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muddyorbsblr · 6 months

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onyx pt2

See my full list of works here!

Summary: Thor's return to the Compound reveals that your new pet kitten wasn't quite what you thought he was

Pairing: Loki x Reader

Word Count: 2.2k

Warnings: language (it's like 2 cuss words but i'm still not sorry, Rogers); the lightest sprinkle of angst [let me know if i missed anything!]

Things to be aware of: himbo Thor hours

You couldn't believe what you were hearing from Thor. Implying that the sweet tiny kitten on your shoulder was actually the god that wouldn't even spare you a single glance sideways. The one that barely even registered that you existed.

"Thor no. It can't be. This little bub is small and baking biscuits on my cheek. He purrs. He's cat-shaped. Onyx is a cat. He's my cat. And right now you're scaring him being all up in his face like this. I say this with so much love…Thunder? Back the fuck off." Your kitten shivered even harder as he snuggled into your neck, keeping his little face buried in your hair.

"Lady Y/N, I know my brother's eyes anywhere. Especially after he disguised himself as a snake when we were merely eight years old and--"

"Changed back and stabbed you. Bleh it's me. I know the story, Thunder," you finished for him, suddenly exceedingly aware of the weight of maybe-Onyx-maybe-Loki on your shoulder despite the tiny feline frame. "But I'm telling you there's just no way that my cat is--"

You looked into Onyx's eyes and immediately your shoulders dropped, realizing that it wasn't a coincidence that his eyes were a familiar shade of blue. Thor was right; he knew his brother's eyes anywhere. The kitten embraced your face, pressing his nose to your cheek repeatedly.

"Onyx, look at me." He stilled against your cheek, his wide pleading eyes looking into yours with something that looked akin to resignation. "You were hissing at FRIDAY and Shaun about getting chipped because you understood everything we were saying. Am I right?" He didn't move, the pupils in his eyes growing wider and the corners of his eyes starting to fill with tears. "Because you're Loki?"

He took a deep breath, this little chest puffing up with air and suddenly looking significantly less cat-like than he did a minute ago. Onyx -- actually, Loki -- pressed his face to your cheek again, the action now making your breath hitch in the back of your throat. Then finally he nodded, and the air left your lungs.

You walked over to your apartment, Thor's heavy footsteps following just behind you, and placed Onyx/Loki on your desk in front of a notepad and a pen. "Talk." He looked up at you again with those wide pleading eyes. "Please," you added, unsure of what to feel now that the last few hours you spent with your newfound pet was being colored with the context of who he actually was.

Too many thoughts, too many questions, floated around your head, nearly overwhelming you, as your last round of pain meds began to wear off and the discomfort you were feeling gradually became a throbbing pulsating sensation throughout your left side.

Most of them revolving around why he acted the way that he did in this tiny form with you, and how long this could have gone on if Thor hadn't revealed his identity within ten seconds of seeing him. The blond god pulled out a chair for you to read along as Loki's green magic surrounded the pen and words began to form on the paper.

I made a misstep while practicing my magic and cast a spell that turned me into this diminutive feline form. I had exited my quarters earlier today to find assistance in retrieving the spell I require to reverse its effects.

"Hold on." The pen stopped mid-stroke, the cat looking at you with your hand held up. "If you can make things move with your mind, why couldn't you just get the spell book--"

"Grimoire," Thor corrected you. "He gets a bit testy when you use the other word."

"Right then, why couldn't you just move the grimoire down and reverse the spell on your own?" The pen lifted again, you and his brother crowding around the paper to read his answer.

When I scale down my form to something so vulnerable, my magic is not as potent. In theory the grimoire is only just at the limit of my powers' reach in this form and I run the risk of crushing myself with the tome.

"Loki, are you telling me you need help reaching the top shelf?" Thor chortled at the question, sounding like he was struggling to keep his chuckles at bay. "Can it, Thunder, it's not that funny." The cat nodded at you, starting to stand on his back legs again. "Okay, so why not ask your brother? He's way taller than me."

"Oh that I can answer for him, Lady Y/N," he quipped, raising his own hand up in the air. "My brother doesn't trust me around his possessions. Something about how I have a tendency to break his things."

"You know what, that tracks," you muttered, standing and presenting the kitten your hand. "Come on then, let's get you back to normal." He hopped onto your hand and you were about to put him on your shoulder before you stopped, keeping him perched on your hands instead. He meowed at you, starting to climb up your arm before you picked him up again, keeping him in your hands.

"Think my brother wants to be on your shoulder, Lady Y/N. Seemed quite comfortable there," Thor spoke up, letting out a soft chuckle when the kitten started nodding enthusiastically, agreeing with him. "Perhaps you should--"

"I let him stay there earlier because he was my cat," you shot back. "Now he's your brother, it's not the same thing." He whimpered, his little cat body shaking in your hands, taking every ounce of strength you could spare not to give in and just place him back there. He kneaded at your palms the entire way to his apartment, Thor carrying around your stepping stool.

You all got to Loki's study, setting him down on the desk as he guided you to the grimoire he needed, shaking his head at each tome on the shelf that you'd pointed at so far.

"My word, Brother, your attention to detail in these sketches is remarkable, you even got--" Loki hissed at his brother, who was currently standing by a stack of journals, a small sketchbook in his hand. "Alright alright I desist. I shall take my leave. You shall be the one to divulge this information once you are yourself again."

The blond Asgardian's heavy footsteps sounded throughout the apartment until he left, then a few moments afterward you faintly heard his booming voice as he rejoined the rest of the team. You pointed at another grimoire that finally had him nodding his little head, stepping aside on the desk to make room for you to set it down.

"Okay then," you spoke up once you stepped back down to the ground, suddenly feeling more awkward as you stood alone with him in his apartment. "I'll uhh…I'll leave you to it."

You made it to the door of his study before you heard his tiny meow again, seeing him standing on his back legs at the edge of his desk, grabby hands outstretched towards you.

"I'll see you when you're…you again. Later, Loki." The sound of his little meows tugged at your heartstrings, nearly making you turn around and…honestly you didn't even know why he'd want you there with him but you'd stay if only to wipe the sad look from his face. You couldn't deny the adorable little cat much anyways in the hours he was yours.

Then again, you probably couldn't deny him anything in his Asgardian form, either.

An hour after you walked out of Loki's apartment you were hobbling your way back to yours, having eaten enough to take your next round of medications and toting a compound that Banner whipped up in his lab that could maybe help your injuries heal a touch faster. You had half a mind to just cut the sweatshirt off of you once you got inside to avoid the lingering discomfort, but ultimately decided against it.

That wasn't a good enough reason to let a perfectly good forest green sweatshirt go to waste.

You were about to start using the compound on your ribs first when a voice stopped you. "Darling…"

That voice. You recognized that voice anywhere. Giving you butterflies whenever you heard it in mission briefings. Haunting your vivid fantasies regardless of the time or appropriateness. The voice that had you incapable of forming words on any other day.

"Good to see you back," you said, trying to keep your composure around the god.

You reached for your sweatshirt again to cover yourself from his piercing stormy gaze, but before you could, he stood before you, his hand gently grasping your arm while the other rested on your waist. "I received a message from my brother while I was in my feline form, asking if I could check on your injuries. Aid in your healing somehow, if I feel inclined. His words, not mine." Your breath hitched when his thumbs stroked at your skin more tenderly than any of your former lovers had ever touched you. "I would have done it regardless."

Your pulse was thumping in your ears from his proximity, from the way he held your gaze. From the way he held you like he was fighting every urge to pull you to him. Like he would let you step out of it if that was what you wanted.

But all you wanted at the moment was to ask him, "Why didn't you tell me who you were the second you saw me in the pantry?"

The journal Thor was holding earlier materialized on your desk, diverting your attention to the open page. Probably the page that he was commending earlier that made the raven-haired god hiss at him in cat form. The image on the page had the air leave your lungs.

It was a sketch of you.

"My refusal to look at you before was not from disdain, little mortal," he spoke, taking a step closer to you, his hand traveling up your arm and framing your face. You could feel his breath on your skin. "It was because every time I would look upon your features, I had to fight back every compulsion to do this."

He tucked his finger under your chin, turning you to face him before pressing a tender kiss to your lips that had you weakening in his hold, your stomach violently fluttering as his lips moved against yours. You whimpered against his lips, making him pull you into his arms, weaving his fingers into your hair.

"I've longed for you, precious mortal," he whispered once he pulled away, pressing kisses along the side of your face while you caught your breath. "To know the taste of your lips on mine. The feel of your supple body pressed against me." He kissed you again, lifting you off your feet and carrying you deeper into your apartment. Into your bedroom. He laid you down on your bed, briefly licking into your mouth before pulling away, making light wash over the room with a wave of his hand. "May I heal you, darling?"

Words failed you at the sight of him hovering over you, eyes wide and pleading as he looked on at the bruises and cuts that colored the left side of your torso. You wordlessly nodded your head to grant him the permission he needed to go forward, giving you a soft smile before he leaned down and pressed his lips to your bruises.

"Much better," he breathed out, nipping at your skin before moving his hands down to the waistband of your leggings, lips traveling down to your thigh and kissing you over the fabric. "Once I have seen to your injuries, you should know that I have every intention to make you mine." He kissed you just below your belly button, humming against your skin as you squirmed underneath him, deft hands working the tight fabric down your legs. "If you wish to be, that is."

"I do," you gasped out, ceasing to give a flying fuck how desperate and wanton you sounded at the moment. "I'm yours, I'm all yours."

He smiled against your skin, kissing away at the injuries you sustained on your left leg before making his way back up your body. "You've no idea how delighted I am to hear those words from you, my darling." You felt what remained of your clothing melting away along with his, your moan when skin met skin muffled by him slanting his mouth over yours.

You woke up the next morning to the feel of Loki's nose brushing against yours, pressing kisses along your face until you let out a soft giggle from his attentions. "Good morning, sweetheart."

Your response had him running his fingers along your sides, turning you into a squirming giggling mess as you tried to wrestle your way out of his hold. "Good morning, Onyx."

A/N: I heavily debated w/ myself if I was gonna put smut in this but ultimately decided not to because it's a fluff story and I wanted it to stay a full fluff story 🥴 Just know that he did, in fact, give her plenty a mango ride 😏😏

This is probs the last story I'll post for 2023, so I'm gonna wish you all a Happy New Year and here's to the whorish insanity we'll all get up to in 2024. I have a whole lot planned out, starting with more horny bitches cuts and…a certain celebration I've been putting off because I'm drowning in a sea of WIPs 😂

'everything' taglist: @simplyholl @loopsisloops @imalovernotahater @coldnique @loz-3 @huntress-artemiss @salempoe @vickie5446 @athalialaufeyson @lokiprompts @kats72 @kikster606 @asgards-princess-of-mischief @lokixryss @thomase1 @mischief2sarawr @peaches1958 @lovingchoices14 @lunarnights95 @goblingirlsarah @iamlokisgloriouspurpose @creationsbyme @maple-seed @mjsthrillernp @ladyofthestayingpower @mygfloki @sititran @glitterylokislut @ozymdias @fictive-sl0th @lokidbadguy @mochie85 @silverfire475 @joyful-enchantress @elizabethmidnight2017 @holdmytesseract @smolvenger @gigglingtiggerv2 @lokidokieokie @lunarnights95 @superficialdomina @anukulee @kmc1989 @november-rayne @goddessofwonderland @buttercupcookies-blog @peaky-marvel @lokiified @tom-hlover

#loki x reader #loki x female reader #loki fluff #loki fanfiction #loki fanfic #loki laufeyson fluff #loki laufeyson fanfic #marvel fanfiction #marvel fanfic #mcu fanfic #muddyorbs writes

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vivacissimx · 5 months

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The puzzle piece about Rhaegar that is really interesting but unfortunately often overlooked is that he was relieved when he realized he was not TPTWP. Yes, relieved. Conflicted too which I will get into. And I believe it is obvious that when Rhaegar first read about Aegon's prophecy, he was not enthused— It seems I must be a warrior is trotted out to talk about Rhaegar's gender expression, his disconnect with capital m Masculinity that is purposely contrasted to Robert Baratheon reveling in it (indeed only making sense within the context of violence, battle, war) but there is more to the compulsion involved in the words It seems and I must than just It seems I must become an archetype. Socially becoming a fighter was already expected of him but he was not, presumably, in compliance with this expectation. The prophecy motivated him in a different way than you will be socially rewarded for acting as a man does.

Which brings me to another point i.e. how Rhaegar perceived himself prior to reading what he read; his connection to the tragedy of his birth and the grief, the resentment, the awkward dynamics between members of his family. "Oh he was a child" yes but we're told that Rhaegar did not act like, think like, or even particularly get along with others his age. So it's safe to say he was aware of Summerhall and felt it's shadow surrounding him from a young age. And Aegon's prophecy, combined with the Ghost of High Heart's prophecy, the events of Summerhall, put this weight on his shoulders completely into context. It was not that Rhaegar desired to be TPTWP because he took to it with determination but no particular joy. Every indicator just seemed to demand he give himself over to fulfilling this role. TPTWP was coming from Aerys and Rhaella's line? Well, he was their only child. Consult Maester Aemon on the matter? Yeah kid it's you. Ancient scrolls? Dusty, but they agree. Dead ancestors? Oh wait, they died so YOU could live. Woah.

This understanding basically necessitates us looking to ASOS Daenerys who also has some knowledge of TPTWP prophecy, and thanks to the Rhaegar-Daenerys pipeline, we can imagine that Rhaegar had similar thoughts to Daenerys, such as when she asks herself: The dragon has three heads. There are two men in the world who I can trust, if I can find them. I will not be alone then. We will be three against the world, like Aegon and his sisters. Who are Rhaegar's fellow two heads? Daenerys wonders at this, telling Jorah that her brothers are dead. Well Rhaegar's brothers die too, right in front of him. Rhaella suffers miscarriage after stillbirth after crib death. She is punished for this by Aerys via isolation and presumably Rhaegar is also kept separate from her— textually we know that Rhaegar was expected to take a sister to bride, i.e. further targcest was going to be enforced by Aerys, and to Rhaegar the loss would have also been of the other two people who would have fulfilled the requirements of the prophecy. Yes that's true. However, it was also the loss of his mother.

Rhaella was 13 when she had Rhaegar so it would be ridiculous to even think that she, a child, a Queen from when Rhaegar was 3, was this grand maternal figure to him. Of course she wasn't. There was too much on her shoulders. Too much on Aerys's shoulders as well, to be any sort of father except the kind who trotted Rhaegar out as an impressive little heir from time to time. Rhaegar was Aerys's success (it's the duty of the patriarch to sire sons who will continue the line) but as Rhaegar's siblings failed to survive, that success became a dicey thing. So when Viserys was born & survived, there is a thought that Rhaegar would latch onto such a sibling. This isn't the case— in fact, Viserys is Rhaella's. She coddles him. Keeps him close. Safe from Aerys (who already has Rhaegar). Viserys tells Dany stories about Rhaegar but this is done in the sense that he does not truly know Rhaegar. Why wouldn't Rhaegar have spent more time with Viserys, if he was motivated by fulfillment of the prophecy?

Because Viserys was Rhaella's, perhaps. Rhaegar never truly got to be his mother's son. To leech Viserys away from her... there's something in that. When Rhaella warmly welcomed Rhaegar's daughter, too. Rhaella's was Aerys's wife and property, which Rhaegar knew because he was also Aerys's property. Rhaella was mother to his brother. Rhaella was a grandmother to his daughter. She was everything but the woman who raised him.

"Rhaegar was a lonely man anyway due to his depression" yes that's true. There is an asceticism to Rhaegar Targaryen. The places he enjoys are bare and stripped, places he can keep his own company: Summerhall, the place of his birth, haunted, full of magic. Dragonstone where he retreats after his marriage, a place where the last embers of Valyria's magic died. Later the Tower of Joy is in a barren desert. But he finds a beauty in these places. He writes music that pushes him back into the shared world, songs he shares with people, about people, about lovers and those who sacrificed and who he is deeply moved by— almost like he's motivating himself. People are drawn to him.

Despite his lack of connection to Rhaella and Viserys he does bond with people. Arthur Dayne, who for all we can try and complicate, apply horseshoe theory to, is meant as the juxtaposition to characters such as the Smiling Knight. Brave as brass Myles Mooton whose memory his people still call upon. Richard Lonmouth and Jon Connington, both technically vassals to Robert Baratheon, funny little irony there. Princess Elia his wife who he is fond of along with the Dornishmen she comes to court with, "particularly" Prince Lewyn of the Kingsguard, who is in Rhaegar's confidence (per AWOIAF). These bonds seem strong because not a whiff of possible disloyalty on Rhaegar's part ever reaches Aerys despite it definitely existing and Aerys actively looking for it (again per AWOIAF). Do these confidantes know about Aegon's prophecy? IDK. At least in JonCon's case the answer seems to be no. However we also know JonCon wasn't actually the closest to Rhaegar. Nonetheless, I think we can assume that outside of Arthur Myles and Richard most of these were political relationships which Rhaegar pursued and all were concerned about Aerys's instability— there is also Tywin who Rhaegar performs certain overtures towards (such as knighting Gregor, Tywin's man, at a time when the Aerys-Tywin relationship had just grown particularly sour) indicating he'd like him as an ally. This is all straying away from TPTWP but I think it's important, it shows that even imbued with purpose, Rhaegar was in a position that did not lend itself towards him being able to take much action...

Then winter breaks. Spring comes. Nobody knows it's false yet. Rhaegar's whole deal is this coming Long Night. Everyone takes, quite literally, a breath of fresh air, and the tourney of Harrenhal commences, with Rhaegar as a shadow sponsor, thinking to call an informal Great Council which will begin to deal with Aerys (step 1)(step 1 failed).

This is where matters of prophecy come back into focus. I've covered Rhaegar's various relationships, the shallowness of them, the stagnancy in Developments due to Aerys's paranoia, etc. Harrenhal is not a solitary place but it is flush with magic in a way similar to Summerhall and Dragonstone— all places where dragons have died Harrenhal is thematically the cannibal dragon let's not get into that. And this is important to Rhaegar's characterization because of how things unfold with Lyanna Stark in several ways: 1) Lyanna cries to his song. Before they formally meet Lyanna is touched by the magic and purpose and sacrifice and yes, love, of which Rhaegar sings. It speaks to her. Of course, many others likely cried too. Common occurrence, see: A song of love and doom, Jon Connington recalled, and every woman in the hall was weeping when he put down the harp. Not the men, of course. Rhaegar gender moment but I digress. 2) Rhaegar's discovery of her as the KOTLT despite Robert & Richard Lonmouth both vowing to do so, those raucous manly men, both of whom failed; Rhaegar's subsequent hiding of her identity to unknown consequence for himself if any. All he produces is her shield which is painted with a tree on it, a purposeful callback to Duncan the Tall's shield, both Lyanna and Dunk being 'false knights' yet, in their actions, true ones. Sorry I love Lyanna so much I can't resist plugging her greatest hits 3) Rhaegar winning the tourney, the only tourney he's ever won... and immediately tainting his victory by awarding it to Lyanna instead.

I bring this all up and frame it because here we see that Rhaegar is not really invested in his own victory or legacy or even really his honor. His wife Princess Elia is there and she is pregnant with his son, something he could commemorate in the same vein that Aerys "honored" Rhaegar by showcasing him at various tourneys, an ode to a future warrior king, but Rhaegar doesn't do that. It's not his victory as a Man. It's never been about his victory as a Man. It doesn't even need to be his victory.

Neither does Aegon's prophecy. Rhaegar rapidly realizes that on two fronts: second, the false spring ends. It wasn't real! Rhaegar's spring isn't the lasting one. First, though, is that Rhaegar and Elia's son Aegon is born, a difficult birth in which Elia is rendered infertile. Who does this remind you of? Oh right, Aerys with Rhaella— only Rhaegar does not go about trying to impregnate Elia again. Rhaegar becomes convinced Aegon is TPTWP— something he was already thinking, prior. Rhaegar was never so invested in himself being TPTWP that he could not be convinced otherwise. Maester Aemon: Rhaegar, I thought... the smoke was from the fire that devoured Summerhall on the day of his birth, the salt from the tears shed for those who died. He shared my belief when he was young, but later he became persuaded that it was his own son who fulfilled the prophecy, for a comet had been seen above King's Landing on the night Aegon was conceived, and Rhaegar was certain the bleeding star had to be a comet. Rhaegar agreeing "when he was young" and being "certain the bleeding star had to be a comet" all indicate that he had been looking into the possibility that TPTWP was Not Him for a while. The visits to Summerhall— maybe they were a search for proof by encasing himself in the lingering magic of the place? He still messed up the prince/princess translation presumably because baby Rhaenys never seemed to be in the conversation. (The bleeding star was in fact a comet, funnily enough, a little consolation prize for the pretty boy.) Here's what we know: in Daenerys's vision, Elia asks if Rhaegar will write Aegon a son, we can assume because he wrote their firstborn Rhaenys a song, but Rhaegar says no, he already has one. The song of ice and fire. Aegon doesn't get a song. Why? Rhaegar believes he must be a warrior.

Yet, he sings for him anyway.

Rhaegar's "it seems" and "I must" and distance from Viserys and inner conflict about Aerys and doubt about his own place in the grand scheme of things all come to fruition with Aegon's birth. Rhaegar isn't TPTWP— and it spurs him into action. A weight is off his shoulders so now he can act. As in the case of crowning Lyanna, when the purpose of a task is not to honor or elevate him, we see Rhaegar able to perform in ways he could not before.

Namely there are two veins: acting against Aerys and seeking out information of the prophecy, but Rhaegar's general direction (through the Riverlands past Harrenhal) seems to indicate that he was headed towards the Ghost of High Heart. Not Summerhall, a place of mysticism meant to soothe Rhaegar. Rather a place of pain. The Ghost of High Heart who gorged on grief at Summerhall, who only ever demands Jenny's song (which Rhaegar seems to have wrote), who sees in Arya who looks like Lyanna, who looks like Jon, death. But instead of ever making it there... Rhaegar meets Lyanna.

And then they disappear. There are the Rhaegarwars to consider so I'm just going to say that, at the least, Lyanna did not want to marry Robert though society dictated that she must, and in removing her, she was removed from this. From there she came to be in Dorne in a place that was desolate desert, but similar to Summerhall, which was also abandoned, held something of magic in that it was near where Those Who Sing The Song of the Earth had split the Arm of Dorne. We can say a lot more about this but that's not the point of the post. I have explained Rhaegar as a person disconnected from his mother, later a person who in several manners refuses to act as Aerys did towards Rhaella, indicating that disconnect troubled him — Rhaegar's limited amount of close relationships with people he admired and the deep loyalty shown to him, presumably for a reason — Rhaegar's willingness to interrogate himself & his assumptions about the world.

So when I say Rhaegar was relieved what I mean is that upon suspecting and, to his mind, confirming that he was not the fulfillment of Aegon's prophecy, Rhaegar became proactive in ways he had yearned for but not been able to before. The Rhaegar that died with Lyanna's name as his last word was not a Rhaegar who died thinking the world was doomed without him. I think the Rhaegar that died on the Trident was a Rhaegar who had escaped the shadow of fate only to meet it, face to face.

#rhaegar targaryen #asoiaf #valyrian scrolls #text #lyanna stark #gender in asoiaf #daenerys targaryen #rhaella targaryen #aerys targaryen #once again the tags are for my ownnn organization #rhaegarposting

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dyaz-stories · 5 months

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an indentation in the shape of you || Cha Hyun-Su x f!Reader

summary: Hyun-Su wants to learn how to make you feel good. The two of you experiment some more.

word count: 2.8k

warnings & tags: fluff, smut, reader is afab, explicit consent, pwp, porn with feelings, fingering, dry-humping i guess?, they're both virgins and pretty awkward but they're getting better at this, all very vanilla.

first one-shot · previous one-shot

This one-shot can be read independently as there is nothing intense plot-wise that requires having read the other parts, but I do recommend reading them for context.

A/N: this is my first hyun-su one-shot without angst lol (...don't get too used to it). anyway, this is more smut, and i think it's more intense than the previous one. hyun-su is more confident in this one, and he takes charge a little more (but in other ways he's pretty subby, so do with that what you want). hope you enjoy!

There is something about watching Hyun-Su moving around in your house that warms your heart in a way you can’t quite explain. He’s seemed more confident there lately, no longer tiptoeing or stiffening around you like you could kick him out any second. It reminds you of days forever gone, when your mom used to sit at the table while doing her crosswords and your dad put music on the second he walked in through the door.

It reminds you of when this house was a home.

Right now, Hyun-Su’s fixing up a spear he’s brought here with some of your dad’s tools. It’s not his, you know that much. ‘Yi-Kyeong asked me to take care of it’, he’d said when he had set to fix it. There was something to his tone that had stopped you from asking for more, even if you think he’d have told you. He’d said her name respectfully, but with deep sadness, and you had known that there was a lot more to this story. You’d get there some day, you were sure, but not tonight.

Hyun-Su glances up at you, and you almost whip your head away to pretend you weren’t looking at him, like you’re a highschooler with a crush. Instead, you don’t even try to make it look like the long forgotten book in your lap is of any interest to you, and you give him a smile.

He stills his movements.

“Is something wrong?”

His voice is calm and deep. He sure has come a long way.

“Just like looking at you,” you answer, because it’s true, and even with all that progress, you’re not surprised when Hyun-Su looks away from you, cheeks turning red.

When he gets the courage to look back at you, though, a bashful smile illuminates his features, and you don’t think that would have happened even as recently as a few weeks ago.

“You do?”

There’s just something in the air. Something fresh and sweet and new, something that makes you bite your lower lip while you nod, suppressing the giggle that’s forming in the back of your throat. Hyun-Su’s eyes on you feel intense, and you’re not used to getting that kind of look from him. After a few seconds of that, he abandons the spear behind him to stand up and walk towards you, eyes not leaving yours for a second.

A long, intense shiver runs down your back. Under his hoodie, you can see the muscles of his shoulders moving as he walks, and fleetingly, you wonder if you’d have had a chance with him, in a world without the Apocalypse, but even that is quickly swallowed by the fact that you have him now.

He puts a hand on the back of the couch as he leans close to you to kiss you, the other coming to rest on your waist and oh, if he keeps doing things like that, you think you’ll just turn into a puddle. Your heart is fluttering, and when his hand sneaks under your t-shirt, long, cold fingers carefully caressing your skin, you think it just might fly out of your chest.

His lips move slowly against yours, and you tilt your head back as he towers over you. You feel like you’re going into overdrive from how sensual he’s being, how his tongue dances with yours as the soft sounds of the kiss fill the room. It’s not long before he’s gently pushing you onto your back on the couch, and he goes down with you, putting one knee between your legs to support himself.

And it’s all just so much. Hyun-Su’s lips, his taste on your tongue, his warm body half-covering yours, his fingers running over your ribs, and, fuck, now his knee just almost, almost pressing right where you need him to.

But this feels nice, too, and you’re not trying to initiate anything sexual just yet, so you do your best to be patient. You wrap your arms around his neck to pull him closer, and find some satisfaction in the way Hyun-Su loses his rhythm at that. Knowing that you still have that kind of effect on him, even as you’re unraveling completely under his touch, makes you just a little more confident in what you’re doing.

It isn’t long before Hyun-Su’s gotten his bearings back though, and then he kisses you with renewed passion. The kiss turns less controlled, mouth crashing against yours harder, his hand tightens on your waist— before he pulls away, panting.

“Sorry,” he says before he can catch himself, cheeks flushed.

“I didn’t mind,” you answer, but your voice is squeakier than you had intended.

“I didn’t mean to— I wanted to ask you something.”

His black eyes are wide, and as much as the blue eyes are like an electric shock running through you, you love them so much. You love how you drown in them, you love how kind they are, love that they are, truly, a window to his soul.

“What is it?” you whisper, not trusting your voice anymore.

“Just— What we did. Last time.”

No need to be a rocket scientist to figure that one out, so, even if you feel blood rushing to your face, you nod.

“I wanted to, uh, return the favor. If you don’t mind.”

It’s your eyes’ turn to widen, and you push yourself onto your elbows to better read his expression. The skin of your face tingles with how burning hot it is.

“I mean I— Sure but you don’t— You don’t have to do anything—”

“I know,” he says, shaking his head. His voice is soft. “But I want to.”

You swallow, but you lay back down. You’re more nervous in this situation than you would have expected, feel vulnerable, exposed, even if you’re all clothed for now. But you trust Hyun-Su, you do, with all of your heart, and you cannot imagine a better person to have this experience with. So, slowly, you nod.

“Are you sure?”

“Very sure,” you whisper.

“Then can I…?”

He pulls on your shirt, but without putting any force into it. His eyes are on you, waiting for your approval — or whatever you decide to answer with.

You swallow.

“Um, yes, but could you— could you also…?”

He understands your meaning without you having finished, and acts on it faster than you would have expected, almost immediately pulling his own hoodie over his head and letting it fall to the floor. You’d noticed before that, for all his shyness over other things, he doesn’t seem to care about nudity all that much, but you’re not sure what to do with it.

For now, you can at least admire the work of art that is his body, his well-defined muscles and hard pectorals, and since he’s out in the open now, you give him a nod.

“Go ahead.”

He takes off your shirt like you’re made of porcelain, pulling it slowly and softly over your head, and taking his time so it doesn’t get caught in your hair. It is such a sweet sight, how focused he gets on the task, on making sure he’s doing right, so that he doesn’t hurt you in any way. It’s only once he’s done that his gaze lands on your body. He stills, Adam’s apple bobbing up and down, and you can’t help but stiffen.

It might be silly, at this point in your relationship — and when the world has literally ended outside your window — but you’re feeling self-conscious. You want to fold your arms in front of your breasts, hide your stomach and any imperfection.

“You’re beautiful,” Hyun-Su says, so obviously in awe, and the weight on your stomach is replaced by sweet, sweet butterflies. “Is it— is it okay to—”

“Touch me,” you ask instead of letting him stutter through the rest of his sentence, and he almost gasps at that, pants suddenly feeling a lot tighter.

“You shouldn’t say things like that to me,” he mumbles, bright red once again, stealing a kiss from you when you open your mouth to tease.

Then he’s kissing down your neck, and you can tell that he’s mimicking the things you did to him the last time something like this happened between the two of you. You barely have time to find that sweet, though, because soon the only thing on your mind are the open-mouthed kisses he’s pressing against your skin, and how they make you so desperate to buck your hips against he’s oh so well placed thigh.

He doesn’t linger on your neck, though, soon moving down to your chest, sneaking a hand behind your back to try and unclasp your bra — something he ends up struggling you with so much that you’re the one that eventually reaches back to get it done. He’ll have all the time to learn that kind of things later. For now, there’s something on your mind, and you don’t want to have to wait any longer.

You let him slide it down your arms, then discard it, letting it fall with the rest of your clothes.

“Can I…?”

“You still don’t have to ask.”

He hesitates for a second, before going back down to press a shy kiss under your collarbone, right where your breast starts to form. He keeps kissing his way down, hands for now cautiously staying away. Finally, he reaches your nipple, and you cannot hold back a distinct gasp when he carefully wraps his mouth around it. It turns into a full moan when he flicks his tongue against it — and you could swear you feel his mouth stretching into a grin right after that.

It’s then that he cups your other breast with his hand, and you shiver. His body may be radiating heat, but his hands are cold. They don’t stay that way for long though, not with how hot you’re running right now yourself. He starts off shy over there too, at first massaging your breast gently, before his fingers dare brush against that nipple. It’s hard already, and with his mouth on the other side, all you can do is arch into his touch, moans still falling freely from your lips.

Pleasure’s running wild in your body, each and every sensation going straight down to your core, more so when his fingers experimentally pull on your nipple. You’re dripping wet already, desperate for relief, and it’s not long before you can no longer hold yourself back and buck your hips up against his leg.

He lets go of you almost immediately, glancing down at your lower body as if he doesn’t understand what’s happening. When he looks back at you, his eyes are impossibly wide, his pupils dilated.

“Did you— Did you just—”

“Hyun-Su,” you call out in a sigh, running your fingers over the nape of his neck. “Touch me.”

For a second, his whole body tenses and he just stares at you. Then he exhales.

“Fuck,” he mumbles under his breath. “Fuck. Um. Then I’ll— I’ll just—” He starts fiddling with the button of your jeans, and just the anticipation of his touch where you need it the most sends pleasure rushing through you once more. This time, he manages to get them off of you without your help, and there’s another slow exhale. “You’re so— You’re so—”

Wet is the word you think he’s searching for, and he’s not wrong about that. The urge to reach down between your leg to take care of the ache you’re feeling is strong, but the desire to feel him down there is all-consuming, and so you wait for him, your breathing loud and ragged.

“Tell me, okay? Tell me what feels good to you.”

He doesn’t take off your panties, probably because he hasn’t gotten your jeans fully off, and instead just pushes them to the side. He’s cautious here too, at first barely brushing against the lips, which still makes the muscles of your thighs tense. It feels like you’ve been waiting for it for centuries when he finally inserts a long finger inside you, sliding in so easily from how dripping wet you are. Your hold on his shoulders tighten, fingers digging into his skin, and even with your lips pressed tightly together, your moan reverberates through your body.

“Good?” Hyun-Su asks, and his low voice in your ears does absolute wonders to you right now.

“You can add another one,” you say, except it’s probably more of a whine, but you can’t tell for sure, not with how much your head is buzzing right now.

Hyun-Su obeys almost immediately, and you bury your head in his neck to muffle the groan that follows. You feel so good, so full, and he hasn’t even moved yet. You let yourself adjust, before giving him more instructions.

“You can— You can spread them open and— ah!— m-move them in and— Ah!”

Hyun-Su follows your advice diligently, and soon you no longer even have the strength to hold on to him, falling down onto your back with your whole body arching into his touch, following after him if he pulls out. It’s so, so fucking good, nothing you’ve ever done on your own can compare to this and you don’t know how you’ll be able to go back after that.

You’re gasping and writhing underneath him for you don’t know how long, and you’re so, so close to the edge, but you need— You just need something more, so you push yourself back up on your elbows, something harder than you’d think, when your muscles feel like jelly, and that’s when you realize that his hips are bucking against your leg. You hadn’t paid any attention to it, but now you see how obviously hard he is, and the small, almost shy movements of his hips as he ruts against you.

“Hyun-Su,” you call — you’re no longer paying attention to how your voice is coming out —, “here—”

You grab his wrist, and even if it means he pulls his hand out, something that immediately has your walls clenching around nothing at the loss, guide him so his fingers brush against your clit.

“There,” you whisper. “You can keep, uh, keep your fingers inside and— and touch me there, too.”

He nods, pushes the fingers back inside. There are a few seconds as he figures out how to best put his hand, and then when he strokes your clit with his thumb, you almost immediately lose it. You only have the presence of mind to lift your leg up, just a little, so it presses against his hard cock.

It’s his turn to freeze and to let out a moan then, one obviously surprised out of him.

“You should feel good too,” you manage to mumble through the haze of pleasure.

“But I— I want to make you feel—”

“We can both feel good,” you answer, and Hyun-Su just cannot resist kissing you again. It’s messy, tongues clashing together without much control, but fuck, he cannot explain or control the way he feels about you.

You come just a few moments later, waves of pleasure crashing through you all at once as his thumb circles your clit, fingers deep inside you, moving at a tranquil pace that lets you feel all of his movements inside you.

When you open your eyes again, he’s above you, staring at you lovingly.

“Good?” he asks.

Better than that.

“That was incredible,” you tell him though even that feels like an understatement. You love the way he obviously preens under your compliment. “But— But what about you? Didn’t you—”

You reach out, but he grabs your wrist before you can touch him.

“I, um, I’ve already—”

He’s turning bright red again, but you understand without another word. His jeans are still on, and you haven’t even actually touched him, and yet he still came in his pants, against your thigh, while fingering you.

Blood rushes to your face so fast you feel light-headed.

“Oh,” is all you can truly think to say. Then, shyly, “Want to go get cleaned up?”

“Together?” His voice is soft, questioning, but his eyes are in yours, comfortable instead of avoiding. You nod.

Later, you’re still in his arms, your back pressed against his chest, his face buried in your neck. And you, too, are comfortable.

There’s just something in the air, something fresh and sweet and familiar, and you think something you haven’t let yourself explore all that much, even if you’ve known, deep down, for a long time.

It just might be love.

and here we are! this one felt a lot smuttier to me than the previous part, but it was fun to write about this relationship in a less angsty way, too. maybe i should let them be happy a little more lol. anyway, i hope you liked it! next part probably won't be smut, but i don't know when it will be out. i have a new, time consuming internship that doesn't give me a lot of free time, so i don't know how much/when i'll have time to write. but i definitely have more stuff i want to write for this couple! so don't hesitate to comment and/or reblog to give me the motivation to write after work lol, and i'll also be answering my asks when i have time!

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freckliedan · 10 days

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Wait you reblogged something about dnp getting outed before the height of the careers? Did I miss something lol when were they outed

oh my god. i love that this is not something everyone knows anymore. but it's also absolutely fucking insane to me that this knowledge could potentially be lost. it's the biggest piece of context necessary for understanding them.

they were outed in 2011 on a smaller scale and again in 2012 on a massive scale, both times by the same video.

on september 17th of 2011 there was a platform wide glitch on youtube where, at random, a bunch of videos that had been uploaded and listed as private were suddenly unprivatized.

one of the videos that was unprivatized was a deeply earnest private message to dan that phil uploaded on february 13th of 2010, because dan was in india with his family and it was their first valentine's day together. there are a lot of intimate details about their early relationship in this video.

it gets called the vday or valentine's day video by phannies because it was titled ":3".

it was only up for a couple hours, but there are posts from phannies within that span. they reached out to people asking that it not be circulated with a poor cover story (that it was a prank they thought better of because it would be too mean).

people did not publicly circulate it for a period of time, but on halloween of 2012 it got posted publicly and got spread everywhere immediately. that's the second and more major outing.

in the years of like, 2013 thru the end of tatinof era at least but likely longer than that? if it got posted anywhere publicly it would get copyright struck by phil and removed. i don't have a definitive end date but the copyright strikes aren't still happening.

the leak is absolutely what lead to the peak era of dan and phil's closeting. understanding their need for control and how momentous it is that they trust us with anything requires knowledge of this context, imo.

i don't reccomend watching it. i haven't in some time.

i am open about the fact that i did watch it as a teenager in november of 2012, back when it was still circulating on tumblr. when i returned a couple weeks later to rewatch it, the entire blog i'd originally seen it on had been nuked for copyright infringement, and that wasn't uncommon for the era.

it was a really bad time in the phandom. dan briefly made a "customer service" sideblog & vehemently shut down people speculating on his sexuality/relationship with phil.

all of the archival information we have on dan and phil—the dailybooths, the formsprings, the old tweets, the videos they've taken off their channels, liveshows, vyous, etc? so much of that information was saved despite dan and phil trying to eradicate it in the immediate aftermath of the leak.

it's incredible that we still have it all, and even more incredible that images from phannie archives have made it into their videos several times from 2019 onward. their relationship with us has changed so drastically since 2012, in ways beyond what we could've imagined at the time.

yes, they were outed. that's the context for everything.

#jam replies #anon #jam posts #phan #history

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a-town-called-hometown · 3 months

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yippee! apologies if my takes are horrendously bad

my personal take on the matter is that i definitely think the dark worlds can work as a metaphor for escapism without undermining the darkners' personhood. it can be more than one thing, yknow? the darkners are important, their lives matter. and the lightners do go to the dark world as an escape from the problems they face in their own life. but that's not the darkners' whole PURPOSE, yknow? i mean. according to the laws of the universe of deltarune yes darkners' "purpose" is to serve the lightners but like it's not their whole purpose in the STORY.

it's sort of like how, in UNDERTALE, LOVE represents how distant you've become, how easy it is for you to hurt people. but it also literally gives you the power to destroy the world.

i think the biggest reason i believe escapism is at least a part of deltarune's narrative is queen.

queen's whole speech in both of her fights is about how she intends to provide escapism for the lightners (so that they will worship her but also so that they will he happy). she wants to turn the whole world into a dark world, so that everyone can live in bliss and not have to worry about the woes of the light world. she mentions "Staring, Tapping, To Receive Joy. Staring, Tapping, To Avoid Pain." which is like pretty much the definition of escapism

she wants to help Noelle with the problems she faces in the light world ("Noelle. Who Will Be There To Help Her? Her Strange And Sad Searches" and "My One Idea To Help Noelle, Failed") by just... shoving it away for a blissful fantasy world ("Wake? No, She Has Already Awakened Too Much. Let Her Close Her Eyes And Sleep Away, Into A Darker, Darker Dream.")

...i forgot the rest of what i wanted to say!

well first off, thank you for your ask! I'm going to get extremely in depth in my answer, so bear with me here. sorry it took several weeks to write this. the escapism reading of deltarune is pretty deeply entrenched in fandom, and to refute it, I felt it required a full-length essay to completely explain my viewpoint.

yes, "the lightners desire escapism" does not automatically translate to that being the darkners' actual narrative purpose. escapism can be a theme without dehumanizing those who are used in order to escape - in fact, I've read a number of stories that use someone's desire to escape to HIGHLIGHT how they're hurting others in pursuit of that. I believe that toby fox is definitely capable of telling a story about kids having a valid desire to escape, and about them grappling with having inadvertently created a world of real, living people as a result.

(I'll reiterate again that this is not the story arc that generally shows up in fanon. the common consensus is that the game will end in an omori-esque "growing out of" the dark worlds. it's why I have a huge dislike of the fanon escapism reading, given that the darkners are shown as people whose lack of agency parallels kris' own. it would feel cheap if the resolution to that plot was that the darkners were actually never meant to be agents in their own fates. but this is a digression.)

the reason why i DON'T believe that this is a story that toby fox is telling is because of the way the world, themes, and characters are written. put simply, it just doesn't come across as congruent with the story being told.

deltarune's main themes are agency, fate, identity, and control. this is a conflict that shows up in nearly every major character, is baked into the worldbuilding, and is the central struggle involving us, the player. the protagonist of deltarune is literally possessed by us against their will. the darkners are objects that have no choice but to serve and be discarded. over and over again, there is emphasis on roles that characters play - and crucially, roles that are imposed on them.

what would escapism mean, in this thematic context? in real life, escapism can represent any number of things, but in a story, a major narrative theme generally has to dovetail with other major narrative themes in the work. I would argue that escapism in deltarune would likely mean going to a place where characters are able to choose for themselves what roles they embody, or even to discard the notion of roles altogether. a fantasy of control is the only way to escape a reality where you have no agency. and honestly, it's hard to imagine that something could count as an escapist fantasy if you don't even get to choose whether or not you participate in it.

let's talk about kris.

I see a lot of discussions around kris that say that kris goes into the dark worlds to escape. the dark worlds are posited as kris' fantasy of heroism. it's a world where they can seem heroic and cool, a world where they can have friends. this theory makes a decent amount of sense on the surface level, but only until you consider that kris is being controlled in order to go into the dark worlds. and it is not a control that they appear to welcome.

if those worlds represent kris' fantasy, then why don't they get to choose what happens in those fantasies? why are they being controlled by an external force, one that they actively push back against? if it's really an escape, then why does everything about this world reflect their lack of agency? if they really think this world is just a pure fantasy, then why do they care if spamton falls when his strings are cut?

because they're being deliberately obscured to the player, it is hard to say how kris actually feels about many subjects... but I do seriously doubt that they view the dark worlds as an escape. they don't act in a way that is consistent with that. they resist their lack of agency, and what little we do see of their reactions to darkner characters doesn't suggest that they view those characters as part of a disposable fantasy, either. they seem to have complicated feelings on ralsei. and of course, one of their biggest emotional reactions in the game is to the spamton fight. I would argue that that suggests they have empathy for spamton, which is a hard emotional reaction to have if you believe he's just part of a fantasy. not impossible, mind you, but it seems unlikely that kris believes that all this is simply fantasy.

also, considering that snowgrave both actively discredits the idea that the dark worlds are mere fantasy and is actively traumatic for kris... I seriously doubt they'd open another dark world in chapter 3 on a snowgrave run if their motive was purely to escape. on that route, they've seen the damage we can cause in a dark world. they know that berdly has sustained lasting damage due to our actions, assuming he's not outright dead. why would they want to try and "escape" to a place like that again now that they know what can happen?

the only answer is that they have a motive that isn't escapist.

now, as for ralsei... what part does he have to play in all this?

ralsei does play a lot to the fun, fantastical elements of the dark worlds. he delivers the prophecy that kickstarts the adventure. he flatters both kris and susie endlessly when they act appropriately heroic. he welcomes them into the castle and even makes nice rooms for them. he initially seems tailor-made to enable a fantastical experience where no real issues can ever complicate anything, and where the pain of reality can successfully be hidden from. but there's a lot of complications to the idea that he might represent an escapist fantasy.

the first, and what honestly seems the most important to me, is that he doesn't encourage kris and susie to remain in the dark worlds. he is welcoming and kind, but once the adventure is over, he prompts them to return to the light world. he wants them to deal with their more "real" problems like homework. that doesn't feel like he is trying to facilitate escapism in them. a real fantasy would encourage you to stay in it, wouldn't it?

and while ralsei is definitely invested in making sure the lightners are happy, there are always cracks that show. he isn't able to make kris ignore what happened in the spamton fight. he isn't able to convince susie to be peaceful and kind. and in his very essence, he represents a number of uncomfortable ideas. very importantly, he represents a number of uncomfortable ideas to kris.

this probably ain't your first fandom rodeo, so I'm not going to explain all the different ways that ralsei interacts with kris' personal issues. there's plenty of posts on it out there. what i will point out is, once again, it feels odd that a character who seems tailor made to bring up kris' most uncomfortable associations with their lack of agency and their outsider status in their own family would be part of a fantasy of escapism to them. you'd think that they'd prefer something that didn't have an inbuilt hierarchy, a prophecy that denied them autonomy, or especially a person that reminded them how little they fit into hometown.

that doesn't mean kris doesn't care about him at all - it seems very likely that they do. what I mean to say here is that he just seems ill-suited to an escapism reading, both behaviorally and on a conceptual level. it doesn't seem like that's at all part of his servitude towards the lightners.

of course, there is another non-lightner entity that ralsei seems diegetically engineered to serve. but I'll discuss that later.

now as for susie...

yes, susie definitely views the dark worlds as more fun than the light world. and why wouldn't she? the light world sucks for her, and she doesn't seem very aware of the fact that the dark world can also suck. you could definitely make the argument that she views the dark worlds as a fantastical escape from reality... were it not for the fact that she treats her darkner friends with just as much importance as she does kris and noelle.

can someone treat components of an escapist fantasy as real and important? of course. but given deltarune's themes of agency and control, as well as the fact that darkners exist in servitude to the lightners, I feel like you'd have to make escapism tie into forcing others into a lack of agency if you wanted the theme to feel coherent with the rest of the work. this would require susie to be limiting the agency of the darkners around her. and obviously, she doesn't do that. her presence around them might be inherently limiting, just by simple virtue of being a lightner, but she isn't aware of it, and clearly is uncomfortable with the idea of limiting anyone's agency. she encourages ralsei to make choices. and she supports lancer in basically anything he wants to do. her treatment of lancer is integral to chapter 1's narrative, and it seems like that treatment of ralsei is integral to the ongoing narrative as well!

her preference for the dark world feels very rooted in her engagement with it as its own reality. rather than trying to avoid her real-life problems by engaging in a pretense, she seems to simply want to spend time with her friends in a place that isn't cruel to her. she isn't ignoring any of the dark world's problems in service of that, either. she notices when things don't line up. if she thought of it as a fantasy, wouldn't she be inclined to ignore issues that impede the fantasy?

and critically - like kris, she does not intentionally choose her imposed role in the prophecy at first. she steps into the role of bad guy to resist it, but that role is limiting too, and she eventually acquiesces to being a hero. it's never something she's completely on board with, though. she actively pushes back the limitations that the role places on her. I find this important to reiterate when we are discussing the notion of the characters viewing the dark worlds as fantasy.

noelle has a complicated relationship to the dark worlds. susie tells her that it's a dream to make her accept the strange reality she finds herself in, which works well on her. she continues to think of it as a strange dream throughout the chapter. (though, like the others, it is not a 'dream' she entered of her own volition!)

it is also a markedly unpleasant 'dream' at times. she has her agency restricted, is kidnapped, has to evade a controlling monarch, and is even tied up in a weird evangelion cross thing on the hand of a giant robot. it's not purely fun. noelle does like scary things, and while it might be healthy for her to have an experience where she stands up to a controlling adult figure... again, the circumstances make it difficult for me to assume that this is a fantasy she would choose for herself. not impossible, mind you, but it's not the first reading of the situation that comes to mind.

and while she does say she wishes she could dream like this every day in the normal route, that does happen specifically because she was talking to the girl she likes. it makes sense she'd find that pleasant. I don't think that necessarily equates to her finding the dark worlds escapist.

and importantly, this isn't the sentiment that she expresses in every route.

again, there's a lot of analysis on snowgrave, so I won't bother regurgitating it much here. but it's nightmarish for both kris and noelle, and very likely fatal for berdly. noelle needs to believe that the event is a dream, for her own psychological safety, but one of the most important parts of snowgrave...

...is that its events, and the world it took place in, are very, very real.

noelle wants to have the strength to face her problems, both in the regular route and in the snowgrave route. rather than escaping from them, she views the "dream" as a chance to practice dealing with her day-to-day issues. it's just that in the regular route she finds that strength authentically, and in the snowgrave route, that desire is manipulated and pushed until she is forced to kill berdly. she doesn't interpret snowgrave as an escape gone wrong. she views it as a dream that became a nightmare. and those are two extremely different things.

but i haven't even gotten to the biggest thing that undermines the concept that the dark worlds are a metaphor for escapism! which is: this fucking guy is dead wrong about everything.

so full disclaimer - I really love berdly. I think he's slept on a lot in the fandom because he's annoying and weird. which is fair, I suppose, but I think ignoring him hinders a lot of people's understanding of deltarune's overall narrative. because berdly often illustrates a lot of concepts in the game, but his narrative framing as a joke (usually...) prevents the player from taking it completely seriously. he has things to say and ideas to show off, it's just that he's often very loud and kind of dumb in his expression of them. which is kind of the point!

ralsei brings up the idea that the darkners are meant to serve the lightners very seriously in chapter one. by extension, and by way of the literal mechanics involved in a dark world's creation, we can infer that this logic is probably something that also applies to the dark worlds themselves. they are allegedly worlds and characters that only are supposed to fulfill a dream of the lightners. but due to narrative framing and deltarune's themes, we know that that's not the full truth. however dark worlds and darkners are created, they deserve to have their own agency. they can't just exist to fulfill a higher being's wishes.

you know who else undermines that view of the dark worlds? berdly! berdly does!!!!

because berdly is the only lightner in the game so far who does take the dark worlds to be an escapist adventure! he wants to turn cyber world into smartopia. he views this as a chance to be a cool hero. he believes he's going to get the girl, he's going to shape this world to his own liking, and maybe also he's going to get queen to acknowledge him or something so he stops being a forgettable little bluebird. and not only does none of this happen, his steadfast belief that it will happen is continually a joke within the narrative!!

berdly's wishes for uncomplicated escapist fantasy are flat-out denied by the dark worlds themselves. as a lightner, those worlds should be serving him. he should have the power to do whatever he wants within the bounds of an escapist fantasy. these npcs should be singing his praises!

but he doesn't have the power. and this world doesn't sing his praise. because it just isn't an escapist fantasy. he isn't right to view it that way. his wishes for heroism are always going to be thwarted.

so now that I've gotten all that out of the way, let's swing back over to the subject of your original ask. queen.

because, like berdly, queen's entire character arc is about how she's completely wrong about what the lightners actually want.

queen would in fact like nothing more to place the lightners into an escapist fantasy. she believes that that's the best way to serve them and make them happy forever. as a darkner, queen has very much internalized the idea that a lack of control is what actually makes people happy. since darkners have no choice in their destinies and are supposed to be happy in it, and since she personally finds her role as a darkner fulfilling, she believes that that's true of all people everywhere. if you want to make people happy, you just have to remove that pesky personal agency!

so she spends the story trying to force the lightners and particularly noelle into situations where she controls them in order to make them ostensibly happier. she does genuinely believe that this is the right thing to do, but as she finds out eventually, she's just wrong. noelle doesn't want that. queen believes that escapism is why the lightners use the internet... but that's totally wrong too.

while there are other searches mixed in, noelle is trying to use the internet to find her sister. instead of trying to hide from whatever happened, noelle wants to figure it out. queen's thesis about noelle and the lightners is proven wrong even before she personally encounters noelle in the dark world. it's just that queen doesn't realize it due to her limited perspective.

the concept of escapism being brought up with both queen and berdly is not there to say that the dark world is escapist. rather, it's there to say that it isn't. despite the dark worlds being a fantastical place, they are extremely real. to view them as a means of escape is foolhardy at best. you cannot act as though you are above consequences within them.

themes and ideas exist within the story for a sake of an audience. so let's get into the final character I need to discuss here. hopefully this will tie my thesis of deltarune together neatly.

that character is of course us. the player.

when creating a piece of fiction, an astute author will often identify and anticipate an audience's reactions to certain things in their work, and write things in such a way that they elicit the desired reactions. in essence, a writer is directing the "character" of the audience. how we feel and how we are anticipated to react to things is an integral part of nearly every fiction.

that effect is far more overt when dealing with metanarrative fiction that diegetically involves the audience. since the fiction is saying a lot of things about the general 'you,' the audience in aggregate, your reactions to certain things in the story have to be finely cued and anticipated by the author, so that the author can thus commentate on the reactions that you have to the story. the "character" you are assumed to inhabit is posited by the author to have certain traits.

to explain what I mean in plainer terms, I'll use the player of undertale's no mercy route as an example. because undertale is commenting on the way rpgs generally work. the player's behaviors in no mercy are attributed by characters in the story to be the result of us acting like a typical gamer. we kill the characters in the game because we want exp. and more than that, it's because we want to see everything the game has to offer. the role we inhabit in this role-playing game is that of a completionist. you could say that that's assumed to be our "character" in no mercy.

deltarune also posits that certain things are true of its audience. by being written to evoke certain cultural ideas, rpg tropes, and references to undertale, it guarantees that its audience will probably have certain traits, and spends a large amount of its conceptual focus commenting on those traits. one of those traits is nostalgia, which is probably an idea that I'll expound upon in a further essay because it's quite integral to my reading of deltarune. but the main one I mean to discuss here, and why I went off on this tangent about how audiences are dealt with in metafiction, is that we are posited as someone who believes in the logic of certain narratives.

deltarune's writing evokes a lot of portal fantasy narratives. alice in wonderland, narnia, pretty much every story where it's revealed at the end to be all a dream... the story of deltarune superficially resembles a lot of those. this, I think, is responsible for the popularity of the escapism theory. because those stories are often at their end about a child learning to put away fantasy and grow up, people tend to believe that deltarune must be about the same thing. but I truly don't think that deltarune is trying to do anything with that aspect of portal fantasy narratives, at least not directly. its main characters aren't involved in that exact type of coming-of-age arc.

instead, deltarune is very concerned with what happens to characters in fantasy, and specifically fantasy rpgs. if your world is deemed to not matter because it's a dream, what does that mean for you, who has no choice but to live in it? if you are an npc whose role has been predetermined for you via script, then can you ever decide for yourself what you want? what if you want to matter? what if you want to be your own person?

as the major controlling force of deltarune, we are initially cued to believe that deltarune is like a dream. it superficially fulfills so much of what we want from undertale fanon. hometown seems like it's a perfect idyllic town, at least until you start noticing the obvious cracks. and remember what I said about ralsei earlier? he is so reminiscent of asriel, and extremely eager to help us. it's not a stretch to say that making us specifically view deltarune as dreamlike and idyllic is probably part of his purpose in the game.

I would not say that we are posited as escapist. but the idea of escapism as brought up with queen and berdly is meant to strike at the heart of a much deeper idea that deltarune is trying to deconstruct. because if we view deltarune as a dream, escapist or otherwise, then we are inclined to write the internal realities of the characters inside off. the dark world can disappear without it mattering. we can control kris without it mattering. if it's all a dream, what does it matter? why should we care to let its characters go free? aren't we supposed to be in control?

if deltarune is an rpg... what is the significance of us interacting with it?

#deltarune #deltarune analysis #BIG big thanks to tvlandofficiall for being my sounding board and providing the flavor images for this essay #this one gets into some big overarching analysis of deltarunes construction and what it deconstructs. hope u enjoy

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bigassmoonchild · 10 months

Text

The Hearing

Pairing: Simon 'Ghost' Riley x Reader

Word Count: 2.3k

The first four parts give context, but may not be required for this read.

Summary: Being stuck in hearing sucked. Especially when Price revealed things about yourself you hadn't even known, and now Ghost was unsure of the choices he'd been making.

Content Tags: Separation, Mentions of Violence, Mild Storybuilding, Scenting, Mentions of Possible Pregnancy, Ghost Walking Out, Ghost being Unsure, No Use of Y/N, Alpha/Beta/Omega Dynamics, Alpha! Ghost

A/N: This took me half of The Wolverine, 16 minutes of Hamilton and 12 episodes of Bluey to get through. No sex yet, but if y'all don't want the pregnancy ark do let me know. This series may be coming to an end soon, but that doesn't mean Doc is going away forever. As always, content under the cut and requests are open <3

P.S: I was going to adjust part of this, but I've figured out a way to extend this story a little further, so I'm removing it from being privately posted. My apologies!

Part 1 | Previous, Next | Headcannons, Masterlist

This keeps fucking happening. It took four months before you and Ghost got in trouble again. Instead of having each other, now you were stuck without the other. The rest of the 141 was busy smuggling items between yourself and Ghost, it finally having gotten out that the two of you were mated.

That you were an Omega.

You were removed from training your squad for the time being, currently being investigating for the incident that had happened. Too many times you had seen the same people for hearings. Too many times you were stuck sitting in the same room and looking among the same people.

"Can you explain to us how no one knew that Michael wasn't taking his suppressants?" Was the question posed to you.

You adjusted in your seat, smoothing down the pair of nice pants you'd thrown on and smelling the thick perfume you'd put on to block the distressed scent you'd been throwing off. "No one in the compound is capable of scenting other people, those abilities are blocked with the military grade suppressants we are given. Scents are also dulled with the suppressants, so no one would've been able to tell," you explained. Short and simple, not nearly as scientific as it should've been.

"And you couldn't tell? Being mated means off of suppressants, which means you should've been able to scent him."

"It takes a minimum of two days off suppressants for a scent to begin coming back and another week before the androstenone in an Alphas body to increase dangerously high. I was on leave for three weeks prior to the incident, so I had to have returned back to base at nearly the two week mark," you wanted to see Simon.

You each had a babysitter, swapping out in shifts so neither of you were unattended for more than five minutes. You'd began self-soothing, rubbing the gland on your wrist aggressively against your neck gland, the clothes you were receiving weekly from Price wasn't doing enough.

No matter what, you were still stuck in this god damn hearing. Until you could smell Simon. You spun in your seat, searching the general room for him, watching as he was led forward, taking a seat across the aisle from you.

"Now, Mr. Riley, what caused you to attack Michael?" You were still watching him, only his balaclava to protect his face from those around you. You could just barely see his side-profile, his hardly blinking eyes as he stared down the person questioning him.

He glanced briefly at you. "My Omega was being attacked, I could smell her distress from a few halls down so I was going to find out what was happening. I heard him screaming at her and threatening her life, so I did what I had to to protect her," he answered, no hesitation. They hummed and nodded, glancing at you before looking back to Simon.

God, he smelled so much better than his clothes.

"Doctor, please try and pay attention," you looked down into your lap, giving a small sorry before the hearing proceeded. "What caused Michael to attack you?" At this you had to pause. It all happened so fast and you'd shoved the memory to the back of your head.

"He wanted to get out of the squad, he didn't want a Doctor ordering him around. I assume Mr. Riley said something to him, as he was causing problems with the soldiers covering my squad while I was on leave. He tried to press for information regarding my relationship with the Lieutenant, but I wasn't going to allow him insight he didn't need to know," they were writing everything down, clacking of keyboards and scraping of pens and pencils against paper.

"Do tell us what happened next,"

Looking away, you had to take a deep breath. You could feel the panic setting back in. "I told him that he wouldn't be able to remain in the military or find a new branch if he left. He had too many infractions and I pulled his file to show him, and he lunged for it. Michael was trying to take his file from me, and he could smell I was an Omega. That's when I realized he was going feral," you picked at your fingers, not looking at the group of people as you tried to remember what happened.

They glanced back at their notes, speaking with each other for a moment. "How would you know he was going feral?"

"I have medical documents of my squad. I know when their last heat or rut was, and I decide when they go on leave to ensure they aren't on suppressants for too long that it becomes dangerous, such as what occurred between myself and my Alpha. The androstenone inside an Alpha increases, albeit being dormant, the longer suppressants are taken without a natural rut occurring," you explained. This was the easy part, the things you knew exactly the ins and outs of.

They nodded along with you, fingers still clacking on keyboards as you explained.

"Once someone stops taking suppressants, the androstenone becomes active again. The longer they go without the rut, the more that become active. If they don't rid themselves of the androstenone, it'll force them into ferality to keep the increasing hormones from severely hurting them," they interrupted you for a moment.

"What does ferality do for the Alpha?"

"It ensures that they mate with the nearest Omega in or out of heat to naturally expel the androstenone. If they don't, their rut gets worse and they begin to have different areas of the brain shut down until they are no more than an animal, looking for the next thing to breed," you explained. "Most cases are euthanized, to ensure they don't suffer for long," you added, ensuring they would understand why it was so dangerous.

You had zoned out once they began talking with Simon again. His scent was washing over you every now and again as the AC unit blew cooler air into the room. This room had no windows and was in the middle of the building so they installed AC's for the stifling summer, which meant scents were wafting around with each other and mixing.

But Simons? It was amazing, being able to get it damn near straight from the source. You were waiting for all of this to be over so you could crawl into your nest with Simon. Your heat had been due a week ago, but with the proceedings dragging on you had been far to stressed for your body to allow it to happen.

And you could feel it building within you. You were exhausted all the time, eating more and building a larger nest, moving things in your room around. Now that you had your Alpha near you, you could feel your mind slowly slipping away from you.

You had to think harder, trying to remember how long ago your heat was and when you had to expect it. To be honest, you didn't really want to think that hard right now. You were still exhausted, you didn't get much sleep, considering you'd been without your Alpha for weeks now.

"That should wrap today up, we'll reconvene tomorrow. Same time and location, we'll review what we have learned from you two and Michael and give you our final decision in one week. For now, you two will stay separated and we'll have people watching to ensure you don't meet up," you wanted to argue. So badly, you wanted to tell them that he was your Alpha and he was supposed to be with you.

Even then, you knew that they wouldn't rescind their decision. You watched as Simon was led out, giving you one more look before leaving.

"Listen, kid, I'm really sorry," Price leaned in next to you, whispering as you waited for Simon to get far enough away that you could leave as well without possibly getting in trouble. "I know another week is going to be hard on you," he looked away.

You sighed, leaning back. "It's no harder than the first few weeks mated to him. The only problem is my heat isn't coming and I'm past due," he gave you a weird look before nodding with you.

Standing up, he gestured for you to follow him. You stood and followed him out, allowing him to lead you back to your room. It stayed quiet between the two of you, you figured he was deep in thought and you were just thinking about the nap you were gonna take in your nest.

Quite the exciting life you held now, being stuck back in hearings. You could only do paperwork and most of the work for the week you'd finish right away. It was so boring, the task force only being able to come by every now and again.

When you walked in, he handed you a bag. You looked down and back up at him, brows furrowed. Price gave you a smile and walked back out, the door shutting behind him. You sat on your bed, running your hands down your face and sighing deeply.

You reached into the bag, pulling out another of Simons hoodies. The amount you had at this point made you wonder if he had any left, just about the entirety of your nest was made out of his shirts and hoodies. The scents on some of them were fading, but you didn't remove them just yet.

Without him to be in the nest with you, the scents were fading quicker and quicker. You hated it. You had grown accustomed to having him scenting you at night and before he had to leave in the morning, him remarking your gland every now and again when you were able to.

Moving to throw the bag in the bag of bags, you felt something move inside it with your movements. Setting it back down, you opened it to look inside.

A pregnancy test.

"Price!" You shouted, his office door slamming open. You were heaving, having run straight to his office after finding his last little gift. "What the hell?"

He looked away, rubbing the back of his neck. "I was talking to my own Omega and they mentioned giving you one. A lot of the symptoms you'd been mentioning had lined up with their own pregnancy. You don't have to use it, obviously, I just figured you'd want it," you stopped to think.

How had you been exhibiting all the signs of a pregnant Omega and yet you'd been unable to recognize it? You were a bloody biologist, so you'd already known exactly what the signs were. Intense nesting urges, increased eating, increased amounts of sleep.

Jesus, were you pregnant? Maybe you should take the test, just to be sure. Price opened his mouth to say something before shaking his head and going back to his paperwork. You were going to pester him about what he was going to say, but you didn't.

"You could get this hearing pushed off if you're pregnant. They'll consider it an Alpha protecting his pup. You didn't hear this from me,"

The next day Simon was back where he'd been sitting, in the back of the hearing room waiting for them to call him forward. He could see you, some rows ahead of him. Your scent had become more delectable to him over the last few weeks, even if he hadn't been able to smell you directly.

The rest of the task force was playing a dangerous game, smuggling items between the two of you. He knew that, if caught, they could be put on a probationary leave and investigated to figure out if it was more than just items.

Simon watched as you stood from your seat, hands folded in front of you. He could smell you better than when you'd been sitting, the scent sweetening to something he couldn't explain.

All he wanted to do was scent mark you and hold you in your nest, maybe find you some food and feed you. What the hell was up with him? He'd been stalking as close to your room as he could get, snarling at every Alpha who walked near.

"I haven't made you aware yet, but I have been in for a pregnancy test," everyone went silent and Simons eyes widened. "The results should be coming in another day or two, depending on who will be finalizing them. I'd like to request that the current predicament be pushed back so my mate and I can speak about possibilities," he watched as the group leading the hearing leaned together to speak and his eyes never left you.

He could smell your distress from where he was, and he could feel his heart hammering in his chest. Pregnant? He thought you'd been on birth control, even if it you'd still gone through your heats.

To be honest, Simon was terrified. A father? Him? All he could do was walk out, even if he heard his name come from you and your scent changing sharply. Winding through the halls, he found himself walking outside with a cigarette lit, the slight burn as he inhaled the smoke.

Neither of you had talked about this. You'd been mated for a few months, not even hitting a year yet and prior to that you'd only spoken professionally. He knew you, but you hadn't even shared a room yet.

Was he wrong? For biting you, when neither of you had agreed upon being mated. For getting the two of you in that situation in the first place, he should've been the one who had gone and swept the building to make sure everyone was safe.

Simon knew exactly where his life would be had the two of you not been stuck in that situation. He'd never imagined his life moving this way and it terrified him. He was almost... regretting the choices he'd made.

Regretting mating with you.

#simon riley x reader #simon riley x you #simon ghost riley #ghost x reader #small bit of angst #mentions of violence #ghost mw2 #cod mw2 #modern warfare ii #no use of y/n #task force 141 #call of duty #simon riley #call of duty x reader #alpha/beta/omega dynamics #alpha/beta/omega verse #Maple Syrup #mentions of pregnancy

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cipheramnesia · 4 months

Text

This is the process my brain goes through every time I see anything about Netflix Avatar The Last Airbender.

My first reaction is always: Why? The original, although not without flaws, doesn't leave a lot of room to improve. A good remake or adaptation usually involves an updated context or change in perspective that adds to the original work and gives it new meaning. It's a risky undertaking because it usually involves wanting to take on something established as iconic and make it your own. But Netflix is a corporation and seems very risk averse for the most part. Its only investment is in the name recognition of AtLA. It's hard to visualize Netflix deliberately taking a big risk on an expensive show.

My second reaction is: How? The original series is about 1400 minutes over 61 episodes, and it still had to rush the ending. We're looking at 8 episodes of roughly 45-60 minutes per episode for season 1, which would require Netflix to let it run more than 3 seasons, if the series has similar pacing. Historically however Netflix shows have glacial pacing, and rarely make three seasons. Not really sure how they plan to tell the story if the series is anything like the average Netflix series, meaning it either needs to undercut the story or let the series breathe for at least five seasons. But nothing Netflix has done makes me want to watch anything they make as an ongoing series? Why bother, they cancel everything I enjoy. So I wonder how. What's the hook to say "this will be able to provide something new and interesting compared to the original, and will be allowed to tell the complete story."

Which leads me to think, but you can't judge if something is good without seeing it. Except none of this is about whether it's good, I just find myself wondering what are the odds it's worth the effort? They're low, and it has nothing to do with whether or not it's even any good on its own merits.

Following this, I ask myself, what would a good version of this be. Imagine you are making a live action series with eight hour long episodes per season based on a children's cartoon with 20 thirty minute episodes per season. You are trying to encompass a story which was presented over three seasons as a cartoon, and you do not know if you will have more than those eight episodes. It's made for Netflix which, in terms of a company which will protect the hard earned fruits of your artistic labor, is the fox guarding the henhouse. What do you do?

If you are looking to make something good, that respects your audience investment and your own work, you make radical changes to the story. You change the pacing, the character arcs, the plot arcs. You make sure you deliver a complete story in those episodes with as much respect for the original work and as many new ideas as you can.

Except, at that point, what is even the point of a remake. The only way to work with it is either to trust Netflix allowing you to finish the story (which you'd need to be incredibly naive to do), or tell a story so different it may as well be wholly original. And that's where I always end up. Like, it'll probably be fine, but what's the point of it all? Another vanishing digital property to get canceled because of some undefinable failure to return on investment.

I think about it a lot because the two ends of the spectrum seem to be "dunk on every new piece of information" or "wait and see" but the only conclusion I can ever reach is "why even care?" That's been the lesson to take home from digital streaming in general when it comes to series, but Netflix in particular, and honestly for movie series too. If it can't be self contained, the companies who produce and release these kinds of series just cannot be trusted with it, and there are too many good original stories being put out to care anymore about big budget promises that one day they will definitely for sure deliver a finished story, this time for real.

I care enough to think about why I don't feel anything at all about Netflix Avatar. It'll be fine, whatever else. Just fine.

#netflix avatar

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vaguely-concerned · 3 months

Text

Ever since watching The Wire for the first time, my brain has doggedly kept working away at the Especially the lies of it all, and specifically at how much the structure beneath the different stories Garak tells contributes to the overall meaning of what he’s trying to say. While the contradicting narratives of course expertly obscure the factual circumstances of his getting exiled, using them also allows him to tell aspects and facets of the emotional truth I don’t think he ever could have, if he’d simply told the actual story of what happened. (It’s very Varric-core of him honestly.)

The first story — the ‘oh, you think you know me?’ story — says I have done things that would sicken you if you knew any detail of it. It’s clearly meant to scare Bashir away so he’ll leave him to die shamefully in peace already lol. But it’s also one of his (probably much-needed lbr) little lessons to Julian that are so frequent in the beginning, given while Garak still has some hold on himself — “Don’t be so quick to forgive me if you don’t even know what I’ve done; what would you do if this really were the sum total of what I am?” (And Julian seems to surprise him by going ‘Well, exactly the same thing, because no matter who you are I am a doctor. But I sort of take your point.’)

The second story — the letting the orphans go story — says I have failed to smother my soul in its cradle when it was required of me, and I regret that more than anything I’ve done. To my ears this is the one most shot through with active self-loathing too, which is interesting. He’s officially lost the control he’s been clinging to and it’s about to get ugly. His TL;DR is ‘Sentiment is the greatest weakness of all’, even all the way back here. (Which is the one lesson Julian steadfastly refuses to learn, which I think in turn does some serious rearrangement of Garak’s soul over the course of the show haha. Get uno reversed into the process of loving and being loved without shame asshole.) This is also where he builds up to admitting to having any sort of need for companionship or closeness at all and — so much worse — that Julian’s role in his life actually has fulfilled some of that need, and he’s DRIPPING with defensive venom over it b/c well I get it Garak vulnerability is scary it can take a person like that.

(I also feel there’s something honest and forbidden in ‘Suddenly the whole exercise seemed utterly meaningless’. I suspect ‘actually… why the fuck are we even doing this???’ is not a welcome sentiment in an Obsidian Order water cooler environment, no matter what you’re saying it about lmao. The very first seeds of him deconstructing the things he’s been taught about Cardassia and his work might be hinted at here, though they of course take a looong time to come to any real fruition.)

The third story — the ‘Elim was my best friend’ story — says hey, remember that thing you said once, about how sometimes, you have to be loyal to yourself before you can be loyal to anything else? Well. guess what. I couldn’t even be that lmao. It also furthers that thread of being divided from yourself, split, that having ‘Elim’ as a separate person around in all versions of the story brings in. He’s in control of himself again, but he essentially hands his life and soul over to Julian to decide what should be done with them.

I’ve done horrible things and it finally caught up with me, I’m getting what I deserve → I let sentiment master me and the fact that I’m too weak to do what’s needed of me shames me more than the evil I’ve done → I fucked up. I betrayed myself and everything I held to, all for nothing, and I have no one to blame for it but myself. But it’s very nice that you’re here anyway, Doctor. (Wow. I didn’t realize quite how isolated and lonely that last one was before right now. The way Tain has shaped him really has just… locked him completely into himself, huh.) We can also see a movement through from a completely professional context in the first story, to an intensely interpersonal and internal context in the last one — even his fake stories spiral in towards intimacy, which I think is what he longs for here even if he can’t quite like. Touch that without the stories as a buffer yet, it’s clearly like touching a hot stove for him to interact with it too directly.

And you know what I find incredibly interesting the whole way through? Even on his deathbed, where he’s dying from the thing Tain had put in his head, he’s protecting Tain. He puts all the blame for where he is on himself (‘My future was limitless, until I threw it away’), even if he has to employ a strange twisty logic where he’s split himself into two to do it. Don’t get me wrong, Garak has done horrific things all on his own haha, but it’s notable that he almost isolates Tain from that. ‘Tain was the Obsidian Order. Not even the Central Command dared challenge him. And I was his right hand.’ Tain in Garak’s stories is this infallible implacable weirdly distant figure, even now. Indeed, as will make a lot of sense with the revelations further down the line, more than anything it seems the gaze of an abused child desperate for recognition looking up at an idealized (if not in any way nurturing) parent.‘He was retired at that point; he couldn't protect me’, Garak says, as if what he’d need protection from in the first place isn’t Tain himself lmao, as if Tain had no active part in any of this. He never lets blame touch Tain at all. At this stage he would rather consider himself a broken flawed tool than accept that the hands that have wrought and wielded him have ever had any fault in them. AND in the middle of it all, with plausible deniability, on death’s door and knocking meekly to be let in before he must finish the mortifying ordeal of being known and test the even more daunting possibility of being loved, Garak at the same time manages to drop the breadcrumb trail of clues to make it possible for Julian to find Tain if he so chooses and gets in the ‘sons of Tain’ thing too for future dramatic irony purposes. Truly he is the Michelangelo of lying. Every falsehood a multifaceted masterpiece. Elim ‘achieving a state of intertextuality in real life is possible if you work hard and believe in yourself’ Garak. I love him so much.

I think all of this is why “I forgive you. For whatever it is you did,” works so well, because it too works on a structural level. It’s such a deceptively multilayered response — it has the syntax of a joke, in a way, and it is kind of funny even under the circumstances, but delivered with such earnest warmth and fondness. It’s both recognition and acceptance (forgiveness!). It’s saying ‘I finally understand enough of what you’re trying to tell me beneath and through all that, in whatever way you’re capable of, I see you’ and ‘my answer hasn’t changed (bitch)’. The forgiveness Julian offers here is complete — on principle, and out of personal feeling and empathy (only one of which Garak deigns to respond to during the second story, where he calls it ‘smug Federation sympathy’, placing it more completely on the principle side than it probably is. ‘Dude you’re my friend please don’t just lie down and die in a completely avoidable way on me, who else is going to not only tolerate but actually gleefully enjoy me being annoying as fuck over lunch’ seems to be the subtext that’s a lot harder to acknowledge and invite in for both of them. And yet Tain seems perfectly clear on the fact that Julian is Garak’s friend, which, y’know. Must be fun living with the knowledge that Tain has eyes everywhere looming over you every day haha guess you’d just have to tune that out.)

Most of all — ’Don’t give up on me now, Doctor’... and he didn’t! He didn’t. Augh. Ow.

#garashir #elim garak #julian bashir #star trek ds9 #ds9 #star trek #ds9 meta #S2EP22 The Wire #alternate title: baby's first brush with unconditional love through unreliable narration lol #I'm not sure I got to say everything I want to in this/found the exact right words in places or hit all the nuances #but god help me I so desperately need this out of my brain to free up some disc space so go forth little meta haha be free #I'm sure I'll come back to you in time #meta #enabran tain #(derogatory)

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ask-whitepearl-and-steven · 5 months

Note

Um, hi! Regarding that other anonymous asker wondering about the comic's enjoyability, I actually WAS one of the people who voted "I've never watched the show but I do read the comic" in that poll; all my prior knowledge about Steven Universe was from passive osmosis. I don't know anyone personally who likes it either, my baseline is limited to, like, the premise and 'hey I think that one's a major character?' every now and then (this was most recently Lapis Lazuli. Peridot I'm prettttty sure is canon, but I didn't recognise her right off. Betting that Sea Glass isn't. No clue about Jasper).

So if it's of any help, from my experience I do think that your comic is fairly accessible to folks outwith the Steven Universe fandom! I read long-form fanfiction for media I know nothing about on a regular basis, and it does a good job of explaining the core concepts required for the plot to hold water; it makes it much harder to spot foreshadowing that I feel may have been more obvious to experienced readers (e.g. I didn't get anywhere near working out Earl's issue because I didn't know that A. White Diamond could do mind control, or B. what societal role Pearl-class gems (is that the term?) hold relative to the Diamonds), but the actual narrative itself holds up well so long as you're willing to put the thought in. Actively following your blog helps a bit too, I've gotten extra context clues from the FAQ and asks you've answered.

My one warning would be that reading a long-form story for a fandom you don't know is a very different experience. The best way I could describe it is akin to reading Arthurian stories or folkloric retellings without studying the source material: while the main narrative is comprehensible, you become distinctly aware that certain parts are name-checking their original culture in a way that the author expects to be apparent but isn't, not to you. I spend a lot of time faintly baffled when I'm not cross-referencing between multiple fics for commonalities to reverse-engineer (also do that regularly, would recommend), which is fine! It's fun! Might not be for everyone, though.

I just want you to know I love this ask, and I was enraptured reading this. It's a very cool insight! Especially as someone with the exact opposite reading philosophy, this is extremely valuable.

It's neat to also get a confirmation about the fact that a lot of over-the-top stuff that was meant to echo the original show might not get pinged by those who aren't familiar with the original. Though to be fair, people didn't quite pick up on what was happening with Earl even when they knew what White Diamond's powers were.

I also find it hilarious to realize that Jasper might not be a recognizable original-show character to most outsiders. DEMOTED!

#chekhov answers

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beesmygod · 3 months

Text

dark souls lore: velka, goddess of sin, and that stupid plot against the stupid gods (5k words)

*written to entertain both hardcore fans and fandom rubberneckers

i made the mistake of thinking about dark souls lore the other day after choosing to make myself mad about the remaster again, but in the worst possible way. soulsborne fans know to fear and run from anyone who starts talking about this unseen character known only through item descriptions: velka, goddess of sin. if you start talking about velka you’re too far gone in the souls sauce and about to spout some of the most unhinged nonsense ever uttered by a human on the entire history of the planet. velka and the highly secretive “plot against the gods” are quietly mentioned in less than 10 item descriptions. no character utters her name or speaks of the rebellion she participated in, she and her comrades do not appear in the game…probably. its complicated.

her inclusion initially reads as a throw-away means of world-building; much like the now infamous line about the “clone wars” in “star wars: a new hope” that was needlessly fleshed out into a trilogy that haunts us even to this day, the item descriptions serve to establish that you have entered a world overflowing with heroes and history that you were not privy to nor took part in. these events are such a basic foundation of lordran history that no one mentions it because it would be inorganic and narratively heavy-handed. its like if we walked around talking about when lincoln was shot on a day to day basis just in case anyone wasn’t up to speed.

anyway, this thought process started after i realized how fucking weird it is that a giant crow transports you from undead asylum to firelink shrine…why would it do that??? like, yes, obviously it’s a gameplay contrivance in order to get you from point A to point B with a cinematic, fantastical flair, i understand that. i also understand that velka herself is a gameplay contrivance with story written around it to soften the landing, but unfortunately, dark souls is a thread that unravels quickly when you pick at it, revealing shocking narrative cohesion underneath. if you’re completely insane, that is.

we will do this in a journalistic manner: who, what, when, where, why. but first, it requires a lot of dark souls history/lore context. it’s a lot. stick with me.

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this is so much info. this also contains gay dragon theory and somehow argues that it's supported by text. why not. please enjoy this unbelievable amount of words regarding a non-entity who does not exist meaningfully in any of the three games.

#dark souls #dark souls lore #velka

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max1461 · 2 months

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This has mostly disappeared from my corner of the internet over the last few years, but it used to be the case that every once in a while some story would go around about a corporation or a government doing some fucked up shit in pursuit of their self-interest, and people in the comments and reblogs would act utterly aghast that said government or corporation would do such a thing.

This was always baffling to me, and I have only ever been able to interpret it as a sign of profound naivety. Of course, I too think it is awful, sad, and unjust when people are exploited, killed, abused or so on by the institutions of our society. But "aghastness" is not synonymous with these things, to be aghast is to be (or present yourself as) in some sense surprised. And surprise is wholly unwarranted here.

I suppose this is part of my worldview that feels very fundamental, it feels deeply obvious, and I struggle to figure out how to talk productively with people who did not get the memo: exploitation and abuse of others in pursuit of self-interest is in some sense the natural behavior of agents in any kind of competitive context. It requires a lot of effort and coordination to mitigate this behavior. We do not feel "aghast" when someone is bitten by a dog. Dogs bite people, idiot! And corporations exploit their workers, lie, cheat, and steal, unless you work very hard to prevent them from doing so. And governments exploit and neglect their citizens, and go to war and kill and maim, unless you work very hard to prevent them from doing so. Individual humans, as members of a social species for which cooperation is paramount to survival, have quite a lot of specific programming whose purpose seems to be to discourage us from doing these things (empathy, loyalty, etc. etc.), and yet very often we still do them!

I have relatives who have a hard time believing in US atrocities abroad, on the grounds that "Americans are the good guys, and the US just wouldn't do that". This is very stupid! Do you think the US got where it is today without cracking some eggs? Bullshit. There's never been a government or a military in the history of humanity that "just wouldn't do that". I sometimes see posts on here from tankies, defending Chinese or Soviet atrocities on the grounds that these things must be Western propaganda, a socialist government just wouldn't do that. Again, I find this so obviously false as to be essentially beneath engaging with. We don't live in a just world! Often, a very effective strategy for achieving whatever it is you're trying to achieve will involve treating people like shit. It is what it is.

I'm not trying to play defense for injustice here. Obviously I think we should do as much as we can to prevent these abuses. But I think that doing so must start with basic recognition of the following: it is the nature of institutions—being as competition between them is essentially unavoidable, and being as their decision processes are unavoidably removed from the face-to-face social context which is so load-bearing in motivating respectful treatment between individual humans—to abuse people in pursuit of their (perceived) self-interest. This behavior is mundane and expected. It can be mitigated in various ways, ideological and structural, but it will probably always be with us to some degree. To look at it and express shock in any capacity suggests a completely misguided understanding of how the world works.

This is the first and most important thing I ever learned about politics or society.

#society

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finisnihil · 4 months

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Hello pookies let’s talk about Aventurine and Topaz

Penacony spoilers+Analysis ahead

Let’s start off the bat, I personally like Aventurine more than Topaz and the main reason is because Topaz willingly works for the IPC while Aventurine doesn’t. Some people have pointed out in other posts of mine that Topaz didn’t voluntarily join the IPC. Her planet was dying and the IPC bought it, she joined because it was required of her, but here’s the difference. She chooses to stay.

She emphasizes in her talking with Bronya and the Trailblazer than she doesn’t stay with the IPC just because she has to or because she needs a paycheck. She stays because she likes working for them.

Also, she sees what was done to her planet as a good thing. In her eyes, the IPC saved her planet, in her eyes it isn’t exploitation. She tries to force the same thing on Jarilo-VI to the point she attacks the Astral Express for trying to stop her after Bronya declined the contract. She felt entitled to Jarilo-VI and when she was told no she ignored it. To her, the IPC are the best. It’s no wonder either, as far as we know she hasn’t seen the truly ugly side of the IPC yet because the IPC need her. In her character stories other IPC constantly hype her up, she’s a prodigy, she makes the IPC more efficient. She raises the success rate from 63% to above 80%. Even in her early days we see her breaking rules and getting away with it because the IPC value her too much to lose her.

They don't even question her calculations. Adding to this, when Aventurine is first introduced, it's after she's punished for her actions on Jarilo-VI.

He gives a lot of context about Topaz's power in the IPC. She "dodged a bullet there", implying she theoretically should've got a stronger punishment than being demoted a rank and losing some bonuses she's mentioned she doesn't care about. He even mentions that somebody is "looking out for her". Topaz has backing. He also mentions Jarilo-VI was a high-risk low-reward situation and that her "kind heart" was a liability. Topaz has the room to take on such cases and exercise her "kind heart" because she isn't at risk of losing everything if she screws up. There's little consequences to her actions, there's powerful people protecting her, and the IPC need her. Topaz can leave at any time, she choses not to because she likes the IPC. You see this power dynamic in her character trailer.

A throne is strong imagery and she's surrounded by money, the real representation of power in the IPC.

So let's talk about Aventurine and why I think he's interesting and why I like him more than Topaz.

Let's start with his power dyanmic within the IPC, or more so, his lack of one.

Aventurine has a serial number on his neck and Dr Ratio specifically calls him a "thrall". The term thrall in this context seems to imply he's a captive of some sort of the IPC*, to them he's a product. We can feel his lack of power in the way people talk to him.

Sparkle speaks to him in a super derogratory way and belittles him by implying he had to humiliate himself to influence Sunday. Meanwhile Dr Ratio writes him off as ruining everything before he gets to really do anything.

He gets power by gambling for it. Power is fleeting and he can lose it easier than most.

At one point he talks about how much money he loses wasting ten minutes. Ten minutes is nothing for Topaz but to Aventurine it's lost money and if he's not making the IPC money he's useless and viable to be cast aside. He can't afford it because he has no power. Compared to Topaz, he can't leave. He has less room for screw ups.

Onto friendship.

When friendship comes up, he keeps the idea at a distance. He asks how friends benefit him. Sparkle says he treats friends like bargaining chips and when he's talking with Dr Ratio he says that "Friends are weapons of Avgins". To him, friends are used for or against you.

He doesn't have any real friends, he's always on his own. He has no backing. He can't trust anybody because he's in such a vulnerable state and everyone around him looks down on him because of his heritage. Dr Ratio even tells him he causes too much trouble to have freinds, likening him to a peacock with a jarring call.**

Finally I want to analyze this conversation between him and Topaz. When asking for her help, he calls her old friend, implying he's planning to use her. The thing about Aventurine is that compared to Topaz, he's more ruthless because he has to be, he doesn't have the wiggle room she does, even Black Swan notes this saying he'll go to extreme lengths to maintain an advantage. Right now, that's what he's doing because he's being thrown to Penacony as a sacrifice. For the reasons above he seems to be the most expendable Stoneheart. He notes Penacony is a lost cause and Topaz is shocked that the mission isn't given to a higher ranking Stoneheart. He eggs Topaz into being his project manager with the idea she'll recover what she lost on Jarilo-VI. What he's really doing is using her to shield himself. With her involvement the IPC will be less likely to cut their loses with him, because they need Topaz and if he puts his eggs in her basket to care for they're less likely to be left to break by the IPC. If things go wrong he takes the blame… unless he has Topaz to sofen the blow. He's gambling on her power in their dynamic.

*My personal theory as of 2.0 is that the Sigonians and Avgins had a war and the IPC backed the Avgins for a benefit of their victory, assuring it. Aventurine was a captive or some sort of "war prize" hence the serial number and Dr Ratio calling him a thrall. It also explains the negative view of Sigonians and the very favorable view of Avgins among other lore we've gotten about it. I may do a seperate post of this theory.

**Sparkle and Dr Ratio liken Aventurine to a peacock frequently. Male peacocks use their feathers to attract the attention of female peacocks. This matches Aventurine's very flamboyant and charismatic character and his place in the story.

Feel free to add discussion, have a great day, mwah!

#honkai star rail #Penacony #Penacony spoilers #aventurine #topaz #aventurine analysis #topaz analysis #aventurine theory #Aventurine has grown on me I will admit #He fascinates me #Finis Analyzes

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