#shitposting my thoughts

[spite-made-me]

In my headcannon for redemption Durge:

[IF YOU DON'T WANT ANY SPOILERS PLEASE STOP READING HERE]

Withers/Jergal said: "Death will not claim thee whilst I endure. Bhaal tried to extinguish thee,but his wrath is imprecise. He only succeded in killing thee he knew. But there is a new part of you that hath grown during thy travels. That part Bhaal could not extinguish. And so instead of destroying thee, he hath made thee anew."

But all I heard was: "Even though Bhaal tried to caprisun all of you he couldn't because he knew only part of you,which he took back. However,the dummy forgot that you were created from his flesh,so you are not a new person,but transformed Bhaalspawn, which means the next creation he makes will have to kill you. Also,you're immortal now, as long as I live, congrats! So now for Bhaal to ressurect, he needs to kill me first, then his child needs to kill you, then his child needs to be slain. What an idiot, amirite? Also I heard dhampirs do exist and Astarion has a breeding k-"

[cartoonsinthemorning]

Since you guys liked Marcille as Kermit that much, it seems fitting to thank you for my 12k milestone with MORE Kercille. And this time, Miss Falin is also here.

Thank you so much again everybody! MWAH 💗

[shopwitchvamp]

[hansatorium]

[meanbossart]

Much to think about

[elodieunderglass]

changes and trends in horror-genre films are linked to the anxieties of the culture in its time and place. Vampires are the manifestation of grappling with sexuality; aliens, of foreign influence. Horror from the Cold War is about apathy and annihilation; classic Japanese horror is characterised by “nature’s revenge”; psychological horror plays with anxieties that absorbed its audience, like pregnancy/abortion, mental illness, femininity. Some horror presses on the bruise of being trapped in a situation with upsetting tasks to complete, especially ones that compromise you as a person - reflecting the horrors and anxieties of capitalism etc etc etc. Cosmic horror is slightly out of fashion because our culture is more comfortable with, even wistful for, “the unknown.” Monster horror now has to be aware of itself, as a contingent of people now live in the freedom and comfort of saying “I would willingly, gladly, even preferentially fuck that monster.” But I don’t know much about films or genres: that ground has been covered by cleverer people.

I don’t actually like horror or movies. What interests me at the moment is how horror of the 2020s has an element of perception and paying attention.

Multiple movies in one year discussed monsters that killed you if you perceived them. There are monsters you can’t look at; monsters that kill you instantly if you get their attention. Monsters where you have to be silent, look down, hold still: pray that they pass over you. M Zombies have changed from a hand-waved virus that covers extras in splashy gore, to insidious spores. A disaster film is called Don’t Look Up, a horror film is called Nope. Even trashy nun horror sets up strange premises of keeping your eyes fixed on something as the devil GETS you.

No idea if this is anything. (I haven’t seen any of these things because, unfortunately, I hate them.) Someone who understands better than me could say something clever here, and I hope they do.

But the thing I’m thinking about is what this will look like to the future, as the Victorian sex vampires and Cold War anxieties look to us. I think they’ll have a little sympathy, but they probably won’t. You poor little prey animals, the kids will say, you were awfully afraid of facing up to things, weren’t you?

[keyboardwhisperer]

Writing is like, type type type, clackity clack clack- and whoops im on social media now

[snakespeare]

I. Couldn't sleep until I made this

[puppyeared]

renaissance dogys

characters belong to @canisalbus

[steakmakesnoises]

Find this moment from that episode funny for some reason.

[quarklynx]

here’s my cosplay of that old lady with a sword

[spite-made-me]

I want Astarion to boop me with his di-

[artbyblastweave]

So I don't really think that it's a secret that Boston has a significant Minotaur problem. It's a pretty common situation for older American cities on the East Coast- centuries of poorly-documented cowpath-style urban growth providing an ideal nesting ground, widespread electrification and plentiful steam tunnels that compensate for the loss of the temperate Mediterranean climate that they're used to. And all this on top of limited institutional knowledge of proper containment tactics at least up until the Greek diaspora started to really blow up in the 20th century. You only have to fuck up the safety checks on one cargo steamer coming in from the broad area of old Minoa and then basically any import controls you put in after that point are closing the barn door after the bulls are loose. So yeah, no secret, it's an issue.

I do think, though, that we've kind of let the specific narrative surrounding the issue get away from us in the usual fashion, the problem people picture when they hear "Minotaur" isn't anywhere close the to the problem as it exists on the ground. I mean people's minds immediately jump to the 1949 Boylston massacre, but let's be real, even though that was really politically useful for finally getting the exit fares on the T removed, that was still a black-swan event, right? Basically every mayor since, like, Hynes has lived in mortal terror of having to manage a repeat of something like that during the mass media era, let alone the smartphone era. So we've got these Theseus kill-teams with their titanium-composite ropes and souped-up cattle prods and bolt guns, we have these constant "track replacement" stoppages on the orange line, and it's fine. It's fine! There hasn't been a serious Minotaur thing within walking distance of a T stop since, like, 2006, which again you can mostly chalk up to the chaos surrounding the dig.

No, the actual danger zones, the silent killers are the exurbs, like West Roxbury, Roslindale, parts of Hyde Park. Relatively dense foliage, bad sightlines, far enough from the urban center that the response times are bad, foot traffic that's basically nonexistent for big parts of the workweek because everyone's either commuting or hunkered down working from home. And, of course, a steady stream of delivery drivers with no political ties to the area. Which is an important element, right? I mean it's kind of baked into the Minotaur's nature, that they have a very finely tuned instinctual awareness of the politics of their situation. Start snagging homeowners, there might be a ruckus. But Amazon does steady business everywhere, and Minotaurs are smart enough to cover their bases, to wait until after the drivers have dropped off your package or delivered your food. So yeah, watch yourself out there. One eye on the treeline at all times. And if you see an Amazon van left idling, get ready to run faster than the driver could.

[kiisaes]

heroism is temporary. fanboyism is forever

[qiinamii]

kermit debt

[sinshiney]

K A B E D O N (+ no paint under the cut)