#so my crafting time might be more limited than usual?

[tj-crochets]

Okay so I don’t have the fluffy blanket fabric in red for a dragon, but I do have a fluffy red blanket I can use? It’s not quiiiiite as fluffy, but it’s still pretty darn fluffy, and a nice deep red kind of color, and I really want to make baby Smaug So I’m thinking I might make baby Smaug (aka a red and gold dragon) next, but before I get started on it I’ll cut out the fabric for another Bucky Bear so I’m one step closer to finishing another auction fill item

[trashpandacraft]

I found fibrecraft tumblr after searching drop spindles because my dad *didn’t even know what that was.* And despite having been firmly of the opinion that I didn’t intend to learn it, y’all have me getting ever closer to giving in. However, I’m also growing ever more enamored with the idea of weaving - and despite recently deciding to give knitting and crochet another go - I think it looks the most fun of the fiber crafts. My issue is that I have absolutely no space.

But I’m beginning to realize there’s a lot of different looms and types of weaving. So I was wondering if you have any resources or tips for small space methods and storage?

welcome to fibrecraft tumblr! it's fun here, we have enablers.

i will admit that while i love knitting, weaving is amazing, and is much better with regards to instant gratification—weaving for an hour gets you a lot more fabric than knitting for an hour.

so let's talk about weaving, because i have great news for you: you can 100% totally weave in a small space if you want to, and you even have options for how you do it. i'm going to go through basically all the small space weaving options that i'm aware of in roughly size order, and if you make it to the bottom of this you'll have a pretty good overview of space-saving weaving methods.

the first question to ask yourself is what you want to weave. maybe you're not sure yet, which is totally fine. if you don't immediately have strong feelings about it, though, maybe consider if band weaving strikes your fancy. this is pretty limited in size, but lets you weave belts, straps (like camera or bag straps), lanyards, etc.

if you think that sounds neat, it's worth looking into tablet weaving, an inkle loom, or a band/tape loom. tablet weaving takes up no space at all—if you can fit a stack of index cards into your life, you can fit tablet weaving. the tablets are small square cards, often made out of heavy cardstock, and even with a project on them, you can probably fit them into an index card holder.

inkle looms are larger, and to be honest i've never used one and don't know a ton about them, but they're also used for making woven bands. the looms can also be very aesthetically pleasing, if that's something you're into. they can be very big, but the ashford inklette, for example, is only 36 cm long and maybe 12 cm wide.

tape looms are—in my experience, anyhow—larger than tablet weaving but smaller than inkle looms, and even the larger ones are only about shoebox size. they vary widely, from gorgeous, complicated little looms to a handheld paddle that you use to create a shed, which is what you put your yarn through when you're weaving.

if that doesn't sound like good times, consider a frame loom. these are pretty simple—if you ever wove potholders out of stretchy cloth strips as a kid, you probably used a frame loom to do it on. frame looms are generally inexpensive and readily available, and can be used for small woven objects like potholders, coasters, placemats, etc. they can also be used to make some truly stunning tapestries. while you can buy a huge frame loom, you're still only talking about huge in two directions—it might be as wide as your armspan, but it's still only a couple inches thick.

another option is a pin loom. these don't get mentioned a lot, and i'm not totally sure why. pin looms are shapes with a bunch of pins (metal points, usually) coming out of them. on one hand, you're limited to making things that are the shape of the loom, but on the other hand, if you've been hanging around fibrecraft tumblr, you've seen all the things crocheters get up to with granny squares, right? there's no reason in the world that you can't do all those things with the squares made on a pin loom. or the hexagons! or the triangles! i've been kinda thinking about getting a little hexagon or triangle pin loom and using it to sample my handspun, then turning the shapes into a blanket.

if you hate all of that, that's ok! we have more options.

you could consider a backstrap loom, which is an ancient way of weaving that's still practiced today in many places. backstrap looms are cool because you can weave probably 24 inches wide on them, but even with a project on it, they take almost no room at all. backstrap looms are fairly easy to diy, because they're basically a bunch of dowels, so they can be a good low-cost way to try out weaving. backstrap looms will let you make longer, wider fabric than anything else we've mentioned so far!

another option—stay with me—is a toy loom. there are a number of cheap looms for sale on amazon/ali express/some local places that are actually fully functional looms. recently i've seen a number of people (like sally pointer, though i'm sure i've seen someone using one of the brightly coloured harness looms, as well) who've used them and report that they're functional, if basic, looms. you're fairly constrained in terms of project size, since there's not a lot of space for the finished fabric to wind on, and there's a very limited width, but the looms are quite small and tuck away easily.

ok, but so what if you hate all of those options? don't worry—there are more options! this is the part where things get expensive, though.

as looms go, rigid heddle looms are actually quite reasonably sized. i think the smallest one i've seen is a 40cm (~16") weaving width, which is about 50x60 (20x24") in length/width, and 13cm (5") high. so that's more space than anything else we've talked about, but it's still not a ton of space, you know? a 40cm rigid heddle will let you weave lovely scarves and things of that nature—table runners, placemats, strips of woven fabric to whipstitch together into a blanket, etc.

but maybe that's enough. so let's talk about table looms. some of them are quite large—mine, for example, is about a metre square and sits on a frame that it came with. it is not what you would call space efficient. but many of them, especially modern ones, are very compact, and can even be folded up into something more or less briefcase sized. (weird way to consider it, since the last time i saw a briefcase was probably the 80s, but you know what i mean, i bet.) the cool part here is that you can weave damn near anything you want on a table loom. the less cool part is that for the compact ones that fold up, you're looking at hundreds if not thousands of dollars. the smallest one i'm aware of is the louët erica, which folds down to 42x62x42cm (16.5x24.5x16.5") and gives you 40cm (16") of weaving width. i feel like that's impressively small. you'd have to decide for yourself if that's enough to justify the $500 usd/$800 aud price tag, though.

finally, we've come to folding floor looms. i don't think someone who's never woven before should run out and buy one of these unless money is just literally not at all a concern for you, but they are basically the dream for those of us trapped in crappy rentals, and it seemed weird to leave them out when i'd come this far.

some floor looms are various levels of collapsible. to be clear, this does you absolutely no good at all when you're actively weaving, because you have to unfold them to weave, but it does you a lot of good if you'd like to have a floor loom and still have the ability to, say, walk through the living room when you're not actively using the loom.

most relevant to our discussion about small weaving footprints, some looms fold up entirely. they are incredibly fucking expensive and incredibly fucking cool. the two that i'm most aware of are the leclerc compact and the schacht wolf line, both of which fold up to about half of their unfolded depth. they're still not small—i think that they're both the better part of 75cm (30") wide and tall, so even if they fold down to 40cm (16") deep, they're still 75cm wide and tall. which is Fairly Large, though much better than having something 80cm deep sitting in the middle of the floor.

this was a very, very long post, but hopefully makes it clear that there's a surprisingly wide range of options, and they all have advantages and trade offs. if you're asking my opinion, my suggestion would be to try something—anything—with a backstrap setup and see how you feel about it. maybe you love it and keep at it forever, in which case you're in good company: there are entire cultures that weave exclusively on backstrap looms.

if you like producing cloth but don't love the backstrap setup, or don't like using your body to tension the warp, you have a lot of other options, and you're out maybe ten dollars of dowels.

personally, my next loom is probably going to be a pin loom. unless i win lotto, in which case it's going to be a house that has a weaving studio and like four floor looms in it. but probably a pin loom.

[contact-guy]

heyyy I hope it's okay to send an ask! I just wanted to know about your art process, if you got any advise. Because I'm in love with your SH doodles, they're so dynamic and lively and the shading is such a nice accent yet it remains somewhat minimalistic? I'm relatively decent at realism but want to develop my own character in drawing more and I'm wondering how you arrived at yours, did you have a method? Thanks in advance^^

love to talk about DRAWING......

The short answer is that because I want to draw them a lot, and have limited time, I can't be too precious about how the final result looks! So a lack of perfectionism and a desire for speed ends up forcing me to simplify and stylize them. This was an organic process (if you scroll down my art tag you can see I was drawing them with a bit more detail, finish, and care a few months ago - I was illustrating vs what I'm doing now, cartooning).

Ideally when you are cartooning, every line of the character's face is doing work to make them THEM, and to tell a story. No unnecessary lines! I find that story is best expressed through eyes, eyebrows, and mouth (this might be different for you). Those features can and should change shape to express emotion. They are usually what I draw first, to figure out the emotion, and they're what I spend the most time tweaking.

The rest of the features - face shape, cheekbones, nose, forehead, ears, hairline - are less emotive, less 'plastic', they don't change shape much. These are doing work to make the character recognizable. I try to keep them simple and have a few simple rules that I can remember about each character.

(Watson is tricky because of his mustache! I've found that treating it as part of his mouth rather than a distinct piece works best, but even so it makes his face less emotive - which, honestly, works for the character, as he is less demonstrative than Holmes)

I'll usually do a simple underdrawing to figure out what the body is doing - trying to capture the energy of a pose and, again, thinking about what story the body is telling.

Then I 'ink' in the clothing, following the lines of the body and gravity. Victorian clothing is fun to draw, I find that the structure around the shoulders and neckline lends itself to expressive poses. I did a bunch of Victorian clothing studies a few months ago and felt like I built up a 'library' in my head so that I don't need to reference it every time.

Shading is incredibly minimal and quick. In really simple drawings, its purpose is usually to distinguish characters from the background. In more detailed ones, it's to give them a little dimension and focus the eye to the faces.

Every choice I make is in service of readability rather than beauty or accuracy, if that makes sense. So it is quite a different mindset than when you're drawing realistically or painting.

I hope this was helpful! I am a professional artist but whenever I get sucked into a fandom I find myself making leaps and bounds in my craft because I want to draw so MUCH and don't care about making it polished...truly shout out to hyperfixation for the gifts it brings

[deesblanketfort]

Sick and regressed ☆´ˎ˗ ︶︶︶ 

Well, while I'm writting this I'm bedridden (likely with covid), and for some reason I really want to spend my sick days regressed and take something good out of it at least.

Getting comfy!

🧦: Pajamas time! Is there anything more regressor-coded than cozy printed pajamas, an animal kigurumi or onesie? I'd say no. And since I'm staying on bed, I'm surely wearing those all day long.

🛏️: Bed setup! When you're bedridden, a bed table ends up being really useful in case you want to do stuff that requires a flat surface. If you have one of those, lucky you! I, however had to improvise with a smooth wooden board standing on my lap, therefore any kind of long, resilient and flat surface can do the job just fine.

🧦: Blanket fort! Alternatively, if you're able to roam around your house or have someone to help, you can build a blanket fort over your bed or a comfy surface to stay in!

🛏️: Sick gear! Runny nose? Bring tissues. Got a fever? Make a cold damp towel for your forehead. Tummy aches or localized pain? Make a hot water compress. And make sure to keep track of the meds you're taking, of course.

🧦: Get your plushies! Since what I got is very contagious close contact with anyone is out of the table, but my stuffies are completely immune to sickness and ready to cuddle! (I'll have to wash them afterwards to disinfect them though)

Games and activities!

🎮: Viddy games! Either on computer, phone or a console (handheld preferred), videogames are perfectly stationary and don't require much movement from your part.

🖍️: Table games! Table games are also stationary and can be played right from your bed if you have a bed table, although most games need other people to play with you, your plushies can serve this purpose.

🎮: Play pretend! Playing pretend can be limited when you're bedridden, but there are some scenarios you're perfectly able to do! Such as pretending you're a shop owner and your stuffies are the clients, pretending your stuffies are your doctors/nurses taking care of you, or vice versa. Things like tea parties and pretend schools are still on the table!

🖍️: Arts and crafts! Being sick won't stop me from wanting to draw and color, since I can do it from my bed anyways! Aside from drawing and coloring, I might as well do some collage and paper craft, just might need help to clean up afterwards.

🎮: Cartoon time! No better opportunity to (re)watch your favorite cartoons than when you're sick, bedridden and bored, right? And since this brings me comfort, here are some cartoon episodes that center on being sick: Bumpy and the Wise Old Wolfhound (Bluey), Steve Gets The Sniffles (Blues Clues), Bear Flu (We Bare Bears), Doctor Daisy M.D (Mickey Mouse Clubhouse), Arthur's Chicken Pox (Arthur)

Snack time!

🍼: Hot drinks! Specially if you're with a cold or a sore throat in general, hot drinks such as hot cocoa and tea are perfect for warming up an icky throat.

🧁: Spices for a sore throat! Like mint, honey, ginger and lemon. I'm sure there's plentiful of drinks you can make using these!

🍼: Give preference to healthy snacks and meals! Like fruits and veggies, yogurt, noodles, soup or sandwiches. Bonus points if they're arranged in a fun shape (animal, plant, star, etc)!

🧁: Keep your appetite in check! It's pretty common to lose your appetite when sick, therefore I'd say it's ideal to keep your meals smaller (and sometimes eat more often) than usual.

Taking care of yourself!

🧸: Stay hydrated! Water is always good, and if you're sick you likely need it more than usual, drinking from sippy cups, baby bottles, straw cups or any kind of fun themed cup is usually more fun and encouraging than boring adult cups.

🧶: Keep your temperature in check as well! Besides from checking if you have a fever ever so often, it's also good to keep yourself warm with blankets and heating if your body feels cold, or alternatively, turning on fans and using lighter sheets instead of blankets if you're too hot.

🧸: Beware the germs! If you got a contagious disease (like me), make sure to properly wash and disinfect anything you bring to your mouth such as pacis, teethers, bottles and cutlery before and after using them. Plus, it's important to wear a mask or ask others to wear a mask when near you as well.

🧶: Resting is key! Some of these days I'm too tired to do anything above, and I'd rather just nap the whole day, and that's okay! Sometimes being sick means not being able to do anything at all and it's important to have your extended napping time to get better.

[writingwithfolklore]

How to Translate Feedback

              Beta readers are awesome because they see the work strictly from a reader’s perspective. However, this also means that their notes sometimes require a little interpreting to understand how it impacts the craft—translating, one could say.

Every interpretation of a piece is valuable, and often what your readers assume about things, what questions they have, and what they guess comes next is very telling for the messages your piece is delivering and how effective your lines are working together. Let’s get into some common comments you might receive:

“I was confused about this line…”

              Even if the line is explained in the next paragraph, or even the next sentence, don’t disregard this feedback. A confusing line is going to stop up readers, interrupting their mental image of the scene and sometimes concentration on the story. Confusion around a line tends to mean there isn’t enough context to make it feel seamless, or like it fits where it is. You shouldn’t have to be playing catch up with your descriptions.

              Take for example a story I wrote when I was in fourth grade (yes, literally):

Tracy took off her coat as she entered her cabin. She crept across the floor very silently. If she was too loud, she’d wake the howler monkeys and never be able to get to sleep!

              Notice how there’s no context provided for why she’s trying to be quiet, so you kind of get caught up on that line. I would fix it like this:

              Tracy took off her coat as she entered her cabin, eyeing the sleeping monkeys out of her window cautiously. She crept across the floor… etc.

              Now we have context, it reads a lot more seamlessly.

(If they guess something is coming that isn’t)

              This one hurts because I hate feeling like I’m letting down my readers, and an excited “ooh is this foreshadowing??” for something that definitely isn’t coming back up again feels like exactly that. Usually, when a reader guesses at a plot point or character detail that isn’t true or isn’t going to come back up again, it means you drew too much attention to it, making it seem more important than it is.

              I tend to take out the description of the thing, or adjust it so it points less heavily towards one thing and points more towards another. While yes, readers can make incorrect guesses all the time, it’s important to pay attention to where their expectations are being raised—both in the correct places and incorrect ones. Too many disappointments, and your story may leave a sour aftertaste.

“This feels out of character/I don’t understand the motivation”

              When writers get this note, they tend to want to add a paragraph explaining from the character’s POV why they’re doing what they’re doing. Unfortunately, all the explanation in the world isn’t going to fix something that feels out of character or out of the norm. This might mean that you’re trying to force a scene or plot point that doesn’t fit, or that the circumstances aren’t extreme enough to justify your character acting out of sorts.

              Try ramping up the stakes or intensity if a character has to make a tough decision that might seem unlike them—usually a time limit or ticking clock helps here. If you’re only using internal motivation, try adding an external force pushing them towards action (or vice versa).

              If all else fails, consider how you can progress the plot in a different way that’s more in-character.

Shoot me some more common notes you get and maybe we'll do a part 2 :-)

[nordickies]

Sweden Headcanons

I compiled a list of big and small headcanons I like to implement in my work when writing Sweden's character! More may be added if I come up with them. Feel free to steal them in your own work

Read the whole list under the cut!

Physical Features

Sweden is one of the tallest nations at around 2,00 m / 6′ 7″. He has a heavy build with notable muscles on his upper body. Though, he gets bloated very easily, especially after a heavy meal, so his body definition varies a lot.

Sweden is physically in his early to mid-thirties.

As a teenager, Swe usually experienced nausea and dizziness from growing pains. Definitely didn't help with his already bad temper and moodiness.

Sweden has cold hands constantly.

He tans quite easily during summer. In his youth, he had visible sun freckles.

He's not as fit as people might think at first. His grip is firm, and he can lift. But make him run stairs, and he's out of breath. That is probably why you'll never catch him running - even in a hurry.

Swe has frown lines on his forehead and around his eyes, probably due to squinting so much before getting his glasses.

He has a small silver cross necklace, which he obtained from his long travels in his youth.

Personality

Sweden is stoic, but he's not that serious - even though he might appear to be so. He just has an unfortunate face, according to Denmark. Norway says Sweden is friendly; he just doesn't act like it. Swe has a playful side to him, and even he isn't above banter from time to time. He is even a bit sassy. And while he might be a man of a few words, he has a sense of comedic timing. He often manages to make his friends crack up in inappropriate situations, and people never believe them it was due to Sweden.

Sweden has an eye for quality. He's also a bit frugal and refuses to throw stuff away, especially if he could fix it with little effort or repurpose it for something else. For most of his life, he had to deal with limited resources anyway, so his thrifty tendencies continue to this day. People tease that Sweden prefers crisp bread (knäckebröd) because he's too frugal to bake fresh bread every day

He is known to be innovative! He'll ponder his head empty to devise a solution to a given topic, and sometimes, they can be pretty creative and unexpected. He has a lot of fantastical creativity, and his thinking process is a big mystery to everyone else.

He cherishes silence and personal space. Loud noises and massive crowds of people make him very uncomfortable, so he avoids situations like that beforehand.

Sweden takes things very literally at times, and he can take things to heart. He'll always go out of his way to do his best and put on the best show, down to a single detail. If someone requests a cake with flowers, he'll spend the entire night crafting marzipan daisies and placing them individually

Sweden could be described as somewhat of a control freak. He'll get highly anxious if he's not in control and making decisions - or kept in the dark about matters that concern him. He has always been self-driven, and he can become quite rowdy if he's forced to follow other's orders.

Sweden is a bit of a mother hen, taking care of people and providing for them at all times. Though sometimes, he takes this role a bit too seriously. Sweden has a tendency to get involved in other people's business and try to come up with solutions for their problems, which his neighbors don't always appreciate.

Because of his rational and calm nature, people often seek Sweden's advice and help. Well, at least people who don't have to deal with his unprompted advice constantly.

He has always struggled with being a bit selfish. Not that he lacks the skills to share or be empathetic, but he always seems to put himself first. People often need to adjust to Sweden's comfort and needs rather than the other way around.

He's definitely the most family-oriented out of the Nordics. He has always wanted to be a parent, even if others never really understood it. Even as a teen, he would look after the youngest members of his family, ensuring they were clothed and fed.

Even though he's not very sociable, he hates being alone for long periods of time. Since he has always lived with others, he wants life, color, and chatter in his home. That's why he has arranged a free "open door" policy in his house. His family (and adoptees) are welcome in his place at any time

But, even though Sweden is tolerant and welcoming, it sometimes might backfire on him if his visitors aren't too caring. Denmark and Finland are particularly good at this and leave the place messier than they found it. Meanwhile, Norway empties Sweden's fridge and pantry before he's on his way (which he just calls harrytur). Sweden is non-confrontational and rarely dares to bring it up, though.

He finds work-life balance extremely important. He takes his job seriously, but when the clock hits 4 p.m., he's already out of the door. This can annoy his overachieving coworkers sometimes, but this is a subject Sweden just won't give in. He is highly productive and a hard worker - it just happens strictly during office hours. He remembers to unwind by taking a week off at a cabin or simply having coffee breaks multiple times a day.

Swe sticks to schedules and usually shows up early to be on time. He's punctual and expects things to be done on time with efficiency. Swe has a personal calendar that he follows, and events, such as dinners, need to be planned in advance with him. He also follows a tight sleeping schedule.

Sweden is candid and answers others' questions bluntly. Interviews are a nightmare with him. Small talk is difficult with him, and he'll stay quiet if he has nothing to say. 

Sweden expects honesty. He wants to know if he has upset someone and, in return, wants to talk things out. Resentments, petty disagreements, and gossip annoy him greatly, especially if the other person expects him to recognize when he has done something wrong.

Sweden doesn't feel that awkward in social situations unless he can tell the other person is finding his silence uncomfortable. Swe becomes more shy and uneasy if he has to fake small talk. You'll get the most out of him when you bear his silent breaks.

Sweden can come off as nitpicky or even snobbish; he cares about the little details and, in true artistic fashion, can be a perfectionist sometimes. Whenever he's nervous, he starts focusing and fixing the tiniest of details in his work.

Sweden has a lot of confidence in himself and his abilities. Maybe, at times, a little bit too much, which makes him proud. Especially in his youth, he considered himself invincible and constantly overestimated his capabilities.

His tendency to be taciturn and not talk about his problems puts him at odds with people around him. Usually, the issues build up when he refuses to confront them. Combining this with the fact that he believes himself to be in the right - and solving issues with pure logic, it seems like he forgets to consider the emotional side of things. He can't understand why others don't see the world rationally like he does.

Hobbies

Sweden has a workshop in his house where he likes to go and work on DIY projects, make various crafts, or fix broken items. In there, he could spend hours pondering and trying to find solutions to problems - not only on broken appliances but his personal issues as well. Also, the workshop offers Swe a form of escapism. It's his domain, where he prefers to be alone (His little snickerboa, if you will)

Handicrafts allow him to express himself and carry out his wild creativity and imagination. He takes pride in his art; every item is made with love and thought. Besides making furniture, Swe is skilled in glass crafts. Sweden is also a skilled artist. Though it's more of a hidden talent. People never see him draw, but if you get him a pen and paper with a basic prompt, he will draw like a professional. He paints Christmas cards every year and sends them to other Nations.

Sweden is quite active and tries to get himself moving through everyday activities, such as house chores, biking, or even just taking the stairs. He likes going on long city hikes and can play a football or ice hockey match if asked to. But nowadays, he has begun to enjoy more relaxed sports, such as golf.

He loves cooking; Swe appreciates and values quality food. Perhaps he's not a culinary chef, but he can make any comfort homemade food if asked. Sweden is consistently in charge of the food in get-togethers and family gatherings. He's also a great baker but doesn't have time to focus on that hobby. Nevertheless, he always ensures at least a few types of cookies, buns, or other pastries are available. It's important to take a break occasionally and sit down for a cup of coffee.

Sweden enjoys a variety of music. He hasn't really mastered any instrument, but he loves singing group songs at events. He considers music a big part of his life, and he really enjoys musical events.

He is a plant mom with thriving houseplants all over his residence. Iceland is jealous of him because his own houseplants seem to always die as soon as he attains them. Sweden also has an impressive outdoor garden during the summer.

Sweden is obsessed with crime shows and literature; he's always in the process of reading the newest thriller books.

Lifestyle

His human name is Björn. His nickname "Nalle" (teddybear) can be used as a term of endearment - or annoyance, depending on the person and context. Though he has had multiple names throughout his life, such as Berwald.

Sweden is skilled in mental math, though not in a "superhuman" way. Sweden is an experienced merchant and builder who can solve basic math problems immediately in his head. He's definitely more talented mathematically rather than linguistically.

Sweden feels the most at peace when he's prepared for the future. Even on vacations, he'll fix his porch, paint the house, or do massive spring cleaning. On cabin weekends, he'll maintain the boat or drive the other Nordics crazy for using the lawnmower early in the morning

He's a recycling freak who takes the matter very seriously. He'll definitely let you know if you have done your recycling wrong and scold you for it

Despite his quiet and seemingly shy nature, Sweden likes hosting parties and events. He can even give a short speech if he's allowed to prepare for that beforehand. Swe doesn't go from table to table chatting with people. Instead, he'll ensure there are activities, games, music, and enough food and drinks for everyone.

Sweden has a tendency to socialize through activities like games or quizzes. People groan when Sweden has to bring yet another board game to a party, but that's just his way of ensuring people have something to do. And if he doesn't have a particular activity to participate in, he might just sit in silence the whole time!

Swe can handle booze very well, only becoming talkative. While he's reserved and quiet sober, he bubbles up immediately after a drink or two. Usually regretting his loud mouth the next day.

Swe has always had a hard time learning second languages, which is one of the reasons why he appears so quiet. When he can speak his native language, he's way more talkative. He often forgets words when talking in different languages, and that's when his insecurities and nervousness take over.

He speaks Swedish and will hesitantly admit that he understands Norwegian and some Danish just fine due to their long relationship and exposure to each other's languages. He speaks English and used to speak French and (Low) German. He also used to know Latin and Old Norse but has forgotten them both.

Swe thinks rules are rules, and in his household, candy can only be eaten on Saturdays.

Sweden has an inherent sense of style, perhaps due to his tendency to care about the little details. He wants his home and personal style to look nice and put together, and he spends a lot of time focusing on them.

Due to his big size, many spaces aren't made for him, especially abroad. He finds it embarrassing when other people notice this and try to offer him special treatment because of it. He hates to cause extra trouble.

He experiences "sunshine guilt" very often. If it's a beautiful day outside, Sweden can't sit inside without feeling guilty, like he's wasting his time. He will often tell people to go outside and appreciate the short summer that they get. And when the first rays of sunshine appear in spring, Swe might drop whatever he's doing and face the sun with his eyes closed - just taking it all in and immediately feeling better. He also starts having picnics and hanging out in outdoor cafes early in the year, regardless of weather or temperature.

Sweden has calmed down immensely from his youth to the point some consider he has gone soft, acting like an old man with no ambitions. But maybe nowadays, he puts in the effort to enjoy the things he values in life. And as a result, he's pretty content with how things are going for him.

[artificial-transmutations]

Out Now: Dam Breakers

Hello everyone! I'm extremely excited (and, quite frankly, more than a bit nervous) to announce that I finished my fantasy romance novel Dam Breakers!

For the very TLDR-version: It is available here! Be sure to read the disclaimer below, though.

First of all, thank you! Everyone who reads my stories or likes them shows me that there is at least some interest in my mediocre writing. And even though the novel is not exactly like my stories here (more to that later), it gives me hope that you and other people might like it.

Now, for the actual novel!

Dam Breakers is the tale of Jared, a rather normal modern day college student, and Aleron, an apprentice mage living in a secluded tower with his teacher. One fateful day, they meet and are drawn into a maelstrom of magic, change and love - and dark secrets threatening to destroy everything they loved.

With over 120000 words, this is not only my longest story yet, but also my most carefully crafted one. I will attach an image of my Obsidian graph for the story at the end of the post.

Disclaimer:

As I have mentioned, it is a bit different from the stories I usually post here. First and foremost, it's a lot tamer. This novel isn't meant as a porn piece, but as an intriguing fantasy and romance tale. While there is love, desire and sex, of course, it's way more sparse and less explicit than, for example Closer Than Flesh.

It also features transformation themes, and the concept of change is one of the main focus points of the book, but, again, don't expect 500 pages full of transforming bodies because of it :)

And, finally, for a multitude of reasons, it does not contain AI generated images. I wouldn't be able to generate any that do the story justice, anyway.

Now that you know what not to expect, here are some things you MAY expect:

Transformation. Both in the sense of bodily changes but intriguing character development as well.

Gay Love. This is a story about two men from different worlds falling in love with each other, and their stony road to being together.

Magic. It's a fantasy story, and a truly enchanting one at that, with a fresh concept of magic and change.

Story. Last, but certainly not least, it's a good and interesting read, at least according to my opinion. Since I might be a bit biased here, let me tell you that my beta readers agree.

If you still want to read it (and I hope you do!), then you can grab your copy here:

If you are not in the US, you can just replace the .com with, for example, .co.uk to go to your local Amazon marketplace

I have not forgotten, of course, that I promised a special condition for you folks at Tumblr. Since Amazon makes it a bit difficult to actually implement that, I plan to offer a time limited discount or giveaway in a few weeks. I'll announce the exact time here on my blog beforehand.

If you really want to support me, it would mean a lot to me if you could leave a review on Amazon. That influences the algorithm a lot and helps the book get visibility, which is incredibly important . So, please, if you like the book, leave a review.

Teaser / Preview (mild spoilers)

And here is a short look into the book, from chapter 4. It contains some mild spoilers, but nothing too important. I also added an AI image, which is not in the book (see above).

[...]

Even though the weather was unstable, Jared enjoyed the journey through the vibrant spring land. It was a closeness to nature he had never experienced. Even back home with his parents, in rural Texas, the land had seemed different. Back there, the wilderness had been tamed decades if not centuries ago. There was no wonder, no adventure. Here, there were hills and forests, rivers and bogs, and who knew what else. It was as if Jared was seeing the world for the first time. Not to mention the smell. Jared could not remember a time when he had smelled the spring air like this.

In addition to the landscape, Jared's traveling companion also played a big part. Aleron was an intelligent and witty conversationalist, and Jared learned a lot about his new friend. They spoke of everything under the sun, and Jared told stories of his home, of modern inventions and the differences between this world and his. Even though Aleron was fascinated by his tales, he was also clearly skeptical about some of them, especially when it came to the more complex topics. That was only fair, though, as Jared himself had a hard time believing the fantastic stories of this world, even after having experienced some with his own eyes. Dragons, for example. It didn't matter how often Aleron recited what little information he had about those magnificent beasts, something in Jared resisted fully believing in them. He hoped that he would be able to see one of them for real - although Aleron repeatedly stressed how dangerous they were - in order to be able to fully believe in them.

While Aleron's world was certainly magical, it wasn't all like in the Lord of the Rings. There were, for example, no other humanoid races, as Jared learned. No elves, dwarves or orcs, at least to Aleron's knowledge, which, to be fair, mainly included the Kingdom of Myrthien. Although the Whispering Woods were not technically a part of Myrthien, and were generally considered wilderness, it was clear that they were no part of another nation either. The closest neighboring country to the Whispering Woods would either be the Golden Isles beyond the coast south of Eldoria or the Verdant Lands to the west. According to Aleron, the Verdant Lands couldn't really be considered a nation, too. It was more of a loose confederation of tribal communities, living in the characteristic dense forests of that region.

As Helena had promised, Luminara wasn't difficult to find. The capital of Myrthien was well known and if there was a sign post somewhere, it was sure to point to Luminara.

There was no shortage of smaller and bigger settlements, and about every third or fourth night they were able to sleep in beds. During the other nights, they made camp a bit off the road in order not to attract too much attention. It was one of those nights, about two weeks after they had left Eldoria, that Jared woke up in the middle of the night. Aleron, who was sleeping next to him, was moving in his sleep and occasionally made a sound, which had caused Flicker to gain a bit of distance to the sleeping man.

It was clear to Jared that his friend was dreaming, and he briefly considered waking him up from his nightmare. However, judging by the sounds, Jared began to suspect that Aleron was not having a nightmare but quite the opposite, although the dream seemed to be just as intense.

Quietly, he left the tent, careful not to wake the sleeping mage. Outside, he was greeted by the stars and a clear sky with an almost full moon. The campfire was almost dead, just a few embers and ashes were left. It was a quiet, peaceful night, and Jared decided to go to the nearby lake to drink. Aleron had never once shown a single sign of sexuality before, except for demonstrating a certain uneasiness around nudity and related topics. He never had commented on any woman - or man - in a suggestive way, so Jared had been half- convinced that this whole topic didn't have any relevance to the mage at all.

Of course, for his own reasons, Jared had avoided the subject as well, so, perhaps Aleron thought the same about him. Jared didn't mind that. As magical as this world was, he had yet to encounter a single sign of same-sex attraction. Perhaps this wasn't a thing here, biologically, or perhaps it was socially frowned upon, like in his world's medieval ages - or rural Texas, present day. In any case, there was absolutely no reason to bring that topic up, so he didn't. Not bringing up his sexuality was a sport he was very experienced in for 9 years straight now, after all.

As Jared neared the lake, he was feeling weird and tingly all over. It was not entirely unpleasant, but it stirred a vague memory in Jared. He had felt this feeling once before, but he couldn't quite recall when.

When he bent down to scoop some water into his hand, he stopped before his fingers touched the surface of the lake. The moon was bright, and Jared could see his reflection in the mirror-smooth water quite well. The only problem was that it was not him who was looking back at him.

Of course, there was a strong resemblance, but the details weren't right. His face looked somewhat stronger, his jawline a bit squarer. His hair a bit lighter and styled like the day he first stepped out of the mirror. On his chin, there was a short well-groomed beard even though he had shaved just last morning. It wasn't just his face, though. As he looked down on himself, he looked fitter than he should, as if he was visiting a gym regularly. In fact, the definition of muscle on his torso increased further, just as he was watching. Suddenly, the wonder was replaced by fear. He had felt that way before, and now he remembered when. It had been during his first visit to Aleron's world, when his body was 'destabilizing' as Aleron had put it. Given, the feeling had been stronger then, but it was definitely the same. And now, his body was changing again, and he was weeks of travel from the magic mirror.

Half-panicking, he sprinted back to the tent, not caring about being quiet anymore. Perhaps Aleron knew what to do! He ducked into the entrance and called out to the mage.

"Aleron, wake up!"

Almost immediately, the apprentice jolted awake. "Jared? What is wrong?"

"I... don't know, it's me. Look at me!"

After a few words of encouragement, Flicker began burning brighter, allowing them to see in the tent as well. Aleron looked at the half-naked Jared critically for a few moments before asking: "Okay... what am I looking for?"

"Can't you see? I'm..." However, as Jared looked down on himself, everything was fine again. He was looking at his plain old self, just as he should look like. The tingling feeling was gone, too.

"Oh." Jared felt incredibly stupid all of a sudden. "I... must have been imagining things."

[...]

If you liked the teaser, be sure to give the whole thing a read :)

Let me close with another whole-hearted Thank You for your continued interest!

Stay awesome!

And here, as promised, a peek at the creative complexity of the story:

[amongaesthetics]

To all the people who think apocalyptic clothing aesthetic is tight, industrial-feeling, torn, and black, do I have news for you.

In any of the human-on-human apocalypses, yeah, that might be true. But the more popular ones, like zombies, would probably result in any areas with pre-made clothes being dangerous or empty, and in the off chance you DO find something, it is not going to fit perfectly like that unless you or someone you know has the time and the ability to alter clothing.

In most “safe zones” or “bases” in the zombie apocalypse worlds, food production, defense training, and wall building are usually prioritized. However, this overlooks the amount of young kids and injured adults who can’t really do that. They would likely be the people who care to the wounded, and also the ones patching up the holes in the clothes to make them last as long as possible.

My point to this aesthetic is that craft stores are probably not as dangerous or empty, and grabbing yarn an easy stop on the way to get the wood glue, spray paint, and decorative icing I’d imagine people could use. With the rise in popularity of the fiber arts, there’s a higher chance of SOMEONE in this base knowing how to crochet or knit to create new clothing that keeps warm and actually fits.

So rather than an industrial look, I submit there’s a HUGE lack of crochet/knit apocalyptic fits. Additionally, since zombies are usually able to track through smell or hearing and not sight, and the amount of black yarn is probably limited, I submit that these fits could be pink, or lime green, or orange, and nobody would complain because they have some damn clothes and this isn’t a fashion show.

That is all.

Thank you for your time.

[barbwritesstuff]

I remember reading how much choice script (or steam??) Took off the profits u made from blood moon. It was an astronomical amount tbh. With that in mind, would you recommend choice script or itch.io for new writers?

It very much depends on what you, as a writer and game developer, are hoping to achieve. There are downsides to writing with choicescript, but there are also benefits. Ditto with Steam and itch.io. I think it's important to weigh up all the options and make your own choice based on your goals.

Breaking it down.

Choicescript is (in my opinion) the easiest coding language out when it comes to making interactive fiction. You really don't need any coding skills to be able to make a game with choicescript, which was why I used it to write Blood Moon. I had zero coding experience back in 2020 and would not have been able to make a game with Twine or Ren'py at the time.

However, choicescript is not an open source language, which means, if you want to make money off your game, you have to publish it with Choice of Games or one of their imprints (Heart's Choice or Hosted Games).

They will take 75% of royalties, which is steep, but they also have a pretty dedicated audience which you probably won't reach if you don't publish through them.

And I think those numbers are significant. My independent games, despite being pay-what-you-want, usually only get a few hundred downloads. My choicescript game has over ten thousand. 25% of $70,000 is better than 95% of $200.

Steam vs itch.io is a very similar situation.

Steam has an upload fee of $100 and takes 30% of revenue from games, but Steam also gets more than 10x the traffic than itch.io. So, while itch.io only charges a small amount in processing fees, you're probably going to get more sales from Steam.

All that said, I am bad at marketing. I also struggle with spelling, so need extra help editing and proofreading, and am still very much a novice when it comes to coding. I also do not have the money to pay for much out of pocket. I get a lot of value from working with publishers like Choice of Games because I get that extra help and support. That might not be true for you.

I've seen some independent game developers create really dedicated audiences, craft amazing games, and market themselves really well. They regularly get thousands of downloads on their games. For them, publishing with an open source language like Twine, and doing so on a more independent friendly platform like itch.io, is 100% worth it.

Doing so also gives you more creative freedom, as choicescript is very limited it what it can do.

Ultimately, it's a choice, and the right choice is going to change depending on the individual, their needs, and their goals. I'm happy to talk about this more and answer questions, because I think writers should help each other, and the best way we can do that is openly sharing information.

Hope that all makes sense. Sorry it was so long. 💙

[packsvlog]

HI I am literally OBSESSED with your works and wanted to send in a match-up request after lurking for a hot minute <333 Please and thank you!! You are awesome!!!

I use she/her pronouns, and I'm of pretty average height with a pear-shaped body type. I have thick, wavy brown hair and moles all over my body. I wear thick plastic glasses and wear loose, comfortable clothes.

My personality type is INTP, though I'd describe myself as an ambivert. I really like talking to people, I just have a limited social battery and (medicated) anxiety. In public I'm cracking jokes pretty much all the time because I love making people laugh (I also think my jokes are funny asf so I'm usually laughing too). At home I just want to cuddle my cat and quietly recharge (parallel play rules!!). Also, if it matters, I'm a Pisces!

My hobbies include: playing guitar, D&D, reading comics and manga, and playing video games (though I'm lowkey bad at them). Mostly, I'm into nerd shit. I get really excited when I get to share it with someone, especially when they're just as into it!

I'm an adult, so I would appreciate if you could match me up with an adult too. Thank you again! Pls take your time writing this if you choose to and be well <3 looking forward to your next SMAU!

first of all, thank you for putting your pronouns and telling me to not pair you with a minor, sometimes i have to scratch my head with the other matches, fearing i might do something wrong or uncomfortable. anyways, thank you for enjoying my work, it means the world to me! hope you enjoy this!!

✶ 𝐩𝐚𝐢𝐫𝐢𝐧𝐠: geto suguru

How wonderful and scary it is to be your most vulnerable self with someone else? Geto Suguru had always hold his emotions into the deepest parts of his soul, trembling in fear of the face others would give when seeing his pure self. He should know that there is no way to hide himself from you, his best friend.

To his credit, he tries, at first. Holding his hands in a fist, letting his stoic voice shake while he recounts his life as of lately. That’s so out of character for him, it takes you no more than a second to hug him, desperately.

Truth be admitted, Geto crumbled into your arms and cried, cried. . . cried. Until, he begged you to take his mind away from this cruel world, let him be lighted by your presence, do whatever it takes.

And that’s what you do. Grabbing your guitar, you decide to stroke some chords, the soft melody blending with his quiet hiccups, before you decide to teach him to play.

“You have always looked like the type of guy to play guitar.” You mumble while you’re positioning your fingers on top of his. Geto laughs.

It’s like giving him medicine, if the world seems too chaotic, and his thoughts are spiraling terribly, he grabs your guitar. His emotions gallop around your room in the form of melodies, you dare not complain.

Suguru takes attention in other things you do, copying your way to cease his fears, have new hobbies and avoid the voices and fears plaguing his mind. He reads comics with you, even growing red in the face when you both disagree on a plot or losing a game. Unfortunately, he draws the line at D&D, not because it’s not his cup of tea, it’s just when you start to teach him how to play, his mind goes blank — not for bad reasons, his focus and thoughts goes only to you.

Your way of fixing your glasses, hands moving while explaining the game, your beautiful voice. And, once, you used a shirt that presented your upper body moles for him, and how beautiful it seems to be crafted with dozens of constellations, like a designed creature made by the universe itself. In that moment, he knew you were not his world, but much better you’re his whole sky, shinning bright the light of millions of stars.

He kisses you while you explained your character he could barely record the name.

It’s a habit he takes while your relationship is blooming and it will last until your very last breath. When you talk happily of your interests, and you move a certain way or the breeze flows into your body, he will kiss you, and you’ll let him. Geto kisses, specially, after your jokes, and he could get drunk on the sight of your lovesick smile mixed with your sweet laugh.

It shakes him. Your whole essence and presence, it all shakes Geto Suguru to a crazy extent. It can be admitted that love with him can be intense, but none of you would pick any other way.

──── ✎ ° ⋆ FUN FACTS.

◛ ₊· geto loves you to a whole extent, that being said, he would fight you for the chance to cuddle your cat.

◛ ₊· said cat also has a thing for your boyfriend, much rather preferring to be on his lap during hours to no end.

◛ ₊· you go to sleep and wake up in the same way everyday, peacefully into his loving arms, and his hands are always tracing your moles. he has been doing it for such a long time that he has them all memorized.

◛ ₊· if you leave your glasses anywhere and suddenly they are missing, chances are your boyfriend is using them and acting as if not. or maybe he forgets, he should be going to an eye doctor, actually.

[cuubism]

*puppy eyes* might we have a little more silly rabbit au? as a treat?

i'm rapidly running out of scenes to share 😂 i'll have to write more

---

Sage Advice

Beth was not usually a fiend for gossip. Usually, she kept her head down, did her work, focused on her own life instead of other people’s.

But, oh, did Professor Gadling’s class provide such excellent gossip.

“Do you think he’s a student?” whispered Dylan at her side. They were, ostensibly, at a lecture event on medieval warfare. In reality, they were watching the Professor Gadling and his goth boyfriend show.

Beth squinted in their direction. Their professor was leaning against the wall several meters away, talking animatedly with a drink in one hand. His boyfriend – a word which felt insufficient somehow, though Beth couldn’t think of anything better – stood close to his side, just in his space, and, as she watched, leaned in to whisper something in his ear. “I don’t think he’s young enough to be an undergrad.”

“Grad student, then? But also, there are older undergrads, too, returning student things and whatnot?”

“Do you really think Professor Gadling is that kind of person?” Beth asked.

“I mean I wouldn’t have thought but you know what they say,” Dylan affected a dark tone, “you can never really know another human being.”

Beth snorted.

“He’s definitely way younger, though,” Dylan continued. “It’s a problem.”

“Oh, undoubtedly younger—” unless the guy just had a really excellent skincare routine “—but why is that such a huge problem for you? They’re both adults.”

“I just wanna know,” Dylan insisted.

“You need more excitement in your life.”

“This is my excitement.”

Beth was about to give up and go do something that didn’t involve creepily staring at her professor from across the room, when Professor Gadling rested his hand on his boyfriend’s hip and his boyfriend leaned in and said, just loud enough for Beth to make out, “You always offer such sage advice, Professor.”

She met Dylan’s gaze, both of them equally horrified.

“Is he fucking one of his TAs?” Beth hissed.

“Is he that guy’s advisor?” Dylan squeaked in return.

God. This was just getting worse and worse by the moment.

But also so much more interesting.

-----

“Your students are gossiping about us again,” Dream murmured in Hob’s ear, voice rumbling so low Hob could swear his wine glass vibrated at the tenor.

“Only because you’re inciting them,” Hob grumbled back. “I know what you’re doing.”

“Contrary to what you believe, I am not manipulating their dreams. This is a game of the waking world only.”

“Why? Why limit yourself?”

“Because it is more of a challenge.” A sly smile cut across Dream’s face. “It has been a long time since I have worked with such raw material. Material that I cannot simply bend to my will. It is far more thrilling to succeed when the difficulty is greater.”

“Material? They’re my students, not clay.”

“That is where you are wrong.”

“So what exactly are you doing, then?” Hob demanded.

“I am crafting a story,” said Dream, and he lit up with such vibrancy at the words that Hob couldn’t bear to tell him to stop even if this all felt more like a mad science experiment than it did storytelling. “But I am not telling it, no. My materials are assumption and implication and I am letting the story tell itself.”

Hob was both impressed and frightened by the prospect of this. “How, exactly?”

Dream’s eyes glinted as if he had just been waiting for Hob to ask. “Like this.”

He leaned in next to Hob’s ear, and Hob caught him automatically by his hip. Dream said, louder than before, “You always offer such sage advice, Professor.”

Hob couldn’t stop his blush at the sultry tone of it. He watched out of the corner of his eye as the two students in the corner started whispering furiously at one another. Dream smirked, victorious.

“Before you say I am manipulating,” he said, back in his lower tone, “ask yourself, did I speak a false word?”

“Assuming you do in fact think I occasionally offer good advice, then no. What’s your point?”

“My point is this: blame me not for weaving lies in their heads. I speak no lies. Weak stories are built upon lies. Real stories grow from a seed of truth.”

“Like dreams,” Hob said, begrudgingly, and Dream nodded proudly. “God, your mind terrifies me sometimes,” Hob added, and knocked back the rest of his wine.  

[writernopal]

✍Writer Interview✍

Thanks to @teamdilf for tagging me here!

When did you start writing?

Technically, when I was like 15/16. I was writing a little bit back then but I don't remember what I was writing, which sucks. I really wish I remembered! After that I picked writing back up in summer of 2019.

Are there different themes or genres you enjoy reading than what you write?

Yep! I think its kind of limiting to only read the genre you write. There's always stuff you can take from other places and work it into your writing. It can produce some surprising results! That said, my favorites to read are non-fiction and classic works of fiction.

Is there a writer you want to emulate or get compared to often?

No and no. There are plenty of authors I admire but I've got a voice of my own and I don't particularly think we need two of anybody.

Can you tell me a bit about your writing space?

So I have two main things I use to write: a desktop computer and a laptop. My desktop is on a desk (surprise, surprise lol) in the corner of a room with two little windows above it. I recently upgraded the setup to have one ultrawide monitor instead of two smaller side-by-side ones to help me focus when I write because I noticed when I was writing on my laptop I'd get more done because I only had one screen. I also have a mechanical keyboard with blank keys for cool points lol. On the wall beside my desk are a bunch of posters and things, some for inspiration, others just because I like them. Of course I've got some pirate/ship themed art there too! With my laptop I kind of take that anywhere, so with that I write on the couch, the dining room, cafes, libraries etc but never in my bed because then I won't sleep. I've been trying to have better sleep hygiene and phone habits in general which is only worth mentioning here because I used to write on my phone but I don't anymore.

What's your most effective way to muster up a muse?

Music, but like really listening to it. As in, closing my eyes, not doing anything, and being present as its playing. I'm very in tune with how my body experiences feelings/emotions so doing that will usually make me feel something and from there its just letting my mind wander.

Are there any recurring themes in your writing? Do they surprise you?

Forbidden/taboo things. It can be anything from interpersonal relationships, oppressive systems, internalized responses to stimuli, etc. Also drawing connections between the world and our environment and the stages of our lives or even things that happening. To me, those things are all connected. And no, they don't surprise me one bit.

What is your reason for writing?

To make sense of the world around me. And to live lives I won't have time for in my short one.

Is there any specific comment or type of comment you find particularly motivating?

Anytime someone notices a theme or callback in my work. Which I think has maybe happened once so I do my best not to rely on engagement to motivate me otherwise I think I'd go insane.

How do you want to be thought about by your readers?

Oh ideally I don't want my readers thinking about me at all lol. I want them thinking about the story and what it makes them feel.

What do you feel is your greatest strength as a writer?

Prose. Especially of the visceral or imagery-heavy variety.

How do you feel about your own writing?

I think its quite strong but I think I've reached the limit of what I can do on my own. I really want to start honing my craft and improving it so I'll probably be taking some courses and/or joining a writing critique group soon.

When you write, are you influenced by what others might enjoy reading, or do you write purely for yourself, or a mix of both?

I guess I'll say mostly for me. There is 'an audience' in my head but whether those are people who would actually read my stuff or someone I made up, I can't say lol. Also I have to have fun writing something otherwise I won't want to do it so its hard to say I'd want to write for someone else unless they had requested something specific from me.

Tagging (gently): @tabswrites @void-botanist @paintedbutton @sarahlizziewrites @oh-no-another-idea @kanobarlowe and anyone else who wants to play!

[snek-panini]

It's Friday the 13th! Here, have a book completely unrelated to that:

It looks fairly straightforward from here, but this is a bind of @dietraumerei's wonderful Good Omens series, The Sprawl of Life. It's a canon universe, pre-season-2 South Downs Cottage fic, and I typeset it when I did because I'd just watched season 2 and wanted the fluffiest, sweetest, most slice-of-life thing I could think of and this was it. Seriously, if you have been personally victimized by the season 2 finale this might be the antidote you're looking for. Though admittedly some of the lines do hit a lot more bittersweetly now than they did when I first read it in 2019.

More pics under the cut! This one's got an unusual format, go have a look!

It's a dos-a-dos! My first one! Before I started making books I'd never even heard of this format, but I've been wanting to try it ever since I found it. It's hard to find stories that suit the format, though--they've got to be within a certain word count, about the same length, and related to one another, and they have to be a pair, not a three or four part story. They look super complicated without (I've found, anyway) actually being that hard to make. If you want to impress a non-bookbinder make one of these to show them; all my family were fascinated by it.

For materials, the floral cover is scapbook paper from Joann's (the fancy stuff that's very flexible and feels handmade) and the spine is Allure book cloth from Hollander's in the wisteria color. It's a perfect match for the lavender in the paper. I've only previously used the Lineco/Books By Hand book cloth and gotten good results, but my experience with that brand in general was that it's a cheap, readily available base for starting out, but there are wider and better quality options out there once you get away from chain craft stores. Working with this cloth was proof of that. It's stiffer than the Lineco stuff, which made it a little harder to glue down but not enough to cause problems, and it took HTV better than any other surface I've used it on. Here, check out the spines:

Images of the spines. In case the photos are a little blurry, that's Demolishing Proofs We Never Believed In on the left and The World and its Beautiful Particle Logic on the right. The titles gave me some worries. I didn't want to obscure more of the florals by putting them on the front, but was worried they wouldn't fit on the spines since they're so long. I got them on, but it took a lot of careful measurements. Still, though, I couldn't be more pleased by them, and I barely had any of my usual trouble getting the HTV to stick.

Handmade end bands on both sides, in colors matched to the cover paper. I was a little worried about making my own for this project since the text blocks are only about 100 pages each. I was worried they'd be too short. But they're not, and I got a really nice front bead on them. I wanted to do three colors but that proved too challenging for my current skill level. Maybe next time. The second image is the endpaper. Specifically it's the back endpaper, so you can see how the second spine fits into the case. When you read a dos-a-dos, you read the first part, then flip it over like you're going to read the back blurb and there's the second part ready to go. I only explain this because, having never made one, I thought you flipped it over top-to-bottom until I did the case fitting for this one. The top-to-bottom one it called a tete-beche and I think does not have the shared cover board in the center; the pages are connected upside-down. (This is all from my limited research; pro bookbinders please correct me if I'm wrong.)

Couple of interior images. All the graphics came from rawpixel and they are the same in both halves. I kept the typeset really simple on this one, without any extra graphics. Partly that was to keep the page count down (images can take up extra space) and partly it's a reflection of the text. It's a happily ever after story, mostly. Their lives are so much easier here than in canon, and the focus is on communicating without barriers or frills and on building their relationship without other things getting in the way. So it's got a fancy title page, because it matches the cover, but the rest is straightforward with just some simple swirls around the chapter numbers.

I couldn't be more pleased with how this turned out. I was worried it would be very complicated since it's a new-to-me build, but I was exaggerating the difficulty and that made for an easy bind. I hope the author likes it too.

[crusherthedoctor]

Get a Load of Traits - PART 1: Sonic the Hedgehog

Way back during my Tumblr infancy, I made a series by the mouthful of What Makes For A Good Incarnation, in which I listed the main noteworthy traits that I consider integral for crafting, at the very worst, a still above-average portrayal of the character in question. By "series", I meant I did exactly three of them, then forgot all about it. In the words of Moneybags, I seemed to have temporarily forgotten.

In the years since however, I've went back and forth on going back and redoing them - as well as providing entries for those who didn't get one the first time around - because shall we say, a few recent portrayals have caused me to believe they're in need of some additional points or further elaboration. So now here I am to actually do it.

For the DX: Director's Cut, and for the sake of not dragging them out too much, I've decided to keep it all thematically consistent by sticking with 9 main points per character, in terms of what I personally consider the highest priorities for each of them. These will usually not be listed in any particular order of importance or relevance unless stated otherwise, and while there may be other major traits that might not get mentioned (in which case, feel free to bring them up yourself if you see fit), this keeps things simple and focuses on the points that have the most flexibility with how much of the character they encapsulate.

It should also be noted that these posts will be made with the game portrayals in mind, because the games mark the core of the franchise, and as such, they objectively contain the purest essence of the cast. Adaptations generally like to play by their own rules, some more gratuitously and inexcusably than others, and this will inevitably crop up with certain entries. All that being said however, I'll attempt to stay focused rather than devolve into another rant about this adaptation or that adaptation, only directly referring to them if I feel it's necessary for the point being made.

So without further ado, for today's installment, we're jumping right into the main Crush 40 enthusiast himself: Sonic.

Since Sonic was one of the characters covered in the past, much of this will be retreading old ground. If you know me well though, I'm sure you'll be able to tell which of it is new or expanded upon.

He's meant to be fun.

"Psst, the mandates don't exist."

We'll start with one so easy to get that you'd have to be purposefully contemptuous of the franchise and the character to suggest otherwise: Sonic is a fun character. He's all about having fun. He looks at virtually everything, no matter how precarious, as a thrill ride first and foremost. He is perpetually filled with a carefree love for all that life has to offer, has never been shy about it, and is known to enjoy fighting the baddies as well. Nothing keeps him down.

It's a large factor into why the franchise itself commonly boasts a sense of energy and wonder. If you don't acknowledge this aspect of Sonic's character... what are you even doing here? Why are you writing for him? What character are you seeing?

But he also knows when it's time to get serious.

Oh look, Super Sonic when it still had milk left in it.

Sonic's knack for making snarky quips of debatable quality can lead some into thinking he's incapable of taking anything seriously at all. This is how we get writers who seek to humble him for it... but unfortunately for them, they're not breaking any new ground: Sonic does get down to business when the situation calls for it, and even when he's joking around with whatever villain he's currently facing, he's always got his wits sharp, never going out of his way to be sloppy. And no, this isn't limited to the one-off villains and Godzilla-type Pokemon we know and begrudgingly tolerate: he more than acknowledges the very serious threat and crimes of the deceptively jovial Eggman's actions as well.

After all, do we not recall some of the near-death situations that Eggman has found himself in upon defeat, and how Sonic usually shows no concern over whether he survives or not? Do we not recall Sonic interrogating Zor over what happened to Tails? Do we not recall what he did to the Erazor Djinn when he refused to YouTube Apologise for abusing his former lover?

Sonic takes a lot of things quite seriously. More than he tends to let on. He just also likes to have fun at the same time.

He does not loathe technology.

"You're telling me this board was made with... SCIENCE...?"

Yes, Sonic is the nature foil to Eggman's scientific scheming. It's been a constant with the franchise since its inception, all the way to modern entries like Colours. But if Sonic hated technology itself, he wouldn't be best friends with a tinkerer. Nor would he own a plane.

The series as a whole has always been sensible about the matter compared to other green aesop-spewing media of the 90's. Rather than demonize technology outright, it understood the strengths it had, and how it could be used for nature's benefit rather than its detriment. Sonic CD visualized this wonderfully, as the Good Futures were fond of showing them side-by-side, in perfect harmony, with no cost to the land's health and beauty.

So with Sonic, he doesn't oppose technology. He opposes Eggman, whose methods involve technology. If you want Sonic to preach about the evils of tech as he drops a mahogany log in the woods and scrambles for a leaf to wipe his ass with, just go on DeviantART. Or watch SatAM.

He has selfish needs, but he's not a selfish person.

"Shit, I forgot the third paragraph of my principle monologue."

Sonic knows what he wants, and that something is his freedom. He's not going to be anchored down, he's not going to live a mundane life, and he's going to adventure and explore the world and beyond for as long as he can. This goes both ways: it's further reason why he confronts oppressive sorts like Eggman, but on the other hand, it can be hard to keep up with him at times, and since Amy has a clear vision on how she would want their future lives to be like as a couple, it's no wonder Sonic hasn't shown much serious interest in his friend in that particular way.

Don't get the wrong idea though; this doesn't mean Sonic is a selfish person full stop. In part thanks to several adaptations, a common misconception with the Blue Blur is mistaking him for a pure egotist through and through, who only cares about his adrenaline-fueled ecstasy and nothing else. Cause y'know, he's firm about his needs, and he has a cocky side, therefore he's full of himself, right?

Well no, not at all: his opposition to big bad villains would surely be enough on its own to confirm that he cares about everyone else's freedom too, so long as said people aren't doing anything malicious themselves. Yes, he fights villains because it's fun to him, but he also has a genuine hatred for injustice. He doesn't think like a typical superhero, where he fights evil and saves lives because he feels he has an obligation to do so, he does it simply because he wants to. How is that not selfless?

But it's even more than that: he's proven himself to be humble in spite of his cockiness, right down to dismissing any and all formal terms for himself when others use them. Half the time he tells the people he's saved to not sweat it, and the other half, he's already bolted before they can even thank him. Sonic largely doesn't care about the fame and attention that comes with being a repeated world saviour, and in more intimate situations, he's full of compassion there too. Hell, even in Black Knight, despite initially intending to slice Merlina in half in a furious response to her betrayal, he was later willing to show empathy to her defeated self, recognizing that she was an extremist, but not like the other villains he had faced.

Also, he doesn't have a history of treating his friends and accomplices like garbage. He might not see them all that often due to his globe trotting ways ("Long time no see!"), but he clearly values each of them. Even the ones he pokes light fun at on occasion, like Knuckles and Shadow.

He's impulsive, but intelligent.

Remember when Eggman had a conch? Starline didn't.

Like any character, Sonic does indeed have faults. Sonic is a guy who, when he sets out to do something, he'll do it, no questions asked. If Sonic thinks he knows the solution to sorting everything out, then that's all there is to it. This has worked in his favor more often than not, but it can also just as easily lead to mishaps, like the moment pictured above from Lost World. His cockiness has also been taken advantage of on several occasions, like in SA2 and Unleashed. Both of those were by Eggman, by the way. Just wanted to throw that out there.

However, Sonic is not an idiot. Just because he's a speedster doesn't mean he can't think straight, and his moments of recklessness are often born out of not knowing the full story rather than blindly charging in after already knowing better. If he makes a mistake, he'll acknowledge it and attempt to rectify it as soon as possible, and if he thinks someone else has good advice, then he'll be willing to hear them out, especially if it's coming from his life-long buddy, Tails.

To put it generously, Sonic's intelligence is prone to be heavily downplayed in certain adaptations, most notably in SatAM and Prime. This is usually done for the sake of forcing him to learn a lesson that a character like him doesn't really need to learn, or to prop up another character as the brains behind his operation. Or because Hurr Hurr Vroom Vroom Character Dumb. In reality though, Sonic is actually very intelligent: certainly not a super-genius like Tails or Eggman, but he's quick to pick up on details, and experience has taught him how to optimize his speed and acrobatics effectively and gracefully, while making it look completely effortless. He's also emotionally intelligent, being able to read a room with little issue, and when placed in a new situation, it doesn't take long for him to adapt.

So Sonic is a very bright person who just so happens to occasionally make impulsive decisions, for better or for worse. This does not translate to him being a Funny Penis Man. That's a vast simplification that tends to come from people who take the archetype that describes him at face value.

He only cares about how others perceive him when it's based on deception.

"Surrounded by evil knights and a girl I've never met before... better inhale the worst cuisine they've ever seen with my goatse mouth."

To paraphrase the hedgehog himself, he doesn't mind having to play the bad guy if it's necessary to do what he thinks is right. This doesn't apply in a meta sense - WE know he's doing the right thing - but what it means is that in-universe, he understands that some people might think he's the villain due to their perspective on the situation. And he accepts that, because he doesn't care about how his true blue self is perceived by strangers one way or the other. He doesn't expect or demand the rest of the world to live by his own personal beliefs unlike some iterations, but since they're his own, he holds no shame in sticking with them personally. He can only be who he truly is, and if some people have a problem with that, then he'll just have to take it smoothly with a Winston break.

But, as proven with Shadow inadvertently framing him in SA2, he does care when it involves Shit That Isn't True. Because if you're going to judge him, it better be for stuff he's actually done, and for who he actually is. Sonic doesn't care about attention, but he does evidently care about his identity.

The real super power of teamwork.

"Because... we're Sonic Boom: Rise of Lyric!"

Sonic Heroes is a game that frequently gets referenced in side-material, which is an impressive feat considering it condemned itself by dressing Metal Sonic like a wanker. Yet for some curious reason, despite all the Heroes referencing, writers have trouble remembering the entire theme of the game, because their idea of Sonic needing to learn the benefits of teamwork and friendship is... lol...? Lmao...? Dare I even say... rofl...?

Sonic is the last person on the goddamn planet who needs to learn this, and you'd know that even if you weren't familiar with Heroes. Other games have shown time and time again that he appreciates the contributions of his allies, and gives them the appropriate kudos with no shred of reluctance, all without placing himself above them in the process. And while he may not be quick to ask for help, he's usually willing to accept it when it's offered to him. Like in '06, in which he casually allowed Trunks the Hedgehog to help out despite his attempting to kill him when they last met.

Sonic knows the super power of teamwork just fine. It's in his business card. Him of all people needing to learn this aesop is a non-development, a cheap way to make it seem like the writers are doing something ~deep~ with him. Giving back something he should have had to begin with is not character development.

His thing about emotions.

"A tall girl. My weakness."

Despite his outward demeanour, Sonic has a lot of introversion deep down, what with showing himself a contemplative side on a regular basis, and most of his dialogue being fairly straight and to-the-point. As it happens, this extends to how he manages his emotions, aside from his alleged temper. Sonic is obviously not stoic, but you're not likely to see him break down in hysterics, or publicly show tears at all unless it's in private.

Some writers and artists - or should I say, certain writers and artists - consider this an abominable sin that must be rectified. They'll get it into their heads that Sonic shows no emotion at all, but never fear boys and girls, they'll fix that pronto. They'll give him the emotions that SEGA couldn't. And what do you know, the end results end up looking absolutely ridiculous, and simply not in-line with who and what our hero is. Fact of the matter is, not everyone wears their emotions on their sleeve, and not breaking out the waterworks is not the same as being an unfeeling machine altogether. As it applies to real life, it applies as well to fictional characters. Because they're not all going to be the same.

His introversion doesn't just relate to himself though. It also seeps into his visible discomfort in dealing with the complex emotions of others, especially those who can't shake themselves off as easily as he can. Notice how, during moments where someone else is upset by something he can't easily fix - such as Tails lamenting Emerl's demise, or Shahra grieving over Majin Ganondorf despite him being a terminal shithead - he often finds himself at a loss, needing a moment or two to think of what he should say or do to console them.

It's possible that, with his canonical tendency to not be all that open about whatever might be troubling him, under the belief of not wanting to make his problem their problem by extension, he might not consider himself the most well-equipped for someone else's anguish. Or maybe that's just a Game Theory. Either way, whatever awkwardness there may be on his part, he always does his best regardless, as he would for any other situation.

...unless it involves one-sided sadness. Then he's not as sympathetic.

He's an ideal.

"Fuck sake, another argument over voice actors."

Sonic is a static character. Deliberately so. He is also not meant to be a relatable character, at least not in the sense of what Twitter members who have never played a Sonic game in their life consider relatable, which is basically making the character exactly the same as them, beat for beat, including the mismatched haircut, announcing their pronouns every three sentences, and the compulsive thirst to speak to the manager.

Needless to say, this doesn't work with the fastest thing alive. Everything about Sonic - his refusal to give up, his refusal to let distress overwhelm him, his freedom to go where the wind takes him - all of it, and more, serves to make him an inspiration. And guess what? Characters are allowed to be that. Inspirational characters are just as important as relatable ones, because by seeing what they can accomplish, we can strive to become our best selves. Why would you want to take that away?

Every character, the good ones anyway, have a defined purpose. Sonic has his. Other characters in the series might be considered relatable, but that's not where Sonic himself lies. It's better to leave that occupation for others, such as those who were inspired in-universe by Sonic himself, like Tails and Amy.

------

If you understand all of these points, and if you can take to them, then I believe you should have what it takes to write a good, or even great, portrayal of Say Yes to the Dress the Hedgehog. No portrayal is going to be one-and-one with that of another, there'll always be subtle distinctions depending on the writer, but you'll be fine as long as he's not a holier-than-thou dipshit who speaks more words than The Great Gatsby.

[tobiasdrake]

I expected to be dead by now and that locked door is starting to make me curious. So I guess I'll just go jump on a timedrop.

Using made-up words for an openphrase is a pretty good idea, but I've been told it's best to include numbers and symbols too. Have you considered "stostorage roomoom five ampersand"?

See, that's why you should always change your openphrase away from the default. Now malefactors of unclear intent have complete access to this person's shed. I could be stealing their personal information to sell to the shoshop keepeeper right now and they'd have no idea.

But I'm not that wicked, so I'll just take whatever this is instead.

Length implies value. This seems more than valuable enough to burgle. I will take this and be on my way.

Let's see, what else do I want to do in town? Oh, right. The flower.

First time, I panicked, flung it at Mira for being a great team leader, and fled for my life.

Second time, I tried to use it to bury the hatchet with Bonnie and only succeeded in weirding them out and making things awkward.

This time. This time, I have a plan. I'm going to pry Isa's secret love confession out of him. Right in front of the Favor Tree. Where my Lemonfriend is stalking me. Hm.

...

CAUTION TO THE WIND!

Oh my god he's so goddamn precious

Yeah. I didn't spoil my appetite with pain du chocolat this time so I was ravenous and prepared!

Then I got up to refill my drink and suddenly I hear a sickening CRRRKKK and then the goddamn bread was broken in half. How!? How do you people always know that I'm watching for that!? Which one of you is temporally screwing with me!?

I feel like I'm losing my mind. This is literally worse than dying. I will find you, Breadripper.

But I gave you a pretty flower and everything. Come on, man. Find your nerve!

*sigh* I'm going back to sleep. Enjoy your face pillow.

Good night, Isa.

That feels like it's going to be important to remember for later. Typically, if trying to read it causes physical pain, it's probably some sort of horrifying eldritch text from beyond time and space. Which usually means it's definitely worth the effort to figure out how to read it! It might hold the secret to unlimited happiness.

It means a person of slim characterization and very limited expressiveness, designed to allow the audience to easily project themselves.

Our reality's principle form of violence is playing Rock-Paper-Scissors. What are you even supposed to do with a spear?

...I mean. I guess I have this knife I use to form Scissors. Mira's got a rapier for the same purpose. Isa gets Rock out of his punching gloves while Madame Odile's Tome makes Paper.

Not sure how Mirabelle's doing Paper attacks with a sword, though. That's kind of weird. Mira, where are you getting the Paper from? Do you have a motivational brochure for the Change religion as a sidearm?

Oh my god she uses a rapier.

Mira's weapon is a blade made from thin folded steel. That's where the Paper comes from. That's genius. Mira, you're a goddamn genius.

Okay. I get it now. I understand how weaponcraft in our world of Jankenpon Combat works. So yes, this spear would be a Scissors weapon. But since it's a spear, you could also use it as a bo staff. Would it then qualify as Scissors/Rock?

Hmm....

I appreciate your pragmatism. Contextually speaking, in times of crisis, it's not stealing. It's requisitioning.

Now let's requisition whatever isn't nailed down.

Oh shit, that's the traditional Rider-Waite Eight of Pentacles.

The Pentacles sign typically pertains to commerce, labor, and material affairs. This particular card usually symbolizes slow and steady skill progression at a menial craft. The man depicted is practicing his trade, carrying out the repetitive but necessary task of crafting his wares - and in so doing, developing his skill and becoming more capable in the production of his craft.

It's not hard to see the relationship between this card and the timey-wimey mission we're on right now.

There it is. We've found the key with diagnosed and well understood gender dysphoria.

Just because the egg has cracked, that doesn't mean this key is necessarily comfortable with announcing itself yet. Cracking the egg and coming out are very different experiences. If the key doesn't feel safe or ready to do the latter then it's fine for it to remain in the drawer for however long it needs.

...

Or it would be fine except we need to unlock a door. So. Uh. We'll just ignore that for the purposes of the metaphor.

Do not force people out of their closet even if the world is in danger.

[amphetamine-keen]

Battle Jacket Tips! Yippee!!

I'm hyperfixating, so be warned that this might be rambly and a lot longer than it needs to be, but I promise these are good tips

I'll try to put all my rambles in small text and if it gets too long, I'll stick it under a read-more-- oh, would you look at that

For starters, what is a battle jacket? Maybe you've just stumbled across this post and have no context, or maybe you're researching bc you think you might be interested in making one, here's a short explanation:

Battle jackets are a popular garment in a lot of alternative communities. Punk and metal are the biggest two that I'll be focusing on, but there's genuinely no limit to the "genres" that a battle jacket could belong to. I don't like country music, but like, if you want to make a country battle jacket, do it! Have fun!

Battle jackets are typically either leather or denim and covered in patches and pins to the wearer's taste. Punk battle jackets might include more political sentiments and DIY than say, a metal battle jacket, but of course, there are no rules, and my battle jackets tend to be a bit of a mix of punk and metal. Remember: There are no rules, these are all just suggestions.

The Base:

A few suggestions for your first battle jacket:

Do thrift your starting garment. If you can't find something exactly like what you're looking for, don't sweat it. Find something "good enough" and get started. That's what fabric dye and scissors are for. DIY or Die is the motto here. My most recent battle vest started life blue and with sleeves. Now it's black with big yellow panels in the sides.

Do get your jacket a little bigger than usual. Patches can stiffen up the garment and make it feel tighter, plus, if you wear it year round you'll wanna be able to put it over your coat in the colder season. I actually have two vests, a warm weather and a cold weather vest. The warm weather vest is a lot smaller so it doesn't hang off me when I'm just wearing a shirt, but I recommend starting with a larger vest and doing the "warm weather" vest as a second project.

Don't buy a premade battle jacket, especially fast fashion. The whole point is to make it to your tastes, so buying a jacket with someone else's patches and pin picks kinda mucks up the best parts of making a unique, custom garment. Also, the fast fashion industry is horrifically exploitative, and supporting it financially isn't very punk. If you've already done so, don't beat yourself up. We're all learning and growing. Take the things you learn and grow from them in the future. That is punk.

The Patches:

The biggest patch on a battle jacket is your "back patch." They're huge and seen as the sort of "keystone" of a jacket. They're not a requirement, but I like them a lot. Usually, the patch is of the wearer's favorite album, or something similar, but they can be anything you want. Tarot cards, art pieces. Go nuts and find something that brings you joy. My first vest was very "traditional" with a Metallica Master of Puppets patch, but my second one has painted + embroidered handprints from all my long-distance friends so I can keep them with me <3

Do buy directly from band websites, or from the merch stands at live shows! That's my favorite way to get patches, even if they might be expensive or have iffy manufacturing ethics because it shows where my vest has been and what it's seen.

Do buy from small businesses and online vendors. Try your local craft fairs, or Etsy shops for patches you like. They might be pricier, but that's just because the seller isn't exploiting factory workers and valuing their own time.

Do make your own patches! I might go more into this later, or on a different post, but there are a lot of ways to make your own patches. Embroidery, paint, stenciling, etc. You can get fabric quarters at most craft supply places for like $3 USD tops or free if there's a local Hobby Lobby. Acrylic paint works, though it might crack a bit over time. Fabric paint is pretty widely available and gives a smoother look.

Don't just buy wholesale packs of patches on Amazon. Like the above point about premade jackets, bulk patch packs are often made in exploitative sweatshop conditions, and Amazon should be used sparingly because even if the manufacturer is ethical, Amazon's warehouses are not. Also like the above, don't beat yourself up if you already bought a pack of patches. I did it too, when I first started, you live and you learn.

Don't wear patches for bands you don't know. I mean, you can, I'm not a cop, but you will look like a poser.

Non-Patch Editions:

I said it before, and I'll say it again. There are no rules. You don't have to limit yourself just to patches to customize your jacket. Have fun with it. Here's a list of options to give you ideas, based on things that I've done or want to do on my own.

Embroider directly on the fabric! I put spider webs and violets on my vests just because I like them and think embroidery is fun.

Spikes and studs!! You can get packs of spikes from lots of places (some more ethically than others) or you can make your own. As a disclaimer, some music venues may raise issues with pointier bits, as they could cause injury to other people, so use your best judgment.

Add other metal bits! Can tabs, lighter hoods, chains, keys, washers, nails, bolts, and pieces of scrap metal are all pretty fun to play around with!

Corsetting. Whether as a resizing measure or just for the aesthetic, get some eyelets and throw some ribbon in there. Could be fun!

Pins! I've mentioned them before, but also you can make your own with some bottle caps and a safety pin. Or repaint buttons you already have. I've kept the same little pronoun pin I repainted with nail polish for almost a decade, and it's still in great shape.

Putting it all together:

These are some general tips for putting all the pieces together, and honestly was supposed to be the whole post, but I like to talk so here we go!!

Lay out everything first before sewing it down. I have ripped up more patches than I care to admit, just to sew them back down on another part of the jacket.

Big tip for the mix-patch crowds, keep all your political patches on the front of the jacket. The idea is, if some asshole has a problem with your opinions, you want to see them coming. You don't want them sneaking up behind you.

Thread. Elder Punks often recommend dental floss for fastening patches to your jacket bc of its strength and rightfully sew (hahaha!). However, if you'd like more colorful options, try upholstery thread. It's super strong, and it's what I use on all of my own jackets. Though, I do keep floss and a needle around for convenient repairs. The box has its own thread cutter!

Needles. If you're like me and have shitty old person hands at the ripe old age of 23, those tiny dollar store needles will make your hands cramp up like a motherfucker. For this reason, I use doll needles. My default needle came in a walmart pack, and I use the smallest gauge, 3 in long needle. The thicker ones are too hard to get through the fabric. It's much easier to grab and easier on my hands.

Thimbles. Even with big-ass doll needles, sometimes it's difficult to grab them well enough to get through really thick fabrics. That's what thimbles are for (not to keep you from pricking yourself with the sharp end). Get yourself one, or improvise something similar, it will save your life.

Stitching. Sew down all of your patches, even the ones that claim to be "iron-on" because in my experience the iron-on adhesive fails pretty quickly. I recommend a whip or blanket stitch, so the edges don't peel up or fray (as handmade patches might). If you're moshing, a lot of folks claim that floss is best because it keeps people from ripping off your patches. Respectfully, I think that's a bunch of horseshit. If you don't want your patches ripped off, make them harder to grab onto. Keep your stitches small and close together so assholes can't get a grip on them. That said, I've never actually had someone try to rip off my patches in the pit or otherwise, so use your own discretion.

Washing. A lot of hardcore crust punks will tell you never to wash your battle jacket, but crust punk isn't for everyone. I wash my jacket every year or so, and it's pretty easy to do as long as nothing on your vest is susceptible to damage in water (I had some early patches that I finished with Modpodge that were ruined in the first wash, so keep that in mind). If you're confident in your stitchwork, just toss the vest in a garment washing bag or a pillowcase and chuck it in the wash with everything else. If you're a little more cautious, it's easy enough to hand wash it in a tub/sink and hang it out to dry. Don't use bleach or you'll probably ruin something.