#the main joke here is having to do your own very in-depth research

[sebastard69]

Hello! Sooo could you give us more information for autistic genshin characters? (honestly felt that alhaitham could be neurodivergent since the beginning so hhhhhhh)

Btw, do you have any reliable sources to learn about autism and such? I learnt recently that I may be autistic (self-diagnosed but the results speak for themselves) and I really want to know more about it

I'm also self-diagnosed! A lot of my information has come from other autistic people I've made connections with, as well as some websites like spectrumnews or additudemag - though these sites I simply used as a springboard for more in-depth research I did during my psychology and sociology classes using peer reviewed papers and studies. It's been a while since I did my own research, however, so I no longer have links to the papers I used :( The good news is that Google has a specific search engine for research papers here, if dense research papers are your speed!

And I would LOVE to give more information on autistic genshin characters! This is a bit of a long one, so I'll stick my explanations under a read more!

Albedo and Shenhe are kind of obvious imo, they have the classic "low empathy" thing going on (which I find that to be such a misnomer, autistics don't have low empathy we just express it differently), and struggle to understand and express emotions. Albedo uses art and alchemy to try and understand the world around him while Shenhe tries to find logical explanations for the concept of friendship.

Cyno is one of my favorite examples! He is not very expressive, he has an intense sense of justice, he is fiercely loyal to those he considers friends, and the entire reason he tells such bad jokes is because he recognizes his shortcomings and wants to be a better leader to the other Matra. He knows jokes can help ease tension and build morale, but he doesn't have the same sense of humor as most other people and tends to assume their lack of laughter is from a lack of understanding so he over-explains them a lot.

Tighnari's special interest is botany and medicine! He also has a strong sense of justice and left the akademiya to pursue what he believes to be a just and worthy cause. He has a tendency to get frustrated with people who don't understand him and he's protective of the people he's taken into his care. He's not exactly the Too Expressive kind of autistic, but he is more expressive than Cyno - who, btw, he is an expert at reading and understanding even when Cyno doesn't speak. In the 3.2 archon quest, he says something about Cyno seeming more lonely than usual, despite Cyno's demeanor and expression seemingly never changing.

Alhaithammmmm I love him he's just like me fr fr. Another person with a strong sense of justice, and he has a need for things to make sense at all times. If he doesn't understand it, he'll keep digging until he does, no matter what and the main reason he helps you in the archon quest is because of his own curiosity. His sense of humor strikes me as very autistic, too, but in a distinctly different way than Cyno's is. He is INCREDIBLY blunt, literally says "I do what I want" more or less, and is very adamant about the fact that "you can't save everyone."

Nahida is tricky because I know a lot of people will say that she is the way she is because she was locked up for 500 years, but I don't see that as a valid explanation. She has the ability to enter peoples' dreams and frequently ventured into the world in Katherine's body, and had the means to observe and learn about human behavior - something she spent 500 years doing. And yet it seems she's learned barely anything because she tends to try and turn emotions into logical reasoning and it doesn't work that way. During the archon quest, she gets confused by the traveler's response to things multiple times because she'd predicted a different outcome based on a logical inference she made using data collected from humans over 500 years. This is how she perceives the world and processes new information, almost like a computer. Sounds VERY autistic to me.

Diluc is, again, a character that struggles to express himself emotionally and has a strong sense of justice - that's a recurring theme in Genshin I noticed. He consistently does heroic things but does not see himself as worthy of being called a hero because of past mistakes, and struggles to reconcile his feelings in regards to Kaeya because of this sense of justice i.e he loves Kaeya and misses his brother, but can't forgive him for lying. (Or for when he chose to come clean, which honestly is very fair because that was like the worst possible moment to do so)

"Ok, but Razor was raised by wolves, so of course he struggles socially, etc etc etc!" Boring, lame, dumb take. Razor was, and still is, taught by Lisa very regularly. He struggles to articulate himself and speak not because he doesn't know how, it's just hard for him. When you put him in your teapot one of the first conversations you can have with him involves him expressing a desire to get better at speaking regularly and he asks you to help him practice, it's very sweet tbh. He is socially anxious and struggles to express himself.

The more I think about Klee the more I realize she's probably both autistic and has adhd. Her special interest is bombs, she has a habit of breaking rules even though she knows exactly what will happen if she does, and she's a little hyperactive. It's hard to say exactly whether all of that is both or just one because she's young, but I say both.

Yanfei! My gorl! Special interest is law and crime, has a strong sense of justice, she uses her understanding of law and civil code to express herself, is a little socially inept (but what adeptus isn't) but thrives when she meets people she meshes well with - like Yelan or Shinobu!

I know none of this was Mihoyo's intent, stuff like this rarely is, but I revel in finding bits of myself in the media I enjoy nonetheless!

[jmoriarty-221b]

So I saw somewhere a post that talked about how some fictional characters just have a divorce vibe going on, like, at no point in time were they ever married but they just give off that feeling that they got divorced

And now I can only think of Clark Kent and Lex Luthor having that vibe

And I spent close to an hour talking about this to my sibling and how it would be a good idea for a new DC show like, you can make so much money off of just the main Batfam alone and there are literally so many people in there that it’s just an amazing idea to have them all in a show together but kind of like a Good Luck Charlie kinda thing because there’s more than enough angst in the world

But in the case of not having enough of a budget for so many characters in one show I turned to the Superfam (Batfam is Huge like, I don’t even know half of the extended family version and that’s like at least ten characters so I could see why it wouldn’t be entirely feasible to have a show that included everyone while still being good with nice character development without having a billion dollars for the budget)

The Superfam, in my personal experience, is composed of Ma & Pa Kent (farm vibes plus I refuse to have either of them die in my AU), Clark Kent (main Superman), Lois Lane (Lana? was Smallville Lois i guess??? But idk enough about her so she’s not here), Jon Kent (Superboi II), Kara Danvers (Supergirl) & Conner Kent (Superboi I)

Now I’ve stopped watching CW shows like, forever ago??? But my brother kinda keeps up with them and basically the gist is that the ratings of every other show suck Except for the Superman & Lois show (because it’s 💫new💫) and I saw the cover of the poster like “Ah, the werewolf dude. . . mmmhhmmm that’s Lois yes, yes that’s Johnny boi, and um is that???? Nooooo, they wouldn’t do that to Conner right???? Please tell me they didn’t make Conner blonde” and I was informed that the blonde teen is Chris???? Like

Whoms’t do ye speak of

I’m not even joking but the only way I even know of Chris is from a random fanfic I read where Dick Grayson gets his own super from an alternate reality named Chris, that’s my only point of reference for this character

But let’s talk about how Conner Kent (OG Superboi) was excluded

Now I haven’t seen any episodes of this and I probably never will (no hate I’m just really unmotivated to start new shows at all) so idk if they might mention Conner or even allude to him in one scene or something

But this was my main motivator as to my new Superfam TV Show Idea

Have Lex Luthor not be a Superman villain, he’s mainly a successful businessman, a little shady but who isn’t, and he doesn’t want to Kill Superman, he just wants to be able to have some sort of viable protection against a Kryptonian in case of an invasion (see Man of Steel + CW’s Supergirl) or suddenly having a mind controlled Superman on their hands (see Justice League series or just look up what Red Krytonite does) so he makes it like his side thing to figure out ways to neutralize or hold back a Kryptonian, Clark totally thinks that Lex is obsessed with finding a way to kill Superman because they had a bad end to their friendship in high school so he’s always suspicious of Lex, Lex hasn’t really ever tried to kill him though because 1. It’s not that deep Clark ok? And 2. He’s a busy busy man with a very important job position and a company to run so does he look like he has time to harbor an obsession over someone who rejected him back in high school??? You’re more of a constant side quest Clark, so stop trying to put him on the JL watchlist ( btw ik about Lena Luthor, haven’t forgotten her but she doesn’t really play a part in this AU so let’s just have her and Kara off to the side doing their own thing ok? Ok)

Lex, Bruce & Oliver all knew each other when they were kids and went to the same school, this is just an extra detail I wanted to happen because Lex and Ollie definitely know Bruce is Batman and absolutely HATE having to deal with Brucie Wayne because “I know you’re just doing this to irritate me Bruce, you just want to see if you can make a vein throb in my forehead but I will valiantly ignore your dumbassery because I know you hate being Brucie just as much as we hate having to put up with Brucie so suck on that you petty bitch” because they bonded in ye olden days, childhood friends so to speak

Anyway so Cadmus tries to get Lex to make an investment in their company, seeing as Cadmus is shadier than Gotham when it rains Lex is basically like ‘no ❤️’ and doesn’t make a deal with them, Cadmus gets mad at not having Lexcorp financially backing them so Lex has an ‘accident’ and they steal his DNA, then they steal Superman’s DNA somehow and *boom* a Superboi is formed

Because I don’t know much about how the Core Four became friends in the first place (Robin Tim Drake, Impulse Bart Allen, Wonder Girl Cassie Sandsmark & Superboy Conner Kent) I’m just gonna go with what happens in the show Young Justice except it’s the Core Four becoming the Core Four when they liberated Conner (who at this point believes himself to be a clone of Superman and has only been given Superboy as a name) from Cadmus, same shit goes down meaning that Clark is just straight up NOT vibing with Conner, Conner just wants a mentor please, and the Bats kinda give Clark a passive aggressive treatment for not taking Superboy under his wing or at least agreeing to teach him how to control his powers, especially Tim because that’s his Bestie so yes

Anyway, YJ saves ppl and is on the news or whatever and Lex finds out about Superboy’s existence that way, so he researches this new super on his free time, finds out that he came from Cadmus and claims to be a clone of Superman, yet doesn’t have the whole power set Superman has??? Wait, didn’t Lex reject Cadmus’ proposal and the got into a mysterious accident??? Long story short Lex goes connecting the dots, hacks into Cadmus’ files, finds out he technically has a son with Superman and decides to take Superboy under his wing (I’ll go more in depth as to why Lex would want to do this in this AU later but the abridged version would be that he wants a kid but doesn’t have the time nor interest in finding a wife??? Also the radiation that made him bald as a kid also affected his reproductive system so while it’s not impossible for him to conceive kids he would have a very hard time actually getting to father a kid)

Him and Conner, who still goes by Superboy at this point in time, meet up and Conner finds out that here is a parent figure that is both available and actively wants to be a part of his life, so he agrees to get to know Lex and the series would focus on them becoming a family, with a special episode when Conner asks Lex for help in choosing a name for himself and it ends up with him agreeing to become Conner Luthor, it would be heartwarming and Mercy would make sure it happens within a day (Mercy is Lex’s bodyguard/PA but they’re also besties and she becomes the Responsible yet Chaotic Aunt as Lex and Conner’s father-son relationship progresses)

Obviously Clark becomes super suspicious of Lex getting close to his ‘clone’ and when Conner decides to go public as Lex’s son he’s like *GASP* and calls up Bruce because we need to get on this Bruce, Lex is a villain and blah blah blah but Bruce would be over Clark’s shit and hit him with that “actually, Lex was also an unwilling genetic donor to Superboy, who actually is not your clone either, and has agreed to take him in, I’ve been on this shit since they first met and the kid is doing just fine so if you keep poking your nose in their business then that’s your problem but you better be ready to pay child support bitch . . . have a good day ❤️”

The series would just focus on Conner getting to have a good parent figure in Lex and go more into their civilian lives rather than focusing on the superhero thing, Conner, Bart, Tim & Cassie have a sleepover at Lex’s house at one point, Lex totally Knows what’s up but it’s all good because these are his baby’s friends and they’re good people who are more than willing to prank Superman for rejecting his kid and giving his baby self worth issues (Mercy supports them)

Anyway, that’s basically the idea for a new Superhero Show

[jennycalendar]

ok you know what i think it’s actually really vital that i talk a little bit about tea time. buckle up kiddos.

first off, a brief and relatively spoiler-free summary: the premise of the issue is very simple. the kiddos (aged up, if willow’s mention of being engaged is any indication) are hanging out in the library to help giles with research, swapping stories about what it would be like were giles a vampire. each of them, save giles, gets a chance to tell a detailed story -- xander tells two! -- and each story plays out in a way that says a lot about the scooby that’s telling it AND the way they view giles.

obviously this is a VERY character-driven issue, and it’s a really really interesting look at giles and how he is perceived as well! shit like that is my bread and butter, so this has honestly become one of my favorite things that boom has put out -- possibly my ACTUAL top favorite issue if we’re being real here. 

below the cut is a spoilery dissection of every story told -- a literal summary of Every Single Thing that happens in this issue, as well as what it has to say about the scoobies and their perception of giles, so definitely keep that in mind.

as can be seen in the preview, xander’s first story is about giles rising from the grave as an ineffectual british caricature, who is easily defeated by smoldering, sexy xander harris (and xander in turn walks off with buffy and willow draped all over him, cooing about how amazing he is). it’s more of an intro to the premise than anything, but it still sets the tone pretty clearly wrt how xander handles this situation: there’s some laughter and levity, and he’s center stage. obviously a lot can be said about xander’s self-esteem issues and how he overcompensates by casting himself as the main protagonist both in canon and here. however, i wanna save my more in-depth xander analysis for his second, longer, story, so i’ll stop myself there.

willow immediately responds with skepticism: she’s of the mind that giles would be an incredibly serious big-bad level threat. the tale she spins involves giles as a dangerous vampire cleric with access to a cryptic altar, killing xander almost immediately and slaughtering buffy as a sacrifice to create eternal night. her view of giles is more clinical than anything -- and, i would argue, the most perceptive and realistic from a threat standpoint. the guy knows a fuckton of magic and he is incredibly well-read and powerful. he’d have some kind of terrifying master plan. where xander goes for comedy, willow goes straight for logistics, already looking at the battle like it’s a battle rather than laughs aplenty. 

xander and buffy have a bone to pick with willow’s story (xander is indignant that he’s immediately and brutally killed, buffy is of the mind that she would easily defeat giles in hand-to-hand combat even if he IS a vampire), so (after one more teasing story where buffy lives and xander dies) willow gracefully alters her narrative to reflect her friends’ objections: after a dramatic tussle, xander helps willow and buffy unceremoniously stakes giles in the heart. still pretty straightforward and plausible. willow sees vamp giles primarily as a threat -- one not easily neutralized. one who could easily wipe them out.

buffy, about to tell her story, is interrupted by xander, who “had an even better idea!” the web he weaves is this time purported as realistic and entertaining: while partying at the bronze, buffy and co. are interrupted by a bunch of balding, greying vampires in curlers and bathrobes, led, of course, by giles -- who is wearing a hair bonnet and disapprovingly informing the bouncers how late it is at eight PM. a knockdown brawl breaks out at the bronze -- old people feeding on and decimating the young -- and culminates in giles and the geezers taking over the band to sing “some terrible song” that’s “probably something really old and bad!” the rest of the story descends into b-movie chaos, with buffy throwing a broken guitar neck up at the stage lights to send the whole thing crashing down onto vampire giles and his vampire old person band. it’s categorically absurd.

the thing that really sticks with me about this story is how dumb it is. xander’s take on giles is not even slightly serious and wholly underestimates him. fandom at large talks a lot about how giles dropped the ball with xander, but i think tea time explores an easily overlooked factor: xander constantly, consistently underestimates giles. in canon, xander’s view of giles is not often challenged: to him, giles is a bumbling, british librarian who regularly gets his ass handed to him by vamps and demons and the like. certainly part of his story’s intent is about laughingly entertaining his gal pals, but there’s a very real and consistent thread involving giles being hilariously nonthreatening. 

giles, taking umbrage at this particular tale, calls out both xander and willow: xander’s story, in giles’s opinion, emasculates vamp giles and turns him into a ridiculous caricature -- and willow’s story, though much more flattering, lacks the kind of imagination that vamp giles would clearly have. he then offers a suggestion of his own. it’s worth mentioning here that both xander’s and willow’s stories get gorgeous multiple-page spreads depicting the vampy action, but giles’s is a simple and chilling little thing: this is his vampire story. this meeting, called to ostensibly “research” a vampire altar, is really an excuse to get the scoobies to do his dirty work and find the thing for him. they’re tired and silly because the tea and donuts he’s given them are drugged, and their library location is to keep them out of daylight. he laughs it off when he sees they’re bothered, and the meeting is then adjourned when willow finally finds what they’re all looking for. 

buffy’s left her phone in the library, so she doubles back, and accidentally wakes up a dozing giles. just as she’s about to leave, he inquires, casually, “...you never did tell your version of the story.”

and good god here is where it gets interesting.

see, buffy’s take is simple: she’s fighting giles in a cemetery, she’s given the chance to kill him, and she is entirely unable to do it. they share a tearful embrace as she sobs about the unfairness of it all -- “you’re giles! and you’ll always be! ...how will i do this without you? without your guidance?” and as the sun is rising, giles turns her into a vampire, with no resistance whatsoever from buffy. the next handful of pages depict bloody, indulgent violence on the parts of giles and buffy, the two of them cuddled up together as they watch the world burn. 

buffy’s tale is the most emotive, the most loving, which makes me so damn soft! i love this girl so much! she is unable to even joke about giles as a foe to be taken down -- he is her watcher. he is her friend. she loves him endlessly and that does not change when he’s a vampire. vamp giles as she portrays him is gentle and understanding, holding her as she cries, because he knows that they’re connected. it’s easily my favorite part of this whole issue.

notably, there is a definite buffy/giles bend that the comic itself tries to contradict. the art is sensual in nature -- vamp buffy all dolled up in a way somewhat evocative of drusilla, giles tenderly caressing her face as he waits for her to wake up. “watcher and slayer connected forever” being the quote chosen to describe the situation. i think it’s kind of what naturally happens in a vamp giles sitch, especially if he turns buffy -- the childe/sire bond is incredibly sexual in nature, especially in canon, and a lot of frustrating human sentiment gets translated into something sexual as well. sex is a big BIG part of the relationships between vampires we see in canon; it would make a lot of sense for that to hold true for buffy and giles.

the comic is reticent about Going There, which i can understand -- though buffy is decisively aged up in this issue (willow mentions being engaged to a woman, later revealed to be tara), the buffy/giles bond is always seen through a father/daughter lens in canon. i do think it’s also important to always recognize how desperately giles wishes to escape the label of father in reference to buffy, pretty much entirely because there is no way to parent a child soldier who you’re also training, but that’s a whole other kettle of fish. point is, buffy very pointedly refers to vamp giles as her father not once, but twice -- once as a human, once as a vampire herself. it’s a very clear attempt, imo, to un-sexualize the vampy experience. the reason it doesn’t totally work, at least for me, is the fact that -- like i said -- the childe/sire bond is VERY sexual (spike and dru, angel and darla, angel and dru) and it seems just totally implausible that vamp buffy/vamp giles (two people who, as human were both VERY repressed) would chastely remain within the socially acceptable version of their relationship.

i can definitely understand why they did their best to blur that line, though. the idea of buffy and giles being romantically involved as vampires is 1) Kind Of A Lot and 2) not exactly the target demographic that i think this comic is going for. but the subtext is there, to the point where the issue itself has to actively obfuscate it, which i think is .... so interesting? especially as a counterpoint to the way i often see buffy/giles in fandom, wherein the father/daughter subtext in canon is at times actively obfuscated in fic in an attempt to push a preferred reading. 

the ending i particularly enjoyed: after buffy leaves, it is lightly and ambiguously implied that giles might really be a vampire. works GREAT as a standalone, imo, and the end is like the cherry on top. it’s a really REALLY interesting issue and i highly recommend it for any giles fan. 

[traincat]

if you dont mind i would love to hear your thoughts on how and why peter seems to be more fulfilled by lower paying jobs (i.e photography, teaching) rather than by high paying jobs in STEM

(Sorry for the wait, anon! I did get this first ask, as you can see, it’s just that sometimes I tend to hoard asks that I want to give long in-depth answers to and then they get buried.)

So I think to best answer this the first thing we have to do is look at Peter’s 616 employment history -- what jobs he’s had when and for approximately how long. So here we have a more or less definitive list -- I may have skipped over a few minor jobs that aren’t important in the long run of the character history, but for the most part this is accurate. For the sake of brevity I am not going to count things he’s done as Spider-Man that have earned him money, like a brief bodyguard stint or his occasional time with the Avengers, because this is really more about his identity as Peter Parker and how his civilian employment plays into his life as Spider-Man than about his life as Spider-Man.

Works for the Daily Bugle on and off, through a variety of positions from part time to salaried, from the age of 15 onwards. Primarily a photographer. How good of a photographer Peter actually is varies from writer to writer, but he remains unmatched in his ability to get certain shots ranging from ones of Spider-Man (duh) to particularly high risk environments (different duh). He also briefly worked for rival newspaper the Daily Globe, the Bugle’s main competitor. His position as a full time newspaper photographer is his most well known (and most consistent) job.

A TA in grad school at Empire State University. At this point in time he labeled himself as having “the wrong temperament” for teaching -- and I would personally say I think his stints teaching college are much less engaging than high school.

Published author. His book, Webs, a collection of his Spider-Man photography, was a major bestseller that sent him on a book tour around the country. I hesitated sticking this on here because it’s very tied into his work with the Bugle -- and he was still working for the Bugle when the book was published -- but I figured it was worth including for the novelty of the fact that Peter’s technically a best selling author/artist.

Peter worked as a scientist at Galannan Alternative Research for Immunization Development (GARID) in Portland after his clone Ben Reilly took over the identity of Spider-Man. Although often overlooked in discussions of Peter’s job history, I think his stint at GARID is important in part because it illustrates how much of Peter’s time being Spider-Man took up and how a job with flexible hours was necessary for that balancing act. When he was working at GARID, Peter wasn’t Spider-Man, so it wasn’t difficult for him to keep a position at a laboratory. 

I mean granted the GARID job didn’t last long and there was sort of a whole big mutated monster case going on with it but you know. Anyway he pretty quickly moved back to New York and started working for the Bugle again.

Peter’s next major job at a lab comes in another period where he’s supposed to have quit being Spider-Man. (Which he did, very temporarily, and then he very much didn’t. Anyway, you’re seeing the pattern here.) He briefly worked at Tricorp, a private brain trust. This is a really short-lived position, even as Peter’s science gigs go, because -- Spider-Man.

At this point things get dicey employment-wise as Peter heads into a weird period of canon where Mary Jane was presumed dead. She wasn’t! But everyone thought she was. It was weird. When MJ came back (and promptly left for LA, not that I blame her), Peter exited this period of limbo by becoming a science teacher at his old school, Midtown High. This is the main career, beside news photography, that I think he really shines in.

Civil War/One More Day/Brand New Day hit and completely tank the direction of Spider-Man history. Peter’s marriage is erased by the devil and also he’s not a high school teacher anymore, for some reason, even though nobody remembers he’s Spider-Man anymore which is the reason he initially lost the Midtown High job. Make it make sense. Anyway, in Marvel’s desperate scramble to take Spider-Man back to the unmarried basics, as if they even got new readers that way, Peter returned to photography. When Dexter Bennett bought the Bugle out from under JJJ while JJJ was sick, Peter began working for the newly minted “DB” as a tabloid photographer. It wasn’t great.

He also briefly at some point in here worked at a comic book store for like five minutes. Mostly he complained about people who read comic books and made jokes about how he doesn’t get along with the X-Men. 

Under Slott’s run, Peter began working at Horizon Labs. Slott had a pretty major problem with Peter’s genius not being “recognized enough” and constantly had him inventing new things, showing off, etc. 

Horizon Lab became Parker Industries under Otto Octavius when he bodyjacked Peter during Superior Spider-Man and made himself CEO. When Peter got his body back, he was still CEO. It was bad but Peter did tank the company on purpose so that Otto and also nazis couldn’t get their hands on it, which was sort of fun. 

Peter went back to work for the Bugle, but as their science editor, because Slott was still in charge and there was some weird commentary about photography not being an adult job. Which I think is pretty weird in a medium that’s very dependent on visual art. But okay.

Then Peter got fired because he was busted for plagiarism of Otto Octavius’ work... that Otto did himself... while he was in Peter’s body... and Peter couldn’t reveal this because then he’d have to explain... and maybe I hate comics. 

In MC2 he becomes a forensic scientist! I really like this for him actually. I think it combines his interests and experiences in a very thoughtful way. But I do want to note it’s after a Spider-Man career ending injury, so again there’s not a real conflict there between his work as Spider-Man and a career.

Peter I think is an especially interesting case in how his character ties into his employment history because one of the first things he does in his story is figure out how to make money, and he does this because the Parkers don’t have any. If Ben and May were comfortable -- even comfortable enough that their teenaged nephew was unaware of financial pressures -- Spider-Man’s story would be completely different. But Peter immediately feels he pressure to use his new powers to earn money, at first with brute strength. And what he says he’s going to do with his earnings is that he’s going to take care of Ben and May:

(Amazing Fantasy #15) So the concept of Peter as someone who is very aware of financial pressure and who is pretty explicitly linking money to support is present from the absolute beginning. But at the same time, there’s a kind of selfishness presented in him here -- he’s only going to take care of Ben and May. They’re the only ones he cares about here, because as he’s stated they’re the only ones who have ever “been kind” to him. Peter at the beginning of his story is very rooted in his anger and his bitterness, and it takes him losing Uncle Ben -- because it wasn’t Peter’s “job” to stop the burglar -- to get him to the point where he starts to be able to see beyond that.

Ben’s death also heightens the Parker’s financial pressures -- Ben is the primary earner in the household. (Aunt May in the original context of the early 1960s was most likely a homemaker, and as an older woman especially she wouldn’t be expected to have a job. But even moving the timescale up to a point where she would be expected as a woman to hold down a job, it’s important to note that early in Spider-Man canon Aunt May is depicted as being in very poor physical health.) While it’s not clear in the initial Spider-Man stories what Ben did, it’s clear that with his death whatever income the Parkers had coming in abruptly stops:

(ASM #1) This sets in concrete one of the central conflicts Peter and May have -- both of them lie to protect the other. Peter feigns being an ordinary boy in order to protect May from the stress of his secret life as Spider-Man, worried that she wouldn’t be strong enough to handle the danger he regularly puts himself in. But this is a learned behavior, and here we see that he most likely learned it from May: she doesn’t want him to worry about the very deep financial troubles they’re obviously in, so she pawns her jewelry, and she stresses to him the importance of his education. Again I have to note that there are some pretty significant social differences between the 1960s and today in regards to this story -- Betty Brant, for example, notes that she had to drop out of school and become a secretary because of her own family’s financial problems, something she’s ashamed of. So early Spider-Man is very rooted in money, class, education, and how those things intersect. I think it should be noted that the only early Spider-Man characters who are financially well-off are Liz, Gwen, and Harry. (We don’t know anything about Flash’s financial situation in early Spider-Man comics but retroactively we know his family situation is not well-off.) In high school, Liz’s father is a bigshot who owns a dining club, but later on the Allans experience financial hardship with Liz quite literally being on the streets when Peter reunites with her when he’s in college. Harry’s father is a rich businessman, but from the beginning he’s depicted as emotionally negligent, caring more about money than spending time with his son:

(ASM #40) “After all... I had a business to care of! Money was the most important thing of all! I had to get rich! I needed wealth... for that was the key to power!” So right away you have this link between wealth, corruption, and negligence. Norman’s pursuit of wealth is his given reason for his neglect of Harry. Later on we’d learn that Norman’s father was also abusive and that that abuse formed Norman’s ideas about power and wealth. (Spider-Man! It’s about cycles of abuse!) There’s a very contrast between Norman’s attitudes here and the Parkers loving (but poor) household. Gwen is the only exception here -- she and her father are depicted as comfortable, most likely edging into wealthy, although on nowhere the level the Osborns have been elevated to. But compared to Peter, Flash, and Mary Jane especially -- all from poor households, with MJ and Flash’s fathers both being abusive -- Gwen’s home situation is the picture of stability, both in terms of economic status and in terms of her loving and very present father.

My goal in outlining all of this isn’t to say that Spider-Man’s message is definitively “money is bad” because I don’t think it is. I think as a series Spider-Man is very aware of the comfort that money can provide. But I think there is a frequent message about excess in Spider-Man -- excess power, excess wealth. As Norman says above, in his eyes, money is the key to power. With great power, comes great responsibility. In Norman hoarding and abusing his wealth, he abuses his power. If he provides for Harry, it is solely through money -- there is no love or devotion in Norman’s money-focused world. And I think that’s important when you look at where Peter starts in his story, before Uncle Ben’s death. He’s going to use his powers to make a lot of money and he’s going to provide for Ben and May but he’s not going to care about the world outside of that. I think one of the interesting things about Peter -- and this is where Slott’s run especially fails the character -- is that he’s not interesting in getting rich. He’d like to be comfortable, for sure -- he’d like to have enough money to not have worry about it, to not have the need to hustle impede what he can do as Spider-Man, to be able to take care of his family. (And there’s some machismo stuff linked in here for him too -- in the early days of their marriage the fact that Mary Jane earns much more than him is something he struggles with.) But he doesn’t care about being rich. He doesn’t care about the money; he cares about the support that the money would bring. 

That feels like a simple statement but I think it’s actually a really big distinction, especially when you’re analyzing a character. And I think it’s because Peter understands that value that it makes him so empathetic to others who have financial struggles. One of my favorite short self-contained Spider-Man stories is called Windfall, from Marvel Fanfare #42, where a mixup with a check embroils Peter in the personal affairs of a bank teller, a young single mother who is fired from her job ultimately because she refused the advances of her boss. Peter gets her her job back -- through blackmailing the boss for his other sexual affairs, which some people might think is immoral of him, but I think really speaks to Peter’s understanding of how the greater world works, and what he’s prepared to do to get bigger justice. But more importantly he uses his own money to pay the young woman’s rent, and he does it in a way where she never even knows it’s him. Because he understands her situation, the way someone who had grown up comfortable never could. And that understanding I think puts him a place where it’s more important for him to both keep that understanding and maintain that ability to act relatively freely, in the way that bigger, more prestigious positions in scientific fields might restrict him. There’s a reason he keeps getting fired from these scientific positions and it’s not that he can’t get them, because we can see from his employment history very clearly that he can. It’s because the freedom to act as Spider-Man and what he can do as Spider-Man is ultimately more important to him.

And while high school teacher is my number one favorite profession Peter has ever had, I think that his position as a newspaper photographer is also very important to the character’s history, in part because the Bugle is such a big part of his life and the connections he’s made but also because the Daily Bugle itself is important. I think it’s interesting to note that two of the biggest superheroes of all time from both of the big companies -- Spider-Man from Marvel and Superman from DC -- have had long running journalism jobs, Peter as a photographer and Clark as a reporter. I don’t think I really have to go into a whole thing about how good journalists are so important and why it matters that we have these incredibly famous mythic figures that are positioned in the roll of journalists specifically. But I do think it is important to Peter that he’s put in that position as someone who cares about uncovering the truth. So ultimately I think what I mean when I say Peter is more fulfilled by his jobs as a photojournalist and as a high school teacher than by his comparatively more high paying stints working as a scientist in a lab is that Peter gets the most fulfillment out of careers where he can actively see, day by day, that what he’s doing is helping people, and that it’s a very direct line from him to the people he’s helping. His efforts can’t be twisted, they can’t be used for other purposes the way they can within a larger organization. He has a line of control in what he can do to help other people. It’s like how Spider-Man functions best as a street level hero: what he does best is saving and helping individual people, on a case by case basis. And you can turn around and demonstrate that in his civilian life best in jobs where he gets to directly interact with people. And ultimately to Peter making that difference is more important than a better salary.

(Marvel Knights Spider-Man #9)

[graffitibible]

how do killjoys treat raygun burns? i genuinely have no idea and i know you've already gone pretty in-depth with raygun wounds in general but i was curious about the treatment

cw: we’re gonna be talking about medical stuff and injuries in here. i’m not gonna include any graphic pictures and also i’m gonna warn anyone who wants to do further research that some of the images that’ll come up are gonna be pretty damn graphic. tread carefully!

SO i’m gonna be going off this ask here, and running with the assumption that raygun burns probably both bleed and burn. thats important since thats gonna affect how youd do treatment. it also means that raygun injuries are messy. most burn injuries in the real world can cauterize - theyre unique in that the site of injury is usually sterile at the time of injury. however, since the rayguns in this world are capable of making someone bleed (rather a lot too, if the comics are any indication), that means that these wounds can get pretty gnarly.

the important thing about how rayguns in danger days seem to work is that they are not pure laser bolts! if they were, they’d be able to pass through something and cauterize it pretty neatly, like a lightsaber. the raygun blasts have an obvious physical component - they can physically knock someone back, for example, and we see sparks shower when people are shot in the music videos. so rayguns in danger days have an apparent kinetic component to them: you are basically applying heat to the human body at high velocity. 

ONCE AGAIN, THIS GOT LONG. THE REST IS UNDER A CUT. mind the content warnings above!!

other than that, we’re not sure what specifically the makeup of the lasers like...are. electromagnetic radiation? plasma? heat? electricity? i doubt its pure electricity since that would be more consistently fatal, but it is some kind of bolt that has both heat and velocity on its side to be sure, but thats the extent of what we know.

now logically, this would actually cause the human body to like. explode. cause thats what happens when you apply that much heat to something made of mostly water. getting hit with a bolt of something that hot would cause all that water to boil off abruptly and then the steam would fucking parboil you. not a fun way to go though it is funny that the steam would be the thing that causes the most damage. so yeah actually a very gory kind of injury.

obviously thats not what happens in danger days, since no one to my knowledge Fucking Explodes when theyre hit with a laser bolt. but lasers from rayguns can make blood FOUNTAIN OUT OF A DUDE’S GUT in the comics so obviously they can do a hell of a lot of damage (the mvs are way less explicit but they also werent allowed to like, swear in the mvs and had to tone down some of the violence and shit so im taking the comics canon as the more “realistic” one wrt rayguns here) the science here is kinda...eh, cause laser bolts don’t appear to be a penetrating injury but rather a messy “burn and blister” kind of injury that are nonetheless capable of making someone eat it pretty quick.

but this is danger days and this is kinda where science goes to die so here is how i view laser injuries in the universe:

danger days laser bolts have a kinetic or explosive quality to them.

what this means is that the injury is twofold: first, the heat damages the external layer of skin. i’d hazard that we’re talking second-to-third degree burn levels of injury on immediate contact. second, the kinetic energy released at that velocity and force generates an explosive impact that does damage to surrounding tissue.

what’s left is an injury that both burns and bleeds. my take on it is that the bolt impact creates the open wound, while the heat intensifies that damage and disseminates it. you need a temp of maybe 300ºF and higher to cauterize a wound so lasers would have to burn at least a little bit lower than that since the injuries do consistently bleed. but since the human body is pretty sensitive to high temperatures that works out in our favor seeing as if you heat things too much, again, the risk is that we would Fucking Explode.

lots of burn injuries, especially third degree and higher, tend to bleed. since thats the closest thing i have to compare to a laser wound in danger days, thats going to be my basis here.

treating a raygun injury is likely to resemble burn treatment in a lot of ways

burn treatment stuff varies a lot and i will spare you guys from googling this and going “oh thank you google images thank you for showing me what a graphic third degree burn looks like i am so glad that i know this and that this is in my search history and keeps popping up in my search history im SO GLAD.” 

burn injuries go by degrees. first degree is like mild sunburn basically, and only affects the epidermis or external layer of skin. second degree affects the top and middle layers of skin and can leave blisters. third degree burns go all the way to the subcutaneous fat layer and can leave the skin white and charred. fourth degree burns can go through nerves and muscles and even down to the bone and can cause permanent damage that requires amputation. at fifth degree you have significant risk of organ injury and at sixth it’s basically like “fifth degree, but with the common side effect of Death.” 

again im not linking to anything here because pretty much every information article you get on this stuff is gonna have some nice graphic images. so if you look this stuff up on your own do it at your own risk or have an image/media blocker extension ready if that kinda thing squicks you out

the main takeaway is that any burn from like the third degree downward can be very brutal and hard to heal over - they can cause swelling and severe scarring and the destruction of the epidermis and hair follicles means that new hair won’t grow. add to that the idea of raygun blasts tearing open that external layer of skin that means that you can get burns that go in pretty deep which would go a long way to explain how it is a weapon that doesn’t appear to have a lot of “penetrating” energy is capable of killing someone relatively immediately, especially if theyve got that initial kinetic impact thats capable of tearing open the dermis and making the injury go deeper.

im going to tentatively say that raygun injuries are basically full-thickness burns with a few bells and whistles. basically, they destroy the epidermis and the layer of skin below it, the dermis. thats the level of third/fourth degree burns and worse, essentially.

so, serious burn treatment usually goes as follows:

clean! that! wound! it’s best to do this in a sterile environment, cause otherwise youre gonna end up blistering the injury and agitating it further. you wanna get all the dead tissue and gunk off the burn.

pain medication. with most burns the nerve endings can get pretty fried and you might not immediately experience any pain, but since raygun injuries go a little harder than your average burn, thats probably not the case. people definitely consistently react in pain after theyre shot with a raygun in the both the mvs and the comics. so yeah, its painful. pain medication is nice to mute that feeling.

antibiotics and/or tetanus shots to make sure that you don’t get an infection

intravenous fluids containing electrolytes as well as a diet high in protein and nutritional supplements

antibiotic ointments/creams for the injury

skin grafts to close the injury since a burn of that severity would have difficulty closing completely on its own. yikes.

continuous monitoring of the patient to prevent sepsis and eschar from fucking with the blood vessels and healing tissue.

obviously killjoys do not have the benefit of a fully stocked hospital. if youre in bat city youre probably gonna be in more luck. but if youre slumming it or if youre in the zones, heres what i imagine the killjoy diy procedure would likely be:

application of water over the wound. cool water is best, not ice-cold (alright alright alright alright alright etc)

cleaning the injury comes next to prevent infection. ideally you would use soap. do not scrub as youll agitate the wound

pain medication might be helpful here, but who knows if thats common out in the zones - and i imagine city-born killjoys might have some hang-ups with taking meds, so who fuckin knows there.

bandages, ideally clean ones, would help cover up the injury and keep it from the elements in time for it to heal. that will also cover up the skin while the bleeding heals up. keep the wound as closed from infection as possible.

check up on the injury consistently especially since the burn probably wasnt sterilized on impact the way most burns are. a messy injury like that one can go south very very quick.

realistically i doubt that skin grafts are readily available. its recommended that you stay out of the sun and avoid lots of exercise that might risk reopening the injury. and that...is going to be nigh impossible if youre a zonerunner lol. its likely that improper treatment can lead to infection and then death. it is also likely that too much agitation of the injury can lead to the wound reopening, infection, and then death.

if you get stuff like light grazes, where the bolts clip you but dont fully impact you, that means youre like to get some surface-level burns that cover a larger surface area. theyll heal quicker if you treat them right, but thats a larger area thats open to infection. burns that go deep into the skin have more immediate fatality risk. there could be variation here as well! maybe a laser gun with a lower or dying charge will do less damage. maybe some guns have fancy “stun” settings that don’t do permanent damage.

the human body is surprisingly resilient and can recover from a lot. but burns are no joke and a raygun blast can easily be fatal either immediately or a little bit after the fact. even if you survive the blast, there are likely to be a lot of repercussions to taking a serious hit, which im again basing on the noted consequences of major burn injuries

likely consequences of surviving a raygun hit in the zones:

scarring. especially without skin grafts, this ones gonna be a gimme, and likely permanent. serious burns can leave lots of color changes to the skin as well as keloid tissue (which is a raised, lumpy kind of scar tissue. you can google it if you want but as i warned before: images might be pretty grody). this would also prevent the growth of new hair in those areas. most hospitals try to excise this and replace it with skin grafts to speed healing but like i said thats not likely to be an obvious solution in the desert.

nerve damage. burns that go super deep can permanently remove the feeling from the affected part of the body. this is likely to be permanent. deep contact usually remains intact but stuff like subtle pressure changes can be outright impossible to sense. this can also cause contractures in the affected area.

weakness in the affected area. related to the above point, damage to muscle tissue and nerves can reduce range of motion, strength in that area, and more.

itching and pain at the site of injury. pretty self-explanatory. that one might get better as you go on depending on how good the medical treatment was at the time of injury.

inability to sweat. the destruction of sweat glands in affected areas are possible if the burn goes deep enough. in the desert this can be very bad news lol

psychological trauma. a given. any traumatic injury can have long-term psychological effects.

my main takeaway here is that killjoys who’ve been in lots of serious firefights are gonna have a sHITTON of scarring, some of it obvious. lots of killjoys looking pretty fucked up. lookin wiped out. my other takeaway is that surviving a raygun blast is pretty dependent on getting care for it as soon as possible, cause the infection/hemorrhage risk seems pretty high.

ofc this is just me analyzing this shit to hell and back and it’s probably nowhere near that scientifically DENSE im just detail-oriented as hell. so take or leave this answer, whichever you like lol. i like writing the nitty gritty details of injuries since i generally wanna emphasize how rough life in the zones can be so this is something im interested in exploring.

[jayjaysocks]

Listing my favorite animes (because I’m jumping on the bandwagon)

❗️⚠️ *spoilers!! (Duh)* ❗️⚠️

5. Deadman Wonderland

I was really really sad when I found out this anime got cancelled. The music was fantastic, the animation was really good, and the voice acting was incredible. Even the fucking dubbed version (I loved the voice they chose for Senji. God he was hilarious). I binged this show so fucking fast it wasn’t even funny. I loved watching the characters go through their own struggles and grow as people in the very small amount of episodes provided. There was a lot of development within the snippet that we actually saw, and I was thoroughly impressed with how well it was done. I wanted to scream or something when I found out there wouldn’t be a second season.

Sigh. Oh well. At least we got some of the manga’s masterpiece translated into a show, even if we were missing some fucking awesome characters.

4. Guilty Crown

Ugh, don’t even get me started. This anime was beautiful and I got so invested so freaking quickly. I literally go back every few years to rewatch it because I get ship starved.

Shu and Inori’s story was so beautifully done; between Shu uncovering his courage and Inori’s journey of self-discovery, I was continuously awe-struck and filled with feelings—I mean, I had never felt such raw emotion while watching something and I was completely blown away by the affect it had on me. Anger, hatred, sadness, it was all there (even for the main character lmao) and it was one of the first times I had ever felt a ship so heavily that I literally cried at the end. It was one of the very first Animes I’d ever seen and was one of the reasons I got such a taste for them. Thanks for throwing me down that rabbit hole, GC.

3. Soul Eater

This was literally the first Anime I’d ever seen, and my god I couldn’t have asked for a better starter. What I like about this one is that it’s style is so unique and different. It’s very punk and grunge, something I admired and appreciated in a genre that is normally the opposite (like Guilty Crown, for example). Also the fight scenes were badass, like holy shit just look at that gif ??? Freaking amazing.

I loved the way the show transitioned from light hearted to intense and adrenaline pumping so effortlessly. That can be said about a lot of shows, but this one went from *haha cute show* to *holy shit, like they’re actually gonna die ohmygod howaretheygoingtosurvivethis* so smoothly I was genuinely surprised. They made one of the main villains actually cool and each character had their own beautifully done arc. I loved and adored how the show solidified and expanded on the different friendships/relationships that were involved—specifically Soul and Maka’s (also, holy shit, Stein’s arc? Fucking prime, dude). There was a lot of growth in each and every friendship (CRONA!!!), and that really pushed the viewer to invest in the individual characters.

I am fucking delighted that this was my first anime, and (though the ending was a little anticlimactic) it remains one of my top favorites to this day. It set the bar pretty fucking high, and for that I am extremely greatful.

No one asked for Soul Eater: Not! It is the unspoken sin of the Soul Eater world (then again, it is called Soul Eater: Not!)

2. Fullmetal Alchemist: Brotherhood

If you have been following me for a while, then you are no stranger to my love of FMAB. Some of my most popular posts are about this anime, and for good reason.

Unfortunately, I was late to the party. I actually didn’t watch this until last year, but got invested really damn quick. I have a tendency to be extremely picky about the animes that I watch/like (which is why NONE of these shows are that recent), to the point that I will literally research them before I start watching (a bad habit, do not copy me). I have an incomparably hard time finishing a show when I start, because I get bored really quickly, but this was an exception. I started watching and I just... didn’t stop. I spent a straight week watching FMAB, gobbling it up during any small amount free time I could manage, and finished it before I even knew what happened. I wasn’t picky about it, I didn’t research it, I just dove right in and gosh, I was not disappointed.

The subtle romance that was alluded throughout the entire show was super cute, the devotion the brothers had for each other was to die for, and the struggles that each person went through was more than moving. I never once found myself bored while watching, and that’s saying a lot for my adhd ass. I was invested in each and every second of that damn anime and I was never, ever left underwhelmed. That probably had to do with the fact that every. Single. Character. Had a purpose. I’m not even kidding. Every single person contributed to the big fight at the end and that alone is fucking fantastic.

Not to mention ALL the women, every female character, was a badass bitch. None of them were reduced to sex appeal or romantic subplot, they all had real feelings, real arcs and real, unadulterated badassery that I thoroughly admired and appreciated. I could watch this anime over and over again every single month and I wouldn’t get bored. Between the emotional struggle, self discovery, and personal development of each character, I promise you will not see a lack of plot or meaning here. The more you watch, the more you discover and that is not a lie. There are so many layers to its story, which only makes me wish I had watched this sooner.

There is nothing I have to offer in the ways of criticism, and for that I couldn’t be happier. Thank you, Hiromu Arakawa, for such an incredible piece of art. You deserve every bit of love that this manga/anime gets. You go girl.

1. Cowboy Bepop

Holy shit holy shit holy shit this anime is so fucking good and it has been my favorite for so damn long. I have been watching anime for years, and while some of the shows in my list have moved around, this one has yet to be bumped down from the top (and I doubt it ever will). There’s a reason it became such a cult classic.

For starters, the animation. I mean, just look at Spike and the way they animate his fighting (yes I am aware that this gif is from the movie, but that still doesn’t change my point). The sequences in the show/film have been reused in many other shows and for good reason. It’s good, incredible, actually and they make him look so badass with just a few hand movements. I was consistently impressed with the way the fight scenes were portrayed and wasn’t ever left underwhelmed or disappointed (or, for that matter, feeling like they completely over exaggerated/overcompensated the scene with huge close-ups and tons of debris and lights). I loved watching this and my heart was always pounding with every intense interaction. I didn’t feel bored during any of the episodes and always found myself laughing when they cracked a joke—pretty much all of their funny lines hit and that’s saying something, dude.

The show, while having a lighthearted surface, has a heavy meaning that you don’t see at first glance. It’s about dealing with grief and loss, and how the characters themselves accomplished that in different ways. The most prominent quote is the biggest indication of its moral “you’re gonna carry that weight”. Basically: ‘You’ve gotta pick up your baggage, because the world moves on, with or without you’. Or ‘You’re going to carry that weight whether you like it or not, because life keeps going’. When I figured out the show’s actual message, while staring at my ceiling in the long hours of the night, I almost cried. This realization brought something entirely different to the table, a new understanding of the show’s characters and overall essence.

The main characters, all of them, had depth. They had real, palpable depth, and even if you didn’t want to care you found yourself seriously interested in their lives. Each of them had relatively shitty pasts. Faye with her lost memories, Spike with Julia and the people who fucked him over, Jet with his old flame and the ISSP, Ed and her/his father... throughout the entire show we got to see how all of them dealt with these things, whether they wanted to continue on with life or not. The way they portrayed it was engaging, because the characters individual, contrasting journeys weren’t repetitive or one note. The beauty that the show holds so achinging close to its core, the layers of grief that the characters are wrapped in so delicately is almost suffocatingly real—because they’re all different. It’s something you discover when you think on the subject in a deeper light, which is another reason why I enjoy it so much. It has both a surface story and a deeper one. You can either take the show at face value or choose to understand the underlying moral.

This show inspired my very first, thoroughly fleshed out OC, and continues to inspire me to this day. It has contributed to my own personal growth, and has helped push me to continue my art and writing. It is beautifully written, beautifully executed and even though some of the episodes seem like filler, it has never disappointed me. I rewatch it all the time because there’s something so infinitely refreshing about the beauty of this anime, whether it be the way we watch the characters develop or the overall moral it portrays. This show has given us a message that is essentially timeless, it can be ‘carried’ through generation after generation, and still have the same impact—something I absolutely fucking adore.

I owe so much to this anime, including my very own artistic development. I discovered it during a really shitty time in my life and I couldn’t have asked for better timing. I will never tire of the bittersweet message or the thoroughly fucking fantastic animation. Everyone who contributed to this masterpiece deserves love, because it’s seriously fucking gold.

[ollieofthebeholder]

leaves too high to touch (roots too strong to fall): a TMA fanfic

Tumblr tag || Also on AO3.

Chapter 35: Sasha

“Are you sure you’ll be all right?” Jon asks anxiously.

“I’m fine, Jon,” Sasha says for what feels like the tenth time in the last three minutes. “Phone’s fully charged, so is my laptop. The trapdoor is unlocked and I can get there from my desk in fifteen seconds flat, I’ve timed it. And if all else fails”—she waves her tape recorder at him—“I’ve got this, so there will at least be a record of whatever happens to me.”

Jon frowns. “That’s not funny.”

“It wasn’t meant to be.” Sasha sighs.

It’s not that she doesn’t appreciate that her boss has her best interests at heart. She does. And they’re all friends, and that helps too. But Jon’s paranoia has been back in full force since his encounter with Nikola Orsinov. Tim and Martin are fairly good at tempering it, from what she’s noticed, but he still jumps at small noises and insists they stay together in pairs whenever possible. She doesn’t blame him, especially after they tell the Primes what happened and Jon Prime nearly has a panic attack before he manages to pull himself together. The situation feels like it’s balanced on the edge of a razor blade separating a lake of fire on one side and a bottomless pit on the other—like their choices are to maintain the balance and risk bleeding out before they can get to the other side, or fall to one side or the other and trust in a rescue.

Sasha can admit, if only to herself, that she’s curious about what a lake of fire might feel like to swim in, or if a bottomless hole is truly bottomless, but she’s not going to doom the whole world just to see what happens if she does.

“Jon. It’s okay,” she repeats. “It’s ten in the morning. The building is full of people. I’ll be as safe as I can be. Besides, someone’s got to be here in case someone wants to see what we do in the basement or Elias decides to stop lurking in the shadows and come down to cause havoc. You three have had this planned for weeks.” Raising her voice a little, she adds, “And someone’s got to stop Tim from attempting to fistfight the waxworks because he thinks they’re going to attack.”

“Shut up, Sasha,” Tim calls from the other side of the Archives, where he’s reshelving his files.

Jon smiles, if a bit reluctantly. “And we do both need to be there, if he’s serious about…all right. Just promise you’ll be careful.”

“Cross my heart.” Sasha returns the smile. “You three be careful, too. If I hear about any of you on the twelve o’clock news, I’ll—”

“Disavow any knowledge of us and refuse our phone calls from jail?” Martin supplies as he returns from wherever he’s been and picks up his jacket.

Sasha snorts. “Don’t be ridiculous. I’m going to milk my association with you for all it’s worth. Can you imagine how much the media would pay for an exclusive interview with a close friend of the Waxwork Assassins?”

Jon’s laugh sounds a little unwilling, but from the slight easing in the tension in his shoulders, Sasha guesses she hit the right note. She can’t make him smile as easily as Martin or Tim can, but every once in a while she manages it.

“Don’t work too hard,” Tim says, clapping her on the shoulder as he passes.

“I intend to break out the champagne as soon as you leave,” Sasha shoots back. “Go. Have fun. Try not to punch anything.”

“See you tomorrow, Sasha,” Martin says.

Sasha walks them to the door of the Archives and waves as they set off, Tim on one side and Martin on the other. It’s one of those arbitrary Saturdays Elias has once a quarter where he declares the Institute open to anyone, not just academics, which means they’re all supposed to be in until noon. He always declares them less than a week in advance, though, and Sasha’s fellow team members have already made plans to spend a few hours at Madame Tussauds; partly it’s that they want to see if they can figure out what the Not-Sasha was doing there in the Primes’ time, partly it’s that none of them ever really go off and do anything fun outside their house and they frankly deserve it. Sasha also knows that Tim is going to practice what he’s been learning, about targeting his vision. She’s not sure if that’s knowledge granted to her by the Eye or if she just knows Tim well enough to have figured it out; either way, she wonders if Jon and Martin are aware of it and if she should have warned them. Then she recalls Jon’s half-finished sentence and mentally kicks herself. Of course Jon and Martin are aware of what Tim’s planning. He’s trying to be better about communicating—they all are—so of course he would have told them, probably when he booked their tickets for today. He probably just forgot she hadn’t been part of the conversation.

She heads back to her desk and tells herself not to worry. They’ll be fine.

Settling in at her computer, she goes back to the research she’s doing on this current statement. Martin’s new cross-indexing system pulled up several potential matches, and she’s digging to see if any of it pans out. (Although, considering the nature of the statement, maybe she shouldn’t use phrases like that.) It’s definitely a Flesh statement; unlike the others, which can be more subtle, the Flesh is blatantly obvious when it turns up.

After a few minutes, though, she gives up. She does not have the stomach for this, not today. Instead, she clicks through a few layers of security until she’s in her private, hidden part of her laptop and her private research project. She’s got a few notes to dictate, and she doesn’t like taking work home with her, so she scoops up her laptop and the new tape recorder that matches her nails and retreats to the depths of Document Storage. They prefer doing their unofficial tapes…not on the main floor. It makes them feel a little better, she supposes.

It’s Martin who carved out the space in the boxes, carefully shuffling them around until there’s a little niche just wide enough for a comfortable chair, with an extra box missing from the layer so there’s somewhere to set drinks or notes as the case may be. It’s Tim who found the worn but sturdy armchair at a charity shop, and, surprisingly, it’s Jon who bought what is possibly the world’s tackiest slipcover, what Sasha can only class as “electric paisley”. Tim claims it looks exactly like what he sees when he looks at the shelves in the Archives, but only to Sasha and Martin; he doesn’t even joke about it in front of Jon. Sasha can’t decide if it’s sweet or something she should be concerned about.

She settles into the armchair, legs folded into the lotus position beneath her, and sets her laptop on the note box, then clicks on her tape recorder.

“Research of Sasha James, Archival assistant at the Magnus Institute, regarding the heads of the Institute, past and present,” she says. “Recorded eleventh February, 2017. Notes on Director Thomas Fitzwalter, fourth Head of the Institute, tenure 1940 to 1941.”

At least she doesn’t have a lot of people to look into. In some ways, her self-appointed task is easier than Tim’s or Martin’s, just because the scope is so much tighter. In other ways, of course, it’s harder. Tim only needs to work with himself, and Martin’s index is entirely self-contained within the Archives and their ongoing research. Sasha may only have a total of seven people to actually look into, but they’re hard to pin down. Partly it’s their age; records that predate digital record-keeping are trickier to search, as she has to hope they’ve been indexed online or find a library that might have the resources she needs. Partly it’s the fact that, well, they’re men who were only nominally themselves and were actually Jonah Magnus. Naturally he wouldn’t want people looking too closely at them.

But she’s struck, as she describes the details she’s been able to pull up about the man who had the shortest tenure as Institute Head due to what was either a poorly-timed or well-timed German bomb, by just how unremarkable all of the people she’s looked into were. None of them were standouts in their field, students from prestigious universities, or the scions of powerful families—which has to be a first in academia. She’s working her way backwards, so maybe she’ll find something different with the two men between Jonah Magnus and Thomas Fitzwalter, but so far, not a single one of them has been remotely distinguished, and in any other institute it would be a shock for them to ascend to head it up. Especially so quickly.

“I’m kind of curious as to why the Eye didn’t warn Fitzwalter about the attack in time to get under cover,” she muses. “I’m still doing research into him, so it’s possible he just wasn’t very likable or intelligent, but—”

“Hello?”

“Shit,” Sasha hisses. It’s not one of her boys—or Elias, which is a plus—but that means it’s someone she needs to deal with. “End recording.”

She snaps off the tape, pockets the recorder, closes her laptop, and hastens out to the main Archives with a smile plastered on her face. It falters when she sees who’s standing there—none other than P.C. Basira Hussain, arms folded tightly across her chest. Sasha is ready to get defensive, but then she takes a closer look at her face. She looks…grim is one word for it. Haunted is another. Gutted might come closest.

“Officer Hussain?” she says cautiously.

Basira makes a good effort at glaring at her, but it’s not particularly intimidating. “Was looking for J—Sims.”

“He’s out today,” Sasha answers. “It’s just me, I’m afraid. Can I help you?”

Basira makes a noncommittal noise. “That happen often? Them leaving you to hold down the fort on your own?”

“No, usually there are at least two of us around at all times, especially these days. But we’re also not usually here on Saturdays,” Sasha says. “Open house. Director Bouchard”—she says his name in the clipped, precise, tight-lipped manner of a woman in a male-dominated industry speaking of a superior who would like to keep it that way—“scheduled it somewhat last-minute, and the others already had plans for the afternoon.”

“And they made you stay, did they? Typical men.”

“Actually, I offered. I’ve taken more days off in the last year than all three of them put together, not counting when Martin was out on medical leave after his stint as a colander.”

Basira almost smiles. Sasha sets her laptop on her desk and comes closer. “Okay, I’ve got to ask—is this a professional visit or a personal one? Not like that,” she adds quickly when Basira stiffens. “I know you’re not—Jon doesn’t seem like your type. I just meant—are you here as a cop or…?”

“No, it’s…” Basira sighs heavily. “Just needed to talk to him, I guess. I called yesterday and—”

Sasha remembers now. Jon came out of his office and had Martin pull up all the cases they’ve come across involving the name Maxwell Rayner. “Yeah, I—he mentioned that.”

“He did,” Basira says flatly.

Shit, they’re not supposed to know Basira is feeding him those tapes…but then Sasha thinks, to hell with it. “Yeah. It’s hard to keep secrets around here, you know? Turns out we’re all developing spooky supernatural powers, and mine is that sometimes I know things without knowing how I know them. I mean, sometimes I can Know things on purpose, but mostly it’s just passing by someone and accidentally plucking a secret out of their brain without meaning to. Let me tell you, I did not need to know that the man behind the counter at my favorite coffee shop has a foot fetish.”

“I dunno, that might be useful in the summer if you’re the type to wear sandals.” Basira relaxes, just a fraction, which surprises Sasha more than a little. “What did he say?”

“Just that you’d called and asked about Maxwell Rayner. Look, have a seat, you look like you’re about to fall over. Can I get you anything? Coffee? Tea? There’s some peppermint hot cocoa, too, if that strikes your fancy.” Sasha means it—Basira does look like she needs some fortification, and maybe to talk and get something off her chest—but if she’s being honest, she’s also burning with curiosity about what happened. She’s got to be careful about bringing that up, though. “Sorry we don’t have anything stronger, but, you know, we’re pretending to be professional.”

“Actually, that cocoa doesn’t sound too bad,” Basira mutters. She drops into Tim’s chair and leans her folded arms on his desk, staring at the surface like it holds the secrets of the universe.

Sasha hurries over to their tea station and pulls out one of the spare mugs they rarely use, along with the mug that long ago became hers. Cocoa sounds good, actually. It was grey and overcast when she came in, and she Knows without meaning to that it’s just barely warm enough that it’s raining instead of snowing, so it’s a good day for cocoa. She gives a fleeting thought to wondering if the Primes are warm enough in the stone tunnels, then goes back to making the cocoa.

“Here,” she says, handing the guest mug to Basira. “Made with water, not milk, but I mix a little bit of creamer into it. Works a treat.”

“Thanks,” Basira mutters.

As Sasha takes her seat, she notices her tape recorder sitting on her desk. It was definitely in her pocket a minute ago, and she definitely didn’t take it out, but there it is, innocuously resting next to her laptop. And, she notices, it’s running.

It’s not really a surprise, in some ways. Obviously Basira has a statement, and obviously it’s the real McCoy. It just startles Sasha that the tape recorder turned itself on…and for her. She sort of figured that only happens for Jon. It’s honestly a bit of a thrill, knowing that whatever is behind these tapes recognizes her.

She collects herself. “I take it that…whatever you were asking about Rayner for didn’t go well?”

Basira takes a long drink of her cocoa. “We lost Altman. Just…wasn’t paying attention. Don’t know what they’re going to tell his family. Guess it could have been worse, though, if I hadn’t talked to your boss first, so…tell him I said thanks.”

Sasha reaches over and squeezes Basira’s free hand as comfortingly as she can. Surprisingly, Basira grips it back. “Do you want to talk about it? I mean…I know you’re probably bound by all kinds of confidential agreements and all that, but you can ask any of the others, I’m really good at keeping secrets. We’re trying not to keep secrets from each other, but if you tell me not to say anything to them, I won’t. Just between you and me and whatever’s at the other end of the tape recorder that I absolutely did not turn on myself, by the way. Did you?”

Basira stares at it. “Fuck. Didn’t even notice it was on.” She takes a deep breath. “You know, I—I think I do want to talk about it. Don’t even care if you tell the others, or play them the tape or whatever, just…I need to talk to someone, I think. And with all those Section Thirty-One forms, this is probably the only place I can talk about it. Sure the only place I can talk about it and not feel crazy.”

Sasha nods. “Be glad you didn’t come in a year, year and a half ago. Jon’s skeptic act was legendary.”

“I’ll bet. He looks like a skeptic who got thrown in the deep end.” Basira makes an attempt at a smile. “Where do you want me to start?”

“As the King of Hearts said to the White Rabbit, ‘Begin at the beginning, and go on until you reach the end: then stop.’”

“Alice in Wonderland. Fitting. That’s about what it felt like.” Basira sets down the mug on the table. “Well then. I guess the beginning is with the disappearance of Callum Brodie.”

Sasha keeps her eyes on Basira’s face as she describes the events at the Outer Bay Shipping industrial complex in Harringay. There’s just a little bit of static in her ears as she listens, but mostly it’s just Basira’s voice and the story she’s telling. It is…objectively terrifying, to be honest. Sasha’s always been just a little bit afraid of the dark, or at least of what might be hiding in the dark, and although she never says anything to the others, the Dark statements get to her. She’s never heard one live, though. Never sat with someone and felt their terror coursing through the loop of the shared space between them as they describe coming face to face with one of the two entities Sasha is willing to admit she genuinely fears (the other, obviously, being the Stranger, and she’s still not sure if that’s because of what it did to her Prime counterpart or because of what it did to Tim or just because it’s the natural enemy of the entity she’s bound to). It’s compelling, and the air seems charged with something, but she can’t say what.

“I think they were connected to that cult group from way back, the Church of the Divine whatever,” Basira says at last. She sounds drained.

“The People’s Church of the Divine Host,” Sasha supplies. “Rayner was their leader back in the nineties. We’ve had—God, how many statements about them? I can probably pull them for you if you want.”

“I don’t,” Basira says firmly. “Not even a little. I’ve been thinking a lot over the last few days, and…I’m done. With the police, with Section Thirty-One, all of it. Was going to tell Jon in person, but if he’s not here, this is the best I can do. Anyway, you all have my statement. I felt like I owed it to you.”

Sasha tilts her head to one side. “You’re really quitting?”

“Yeah. And you should, too. All of you. This place…it’s not right.”

Sasha can’t help the soft snort of laughter. “No kidding. I can’t, though.”

Basira raises an eyebrow. “Have to see it through? Or is it loyalty to your coworkers?”

She sounds bitter—like she’s talking from personal experience. Sasha wants to probe at that, but throttles it back. First of all, Basira is a lot pricklier than the rest of Team Archives, she won’t respond to her the same way. And second of all, she is actively trying to be less of an arse about that sort of thing. Instead, she decides for complete honesty. “No, it’s the sort of thing you’re done with. I’m being literal when I say I can’t quit. We’re bound to the Institute—to the Archives. If any of us try to leave, we’ll die.”

“I’ll keep that in mind if I ever get offered a job here,” Basira says dryly. She squeezes Sasha’s hand—it’s only then Sasha realizes they’ve maintained that physical contact throughout the entirety of her statement—then stands up. “Tell Jon I said to stay safe.”

Sasha stands, too, and watches her head to the door. Before she gets there, though, she calls out, “Basira.”

Basira stops and looks back over her shoulder. “What?”

Sasha should ask about the tapes—Jon’s going to want to know, they all want to know, and if Basira quits the force they might have to ask Daisy to bring them and nobody wants that—but what comes out of her mouth is, “Keep a light on for a while. It—I don’t want it to come after you, too.”

Basira studies her for a moment, then gives a small half-smile. “I will. Thanks, Sasha.” With that, she leaves the Archives.

Click! The tape recorder shuts itself off. Sasha stares at it for a moment, then swears. Unlike the others, she didn’t grow up functionally bilingual, so her profanity is limited to English and the smattering of dirty words she and her classmates looked up in French class, but she makes good use of them. She hits the button to rewind the tape with one hand and fishes out her phone with the other. Calling up the obnoxiously-named group chat, she hastily thumbs a message: [Let me know when you’re done.]

That done, she opens her laptop again and sets into some serious research.

Nobody ever visits the Archives on Open House days; the only people who ever come down here anyway are students doing dissertations who need firsthand accounts, especially older ones, and no self-respecting student works on a Saturday morning. So there’s no one to interrupt her as she clicks through Martin’s index, then switches her focus to the onerous task of following the twists and threads of corporate ownership. They haven’t done much research into Maxwell Rayner, either, or at least not as much as they should, so Sasha broadens her search for the name. What she comes up with nearly steals the breath from her lungs. It’s a coincidence, it has to be…

“Sasha?”

Sasha jumps, nearly flipping her laptop across the desk, and whips her head around to see Jon, Martin, and Tim coming towards her, looking worried. “Jesus, you three scared the hell out of me. What are you doing here?”

“You weren’t answering. We got worried,” Martin says, pointing at her phone.

Sasha looks and sees that she’s missed fifteen texts in the group chat, starting with [We’re done. What’s up?] and devolving from there into mild panic. She flushes. “Sorry. I guess I got a bit wrapped up in my research…didn’t expect you to be done so quickly. Um, how did it go?”

“Fine. Stranger-free,” Tim answers. “One of the staff members has something, though. Jon smelled the statement on her—”

“That makes it sound worse, somehow,” Jon mutters.

“—and I’m pretty sure it’s a Desolation,” Tim continues. “Hopefully she stops by at some point so we can confirm that. What are you still doing here?”

Martin looks over her shoulder at the page called up on her screen. “Max—? Basira. She called back?”

“She was here,” Sasha tells him. She points at her recorder. “The operation she was on went sideways. It’s all on there, but if you’re going to listen, I need to be somewhere else.”

“No, it’s—some other time, maybe.” Jon rubs his forehead. “Summarize for us?”

“Rayner and his…cult, or what’s left of it, kidnapped a boy named Callum Brodie about three weeks ago,” Sasha answers. “The police apparently got a tip-off as to where they’d taken him—a place up in Harringay registered to Outer Bay Shipping. They had a raid yesterday and it was pretty much entirely sectioned officers. Basira called you as soon as she realized that, and by the way, she says thank you for the tip about the lights, because it’s probably the only reason they didn’t all end up dead.” She pauses, wondering how to wrap it all into a neat package, then finally says, “Details are on the tape, but the long and the short of it is that some…really dark stuff came pouring out of Rayner’s mouth and tried to go into Callum Brodie. The officer who shot him probably stopped that from happening, and from the sound of it, the kid’s going to be okay. Rayner is dead. So are three other cult members and one officer. And Basira’s quitting the force. I get the feeling this was kind of the straw that broke the camel’s back for her.”

Jon exhales, hard. “Christ.”

Martin is still studying the screen over her shoulder. “Sasha, this is—does that say what I think it does?”

“Yep. It doesn’t look like Mr. Rayner was particularly subtle.” Sasha looks up at Martin and can see in his eyes that he’s reached the same conclusion she has. Turning to Jon and Tim, who both look confused, she elaborates, “Maxwell Rayner, and the People’s Church of the Divine Host, are associated with the Dark, right? And darkness was flowing out of him into Callum Brodie.”

Jon’s face goes ashen. “Are you saying they were trying to initiate him into their cult? To—to mark him? Christ, how old is he?”

“Twelve, but…no, not exactly. Worse.” Sasha taps one fingernail on the edge of her laptop. “I widened my search for Rayner to before the nineties, especially in conjunction with…weird stuff, and I found this buried in a site about Edmund Halley. The description tallies pretty damn closely with the description of the man in the nineties, so either it’s a family line that doesn’t use suffixes—”

“Or,” Tim says, his eyes going wide with horror, “Maxwell Rayner has been extending his life by taking over new bodies as he ages out of the old one.”

“Or,” Martin adds softly, “stealing the life force of other people. Christ, I’d think that’d be more a Terminus power, but…I guess it’s possible?”

“Darkness. Like—” Jon breaks off the rest of the sentence, but he doesn’t need to say it. They all know what he’s thinking of. Sasha just hopes Elias isn’t paying attention to them right now. “I suppose that’s something we’ll have to…run down.”

“Good idea.” Sasha closes her laptop and stands up, palming the recorder. “Let’s go do that right now.”

[treeni]

Sanders Sides Theory, The Sides That Aren't Pt 1: Remy and Emile

Theories Master Post

So my sick and feverish brain had an epiphany when researching a theory on Roman and Remus (two epiphanies actually) that involved revitalizing a scrapped idea and latching onto something that initially started as a joke and then accidentally found evidence for. So let’s talk about that.

So let’s start with that scrapped idea here in part 1.

Let’s talk Remy and Emile.

These are two characters who are constantly associated with the sides in fandom in various interactions and ways, and yet why? Shouldn’t they be dismissed as just two random characters that Thomas and co made in the seemingly endless number of videos they’ve created? I mean, the two supposedly live in an entirely different universe than the sides. So we shouldn’t be “reading” them as sides, logically speaking.

So why such a big part of the fandom is latching onto these characters as sides (or equivalent to sides) despite the fact that they don’t actually appear in Sanders Sides (or at least haven’t yet, but we’ll get to that)?

Well, that answer is a bit layered.

The first and obvious answer is color theory, which I talked about in my Orange side theory. Essentially the audience knew for certain the sides were following color patterns from the moment Janus made his appearance with his bright yellow gloves. Patton and Logan’s colors existing independently of each other was what brought initial hesitation to that model because they were both blue, but they aren’t exactly, instead both primary color sets (Red, Blue, Yellow) and (Cyan, Magenta, Yellow) are being employed as well as the secondary color set (Green, Purple, Orange). (Yes, yellow is included in both primaries, which is part of the brilliance of it being used for Janus because it only adds to his character as existing in binaries.) You’ll notice however, that to complete the (CMY) model, you need the Magenta. Visually speaking, it’s easy to pick out the pink tied Emile to fill that role.

As I’ve already stated, I’m not the only one who thinks Emile’s the perfect slot for that ideology, there’s a reason why he keeps appearing in fan art and fiction related to the sides. Is it his tie alone though that pushes the audience into placing him into that role? No. If it were that simple, I would simply point out that c!Thomas is also often slotted into the “pink spot” and leave it at that because c!Thomas is clearly already included in the Sanders Sides as we see him there. No, instead I’m here to tell you that assigning pink to c!Thomas is a mischaracterization.

But again, the answer of how and why is a bit layered, so let’s move onto Remy for the moment and circle back to Emile.

Going back to color theory for a moment, (CMY) is actually an incomplete version of that primary model. It’s actually (CMYK), with the K standing for Black. So in truth, to fulfill that model we actually need both a Magenta and a Black side. You are likely already predicting what I’m going to say, but Remy is indeed the perfect fit for that role and not simply because of his outfit choice.

To start off by defining why Remy is a side, we need to understand what the sides are and what differentiates them from the “shorts sides”.

For those of you who are unaware, the Sanders Shorts has a set of characters (Teacher, Anxiety, etc.) who have their own names that call back to their roles in a simplified, easy to remember way (Teacher=Teal, Anxiety=Andy, Dad=Dyad, and Prince=Pryce). These four in particular are characters that the audience immediately connects with the main four sides from Sanders sides, but can also immediately recognize a dissonance between them.

For example, Virgil and Andy are not at all synonymous with one another. Andy wears Virgil’s old jacket, it’s true, but he also has a very relaxed attitude whenever he’s not specifically “giving” anxiety. He also is different than Virgil because he clearly does not suffer from the symptoms of anxiety he gives. Instead, he simply turns up, does his job and is satisfied in that accomplishment. Andy is more like what Virgil tried to be in the first season, but failed because he simply cared too much.

Andy is more of a one dimensional character who fulfills a single role, he isn’t shown to have specific likes, dislikes, hopes, wants, dreams, or fears like Virgil is. Virgil is a complicated, multi-faceted character who cares, quite a bit. He has as much, if not more anxiety than he gives because he cares about the result of c!Thomas’ actions. He wants to protect c!Thomas and the other sides, he likes the color purple and MCR, he dislikes being patronized, but he yearns for love and acceptance as who he is.

What ultimately differentiates the Sanders Sides, from the Sanders Shorts sides is their dimension. The Sanders Sides are characters with layers, depth and personality, while the Sanders Shorts sides are flat characters in comparison.

So what does that have to do with Remy?

Remy is a multi-dimensional character. He’s defiant and rebellious, he likes to stay out late and party, he likes lavender, loud music, pumpkin spice, layered clothing, autumn. He’s over dramatic sometimes and funny. He stands out from the one dimensional characters in the Sanders Shorts because he is much more layered than them.

However, Remy’s stuck in the Sanders Shorts videos because of how c!Thomas sees him, as Sleep. How is a character who represents Sleep meant to help c!Thomas in his everyday life afterall? Except, c!Thomas historically simplifies and misunderstands his own sides. Patton is more than morality, he’s at the center of a whole range of emotions, he’s the heart. Logan isn’t just simple logic, he tries to be considerate of the others, he’s hopeful and has a deep understanding on a whole range of subjects that often go outside the bounds of simple, logical knowledge. Saying that Patton is Morality or Logan is Logic is an oversimplification of what the characters represent, that was done specifically by c!Thomas. Then, understanding Janus as Deceit was in many ways a flat out misunderstanding of what the character represented. Patton told the audience from the beginning that Janus is self-preservation. Lying is one of the tools Janus uses to achieve that end. (More on that in another theory.)

I believe that Remy being labeled as Sleep is a misunderstanding of him by c!Thomas. (I also believe that this is an intentional move made by Thomas & co.)

So, if not Sleep, then what is Remy? Well, as I’ve stated, that answer is complicated because all of the Sides are an array of things. They’re complex characters who can’t really be simplified to a single term and doing such is a fallacy, but as it helps audience understanding I’m going to do it anyway.

In simplest terms, Remy is Apathy. Consider for a moment that at his baseline c!Thomas is someone who cares a lot, like a lot about everything. The whole nature of Sanders Sides as a show is literally how much he cares. However, caring too much can be a problem, leading to emotional over-exertion. People need a certain level of apathy to be able to sleep, to push all their problems away for a little while and take time to decompress and recharge. This would be why Remy is associated with sleep. He gives c!Thomas the mindset to be able to sleep, rather than being the function itself.

We can also see evidence that Remy is apathy in the character itself. Remy lives a very “in the moment” kind of life. He parties, constantly drinks coffee, and generally seems to do what he wants, even when it gets him into trouble. (Like getting completely lost.) He plays on his phone when people talk to him too long, he gets bored with being chastised, and essentially shrugs off criticism. It’s because he’s apathetic. He is essentially the embodiment of “fuck it” behavior. In real life it’s the often people who party most nights that care the least about their lives because they’re unhappy and a little dead inside. The partying “in the moment” behavior acts as a distraction from the nothingness. Sort of like simulating emotions with physical rushes (high amounts of caffeine or alcohol, loud music, crowds, essentially anything to drown out the “nothingness”). On top of that, Remy also embodies some gay stereotypes in a way that many of Thomas’ characters don’t. Again, it’s because he doesn’t care about being stereotyped. He’ll say want he wants, act how he wants, and live how he wants.

Even his name is evidence. While we might be drawn to the conclusion that Remy is a play on the Rem-cycle (and that is almost certainly part of it given the Sleep connotation, though the Rem-cycle is actually the point at sleep where the brain is most active and a person is easiest to wake from sleep) You should also be aware that it’s a nickname for the name Remington. Remington is derived from the old English word “hremm” that meant both “raven” and “settlement”. While a raven is the perfect association for the black color-scheme and some of his personality traits, the literal and metaphorical meanings of the term “settlement” I think is the perfect idea to associate with what I believe Remy is meant to embody. Both the literal place to stop and rest, a safe place, but also the settlement of the mind, being able to push all of the emotional and literal fatigue of the day away. The fact that Remy is gone so often is very telling in the stressed and emotional state that c!Thomas is in.

Also in regards to names, Remy and Emile are intrinsically connected. While both have name meanings that are very important to their characters, they’re also the names of the brothers from Ratatouille. (A movie basically about pursuing your dreams when the world and even your family are against you.) Their names and the connection between their names is evidence that the two characters were designed together as a tribute.

So let’s get back to Emile for a bit. Like Remy we know he’s more complicated than many of the characters from the shorts. For example, we know he loves cartoons, references, and jokes. He’s generally seems to be a happy person and is a therapist (or at least plays one). So, what exactly is he if he’s a side? Well, as I’ve said none of the sides are so simple as to signify one single thing. On top of that, I think his lack of appearance in almost anything besides Cartoon Therapy is evidence to the fact that c!Thomas doesn’t understand him. Like, I think he has some grasp on Remy, despite misunderstanding him, however I think he simply has no connection or understanding of what Emile does/represents. Yet, if I had to label him with a single trait for simplicity sake, it would be Acceptance, essentially the other reason why Sanders Sides exists (or at least has conflict).

There is so much that c!Thomas hasn’t accepted about his life, his career, but most importantly about himself. It’s why the debates go on with each new episode and why the sides struggle to accept each other. It is also why Emile would not have yet made an actual appearance yet in Sanders Sides, I would consider him to be a rejected and repressed light side. Also, embodying acceptance, it would be his job above all else to listen to the other sides. A good therapist does not add their own voice and opinion into the mix until their client is ready to hear it. They need time to get through it all and process. That is exactly what Sanders Sides is already doing for c!Thomas.

Let’s get back to names for a moment, as I said, Emile’s name meaning is also incredibly fitting for what I believe that he represents as a Side. Emile literally means “coming from the Aemilian family” which is in turn derived from the Latin word “aemulus” meaning complete.

My theory is essentially that Emile is going to be our last surprise, maybe coupled with Remy or maybe directly after Remy. Remy, the “darkside” who is often AWOL because he’s self aware of how dangerous he can be in too high of doses and Emile, the “lightside” who is repressed. Essentially, Apathy, reminding him that it’s okay to let go of things for a while and Acceptance, teaching him how to accept himself above all things.

I had initially scrapped this theory because a friend told me Thomas and co had already denied that Remy and Emile are in the Sanders sides universe  and I have a little bit more to say about that in particular in part 2 (which should be coming out in the next couple days, so keep an eye out) but also I want to just set a reminder that you shouldn’t believe much about what a creator denies about their work. Of course they aren’t going to reveal secrets or surprises to you early. Do I know for a fact that Remy and Emile are Sides? Absolutely not, all I can do is align the evidence and present to you my findings.

(Also general shout out to @candied-peach for listening to all of my insanity to get me to this point. Seriously, thank you.)

[wangxiians]

Hey, i was wondering and i hope i can get some answers from you since i know you are more expert in wangxian theory than me. Im posting about wangxian in my own account. Sometime calling WWX mom or wife. Then in my post that i posted today 1 person commented saying "do not call him 'mom' or 'wife' again". I mean ive seen some posting that are far more 🤐 in words than mine, can you tell me if this has to do what actor's problem? (Xiao Zhan) or it's just personal? I need some answer. Thanks 😊

the answer to this question is both super simple but also super duper complicated. the short answer is: calling him mum or wife perpetuates heteronormative stereotypes and is only so widely used in certain corners of this fandom bc, unfortunately, there are a lot of fujoshis and fetishists. 

the longer answer (not as in-depth as i could be) is that from what i know, the main english translator team of mdzs purposefully translated a certain word as ‘wife’ instead of ‘husband’ or ‘partner’. i don’t like explaining translation differences because chinese is a highly nuanced language and i never learnt it so i know nothing. having the translators use ‘wife’ isn’t surprising bc they’re self-proclaimed fujos (evidence: read any of the translator's notes) and like... there’s a lot of discourse surrounding their translations (something i won’t get into bc i’m still new here and personally chose not to delve too deeply into but feel free to do your own research bc it’s... whack). 

besides that reason, another main issue is the gender stereotypes that straight people love to tack onto queer relationships - specifically gay male relationships. i’ve noticed that this is more prominent in the mdzs side of the fandom (maybe bc a lot of cql fans are queer..... i feel like that’s a correlation) where people allocate wuxian to the ‘femme bottom wife uke whatever other label ppl wanna give him’ roles while wangji is almost exclusively seen as the ‘top seme husband masculine’ roles. (side note: i just cringed so hard typing those words out i never wanna do that again, yikes). not only are these labels oversimplifying their relationship but they’re placing heteronormative roles onto a queer relationship when in reality, queer relationships have their own dynamics, not limited to the ‘husband wife’ oversimplification that straight women love to give their gay ships (specifically their mlm ships). 

everyone has a different threshold to what they deem as okay and what they deem as fetishising (that’s what makes fandom dynamics so complicated! especially in a fandom as diverse as mdzs!) but like i don’t think any queer fan enjoys seeing wuxian being called wife.... even in a lighthearted joking way it just... feels icky because queer relationships don’t exist to fit into the cookie-cutter stereotypes of heteros.

okay this got longer than expected and could’ve been more eloquently explained but this discourse is just the tip of the iceberg when it comes to the underlying issues of mlm ships in fandoms. don’t feel bad or ashamed for using these terms in the past because mistakes happen, you can’t learn without making mistakes! and by sending this ask it already shows that you’re willing to learn which most ppl aren’t willing to do (so kudos to you!). 

tl;dr wei wuxian is a very amazing husband, father, and bisexual icon who deserves to be called as such ^-^

[aylinaliens]

Hi! Could I maybe request RamKing being the absolute best, once again, and maybe educating their friends on ‘switches’, after this episode i think they need it, or something along those lines as king as it’s RamKing I’m happy! Thank you!

hello! hopefully you like it, it went on longer than i thought but i had to add a ramking moment. you can read it on ao3 or down below

summary: “But...I gave you that drink last week.” Ram paused and King felt his stomach lurched with excitement. Okay well...maybe this was a bit weird but wasn’t this a normal reaction when you had a crush? To feel as if you suddenly can breathe easily for the first time in your life while at the same time being unable to do so? But why did King never remember this feeling when he had crushes on other people?Realization seemed to click on Ram’s face as he connected the dots. “Are you...bringing me plants so that I would talk to you?”

think of me when you look after it (ram/king) 

"You know you can switch right?" The words were out of King's mouth before he could stop them. Constantly listening to Bohn insistent complaining was starting to get on his nerves. He was unsure why this conversation was even happening considering Bohn and Duen never did as much as kiss. Yet somehow their nonexistence sex life was the main topic of conversation for the last hour and half. He was fully planning on staying out of it, perhaps teasing Bohn a little because it was fun, but curiosity got the best out of it. Turns out this whole entire situation could have been solved by a simple search on their phones.

King was met with a variety of stares from his friends-mostly in confusion. It was obvious from the glazed look in their eyes that he would have to spell it out. "During sex, you can switch roles. No one just has to be the top and no one just has to be the bottom." For emphasis he held his phone in front of Bohn's face to show him the article, who was currently leaning against King’s chair on the floor.

Bohn squinted at the device in suspicion. " That's a real thing? But I thought you just had to pick one?"

Before King could answer he was cut off by Wai. "Isn't that a BDSM thing?" Now it was King's turn to stare in confusion. She shrugged before grabbing another shot and bringing it to her lips. "What? I heard it from somewhere."

Shaking his head he pulled his phone away from Bohn to read the web page once more. "It can be but I'm not referring to that. Someone who switches can do both, depending on their mood usually. It has nothing to do with femininity and masculinity. Just because someone is smaller and sweet doesn't mean they would be the submissive one. The same thing goes for those who are bigger and rougher."

King looked away from his phone only to see Bohn somehow looking even more confused. His eyebrows were knit together and he was fiddling with one of the buttons of his shirt. He knew he should have left it alone but he was curious. It seems like he was curious about a lot of things lately.

Actually he seemed to only be curious about one person really. He wanted to prepare in case- no. Nope. King was not going to allow his mind to wander that far. Even if King ever gained enough nerve to tell Ram how he felt he highly doubted that Ram would feel the same. But that was okay, really. He was content at what they had now, whatever it was. Was it simply a crush? That wasn't enough. Was he in love? That still somehow didn't encapsulate the full depth of his feelings. Perhaps he was in between the two at the moment. There was no doubt in King's mind that he liked Ram, though. It was just a simple fact that King gradually realized as the weeks went on but he was unsure if he was ready for things to change. There was still so much he was curious to learn about Ram and he didn't want it to become clouded by the physical stuff. He felt on top of the world just by Ram saying a full sentence to him. He was positive that he would be unable to handle Cool Boy holding his hand let alone kissing him. Still, King figured that someone in his friendship group should be informed about this stuff. He had zero ulterior motives. None whatsoever. Just curiosity.    

It seemed like the rest of the group tuned out, partially from boredom and partially from the round of shots that were delivered to their table. Bohn thankfully opted out drinking and instead was still trying to process King's words from a few moments ago. "Wait, but how do you decide? Do you just flip a coin or something?"

King seriously hoped that Bohn and Duen didn't sleep together for a very long time-it was clear that they both needed to mature.

"I guess it depends on the mood."

"How do we figure out the mood?" It was as if King was talking to a child at this point. Still, he tried to remain patient. It was clear that Bohn was upset about this, more so over the fact that Duen's personality did a complete 180. Or it had to do with the fact that his masculinity was called into question. King guessed Duen seemed to be struggling with that too.

So for the next ten minutes King answered every question Bohn threw his way, no matter how embarrassing they were. He had to remind Bohn quite a few times that he was far from an expert and he should speak to someone who was but knew that someone had to do it. He was sure Boss would just find another DuenBohn fan fiction and use that as an educational tool.

Just as Bohn opened his mouth to ask another question King cut him off. "Are you ready to have sex with Duen?" It was blunt and far from King's business. It was no one else's but their own. But he assumed that after the conversation they just had- after all the diagrams they saw -it would be safe to ask it.

Bohn's cheeks were already red from the alcohol but it somehow burned even brighter. His eyes went comically wide as his mouth opened and closed a few times, struggling to form a coherent reply. "N-no? We haven't. We haven't even k-kissed. Why would you ask that?" King really couldn't stand his friend sometimes. How was it this question that made him flustered and not the in depth discussion they had about the best positions for the first time.

"If you're not ready to have sex than why are you guys fighting about this? I'm not saying you shouldn't educate yourself on this but you're letting everyone's opinions influence you."

Bohn sent a glare at King. "Weren't you the one teasing me earlier? You were pushing your opinions on me."

King did push his opinions on him but that was before he did his research. It's not like he would stop teasing Bohn about Duen but maybe he'll stay away from this touchy topic. He didn't bother to answer that question. "Look, you need to talk to Duen about this, not us. We are not the ones who you're in a relationship with. It's none of our business. We can joke about it and I'm here for you but...this is not our decision to make. If you truly don't want to lose him you need to have this discussion. It doesn't even have to be about sex but set up some guidelines and rules so that when you do get to that point you'll know what to do."

Bohn took a few minutes to mull things over as King slowly began to sip his drink. He was going to need a lot of alcohol to get this conversation out of his mind. It's not that he was ashamed but it was a tad bit embarrassing to have a crash course lesson on sex education in the middle of a crowded bar with your best friend. Finally, Bohn nodded and spoke, his voice still slightly slurred from the alcohol. "I want Duen." Obviously. "I want him to pick me up so that we can talk about this. Right now. Right here." Okay that's not so good of an idea. King meant they should have the conversation completely sober and preferably when he was not present. "I'm not leaving unless he picks me up."

It was possible that King just made things ten times worse than before. Damn his curiosity.

Turns out he didn’t make things as worse as he originally thought. Both Duen and Bohn finally sat down and had a serious conversation about the whole thing ( and finally set boundaries for their friends). However, because Bohn and Duen are stubborn and strong willed they automatically found something else to bicker about but this time King was not going to intervene. He was too busy trying to get a certain boy to just say one more word to him.

Just as Ram was about to get on his bike King appeared, bag in hand. He was met with a blank stare but King was used to it. He thrusted the bag toward the other boy and flashed him a grin. “Thanks for the drink you bought me. I figured I should probably repay you for it.” Ram cautiously took the bag and peaked inside, only to glance up with a perplexed expression.

“You got me another one?” Was it weird that those words were like music to King’s ears? It probably was but he didn’t really care. King ran a hand through his hair, a nervous tick that he only seemed to do in Ram’s presence, before grinning again. “Yup. It’s the least I could do.”

“But...I gave you that drink last week.” Ram paused and King felt his stomach lurched with excitement. Okay well...maybe this was a bit weird but wasn’t this a normal reaction when you had a crush? To feel as if you suddenly can breathe easily for the first time in your life while at the same time being unable to do so? But why did King never remember this feeling when he had crushes on other people?

Realization seemed to click on Ram’s face as he connected the dots. “Are you...bringing me plants so that I would talk to you?”

King leaned forward, close enough that their faces were only a few inches apart. He was still not ready for that yet but he had to admit it was amusing to watch Ram squirm. His eyes went wide as his cheeks tinted an adorable shade of pink. “I might be, Cool Boy. Do you have a problem with it? Do you want me to stop?"

Rather than replying Ram ducked his head before jumping on his bike and peddling away. If anyone else did that King would have thought it was rude but with Ram it was different. It was just... so him. By now he was used to the silence and abrupt endings to their meetings but he had to admit he liked it even better when he got to hear Ram’s voice. He ran a hand through his hair as he watched the other boy slowly disappear as he turned a corner and patiently waited for his phone to buzz. Not even twenty seconds later King’s phone began to buzz in his pocket. Right on time. Slipping the phone out of his pants he began to read the messages, a soft smile on his face.

No.

No, I don’t have a problem with it.

You can bring me as many plants as you want.

And thank you.

Another few seconds passed before the phone buzzed one last time.

You don’t always have to bring me a Venus flytrap though. You said they are very hard to germinate so...it’s up to you.

Oh, King had a very long list of plants he could give to Ram that takes little time to germinate but he would still give him Venus flytraps too, just because it’s worth the wait ( Ram was worth the wait).

[codylabs]

My Top 10 Ships

I’m not a very romantic sort of guy, I’m not real forgiving to departures from canon, I get easily annoyed at inconsistencies, and I don’t watch much television and movies, so in order for me to ship something, it has to be a GOOD ship. I default toward rejecting ships, so to impress ME, it must be built on logic, and evidence, it’s gotta be something I can suspend my disbelief far enough to accept. And it’s gotta have story behind it, something deep, some hefty emotional weight; if it doesn’t tickle this man’s cold reptilian heart with strong beats and excellent writing, it goes straight to the trash. I absoLUTELY will not stand for any of these weird little cute, pretty, pandering, trashy crack ships that everybody seems to be clumsily throwing characters into. Most ships are trash ships. They are not good ships.

You think your ship is good? You like your ship?

You ship it?

No you don’t.

Get out of here.

You will listen to me. I will tell you. Look at me. I’m the Captain now.

Here are the 10 good ships.

10. The Rocinante, The Expanse

A resoundingly excellent ship. Unlike most ships you see out there, this thing was actually designed with realistic space combat in mind. It’s got 6 computer-controlled gatling turrets covering every angle, it accelerates in whatever direction it’s pointing, its bridge is right in the center to put as much armor as possible between enemies and crew, overall a much better-designed vehicle than most everything you see about.

That being said, I didn’t have much connection to this ship. Its crew weren’t really interesting, the aesthetic was kinda bleak, and I basically stopped watching after the phazon showed up. And the Rocinante itself has pretty poor redundancy. Enemy bullets can literally just pass through it (as is realistic for a ship this size) so how about multiple main engines huh? Absolutely tragic oversight. And its interior looks too much like an Apple product. How are you supposed to work on it? Where are the wires and pipes??? The handholds?????

9. Ares IV M.A.V., The Martian

Almost more of a symbol than a ship. A symbol of freedom, of escape. A beautiful symbol. This is what Mark Watney spends the whole movie trying to reach, with an entire world backing him up, and an entire world trying to stop him. It’s the goal of the movie, and it just looks so beautiful when he finally reaches it and sees it sitting there in the middle of the desert, ass down, nose up; a tall, proud symbol. This ship has a special significance for me because the author of the original book really did his research on the scientific requirements and details of a Mars Ascent Vehicle, and it was actually inspired by the E.R.V. in another book, ‘A Case For Mars’, which I read when I was younger. “Makes its own methane-oxygen fuel on-site by using nuclear power to break down CO2 in the atmosphere and combining it with stored hydrogen, don’t you know.” I say as I adjust my spectacles and puff my pipe.

The M.A.V. in the movie does have a few issues, such as hallway and rooms running straight up through where the fuel tanks ought to be (instead of a lift/ladder on the exterior) and a rugged, industrial aesthetic that looks too heavy and cumbersome for a ship of its type. (And you’re seriously telling me he couldn’t have used the capsule’s RCS to literally bypass the movie’s entire climax? WHY NOT? The book never mentioned him having to drain the monopropellant!!!) But I’ll let that slide. Great movie.

8. Biggest Boy, The Greatship

(I don’t know the ship name so I had to make up a name. You know what, I think it’s actually just called the Greatship.)

So it’s a starship the size of Jupiter, empty, unmanned, perfectly mysterious, that comes gliding into the galaxy a couple million years into humanity’s future. Where did it come from? Who made it and how? Good questions. It’s powered by matter-antimatter annihilation reactions from within planet-sized internal tanks, and its engines use hydrogen and fusion exhaust as reaction mass, and its hull is made of hyperfiber, a super-strong fictional material with a 4-dimensional lattice structure, able to weather impacts by spreading them out over various dimensions where the impact occurred in a different place.

I hope that after the first few entries, you didn’t get the impression that I am somehow against futuristic, far-out, impossible technologies. Quite the opposite! I love me some hyperdrive and anti-gravity and A.I. and stuff. However! Ships must be well-designed for the technology available, and must take no creative liberties except those explicitly allowed by the difference in the setting. The laws of physics don’t disappear when the magic crystals come out, the magic crystals are merely a different tool to combat them. Engineering will always exist, should start with the tools and work outward, form follows function. Star Wars ships, for instance, are trash because they don’t mount their repulsorlift arrays consistently, they’re not aerodynamic, and their engines aren’t aligned around their center of masses.

So I like the Great Ship. Although the story is pretty far-fetched, and a lot of crazy, out-there scifi events transpire deep in the ship’s depths, the book always strictly kept its own rules in mind, and never broke those rules, no matter how outlandishly crazy things got. Thanks for comprehending something so incomprehensible, Robert Reed. You inspired me miles in my own work.

7. The Ghost, The Sea Wolf

The story may be fiction, but the Ghost was as real as ghosts can be.

Jack London did his research. No, not research, he LIVED this. The Ghost is a seal-hunting schooner much like one that he served aboard during his rollercoaster of a life, and he captured every detail of its operation, of its requirements, of its mechanics, and of the incredible toll it took on the people that lived such a life. The boat is made to feel as oppressive and claustrophobic as a prison, as if it were an extension of the monster that commanded it, directly in contrast to the expansive beauty of the sea around them. My goodness, what a beautiful book. What a moving, interesting, challenging book, with such a story! This book is one of the climaxes of fiction, and one of the inspirations for Shifting Sands, if I remember correctly. I would recommend this book to anybody. Beautiful.

6. Ferbnessa, Phineas and Ferb

Okay, so I hope we can all agree that Vanessa is nothing but bad news. But that being said, Ferb knows exactly the relationship he wants, and by golly, he goes for it. Most male characters would stutter or get nervous or lose confidence around their crush, especially if that crush is about a hundred miles out of their league or if they already had another boyfriend, but Ferb? No. Not my man Ferb. He’s slighly too much of a legend to fall for such childish pitfalls. He doesn’t posture, he doesn’t creep or flirt or try to sabotage the other men in her life, he doesn’t even speak a word, he just maintains his blank expression, cranks his own already-inhuman levels of confidence and competence up through the roof to borderline olympian levels, and continues being himself. These rare moments of Ferbly passion are some of the few open windows we get into the grandiose machinations of his mysterious mind, and he uses it to bring out the best in Vanessa as well. And in the future episode, set years down the line, wouldn’t you know it, they’re a pair.

All joking aside though, this whole ship is basically comedy. It’s a super small part of the show, it’s only in like 5 episodes, it’s a running gag, it’s hilarious. It’s great. And it fits right into the tone and the feel of the show, because P&F’s entire world really is a comedy about going for it and living your dreams. So this is just the best thing ever. It’s been about a decade since then, and I still burst out laughing at how much of a pristine picture of ideal masculinity Ferb is. Become like Ferb, boys, and you will become men.

Legendary.

Eat your heart out, Dipper.

3. Shunk, Voltron

(I don’t know the ship name so I had to make up a name)

Huge props to the voltron team for making a female alien character (even a romantic interest) with NO BOOBS. Do you have ANY idea how sick and tired I am of artists throwing a big ol’ pair of balonkadongs onto lobsters and snakes when almost everything in the real world besides folks and cows have either 0 or 8+ of them? Everything’s gotta be traditionally sexy and recognizably-feminine and GREAT now you just canonized all the porn! Disgusteg

but now look at Shay. She’s a rock person. She’s got silicon-based biology, she probably weighs 500 lbs and bleeds sand. She’s got enormous hands and weird knees and no nose and lumps everywhere, AND YET STILL the show plays all the tropes 100% straight with her being a fair young maiden and a sweet princess. And it works because Hunk is just this great guy who’s exactly as sweet and caring, and he’s not the most attractive of the Paladins either, so he probably lives his life looking past appearances. He doesn’t care that she’s an alien rock, he cares about her as a person, and she obviously worships him right back. Even though Shay is shown in season 1 and then never again until season 7, Hunk still avoids alternative romantic entanglements, citing ‘a rock I know’, and it just adds to his persona as this infinitely loyal teddy bear. I tip my hat to this, the single ship I know that’s 0% sexy and 100% wholesome.

And Hunk is the best Paladin. He’s just the greatest. I revere him. I salute him as he walks past. This man among men. Look at this guy. I don’t even care about any of the other ships in Voltron (I mean, the Castle of Lions is okay, but it’s outriggers are kinda spindly) but Hunk and Shay deserve each other.

4. Wendip, Gravity Falls

So Dipper’s 12/13, and Wendy’s 15. That’s a pretty giant age difference. Maybe you fans have fooled yourselves into thinking it’s not, but it is. She knows it. He knows it. His sister knows it. Your mom knows it. So halfway through the show, when he finally got around to confessing his feelings to her, she told him no. Sure they’re still friends, sure they like each other, and sure they have a lot of chemistry and they still have a movie night every Friday, but at the end of the day, he’s a smelly little midget who has to go back to California at the end of the Summer, and she’s a older girl with approximately zero romantic feelings for him. So the notion that it could work out is pretty obvious to everyone, and especially to him, pretty much hopeless. And he really did handle it all pretty poorly and immaturely too, he objectified her and stalked her and simped up a storm and sabotaged her boyfriend, so perhaps he deserved what he got. Perhaps it’s better this way.

And yet.

And yet Wendy never really got a happy ending in the show. And Dipper never got a conclusive romance either. So after everything, it’s easy to think about it how he thinks about it, by wondering how things could have been, if everything were just so slightly different, if she’d said yes or if they united again. She wishes she could be younger, he wishes he could be older. She’s more dominant, he’s more recessive. She has a lot of serious issues in her life, and could really seriously use a driven, heroic, intelligent friend to help her out, give her purpose, and steer her right. And Lord knows he could use somebody with street smarts and actual muscles to have his back now and again. They complement each other perfectly. They make up for each others’ weaknesses. They’re everything they ever wanted from another, and if you do the math, their children would be actual literal supersoldiers.

Or at least that’s the way a lot of people see it. There’s been immeasurable mountains of fanfiction and fanart from people who are just so sad that in a show full of happy endings and dreams coming true and old regrets being resolved and children growing up, that one ending would never be happy, one dream would never come to pass, one regret would stick with you forever, one child would never grow up. Maybe if you extrapolate out the story they’d end up together? Or maybe they’d find other, better partners? Maybe romance isn’t all that important in the grand scheme of things, and this is the best ending there could have been? Perhaps, perhaps not. But in any case, there’s a lot of very rich storytelling potential for the untold journey before them, and for the paths that could have been.

Stop drawing fetish art of Wendy, you insufferable heathen actual donkeys.

3. Kataang, Avatar: The Last Airbender

Now HERE’S a serious relationship. Not just a romantic ship, (though it is that,) not just some cutesy, funny thing or some ship-war fodder, (though it is cute and funny and did spawn a ship-war,) not just a matter of certainty and destiny, (though it is certain and was destined,) this is a real, TANGIBLE relationship, that these characters built together over a solid year of on-screen adventuring and fighting. They’ve helped each other through trauma, they’ve been there for each other in their darkest moments, they learned martial-arts together, they’ve fought back-to back against grown men, they’ve worked front-to-front sawing through steel girders, they’ve saved each other’s lives, he once ACTUALLY DIED and she brought him BACK. They end up respecting each other, and valuing each other in the intimate way that only true friends do.

And they’re shown working through all their imperfections and mistakes too. Aang sometimes oversteps boundaries and says stupid stuff because he’s a kid, and Katara sometimes scolds him and controls him because she’s motherly and orderly, they get jealous of each other, but none of those things drive them apart, and they deal with them, and they conquer them, and they keep a very legitimate and multi-faceted friendship going, and that’s the key to it all. The fact that this friendship becomes romance is just proof that it was a friendship of quality.

I think people tend to overlook or forget this ship because the last few episodes of the show found them in a pretty dark place, needing to deal with matters of life and death and justice in very different ways, and unlike all their other issues, we don’t really get to see them reconciling these differences before the story ends, which kind of leaves a sour taste between them. And Katara goes on a couple missions with Zuko around the same time, so now half of all people want Zutara, when in actuality, Zutara is a trash ship, which is a true science fact.

2. Serenity, Firefly

Only reason this ship isn’t #1 is because it isn’t constructed using a proper aerospace philosophy; it’s made of bulky machinery and steel beams and chunky plates, it looks more like an ocean vessel from the inside, and is WAY too big for its 6-12 person crew and light cargo capacity. Plus it doesn’t have any room for fuel and its got no wheels on its landing legs and no downward-facing windows and its reactor is just too dang SMOL and its engines are attached too flimsily. This all wouldn’t be too much of an issue if they were going for a far-future aesthetic, but if you’re trying to do something grounded and semi-contemporary, you need to lose some weight girl, I’m sorry.

But by gosh does it make up for it in heart. The entire inside of this ship was mapped out and made on set, with so many homely little decorations and touches to make every room feel like the person who inhabits it, sterile professional blue for the doc’s medbay, warm happy red for Kaylee’s engine room, all-serious-business-but-also-plastic-dinos for Wash’s cockpit... It hit me hard when this baby it crashed in the movie, and it felt almost real when River pretended to mind-meld with it. This ship has more soul in one buffer panel than most shows have in the entire cast, enough to make it seem like its own character, even in a show crowded with charming characters. I love this ship intimately, even if I would have built it differently.

1. Colonial Vessel 46.18′\, Gravity Falls

(I don’t know the ship name so I had to make up a name)

You didn’t think I’d leave out this one, did you? After all the fanfiction I’ve written? This is basically my ship at this point. Anyway, enough about me; the vessel beneath Crash Site Omega really is the quintessential alien ship; its perfectly cliche flying-saucer design taps into all the audience’s pre-existing fanciful notions and imaginings and disbelief-suspension, meanwhile its presentation isn’t cliche or fanciful in the slightest. 

There’s not much to say about it from a technical standpoint, besides personal musings: it would need anti-gravity to stay airborne without thrusters, it would need a FTL drive to cross the distances it did, its drones would need to be made of some kind of semi-liquid to move like they do... But these sort of out-of-the-box, never-before-seen, world-expanding brain-knocks are exactly what makes this ship special. It’s an alien ship, built with technology unknown to people, forged from materials that people don’t possess, and inhabited by beings we will never meet. For all we know, this ship could be perfectly sound from an engineering standpoint, and no engineer in the audience could claim to prove it otherwise, because unlike something like the T.A.R.D.I.S., they never try and fail to explain it away with science buzzwords or canonize its details or show off some fancy glowy reactor. This ancient husk is left as a yawning pit in reason, and that’s beautiful.

Moreover, this ship is an amazingly powerful narrative tool, and a mind-blowing surprise to drop in as a setpiece during the show’s final episodes. This ship embodies everything that made the show’s mysteries special: the evidence presented so early and so consistently, the creativity in creature design, action, and worldbuilding, the yawning depths of unknowable lore, and most of all the burning, unquenched desire to know more... The imprint this ship made in the cliffs over the town has been hanging over the characters’ heads the entire series, and its hull was below their feet from day one, so when they finally revealed it, and explored it, it felt invigorating. Rewarding. This ship, and the glorious feelings and thoughts it represents, have inspired to no end, and haven’t ended yet.

Honorable mentions:

Westley and Buttercup, The Princess Bride

Ooooh man I tell you what, it was really hard trimming this down to 10 for the list, and this one just barely didn’t make the cut, and that mainly because I have a sweet spot for animation and for warrior women, and this sweetness ain’t animated, and this damsel is as distressed as they get. And they don’t have a whole lot of chemistry? I don’t know how to measure that, but I feel like there was a lot of friendship stated that was never shown? Is it sacrilege to say that about True Love? I guess I’ve never exactly had True Love, so what do I know?

The entire plot centers around his devotion to her, and her love for him, and the lengths they go to for one another. He studies fencing and wrestling and wits and tactics for years on a pirate ship as he tried to return to her, and she refused the advances and the offers of an actual prince for as long as she could, even though she thought him dead, and was ready to kill herself when she knew him to be alive and not to be hers. And just such excellent action and characters and humor and story in the entire book surrounding it. Possibly an even better movie, somehow. Happy happy happy happy. They don’t make movies like this no more, why is that? Sad.

Endurance, Interstellar

Actually a pretty realistic design, all considering. They nailed the aesthetic, and the cinematography, and the feel.

It does lose points though, firstly because the shuttlecraft require a booster stage to make it into orbit when leaving Earth, but for the rest of the movie, whenever they’re landing on planets with similar gravity and atmosphere, they can just fly away like it’s no big deal, which is a big inconsistency, both with real life, and more importantly with itself. And how did an under-equipped and struggling space program put this thing in orbit in the first place, anyway? And why don’t their ships land on their asses like proper rockets? And why not tell the crew members the full plan before leaving? See, it’s little things like that, little inconsistencies made for the sake of fitting with story beats and simplifying it for the audience’s sake, that sours this ship for me. I don’t mind creative liberties, but actual plot holes? This thing has a few plot holes, and plot holes are absolutely yucky. So although most of this ship is very yummy, the yucky parts make it all yucky.

Yucky.

Plus its heavy cargo shuttles are about the least-aerodynamic things imaginable, and that’s also yucky, and there’s porcelain tiles in the stasis bay, like what?

Couldashouldawoulda been yummy.

The Hermes, The Martian

This ship. This friggin’ ship.

A beautiful ship. A well-conceived ship. A mathematically sound and engineered ship. It had so many many good ideas behind it. So much math went into calculating its thrust and orbital dynamics for this movie, so much work went into making it fit a contemporary space aesthetic, the panels, the heat sinks, the tanks, so much PRESENTATION I could KISS IT HMWA, but taken as a whole, engineering-wise, the whole ship falls flat on its face, because it just doesn’t fit together. It doesn’t make sense. Look at all those countless modules along its length. What do they do? They don’t do anything! It’s a quarter mile long, and it’s built for only 6 people? It’s meant to carry a lander? Where does the lander dock? Why are the useful airlocks so far off the center of gravity? Why does it have a cockpit? Why is the forward airlock so looooong? Why is the entire ship so loooooong? Why is the ring spinning so slowly? It’s not hard math to figure out how fast it needs to spin! You’re telling me you did ORBITAL DYNAMICS but not the SINGLE physics 101 equation needed to figure out how fast the ring needs to spin??

Btw, let’s talk about that rotating section in the middle! Think about the rotating section! That rotating section means that the front and the back of the ship aren’t actually connected! There’s just a pair of ring-shaped slip-slidey bearings bridging the ship’s middle, slip-slidey bearings that electricity, computer signals, and water and air pipes can’t cross. Why did they design it that way?? In the book the entire ship spun, which makes so much more sense! Why does it have solar panels when it has a reactor canonically capable of 40 times their output? Why are the fuel tanks so small? Why is it always facing prograde even when canonically burning retrograde? Why? WHY? BLRRRRGGGGGRGGGRGGG

In Conclusion, Ships Are Neat

[neriad13]

Favorite Media of 2020!

There was a large swathe of this year during which I was unable to concentrate on reading (as there probably was for a lot of other typically-frequent readers), so, as a result, I ended up listening to way more podcasts and watching way more TV shows. Not a bad thing, but boy did I read way less books than usual. 

However, for the first time in a while, the amount of fiction I read was about equal with the amount of nonfiction I read. Last year’s reading resolution was to read more fiction, so...success??

I did read a lot of phenomenal fiction when I had the energy to do so this year.

Books - Fiction

The Martian - Andy Weir

This book is the hardest of the hard sci fi I think I’ve ever read. Every single aspect of it is minutely researched and calculated. The author literally wrote equations to write this book. The science is insanely impressive and yet...it never loses its sense of humor or humanity in the mix. In fact, they’re the thing that drives the entire story.

Warlock Holmes - G. S. Denning

Way early in the year I was strolling down the fantasy aisle at the library, when this cover caught my eye. I took one look at it, went “oh, this looks silly” and...proceeded to devour the entire series in a matter of weeks. 

It is very silly. Especially when it’s pointing out something that was silly in the original. There’s something so satisfying about Watson immediately answering Holmes with the correct number of steps in their flat when he’s trying to make his point about how most people don’t pay attention to things like that.

World War Z - Max Brooks

Every single scenario in here could easily support an entire book. A park ranger whose job it is to contain the yearly zombie spring thaw? HECK YES. I’d read tens of thousands of words about that. A Chinese admiral who defaults, steals the government’s premier submarine, loads it up with the families of his underlings and takes to the sea for years to live in the maritime economy that has sprung up in a world where everyone is trying to escape the shore? That could be an entire movie on its own. 

Every chapter was more creative than the last and as a huge worldbuilding fan, this book was so, so fun.

An Unkindness of Ghosts - Rivers Solomon

In which a queer, neurodivergent protagonist solves a mystery on a spaceship which is a microcosm of antebellum era politics! This had a beautiful, mysterious, wonder-inducing writing style and it was a joy to peer into the wildly differing minds of every single character.

Books - Nonfiction

Underland - Robert MacFarlane

In every chapter, the author visits a different hole. Basically.

It’s an exploration of caves, catacombs, mines, nuclear waste facilities and the hidden underbelly of every forest. It was fascinating. And fundamentally changed how I look at time.

Rejected Princesses - Jason Porath

After years of having enjoyed the web entries, I finally got my hands on the first book and was not disappointed. 

There are the more entertaining entries, of course and the art is as charming as always, but what struck me the most were the more difficult stories. The deeper you go into this book, the more horrific it gets. The author does not hold back on the indignities suffered by the historical figures he writes about. It’s terrible...but also very, very illuminating.

The Gift of Fear - Gavin De Becker

This book - while maintaining all the essential information in it - could be pared down to one sentence in a sea of blank pages and that sentence would be: trust your instincts. End of story.

But in a world where instincts are either customarily suppressed or going haywire, it’s not quite that easy, which is why I’m glad there is more to the book.

I picked it up thinking “ha ha, betcha can’t help a person with anxiety who fears all the time already” and...what it actually ended up doing was giving me the tools to differentiate between real fear and unfounded fear. And did help with the anxiety quite a bit.

Fanfiction

Watch Over Me - cakeisatruth

A Bioshock fic from the point of view of a little sister who is learning how to trust and be an ordinary child again. Dark and sweet. An excellent combo.

All That is Visible - Ultima_Thule

An exploration of a minor character in a well researched historical context? That’s my jam! How did they know?? A Tron fic about what it’s like to be a female programmer in the 70s.

Graphic Novels

The Adventure Zone - McElroys + Carey Pietsch

Yesssssssss! It was a running-to-the-library type event whenever my library got a new volume in. The jokes are so good, the art is so lively and the ways in which they added the details that the podcast couldn’t necessarily get across is *mwah*

Trail of Blood - Shuuzou Oshimi

Hoooooooly shit, the art style of this one!! It’s beautifully detailed and expressive, sure, but the real draw for me was how it changes with the emotional state of the main character. There’s this sequence in which he’s consumed with anxiety at school and all of his classmates become blurry and unfocused, until they can’t be recognized as humans at all, that particularly sticks with me.

It’s a horror story about a kid who witnesses his loving mother push his cousin off a cliff for seemingly no reason and is then obligated by her to keep the secret, which is eating him from the inside out. It’s so good, guys, please read it.

Level Up - Gene Lien Yang/Thien Pham

A story about a kid who is haunted by his late father’s desire for him to become a gastroenterologist. It’s funny and touching and the ending gave me what I can only describe as a feeling of exhilaration. Y’know that feeling when something unexpected but not out of left field, perfectly in tune with the narrative arc and gut bustingly funny happens, all in the same panel? That one.

Film

Searching

This is a fairly standard thriller about a dad trying to find out what happened to his missing daughter. It’s also found footage...but not in the usual way, which was what made it so compelling to me. It’s told through the dad’s phone calls, google searches, social media interactions, news footage, security cameras and webcams. It was such a cool way to tell a story.

Train to Busan

There’s a lot that’s already been said about this movie and I don’t think there’s much more I can meaningfully add to that. Suffice to say that ya gotta take care of each other if you’re going to survive a zombie apocalypse!!

TV Series

My Brother’s Husband

As close to a perfect adaptation as a person can get (barring the entire conversation in English which was...oof). I was so happy when they took it a step further and showed Kana and Yaichi actually getting to meet Mike’s family.

Zumbo’s Just Desserts

I watched a lot of baking shows this year. Like...a lot. They were my much-needed comfort viewing for the year and this one was my favorite, even over The Great British Baking Show (which I LOVE). Why? Because the pastry chef for whom it’s named makes such bizarre and wonderful desserts and fosters an environment in which the competitors do the same. I’ve never seen anything like a lot of the desserts that make an appearance on this show. Every single episode was an awesome surprise and so help me, this show had better get a third season.

She-ra and the Princesses of Power

There’s also a lot that’s been said about this one, so I won’t say much more. Suffice to say: DAMN. That’s how you do an 80s toy tie-in cartoon remake.

Infinity Train

This show’s premise is probably the most unique I’ve seen in recent years. Its balance of comedy, horror and existential dread is also *mwah* I also love how much it trusts the viewer to figure things out on their own.

Primal

A late entry sliding in before the year ends! I finally got to watch the second half of the first season last weekend and it was EXCELLENT. The pacing, the brutal fight scenes, the adorable dinosaur antics, the animation, the quiet moments - *mwah-mwah-mwah-mwah-mwah*

The most emotional moment for me was the part in which the protagonists watch, with sorrow, as the rabid dinosaur who’s been trying to kill them all night dies an excruciating death.

Also it sets up a fascinating new plotline right before ending in a cliffhanger!! Another one for the ‘had better get a next season’ list.

Games

Night in the Woods

This is one that’s been on my to play list for a few years and I was so glad I finally got my hands on it. It’s like...The Millennial Experience (TM), the game. I felt so seen, playing it. The character writing was fantastic.

Prey

I don’t know why I put off finishing this for so long. I guess I wasn’t in the right alien killing headspace for a while?? Anyway, the setting is gorgeous, the alien biology is weird and cool, the ethics are delightfully murky and the interconnectedness of the station was really cool, especially in the OH SHIT moments at the end. 

Podcasts

The Adventure Zone

I tried to narrow this down to one favorite arc, but found that I couldn’t do it. I love Balance for its comedy and creative energy. I love Amnesty for its drama and acting. I am loving Graduation for the depth of its world and the way in which the real story behind everything that’s happened is slowly unfurling. It’s a good podcast all around.  

The Magnus Archives

Who obsessively listened to every single season while playing Minecraft in about a month? Surely not me, nooooo. Of course not.

There’s also been a lot said on this one, so I’ll keep it brief. I’ve seen things in here that I haven’t really seen elsewhere in horror. My particular favorites were the creepy psychiatric hospital in which the horror comes not from the patients, but from the denial of the doctor to believe them about their mental illnesses and every single thing related to the Anthropocene. The one with the Amazonian village made out of trash - CHILLS.

[lady-raziel]

Plz don’t attack me, I’m genuinely asking: Why do people hate pewdiepie so much?

It’s ok, I think this is a valid question to ask, especially if you’re not familiar with the subject. This is somewhat of a complicated issue, as there are a lot of factors that tie into this, and there are a lot of different reasons that people have problems with him. Below I’ve complied the top several reasons that stand out to me as to why people hate him. I’ll try to make it brief, but just know this is in no way a complete list, nor am I going super in depth here. If you’d like to know more, I suggest doing some research on your own as a lot has been written about all of these.

1) The N-word incident: at the time (September 2017), this was a major issue, although it’s been somewhat shadowed by many other things at this point. During a livestream of Pubg, he used the n-word as an insult during a moment of frustration. It’s unlikely that he intended to say it, but the fact that that slip of the tongue occured suggests that it’s part of his private vernacular. (To touch on the topic of why Keemstar is also awful, Keem defended Felix’s use of the word) Articles about this: x x x 

2) Antisemitism: There’s a lot of parts that tie into this one. Let’s start with one of the first, which was also at the time the largest controversy to shock YouTube. In January 2017 in a video focusing on the website Fiverr, he paid two individuals to hold up a sign with an antisemitic statement on it, as a “joke.” The offensive statement and his decision to still post the video caused a lot of harm to him personally and was a hugely tumultuous event on YouTube. And there have been several more antisemitic incidents since then– he once shouted out a channel filled with it as well as homophobia and racism. And another big one– during a terrorist attack in New Zealand last spring, the “subscribe to pewdiepie” phrase was used by the alt-right shooter. Articles about this and related: x x x x x

3) Sexism, Homophobia, etc.: He’s frequently made statements and jokes that can easily be interpreted as sexist. He’s referred to certain female streamers as “twitch thots” before as well as questioned the validity of gender equality. He also associates with Ben Shapiro, a conservative pundit who is highly transphobic and homophobic. Articles about this and related: x x x

4) T-Series and racism: I don’t have the energy to explain this one as it’s kinda long, but the short of it is he and an Indian music channel were competing to be the most subscribed channel on Youtube, and he said some offensive things about India in the process. Additionally, the “subscribe to pewdiepie” meme got out of control to the point where people were commiting acts of vandalism and hacking and whatnot. Articles about this and related: x x x

Of course this is just a basic overview; there’s a lot more, but I’d be going for quite a while if I continued. I think if you were to ask me what the main problem with Pewdiepie is, I’d say it’s not just about him (although he’s clearly a major part), it’s about the attitudes he emboldens. A lot of the views he holds are similar to and/or dogwhistles for very dangerous and hateful ideologies– the incels, the “red pill” movement, alt-right extremists, neo-nazis, and others. He has done many problematic things, but ultimately it’s about the 100 million people he has an impact on. And obviously a creator cannot control the actions of all their fans, but they do have an influence on them. They do embolden them. And Pewdiepie’s frequent controversial statements and actions endear him to people of dangerous ideologies and make them more confident in spreading their hatred. The particular brand of harsh and edgy humor he uses and inspires, especially in communities like his subreddit, creates an atmosphere of hate and can easily expose a person, particularly young white males, to toxic ideas and dangerous environments.  Pewdiepie may be the face of his channel, but there are 100 million people behind him and not all of them have good intentions.

There’s more I could say about this, but this is all I have energy for right now. It’s a complicated issue and I’ve tried to be brief but I still ended up writing a frickin essay. But once again I urge you to Google things and do some research about these issues whether or not you agree with how I’ve interpreted them here, because Pewdiepie has an impact on the Youtube community as a whole no matter what you think about him. 

[wordsnstuff]

31 Days of Horror - Wordsnstuff October Writing Challenge

This is also available on wordsnstuffblog.com!

– The monthly challenges are back by popular demand! These are all a bit more detailed than usual so I hope you all enjoy this one. I look forward to seeing all of your guys’ responses here using the hashtag #wordsnstuffhorror and over on Instagram, where you can tag me @ writingandsuch.

This challenge begins on October 1st, but I thought I would give you guys some time to plan stuff out, because you may need to switch some days around to accommodate your schedule. You’re free to do one day’s challenge on another day if your schedule doesn’t allow enough time to complete that day’s challenge. Best of luck to you!

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☼ Prompt List ☼

Write a scene of a horror story with your 3 favorite actors as the main characters

Write a story in which the main character gets trapped within an uncommon object

Write about the creepy people who are buying your childhood home

After finally building up courage and killing your husband, you think life is going to look up. The night after you bury him in the desert, he shows up at your place of work looking alive as ever.

A biologist clones his daughter that tied in a tragic accident, but the person she matures to become is not his daughter..

A woman goes to bed with her child between her and her husband, only to wake up the next morning and find only a note on their side of the bed saying “you have 24 hours to right your wrong”

A serial killer volunteers at the local annual haunted house and is tasked with making props

All power in technology and machinery suddenly and mysteriously goes out, leaving the world in a planet-wide blackout

You are the first astronaut to find out what happens when you’re consumed by a black hole when your ship runs out of power and drifts for many years into the cold depths of space

A burglar attempts to steal from the cash register of a haunted hotel that is run by the sadistic ghosts trapped within.

A spelunker travels to a rarely-explored cluster of caves and experiences some unexplainable events before falling and passing out. When he wakes up, he returns to his hometown, but quickly notices that the people are acting.. different.

You’re a diver for a laboratory that researches sunken ships as they deteriorate over time. You’re sent on the most dangerous mission of your career in order to bring back samples from a ship that sank 300 years ago, only to reach the depths and find it completely intact.

You stay in an old Irish castle with your spouse expecting it to be mildly haunted, but the staff seems to be trying very hard to look inconspicuous.

A man finds some old 16mm film of family home video and in every single one, there’s another little boy that he nor his family has any memory of knowing.

The whole town is gathered in a park to witness the eclipse, and when it arrives, everyone is amazed. However, the novelty has long since worn off by the third day in the dark

You’ve spent your career researching the titanic’s lost passengers, identifying who the victims of the tragedy were. You purchase a storage unit full of old artifacts that someone had collected from ship-wreck sites, and find a rusty old chest full of bones. When you do a DNA test on one of them, you find out it belongs to one of the bodies that had never been recovered.

You fall asleep in front of the TV one night and wake up at 3 AM to a loud sound coming from it. You open your eyes to see someone shouting at you through the screen, begging you to help them. Static abruptly takes over the screen.

It’s 1865 and you live in a small town. A man shows up in your small community claiming that his sideshow has an incredible attraction opening that night. You’re the only one to attend, and he promises that it’ll be a sight you’ll never forget.

You are stuck in a dream experiencing fairytales in the role of the princess, but you quickly learn that you’re in the Grimms’ version.

You visit a medium as a joke with your date, and you play along as she asks you questions. However, she grows somber all of a sudden and asks to see your hand, telling you that she hears something strange. When she grasps it, she begins to choke and dies.

A woman wakes up from a coma in a seemingly friendly hospital, but when she leaves her room at night and curiously peeks into some other rooms, she finds out that every other patient in the building is already dead.

Every child in a small town is affected by a disease unlike anything ever witnessed. Except your son.

You find a small metal object on a trail when hiking one evening, and you take it home to end up finding it in a new place every time you’ve left the house.

You enter a hidden room in the home you’re about to buy. It’s empty and the white walls are covered in tiny photos of people you’ve never seen. Thousands of them. You touch one as you’re examining them and you’re transported to that moment. You witness the people in the photo die, unable to do anything to stop it.

You find a CD sitting on your desk when you come home from work one day. When you pop it into your laptop, it plays a short video that quickly cuts out and crashes your computer. The next morning, you wake up to a note where the CD had been left saying “thank you for freeing me. I’m sorry for what comes next.”

A chain email is circulating around the internet like an infectious disease. 30 days after you first hear of it on the news, warning not to open it due to the image attachment being a graphic photo of a confirmed murder victim, mass murders begin to take place all over the world.

A new restaurant opens in your hometown and the owners are a sweet old couple who’ve dreamt of opening their own diner since they were young. People in the town start disappearing, and you, the town detective, notice that they were all last seen exiting that restaurant.

You wake up in a hospital and the first thing you see is a doctor holding a needle and squeezing your ankle. You try to move your hand but your muscles won’t budge. The doctor says “I’m very sorry for the pain you’re about to endure, but you must be awake for us to monitor your physical reactions to this procedure.” You have no idea what he’s talking about.

You enter your home one evening after work to see that your walls are covered In photos of you that you don’t remember being taken.

Your children are dressed up as various horror characters for halloween and when they leave for trick-or-treating, you breathe a sigh of relief that you have an evening of alone-time. However, as soon as they’re out of sight from your view through the window, you hear a knock on the door. The real characters from the horror movies they’ve dressed up as are standing on your porch, and they refuse to leave.

When your mother dies, you are left in charge of your childhood home along with all of her belongings. Going through the last few boxes in the attic, you come across a brick in the wall that’s knocked out of place. When you pull it out, you reach in and pull out the bloodied fabric of a man’s suit and a woman’s gown, and then a box that has photos of you as a kid.. but between two people you’ve never seen.

–

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[the-cookie-of-doom]

Hi! Can I be nosey? I saw your post on outlining Liar, Liar, Foxfire, could you explain your process a little more? Especially the EVEN DUMBER VERSION? Please and thank you and love your blog! Especially the little snippets of what you're working on!

Dear nonny you can always be nosy, I love it <3 

I usually put the Title: DUMBEST VERSION at the top of my docs to remind myself that it’s the first draft and it doesn’t have to be perfect. It started out as a joke with Estranged back in the end of 2018 I think, when I started the fic. Then it kind of became a thing between myself and my then beta (she thought it was cute lol) I don’t really use it for its intended purpose, since I heavily edit as I write. You’re not technically supposed to do that, but I can’t write any other way if my work is unsatisfactory; it seriously kills my motivation when I know I can do better. 

Which is where the EVEN DUMBER VERSION comes in! I’ve never used that one  before this, I was just frustrated because I couldn’t get my plot to work in a way that I liked lol, so I decided to go through and outline literally every scene in season 3b. (Essentially: 3b for Dummies.) 

In the case of this fic, I didn’t actually use an outlining method, really, and I usually don’t. I’m notoriously bad at outlines, and any time I’ve had to do them for school, I would write the project first, then write the outline based on that. The few times I do use an outline, I typically end up veering very far off track. 

So what I initially ended up doing here was sitting down with a notebook and rewatching 3b, writing down the general ideas of each scene. Mostly I intended to use it just to jog my memory while I wrote the fic. It... did not work out that way. 

After struggling for a few days, I decided to type everything up into a document, splitting each section by episode. I didn’t have every scene detailed, since it wasn’t an outline for the show itself, just for the main context I needed for my fic.

 Then I used the blue text for the changes I intended to make/scenes I wanted to add. That way I had a visual representation of what was my original work, and what was the canon framework, which is what I was struggling with the most. It’s difficult for me to work within the constraints of canon like that, which I why I don’t write “missing scene” fics. (RIP) 

At that point, it was a matter of adding in the scenes I knew I wanted, and then fleshing out some more where I felt like I needed more original content to balance out the canon. My goal is to have only as much canon context as necessary, because I didn’t want to write out episodes we’ve all already scene. 

... And that still didn’t really help. I mean it was super useful in giving me somewhere to start but it wasn’t quite what I needed yet. So I started searching around for the scripts. (Fun fact: i used to be a film major, and I still have a thing for collecting scripts). I found the scripts only up to the end of 3a so that was a bust T_T But then I found the Teenwolfwiki which has scene-by-scene synopsis and it’s amazing. Way more effective than my outline in terms of laying everything out clearly for me. 

So now I’ve got my outline as a sort of guide for where my missing scenes fit in, but then I’m going through the wiki to work my way through each episode, and decide which scenes I do/don’t want to keep. Since the fic is about Mitch and Stiles, I’m focusing on scenes with a heavy focus on Stiles and Mitch (who’s Allison’s cousin here, and thus follows the Argent’s storyline). I was also unsure how mush of Malia’s storyline to include, since the person who commissioned the fic didn’t want her in, but also there was some important context she gives to the plot... but then I realized I could just... not write her scenes. That leaves it up to the reader whether that part of canon still happened or not xD (For the record, I like to think it did, but her arc ends after they get her back to her dad, He never sends her to Eichen and that’s the end of her involvement.) 

Like I said, I don’t outline very often, if at all, and I tend to get off track when I do (LLF has already changed drastically from the original ideas and outline, and a lot of scenes have been cut), the way I prefer to do it is to write essentially a very long summary. I like to jokingly call them “not-fics” because they can easily end up several thousand words long. It lays out the fic in a shorter retelling, but it’s less structured and leaves me more room for deviation. I usually don’t end up with an actual bullet-pointed outline until I’m pretty far into the fic and need to organize the remaining scenes. Estranged didn’t get an outline until I was...40k into it, maybe? It was a long time. 

But if you want an ACTUAL outline method, one I’ve found and liked is the 3 ACT, 9 BLOCK, 27 CHAPTER Method, which somewhat follows the Hero’s Journey, but more in depth:: 

Act 1

Block 1: Introductions/Inciting Incident/Immediate Fallout (Exposition) 

Block 2: Reaction/Action/Consequences

Block 3: Plot Twist/Break into Second Act 

Act 2

Block 4: New World/Fun & Games/Old World Juxtaposition (Time for worldbuilding, everything is still fun; Harry Potter comes to Hogwarts)

Block 5: Build Up/Midpoint/Reversal (Growing paints. The character is changing for the better, lots of character development, etc. Pivotal moment)

Block 6: Reaction/Trials/Dedication (Character has potential, but still has work to do. Yennefer during the lightning in a bottle scene.) 

Act 3

Block 7: Calm Before the Storm/Plot Twist/Darkest Moment (The whump chapter; Character reaches their breaking point.) 

Block 8: Power Within/Action/Converge (Stiles in Ch. 16, to plug my own fic xD) 

Block 9: Final Battle/Climax/Resolution 

This is a super condensed version, but if you look it up, you’ll be able to see the full explanation on byomentor.com. I found it through Kate Cavanaugh on YouTube in one of her outlining methods videos. 

I’m thinking of using this outlining method for this year’s NaNo when I finally, finally write Neverland, but we’ll see. It’s pretty flexible since you don’t have to exactly follow all 27 chapters; you can follow the general vibe and idea of each blog and still have a really sound story, which I like. 

Another method I used forever ago for my fic Tree of Life (and I can’t remember the name of the method, but it’s pretty basic) was to have 5 points per chapter: 

Inciting Incident

Progressive Complication 

Crisis

Climax

Resolution 

Now it didn’t work exactly that way because ToL is a pretty drawn out fic, even despite the action, but it’s a good thing to consider. If you have an action heavy or fast-paced chapter (or if a chapter feels slow to you but you don’t know why), it’s a good thing to keep in mind to help speed things up. 

But yeah, despite my research in many different outline methods, my favorite is still to write my not-fics and then outline later, if I do at all xD 

I hope this was informative! Please feel free to come back if you have any thoughts or questions : 3