Listen, you should never film strangers in public without their consent, but I swear there need to be fines or something for people who do that shit in some spaces. For example: I had to go to the ER last night, and some jerk filmed a woman who just came in and was clearly having an asthma attack. She immediately got to go back, and he was unhappy about that. Believe me, I get that it sucks having to wait when you're in pain, but you don't get to pick who deserves care when. The medical system in the US is a nightmare, and the ER could be the worst moment of someone's life. No one deserves to be recorded because some jack ass believes someone doesn't look like they need care.
This is fine to reblog. People who film strangers should be shamed if nothing else.
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at some point it's just like. do they even fucking like the thing they're asking AI to make? "oh we'll just use AI for all the scripts" "we'll just use AI for art" "no worries AI can write this book" "oh, AI could easily design this"
like... it's so clear they've never stood in the middle of an art museum and felt like crying, looking at a piece that somehow cuts into your marrow even though the artist and you are separated by space and time. they've never looked at a poem - once, twice, three times - just because the words feel like a fired gun, something too-close, clanging behind your eyes. they've never gotten to the end of the movie and had to arrive, blinking, back into their body, laughing a little because they were holding their breath without realizing.
"oh AI can mimic style" "AI can mimic emotion" "AI can mimic you and your job is almost gone, kid."
... how do i explain to you - you can make AI that does a perfect job of imitating me. you could disseminate it through the entire world and make so much money, using my works and my ideas and my everything.
and i'd still keep writing.
i don't know there's a word for it. in high school, we become aware that the way we feel about our artform is a cliche - it's like breathing. over and over, artists all feel the same thing. "i write because i need to" and "my music is how i speak" and "i make art because it's either that or i stop existing." it is such a common experience, the violence and immediacy we mean behind it is like breathing to me - comes out like a useless understatement. it's a cliche because we all feel it, not because the experience isn't actually persistent. so many of us have this ... fluttering urgency behind our ribs.
i'm not doing it for the money. for a star on the ground in some city i've never visited. i am doing it because when i was seven i started taking notebooks with me on walks. i am doing it because in second grade i wrote a poem and stood up in front of my whole class to read it out while i shook with nerves. i am doing it because i spent high school scribbling all my feelings down. i am doing it for the 16 year old me and the 18 year old me and the today-me, how we can never put the pen down. you can take me down to a subatomic layer, eviscerate me - and never find the source of it; it is of me. when i was 19 i named this blog inkskinned because i was dramatic and lonely and it felt like the only thing that was actually permanently-true about me was that this is what is inside of me, that the words come up over everything, coat everything, bloom their little twilight arias into every nook and corner and alley
"we're gonna replace you". that is okay. you think that i am writing to fill a space. that someone said JOB OPENING: Writer Needed, and i wrote to answer. you think one raindrop replaces another, and i think they're both just falling. you think art has a place, that is simply arrives on walls when it is needed, that is only ever on demand, perfect, easily requested. you see "audience spending" and "marketability" and "multi-line merch opportunity"
and i see a kid drowning. i am writing to make her a boat. i am writing because what used to be a river raft has long become a fully-rigged ship. i am writing because you can fucking rip this out of my cold dead clammy hands and i will still come back as a ghost and i will still be penning poems about it.
it isn't even love. the word we use the most i think is "passion". devotion, obsession, necessity. my favorite little fact about the magic of artists - "abracadabra" means i create as i speak. we make because it sluices out of us. because we look down and our hands are somehow already busy. because it was the first thing we knew and it is our backbone and heartbreak and everything. because we have given up well-paying jobs and a "real life" and the approval of our parents. we create because - the cliche again. it's like breathing. we create because we must.
you create because you're greedy.
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Amity Park hates the Justice League but loves Red Hood and sometimes other heroes
A/n: I got this random idea so here it is. Oh, and this is good reveal AU ok?
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Due to the Justice League mocking them and ignoring their villain problems that were also publicly interdimensional problems, everyone hates the JL. It got worst with the GIW coming in, who blatantly went against the meta-laws (which included aliens, demons and so much more that weren't human from the beginning). They started to think the Justice League supported them.
In the Infinite Realms, however, there's a revenant that many adored and others respected. He did not hold back against criminals. Criminals that would rape, kill, traffic, sell drugs, and more to people. He especially didn't like when they brought kids into this. He'd avenge people the way they should've been: by promising that their abuser/killer/whatever wouldn't be able to do it again. And in the place they lived in, the only way for that to be possible was by major injury, heavy social outcasting, and/or death. Most prefer the 3rd.
And after how long the Amitians dealt with the attacks which eventually came to a slow once or twice a week type thing, they started opening their minds to the idea of coexistence. Well, further than they had. So when people started to cross over and start making their small haunts in their side of the veil, the Amitian's began to become aware of the popular hero Red Hood. He was part of the undead community, which was trustworthy in everyone's books.
So Amity Park started making merch. Most of it was for Team Phantom, but there was plenty for Red Hood as well. There were other heroes on the side, like for Superboy 1 (who they renamed to Supernova due to their hatred for Superman for 2 reasons, the obvious and that he rejected a mirror-born), and Raven (the half demon).
And with this coexistence, Team Phantom had noticed the positive feedback about killing in the name of vengeance. So they went on the offensive, and after a good year of that, the GIW lost funding for producing no results and just taking up resources. The acts were still there, but nobody enacted them in Amity, and nobody actually knew or believed them outside of the haunted city.
Then the Justice League find out about the hero group there due to tracking merchandise after they started to sell outside of the city. Superman was the guy everyone liked, so he was sent over. He immediately got thrown out and was now questioning who the heck Supernova was and when he rejected him.
Flash? Outcast. Everyone ignored and walked away from him. they had the police, who never did anything or even had to anymore, kick him out.
Green Lanter? Oh the poor guy. He had his ring taken away and thrown out of the city somehow. It took hours to find it.
Wonder Woman, they had to be ok with her. Not at first, but once Phantom had a talk with her and people learned that they were cousins through Clockwork (Kronos) and Pandora, they were ok. ish. Tolerated was the best word and she got the info back to the league.
The batfamily took a trip there, dragging Red Hood along somehow. And right when Red Hood was noticed, a crowd began to form as everyone practically worshipped him. There were many victims he had avenged and an Ancient (Lady Gotham) came and gave him the gifts she couldn't without scaring the guy.
At one point, the poor guy even cried.
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This might seem like an "old man yells at cloud" situation, but it's just wild growing up and being told how dangerous distracted driving is - how, at highway speeds, you can traverse the length of a football field (100 yards, 91 meters) in a matter of seconds - how one split second sending a text while driving could result in a potential fatal crash, and then getting on the road as a driver and being surrounded by billboards. Their entire purpose is to catch one's attention, so they're lining major roads, which tend to be highways. How is it that you're told how important it is to never be distracted while driving, but still being advertised to?
At best, this type of advertising is an eyesore to pedestrians and motorists and a general waste of electricity to light it, and at worst, it is an active danger considering they are there to advertise and therefore, must catch people's attention.
I'm not even against advertising in theory, but this particular mode bothers me so much and I hate how pervasive it is - especially in large cities or highways.
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