Love the little after death convo at the end of Cleo's finale episode. Talking with Grian about how they died. Saying that they knew they weren't going to win but still went out swinging. Saying she was proud of Grian for staying behind to at least try to either kill Gem, Scott, or Impulse or hurt them enough that Gem wouldn't win. Him actually taking out so many of their hearts. All of the Roomies holding onto their loyalty till the very end. Listening to Etho saying he wanted to die in his base, his home, from Scar's POV. Scar only managing to catch up when Etho was in his base.
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soap and ghost, after months of flirting, of having each other’s backs and saving each other’s lives, of knowing the other better than they know themselves, finally getting together
ghost letting himself free fall onto the bed, soap following, always following his lead. they barely pull apart enough to get their shirts over their heads, hands running over muscles and scars and holding close
soap kisses every new scar that’s revealed to him, from the thick keloid divot over his ribs from some kind of puncture to the innumerable slashes and stitch wounds holding his torso together until he’s mouthing over his collarbones; the tips of his fingers lightly caressing the edges of his mask
ghost who’s been so quiet, so overwhelmed by soap’s touch that all he can do is sink into him, panting gasping breaths, finally pushes out, “don’t ask me. please…”
soap freezes, mouth hovering over his skin. “ghost…?”
ghost’s face is tilted away, eyes held so tightly shut they tremor while the rest of his body stays lax beneath his. desperate. resigned. “please don’t ask me, johnny.”
soap lets his hand fall from the mask, coming to run soothing circles over his clothed hip. “why?”
“because i’ll say yes,” he confesses and it’s great and terrible; a warning and a relinquishment laid at soap’s feet. “i’ll always say yes to you.”
for a long moment, there’s nothing but their shared breaths, nothing but their hearts beating for the other. until soap finally leans down to press a kiss to the corner of his hidden mouth; his lips meeting faint raised scar tissue he might never see
“i’ll never ask.”
ghost’s eyes drift open and they catch on soap’s; on a sea of promise and fierce protection
“i swear… i’ll never ask, ghost.”
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The idea that GRRM is anti Tolkien is particularly funny because ASOIAF is sprinkled with rather intricate (and even passionate) homages to LOTR. And I can’t help but think of how Tolkien’s Fellowship, more specifically the Hobbits, may have inspired GRRM’s Night’s Watch. Jon Snow, for starters, is in many ways a combination of LOTR’s Frodo and Aragorn. And in the same way that Frodo, Sam, Merry, and Pippin are unexpected heroes in LOTR (because who looks to a hobbit as the face of an epic adventure?), Jon the bastard becomes the leader of a ragtag of socially disenfranchised men (in the form of the NW) who are anything but heroic. Sure there’s the odd knight or noble in there, but the NW is quite full of criminals and the very worst of the social order. The hobbits aren’t the strongest or the sharpest but they become the face of the fight against Sauron. And the NW, while being severely undermanned and under-equipped, has become the main force that stands against winter. GRRM even adds a love letter to Tolkien’s Sam Gamgee by adding his on Sam - Sam Tarly - who acts as a moral compass and counselor to Jon, in the same ways that Sam Gamgee is key to Frodo’s journey. And just like Frodo, Jon gets his very own pair of jokester friends, one of whine is even named Pyp. So it’s all very beautiful and nice, and we should talk about it more because it’s super evident that GRRM is a massive Tolkien fanboy. But I do have to say tho, GRRM’s take on Gandalf is exceedingly hilarious just because Melisandre is famously very bad at her job.
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Starlo should be Clover's dad
Why? Because ↓
1) Both dress into cowboy-themed attire to feel braver/more important than they are
2) Clover, instead of a regular kid, wants to feel like a hero; Star, instead of a regular farmer, also wants to feel like a hero
In reality, Star is not the tough guy he pretends to be. His optimism, protectiveness and caring nature make him a hero though.
In reality, Clover started off as a scared kid who became more confident and skilled thanks to Flowey's resets. Their heroism comes from their forgiving and selfless nature and the hidden courage they got the chance to explore.
2) Both acted childish during a dangerous situation
Clover came down the mountain with a toy gun so that it would bring them comfort/they'd feel more in control of the situation (if you remember, Frisk refused to play with Asriel's toys in UT, saying how they're "too old," and I assume Frisk and Clover are the same age).
Starlo brought a fake gun before confronting Clover in genocide, just to feel cool.
3) Both not only value justice, but base it on compassion
Clover's entire mission was to bring justice (avenge the kids), but along the way changed that mindset (in pacifist). Star says how him and his posse aren't bandits, tests Clover's sense of justice and morality with the trolley problem, and wants to give Ceroba a second chance despite her actions.
4) Starlo's got protective fatherly instincts
5) fatherly pride
8) a lot of monsters associate Clover with the Dunes/Wild East
9) oh and... Starlo referred to the Wild East as Clover's.... home. Twice.
he could have easily said 'Wild East'
... get the adoption papers.
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Even though the fandom usually sees 42Aaron as a "bad influence" on Miles G or (less often) an ideal father figure or actually a replacement for Jeff, I'm very interested in his characterization as a good person who really wants to help, though not a perfect uncle.
Because, listen to me, 1610 Miles saw Aaron as some kind of unwavering image of coolness, lightness, an alternative way of looking at the world, looking to him more than his own father. And yet Aaron was not the way Miles saw him - he was much harder, much more difficult, much more complex than just a "cool uncle" in the eyes of a rebellious teenage boy.
Now imagine. Jeff has died, and - although they haven't spoken in years and will never be able to again - Aaron knows that the only thing he could ask of his brother is to look after his family, his wife and son. And so Aaron does. Aaron comes to their home almost immediately after the news of his brother's death, he tries to talk to Rio, brings his nephew a couple of old tapes as a gift, and pushes his own heartbreak far away because it is the only way he can thank his brother and shed light on his memory.
He becomes a loyal helper and friend for Rio, and for Miles G, he becomes a mentor, a role model, and a father figure.
But there is a small problem here - Aaron is not a family man. Aaron is not a father. He really thought that he was a good uncle, a cool uncle who could make a child happy, but all of that shattered as soon as he had to actually LOOK after this child.
Because it's one thing when he comes to your house once a month, you eat popcorn, listen to music and talk about school and girls, and then go out to paint graffiti. And it's completely different when you see a little boy literally falling apart and breaking down before your eyes, when you know that he can't sleep at night because he's afraid of nightmares, when you see him exhausting himself, reaching for some unknown goals, trying to grow up as fast as possible to become a person he was never meant to be... and there's nothing - nothing - you can do about it. You don't know how to approach him, how to open up, how to talk to children. Because you have never been able to deal with your own feelings, let alone the feelings of a small child who is just quietly suffering in front of you.
Of course, this does not mean that they do not have good relationships. They have their own local jokes, gags, and inventions. Miles G can spend hours at Aaron's apartment practicing something, and he will pass on his knowledge to him.
But (and Aaron has made sure of this) this does not make him a really good uncle. Because he just doesn't know what it's like to be a full-fledged father figure, a supervisor, how to be anyone beyond being a "cool uncle" - and he blames himself for this more than anyone else, but he just can't seem to learn. He tries to talk to Miles, but every time he meets an iron wall with the code words "I'm fine" that he just CAN'T break through.
He had no experience. He had no normal parents. There was no one who could explain to him how to do it, and the only person who really cared about him all these years is six feet under the ground.
How often do you think he stood by Jeff's mural, muttering a quiet "I'm sorry" to him? Because for the first time in his life, just making and giving money was not enough. Because he can't be the help he wants to be. Because he hates seeing Rio so tired, too, and he knows Jeff would hate it as well, but he can't do anything but hear a clear "no" to every his suggestion about her resting or taking a day off from from work.
How often do you think he's thought Jeff would be angry at him If he knew the role he gave his child, seeing the scars on his face and soul?
How often do you think he's wondered if Jeff would hate him if he found out what he's doing, even though he's doing the best he can.
How often do you think he thinks his "I'm sorry" doesn't mean anything anymore?
That's how I see him.
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