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alpaca-clouds · 1 year

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The Punk-Factor of Punkpunk Genre

So, when I posted my history of Solarpunk, someone (probably not in good faith) asked: “So, what about the punk in all the other punk genres?!” towards my request to put the punk back into Solarpunk. And given that my autistic brain obviously cannot just let that stand… You know what? Let me talk about the other punk genre and in how far they are “punk”. I tried to be as exhaustive as possible, though there is a good chance, that I might have missed some of the punkpunk genre. So feel free to add.

Trying to judge the punkiness I do not assume punk as simple counter culture, but a specific ideology. Quote from Wikipedia:

[Punk ideology] is primarily concerned with concepts such as mutual aid, against selling out, hierarchy, white supremacy, authoritarianism, anti-consumerism, anti-corporatism, anti-war, imperialism, conservatism, anti-globalization, gentrification, anti-racism, anti-sexism, class and classism, gender equality, racial equality, eugenics, animal rights, free-thought and non-conformity

Most of the artwork here has been taken from concept art of either of the examples listed.

Sorted from most futuristic to pre(historic). Yes, the list is long.

Cyberpunk

We start with the OG punk genre, the one after which all other punk genre were named. Yes, you could argue that in fact the two genre following are more futuristic – but Cyberpunk kinda just had to start the list.

As a genre: Given that Cyberpunk had its start completely in literature it is the best defined in this regard. Taking place in a late stage capitalist dystopian world in which most is owned by megacorps who don’t follow anyone’s laws but their own, the protagonists usually are social outcasts fighting against their own oppression, trying to keep themselves alive in a world hostile to them. With cybernetics always being a core of the genre, it also tends to deal with the question of humanity in a “ship of Theseus” sort of way. How much can the human body be altered, before the human vanishes?

As an aesthetic: Cyberpunk is the most punk in terms of aesthetics, really. There is a lot of punk and grunge going on in terms of character design. Neon hair colors, fishnets and thorn up jeans jackets can be found here. As well as of course cybernetics on the characters. The world usually is a megacity with a stark divide between rich and poor, tons of neon signs, a slight Japanese influence, flying cars and somehow a constant downpour of rain.

Punk-Factor: Cyberpunk is the one punk genre, where the “punk” was chosen very knowingly as a name. Usually the protagonists are “punks” fighting for their place in the world against a suppressive capitalist system. (Also, they usually fit the punk aesthetic, if they don’t wear leather dusters.) It should be noted however, that especially in newer western Cyberpunk often the punkiness vanishes more and more – for the same reason we have so little Solarpunk: media that outright confronts the problems of capitalism is just less supported.

Examples: Neuromancer (1984), Mirrorshades: The Cyberpunk Anthology (1986), Snow Crash (1992), The Matrix (1999), Dredd (2012)

Biopunk

As a genre: As a genre biopunk is still fairly ill defined, as it mostly shows up as a subsection of Cyberpunk. Rather than the characters having cybernetic implants (or additionally to it) they are augmented on a genetic level. This can be all sorts of augmentations, changing anything from appearance to giving characters higher strength and agility, giving them claws or night vision, or in some cases even “magic” powers. Usually the genre tends to be set in worlds similar to Cyberpunk. In fact it might well be set in a cyberpunk world, only that characters with bioaugmentations exist parallel to those with cybernetics. Additionally, though, there is a subsection of this genre, that concerns reproductive rights.

As an aesthetic: Ironically biopunk is even less defined as an aesthetic. There is not a lot of biopunk art out there and most that exists can go in different directions. As such it often mixes elements from other punk aesthetics – like Cyberpunk, Steampunk or Dieselpunk – with an assortment of bodyhorror elements.

Punk-Factor: It is hard to define the “punkiness” of a genre, that barely exists for the most part. Usually, when it is set against a Cyberpunk backdrop, it might be very punky, but in other settings those punk elements vanish.

Examples: Ribofunk (1995), Altered Carbon (2002), Bioshock (2007), The Windup Girl (2009)

Nanopunk

As a genre: Like Biopunk Nanopunk mostly exists as a subsubgenre to Cyberpunk, often being set in a mostly Cyberpunk world, only that instead of or additionally to Cybernetics, the technology used to alter the human body is nanites. These serve the same function as the genetic manipulation in Biopunk, giving the human in question more strength and agility and at times more or less magical abilities. There is one common plot that comes up again and again, with an AI or megacorp turning the nanites against the people they inhabit or trying to control them.

As an aesthetic: Aesthetically Nanopunk does not have much in terms of its own identity. Most artworks relating to Nanopunk feature a similar aesthetic to Cyberpunk, with megacities and lots of neon.

Punk-Factor: This genre is so small, that it is kinda hard to judge the exact punkiness.

Examples: The Diamond Age (1995), Prey (2002)

Solarpunk

As a genre: Being another genre, that started as such, Solarpunk is a bit better defined. Solarpunk usually takes place in a world post-strive. It is post-capitalist and decolonial in its settings, usually featuring a world that has either formed against the backdrop of preventing climate collapse or in the aftermath of it. A lot of it features people rebuilding – or alternatively building communities. It always features elements about living in harmony with nature or trying to do so. So far, the genre is mostly defined by short stories, partly because there is still disagreements within the movement, how far a conflict can be taken to still qualify as Solarpunk.

As an aesthetic: Solarpunk has a very strong aesthetic definition, mostly featuring all sorts of cities and urban areas, that incorporate natural elements into the urbanity, with greenery growing on roofs and concrete car-centric streets being replaced with more natural, walkable areas. The character design aesthetic is not quite as clearly defined, but usually features natural materials and patterns usually seen within indigenous art.

Punk-Factor: Contrary to what many say, Solarpunk is fairly punk, as it very much embraces the entire anti-hierarchical, anti-capitalist mentality. With the big difference, that the punk mentality is no longer counter culture, but the mainstream culture.

Examples: The Dispossessed (1974), Nausicaä (1984), Laputa – Castle in the Sky (1986), Princess Mononoke (1997), The Summer Prince (2013)

Lunarpunk

As a genre: Lunarpunk is pretty much a subsubgenre of Solarpunk, just as Nanopunk and Biopunk are sprung off from Cyberpunk. It is so far ill-defined as a genre, but the general consensus is, that it is set in solarpunk-esque worlds, but with a heavier focus on mysticism or spiritualism, at times outright including magic. It also tends to feature a lot darker places, being set in underwater or underground settings – or alternatively at night.

As an aesthetic: Lunarpunk is far more of an aesthetic than a genre so far. It features dark places, often with bioluminescent elements in it. Often featuring a mixture of black and dark blue with lighter blue, violet or light green elements shining in the middle of it. Mushrooms – especially glowing mushrooms – feature repeatedly in artwork.

Punk-Factor: Given that Lunarpunk is barely defined as a genre it is hard to estimate the punkiness in it. If it gets more stories, will those still feature the anti-capitalist and anti-hierarchical messaging we see in Solarpunk? This should be the defining factor. Some of the artworks use little aesthetics from the punk scene, but nothing much more.

Examples: Bioluminescent: A Lunarpunk Anthology (2023)

Hopepunk

Honestly, I had no idea where to put this one, given that it might technically be set at any time and place.

As a genre: Hopepunk is very much a genre, not an aesthetic. It has been defined as the opposite of grimdark by its “inventor/name-giver” Alexandra Rowland. The basic idea is to create fiction that instead of taking a dystopian, defeatist and violent approach, takes one defined by hope and to some degree pacifism. As such the genre can be set in any setting, real or fantastic. It mostly is defined by the protagonists taking opposition to cruelty and violence, fighting for a better world and, crucially, also partly archiving it. Other than in usual Cyberpunk, where the best possible ending, tends to be, that the protagonists get to live a somewhat better life themselves, Hopepunk aims to better the life at least for groups of people.

As an aesthetic: Being fully a genre, Hopepunk has no aesthetic associated with it.

Punk-Factor: Hopepunk is punk less in the sense of the protagonists or things happening within the story, which might or might not be punk, but was named such rather because it is considered counter cultural towards the gross of media at the moment, that often strives for a “realistic, gritty, grimdark” outlook on the world. Basically it is saying: “Hope is punk.” I will not make any judgement on whether or not this is true.

Examples: The Long Way to a Small, Angry Planet (2014), Mad Max: Fury Road (2015), The Good Place (2016)

Mythpunk

As a genre: Another one, that does not really fit into a temporal sorting system, because once again it can be set anywhere between the stone age and the far future. The basic idea is, that the story interweaves postmodern storytelling with elements from mythology or folklore. This can mean mythological, genre-traversing retellings, but it can also mean, that mythology seeps into any given story bit by bit. As such the genre with probably the most media in the subgenre is Urban Fantasy, which often borrows from mythology and incorporates these elements.

As an aesthetic: Mythpunk as an aesthetic is a bit strange. There is definitely a mythpunk aesthetic that exists, often mixing familiar elements with elements from mythology and folklore (at times also including quasi-folkloric works of literature, such as Alice in Wonderland and the Wizard of Oz). Often just a bit dark and twisted.

Punk-Factor: To be perfectly frank, for the most part, there is not a lot of punk to be found in this genre. While there have been definitely punky stories told within the genre, this is more a story decision than something inherent to the genre.

Examples: Pan’s Labyrinth (2006), Over the Garden Wall (2014), Inscryption (2016)

Dustpunk / Rustpunk / Desertpunk

As a genre: Kinda grouping those above all together, because people argue about what they might entail and in some interpretations they kinda are similar: Post-apocalyptic stories set in a world of sand and rust. Often featuring a loner character, having to go up against everyone to ensure his own survival – and at times being forced to learn, that the lonerness might not win him (and most often it is a him) anything.

As an aesthetic: Aesthetically this tends to be very much post-apocalyptic, maybe in some cases with some more classical punk elements added to characters and surroundings.

Punk-Factor: Given that there is neither a system to rage against – nor a new, less hierarchical system – usually there is not that much punk outside of some aesthetic choices. Neither tend those stories go into constructing worlds of mutual aid or working against oppression.

Examples: Anything Mad Max should count for this.

Atompunk

As a genre: Atompunk usually deals with themes connected to the cold war – in some cases directly, in some indirectly. Often it overplays the American ideals that were pushed for during the cold war era and portrays scenarios in which American Exceptionalism slowly reveals itself as the dystopia most punks already know it to be. Outside of this vague idea for the setting, the genre is less described, as there is less of a clear script an Atompunk story might follow. So, little description of who might be the protagonist and what their role is.

As an aesthetic: The aesthetic of Atompunk borrows heavily from the Raygun Gothic aesthetic. So, futurism, as it was imagined in the 1950s and 1960s, with heavy influences from late pulp age science fiction art.

Punk-Factor: The aesthetic in this is definitely not punk. The stories often have some vague punk ideas of recognizing how fucked up the world has become, but given the genre is fairly wide in terms of stories, it is hard to give a definite answer to how “punk” it is. One can definitely tell punk stories within this genre, though.

Examples: Hitchhiker's Guide To The Galaxy (1978), Fallout (1997), Futurama (1999)

Dieselpunk

As a genre: Dieselpunk is once again an example of “strong aesthetic, but no clear genre identity”. Generally, Dieselpunk is concerned with the interwar period, but might cover either of the world wars. In some cases the genre features alternate timelines, in which one war happened and not the other, or in which another faction won, with the technological development being influenced by this as well. But as a genre it is not much defined. A lot of stories building on Lovecraft’s legacy feature Dieselpunk in some regards. And there is definitely a subsection of Dieselpunk stories centered around “what if Nazis won” or “what if Nazis somehow went underground and did their own technological development after the war”. Also, there are a lot of stories about pilots of war planes in this genre.

As an aesthetic: As an aesthetic Dieselpunk is more clearly defined. A lot of bare metal and the sorts of technology you would expect from this era, often with retro-futurist and art noveau elements in between. A lot of the fashion within the genre is defined by pilot and military clothing of the times, but at times also dipping into “roaring 20s” fashion styles.

Punk-Factor: In this genre I would generally say: “If the story involves punching Nazis, you might get a couple punk points – but otherwise this is not really punk.”

Examples: The Iron Dream (1972), Brazil (1985), Dark City (1998), Iron Sky (2012), Bitter Seeds (2010)

Teslapunk

As a genre: Yet another one of these, that exists mostly as a vague idea, with no clear definition. The basic idea is a world, that works on Tesla’s inventions. And as those of you, who watched Doctor Who, might know, Tesla sorta, kinda already invented the internet or had an idea of what it could be and how it could work. So a Teslapunk world is based in an alternate timeline, but might in fact go into light futurism. There is not much in this genre though with a unique thematic identity, as stories that use Teslapunk as a backdrop rarely have coherent themes.

As an aesthetic: The aesthetic of Teslapunk is basically “Steampunk, but with Tesla-coils and electricity”. Which is not a big surprise given that Tesla came from the same era that would also be the inspiration for Steampunk. So, we have a lot of Victorian fashion, maybe some light augmentation, airships, and – again – all the tesla coils you can muster.

Punk-Factor: As, again, I think punk is more about themes than aesthetic, this is once more not really possible to judge, because there do not seem coherent themes within the genre so far.

Examples: The Prestige (2006), Sherlock Holmes: A Game of Shadows (2011), Bioshock Infinite (2013)

Arcanepunk

Another one of those that do not neatly fit into the timeline…

As a genre: Arcanepunk takes place in a world, where both magic and technology have developed. In some cases both developed side by side, in others, we might have a technological world, that suddenly discovers magic by some happenstance. The fact is, though, that both exist parallel to each other or might at times be intertwined, with technology being powered by magic. This can exist at different technological stages, usually featuring settings inspired by the late 19th or early 20th century. But usually futuristic stuff that includes magic might be considered Arcanepunk, just as might stories that mix 18th century technology with magic. While also a vague genre, there is a repeating theme of magic being hoarded by those in powers and the poor and downtrodden finding ways to still use it in their own advantage.

As an aesthetic: Given that Arcanepunk’s setting is defined by the co-existence of magic and technology, rather than a specific technology, Arcanepunk has less of a defined aesthetic. Never the less, we have a part of punk aesthetics that often come up, as a surprising amount of Arcanepunk features characters with neon colored hair.

Punk-Factor: Another genre that is rather thin, yet, there is a surprising amount of stories featuring some punk ideas of fighting against an oppressive system and being counter culture to a main culture build around suppression.

Examples: Too Many Magicians (1966), Shadowrun (1989), Bartimaeus (2003), Arcane (2021) duh

Steampunk

Steampunk was the second genre to pick up the “punk” suffix and hence is as much responsible for the punk-punk as Cyberpunk as the originator.

As a genre: Being named as early as it has been, Steampunk kinda suffers the same issue as Cyberpunk itself. There is a lot of ideas there, but some are only vaguely defined. In general, though Steampunk always takes place in a world where the steam engine became the defining technology and was never replaced with the combustion engine. As such cultural aspects from the steam era, especially Victorian England and the Belle Epoche, still carry over for longer, than they did. So often we will see noble households based around similar values as the puritan Victorian English families, while the very poor are made to work in workhouses. At times we might also see themes of colonialism here. In some cases magic might exist in these worlds, as might electricity for some aspects. There is often a heavy inspiration from Jules Verne and H.G. Wells. Though it is still hard to define the “stereotypical steampunk story”, given that Steampunk offers a wide variety of stories, from adventure stories and romances, over to stories where people rise up against the Victorian-esque society.

As an aesthetic: Steampunk as an aesthetic is very much influenced by Victorian aesthetics and the time period of the late 19th century, mostly in the USA, Great Britain and France. But as all other punk genres it knows very well: “If it is worth doing, it is worth overdoing,” so steam-related elements are added to everything. Could

Punk-Factor: In the original idea for Steampunk was a lot of punk. “What if we took Cyberpunks ‘rage against the unjust system’ and made it 19th century” they asked. But given that the genre branched out so much, it is not necessarily there in all the stories. There is a ton of stories where people rage against that steam powered Victorian machine – but also a ton in which the Victorian world gets idealized and romanticized.

Examples: Thief (1998), The League of Extraordinary Gentlemen (1999), Wild Wild West (1999), Clockwork Century (2008) – also half of all Sherlock Holmes adaption made after 2000 in any medium usually use Steampunk elements

Silkpunk

As a genre: Silkpunk is hard to define, despite there being a clear definition. The reason for this is, that the person who coined the term – Ken Liu – had a very specific idea in mind. He explains that the idea is of a world that has technology as language. In which form is as important as function, is made to speak a language all of its own. Inspired by ideas from W. Brian Arthur and Chinese philosophy. However, what the wider Science Fiction and Fantasy community made from it was “Steampunk but East Asian!” But given he coined the term (and also the alternative feels vaguely racist) I am going to go with Ken Liu for this. While Silkpunk will usually be set in an East Asian inspired world, the central idea is about the duality of technology, which will also be addressed within the stories.

As an aesthetic: As said above, the idea Liu had for it was a world that features some technology, but technology that is as much about form and communication through it, as it is about function. So the technology here has strong visual ideas. At least that was, how Liu intended it. Once again, the wider community made “Steampunk, but East Asian” out of it.

Punk-Factor: There is not a lot of stuff in this genre for now – however so far I do not manage to see a lot of punk ideas in it, even though some of Liu’s stories definitely feature the concept of challenging a higher power.

Examples: Dandelion Dynasty (2015), The Black Tides of Heaven (2018), The Tea Master and the Detective (2019)

Clockpunk

As a genre: Once again storytelling in this genre is not really defined, but the worlds diverge a bit before the wide adaption of steam, instead featuring mechanical devices powered by coils and springs and somehow kept alive, often at least implied through some form of arcane magic that gives “live” to these mechanical inventions. Most examples of Clockpunk, however, tend to show up as settings for parts of fantasy stories. Any fantasy world might have this “Clockpunk” area, where protagonists might travel. Especially games tend to feature this. While there is definitely a trope of the “mad inventor” often going along with this, few other tropes stand out.

As an aesthetic: The aesthetic of Clockpunk tends to take some inspiration from the early 19th century, but tends to add a lot of gears to everything, with even city wide gear constructions keeping things working. We often will find mechatronic characters, such as wind up soldiers or wind up dancers.

Punk-Factor: Once more, there are so few stories told, that it is kinda hard to speak about how punk this is. Most stories told so far, however, do not feature punk elements.

Examples: The Great Mouse Detective (1986), Hugo (2011), Clockwork Planet (2017)

Whalepunk

Please note: This is one of those genre, I would love to see more in, though so far it is barely explored.

As a genre: And you might ask: “Why do you even name those genre, that exist mostly in theory?”, to which I might answer: “Because I am a nerd.” As all these retrofuturists genre, Whalepunk imagines mostly an alternate historical timeline, where the technology that became defining was based around whale oil. This means that in Whalepunk often whalers or harbors play a big role, though as the genre is again very thinly spread, it is hard to say what “THE whalepunk” formular is. It seems there is a tendency, to mix some mysticism or magic into the genre, though, as the idea of hunting sea monsters often plays into it as well. Good chance that it could at some point merge with Cthulupunk (which I did not name separately, because most of it is either covered in Whalepunk or Dieselpunk).

As an aesthetic: The aesthetic of Whalepunk is basically “Steampunk, but with more sailors, ships and sea monsters”. There is definitely a bit of Oceanpunk mixed into it as well, with some aesthetics being somewhere between Steampunk and Dieselpunk. (Which is kinda ironic, because whale oil was mostly used in the early 19th century.)

Punk-Factor: And again. There so far is not a lot of connective thematic tissue within that genre, so exploring themes is kinda hard.

Examples: Dishonored (2012), Dredge (2023)

Oceanpunk / Piratepunk

As a genre: It really is hard to divide the Piratepunk out of the Oceanpunk, though some might call it different. The idea here is that this genre features stories mostly set on the ocean and often more heavily leaning into fantasy, than science fiction. While the worlds might feature technological elements, they will almost certainly feature magical elements of some sort. The characters will usually be seafaring one way or another and stories might involve any sort of adventure. There might be a storyline, though, about one company or nation trying to control the seas – often times through magical means – with the characters often unwillingly being made to oppose them. This genre might also take place in a post-apocalyptic setting with a flooded planet.

As an aesthetic: While the aesthetic is not clearly defined, there is a good chance that it borrows heavily from the late 17th and early 18th century and the golden age of piracy, when it comes to both ships and fashion sensibilities.

Punk-Factor: Pirates, at least as far as modern media imagines them, tend to be very punk, as they tend to inherently oppose any sort of government and what not. While the punk is not there in all of the stories, a lot of the most popular stories from the genre will feature at least lightly punky elements.

Examples: One Piece (1997), Pirates of the Caribbean (2003), Assassin's Creed IV: Black Flag (2013)

Dungeonpunk

As a genre: So, the idea of the genre is basically “What if Cyberpunk, but Dungeons & Dragons?” Usually set in a vaguely medieval world, this world still shows the same corporate corruption as your usual Cyberpunk world. Adventurers are just another resource to be exploited by the system, their day job involving going on yet another dungeon crawl. For this there might be some technology entirely powered by magic, with those magic items taking over the same functions technology might have in a Cyberpunk world. And yes, indeed some brave dwarf, elf or halfling might rise up and challenge the corporate dungeon syndicate. (As you might sense: Yes, this genre tends to be at least partly a bit of a parody of the punkpunk idea. Though it also can be played straight as “Cyberpunk conflicts, just that all technology is somehow magic.”)

As an aesthetic: This is once again one of the examples, where there is a clear idea behind it – but absolutely no clear aesthetic, as this genre might cover anything from medieval settings to a lot more modern stuff.

Punk-Factor: The base idea, being heavily inspired by the base idea of Cyberpunk, just from a very different perspective. But too many people read the genre as “Magic Technology, yay”, in which case, no, it is not punk.

Examples: Dungeons & Dragons can be played this way, also Final Fantasy VI – XIII definitely counts.

Sandalpunk

As a genre: I mostly include this for the sake of it, because this genre tends to boil down to “fantasy set in ancient Greece or Rome, but with vaguely anachronistic elements”. It might also include alternate history stories (even going so far as Science Fiction) based on the idea “What if Ancient Rome/Ancient Greece never fell?” There is no real overarching themes, even though I could imagine some interesting way one could build those up. So far, though, it is mostly a vague gesture towards: “SciFi Fantasy, but with more ancient civilizations.”

As an aesthetic: The aesthetic is usually just Ancient Rome or Ancient Greece, but with more magic or anachronistic elements.

Punk-Factor: Given the super vague nature of the genre and the fact that it seems more like a genre of hindsight (with most media being declared this having been released even before 2000)… Nobody wrote those stories to be punk. The one punk thing I can see about several of these stories is people challenging Gods, but… That’s about it.Examples: Hercules: Legendary Journeys (1995), Xena: Warrior Princess (1995), God of War (2005)

Stonepunk

As a genre: The basic idea of Stonepunk is, that it is set in a stone age world, but with the technology being pressed towards a very anachronistic end, which is often played for laughs. Basically it gives stone age people a modern seeming world, though not really. Often enough this is used to make a point about the modern world and parody it in some regard. An argument can be made for stories, that feature stone age technology people being somehow subjected to modern technology (for example through time travel or space travel) also possibly falling into this genre.

As an aesthetic: Usually the aesthetic of Stonepunk is one of an overplayed stone age setting. The clothing characters might wear are not what we know is historically more accurate but really just “everyone wears a pelt around their shoulders”. Meanwhile stone age tools get spun to be used as all sorts of modern technologies.

Punk-Factor: The genre does usually not feature punk themes. However, the nature of parodying and challenging the modern world tends to be punk in its own merit, I assume?

Examples: The Flintstones (1960), The Croods (2013), Horizon: Zero Dawn (2017)

That's it. That's the list.

Feel free to add to it.

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readychilledwine · 1 month

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A Helping Hand

Rhysand Week Day 4 : Lord of Night

Summary - High Lord, Husband, father. Rhysand's plate is just far too full, leading the Inner Circle to take over some duties.

Warnings - workaholic Rhysand, discussions of classism, new dad Rhys, platonic bond, loose editing so forgive me if I fix things later

A/N - I am so sorry this is late! I think someone *cough baby daddy cough* accidently deleted it when he did a run through for me. But anyways, happy late day 4 and day 5 of @officialrhysandweek! It'll be a double post day 💕

✨️Rhysand Week Masterlist✨️Rhys Masterlist✨️Master Masterlist✨️

“Please just let me handle this for you,” you were firm in the request, hand still on the request of approval to renovate the Opera house in the Rainbow. “We both know this project is completely unneeded. There is no reason for you to waste your time penning the letter.”

Rhysand stared at where your hand met the paper. His eyes were heavy with exhaustion, “I-”

“No. It's time for us to have a serious discussion.” You took the paper from him and then held his hands. “Rhysand, you have spread yourself far too thin. You are not sleeping well with a newborn, you are helping Feyre as she's healing, you are recovering from trauma. Let me help you by organizing the report by who should actually be handling them.”

Rhys seemed to consider your words before nodding, “I want final-”

“Rhysand, we have known each other for 500 years. Do you truly not trust me enough to make a decision based on your preferences?”

He tugged that power exchange bond between the two of you, silently asking for a bit of your energy. You offered it to him without hesitation, without even so much as thinking about your well-being over his. “I do not want the fae in this court knowing I'm not the one running the court.” You couldn't help but sigh and roll your eyes and stare at him, blinking as if to say, “Duh.” His lips twitched into a smile at you, “What are you going to do, sweetheart? Forge my signat..” His eyes went wide as he realized that was exactly what you had planned. “I expect brief rundowns first.”

“And you will have them. Now go take a nap.”

The Inner Circle gathered in the new father's office claiming reports left and right. Cassian took anything involving Illyria and the training camps. Azriel took anything involving newcomers to the City of Starlight, border related issues, and requests for visiting. Mor and Amren split Hewn City. Dividing those reports among issues relating to rumors of uprisings or requests for help and sanctuary from tortured females. It left you with things regarding the inner workings of Velaris. You were curled in your own office, writing the rejection letter for the Opera House Project. The Opera House had been a gift to Velaris after Rhysand's return home. It was barely more than a few years old and every single feature had been planned to perfection by you and Rhysand as a way to heal the odd bind that tied you two together. The wealthy fae of Velaris were asking to redo the seating. Specifically, they wanted the seats to be made larger.

You knew this wasn't for comfort. You had fallen in love with studying the patterns of consumerism throughout Prythian history. You knew this project was aimed at accessibility. Less sears meant higher prices for shows. Higher prices meant exclusion of the middle and lower classes. Exclusion from the arts was dangerous, though. Something you, Rhysand, and Feyre stood firmly against.

Hours seemed to pass as you finished one thing and moved to the next, realizing how far behind Rhysand had gotten. He was hardly sleeping, rotating nights with Feyre, or just forcing her to sleep while he handled nights with a newborn alone. He was being the father he never had. One who earned the title of Dad, and you knew the last thing he'd want was the fae he cared so much for to suffer because of it.

The sunset when Cassian arrived, his work completed. “Rhys has been given the gist of everything. I am to only have to send one thing to the camp leaders,” Cassian slid a letter, one penned by himself over to you. “Rhysie is having them start to direct all issues to me first. Using your whole chain of command idea.”

Silence.

Cassian's words were met with silence as you swallowed hard, holding in tears of pride. “He's delegating?!”

The commander nodded, scarred lips twitching to smirk. “He is.”

You'd never faked his signature so fast, quill flying across the parchments, “This is good.”

Azriel was next with Nuala and Cerridwen in tow, “City guard is to report issues to the twins from now on,” he leaned into his chair. “If they deem it serious enough, they will handle it unless I need to get involved.”

“And if you can't handle it,” you questioned as a joke.

Azriel scoffed before schooling his reaction to your jab, “Then, and only then, is Rhys to get involved. My part of his reports are done and sent. I didn't think anyone would have issues with me answering security related issues.”

They'd be a fool to, is what you wanted to reply with. Azriel was not the type of male to fuck with unless you had a death wish. He was petty at times and loved to plot.

Mor came next, throwing herself dramatically into the chair. “I hate how your Office is a dry zone,” she groaned. “I'll be visiting daddy dearest.”

You gagged at that and the two of you launched into a gossip session. Turns out, her father had taken Rhysand's recent absence in Hewn City as an open invitation to run a few illegal trade rings. Rings Mor was all too happy to be putting an end to.

“That summarizes what Amren and I will both be dealing with,” she yawned, perfect red nails flying to her lips. “I'm going to bed.”

10.

11.

Midnight.

2am rolled around and your door opened again, a sleepy Rhysand carrying a sleeping Nyx. “Go to bed,” his tone was commanding but held an air of affection to you. “You're no better than me.”

You only maintained eye contact, smirking as you put his name on a document approving a community vegetable garden and greenhouse, “Yet here we are,” you whispered. “All your reports, acquisitions, and petitions done and handled.”

His face fell, eyes shutting as he nodded, “You all got me caught up?”

With a wave of your hand, all the stacks vanished to their proper locations where they would sit and wait to be opened by their receivers. “We did,” you stood as silently as possible and moved to him and Nyx, “Do you want me to go lay him down?”

Rhysand only responded by pulling you into a tight side hug, his face burying in your hair, “How can I repay you for this? You have no clue what this meant to Feyre and I.”

The hug was payment enough. Contact with your best friend making that power bond hum as you hugged him back, “No repayment is necessary, Rhys. We all need help sometimes.”

“But-”

You whispered again, interrupting him, “We all need help sometimes.”

Understand, gratefulness, and admiration filled his almost violet colored gaze, “How did I get blessed with Feyre as my mate and you as my carranam?”

“Good question,” you shot back. “Maybe it was so we could keep you humble.” You took Nyx slowly, moving to walk the little heir back to his nursery. “Or maybe it was to keep you from dying in your office. Goodnight, Rhysand.”

You could tell he wanted to sass you back, to have the last word. It had been so long since that side of him came out, and you were glad to see a day of rest brought some fire back to him. He seemed to settle with nodding, walking backwards as he watched you take Nyx, “This isn't over. Once I wake up refreshed tomorrow, it's on. Goodnight, Y/n.”

General Taglist:

@hnyclover @glitterypirateduck @slytherinindisguise @mischiefmanagers @bloodicka @starsinyourseyes @the-sweet-psycho @mariahoedt @rinalouu @sarawritestories @starryhiraeth @starswholistenanddreamsanswered @cumuluscranium @loneliestluvr @eternallyelvish @azrielsmate3 @daughterofthemoons-stuff @meritxellao @aria-chikage @hungryforbatboys @lilah-asteria @fandomrejects @sleepybesson @tayswhp @itsswritten @milswrites @littlest-w01f

#elizabeths.updates #acotar #acotar x reader #rhys acotar #rhysand acotar #rhysand fanfic #rhysand x reader #rhysand x you #rhysand x y/n #rhys x reader #rhys x you #rhys x y/n #rhysandweek2024 #rhysandweek2024 day 4 #prompt : lord of night #high lord rhysand #high lord of the night court #inner circle x reader

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the-kr8tor · 1 year

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Hobie Brown Night-time headcanons.

Pairing: Spider-Punk x GN! Reader/ Hobie Brown x GN! Reader

Word count: 1k

Tags: Established relationship, fluff, No use of Y/N, no specific physical description of the reader (except having piercings), smut only implied. SFW

* I don't consent to having my work translated/ published on other platforms*

Hobie almost always goes home really late and you'll be waiting for him, snoring away on the couch. Everytime he sees that you've fallen asleep waiting for him to come home guilt eats at him, so he always carries you to bed and tucks you in, to satiate the emotion.

But on rare occasions where he comes home at the same time you do or earlier than you've expected, he always greets you with a bear hug.

Whenever he had a bad day wrangling the villain of the week, when he thought he wouldn't come back home to you that day, he hugs you tighter, lifts you up, and twirls you around the living room just to hear you laugh. (Of course he wouldn't tell you that) Slowly Hobie's smile spreads across his face, lifting the day's hardships away from him.

If he ever comes home injured, you're always there ready to patch him up. You even learned how to properly stitch a wound ( from a youtube video no less) for him.

Of course there's always a time where you suggest going to the hospital whenever he has an injury you can't treat with just a simple first aid kit, but Hobie stubborn as he is just says-

"Your hands are just softer love, and you give me kisses right after, let's see the NHS do that"

You can't help but roll your eyes at his quip, but your true feelings show through with how your breath hitches. You focus on patching him up instead of thinking about how much pain he's experiencing. It's safe to say you don't sleep properly every time Hobie comes home injured, you always wake up in the middle of the night to check up on him. Thanks to his enhanced healing, he always gets back up in the morning.

When the planets align with Hobie coming home early and uninjured, you heal his soul by making him his favorite meal. Hobie helps a lot, no matter how many times you kick him out of the kitchen so he could relax for once. He couldn't help himself by helping you cook. Whenever you two are in the kitchen, laughter and warmth fills your modest flat.

"Hobie, you're gonna make the soup all clumpy!" You say with wide eyes as he straight up pours all the cornstarch without mixing it properly.

"I don't believe in consistency" Hobie tells you straight faced.

"What does that even mean!" You push him away with your hips, so you could fix the soup. He grabs you by the waist and lifts you up easily.

"Hobie, where are you taking me?!" You feign anger with your voice, but you failed when a giggle escaped your throat.

"I like it chewy!" Hobie replies with a smile.

"It's soup, it's not supposed to be chewy!" You struggle in his arms as he brings you to the couch. He drops you on the couch with an oof coming from you

"No Chewy soup for you then" he leans down on top of you for a kiss.

After a warm bath, you do your skincare routine or you try to at least, you keep stopping with your routine though. With Hobie sitting with one leg up on your counter, wearing a pair of fresh pajama pants that have a bunch of guitars printed on them, (You bought them for him years ago as a joke, he claims he hates them but he keeps wearing them the moment they come out of the washing machine) He's wearing one of his homemade band shirts, with its sleeves cut off by Hobie himself, his arms in full display. So you can't help but get distracted.

"Y'know you could always ask me to put some on you" you turn to him, eyes gleaming with hope that he finally takes you up on your offer.

"Like I'll ever need them" he winks at you. "And y'know how I don't like consumerism"

Knowing that he's won again, you shake your head at him with a small smile.

A few weeks later you find out why he's been watching you so intensely every time you do your skincare routine. You're out one night drinking with your friends at a local pub.

You get home drunk off your ass, This time Hobie's the one waiting for you on the couch. He shoots up from the couch the second he hears your keys jingle.

"Had fun, love?" He's waiting for you nonchalantly acting as if he wasn't snoring away on the couch.

"Heyyo baby" You greet him by hugging his middle. "Had soo much funn" your slurred speech making him smile.

"You also look like it" He tells your disheveled state.

"You're meannn" You say as he leads you to your shared bathroom.

He perches you on top of the counter with ease. And grabs all your skincare from the medicine cabinet.

"Whatcha doin" you asked with your head tilted, focusing really hard on Hobie's hands while he opens up your micellar water.

"Cleaning you up, so you don't break out" he says as he puts the soaked cotton ball on your face, softly cleaning it. "You're gonna thank me in the morning"

"Aha! So you do listen, you big softie you!" You playfully jab his face. In retaliation he rubs at your eyelids with the cotton ball without telling you.

"Whoops" he smirks. You give him your best angry face you could muster up while in your state, which ended up with Hobie laughing at your face.

If Hobie still has piercings that aren't fully healed yet, you offer your help in cleaning the hard to reach areas. If you have piercings that still need to be taken care of, Hobie always instigates to clean it for you since you always forget or are too tired to do it yourself.

Hobie's cleaning your new helix piercing with a cotton swab and saline. You're sitting on his lap, your back facing him.

" You're not a worm stop squirming" Hobie says, frustrated with you moving away from his lap.

"It tickles Hobie" You say with a laugh.

"Keep moving like that, and you'll get tickled a different way" Hobie teases, as he loops his legs on top of yours, locking you in place.

"Hobie!" You gasp at his implication.

At the end of the night you both finally lay down on your shared bed, you snuggle up to Hobie, as he tucks you both in the comforter. You cuddle and talk about your day until you both passout.

A/n: Hope you enjoyed reading! Sorry if it looks weird on pc, since I'm posting this on mobile. Feel free to like and reblog! ♥️

#hobie brown x reader #spider man across the spider verse #spider punk x gn! reader #spider punk x reader #hobie brown x gn!reader #atsv fanfiction #atsv x reader #x reader #established relationship #hobie brown #spider punk #hobie brown headcanons #spider punk headcanons

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kiefbowl · 21 days

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so I just made a couple posts about this post, and rereading it I am going to try to be charitable as possible to everyone involved, but the vibe of this post really bothers me. but op deleted the post so I'm blocking out all the names out of respect for that, but I want to talk about this post

I think this is a very normal ask. It's literally just "hey, what are your opinions" and I don't see why that shouldn't be welcomed in a supposed feminist space. questions drive conversation, and not everyone is of the same opinion, life experiences, or knowledge, you know?

To be charitable to the green poster, they're just answering. I do think the "is literally the most anti-punk and anti-feminist thing you can do without genuinely hurting other people" is a bit much, and I also think she's misreading the op. I read Op as asking "if you're a feminist, what are some of your general opinions on subversive make up, and here's a list of examples: goth punk emo" and green is saying "conforming to patriarchy is never punk, and make up is patriarchal."

So I think the next response from Op shows that she took it a little personal as if being called out for doing the most "anti-feminist thing you can do without genuinely hurting people," which to be fair I'd probably be a little miffed too on a first read. And I think she's trying to pull out her question a little bit more, trying to re-contextualize it so that green gets what she actually meant. But this is a casual social media site so she's being casual and social. She's saying "okay, sure, but I'm asking about make up trends that are outside of what's commercialized" but I guess the big no-no is that she said "not male fantasy." Because yes, I ultimately agree, just because it's a more subversive culture, doesn't mean it's specifically feminist, or that the trends with-in aren't dictated to some degree by male fantasy. And then of course she asks: "If a woman wants to, isn't it regressive to say she can't?" So, to be fair to Op, she never specifically asked if make-up was specifically feminist or punk. But to be fair to green, green never specifically said a woman can't wear make-up.

But this is when it goes a little sideways, because frankly neither of them were being rude-rude. But green's next response is pretty rude imo. I think the subtext is "you're a big dummy." Op is not, and Op's first ask is what actually could be a very interesting jumping off point to discuss a variety of intersecting interests for feminists. Because I'm going to be real with you, there is no "The Answer" to make-up. Just because make-up and consumerism is never specifically feminist, doesn't mean it's always specifically anti-feminist. Sub cultures like Goth can be multiple things at once - subversive, and conforming. They also don't exist solely in one way. Copse make-up isn't feminist not because it's make-up, but because it's just make-up. But, like, yeah there's an element of subversiveness within western culture. There's also an element of acceptance, as long as it stays in the agreed on designated zones. A tee-shirt can't be feminist, either. Even if the tee-shirt says something feminist-y and subversive, like idk "I hate men and I love to abort their children" or w/e. Like okay, it's just a tee-shirt. And if you didn't make it yourself, it was probably made with slave labor, anyway. So you can wear it to the feminist poetry open mic at the local coffee shop, and you can wear it to a conservative's house, and the reactions in either place don't prove much about it's effectiveness. But it is a form of self expression, it's a form of participating in our culture(s) one way or another, and women are people they do participate. They can't not. So participating with some level of intention is better than her letting life passively happen around her. It's just not one thing, which makes it interesting.

So with all that being said, I think op's response is a sassy response to feeling like they're being spoken to rudely, which I think is fair enough.

This is not fair enough, and I find it bizarre. Maybe I missed something in another comment or post, but Op didn't 1. talk down to anyone and 2. didn't insult anyone who disagreed with them. But, to be charitable to pink - I understand why some women are on edge with the proliferation of troll accounts. But my ultimate advice to any women, young or old, trying to participate in a feminist space is to know that feminism is not a "solved" thing. Women have a variety of ways to think and approach a problem, and just because two ideas are conflicting doesn't mean they can't both have some merit. And since I think Op is a genuine person, this comes across as ostracizing a woman for asking a good natured, good willed question towards feminists to incite some discussion. A thing that should be welcomed if anything.

And then this response tries to be fair to Op, but also seems completely tone deaf to what she ever said. When in any of this exchange did Op ask for validation on anything? She admitted she is in a sub culture that both men and women use make up in, didn't specify what the subculture was, and then asked "hey, what are your opinions on this situation a little outside the norm of how we normally criticism make up." Then reacted to what one person's responses were, which the first response was simply direct but the second one was dismissive and rude.

So my point is, in order to be a successful feminist, I think you need to be able to navigate conversations with women that involve thinking outside the bun without devolving into sassiness when they aren't in complete lock step with you and have a predictable amount of curiosity. Feminism is a living discipline, and this could have been a moment of a meeting of the minds and a moment of cooperation to consider multiple sides of a question. That should be the ultimate goal.

And, to circle back to complete fairness of green's first response: when women are being direct with you, and maybe even misreading you a bit, it's worth taking a beat and thinking "can I read this in a kind tone at all? and if yes I'm going to assume that was the intention" because it can help get these conversations moving in the direction of cooperation rather than fighting.

And ultimately, have fun out there :)

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twistedwonderlandshenanigans · 7 months

Text

Valentine's Day...Gifts They Give You?? I Think. IDK.

HAH SCHOOL CAN KICK MY BUTT BUT BY GOD AND THE DEVIL WILL I SHARE A LITTLE BIT OF LOVE!! (I'm suffering Jesus fucking CHRIST this course is gonna eat my fried up brain for breakfast lunch and dinner) This is done assuming they're pining for Yuu, save for Ortho he's Idia's little wingman. GN reader as always bbssssssssss if anything seems canon divergent, check out my HCs lmao

Heartslaybul Ace: He thought about making it super romantic, like he spent the week leading up to Valentine's day brainstorming ideas on napkins and doodling on scrap paper, trying to come up with a way to ask to hang out that would make it feel different than normal, but not so obvious that he...you know, likes you. He ends up showing up at Ramshackle before class with a box of chocolates he bought the day before and a bit of a blushing mess. "I just got these because who knows how much Sam will have by the end of today, you owe me half, ok?"

Deuce: He absolutely called his mom to ask for some advice, and asked his dorm mom (Trey), to proofread the hand written note he had meticulously written and supervise while he tries to make a heartshaped quiche. Why quiche? Well he knows you guys have...Memories about eggs, and he remembers it fondly, and he knows that quiche freezes well, so if he makes a big batch, you can eat what you want and have a readily available breakfast to just pop back in the oven whenever you want it - hopefully you'll remember him each time you do, and you'll ask for more when you finish it! He ends up at Ramshackle a little disheveled and out of breath, trying to make the quiche early enough in the day that he could make it there before breakfast so maybe you could share a meal before class. "It's still warm??" "Yeah, I ran here as fast as I could once it was cool enough to handle." "You didn't have to..." "I wanted to! You're more than worth the effort it took to be here on time." Trey: Mans has a major advantage in that he is great in the kitchen, but he can't just make your favourite dessert. He can do that any day. No, for weeks ahead of time, he plans, makes, tests, and revises a new recipe, something that is unique and meant to be for you. It's more effort than he normally puts into his work, but it's so worth it when he shows up at Ramshackle in the evening to deliver his gift and a small note, though he gets shy. He leaves it on the front door step, knocks once, and moves to hide by the side of the house, relying on Grim's nose to bring you to the door if you didn't hear him knock. Seeing the way your face go from confusion to joy and excitement as you read the note is worth every moment he spent crouching. He knows tomorrow you'll want to talk to him in person, but for now, that's more than enough for him.

Cater: Consumerism Capital lmao. He has a really sweet, genuine gift to give to you, but the time he's spent with his sisters makes him second guess whether or not something is "good enough". So, yes, he will have spent 72 hours painting a fucking masterpiece on a phone case for you, or a pair of shoes you said you wanted, or a skateboard so you guys can skateboard together, or something you mentioned you wanted offhandedly months ago, but he's not sure if it's enough, so to "make up" for his "shitty handmade gift", he buys a shit ton of Valentine's day merchandise! He shows up with the giant teddy bear, the bouquet of flowers, the chocolates, the sappy movies, a trending perfume and some sort of specialty drink he picked up at a cafe. Depending on your reaction to all that stuff, he might actually give you the gift he worked on, otherwise you'll see it by accident or something and he gets embarrassed and a little flustered because What If You Don't Like It, Isn't Everything Else Better Than That Thing I Worked On Specifically For You. Treat him gently please. That's a personal request slkdjfhlskdjf

Riddle: He's new to this. So of course he researched long and hard on how to best express his interest in you without trying to push anything on you. Cater tried to show him cute stuff on social media, but it all seemed so scripted, disingenuous, or so over the top he couldn't see himself doing it that way. Or on the other end - they were couples, well into their relationships and living together- that wasn't where he was with you, at least....not yet. He ends up watching, reading and listening to tutorials on how to put together the perfect bouquet - his beloved rose garden would have more than an aesthetic use now, and with a little magic, a beautiful gradient came easily to the bunch of roses he arranged beautifully. Before you, this holiday just seemed ridiculous. Maybe it still was, but he would indulge if it meant it brought a smile to your face.

Savannaclaw

Jack: He can't be direct for the life of him, not in terms like this. The night before Valentine's day, he's still stumped on what to do for you that won't be...inherently romantic and obvious, but show that he cares about you!! His eyes end up settling on his little cactus and he ends up finally getting an idea. Somehow after class, but before you got home, he managed to gift you your own tiny cactus. He left it sitting in a box, a small knitted coaster of sorts sitting underneath the flower pot - he put it in the box just so that the yarn wouldn't snag on the uneven wood outside of Ramshackle- and a tiny cowboy hat sitting on top of your cactus. It had been from one of his little siblings dolls that ended up in his bag from the last time he'd gone home, but either they didn't even notice it was gone, or he could get them a replacement later.

Ruggie: "Do you have plans for Valentine's day?" "Yep. Wait for it to be over." He doesn't really care for Valentine's day, but the sale that starts on the 15th? Goddamn, yeah, he's gonna capitalize on that....and he might even like you enough to share a little bit of it...maybe while watching a movie....and snuggling up under the same blanket at Ramshackle...that he may or may not have snagged from Leona's pile of Really Nice blankets....all it takes is for you to say you want some chocolate or treats too.

Leona: He really doesn't care for Valentine's day and all the shit that comes with it, but his sister in law asked him to at least try to make the best of the day. Initially, he was going to...at least try to contest it, but ultimately decided there was a simple way to do it. He ends up firing you a quick text to meet him in the greenhouse. While the way he pulls you into his little nest for napping is rather unceremonious, once you've settled he tucks a pink camellia behind your ear before abruptly telling you he's going to sleep and you're welcome to join him or you can get out of there if you want. He hopes, that just maybe, you'll be able to identify the flower he gave you and find out what it means.

Octavinelle

Floyd: Azul is making him work overtime for Valentine's day, he doesn't get up early enough to do anything Before classes, and by the end of his shift he's EXHAUSTED and MAD. He likely has the wherewithall to bring you a serving from the special menu in a takeout container before flopping down on the couch next to you, then onto you, just looking for a little bit of physical affection. The next day he does feel a little bad for not making you feel as special as he could have, so he'll wake you up with breakfast in bed. Jade: Again, he's been working overtime but he was more ready for Valentine's day than Floyd. While he can't take you anywhere on the day of, he has an easy hike and picnic planned for the weekend if you'll join him. Despite being in the wild outdoors, he's determined to make you a dish that would be worthy of serving at the lounge. He will not handle being asked to stay home very well, but ultimately will if you want that more....but it's going to be in your backyard.

Azul: He had so much on his plate leading up to Valentine's day with marketing, organizing shifts and maximizing profit. But, some of that profit was already planned to be set aside specifically for you. It was about time that you got a bit of a leg up, right? I mean working for Crowley can only pay so much, and he's the head of the dorm that represents generosity anyways. So on the day after Valentine's day, he shows up in the evening with a laptop, and envelope with cash, and a grin, ready to show you the wonders of ✨investing✨. He may have forgotten you still...want to go home. He'll backtrack a bit and offer to help you find contractors that will renovate a part of Ramshackle for you.

Scarabia

Jamil: He didn't even bother trying to plan something for himself with you. How could he? It was a holiday, as ridiculous as it was, it meant that Kalim would inevitably want to celebrate it on the dorm level, and Jamil, of course, would have to plan and organize and arrange everything in order to make it work out. However, that didn't mean he wouldn't make sure to invite you. It didn't mean that he wouldn't make the time to ensure your favourite dish was served. Or that your favourite song would come on during the dance party portion of the celebration. Or that he wouldn't check on you just as, if not more frequently than he did on Kalim to make sure you're enjoying yourself. And if you're not, if it's all too much, he accounted for that already and will show you where you can stay until you feel okay again. Of course, if you show up an hour or two early and demand (you can't ask, he'll say no) to be given a task to lighten his burden, he might just admire you a little bit more (even if he still says no).

Kalim: Valentine's Day means partayyyyy time!! There's gonna be food, and dancing, and games, and lots of people, and live music because he, Cater, and Lilia are gonna perform, won't you come see him?? He needs you there so he can perform the best he ever has!! Come on Yuu, please??? They did actually practice, because they had to change a few lyrics so that it could be a better cover for Valentine's day and he was thinking of you when they modified it, so can you pleeeeeeeease come?

Pomefiore

Epel: He isn't sure whether he wants to continue a tradition he had from home or not, where he would show up at school with handmade lollipops and give them out to people....but his class at primary school was soooo much smaller, it wouldn't make sense to do it here for everyone. Not to mention, he usually had his grandma help him make them, he's never done it on his own. He likely does it for all the first years in his little friend group because he doesn't want to be obvious to anyone person that maybe...he likes them a little more...however your lollipop is the only one that seems to have no imperfections. Funny how that worked out.

Rook: Screw your alarm clock, he knows when you wake up anyways and will be outside your window, serenading you until you wake up. Even if you end up rolling out of bed lookin like a sewer rat and peaking out the window, once he knows you're awake he'll start reading poetry to you. He kinda just lingers until you're done getting ready enough to come great him outside, where he gives you a single rose and a few sheets of paper that he's written his poems about you on. He'll kiss the back of your hand and offer to escort you to class. ** I just want to say, for as much as I gripe about Rook in other posts, I genuinely believe that if he knew or found out you had no Valentine, no plans, and nobody treated you, he would, by the end of the day, at least have left a rose and handwritten note on in front of your door apologizing for not having asked to be your Valentine earlier and going through and complimenting you, though the note is completely anonymous. Rook is a bleeding heart (hehe Snow White ref) and regardless of his feelings for you/your feelings for him, he wants to make sure Valentine's day is positive for you.

Vil: Ugh, Valentine's day. It's a tacky, meaningless holiday that corporations push for the sake of profit. He agrees to model stuff still, sure, he has to in order to try and keep up with Neige, but he hates it. He gets his nails done so that they are jet black. Part of him wants to go goth for the day, but really that would be an overreaction to something so minor. He rejects any Valentine's day gifts, and likely won't want to do anything special, so if anything, you get to see a slightly out of character Vil as he either facetimes you to make sure you've been drinking water today and rant about the industry and how it's ruined Valentine's day, or. You send him a really cheesy gif wishing him a happy Valentines day and he very reluctantly replies, but tells you to never do that again (and it segues into Above).

Ignihyde

Idia (+ wingman/little shit Ortho): Ortho didn't really intend to snoop, but his big brother just left his phone out in the open...well he threw it onto his bed and mumbled something about being a loser. According to Ortho's analysis of Idia's phone, he hadn't been on a mobile game, so what got him so worked up? He sifted through until he found the culprit- the draft of a really sweet...and yeah, kinda cringey message he had written out addressed to the prefect of Ramshackle. Eugh he didn't need to read that...but...but Yuu should. He sends the message for Idia right before his brother comes back into the room, mumbling about how he needs to delete something. His eyes go wide as saucers as he sees not only has the message been sent, but the prefect has read it and is replying in that very moment. Idia reprimands Ortho immediately, but gently until the Prefects response comes through and Ortho confirms the tone is positive. Diasomnia lord help me it's one in the morning

Sebek: Wasn't going to do anything until Lilia mentioned...."exaggerated"...just how important Valentine's Day can be to humans. His decision to try and come up with a last minute gift only amplifies if he sees someone else give Yuu a gift, and ultimately decides with a certain degree of defeat just to buy something from Sam's shop. He decides something practical is best, but gets a little distracted around the candles. Surely in Ramshackle you would appreciate something small, aromatic and it even offers a small bit of heat! He decides to go through with it, but it's only noon, surely he can customize it a bit more before the end of the day. Lilia ends up walking into Sebek's room at around 10:30, only to see him struggling to stay awake as he wipes off paint from the lid. Based on the discarded tissues around, he hasn't been satisfied with any customizations he's tried to make. Lilia gently encourages him just to write a quick note, and he'll deliver it to the prefects doorstep for him so he can get to sleep. Sebek insists it's not perfect, but is forced to accept defeat as Lilia ushers him to bed, reassuring him that the prefect will still appreciate it.

Silver: He knows that he struggles to stay awake, so he starts on his project long before Valentine's day so that he can work on it whenever he has the wherewithall to do so. Come Valentine's day, he has the gift with him during class, and ends up sitting outside of Ramshackle, passed out next to the door waiting for you to show up so he can hand you his gift, which turns out to be a dagger. No, he didn't make it, but he wanted to research the best option for someone of your size and stature, the quality, where to purchase it reliably, to make a small write up on how to care for it properly, what it can and should be used for, and activities it's not suggested to use it for, but you technically "can". It also gives him an excuse to come see you more often to teach you how to use it- often teaching someone is a great way to learn and will add another layer to his training. Lilia: He's been around for so many Valentine's Days, he probably knew the fucking saint it was named after. That being said, he loves to make the most of life, and that doesn't stop here! Get ready for a home cooked meal, you don't have to worry about dinner tonight sweetheart, Lilia's got it covered. Or he'll pay for take out. Or both, to make up for the mess in your kitchen.

Malleus: He's been aware of the holiday for years, but has never really had a reason to celebrate it. But now there's someone who isn't scared of him. Someone who, perhaps if he asked, you would allow him to spend time with you. He ends up daydreaming about the activities the two of you could do together, from making gargoyles to learning to make ice cream together, he ends up spending the entire day like that. Though he's a bit frustrated at his loss of time, he writes out a heartfelt letter to invite you to join him in those activities at a later date. He'll either wait for you outside, or if its too late in the night, simply slide the letter under your door.

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I was gonna do Che'nya and Neige and even Rollo but its. its way too late, I'm hungry and I have a STATS class tomorrow RIP me.

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