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#the definitive list
english-history-trip · 11 months
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Ever see a depiction of St. George and the Dragon? It's pretty fair to say if you've seen one, you've seen them all: Georgie on a horse stabbing a flailing dragon creature, princess piously kneeling in the background, vague landscape alluding to the homeland of the artist's patron.
The most varied part is the dragons. No one had a real definition for the thing, it seemed. For your pleasure and entertainment, I have ranked some medieval depictions based on how impressive George's feat seems once you see the dragon.
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Paolo Uccello, 1456
This is a terrifying beast. The hell is that. Uccello was one of the first experimenters with perspective, so the thing also looks surreal, like it's taking place on Mars, or a Windows 95 screensaver. I would not want to fight that, I would not want to be tied to that. (Sometimes the princess is tied to the dragon for some reason.) 10/10
Horse thoughts: Maybe if I look at the ground it will be gone when I look up
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Unknown artist, c. 1505
This is a rare change of form for the dragon; it's the only one I've seen actually flying (or at least falling with style). It doesn't look particularly deterred by the spear through its throat, either. Also, George looks appropriately nervous. On the other hand, it hasn't got teeth, it seems to be fuzzy rather than having scaly armor, and George is bolstered by his army of Henry VII and his children, most of whom definitely didn't actually die in infancy. Still, wouldn't want to fight it, wouldn't want my pet sheep near it. (Sometimes the princess has a pet sheep for some reason.) 9/10
Horse thoughts: I am so glad I wore my mightiest feather helmet for this
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Raphael, 1505
We are coming to Dragons With Problems. This guy looks about comparable in size to George, and does have wings, but doesn't seem to be using these things to his advantage (and has he only got one wing?) And how does he deal with the neck? He does have a comically small head, but holding it up with such a twisty neck seems complicated at best. But most egregiously, he is doing the shitty superheroine pose where he is somehow simultaneously showcasing his chest and his butt, with its unnecessarily defined butthole (more on this later) (regrettably). 8/10 bc it's Raphael
Horse thoughts: AM I THE BESTEST BOI? AM I DOING SUCH A GOOD JOB? WE R DRAGON SLAYING BUDDIEZ
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The Beauchamp Hours, c. 1401
We had a spirited debate about this one at work. Again, the dragon has gotten smaller, and this one hasn't got even one wing. He's basically a crocodile. So the debate became: would you want to fight a crocodile if you had a horse and a pointy stick? Would the horse trample the animal, who can't get on its hind legs, or freak out and throw its rider? Would the pointy stick be enough to pierce the croc's thick hide? In this case, George seems to be controlling his horse and putting his pointy stick in the dragon's weak spot, so we can be impressed by his skill and strategy. However, his hat is dumb. 7/10
Horse thoughts: Dehhhh
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Book of Hours, c. 1480
Here we have the same kind of croco-dragon, but George's focus on his strategy has gone out the window. He's flailing around, not even looking at his target, he's about to lose his pointy stick, he hasn't got a hand on the reins, and his sword seems to only be poking the invisible dragon over his shoulder. All he's got going for him is that his hat is slightly less dumb. 6/10
Horse thoughts: Yay, new friend! Come play with me, new fr- what is happening
Final dragons put behind this Read More for your safety:
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Rogier van der Weyden, c. 1432
I'm thinking this guy is at least semi-aquatic. Webbed feet, wings that seem more like fins, bipedal but top-heavy, jaws that seem more for scooping than biting. Maybe she's crawled up here from the nearby body of water to lay her eggs, and this is all a big misunderstanding. Moreover, George's dagged sleeves seem entirely impractical for the situation. 5/10
Horse thoughts: i got my hed stuk in a jar and now it is this way forever
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Unknown artist, c. 15th century
I hate this. I hate everything about it. Why has it got human eyes and teeth. Why is its nose melting. Why has it got a dick on its face and balls under its chin. The fin/wings are back but they look even more useless. Also, George is shifty as hell, schlumped over in his saddle with his bowler hat thing over his eyes. The baby dragon at the bottom eating some hapless would-be rescuer is kind of metal. 4/10 at least the thing is gonna die
Horse thoughts: I Have Smoked So Much Crack
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Book of Hours, c. 1450
Remember what I said about the buttholes? First, sorry. Second, yeah, we're back to that. I'll admit this one is less about the danger from the dragon itself than the very specific choices the artist has made. They didn't need to do that. It's a lizard. They don't even have. And it's like they had an orifice budget and they skipped an exit wound for the spear to focus. Elsewhere. It's so detailed. And George had an even dumber hat. 2/10 take it away
Horse thoughts: I Have Smoked So Much Weed
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Book of Hours, c. 1415
This is just bullying. There isn't even a princess. That is clearly an infant. Look at that smug look on George's face as he swings his sword that's bigger than the whole little guy. This is the equivalent of when DJT Jr. hunted those sleeping endangered sheep. 1/10
Horse thoughts: ....yikes
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And this is the previous one, but now the baby dragon is cute. He's chubby. He's got toe beans. He's Puff the Magic Dragon. His eyes have already gone white, implying that George is just kicking its corpse around for funsies. What's the difference between the dragon and the lamb in the background? That the dragon is dead, like our innocence. This George is truly deserving of the dumbest hat of all. 0/10 plus one more butthole for the road
Horse thoughts: Perhaps it is we who are the buttholes.
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twinkinspector · 1 year
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slut-shaped saturday
dabi
shouto
endeavor
natsuo
denki
kakashi
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bumblebeebats · 2 years
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Top 3 ways to pronounce "worms":
woims (old-timey New York gangster)
wurrums (Scottish)
weuhrms (bad French accent like the narrator from spongebob)
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cryptocism · 21 hours
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the sillies
dialogue from here if you want a blast from the year 2010
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tanglepelt · 9 months
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Dc x dp idea 100
John likes to trick beings to getting himself a good deal and screwing the entities over. So he does this with the new ghost king.
He somehow worded the deal to keep the king in his home realm. You know to keep Danny in the infinite realm unable to attack the earthly realm.
This backfires. And backfires hard. Danny’s home realm is still the earthly one. All John did was not let him back into the realm.
Danny is thrilled. And living his best life. No more council meetings, the paperwork is stuck in the keep, the Observants can’t force him to do kingly duties and above all else. He is passing all of his classes. Scheduled fights with his rogues help as well.
John. Well he’s not having a good time. The Observants are screaming at him, the new king is stuck in earth who knows what he is up to, and he’s had visits from all of Danny’s ghost guardians to yell at him.
John has to break the deal.
Danny doesn’t want to.
When Danny eventually agrees to discuss it. He shows up with a ghost lawyer, sam, and Jazz all in order to secure Danny a good deal. Maybe tucker as well.
Danny wants at least rated M and movie tickets for him and his friends for life, and of course Martian manhunters autograph.
Jazz wants him to get a guarantee that they would leave him alone.
Sam wants them to guarantee ghost protection and end the Giw.
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xxcherrycherixx · 6 months
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cupid's gals meet
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gaycrittercentral · 4 months
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BEHOLD!! I made an entry to Skunkape's 2023 Holiday Contest! :'Dc I worked so fuckin hard on it hhhrhrhrhgdhsjglshgjdjfh and let me tell you, I do not at all hope to win but I do hope it makes Steve snicker. Just the thought that he'll be seeing it is wild. Hope it makes y'all snicker too ehehehe!!
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theliterarywolf · 2 years
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I'm sorry,
WHAT?!
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arctic-bookclub · 3 months
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i'm rewatching phil's day 2 qsmp prison vod after watching missa's vod and i want to list a couple of things i noticed and just, really like
whenever qmissa's near qphil he always goes to stand next to him
whenever qmissa is away from qphil he often looks around for qphil often asking ¿dónde está Philza?
whenever qphil is near qmissa he often stares at him either directly or in f5
they both focus on each other whenever there's a crowd
qphil sprints out of any and all open doors like a bird flying through a slightly cracked open cage door (a menace /positive)
whenever qmissa is looking for qphil, qphil is almost always in either solitary confinement or trying to escape the prison
qmissa desperately trying to help with the spanish words during the language classes (him screaming hints at qphil)
quacki, just all of quacki (I JUST HEAD HER SAY "i like being with you" AT QPHIL PIPIPIPI :((( )
both the ways qphil and qmissa latch onto each other (qmissa standing by qphil's side, qphil staring at qmissa from a distance) are something you'll easily miss from the other's pov (qmissa often stands just a bit away from qphil's line of sight, qphil often stands further away or behind qmissa)
ghostbit was clearly visible in qmissa's pov multiple times but somehow he kept missing him
when quacki asks qphil if he'll go on a date with qmissa if she places down a trapdoor for him, he says "yeah- yeah i've- i've been on- i've been on- y'know- yeah" (can you tell what part of the vod i'm on rn) like hello?? sir??
the way qphil just, dips from confrontations with the guards like idk how to explain it but the way he just jumps into conversation after another escape attempt while the guards are still shooting at him is unparalleled
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paperultra · 5 months
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candy stripes.
Pairing: OPLA!Vinsmoke Sanji x Fem!Reader Word Count: 5,048 words Warnings: Swearing, hospital setting [A/n: Soulmate AU. :)]
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sortiger (adjective): delivering prophecies of the future; having the qualities of being oracular
Nobody else can see the string but you.
You wish you didn’t. It has no texture, no weight, so you can’t understand why it can’t be invisible too. But the string demands attention with every use of your hands, seizes your eye when you wash dishes in the morning and brush your teeth at night, a garish and bloody red that matches the stripes of your uniform.
You hate your string and you hate the color red.
Miss Xinyu, the old lady in Room 30, has one too. At least, that’s what she had told you when you gained the courage to mention yours one day, not knowing what it meant and how much you would come to dread it.
“It’s your red string of fate,” she had explained. “It connects you to the person who understands you more than anyone else in the world.”
In other words, your soulmate. Your one and only.
Miss Xinyu says you’re a lucky ducky, knowing what your future holds.
Her string goes into the ground now. You don’t think being reminded of a dead person whenever you look at your pinkie is very lucky.
The biggest reason why you hate the string so much, though, is because you’ve always had a problem doing what you’re supposed to unless you want to, which causes a lot of trouble for a nine-year-old girl. You already have trouble being nice to patients who are mean to you, so how can you love and wait for someone you’ve never met? It makes you feel icky.
Why can’t you choose? How come you have to have one at all?
Your only source of comfort is that your string is very, very thin and runs out of the hospital. That means your soulmate, whoever they are, is very, very far away. You’d very much like it to stay that way.
But it doesn’t.
Nurse Taoh wants you to watch the patients in Room 8 while he finishes his charts. You don’t really want to, if only because it’s Nurse Taoh asking – he likes to order you around more than Dr. Gu – but you don’t want to get into trouble again, so you go.
(… And okay, you are just a little bit curious about the new inpatients. You only know three things about them: one, they were brought in together last night while you were in your room poking holes into your paper instead of correcting it; two, they’re a man and a boy, presumably father and son; and three, everyone says it’s a miracle they’re still alive.)
(Then again, you’ve seen many miracles here.)
The unit is quiet as you walk down the hallway. Quiet, but not silent, as your polished shoes squeak like little mice against the floor and you whisper the room numbers as you pass by them. Two, four, six – eight.
You stop and knock, three sharp raps against the brown wood.
“Hello?” You open the door and poke your head in. “My name is –”
The squiggly-patterned curtain that often separates patients for privacy is drawn, and you clamp your mouth shut as you realize the patient closest to you is asleep.
Shutting the door silently, you creep closer to the foot of his bed. The man underneath the sheets lies quietly; he is little more than a skeleton, eyes sunken and bones sticking out underneath blistered skin. His beard is long and scraggly, but it pales in comparison to his mustache, each side braided and sticking out to the sides.
He looks angry, even though he’s sleeping. You hope he’s not the type to wake up and yell at you as you tiptoe past to check on the boy.
You pass the curtain, catch a glimpse of the bed sheets, and see –
Red.
Your feet root themselves in place, the room suddenly devoid of air.
You stare. Blink hard, twice. Look again. Then, trembling, you look down at your hand.
Your eyes trace the string around your own finger, following down to the dip of it that barely touches the ground and back up over the blankets until it ends in a red loop around the boy’s pinkie, tied off with a little bow.
Your stomach turns.
Stumbling forward, you make your way to the visitor’s chair in the corner. You slump down into it and stare straight ahead at the curtain, refusing to look at the boy’s face.
He continues to sleep.
You don’t want him to wake up.
The boy does not stir during your first meeting, but that small mercy is quickly eclipsed two days later by a single bowl of chicken broth.
The look on your face is sour as you walk down the hallway again, the broth splashing up against the lid with each step. Because most of the patients in the hospital you live in are elderly, the staff have somehow gotten it into their heads that you simply must spend time with the boy in Room 8 because he is your age and you need to socialize with other kids. You very much don’t want to. Not with him, at least.
Dr. Gu is just leaving the room when you arrive. She gives you a quick smile, the corners of her eyes wrinkling, and pats your head.
“So you heard that the boy woke up, huh?”
You grunt, looking away with a pout. “Can’t you give this to him, Dr. Gu?”
“Nope. I have to finish my rounds,” she says. “Go in and have a chat. His name is Sanji. You’ll like him.”
“I doubt it,” you mumble underneath your breath.
Dr. Gu probably hears you, but she doesn’t scold you, merely patting your head one last time before you enter Room 8.
The dividing curtain is drawn this time. The window curtains are pulled back, too; it’s a somewhat cloudy day outside, but bright enough to sharpen the shadows on the walls and make the boy look even paler than you remember.
His eyes are closed as you approach. A sprout of hope that he might have fallen asleep again blooms in your chest – you’ll just leave the broth on the table, you think to yourself, and go about the rest of your day. Nobody said you had to watch him drink it.
You get about five feet away, already planning to drop some books off to the other rooms, when the boy’s nose suddenly twitches.
His eyes open to thin slits. Your hope shrivels like a weed in the desert as he speaks.
“What’s that?” His voice is quiet and raspy.
Your eyebrow twitches. “It’s just chicken broth,” you say tartly, setting the tray down on the overbed table and turning it around so that it’s over his lap. You take off the lid and steam bursts from the bowl.
The boy reaches up to rub his eyes. The red string dangles from his pinkie, and you quickly look away with a scowl.
“Who are you?” he asks, scooting back to sit up more as he gradually becomes more alert.
Reluctantly, you give him your name. “Will you need help with the soup?”
He shakes his head. His gaze latches onto the contents of his bowl, and he stops, transfixed.
You scramble to stop him as he suddenly grabs the bowl and attempts to gulp it all down in one go.
“Don’t do that! You’ll throw up!” Without thinking, you seize his hands and pry the bowl away from his mouth. A few drops of broth splash over the blankets and his gown, and your irritation grows. Now you’ll have to fix that. “Drink it slowly.”
“I haven’t eaten anything for weeks,” the boy complains. “What do you know?”
“I’ve been studying medicine since I was a little kid,” you retort. “So I know a lot.”
He frowns. “You are a little kid.”
“I’m nine years old!”
“No, I’m nine! You don’t look as old as me!”
There’s no way this … this brat is the same age as you! Fuming, you let go of the bowl and jab a finger at his face. “I am nine years old and I know more than you! You can’t drink the broth like that!”
You’re met with silence. The boy’s eyes are wider than saucers. Pride wells up inside you at your ability to shut him up.
But then he puts the bowl down and seizes your hand, and your pride gives way to horror as he folds down your index finger and lifts your pinkie – the pinkie with the red string wrapped around it.
He lifts his own pinkie, the rest of his fingers folded. Your jaw clenches when you see how the string has shortened to mere inches, bridging the space between his hand and yours.
“Holy shit,” the boy says. The largest grin spreads across his face, and it’s blinding and scary and you hate it, you hate it. “It’s you! You’re my soulmate, aren’t you?!”
“No,” you reply quickly, whipping your hand behind your back and backing away. “No, I’m not!”
“But you see the string too! I knew I’d meet you some day. How come you’re”— he pushes the table away, eagerly but just gentle enough so no more of the broth spills—“how come you’re hiding it behind your back?”
“I’m not your soulmate,” you bark, panic rising in your chest. “Don’t you ever say that!”
You only catch a glimpse of the hurt that flashes across the boy’s face before you turn around and dash out of the room.
Mrs. Hong finds you in the storage closet later, curled up behind the shelves of gauze and IV tubing. She coaxes you out with a promise of rice balls and no questions asked. You wish all the adults were more like her.
The next day, Miss Jaylee hoists you over her shoulder like a human sacrifice and brings you to Room 8.
“I don’t want to see him! You can’t make me!”
“He’s refusing treatment and food unless he sees you,” the woman answers briskly, each of her steps jostling you up and down. “You don’t want to be responsible if Sanji dies, do you?”
“I don’t care if he dies!”
Miss Jaylee clicks her tongue and walks faster.
You flail, feeling a little guilty for your cruel words but too proud to take them back. Sanji couldn’t have heard you, anyway, and nobody here is going to let him die no matter what he does or what you say.
You hear a door swing open. Miss Jaylee walks into Room 8 and turns around, and you lift your head, glaring at Sanji as his face lights up and his cheeks turn rosy.
“[Y/n]!”
Your own cheeks burn in embarrassment at the position you’re currently in. This, you only now realize, is way worse than walking into the room voluntarily.
“How come they’re carrying you? Are you okay?” he asks.
“Let them treat you,” you snap, arms limp and dangling. “And eat your stupid food or I’ll get in trouble.”
“Okay.” You nod, opening your mouth to speak again only for him to continue, “But only if I get to talk to you afterwards.”
What is he, a prince?! What makes it so easy for him to demand such things?
“That wasn’t what you told them,” you protest, squirming, but Miss Jaylee only tightens her arm around your waist.
(“Be nice,” she warns. You growl.)
“It’s important,” Sanji stresses, looking pointedly down at his hand and then back at you.
You bite down on your tongue as the red string glimmers in the light.
Dr. Gu and Nurse Taoh stare at you expectantly. Your neck is starting to ache from craning it, and there’s a feeling that you’ll never stand on your own two feet again unless you do what he wants.
“… Fine,” you hiss through gritted teeth.
Only once you promise to stay does Miss Jaylee let you slide off her shoulder. You stand to the side, arms crossed impatiently as they take Sanji’s vitals and ask him some questions. He’s only half paying attention, head turning to look at you more than once, which you merely turn up your nose at.
“All right, we’ll leave you two to chat now,” Dr. Gu says. “If you need anything, just let [Y/n] know, okay?”
“Okay,” Sanji says.
With that, the three adults leave, and you and Sanji are left alone once more.
“I’m glad you came. They were starting to get mad at me,” he says, then cuts straight to the chase. “How come you don’t want to be my soulmate?”
“Because I don’t want a soulmate,” you immediately reply.
“But why? It’s nice, isn’t it? Being special to each other?”
“You can’t be special to me. We’re not even friends.”
For the second time, Sanji looks hurt.
“…We’re not?” he asks. You shake your head. “But … you brought me food.”
You’re befuddled. “Because Dr. Gu made me,” you say, trying to ignore the disappointment on his face. “Besides, I yelled at you yesterday. Friends don’t yell at each other.”
“I thought that you were maybe just really surprised …” His voice gets smaller and smaller. “Some people get mad when they’re just surprised …”
“I wasn’t surprised. I saw it when you were still asleep.”
“Oh,” Sanji mumbles. He looks down at the sheets, scratching at the wrinkle in the thin white fabric. “Okay.”
He says nothing more. You fidget, wondering if he’s pretending to look like he’s about to cry or if he really is trying not to. You’re not good with people who start crying.
You chew on your bottom lip. Sanji tucks his hand with the string on it underneath his bed sheets, his eyes disappearing behind his tangled hair, and fine, you feel kind of bad whether he’s tricking you or not.
“I’ll only be friends with you if you don’t talk about being soulmates,” you finally tell him begrudgingly. “Not ever, okay?”
His head shoots back up. “Really?!”
“Only if you don’t talk about it! I’m serious.” You huff at Sanji’s sudden change in mood and click your tongue. “If you stay sad you might not get better.  Don’t get the wrong idea!”
He nods, grinning bigger than ever.
Oh, dear, you think as he promises that he’ll be a really, really good friend, you might have made a mistake.
By the fifth day, Zeff, the man who was brought in with Sanji, is awake.
You hear them arguing before you see them, pushing a cart of books for Sanji to browse through as per your agreement the day before. They’re loud, and Sanji calls the man an old shitbag right as you knock and push the door open.
“I’m here,” you announce, and the two quiet down to look at you. You give Zeff a polite smile. “Hello, sir. I’m [Y/n].”
“Hello, little miss,” Zeff says, his features softening from the angry expression he’d directed towards Sanji a moment before.
“Why are you being nice to her and not me?” Sanji pipes up from his side of the room, all puffed-out cheeks and petulantly crossed arms.
“Because she don’t make my ears ring with nonstop whining,” the man answers sharply. “Now get a book and read so I can finally have some peace and quiet.”
“You get a book and read,” Sanji grumbles.
“What was that, boy?”
You cut in before they start bickering all over again. “Do you want a book too, Mr. Zeff?”
Zeff’s gaze flicks over to you once more, and your shoulders tense. The man takes a deep, calming breath, and then he sighs, reclining back into his pillow and closing his eyes. “No, thank you, little miss,” he mutters. “Reading’s no good for my head right now.”
“Do you have a headache?” He grunts in affirmation. “Do you want me to get a nurse?”
“No, no, don’t need any of that.”
“You didn’t tell me you had a headache,” Sanji accuses.
Zeff’s mustache twitches. “All you need to know is that you oughta stop yappin’ when a man wants peace and quiet!”
(Not again.)
As you give up and walk over to draw the curtains, Sanji says your name desperately. “Can we read somewhere else?” he pleads when you glance at him. “I don’t want to be stuck in here with him right now.”
Narrowing your eyes, you appraise his weak-looking frame, pointedly skimming past the red string that snakes over to you. “Can you even walk around yet?”
“Yeah,” he says defensively. He wriggles out of the bed sheets and swings his legs over the side of the bed. Holding onto the side rail, he stands up and grips the IV pole for support. Though he’s a little shaky, he shuffles a few steps towards you and smiles when he manages to do so. “See?”
Well, you think, if you and Sanji stay here, you’ll need to have some light in order to read. But it will probably help Zeff if the room is as dark as possible, so if you guys go somewhere else, Sanji’s lamp won’t need to be on.
“Okay,” you agree. “Wait here. I’ll get some slippers.”
Ten minutes later, with Sanji shuffling along in his slippers, IV pole in one hand and your arm in the other, the two of you arrive at the common room and find chairs in the corner to sit down in.
“These’re mostly history books and stories for old people,” you explain as you pull out the one cooking-related book you could find from the top basket of the cart. “This was the only food one I could find.”
“That’s okay.” Sanji takes the book from you and begins to flip through it. “Oh, this one’s about seafood in the South Blue! Have you ever had any?”
“No.”
“Me, neither. I’ll try it someday, though … hey, this fish looks like a fried egg!”
Against your will, you perk up. “… Really?”
For the next half-hour, Sanji fawns over the spices used on grilled Sea King meat and how to cook wine clams and the best fish for South Blue-style sushi. And it’s … not boring. He doesn’t hog the book, and the pictures are cool, and he asks you which ones you think are the coolest or would taste the best. Looking at a book with another kid is different from reading with an adult. It feels like you’re sharing, not like you’re being tested on your comprehension or how to pronounce long words.
Hanging out with Sanji is okay when the string doesn’t sour it.
“So you want to cook all of these one day?” you ask after scanning through a full-color page of steamed Ocean Hawk feet.
“I want to cook things from all four seas,” Sanji says. His legs bounce with excitement. “That’s why I’m gonna find the All Blue.”
“What’s that?”
The boy glows.
“It’s where the North, East, South, and West Blue seas all meet. Think about it – fresh-caught fish from all over the world all in one place! I’ll be able to cook dishes no one’s ever cooked or tasted before.”
You’ve never heard of such a place. But Sanji talks about it with such conviction, such resolve, that you figure the All Blue could really exist.
“I hope you find it,” you say, and you mean it.
“I will.” Sanji closes the book. “And when I do, I’ll cook something just for you. A-As a friend.”
He peeks over at you, his eyes even brighter and bluer than before, his cheeks flushing a familiar red. And you find yourself believing him, just a little bit.
Sanji keeps his promise.
You know he still likes you (blech) and so does most of the staff (double blech). Nurse Taoh thinks it’s funny and teases you about your little boyfriend in Room 8 who always asks where you are. Mrs. Hong reminds you to be sensitive whenever you stop by to pick up meals. Dr. Gu tells you to tell her right away if Sanji ever does something that makes you uncomfortable.
But he never does. Sometimes his words spill out clumsily like a broken faucet and other times he blushes and stutters, leaving you to wonder what he’s going on about, but he doesn’t try to kiss you or hold your hand, and he doesn’t say a word about the red string that is very much still there. If anything, he just annoys you at times, with how nice he is to you and how sunny he gets when you eat lunch with him sometimes.
You’ve never seen somebody so happy to be in a hospital before, even if it’s just because he wants you to like him. It’s weird.
It’s on the eighth day of Zeff and Sanji’s stay that you learn not everything is how it seems.
You’d gotten in trouble the night before for digging holes in the garden – you had kept the seed from your dinner plum and wanted to see if you could make it grow, but Miss Jaylee had caught you while taking Mr. Hu out for some air – so you’re somewhat grumpy on your way to Room 8, two notebooks in hand.
One of them is blank for Sanji. He wants to record all the meals he’s gotten and write down how he would make them. The second notebook is full of your notes that you need to study for your quiz tomorrow.
Zeff is sleeping again when you enter. You move quietly across the room to where Sanji is lying with his back to the door.
“Sanji.” You can see his shoulders tense underneath the sheets, but strangely, he does not roll over to face you. “I have your notebook.”
No answer. That is even stranger.
Frowning, you walk around to the other side of the bed. Sanji moves to bury his face into his pillow, but not before you hear a very soft, wet sniffle.
“Sanji?”
“Sorry.” His voice is high and so muffled you can barely understand him. “You can just leave it on the table.”
“Why are you crying?” In the back of your head, you know it is not the most sensitive thing to ask. But for some reason, you need to know. “I won’t laugh or tell anyone.”
You hear another sniffle from the mop of blond hair. It takes a long time for Sanji to answer, but he eventually does.
“I don’t like hospitals.”
Your brow furrows. “Oh,” you say, somewhat surprised. Most people don’t like being in a hospital, you’re pretty sure of that, but you didn’t know Sanji didn’t like it this much. “Why?”
Maybe he’s tired of getting poked all the time, or the bland food, or the hospital smell. Nobody here can change that. Maybe he’s homesick. The hospital can’t fix that, either.
Sanji turns his head slightly and takes in a small, shuddering breath. “’Cause it … it makes me remember my mum … when she was sick,” he mumbles, almost too quiet to hear.
“… Oh.”
You had assumed, upon learning that Zeff and Sanji were not at all related, that Sanji was like you and never knew his parents. He’d never talked about having any before, only his time on the Orbit and with Zeff. But he does know them – his mother, at least. And she was sick. The memory is what’s making him so sad, and it’s yet another thing that the hospital can’t help.
You don’t want him to be sad. You did make him your friend, after all, even if he does annoy you sometimes.
“I’m sorry,” you say, standing awkwardly with his notebook still in your possession. You remember what Miss Jaylee has told other patients before. “That, um, must have been really hard for you.”
Sanji squeezes his pillow more tightly.
Should you go? Should you talk to him some more?
“Please don’t tell anybody,” he whispers before you can decide. “Especially Zeff.”
“I won’t,” you reply firmly. “I said I wouldn’t, didn’t I?”
“I’m sorry I can’t hang out today. I really wanted to, but, um …”
“It’s okay. We can do it later.”
“Okay.”
You set his notebook and a pen on the bedside table. After some thought, you refill his water and, after even more hesitation, fix the bed sheets on him a bit so they’re not as twisted up. That is the best you can do.
The red string follows you as you quietly leave Room 8, and you don’t think about it at all.
“How do you spell necessary?”
“N-E-S-E-S-A-R-Y.”
“That doesn’t look right. I think it’s S-S-A-R-Y.”
“Maybe you can find it in the book,” Sanji suggests, kicking his feet as he lies on his belly next to you.
“Yeah, maybe.” You flip through the pages of your textbook, searching for the correct spelling lest you get marked off again.
It is the tenth day. Sanji is doing alright, and Zeff is up and about with his new leg. Dr. Gu says they’re good to go, so they’re leaving after Zeff finishes breakfast. You’re not sure how to feel about it.
In the meantime, Sanji is helping you with your essay about scurvy. He knows quite a bit about it, which makes sense since he’s lived at sea, and you hope the perspective he’s supplying will impress Dr. Gu.
(“That’s why every ship needs a good cook,” he tells you proudly. “We make sure everyone eats right so they stay healthy.”
“That’s why you and Mr. Zeff are going to have a restaurant ship, right?”
“Mmhm.”)
Sanji rests his face in his hands, cheeks squished against his palms while you continue to scan through your textbook. You finally find the word in a photo caption and, with a triumphant noise, jot it down correctly.
Someone knocks on your door. The two of you turn to face it simultaneously.
“[Y/n]?” It’s Mrs. Guo.
“Yeah?” you call, already slightly irritated.
“Is Sanji there? It’s time for him to leave.”
A frown presses down on your lips. Sanji sighs and gets up as slowly as possible, taking his notebook with him.
“Coming,” he says.
The two of you dawdle on your way to the hospital entrance. You pet Cabby the dog when you run into him and his handler and stop by the kitchen so Sanji can thank the cooks. There’s no rush, not really, but an uneasy feeling continues to well up in your stomach anyway.
Upon arriving at your destination, Zeff waiting at the double doors with a giant bag of treasure slung over his shoulder, Sanji stops and turns to face you.
“I’m – I’m going now,” he says, as if just realizing it.
“Okay,” you say.
You and Sanji stand in silence for a moment before Sanji’s bottom lip starts to wobble.
Yours starts to wobble too. The uneasy feeling in your stomach bubbles up into your throat and behind your eyes.
“I’ll write you,” he blurts, voice cracking. “You’ll come visit, won’t you?”
“I don’t know.” You don’t know if they’ll let you. The hospital is busy and the ocean is big, bigger than you, and you don’t know it at all like Zeff and Sanji do. “But I’ll write back.”
“Promise?”
“I promise.”
You are crying now.
For the first time, your arms wrap around Sanji, and he clings back as both of you bawl. Your tears and snot stain the shoulder of his brand-new clothes. Your uniform grows damp at the collar. It doesn’t matter at all.
“I don’t know if I’ll see you again,” you croak into his shirt, face hot and eyes blurry.
His grip tightens. “You will,” Sanji replies in between sniffles. “I know it. Even if it’s when we’re really old, we’ll see each other again.”
“Okay.”
You believe him. Not because of fate, but because you want to.
You write to each other every single week for the next ten years. You tell each other everything.
Well, almost everything.
“You seem nervous,” Nami says. “Don’t tell me a little bribery got under your skin?”
“No, no.” You wipe your hands on your thighs and try to relax against the back of the booth. “Just … not used to places like this, that’s all.”
The Baratie is nicer than you imagined. Sanji had kept you up to date over the years, sending newspaper clippings and recipe drafts as the restaurant he and Zeff founded grew in staff members and reputation, but seeing it in person is a whole different deal. You’re telling the truth when you said you’re not used to a place like this.
But it’s not why you’re nervous.
“Hey, look!” Usopp exclaims, pointing across the room. “I think those guys are gonna fight.”
The rest of you look. Near the kitchen, two men are arguing, and the pink-haired man sitting at the table stands up when the pirate shoves his food onto the floor.
Usopp sucks his teeth. “Yikes.”
Luffy leans forward in interest. Zoro simply stares, and Nami rolls her eyes.
One of the waiters approaches them. You watch as he tries to deescalate the situation, but neither party is having it.
The pink-haired man draws a gun.
Within seconds, the gun and both would-be brawlers are on the floor.
The waiter shoves his foot into the pink-haired man’s back to keep him down, then picks up the plate of bread rolls again, stepping over both groaning bodies with the ease of one who’s done it before.
He reassures the other customers as he approaches your booth. You’re not concerned about the fight so much as you are about the way that you know.
It’s been ten years, but you just know, even before he gets close enough for you to see the red string that trails up and disappears into the black of his pants pocket. Even before you see the blue of his eyes and the annoyed set of his brow, exactly the same as you remember.
He places the rolls down onto the table, and for the first time, you wonder what you want.
“Hi, welcome to our shitty restaurant where the only thing worse than the ambience is the food. My name is Sanji. What can I get for you?”
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celestialwrites · 3 months
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six word dialogue prompts ⋆.ೃ࿔*:・
@celestialwrites for more!
♡ “you chose her, i knew it.”
♡ “stop making me love you, idiot!”
♡ “i wish our fate could change.”
♡ “remember how much he loved her?”
♡ “i refute to let this change.”
♡ “why must all good things leave?”
♡ “you loved him, just not enough.”
♡ “i wish i died back then.”
♡ “her face haunts my dreams forever.”
♡ “to the stars and back, love.”
♡ “never forget what i said, okay?”
♡ “you’re a dumbass, please know that.”
♡ “i’ll be waiting, keep your promise.”
♡ “finding love like that, it’s impossible.”
♡ “thanks, for giving me the will.”
♡ “you’re too good for this world.”
♡ “i’m too dashingly gorgeous to die.”
♡ “enough! stop pretending like you care.”
♡ “please don’t ever lose your heart.”
♡ “as long as i have you.”
♡ “don’t make me regret not dying.”
♡ “people are simple, gone too soon.”
♡ “i never ever regretted knowing you.”
REBLOG TO SUPPORT YOUR LOCAL WRITERS<3
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mysterycitrus · 5 months
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who do you think is daddy dearest’s LEAST favorite?
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she is not his child but that will not stop him from hating
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ironinkpen · 11 months
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The interpretation of Rise Raph as a 'perfect responsible soft boy uwu' is so BORING I'm sorry, Raph is a rowdy adrenaline junkie with anxiety and I won't take this slander any longer
Raph secretly kept an enemy soldier in their actual literal house as a sparring partner. Raph glued his brothers together and dragged them out to fight crime. Raph once asked Leo to punch him in the face to prove he 'takes damage like a boss.' Raph tried to lift a school bus, twice. Raph offered to help his favorite wrestler beat his little brother up. When Leo suggests evacuating Bullhop, Raph says no bc the best defense is a good offense babey. Raph's idea of a 'friendly chat' with April's upstairs neighbor is to put on a black ski mask and go stand menacingly at their door. It takes Raph 10 episodes to conclude that they should MAYBE start training. Raph's plan to get a potentially priceless (and potentially FRAGILE) museum artifact is to punch a car in the middle of a busy street and also cut it in half with his brother still inside.
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Raph's never met a problem he wouldn't try to punch in the face and does not know the meaning of the words 'excessive force.' He roughhouses with his bros and drags them out to fight villains and thinks any plan that doesn't involve an all-out brawl is boring and lame. He'll do anything to protect his family from harm and be a hero, but also he eats wet salami off the floor and once single-handedly destroyed a library.
I just adore how, at his core, Rise Raph is such a classic Raph—impulsive and stubborn and caring and passionate. He is a very sweet, strong, honorable guy who has a very powerful sense of personal responsibility... and he is also the exact kind of jock who throws you in the pool at a party without checking if you have your phone in your pocket first.
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pettydollie · 4 months
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”why me?”
matt asks one random night as you sit in his bed while he strokes your hair. your back is leaned against his chest, so neither of your faces is visible.
you furrow your eyebrows. “what do you mean?” you ask, fiddling with a necklace he bought you. he shrugged like it was obvious.
“why did you choose me instead of.. i don’t know, chris?” he hesitantly asks. in this moment, he was relieved that you couldn’t see his face.
you grin slightly and grab his free hand to intertwine your fingers with his. “because i like you, not him, silly.” he nods slowly at this, but that wasn’t the answer he was looking for.
“well i know that, i just mean, what do you like about me that chris doesn’t have?”
you finally quirk your head to look up at him. you stare at him for a few moments before giving him a small kiss. when you pull back, you sigh. “do you really want to know?”
he chuckles and nods. “yeah.”
you scramble to the other side of the bed where your phone is. you snatch it up and unlock it. “i have a list.” you told him, trying to find it piled up in your notes app.
“you have a list?” he giggles. of course you would have a list. you nod your head and smile once you finally found it.
“here we gooo. now get comfy, there’s 134 points.”
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nelkcats · 9 months
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Do not accept candy from strangers
Danny made a lot of stupid decisions in his life, several, so many that he couldn't even begin to count them, but according to him that was great when it came to learning from his mistakes.
So, it's no wonder that on his one day off he decided to do everything he was told not to do:
1. Leave Amity
2. Reveal himself to the world
3. Accept things from a stranger
The first 2 were reasonable, considering the situation with the GIW and how 80% of the population did not believe ghosts existed, the last was a warning Jazz made sure to instill in him.
But Danny was dead (more or less), and what harm could it do to eat a candy or two? It's not like he could poison himself.
The answer was a lot of harm; Technically no one offered him the fallen Kryptonite on the ground (he just thought it looked delicious), and both Lex Luthor and Superman weren't paying attention to him during their epic battle or whatever.
So Danny just picked it up and ate it, well, ate several (Lex was throwing them away like a candy trail, the halfa had fun thinking of Hansel and Gretel), Superman looked worried as he heard "Lex's evil plans to surround him with Kryptonite."
But instead of finding a perfect circle surrounding him, he found a teenager, a young white-haired boy who was rolling on the ground and complaining of a stomach ache.
Danny could almost hear Frostbite's voice scolding him for eating candy off the floor, damn it, and some of the candy wasn't even pure! They looked manufactured and stale. Danny glared at Luthor before deciding it wasn't worth it and going back to his task of complaining.
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cardsharksplayingames · 3 months
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