish they could have, like, actually done a full production. it would have been so great if they had gotten to tell the actual story and had been fully allowed to act. when there Was acting were the best moments of the show, and it's really unsurprising that most of that came from leporello, the absolute legend.

[ebonytails]

GOT ACCEPTED INTO A LOCAL CON.. BABY'S FIRST ART MARKET

[finnieforkys]

Reimu plushie design + price list

[jakeperalta]

I'm disabled and so therefore I am really against standing room only at concerts and the last Taylor concert I went too I stood most of the time but I did sit down during the ballad and if a chair wasn't there I wouldn't be able to do that. Human's need to sit, even abled ones, and especially post covid + disabled ones.

I agree, especially given that the designated disabled spaces at venues are usually tiny so it's not like that's a practical option for everyone with mobility issues who need seating. plus general admission standing just encourages people to queue for a long time, stay standing even if they feel unwell or purposefully dehydrate to avoid needing to leave their spot to go the toilet, which combined with how hot it gets standing in a big crowd is just a problem waiting to happen. I get that smaller venues tend to be designed to be quite standing heavy, but the big venues like arenas and stadiums are totally equipped for seating and the decision to make the entire floor standing is solely for the sake of selling more tickets. they can still have smaller pit sections if they want, but i wish things were moving away from increased standing space not making it more common.

[codingflicks]

Pricing Table design

[divinector]

Price Plan Snippet Get Code on divinectorweb website

[daz4i]

daily "i wanna get back into cosplay but i'm gonna look so bad and no one will recognize who i'm supposed to be and it's gonna fit all awkward so what's the point" time

[pig-wings]

man. like. i get it. i get why. but trying to shop more sustainable clothing brands is just "hey! hello! would you like to view any of our 5 androgynous plain shirts in black, white, or three shades of khaki? they cost 80 dollars!"

where are the fun prints! where are the non-confusing websites! where are the form-fitting clothes!

[alangdorf]

Back at it again in the catboy mines; this time it’s me! Dress inspo and boots inspo bcuz they’re cool