#the physical ACT

[clementimetodie]

recently saw someone's "advice for your 30s" which included something like "never get on the floor without having an escape plan for getting back up" and um. if you are otherwise able bodied and having trouble getting up from the floor in your 30s. you are very unhealthy. yes, even, if not especially, for that age.

[hollyrogerbay]

one thing i love about portal 2 is the distinct difference in physicality between wheatley and glados. in the core transfer scene, glados, as she does, moves fluently, smoothly; seductively is a good word to describe it. you know how she is. then after wheatley takes over, despite using the same body, noticeably shifts from "I suggest you take a deep breath. And hold it." to "HARR HARR HARR I'M BLOODY FOCKEN MASSIVE INNIT" and i just love that so much. glados smoothly rotates around like a serpent and wheatley starts spinning circles and bouncing up and down it's just great

additionally:

[ID: Reply from user clareironbrook that reads: "Credit where it's due to Karen Prell - best known for her work with the Muppets, lead animator for Wheatley. /End ID]

i had NO idea! credit where it is ABSOLUTELY due, i didn't even mention Wheatley's facial animation as well but it is beautifully done. all he has is a rotating eye, eyelids, a pupil that can expand or contract and some little handles at the top and bottom of his face, but his animation is still impressively emotive. it's really half of the charm of his dialogue honestly, puppeteering is already such a cool skill and it's even more impressive to do it digitally on this little fuck

ADDITIONAL addition: @meow-moment you're a PART of this post now you are FUCKING Correct

[ID: Reblog from @meow-moment that reads "i love in the scene where he tells you you have "a very minor case of serious brain damage" when his eye pops out a little and his handles flare out and it somehow looks like he's adjusting his glasses nervously]

there are a good few additions to this post I'd love to add to it but this one is like. NECESSARY. that is PRECISELY what that conveys and it's fucking magic how well it works. hats OFF karen prell

[vroomvroomwee]

If I ever give you an interesting rock without uttering a word, you should know that that is the highest form of love I am capable of displaying and the highest honour I can bestow upon you

[jaradraws]

playing bg3 and uhmmm. zevlor

❗NOTICE: this user has NOT completed the game. do NOT spoil this for them ❗

[zukiakiraa]

Words of insult

Physical attack

Acts of sacrifice

Credits on the pictures itself!

[knightingale]

The "Sansa reminds Sandor of his sister" motive that some people try to hitch to his character really just flies in the face of his actual attachments to her, doesn't it? Sansa reminds Sandor of himself. He sees the little boy who used to love knights in this girl who's been swept up by the same romanticism. He sees his abuser in her abusers, the much larger knight(s) beating on the helpless child. He sees how she is betrayed by every level of authority that should have saved her and remembers his father's neglect and Tywin and Robert's apathy for Gregor's crimes. He's protective of Sansa because he was Sansa.

And GRRM's design, that one of the strongest warriors in the series, a fearsome and cynical 6'8" guy who's "muscled like a bull" and has the face of death itself, sees himself in this soft and effeminate teen girl, and empathizes with her because he was an abuse victim too, is INFINITELY more compelling than "Oh yeah I bet she just reminds him of his sister," who he's never mentioned and who we know literally nothing about. Way to unnecessarily water down a character, you couldn't have ignored the black and white text more efficiently if you tried.

[lelelego]

hook, line, and sinker

(tav/astarion)

[firelordhotman]

“disability isnt a competition or something you have to Prove is Bad Enough to deserve being taken seriously” and “some people are objectively more or less disabled in certain areas than you are and that isnt an attack on you” are two concepts that yall absolutely MUST allow to coexist. im so tired

[julijbee]

girlbossing too close to the sun.

[knight-says-rollout]

“how would it work if Cybertronians had disabilities” “What if there were disabled Cybertronians”

THERE ARE

THERE ARE

loosing my mind at how some things that are So good can be So niche why can’t we just be a hivemind

Just one example, my favorite example, is:

Shattered Glass Soundwave!!!

He’s gone through Multiple reformats varying between with his consent and,,, not. The latest of which took place when they didn’t have many materials

So they used half earth metals half Cybertronian ones

As it turns out? Those two things don’t mix very well. His joints are Horrible. They lock up randomly, the worst of which being the door to his tape deck.

He physically isn’t able to dock his cassettes reliably because they might get stuck in there.

What does he do to fix this? So glad you asked!! He has his own assistive aids, in this case: a portable external carrying case

It was made and personalized to work specifically for him and his situation

I love him

[wizardsimper]

I keep thinking about how almost all of Gale's scenes involve him holding the players hand in some way; pulling him out of the portal, holding the players hand to his chest when he reveals the truth about his orb, imagining holding his hand for his act1 romance scene, him caressing the players hand during the astral scene in act 2, and him holding the players hand in his act 3 astral boat scene.

If anything it shows just how much he values the players touch, something that maybe never happened much with Mystra (simple acts of intimacy, even as innocent as holding hands).

[starry-bi-sky]

i need to get this out of my head before i continue clone^2 but danny being the first batkid. Like, standard procedure stuff: his parents and sister die, danny ends up with Vlad Masters. He drags him along to stereotypical galas and stuff; Danny is not having a good time.

He ends up going to one of the Wayne Galas being hosted ever since elusive Bruce Wayne has returned to Gotham. Vlad is crowing about having this opportunity as he's been wanting to sink his claws into the company for a long while now. Danny is too busy grieving to care what he wants.

And like most Galas, once Vlad is done showing him off to the other socialites and the like, he disappears. Off to a dark corner, or to one of the many balconies; doesn't matter. There he runs into said star of the show, Bruce who is still young, has been Batman for at least a year at this point, but still getting used to all these damn people and socializing. He's stepped off to hide for a few minutes before stepping back into the shark tank.

And he runs into a kid with circles under his eyes and a dull gleam in them. Familiar, like looking into a mirror.

Danny tries to excuse himself, he hasn't stopped crying since his parents died and it's been months. He rubs his eyes and stands up, and stumbles over a half-hearted apology to Mister Wayne. Some of Vlad's etiquette lessons kicking in.

Bruce is awkward, but he softens. "That's alright, lad," he says, pulling up some of that Brucie Wayne confidence, "I was just coming out here to get some fresh air."

There's a little pressing; Bruce asks who he's here with, Danny says, voice quiet and grief-stricken, that he's with his godfather Vlad Masters. Bruce asks him if he knows where he is, and Danny tells him he does. Bruce offers to leave, Danny tells him to do whatever he wants.

It ends with Bruce staying, standing off to the side with Danny in silence. Neither of them say a word, and Danny eventually leaves first in that same silence.

Bruce looks into Vlad Masters after everything is over, his interest piqued. He finds news about him taking in Danny Fenton: he looks into Danny Fenton. He finds news articles about his parents' deaths, their occupations, everything he can get his hands on.

At the next gala, he sees Danny again. And he looks the same as ever: quiet like a ghost, just as pale, and full of grief. Bruce sits in silence with him again for nearly ten minutes before he strikes a conversation.

"Do you like to do anything?"

Nothing. Just silence.

Bruce isn't quite sure what to do: comfort is not his forte, and Danny doesn't know him. He's smart enough to know that. So he starts talking about other things; anything he can think of that Brucie Wayne might say, that also wasn't inappropriate for a kid to hear.

Danny says nothing the entire time, and is again the first to leave.

Bruce watches from a distance as he intercts with Vlad Masters; how Vlad Masters interacts with him. He doesn't like what he sees: Vlad Masters keeps a hand on Danny's shoulder like one would hold onto the collar of a dog. He parades him around like a trophy he won.

And there are moments, when someone gets too close or when someone tries to shake Danny's hand, of deep possessiveness that flints over Vlad Masters' eyes. Like a dragon guarding a horde.

He plays the act of doting godfather well: but Bruce knows a liar when he sees one. Like recognizes like.

Danny is dull-eyed and blank faced the entire time; he looks miserable.

So Bruce tries to host more parties; if only so that he can talk to Danny alone. Vlad seems all too happy to attend, toting Danny along like a ribbon, and on the dot every hour, Danny slips away to somewhere to hide. Bruce appears twenty minutes later.

"I was looking into your godfather's company," he says one night, trying to think of more things to say. Some nights all they do is sit in silence. "Some of my shareholders were thinking of partnering up--"

"Don't."

He stops. Danny hardly says a word to him, he doesn't even look at him -- he's sitting on the ground, his head in his knees. Like he's trying to hide from the world. But he's looking, blue eyes piercing up at Bruce.

Bruce tilts his head, practiced puppy-like. "Pardon?"

"Don't." Danny says, strongly. "Don't make any deals with Vlad."

It's the most words Danny's spoken to him, and there's a look in his eyes like a candle finding its spark. Something hard. Bruce presses further, "And why is that?"

The spark flutters, and flushes out. Danny blinks like he's coming out of a trance, and slumps back into himself. "Just don't."

Bruce stares at him, thoughtful, before looking away. "Alright. I won't."

And they fall back into silence.

Danny, when he leaves, turns to look at Bruce, "I mean it." He says; soft like he's telling a secret, "Don't make any deals with him. Don't be alone with him. Don't work with him."

He's scampered away before Bruce can question him further.

(He never planned on working with Vlad Masters and his company; he's done his research. He's seen the misfortune. But nothing ever leads back to him. There's no evidence of anything. But Danny knows something.)

At their next meeting, Danny starts the conversation. It's new, and it's welcomed. He says, cutting through their five minute quiet, that he likes stars. And he doesn't like that he can't see them in Gotham.

Bruce hums in interest, and Danny continues talking. It's as if floodgates had been opened, and as Bruce takes a sip of his wine, it tastes like victory.

("Tucker told me once--") ("Tucker?") ("Oh-- uh, one of my best friends. He's a tech geek. We haven't talked in a while.")

(Danny shut down in his grief -- his friends are worried, but can't reach him. When he goes back to the manor with Vlad, he fishes out his phone and sends them a message.)

(They are ecstatic to hear from him.)

It all culminates until one day, when Danny is leaving to go back inside, that Bruce speaks up. "You know," He says, leaning against the railing. "The manor has many rooms; plenty of space for a guest."

The implication there, hidden between the lines. And Danny is smart, he looks at Bruce with a sharp glean in his eyes, and he nods. "Good to know."

The next time they see each other, Danny has something in his hands. "Can you hold onto something for me?" He asks.

When Bruce agrees, Danny places a pearl into his palm. or, at least, it's something that looks like a pearl. Because it's cold to the touch; sinking into Bruce's white silk gloves with ease and shimmering like an opal. It moves a little as it settles into his hand, and the moves like its full of liquid.

Bruce has never seen anything like it before, but he does know this; it's not human. "What is it?" He asks, and Danny looks uncomfortable.

"I can't tell you that." He says, shifting on his foot like he's scared of someone seeing it. "But please be careful with it. Treat it like it's extremely fragile."

When Bruce gets home, he puts it in an empty ring box and hides the box in the cave. He tries researching into what it is. he can't find anything concrete.

Everything comes to a head one day when Danny appears at the manor's doorstep one evening, soaking wet in the rain, and bleeding from the side.

[ecoamerica]

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[heynhay]

let's drive out

[a-schmoozer-and-a-dummy]

hc that husk always thinks angel is beautiful gorgeous etc., but the first time he sees angel in an oversized tshirt and years-old worn in sweatpants and messy hair is when he realizes that, oh yes. now i see it. he’s hot. yeah.

[simplykorra]

'smokeshow' sister beatrice

[ruegarding]

the entire point of the blue food was that it was the only way sally could consistently rebel against gabe without getting her or percy punished. sally is not and never was submissive in the books. percy himself says sally has "a rebellious streak, like me." however, sally and percy were under threat of serious abuse from gabe and therefore had to pick their battles. blue food was sally's way of telling percy "i am here and fighting with you" and "there is hope in the world still."

[ecoamerica]

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The recording is now available on ecoAmerica's YouTube channel for viewers to be inspired by student climate leaders! Join Aishah-Nyeta Brown & Jerome Foster II and be inspired by student climate leaders as we recognize the High School Student finalists. Watch now to find out which student received the $25,000 grand prize and top recognition!