#seeing him turn into a complete monster is...

[innerfare]

You’re Jealous

 Summary: You get jealous of someone else in his life.

Characters: Luffy, Zoro, Sanji, Ace, Sabo, Law, and Kid

Genre: Slight Angst // Fluff

CW: None // SFW

——— 

Luffy: He never told you Boa Hancock was in love with him, and when you find out, you have to remove yourself from the situation before you have an emotional outburst and start something with the Pirate Empress. The problem is, you don’t even know which emotion will spill out of you. Finding out the world’s most beautiful woman, and a powerful Warlord, no less, is desperate to marry Luffy is a whirlwind, to say the least. Luffy can seem clueless at times, but his emotional intelligence is through the roof, and he picks up on what has you upset almost straight away. He knows to give you some space, and when he senses you’re ready, he approaches you with a handful of wildflowers he picked. He doesn’t really say much, just pulls you into a hug, presses a few kisses into your cheek and temple, and says in your ear, “you’re my girl.” 

Zoro: He didn’t mention Perona was also at Mihawk’s castle for those two years until a few months after the crew gets together. He tells a story that features her, and you realize there was a woman keeping him company. Your heart drops into your stomach. Zoro insists he didn’t mention her because he didn’t think she was relevant; the only thing Perona did those two years was annoy him. He’s actually the one who won’t let it go, not you (even though you are pretty jealous). Whereas you’d prefer not to talk about it, Zoro is wracked with guilt because he’d never considered the whole thing in a relationship context. Him fretting constantly over it actually heals your jealousy because you realize you’ve never seen him panic over the prospect of hurting anyone else’s feelings. 

Sanji: Even with a third eye, Pudding is stunning. And Sanji almost married her. It was before you two were together, but listening to the stories from Whole Cake, hearing how close he came to marrying another woman, knowing she really did fall in love with his kind heart and wonderful cooking, turns you into a little green monster. You know you shouldn’t feel jealous of a woman you’ve never met before, a woman Sanji chose not to marry, but you can’t help it. Sanji is completely shocked that you would feel jealous over his relationship (if it could even be called that) with Pudding, though after thinking about it some more, he does realize why you might be jealous that he had a fiancé. His solution is to bring you a bouquet of roses and walk you through the dark details of his life, telling you things he’s never outright told anyone, so you understand the special place you have in his life. 

Ace: He collects people without trying, and often times, without realizing, either. Ace thinks he’s just making friends, but you see the way the women he laughs and shares drinks with are drawn to him like plants to the sun. He promises them freedom and adventure (and he has a very nice laugh), and you can see how it excites them. You don’t really mind it, knowing Ace well enough to see the way he holds those women at arm’s length, even if he seems close with them (such is the magic of Fire First Ace). But Yamato makes you jealous. It’s not hearing the way they laughed together but hearing the way they fought that gets to you. You know how Ace lives to fight and even just roughhouse, you know how he’s a rough and tumble guy, and you worry you’re not tough enough. Should you be punching his arm when he makes a joke? Should you be trying to trip him out on deck? What should you be doing? When you finally come clean with Ace about what’s been bothering you, he actually laughs. “If I wanted to be with someone who gives me hell, I’d be sleeping in Marco’s cabin every night. Besides,” he says, scooping you up in his arms, “I like being able to manhandle you.” 

Sabo: Sabo is a flirt, and you knew that going into your relationship. It actually doesn’t bother you when he flashes that charming smile of his at someone else or swoops in to save a damsel in distress (a speciality of his) and even serves to entertain, especially on the rare occasions his flirtations are rebuked. What does bother you, though, is his tight relationship with Koala. You know it’s ridiculous to be envious, you know Koala would sooner saw off her arm than kiss the man she considers her irksome big brother, but they’ve known each other since they were little kids, and Koala has been through so much with Sabo that the pair have such a close bond. It’s not the angry kind of jealousy that bubbles up in you when Koala mentions something about Sabo’s past that she assumes you know but you don’t, just the sad kind that you try to keep to yourself. Surprisingly, Sabo notices, though you don’t realize until he hugs you from behind and mumbles in your ear that he’s glad you’re the only one who knows he has a skincare routine, his silly words diffusing your mood and acting as the exact affirmation you needed. If it’s not enough, though, he’ll happily prove his loyalty to you by challenging Koala to a karate match, though.  

Law: Dr. Law and Dr. Robin sure do get along well- so well, in fact, you can’t help but wonder if they are better suited to each other than you and him. Even if they didn’t have such good chemistry, it would be impossible not to feel a touch of jealousy toward the archeologist. She’s intelligent, beautiful, fiercely loyal, a member of the Straw Hats, and has an impressive bounty that she earned even before she became a pirate. Needless to say, you find yourself brooding when the Robin brings him a beer and sits down beside him to discuss the immune systems of fishmen, a topic both are rather interested in. Of course, you’re interested in that, too, thus the reason Law realizes something is wrong when you don’t participate in the conversation. He ends up excusing the two of you and taking you to bed, worrying you had too much to drink, the thought you may be jealous never once occurring to him. You end up not saying anything (many thing in your relationship with Law being unspoken) and just sleeping it off, the fact that he excused the two of you proof enough of his loyalty. 

Kid: He doesn’t ever talk about his first love, Victoria. In fact, you didn’t even know she existed until Killer got drunk one night and began speaking of his dearly departed. What he didn’t mention was that Kid, too, had been in love with her. It only comes up the next night when you mention it to Wire, who mentions it was the death of his first love, Victoria, that put Kid on the war path and united the first four members of the Kid Pirates. Realizing Wire messed up, Heat chimes in to say, “he’d do the same for you.” But you’re not convinced, mainly because Kid never told you any of this. It tears you apart, leaves you tossing and turning for nights on end, until you finally burst into Kid’s workshop one night ranting about how he doesn’t trust you and holds you at arm’s length. “Heat says you’d do the same for me, but-” Kid cuts you off and says, “I wouldn’t do the same, I’d do worse. Much, much worse.” And from the wicked gleam in his eye, you’re inclined to believe him. 

———

Hope you enjoyed it! If you want more, you can check out my masterlist here!

[linkspooky]

YUTA WAS ALWAYS SELFISH

I was originally going to make this post the week the big twist with Yuta in Gojo's body happened, because of the massive subversion that it was. It was the kind of twist that made you question if everything you ever knew about the character was wrong. Namely, Yuta one of the most empathic sorcerers we see in the series - the character who seems to lack the selfishness of the other sorcerers that make up jujutsu society. The kid who fights with the literal power of love.

Was Yuta a monster to begin with and we just didn't see?

So ignore the clickbaity tagline, Yuta is one of my favorite characters I'm not going to start calling him a terrible person. Rather that Yuta is dismissed as a soft kid or a wifeguy, when he's actually more cunning and cutthroat than anyone gives him credit for.

If a sorcerer is nothing more than a con-artist, then if the talent for trickery he displayed in the Sukuna fight is anything to go by Yuta is a true sorcerer down to his bones. Yuta turning Gojo's body into a puppet seems like a massive twist, and almost out of character for Yuta who was so devoted to Gojo.

His earlier fight in the culling game even seemed to hint that Yuta was too soft and he didn't truly have the attitude to fight someone like Ryomen Sukuna who was the embodiment of a calamity.

These panels seemed like a prophecy that Yuta was doomed to fall short against Sukuna. That he could never live up to his title as the next Satoru Gojo, because unlike Gojo and Sukuna who can stand on the top alone Yuta clings to his loved ones.

Sukuna got to where he is by rejecting love. Sukuna is Sukuna because he's never needed anyone to satisfy him. So how can Yuta who needs to be surrounded by his loved ones at all time to validate him and tell him it's okay for him to be alive even compete?

However, even in JJK zero Yuta's love is questioned on whether or not it's as selfless and "pure" as it seems. To begin with, Maki calls him out early on for attracting bullies by playing the victim a lot. He pretends to be a good and innocent person put upon by his circumstances and bullies when really he doesn't want to help himself. Instead of standing up to the bullies he's always let Rika protect him and then condemned her for being a monster. He's let Rika take the blame for all the destruction, even though Rika is HIS cursed technique, created by HIS emotions, and is protecting him.

Yuta doesn't make any attempt to try to learn to control Rika, or even work with her, he just shrivels away in fear.

"You act like a good person, but it feels fake..." Yuta has always adopted the facade of a good person. He seems soft, socially anxious and withdrawn, even after he gains confidence as a sorcerer those traits don't go away because they're a part of his outward persona. Jung divides the psyche into two parts, the persona a mask that faces the world the parts of yourself that come out in your social interaction with people and then there's the shadow your repressed personality.

Yuta's shadow is a literal monster that declares her love for him and then expresses that love by violently destroying everything around him.

Yes, Rika initially contained the soul of someone else but Rika the curse was created by his technique, her power corresponds to his emotions, she comes from his shadow, and even after the real Rika passes on the Shikigami RIKA still remains completely under Yuta's control. Rika is Yuta, the embodiment of his twisted definition of love that would curse his loved ones to keep them by his side forever because he can't live without them. All of Rika's insane possessiveness? That's Yuta's too. Rika's violent overprotectiveness? That's Yuta.

How poetic is it really that Yuta and Rika are so codependent that Yuta's shadow, the other half of his personality is literally RIKA. Yuta cannot exist without love, and without someone too love, he's so terrified of being alone that he cursed Rika and then turned her corpse into a puppet after death. He uses his loved one as a weapon to fight his enemies.

If you think about it for more than five minutes Yuta's cursed technique and Rika has some seriously messed up implications, but it's hard too because as messed up as Yuta's love is it's still genuine.

Love is a curse, but in 236 Nanami speculates that sometimes curses can save people too, just like how Jujutsu Sorcerers use curses to fight and protect others.

So Yuta's love is a screaming, raging, overprotective monster, but it's also what give shim the motivation to fight ofr others. Yuta's love is a curse, but curses can save people too.

Yuta on the other hand isn't aware of his own darker nature most of the time.

The big twist in Jujutsu kaisen Zero is that just as Maki accused him of from the beginning, Yuta was playing the victim all along. He acted like Rika cursed him with her dying breath, but Yuta was the one who cursed her because he couldn't bear to live without her.

However, even this apology is a bit telling of Yuta's self-centered nature. He immediately turns everything into his fault and starts beating himself up over it. He doesn't look at anyone else's perspectives or that other people had a role to play. He deliberately ignores Rika's feelings on the past few years, which Rika is quick to point out for him.

This scene has a parallel later where Yuta ultimately, only thinks about himself first and foremost. In spite of wanting so badly to be surrounded by his loved ones, it's more about him loving them, and less about their feelings for him.

After all he's completely willing to commit a double suicide with Rika to protect his friends, ignoring the fact Rika doesn't want him to pass on just yet, and Maki, Inumaki and Panda wouldn't want him to disappear either. This scene has a direct parallel a year later in the fight against Sukuna when Yuta gives up his body.

Maki almost breaks character from her usual culling game arcs stoicity to fight and argue with Yuta to stop him form doing this, and Rika who one year earlier told Yuta to live a long life so she wouldn't have to see him on the other side so soon is reduced to screaming and sobbing while holding his dead body.

Yuta loves people, or at least he feels an intense amount of love for people, but he can be as self-centered as the other sorcerers we see in the story. Geto even points this out right away, that Yuta is selfish, that he's seeking self-affirmation first and foremost. He needs other people's approval, their love, to feel like he deserves to exist. He'll do anything to earn that love, and once he has it he'll do anything to protect it but it's ultimately for himself.

It manifests in Yuta's technique itself copy, which first and foremost requires Yuta to consume parts of his loved ones that can never be healed if he wants to keep their copied technique. Yuta gets stronger by literally eating his loved ones. We have canon confirmation that Yuta fed part of Inumaki's severed arm to Rika.

Yuta's cursed technique is to emulate the strengths of all of his loved ones copying them and making them a part of his oqn technique, because Yuta will take any shape and form in order to be loved. It's also the perfect technique for fighting as a part of a group, because someone like Sukuna will naturally assume that Yuta's technique STEALS instead of COPYING so he'll forget that the original still retains their technique.

Yuta's not only selfish and has a very selfish, overprotective love for others, but it's those exact qualities that make him an effective sorcerer strong in the area that Gojo is the weakest. Group coordination.

Gojo is in his element when he's alone, but Yuta is so codependent that he literally cannot exist unless other people are looking at him. His strength comes from the things he copies and takes from his friend, and he turned his loved one into a puppet to fight others. Is it really that surprising that this kid would willingly use Gojo's body as a weapon after death when that's literally what he did to Rika.

How telling is it that like Yuta learned that Rika was cursed by him, went so far to exorcise her spirit, and then after finally letting go after her spirit passed on he made a second Shikigami named Rika a few months later made out of the small remnants of cursed energy that Rika left behind as a gift after passing on. The dude is not over Rika, he's like, Geto and Gojo levels of not over Rika.

Yuta's cursed technique being the literal weaponization of his love and his loved ones makes him the best character for group coordination in the entire series. Yuta even adopts apsects of hakari's persona when making his plans against Sukuna since he decides to gamble at several key points in the plan.

Several of the key moments in the fight are all Yuta's plans, with some collaboration from Angel. He makes several bets too like Hakari would. The first being going to finish Kenjaku by himself and using both Todo and Takaba in conjunction to trick him. The second is the bet that he'd be able to make it back in time to rejoin the fight in case Higuruma's plan fail.

It was Yuta who let his own domain barrier down on purpose to let Sukuna think he had the victory so he would let his guard down and make it easy for Maki to ambush him. Something that also required perfect coordination between Yuta and Maki working in tandem with one another.

Yuta set up Hana to do one large jacob's ladder when Sukuna least expected it because he knew Sukuna would forget that his technique is COPY and not steal. He also made the biggest bluff which was leading Sukuna to believe that he fed Rika his last finger.

These aren't just good bluffs, they require near perfect coordination with your allies and taking several chances on them. Nobara might not have even woken up so the last finger / resonance Gambit was perhaps the biggest gamble. Maki and Yuta had to coordinate with each other well so Maki would be there when Yuta dropped the barrier. Yuta needed Takaba a relatively new and inexperienced sorcerer to survive against the threat that was Kenjaku, and he needed all of his allies to stay alive while he was prioritizing Kenjaku.

These are all plans Satoru Gojo would never have been able to pull off, because Gojo only ever relies on himself. If Yuta and Hakari had intervened in the Gojo and Sukuna fight then he would not have been able to go all out, whereas Yuta REQUIRES people collaborating with him in order TO GO ALL OUT.

This is Yuta. This is his strength. Yuta is nothing without love, so he takes on the forms of the people he loves and takes things from the people he loves in order to gain the power to protect him. Yuta copies everything from the people he loves, so is it really that much of a surprise that he'd become a monster just like Gojo.

In some ways, Geto and Yuuta were the same. Geto was too sincere. To someone like him, the reality that the world of sorcerers presented to him was just too cruel. ’…that in a world like this, I couldn’t be truly happy from the bottom of my heart.’ To live for the purpose of being yourself. And for that goal, Geto could only continue to pursue his twisted dream, drowning himself in the curse that lies in the gap between ideal and reality.

Love is a weapon for Yuta. Just like his curse technique can take any form, so does Yuta's love, and so does Yuta himself. Love always wins, and in order to do so Yuta will take any shape necessary, no matter how twisted.

Love is the worst curse of them all, and Yuta will become the worst monster of them all if it means protecting his love ones.

[phantobats]

Every time Batman faces off against a villain, the age-old debate surfaces: Should Batman finally kill? To many, the answer seems obvious. Gotham's rogues gallery—Joker, Scarecrow, Two-Face—have caused untold death and destruction. Some argue that Batman, with his no-kill rule, is doing more harm than good by allowing them to repeatedly escape and wreak havoc. But this line of thinking completely misses the point, not just of Batman’s moral code but also of why Gotham needs him in the first place.

Gotham City is infamous for its corruption. From the police department to the courts, virtually every institution that should protect the innocent is compromised. Judges are bought, politicians are on crime syndicate payrolls, and even the police force—before Commissioner Gordon’s reforms—was rife with bribery and backdoor deals. In a city where criminals are recycled back onto the streets through corrupt systems, Batman's role as a vigilante isn’t about acting as judge, jury, and executioner. It’s about being a symbol of justice that Gotham has lost.

If we’re focusing on who should be stopping these villains for good, we should be looking at Gotham’s broken justice system, not the moral line Batman refuses to cross. It’s the system’s responsibility to lock these criminals away for good, or better yet, reform them if possible. Batman doesn’t kill because he’s operating in a world where the institutions of law and justice have failed. His presence highlights how far Gotham has fallen, but asking him to break his code and start killing misses the mark.

Let’s imagine, for a moment, that Batman does kill. He ends the Joker once and for all. Does Gotham suddenly become a safer place? Does this action stop the next criminal mastermind from rising up? No. The truth is, Gotham’s problems run much deeper than a few individual villains. If Batman starts killing, he becomes a symptom of Gotham’s sickness rather than its cure. The cycle of violence continues, because the real problem—the corrupt systems that allow these criminals to rise—remains unchanged.

A vigilante who kills is just another arm of Gotham's decay. What Batman represents is the fight against that very decay. He’s someone who can operate outside the law without becoming a monster himself. If Batman starts executing villains, he isn’t fixing Gotham—he’s giving up on the idea that Gotham can be fixed.

Those who call for Batman to kill fail to see the larger picture. When people like Joker escape Arkham Asylum, that’s not on Batman. It’s on the corrupt or incompetent systems that continually fail to contain these threats. Arkham is a revolving door because the people who run it either don’t care or are incapable of doing their jobs properly. The courts release criminals because they’re either paid off or pressured by Gotham’s criminal underground. Batman's real enemies aren’t just the costumed villains, but the failing institutions that enable them.

If we want true justice in Gotham, we need to demand better from its police force, mental health institutions, and political figures. We shouldn’t be asking Batman to kill; we should be asking why Gotham’s mayor is in the pockets of crime lords, or why the city’s D.A. can’t secure a conviction against someone as clearly guilty as Joker. Fixing Gotham’s institutions would do far more good than turning Batman into an executioner.

At the heart of this argument is Batman’s moral code, which has often been a subject of debate. Batman refuses to kill, not just out of personal conviction, but because he understands what it would mean if he crossed that line. He would become no different from the villains he fights.

Gotham needs Batman precisely because he holds to a higher standard. His refusal to kill is a reminder that, even in a city as broken as Gotham, there are still people willing to fight for justice in a way that doesn’t compromise their humanity. In a world of corruption and lawlessness, Batman’s no-kill rule is a beacon of hope. It’s proof that Gotham’s soul isn’t entirely lost.

Rather than debating whether Batman should start killing, we should shift our focus to where it belongs—on Gotham’s institutions. Batman is a vigilante because the law fails. He wears the cape and cowl because the system is so broken that it can’t be trusted to protect its citizens. He fills a gap, but he doesn’t replace the law; he challenges it to be better.

If we want a safer Gotham, it’s time to stop asking Batman to do the dirty work and start holding the city's leaders accountable. The real question isn’t why Batman won’t kill, but why the justice system in Gotham is so corrupt that a vigilante is needed at all.

[belovedstill]

svsss 10th anniversary snippets ◀ [ 2/7 ] ▶

If there was one thing the original goods could do well, it was painting.

He was, of course, also well-versed in subterfuge, angry hatred, and attracting 'scheming bastard!' flags left and right. And in making the Sect Leader look like a kicked dog. And in raising everybody's blood pressure. And in avoiding any shred of human kindness. And in—

Anyway. He was good in many things that currently don't serve Shen Qingqiu well, but at least his muscles remembering the movements and amount of pressure to put on a paintbrush for quality paintwork is quite neat!

In his past life, Shen Yuan couldn't draw for shit. His only genuine attempt at an illustration for his then-5-year-old sister's favourite fairy tale was met with frightened sobbing and countless nights spent sharing his bed with her whenever she woke up from yet another nightmare induced by his terrible scribbles. (In his defense, the monster terrorising the town was the coolest thing in that story.)

Having his disciples ohh and ahh at the simple scrolls he paints is quite the difference from terrified tears. If you ask him, he quite enjoys it! The best thing about being able to draw well, though, is getting to finally draw his own fanart—

"What's Shizun painting?"

—away from where anybody can see!

He very gracefully slams his hand over the scroll, completely intentionally smudging the dash of diluted red ink he's just applied to the smiling lips of the pained Luo Binghe as his husband looks over his shoulder. He hasn't even heard him come in!

"Is that...?"

"No," Shen Qingqiu says immediately and for a good measure flips the page over. The small bowl with red ink topples over and spills.

Binghe's breath hitches next to his ear.

Despite being the Peak Lord of the Qing Jing Peak, or maybe exactly because of it, Shen Qingqiu has always been aware that scroll paper is a finite resource and shouldn't be wasted. That's why when he draws in private he uses up every blank spot. The other side of the painting is filled with countless sketches of Luo Binghe in various poses and states of undress. Sleeping. Cooking. Fighting. Commanding. With a laugh on his lips, or tears in his eyes, or suggestive tension rising in the arch of his eyebrows.

"Shizun..."

Shen Qingqiu slowly reaches for his fan, unfolds it, and presses his entire face against it.

Binghe lays his gentle hands on Shen Qingqiu's tense shoulders and presses his forehead against his temple.

"Is this how Husband sees me?"

Any answer would be damning! No, this husband does not see Luo Binghe, the man above all men, as a mess of rough, imperfect, rushed lines! Yes, he does look close enough to commit every minor detail to memory! Anybody would!

For some reason, that final thought settles heavily in his stomach. He turns his head slightly, so his forehead rests against Binghe's.

"Mn."

"Does he, really?" There's a teasing edge in Luo Binghe's voice and Shen Qingqiu knows, even with his eyes closed, that the look on his face must be truly ungodly. "Husband should look whenever he likes."

"...Mn."

"He should open his eyes and look now, too."

Not a chance! Shen Qingqiu does the only thing that ever truly distracts the tempting husband of his: he leans in and steals his lips in a kiss, and holds them captive until they yield in sweet surprised surrender.

The scroll paper gets torn, the fan forgotten aside, and both of them end up with red-ink fingerprints all over their skin.

[sonik-kun]

MXTX describes Jiang Cheng as a negative person, but ultimately, he is not a terrible, evil monster.

We all know why Jiang Cheng is, by nature, a negative person. Aside from all the loss of life he has experienced, he had a rather toxic and tumultuous upbringing by his parents.

His father gave him little attention and seemed to favour Wei Wuxian (which only served to exacerbate the rumours of a secret affair he had with Wei Wuxian's mother, causing an even bigger rift between him and Madame Yu).

Not only did he seem to favour Wei Wuxian, he also often compared him to him, placed unrealistic expectations on him and refused to ever acknowledge Jiang Cheng's own amazing achievements (The fact that he was able to work hard and keep pace with a child prodigy like Wei Wuxian is impressive in itself.) He also told him that he didn't understand the family motto.. Do y'all not see how alienating that must be for Jiang Cheng? Especially being told that whilst he was still a child who was developing and set to be the future sect heir.

Then there was his mother who was both verbally and physically abusive to Wei Wuxian and him. She often demeaned Jiang Cheng and compared her to Wei Wuxian, pitting the two against each other despite the two of them wanting to just be friends. She was a wedge between a beautiful friendship and whilst I understand her grievances, especially towards her husband, she still put a huge strain on their friendship which only fed into Jiang Cheng's insecurities. It was unfair of her to take her anger out on her children and their disciple.

Jiang Cheng had no real, adult figure to ground him and reassure him other than his sister. But she too was a child under a great amount of pressure. That role should never have fallen upon her.

With all this taken into consideration, it is no wonder why Jiang Cheng grew up to be bitter, negative and resentful.

It makes you wonder that had he had a normal upbringing with supportive parents and never experienced the great amount of loss he went through, would he had turned out to be a completely different person?

I propose to you that he would. And we can see that person in his nephew, Jin Ling.

[solidwater05]

Big post with a whole bunch of species headcanons! Not every character is here and some headcanons have more detail than others simply because I happened to have more ideas for those

First I want to say that in my headcanon, avians and bird hybrids are different things. While hybrids (in general) are a mix of different species with any combination of traits, avians are pretty uniform in what kind of bird traits they have, and in general avians are genetically more similar to each other than random birds hybrids are to each other. With that out of the way-

Grian is a parrot avian, and he has a ton of vocal stims, from whistling and singing to mimicking noises he hears.

Martyn is a parrot hybrid, and he loooves to do silly voices and mimick creeper hisses

---

Gem became an anglerfish sea monster of sorts thanks to the water in Hermitcraft. The same happened to Mumbo (catfish) and Grian (cod). And also False but I don't know what kind of fish fits her </3

Pearl is also a fish, but in a different way. She's a salmon that can shapeshift into a human (or any mix between fish and human, like a mermaid)

---

In Secret Life, Gem had the great idea to replace her eye with an eye of ender. She became some sort of end portal creature. Nobody else has ever seen anything like it and frankly, they're scared. But Gem thinks that it's standard for a universe so full of horror

---

Skizz is an angel, and angels are soulless! This is why he wasn't in Double Life, the soulbound mechanic didn't work with him.

Another angel is Zedaph, he's a sheep/angel hybrid. He has a weird half-soul thing going on but it's fine really.

Zedaph prefers not to fly long distances if he can avoid it, because long ago he hurt his wings badly and he has chronic pain now

---

Impulse is a demon, and while demons can usually fly, his wings are underdeveloped and can't get him off the ground. He uses elytra instead.

Scar is another winged elytra user. He's a vex and vexes can fly, but it's painful for him to use his wings

---

Scar is an actual vex like like the ones evokers summon, and he uses some sort of vex magic to appear hybrid-like. His true form is a little vex guy.

Cub is a human turned vex, and his hybrid-like appearance is his true form. He can look fully human if he wants to, but not fully vex

---

Xisuma is a voidwalker. Voidwalkers are beings that form very rarely when particles and soul fragments lost to the void come together and become conscious. They're the only beings that can survive in the deepest part of the void

Voidwalkers are so rare that most of them live their whole lives without finding another living being, especially because they don't tend to leave the bottom of the void.

Because voidwalkers spend their whole lives in complete darkness, their eyes aren't super well developed. Xisuma's vision is blurry, he has visual snow, and he's very sensitive to light. His helmet actually filters out a lot of light so it doesn't give him a headache

His helmet also helps him breathe. Voidwalkers are not made for high pressure atmospheres

---

Etho is a phantom hybrid. He's allergic to cats and also the sun. He needs very little sleep. His silver hair is not a species trait, it's dyed

^that's a Hermitcraft-only headcanon. I see him as a silverfish in the Life series, for no particular reason. The silver hair is a species trait in that case

Bdubs is a glare hybrid, being scared of the dark is part of his glare instincts. The moss coat isn't part of him but I'm sure he could be mossy if he wanted to. He can probably fit inside a moss block

---

Tango is a blaze hybrid. Or a blazeborn? I imagine it's a similar situation to avians and bird hybrids but I haven't put that much thought into this one. And both blazeborn and blaze hybrid can be shortened to blaze anyways

She can't get burned, and water hurts him. Water breathing negates water damage

His flame naturally burns orange, but it can be other colors depending on what she's using as fuel. For example, the blue Dungeon Master look comes from burning soul sand

Her body temperature also depends on fuel. Normal, orange Tango freezes very easily, but blue Tango's body temperature is so high that he doesn't even feel the cold

He has tritanopia, as do all netherborns. There's only really two colors in the nether so beings from there didn't evolve the ability to see more than that

She can hover, which he uses mostly to break her fall and do big jumps

Because she can't touch water (without potions at least), he takes soul sand baths like a chinchilla. Yes, this makes him blue for a while

[fictionfromthevoid]

one-Shot | Comforting Loki when he finds out that he is a frost giant

Summary: After Loki confronts his father about being a frost giant you show up. You comfort him and remind him that he is loved.

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When you entered the artefact room you were a bit shocked at the sight before you. Odin was lying on the stairs, visibly drifting off into Odinsleep. Loki was holding his hand, and he had the most broken expression on his face that you had ever seen. The guards took Odin away, while you stayed with Loki.

"Loki, what happened?" you breathily asked while rushing towards him. He looked up at you surprised, he hadn't noticed your entrance. By the time you reached him, his eyes were already filling with tears and when you dropped down next to him he collapsed into your arms. You held him close, rubbing comforting circles on his back. His hands clawed into the fabric of your shirt, desperate for some support while his whole life was falling apart in front of his eyes.

"Hey, it's alright. I'm here. I'm here for you" " you whispered repeatedly into his ear, occasionally pressing a kiss in his hair. "No, it isn't! I-" his voice broke.

"Shhhh," you whispered pressing your cheek to his head and cradling him closer to you. " I'm here and I'll stay. You don't have to tell me what's going on right now." He nodded as he buried his face deeper into your shoulder, allowing himself to freely cry in your arms.

You stayed like this for quite some time. When his sobs eventually turned into quiet sniffles and finally died down completely you loosened your grip a little, testing if he let you pull away or if he needed to be held a little longer.

He did not protest, so you pulled away just enough to cup his face with your hands and looked at him. His eyes were red and swollen from crying and the expression on his face was resembling a sad puppy. You were sure your heart would break any minute.

"Want to tell me what happened now?" you asked with a loving smile, wiping away his tears. He nodded and turned from you to sit on the stairs more comfortably. You sat down beside him and took his hand. He then told you what he had found out about himself and told you about his conversation with Odin.

"I have never been more than a political instrument. And now that doesn't matter anymore?! Y/N I don't know who I am anymore." he cried. You pulled him closer and pressed a kiss to his head.

"You are Loki Odinson. I see how you understood Odin saying the political plans he had with you don't matter anymore as 'you don't matter anymore', but I think that's not what he meant. Can't it be that those plans don't matter anymore, because now you matter? Can't it be that he abandoned his original plans because he loved you as his son?" you suggested.

Loki let out a heavy sigh considering your words. "He could have told me before. Instead, he just hoped I would never find out. What 'loving father' does that"

"A lot of them actually" you answered. "How parents communicate, or don't communicate, to their children that they are adopted is often a problem. And I so agree with you that Odin should have told you at some point himself."

"He told me he wanted to protect me from the truth." Loki cried "From what? From what I am? Am I such a horrible monster that I need to be protected from myself?!" Your heart broke for him at these words.

"Oh dear, no! Look at me.", you lifted his head from your shoulder and brought your face close to his. "You are not a monster. Don't you ever believe that. Listen to me. You. Are. Not. A. Moster" You reassured, caressing his cheek with one hand.

He leaned into your touch with closed eyes. Tears streaming down his face again. "How can you be so sure when you haven't seen it yet."

"Because I know you.", you press a kiss to his forehead, "And I see you, and there is not the faintest trace of a monster."

Loki got up, pulling you up by your hand. He wordlessly guided you down the stairs, to the casket. You followed him, squeezing his hand in an attempt to offer some comfort.

When you reached the casket, he touched it with both hands, just as he had done earlier. Ever so slowly his skin turned blue and curious shapes appeared on his body. He turned his head towards you, sad red eyes staring into yours.

"Do you see it now?" He cried.

He expected you to be shocked. To turn away from him. Just the thought of you leaving him was more than he could bear at the moment. If you would hate him now, he was sure that no one could love him.

But to his surprise, you did none of that. You climbed between his arms, which were still holding onto the casket, and smiled at him with so much love in your eyes that his worries melted away in an instant. Loki closed his eyes when you cupped his face with your hands and pressed another kiss to his forehead.

"This doesn't change anything" you smiled. "You are not defined by your genes. Yes, you may have been born a frost giant, but you were raised in Asgard. You are an Asgardian, and even if you can't see it right now you are so so loved here."

Tears seep out of his eyes again as he lets go of the casket and places his hands on top of yours holding them in place. on his cheeks.

"Thor loves you, a lot. Even if you stab him sometimes." you chuckled

"He doesn't know it yet" Loki whispered. "I don't think that it will make a difference to him," you said.

"He's been talking about slaying frost giants ever since we were children! How can you say it won't make a difference to him!" Loki whined.

"I know Thor, and you do too. He won't think of you differently, just because you turn blue when it gets cold. And I think his views about genocide might change once he comes back from his punishment." you chuckle.

"And your parents love you. Your father too, even if you can't see it at the moment. Even if he majorly fucked up."

"He claims to love me. But does he? He's always favoured Thor. I don't think that I can ever be good enough for him." He bites back.

"And that's fucked up. But he still loves you even if he sucks at being a father. But you don't owe him any love of yours, just that you don't misunderstand me. But I think that, when he wakes up, you two should have an honest talk. Maybe you'll find together again, maybe you won't. Nonetheless, there are people who love you here. Even if you feel alienated from everyone now, you are not alone my dear."

He didn't know what to do with your words. He loved his family. And he wanted nothing more than his father to love him and to be proud of him. But he couldn't see it. Not right now. Not with what he had just found out. And now you were standing here, telling him that he was indeed loved by his father. Could that be true? He desperately wished it to be. And after all, you grew up with him, you nearly spend the same amount of time with his family he did. So maybe, just maybe you were right?

"And I love you Loki. I love you so much. No matter what happens I will always be at your side. I will always be there for you. I love you so so much." He closed his eyes again at your words.

This was what he had been longing to hear since you entered this room. You still loved him. Even if everyone else would turn on him, even if had been no more than a political instrument for his father you still loved him. This was the one thing you said, that he could believe at this moment. You had seen what he was and still loved him.

He let himself sink into your arms again. When he felt your fingers running through his hair he let out a small whimper.

With every touch, you pierced his shattered soul back together. Every hug, every caress of your hand, every forehead kiss put a piece back into its place.

You two stood there, in front of the casket for a long time holding each other. Finally, you broke the comfortable silence :

"I understand that Odin won't wake up for some time, now that he is in Odinsleep. And with Thor banished all the responsibility will be on you now. If that's too much for you at the moment, if you want to take some time to process everything, you can stay at my place for a while and escape everything for a while. Only if you'd like, of course", you offered.

He pulled out of the hug, just so much that he could look you in the eye. "I'd very much like that, thank you" he smiled at you, sad, but also thankful.

You pressed a kiss to his forehead "I love you"

"I love you too"

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Note: I did not proofread this so if it sucked I'm sorry. If I ever find the motivation to go over it again I might edit it and make it better I guess.

[tsxkkis]

# sugawara koushi - next door

a/n: idk why but i really like this one (it's kinda stupid, but i still like it for some reason) :33 anyways, let me tell y'all i HATE school rn i can't stand it but i also don't want it to end.

summary: your next door neighbor is incredibly helpful. and nice, and sweet, and oh so charming.....

warnings: none!

sugawara particularly enjoyed the peace of living alone.

it was a complete one-eighty from the nature of his work; as an elementary school teacher, his day to day life was incredibly loud. kids weren't exactly the calmest creatures on earth, and even though they caused a lot of mischief and problems, he couldn't say he didn't like his job. quite the opposite, in fact - he loved it more than anything, but after a long, tiring day spent with these little monsters, he appreciated some peace and quiet.

that was, until a new neighbor moved in right next to him.

'is everything... alright?'

sugawara was caught off-guard by the sound of his doorbell ringing, even more so when an unknown person appeared right in front of it, a can of what seemed to be anti-bug spray in one hand and a terrified look gracing their face.

you knew that meeting your neighbor for the first time in a circumstance like this one wasn't exactly ideal; you'd much rather come to his door with a freshly made batch of cookies, introducing yourself like in those rom coms your mother used to watch on a daily basis. instead, you ended up in front of sugawara's apartment with fear in your eyes and a request you wouldn't normally make when first meeting someone.

'there's a big, really big spider in my apartment. can you help me get it?'

the silver-haired man blinked at you a few times, as if he was processing your words, which shoot out your mouth at lights speed. he tilted his head to the side as silence took over for a few seconds, popping out of his bubble after a short while, lips curving up into a warm smile.

he stepped out of his apartment, closing the door behind him.

'where is it exactly?'

from that day forward, sugawara didn't experience even an ounce of his previous, peaceful home life. but he didn't exactly complain.

to his surprise, you popped up in front of his door the day after he helped you kill that spider. and the day after that, and the day after that. it was almost a routine for the two of you at this point; every time he came back from work, he would await to hear the doorbell ringing almost impatiently. you became a vital part of his day, and it wasn't full without your presence, so much so that even his old high-school friends, daichi and asahi, could notice that something has changed in the life of his silver haired colleague.

he was shocked to see that after a few months of your little 'thing', you didn't appear at his door.

sugawara immediately took notice of how odd it was; and took action even faster, putting his slippers on as he headed to the door of your apartment, his eyes quickly glazing over the clock hanging next to the door, the time reading barely after 7pm.

he knocked once, and then again, nervously shifting his weight from one leg to another.

he could barely hear some mumbling on the other side of the door, paired with quick footsteps and after a few minutes of waiting, he was met with your face standing on the other side of the door, an apron on and face smudged with something that he couldn't quite name.

'oh, you're alright.' he mumbled, lips curving into a smile the moment his eyes landed upon your figure, a feeling of relief washing over him. 'you didn't show up at my apartment today. i guess i got... worried.'

he stopped for a quick second.

'not that you have to come to my apartment every day, of course! if you're busy then-'

'no, no, that's not it.' you barged mid sentence, opening the door just a little bit wider. 'come in.'

the first thing he noticed was the smell; his nose picked up on the multiple spices mixing in the air together, head turning to the side as he noticed your kitchen being an absolute mess.

it makes sense, he thought. you were just busy. it was nothing to be worried about.

'i wanted to make dinner for the two of us.' your voice echoed from behind him. 'you know, to thank you for helping me so many times throughout these past months. as you can see, though- i'm no masterchef.'

sugawara chuckled when hearing all this; his smile warm as he looked closer at the food.

'it looks perfectly good to me.'

'you don't have to lie.'

'i'm not.'

the apartment fell silent for a short while, the silver haired boy's eyes darting away from the kitchen and towards the open living space, the table already set with candles, even though the food wasn't even half-made, and you took notice of it right away.

'i wanted this to be special.' the tips of your ears turned red, eyes turning away from the man. 'you know, a date.'

a date?

he looked at her, dumbfounded.

sugawara didn't consider himself remotely as interesting as his other friends, so it came as no surprise when they had more admirers than him. he was just kind of... there.

to hear that you, of all people, had thought of him as something more than just a friend, made his heart beat faster.

he smiled from ear to ear, a small chuckle leaving his lips.

'ah, so i guess you beat me to it.' he sighed, his body leaning against the kitchen counter. 'i certainly waited too long with asking you out.'

you looked down at your feet, face flushed pink.

'maybe a little bit.'

'well, i can help you finish cooking this and we can go through with the date.' he proposed, his body involuntarily moving towards yours, taking a few small steps. 'if you'd like that, of course.'

and who would say no to sugawara and his charming smile?

'yeah. i'd love that.'

taglist: @moonswolfie @wyrcan @kitsune-kita @haechansbbg @luvvrgirll @serotoninbarbz @sugaraddict301

[kats-randomology]

I wanted me a Alastor breakdown and BOY HOWDY I GOT ONE

So many ideas about what direction he can go and they're all fun to think about-- personally I wouldn't be against a longterm redemption plot. But nothing easy for him, no, I want him to try some shit, have it blow up in his face even worse than this. Have him claw his way back into trust and good graces.

I don't think he's AS ATTACHED to the crew as some seem to think, and as much as I'd like him to be, BUT I do think there's some fondness there. It's not enough yet to deter him from his true goal, but it's there, and maybe even that small part was an influence in his fight. But now gets shoved into the far reaches of his mind because holy shit I almost died and for WHAT? These weak fools? Hell with that, no more feelings!

But the thread continues to fray; his cane/mike is broken (we dunno if it can be fixed easy), he came this close to death, and he's still not much closer to getting out of contract. He can keep himself together for only so long, and now we got Lilith coming into the picture as a potential road block that can't be as easily fought off as Adam.

I'm also not entirely sure if it's her with Alastor's soul anymore? It's still highly possible but with her being in Heaven all this time and not even speaking to her family....why bother with sending Alastor? I'm not getting the impression she cares that much, yet...and what would she even gain from it? The timelines coincide, but nothing else makes much sense for it.

Whatever it is, I'm looking forward to it and the even bigger mental snap that's sure to come. Give me that madness-> main villain-> broken down man offered a hand.

[angorwhosebabyisthis]

this rewatch of sdmi has been wild because once you start taking the talking animals and their place in the worldbuilding seriously it's just like oh wow this is some real final fantasy plot huh. what do you mean the resident discriminated-against beastfolk are not only descended from ancient otherworldly beings masquerading as gods, and not only driven insane even more effectively than non-beastfolk by a curse because of their heritage, and not only serve as apocalyptically powerful vessels for those otherworldly beings, but are easy to read as having been created specifically because they're more powerful vessels than normal animals, and then abandoned to their own devices (being enslaved) for thousands of years until the next time their creators pop into this reality and want a convenient corporeal form to snatch. which game in the series is this

[sameteeth]

DUDE. THE WAY JIM HAWKINS VIEWS SILVER THRU TREASURE ISLAND VS THE WAY SILVER HAS THIS UNENDING FONDNESS FOR JIM

[ragsy]

MOTW NPC Rach Lombardi, Mark's toxic ex who got ripped to shreds by dogman and then whose revenant ghost latched onto someone else who was on their own dogman revenge quest (player character Tatara)

she's fun.

[linkspooky]

DUEL VS. DUEL: Yubel and Judai vs Ai and Playmaker

If you haven't noticed YGO! often recycles different characters and plot ideas throughout its various spinoffs. There's usually a rival whose ace monster is a dragon, a best friend character to support the main character, there's almost always a guy like Bakura who has several things wrong with him. This isn't a criticism, I actually love the way that each spinoff builds off of all the other series while also remaining its own thing. There's a lot of meaning you can decipher from analyzing the intentional callbacks the authors put in to previous series so that's what we're going to do today.

Both GX and Vrains feature a third season where the protagonist's partner character becomes the main antagonist for the entire season, and manages to pick off the protagonist's friends one by one until they're all alone with the protag for the final duel. Both of these characters, Yubel and Ai aren't motivated by hate but rather a twisted form of love and the parallels between these two duels don't stop there.

Yubel and Yusaku: Love vs. Ai

The partner character appears in almost every YGO! series with the exception of 5DS and Sevens. It began with Yami Yugi, a second personality created inside Yugi who played took over and played games in Yugi's place and cursed everyone who offended him only to eventually build a partnership with Yugi that lasted for most of the series until Atem reclaimed his name and memories and became his own person again.

These partner characters usually assist in duels, and are either another personality existing inside the protagonist, or if they're external like Astral or Ai they still share a special link with the protagonist.

Yubel and Ai are unique because they are both partner characters who turn into major antagonists. They don't just share the role of antagonists there's also several similarities between the two of them, from motivation, their connection to the protagonist, and both characters being built around the concept of love. This is probably intentional because the scenario writer for all of Vrains also worked on large parts of GX and was the main scenario writer for Season 4.

To introduce both characters, Yubel is a Duel Spirit. They were originally a human child named Yubel who was the closest friend of the boy who would eventually grow up to be the Supreme King and reincarnate in the modern day as Judai Yuki. Yubel gave up their humanity and in a painful surgery became a hideous dragon with an impenetrable body in order to protect Judai.

Afterwards the boy who would eventually become the Supreme King swore eternal love to Yubel. Yubel's devotion followed Judai into the next life, where because Yubel gave up their humanity they reincarnated as a card spirit instead that only Judai could see. They used their considerable power to protect Judai from anyone they considered a threat, including other neighborhood kids who beat him in card games. Judai as a result became completely isolated. Which Yubel didn't mind because Judai was their entire world and they believed they should have been enough for Judai.

Judai decided to send Yubel's card away into space in the hopes that the space rays would calm Yubel's troubled soul, but instead Yubel became corrupted by a cosmic force known as THE LIGHT OF DESTRUCTION. Yubel endured ten years of torture and agony all along. At first they called out to Judai in his dreams, but his parents eventually forced Judai to go through a procedure that made him forget all memories of Yubel.

Alone and forgotten Yubel crashes down to earth and is torn to pieces. As an arm they parasitize several people until they gain enough power to reconstitute their body, and then dragon Judai and all his friends into another dimmension all as a part of their grand scheme to finally reunite with Judai and awaken his memories of the Supreme King.

Even though they were hurt by Judai, Yubel isn't motivated by revenge, but by love and a desire to be together with Judai and secure all of Judai's love for themselves. Yubel's twisted definition of love was formed when after crying for help one final time, they snapped and told themselves a lie in order to keep going. That ignoring Yubel, making them suffer, leaving them all alone it was just the way that Judai expressed his love. Yubel then becomes dedicated to showing that love in return and effectively dragging Judai down to their level.

Yubel: I was suffering as you came to forget about me… Yubel: It burns… It hurts…It’s killing me. But why? I love him so much. Why is Judai treating me like this? Yubel: And then it hit me. This is just a form of Judai’s love. Judai is hurting me and making me suffer because of his love for me. But you see, I couldn’t possibly forget about you in the time i’ve suffered. Yubel: So when I solved the riddle that you posed to me, I was delighted. And that fueled my decision. I would try to fill the entire twelve dimmensions with my love for you. Yubel: And once I did you would have to recognize my love for you, wouldn’t you?

Ai is also a character that's connected to Yusaku's childhood. Ai is an ignis, and artificial intelligence that was created by basically torturing six children by forcing them to duel over and over again and then scanning their brains and modeling six different AI off of the data.

The shadow ignis or AI quite literally came from Yusaku's brain, even though they don't meet until much later on in life. From the onset there's a lot of differences between Ai and Yubel's role as partners. Ai is Yusaku's partner for most of the series, and is effectively introduced as a stranger and has to build a bond fo trust with Yusaku over the first two seasons.

Whereas Yubel was Judai's best friend and favorite monster in childhood, but Judai has forgotten about Yubel in the first two seasons and when Yubel finally does appear again it's as an enemy. The bond between Yusaku and Ai forms and then falls apart, whereas both Yubel and Judai start out with their bond completely broken and over the course of season three they reunite and come back together.

Ai is motivated by first his own survival, and second the survival of all the other ignis who are currently being hunted by several human corporations, a group of hackers known as the knights of Hanoi, and one Ignis themselves known as Lightning who turned traitor to the other Ignis. Yusaki and Ai's shared goal is to find a way for the Ignis and Humans to co-exist without one of them trying to pre-emptively wipe out the other because of the danger both of them pose to each other.

Over the course of the story though, as one by one Ai loses his friends in the fellow Ignis who either die or are absorbed, he comes to obsess over Yusaku as his one remaining friend. Yubel and Judai's feelings for one another are a holdover from a previous lifetime they become estranged and reunite again, whereas Ai comes to love and obsess over Yusaku similiarly to Yubel does and it's precisely because of those obsessive and overprotective feelings he decides to terminate their relationship permanently.

Ai enacts a plan similiar to Yubel's to destroy Yusaku's friends one by one all while threatening the entire world. Yubel sought to fuse the dimmensions together, while AI wants to start the inevitable fight between the Ignis and Humanity on his terms.

While their role in the story and characters are similar, they're also contrasting opposites in many ways. Yubel started out as a human and gave up their humanity to become a duel spirit. Ai started out as an artificial intelligence, he thinks as an artificial intelligence who has trouble understanding humans, and while he becomes more humanlike all the time he's eventually hampered by his inability to think like a human. Yubel is also much older than Ai having lived two lifetimes with memories of both, whereas Ai is essentially a child, a fledgling sentient being who still doesn't understand many things about the world.

Their different levels of maturity really show in their understanding of the world around them, or rather Ai's naivete and lack of understanding. Both characters are built around the concept of love, with love for the protagonist as their main motivation but Yubel while twisted demonstrates a deep understanding of love.

Yubel is able to see inside the hearts of people and uses their intimate knowledge of their inner darkness in order to twist people according to their own desires. Yubel's actually a deeply empathic character able to understand people's feelings sometimes better than they understand themselves, they just use that empathic understanding for evil.

While their understanding of love sounds insane at times they're also able to make deep observations about not only people's relationships to each other but the darker nature of love. As much as we shy away from the idea of hurting the ones we love on purpose, there's a seed of truth in the fact that whether intentionally or unintentionally being close to someone means you will hurt them. That pain is a natural part of love. She's also able to suss out the unhealthy love and devotion shared between Amon and Echo quickly.

Yubel: I get it now… You weren’t in love with Echo. Yubel: No. You may have loved her just enough to clear the conditions in place for you to control Exodia. Yubel: But then, you didn’t truly love each other. Yubel: You were only unfairly hurting her, while you would stay unharmed. Yubel: You wouldn’t suffer. You wouldn’t be in pain.

Yubel also ultimately seeks a love between equals. As much as they frame themselves as Judai's protector, what they want is for Judai to be dragged down to their level so Judai will finally understand them.

Their entire plan revolved around isolating Judai until Judai understood the pain of suffering ten years alone in space that Yubel went through. When Judai snaps and becomes the Supreme King taking a similiar dark turn to Yubel, Yubel turns out to be right in the end. By the time they've reunited both Judai and Yubel have done terrible things and hurt the people they loved.

Yubel: So when I solved the riddle that you posed to me, I was delighted. And that fueled my decision. I would try to fill the entire twelve dimmensions with my love for you. Yubel: And once I did you would have to recognize my love for you, wouldn’t you? Yubel: That is why I sought to fill all those linked to you - your world - with both sadness and anguish. Yubel: ANd my line of thinking wasn’t wrong. Yubel: I mean you are right before my eyes, Judai.

Yubel operates on a principle of empathy and understanding through shared suffering. Whereas, I would argue while Ai cares about Yusaku they are not particularly empathic nor do they understand Yusaku. This is because Ai is practically a newborn existence naive to the world, and also as a computer with a computer brain fundamentally thinks differently.

However, I'd also argue that Ai also doesn't really want to try to change their thinking to bridge the gap between humans an AI. In despair they've completely given up on trying to understand humans. They also on some level don't want to change, because they arrogantly assume they know what's best for both them and Yusaku.

Ai has given into despair from losing their loved ones and suffering isolation just like Yubel, but I think a key difference is that everything Yubel does no matter how twisted is a desperate attempt to reunite with Judai, to understand Judai and be understood by them. Whereas, Ai doesn't want to try anymore.

Ai: Back then I would have done anything to save my friends. Yusaku: There's nothing you could have done there was no other way. AI: I know that. [...] Yusaku: Ai, you have the power to change this. Yusaku: As a special ignis you have the power to live with humans. Find a way to backtrack from this. AI: You trying to pull me back? AI: Thank you Playmaker, but you don't understand. I learned when everyone was gone that when you lose friends your heart breaks. AI: My heart was broken back then and I lost all self control. Yusaku: If losing a friend makes your heart break then are you trying to break my heart?

Not only does Ai not want to understand, but they also deliberately ignore Yusaku's feelings and personal autonomy. Yusaku is a kidnapped child who had a lot of their life robbed from them and manipulated they hate anyone who disrespects their free will but Ai walks all over it and disregards all of Yusaku's opinions. They do the one thing Yusaku asks them not to do, because Ai incorrectly assumes they know best.

They also don't really understand Yusaku on a fundamental level and as I said, they don't want to make the effort to bridge the gap either.

It seems kind of silly saying which one is worse, because both Yubel and Ai violate Judai and Yusaku's personal autonomy multiple times. They both act selfish and entitled towards the person they love. They both also intentionally hurt that person and then turn back around and claim it's protecting them. They both act incredibly possessive and try to manipulate their partner into doing what they want.

They both have the gall afterwards to claim they're doing so out of selfless devotion, downplaying any feelings of selfishness on their end. Both consider Yusaku and Judai's other friends to be targets in order to get at their partners. Both will inflict pain on the person they love and are so devoted to in service of getting what they want.

The only real difference is motivation because as I said, as controlling as Yubel is it's out of a desire to reunite and be equals. They're both in too much pain to express their love in any kind of healthy way, but Yubel at least wants things to be better whereas Ai has just given up. The fact that Yubel's themed around sharing pain too also makes them and Judai equals, whereas Ai is trying to have power over Yusaku and take Yusaku's decisions away in order to force Yusaku to do what he assumes is best.

That might be the most important difference between them. Whereas Yubel wanted to live together with Judai, Ai wanted to force Yusaku to kill him in order to avert a potential future where Yusaku dies trying to protect Ai. It's a motivation that turns one story into a love story, and the other into a tragedy.

Judai and Yusaku: Hero vs Anti-Hero

Judai and Yusaku are two characters who could not look to be any more different at first glance. Though they're both themed around heroism Judai starts as the fun loving kid who admires heroes and is always dueling to save others when his friends are in a fix. Yusaku is the loner anti-hero who is on a revenge quest all alone against the Knights of Hanoi.

Yusaku starts out unwilling to make friends and refusing help from others. Judai on the other hand is constantly surrounded by people. Though both of them are forced into the role of always dueling to protect others and carrying the responsibilies of other people on their shoulder. Often times it's forced upon them unwillingly and they have to take on too much responsibility.

Judai forms unhealthy relationships with people that are based on him always needing to clean up their messes and those same friendships eventually unravel. Whereas Yusaku spends three seasons learning to form healthier relationships with people, and the climax of the first season is even Yusaku developing from dueling for revenge to dueling to save his very first friend in Kogami.

Judai loves dueling and even duels exclusively for the fun of it, often in the first two seasons protecting others and facing the villains as an afterthought. Yusaku on the other hand hates dueling because of the trauma he was forced to undergo as a child and despite being the strongest duelist simply views dueling as a means to an end.

Perhaps the most interesting way to compare them is their opposite journeys. They're both commentaries on heroism. They both eventually gain alter egos that are really just emphasizing different traits of their personalities. The Supreme King is the embodiment of Judai's selfishness and his fixation on always winning and dueling for power. Yusaku is a socially withdrawn kid, and Playmaker his internet identity is the way he fights back against his abusers. He's also a strong willed, determined and active where Yusaku is almost entierly passive. They're both ultimately the same guy though, Supreme King is a part of Judai, Playmaker is Yusaku with more freedom to be himself online.

However, Judai starts out as a straightforward hero and goes on to be a dark deconstruction of the pure hearted hero. All of Judai's flaws that go unaddressed because people constantly put him on a pedestal eventually lead to his ruin. The pressure Judai is always under to win turns into an obsession with power.

Judai: Why? What did I do that was so wrong? I… I did the right thing! And yet… everyone keeps leaving me! What… What is wrong with me? Supreme King: Yuki Judai. To be willing to be evil to defeat evil. This world exemplfiies survival of the fittest. It must be ruled with power. Judai: Power? I don’t have that much power… Supreme King: You hold the Super Polymerization card in your hand. Defeat the spirits that stand against you. Breathe their lives into it and complete that card.

Judai also exists in a narrative that won't allow him to be a hero. GX deconstructs all kinds of heroism and self-sacrifice. Edo Phoenix's quest for revenge is called out as him being childish, and unwilling to grow up from the trauma he suffered as a child. Johan is the most straightforward hero, but his decision to sacrifice himself to protect Judai and everyone else is what starts Judai's breakdown. When Jim duels against the supreme king he declares he's not sacrificing him to save the world but rather trying to help a friend.

Judai's eventual character growth in choosing to fuse with Yubel isn't a sacrifice, but rather Judai finally growing up and taking responsibility for the way he hurt Yubel.

Yusaku on the other hand is on the journey from going from an anti-hero who fights for himself and his own personal revenge to becoming a more straightforward hero. I wouldn't say Yusaku's arc is more shallow in comparison just because it's not a dark deconstruction, rather it's exploring a different topic the responsibilities of being a hero.

His greatest moment of character growth in the first season is going from caring only about revenge, to dueling the pesron who saved him as a child because he wants to save his very first friend.

You could say Yusaku because he's not allowed to crumble is actually under more pressure than Judai is. He's almost forced into the role of a hero and not allowed to be selfish, while Judai from start to finish is a selfish character even if he grows up quite a bit over the course of the story.

Yusaku is also someone who from start to finish follows his own sense of unbending justice. Where, Judai doesn't have any consistent moral code. He's defined in the first two seasons of only dueling for the fun of it, and by Season 3 he's deeply troubled that he doesn't have a reason to duel like Johan does.

Following his own justice is actually deeply important to Yusaku, probably what he values the most actually. Since his life was thrown off by the Lost Incident he starts out deeply untrusting of others and even when he grows past that he hates people who try to influence him and insist they know what's best for him. It's what led him to not only be deeply offended by Zaizen telling Yusaku to back down and let him handle it, but also him refusing Zaizen's help.

This quality of Yusaku's also dovetails into my next point where we finally get to comparing the two duels.

A LOVE STORY vs. A TRAGEDY

The setup for the duel is identical in both cases. Yubel and Ai have eliminated almost all of Judai and Yusaku's friends and now they are on the endgame of their plans. Yusaku and Judai are both dueling against their former partners to stop them, and both partners refuse any attempts to work things out any other way and force a fight.

However, the motivations of each member going into these duels are so opposite that it makes a neat little foiling square.

Starting with Yubel their motivation for getting into the duel is simultaneously a desire to reunite and express their love for Judai, and a thinly veiled cry for help.

Judai: If you hated how I treated you, then you should have gotten revenge on me. Yubel: Hate? Revenge? What are you talking about? Didn't I tell you? I went to this trouble hoping it would make you happy, Judai. Judai: Make me happy? After my friends suffered by getting hurt and killed. Yubel: But that's love isn't it? Yubel: I wanted to torment you to share the depths of my love.

Yubel's plan is to both awaken Judai's memories of the supreme king by engineering his downfall, and also after taking his friends away one by one to fuse the dimmensions together so Judai and Yubel can be together forever with Yubel by his side protecting him. As Yubel defines their entire existence and worth by being Judai's protector and doesn't understand why Judai would ever reject their protection or need friends other than them.

Yubel: My every waking moment was for you. Yubel: I even got rid of everyone around you who tried to make you cry. Judai: Yubel. By doing that you hurt the friends I had around me. Judai: None of my close firends even wanted to duel with me. Yubel: You had me as a close friend, didn't you? All you had to do was focus only on me.

Yubel frames their actions as selfless while also acting out an entitlement that they're owed Judai's love for all of their devotion to him. They're also willing to hurt his closest friends, isolate him, and basically throw tantrums in order to get it.

When they come to the slow realization that Judai won't return their feelings, it leads to them breaking down slowly over the course of the duel. All of the lies they told themselves about the love between them and Judai slowly starts to unravel along with their mind.

The duel beings with Yubel actively enjoying all the pain Judai is inflicting upon them. When Judai activates the supreme king though, and starts dueling seriously to eliminate Yubel, it chips through Yubel's delusions and Yubel is no longer able to keep pretending that pain is love.

I couldn’t have lived with the heartache unless I felt that I was being loved…

Moving on to Ai, the primary difference between Yubel and Ai's motivation is that Yubel's plans are a thinly veiled cry for help while Ai refuses to accept any help.

Yusaku: Find a way to backtrack, Ai! Ai: I can't. Ai: Sorry, but there's no backtracking. Ai: Let's go, Playmaker!

Their desires are opposite too. Yubel's plan is to continue living with Judai, and Ai's plan amounts to forcing Yusaku to kill them.

Ai: If this attack gets through I lose. AI: Well, make up your mind already. AI: You came to get them back, right? AI: You're everyone's hope so you have to do it, even if I'm the opponent.

Yubel and Ai are both incredibly manipulative characters, and Ai in particular is holding all of Yusaku's friends hostage in order to make him do something he does not want to do and will hurt him beyond repair. He's also inflicting the same trauma the loss of all of his friends and the loss of an important friend the same way that Yubel wishes to make Judai suffer the same way they did by isolating them from all of their friends and pushing them off the edge to bring out their darkest emotions.

However, once again Yubel's manipulations are done with the intent of getting Judai to understand them whereas Ai no longer wants to try understanding Yusaku and presumes he knows best.

Ai: Back then I had to do whatever it takes to save my friends. Yusaku: There's nothing you could have done to save them. Ai: I know there wasn't. Yusaku: Ai, that simulation was lightning's trap. He knew if you saw it while in despair your heart would fall into darkness. So don't worry about it. Ai: I considered that possibility. Because he left it after he fought us. AI: So I redid my own simulation and ran it over and over. But the result wouldn't change.

Ai also chooses to trust simulations and the words of his enemy Lightning over the words of his own partner and the urging of Yusaku that they can try to take a third way out together. His basic inability to trust is what damns him, relying on controlling manipulation instead to coerce and eventually force Yusaku to do what he wants and what he has decided is best.

It shows in his plan to, Ai's conditions for the duel is that he'll either copy himself and spread the copies into all of the mass manufactured robots or Yusaku will have to stop him with his own hands at which point Ai's programming is terminated. Either way Ai dies. The only real way for Yusaku to save Ai is to convince him to stop the duel which Ai won't do.

Ai: Oh I didn't tell you. When my copies are created, as the final trigger my free will will be divided and given to them. Yusaku: What will happen to you? AI: My free will will be broken apart. AI: I'll be no more. If you win you'll retrieve everything I took and I'll be no more. Either way, I'll be no more. Yusaku: Ai, you're making me choose how you die?

He's stripped away all of Yusaku's choices. Yubel is stripping away Judai's choices to but once again it's out of a desire to be together with Judai while Ai is doing the opposite forcing Yusaku to be an enemy and end him with his own two hands.

Moving onto the process of the duel itself, the duel begins with both Yusaku and Judai trying to talk their partners down from dueling and finding some other way to settle this.

They fail but for opposite reasons. Judai because his pleas with Yubel are half hearted and done more in the spirit of lip-service. Judai fails because Yubel sees through his half hearted attempts. In their previous duel Yubel calls out the fact that Judai went to the ends of the earth to save Johan, but after subjecting Yubel to years of torture barely lifted a finger to reach out to them.

While Yusaku genuinely shows a desire to solve things with Ai with anything other than dueling, but Ai is the reason they have to fight. Ai is the one who forces Yusaku's hand. While Judai does not understand Yubel and does not empathize, Ai is the one who fails to understand Yusaku and how much pain forcing this conflict on him causes Yusaku. He also doesn't want to understand, while Yubel is at least self-aware of the fact that they are intentionally hurting Judai.

Yusaku's sincerity can be seen in how much he refuses to victim blame Ai, starting right away and continuing through the duel. Repeatedly over and over again Yusaku tries to reassure Ai that the guilt he's experiencing isn't his fault. Whereas, Judai victim blames Yubel continually. Yusaku is a character who values responsibility above all else, while Judai is avoiding personal responsibiltiy even though they're the ones who put Yubel in a situation where they were tortured.

Ai: As you know I got rid of my friends and ended up alone. There were only six of us but we foolishly hated each other. Yusaku: AI that's not your fault. AI: I know but it doesn't matter who's fault it is. I'm earth's last surviving human. And that fact won't change. Playmaker I sort of understand how you felt. Being alone is very painful. Yusaku: [...] I understand your sadness but don't let this fate sweep you away.

Whereas, Judai quickly resorts to victim blaming Yubel pretty quickly.

I made a lot of friends… And they all taught me something… real love is wide enough, large enough and deep enough to fill the universe. Your so-called love is only a conceited delusion.

There's also a distinct difference in both Yusaku and Judai's behavior throughout the duel. Most of the time it's Yubel iniating conversation with Judai because as I said by the time their second duel has started Judai has given up on understanding Yubel and dismisses them as crazy and beyond comprehension. Whereas Yusaku is the one who initiates most of the conversation with Ai.

Moving onto the duel part of duel it's interesting to note how different Yubel and Ai's dueling styles are. Yubel dominates almost any duel they're in. They toy with the likes of Ryo and Amon. Even when Judai duels them to a draw, the duel went exactly as Yubel planned because their true objective was to snatch away super polymerization from Judai's graveyard.

Yubel's boss monster is also unbeatable. It never takes damage, in fact most of the cards in Yubel's various decks don't take damage. Their ace monster for the sacred beast deck is a card that inflicts 10,000 damage once a turn. Advanced Darkness crystal beasts allows them to negate all damage done by sending a card to the graveyard. Even when judai manages to get Yubel off the field it simply upgrades into a stronger form.

Ai on the other hand duels on the ropes and duels very defensively, Yusaku at several points is about to go for game and end the duel in one hit and Ai only manages to barely avoid ending the duel early with a trap card or the like.

Yubel's main strategy is to prolong the duel until Judai is forced to pick Super Polymerization with spell chronicle. They want Judai to choose them and choose staying together with them by spell chronicle. Whereas at multiple points Ai continues to encourage Yusaku to crush them with everything they have.

Once again, one wants empathy, the other disregards Yusaku's will.

Yubel: My suffering becomes your suffering. Yubel: Such empathy... Yubel: Nightmare pain. It has us wrapped in the same anguish, and the same love.

Ai is forcing Yusaku's hand because once again, no matter the result Yusaku kills Ai. On the other hand, Yubel grows increasingly disturbed by Judai's lack of mercy.

Yubel: Oh my, you shouldn't be so heartless my dear judai. Judai: We can't protect what matters to us just by being kind. I'm prepared to fight for the friends I love to the end even if it becomes becoming a demon or the devil.

Judai also quickly abandons heroism for the power of the supreme king, whereas Ai practically forces Yusaku to choose being a hero and saving his friends. Judai prioritizes Johan and then the rest of his friends over Yubel, Yusaku doesn't want to choose and a horrible choice is forced upon him.

Yubel for their part is aware of Judai's hypocrisy, once again they demonstrate a deep understanding of Judai. Whereas, Ai doesn't understand Yusaku one bit, while at the same time claiming to know better.

AI: When it comes to memory and calculations we're far superior to humans. We can figure out humans' faults and contradictions. AI: That's why it's easy to become arrogant. With Ai's with free will it's in their nature. AI: Something awakened within me. They're not evil thoughts. But I wonder, in order for me to live why do I have to adapt to humans. AI: I feel differently from humans.

Ai continually urges Yusaku to choose his friends over him. He forces the choice where there should be done. On the other hand Yubel wants to be chosen over Judai's friends. Out of a sense of entitlement but also a fear of being abandoned again.

Yubel: The camraderie of yours with the neo-spacians will be of no use to you. And my love alone is much stronger. Yet even so you're saying that you'll choose friendships with the neo-spacians over my love. [...] Yubel: Judai so you want to drive me away at any cost. Do you and the neo-spacians find my love to be such a hindrance.

Once again, Ai remarks frequently that the loss of their friends made them give up all hope on continuing. Yubel on the other hand is capable of enduring almost anything. They're defined by their endurance and determination to hold on. When they burn up on re-entry they slowly piece themselves back together. When they're disintegrated after Johan's sacrifice, they take Johan's body and then slowly restore themselves once more. Judai duels them to a draw, that's yubel's plan all along and they take super poly. Judai destroys their boss monster, they just summon another one.

Ai on the other hand fundamentally believes free will in Ai's will lead to conflict and that future is inescapable, so they force Yusaku's hand in ending their existence.

AI: You said humans don't want sudden changes. AI: But I can't help my own changes. I may become someone like Bohman or Lightning so I want to vanish before that happens.

Ai has already reached their breaking point, whereas Yubel is slowly driven to their breaking point by Judai's lack of empathy throughout the duel. Yubel similiarly becomes suicidal like AI, but only after Judai continually insists that they're only dueling to destroy Yubel. Once again, while Ai's plan is to self-terminate for Yusaku's "sake" choosing to die while Judai lives on without them is something Yubel would never do.

At least, they might take a bullet for Judai, but they don't want to be alone and abandoned while Judai goes back to live on happily with all his other friends. Yubel wants to be chosen, Ai wants Yusaku to choose his friends. In fact, it's the idea that Yusaku wouldn't abandon him even if the war against Ai and Humans did happen that drives Ai's decision to die rather than let that happen.

AI: When I lived in the simulation I saw it. What my existence will lead to. You get dragged into it and perish. I can't choose that future.

Once again though, it's a decision Ai makes out of an inability to trust Yusaku. Also, if Yusaku wants to stay by Ai's side in spite of the danger it poses to him, that's Yusaku's choice. Ai may perceive himself as protecting Yusaku, but he's also disrespecting his autonomy.

It's also driven by a lack of understanding of what love and trust are. That's not entirely Ai's fault, he is in fact a newborn who recently lost every single one of his friends due to the conflict between humans and AI. It makes sense he'd have trouble trusting humans even the one that's been by his side all this time.

Whereas, Yubel wants Judai's understanding and breaks down when Judai continually denies it to them.

Yubel: Do you hate me that much? Yubel: I thought of this twelve-dimmension universe as a space for us together... so I tried to fill the universe with my love. But if you're calling on your friends and going to such lengths to get rid of me I no longer need to fill this universe with love. No, I no longer need this world. Let me put an end to this universe, to the void as well, and to our time together. Yubel: It was fun Judai, even those who helped lure you to me had dark, dark hearts. I feasted upon their hearts and waited for the reunion with you, my beloved. Yubel: I even invited you to that first dimmension. Well, I enjoyed that duel as well. Until he interfered. But I suppose you just weren't ready to accept my love back then. Yubel: I mean, the darkness in your heart, the supreme king was lying dormant. Yubel: Though I did have your friends help me. Which pulled out the darkness in your heart and ushered you this far. Yubel: I didn't think you were so hardheaded. You're the one at fault. If you can't grasp my love I don't need you. Or this universe. You can all just vanish into dust.

Judai needs to accept responsibility for both what he did to Yubel, and his own actions for the supreme king and how both him and Yubel can be pushed to do terrible things when they're alone and in pain. Part of the motivation for Judai's demonization of Yubel is he wants to keep playing the hero because the guilt of everything he did as the supreme king is crushing him and making him borderline suicidal.

On the other hand Ai is the one who's given up on trying to understand others. Yusaku is doing the best he can to both balance his feelings for Ai and desire to save him against his responsibility to save his other friends but he can't really be held personally responsible for Ai's actions. Whereas Judai on some level is responsible for Yubel's actions since he created the situation in the first place and continually chooses to abandon Yubel instead of trying to reach out to them.

Yubel is right to an extent that this situation is his fault and he never made any attempts to save them. Whereas, Ai is being manipulative when he forces Yusaku to make the choice to kill him putting all the responsibility on Yusaku's shoulders.

Which is why when the duels end in completely opposite fashions. Judai's way of taking responsibility is to fuse together with Yubel, whereas Yusaku refuses to fuse with Ai.

In Yusaku's case the refusal to fuse isn't turning down Ai's proposed third option, or a peaceful solution to the duel. After all, if Ai called off the duel right there Yusaku would accept it and work to forgive Ai for what he did to his friends. Even if they continue on as individuals it's not like Yusaku would leave Ai's side. In fact his reason for refusing Ai's offer to fuse is that he wants them to remain together as two individuals.

Fusion means two entirely different things in this context. Judai acknowledges there's a risk he may no longer exist after fusing with Yubel but like, they keep going on as two seperate individuals and consciousnesses even when they share the same body. Whereas in Ai's case, fusing with Yusaku would destroy both of them and give birth to a completely new being. Ai is using fusion as yet another method of self destruction, because he doesn't want to change himself and doesn't believe in the capacity to change himself.

Yusaku: Even if we become one, that's not the solution you're seeking. We only have one life. One consciousness. Yusaku: If I fuse, I won't be me and you won't be you.

Ai makes his choice out of his inability to face the future. He wants to self terminate, either by distributing his free will among copies or fusing with Yusaku to become someone else because he doesn't trust in his ability to grow and change. In fact he's avoiding having to change and grow up.

Yusaku: So living is a series of bonds! That's what life is. AI: So I have to do that forever? Yusaku: Yes. AI: That's a lot of work. And you can't do that unless you're strong. Yusaku: That's why people become stronger. And that occasionally leads to conflicts. But even if that happens we have to keep fighting. Keep searching for bonds even if there's no solution. AI: I was thinking too logically like an AI. Yusaku: You can't rush living. AI: But I don't want to keep fighting if there's no solution. Since I've lost the desire to fight I'll just vanish.

You could say that Yusaku's unbending nature and his responsibity as a hero made it so he couldn't fuse with Ai or throw the duel but like, there's only so much Yusaku could have done. He didn't give up trying to convince Ai at any point and it's not fair to put Ai's refusal to give up on their suicide plan on Yusaku.

It's also Ai's decision to activate TA.I. that made them lose the duel, so in the end Ai did self terminate. Even in the Yuma vs. Shark duel where Yuma is a character who will never sacrifice anyone even if the whole world is at stake, and kept throwing the duel and prolonging it to try to convince Shark, Yuma was unable to reach him in time. In both cases it's also Shark's decision to go all out for a final attack, and Yuma's decision to negate his own attack and not attack in the hopes fo reaching Shark that loses Shark the duel.

On the other hand, Judai's decision to fuse is him finally taking responsibility. Ai gave up on trying to change the future and himself whereas Judai's decision to fuse is him growing up from a child to an adult.

I also want to state I don't want to victim blame Ai for being suicidal, and not having the strength to go on. Not everyone does in that kind of situation, it's perfectly human (even though he's a robot).

Ai's story is also meant to be a tragedy. In tragedies characters succumb to their flaws instead of overcoming them. GX and VRAINS' third season are two entirely different genres of story, one is a love story where two traumatized people finally reunite and heal and Vrains is a tragedy where Yusaku can't save Ai.

Even then Vrains doesn't state that Ai doesn't deserve salvation, even if he chose to refuse help and didn't want to be saved. Yusaku's very last actions in the series are diving into the net to search for some remnant of Ai and it's implied after months of searching he's not stopping anytime soon. Even if Ai gave up on himself, Yusaku hasn't given up on Ai.

That's another thing even if Yusaku refused fusion with Ai, he still would have stayed by Ai's side. Ai literally simulated a thousand futures and Yusaku in every one of them stayed by Ai's side even if it led to his death. Yusaku still wishes to be with Ai and searches the net for Ai in the end of Vrains. He calls Ai the best partner even when Ai's in the process of breaking his heart.

So while both of these duels have very different endings, I'd say they both still advocate for forgiveness and love. Both duels are true to the message of YGO! that bonds are the most important thing and what give our life meaning - which I think is beautiful. People cannot live on their own and make bad choices when they're alone, but in the end it's bonds that save us.

"If there's no absolutes then what's left?"

"Bonds. Bonds between individuals. Bonds between one another. That's all there is. That also changes with time. A huge trigger can cause a huge change. Bonds may be severed but new bonds can also be formed. So living is a series of bonds. That's what life is."

Also as a final note on this post I'd like to thank @talaofthevalley their takes on Yusaku are all great and talking about Vrains meta with them really helped writing a lot of this post.

[multifandomlandfill]

Watching the death note musical and man, I just want to give Light some tea and terrible unlicenced therapy.

[daydreamerdrew]

The Incredible Hulk (1968) Annual #10

[gloryinthunder]

I used to really love the first romance scene with Astarion (and I still do) but it hits so much harder after you know why he's doing it. That he's purposefully seducing you for protection and blood, that he's forcing himself to sleep with you, and this is a mask he's wearing.

It's a sexy scene and really feeds into the vampy (pun intended) jump-your-bones version of him you get at the start of the game. The whole thing starts out with him being so confident and suave, saying that he's wanted you ever since he set eyes on you and how you want to be known and tasted. It's like everyone's perfect vampire romance novel.

He's laying out the bait that's worked thousands of times over and luring you in. And you can just get right to the kissing if you want.

But, you can also stop and ask him, "And what do you want?"

And for just a moment the mask drops. This is not the same cocky seductive face we've had up until now. This is vulnerability showing. When has anyone asked him what he wants? When has anyone cared? Does he even know the answer to that question?

So he pivots. The mask snaps back into place immediately. He turns back into the master seducer and feeds you a line about shared ecstasy to get you back on track.

And then comes what is, to me, the pivotal moment. He asks you "That's what you want, isn't it? To lose yourself in me?"

Looking at his body language he seems unsure at first, maybe questioning his previous tactics. Then he slightly cowers back, lowering himself as he asks the question. The total opposite of his confidence from earlier where he's standing with his arms out wide.

He's not sure what you want anymore. You're not playing by the rules he knows. Why haven't you taken the bait yet? Why haven't you thrown yourself at him?

And when you finally Nod in agreement, confirming you're here for sex?

This. This is the face he gives you. He just looks so damn sad. To me, it hearkens back to "Of course it'll turn me into a monster. What else did I expect?"

Whatever momentary blip made him question why you're there with him, he's just been reassured about both of your roles in this situation.

He sounds so quietly resigned when he answers: "I thought so."

And then the scene transitions into the actual act. I do like to think Astarion enjoyed himself as I'm sure the PC did, but it's hard for me to watch this scene now that I know his story and history without being uncomfortable.

Just that line "lose yourself in me" is so difficult to hear. Because on paper it's so sensual. Who wouldn't want a lover to feel that way about them? But knowing the context of what Astarion expects and believes in this moment is just... oof.

And to me, this is what makes this scene brilliant. The writing, voice acting, and the mocap/animation are all just SO GOOD. It's so delicately done and Astarion the character is so good at playing a role that you can completely gloss over the deeper stuff. But once the mask is eventually stripped away you can't help but see what was there the whole time.

And as we've established, being seen is a whole aspect of Astarion's romance arc.

I originally romanced Astarion for the same reasons I'm sure most did: he's a hot, sexy vampire elf (i.e. everything that's on the surface). But, I keep coming back to him over and over again for the person I know is waiting for me underneath the mask.