#the things you read and how you interpret them is always influenced by your own experiences

[cuubism]

I keep thinking abt the Threshold vs the Dreaming, since we don’t see much of the Threshold besides the gallery (did u notice Desire’s sigil in their gallery is a mirror?) but there’s no way the entire Threshold is glossy latex hallways, right? There’s gotta be … furniture? Rooms? At least a bed somewhere? A sitting room? What’s it like in there!!!!! Why doesn’t Desire have their own castle like Dream does???

I have some answers to this actually! Since I just read the relevant comics issue.

In Doll's House the Threshold is described thus:

There is only one thing to see in the twilight realm of Desire. It is called The Threshold. The fortress of Desire. Desire has always lived on the edge. The Threshold is larger than you can easily imagine. It is a statue of Desire, him- her- or it-self. (Desire has never been satisfied with just one sex. Or just one of anything--excepting only perhaps the Threshold itself.) The Threshold is a portrait of Desire, complete in all details, built from the fancy of Desire out of blood, and flesh, and bone, and skin. And, like every true citadel since time began, the Threshold is inhabited.

There is only one occupant, at this time. Desire of the Endless. The Threshold is far too large for just one person. It contains two eardrums larger than a dozen marble ballrooms. And empty, echoing veins, like tunnels. You will walk them until you grow old and die without once retracing your steps. Given Desire's temperament, however, there was only one place in the cathedral of its body to make its home. Desire lives in the heart.

So basically, the idea is that Desire lives within the body, and the rooms we see in the show are the inner chambers of a heart. While dreams are made of fantasy and hopes and stories, Desire is physical to the point of literally being represented by a body -- meanwhile we often interpret Dream as not even really having a body in the first place. And there's a self-consumed, self-referential sense to the Threshold, such that Desire literally lives within itself, and is consumed with and preoccupied by itself, solitary, hidden, shielded. The end of the edition contains the following lines -- Desire walks the chambers of its heart. It walks the Threshold, its citadel and its protection--

The solitude and hard edges of the structure are a shield so Desire does not have to admit outside influence, does not have to admit lack of control -- "Human beings are the creatures of Desire. They twist and bend as I require it -- if I thought otherwise, I would crack, like Delirium; or I would abandon my realm, like our lost brother" -- "Desire walks the endless pathways of its body, certain that it is in sole and only control of its destiny" -- the thought of being subject to outside forces or not being in control is frightening to Desire. Which is ironic, considering how out of our control the feeling of desire is, how it happens regardless of choice, and how hard it is to wrangle back. But the Threshold is also representative of desire as a concept, how one will wander through wanting for one's whole life, always finding new things to look for as each one is satisfied; how frightening it can be to reveal a deeply-held want or relinquish it to another person's control (by revealing feelings for example); how closely we hold our desires to ourselves and how they guide our actions; how desire is usually a very personal and solitary and internal experience.

(I don't know if the Threshold even has furniture, actually. I think it's possible Desire spends a lot of time wandering the many isolated empty halls. Interesting too, how the veins are described as empty and echoing, the heart, presumably, not actually beating at all.)

This comics edition also has that line love is in the realm of Desire and desire is always cruel -- which I'm not sure I agree with conceptually, I think that may be more of Dream's perspective, and that really love might be shared between Dream and Desire's domains, and that the Endless's domains overlap more than they might think -- but that's just my feeling. In the end, I think Dream and Desire's respective realms just reflect their sense of their own domain. They're both holding themselves apart from humanity in different ways - Desire thinks humanity should be subject to them, theirs to play with and manipulate. Dream just thinks that he himself isn't really a person, so he's overseeing and shepherding things, but locked away in his tower, not really connecting or admitting himself any humanity. The fact that their interaction with humanity is so different - Desire localized in the body, in the real, Dream in the mind and the abstract, isn't helping with their strained relationship either.

At least, that's how I like to read it :)

[takeme-totheworld]

Aziraphale and Forgiveness, Pt. 2: The Source of Salvation

This series is now complete! Here's where you can find the other parts.

Part 1 here. Part 3 here. Part 4 here.

(This post ended up being way longer than I intended, oopsie! And no fun GIFs to break it up this time. Hope you like reading lots of words!)

So why would Aziraphale, an angel who has not fallen despite bending/breaking the rules many times, have so much emotional baggage around the topic of forgiveness?

Some disclaimers:

Disclaimer 1: I've seen enough of tumblr already to know that "does Aziraphale really have religious trauma?/how much does it motivate his actions?" is the subject of Discourse around these parts. I don't want to have that argument here. Aziraphale's experience with Heaven has strong parallels to my personal religious history, and those specific parallels are what I'm here to talk about.

Disclaimer 2: I am not a bible scholar or religious historian, if I mention specific church doctrines or bible verses it's only to illustrate the experience of growing up in my church. My actual biblical/theological accuracy may be sloppy.

Disclaimer 3: I haven't read Good Omens the book. I know there are differences, but I'm not addressing them. All my thoughts are about show!Aziraphale and show!Heaven only.

Okay. Here goes.

The next point I want to make is that Aziraphale has spent his life inside a system that has weaponized the concept of forgiveness. Because Heaven, in the Good Omens universe, operates a lot like a particular flavor of toxic Christianity that I happen to be very familiar with.

In the version of Christianity I was raised with:

Your only purpose is to serve God's will. Our own needs, wants, goals, etc, were all understood to be secondary to that purpose.

The specter of eternal punishment is always present. Like any self-respecting Evangelical church, we believed that if you weren't "saved" before you died, you would go to Hell and be punished forever. How do you make sure you're saved? Well...

The rules are not clear or consistent, so you're always left guessing. We were a Protestant denomination, so a foundational doctrine was "sola scriptura." (We weren't fancy enough for the Latin, though, we just called ourselves "bible-based.") The basic idea is that the bible is the word of God, it's infallible, and it's the only authority we need to follow. But the bible is a cobbling-together of texts written thousands of years ago, that have been translated multiple times. It's not self-evident to a modern reader what any given passage means. It contains internal contradictions all over the place. So...the bible is the only authority we need to follow, but it's confusing and needs interpretation. Enter pastors and other church leaders to help us interpret. Only...they each have their own pre-existing biases and preferred scholarly interpretations, so even within the same church, different pastors might have different ideas about things.

So, to summarize: Follow what the bible says! Don't understand what it's telling you? Ask your pastor! Different pastors give different answers? Ugh, you're thinking about this too hard. Go pray about it or something. Just figure it out.

New ideas and experiences are, at best, begrudgingly tolerated. Because doing God's will is your only purpose, remember? And the Bible (and your pastor) are the source of the only wisdom you need to fulfill the only purpose you have. So really, you don't need anything outside what the church has to offer you and it's all a distraction anyway. (...okay, if you really must, here's a watered-down, church-approved version of the thing, now shut up.)

This isn't just the church being a buzzkill. It keeps you dependent on them and ignorant of the outside world to whatever extent they monitor and censor outside influences. My church was not even that extreme about this, relatively speaking, but it was still enough to profoundly impact me and leave me confused and floundering in the larger world after I left.

No matter how hard you try to measure up, you're ultimately at God's mercy. So you spend your life trying to follow a bunch of confusing, opaque rules in the hopes that you can be "saved" and avoid eternal punishment. But here's kicker: none of it truly matters anyway, because we were also taught that everyone falls short in the end and that the only real salvation comes from God forgiving you for your sins. All you really have to do to be saved is accept his free gift of forgiveness...by...believing the right things in the right way and praying the right prayers about it. And then spending the rest of your life still trying to follow all the convoluted rules, because doing so is proof that you were sincere...in your acceptance of God's forgiveness...which you accepted by following even more instructions regarding what to believe and how to pray to ensure that you were accepting it correctly.

How do you know if you've done any of this right? You never can, truly, until you die and find out. Because God's not actually talking to anyone. So in the end, no matter what you do, you end up in the same place: at the mercy of God, who decides whether you're forgiven or not.

If you're thinking that sounds like an incredibly confusing and exhausting way to grow up, you are correct! It also has a lot of parallels in Good Omens.

If you are an angel working for Heaven in the world of Good Omens:

Your only purpose is to serve God's will. This one is obvious. If you're an angel, it's literally the only thing you were created for.

The specter of eternal punishment is always present. The eternal punishment that can happen to an angel is falling. We know it's a punishment, because we know Crowley's fall was painful and because we can see that Hell is a miserable environment for the demons. This isn't The Good Place, where demons gleefully sit around eating snacks in conference rooms and brainstorming new fun ways to torture humans. Hell in Good Omens sucks for everyone there. And we can assume falling is meant to be permanent, because if it wasn't Crowley and Aziraphale wouldn't have been so gobsmacked by the Metatron's offer to restore Crowley to angelic status. Because there's no precedent for that. Crowley himself says that being a demon has automatically rendered him unforgivable. As far as anyone in this universe knows, "fallen" is a permanent state.

So how does an angel avoid eternal punishment? How do angels make sure they don't fall? Well...

The rules are not clear or consistent, so you're always left guessing. Was falling a one-and-done mass exile of everyone who rebelled, right after the war? The way both Heaven and Hell talk about the fall and the "casting out" of the demons would seem to suggest so. But fear of falling is obviously ever-present among the angels, so they clearly don't know for sure one way or the other. And what would cause an angel who wasn't part of the original rebellion to fall? Aziraphale thought he would fall for lying about Job's children. The archangels threatened Aziraphale with falling for "consorting" with Crowley in S1. Gabriel expected to fall for saying no to Armageddon the Sequel in S2. But none of those falls actually happened. Clearly even the angels in the highest positions of authority don't know exactly what the rules are about falling. And who decides who falls? Gabriel says the demons were "cast out" after the war, but who did the casting out? Did God handle that directly? Was it the Metatron? Did the transformation just sort of...happen, leaving everyone unsure about the details? And what about present day? The Metatron said that Gabriel would have his memory wiped instead of falling, but does that mean the Metatron gets to decide if an angel falls, or was he covering for the fact that he doesn't know how it works either?

We, the viewers, don't know the answers to any of these questions. But it's fairly clear that the angels also don't know.

New ideas and experiences are, at best, begrudgingly tolerated. The angels know little to nothing about the world or humanity and are disdainful or outright suspicious of earthly experiences. In the case of the ones who have never been sent to Earth, this makes sense, although it begs the question of why there are so many angels who have never once been sent to Earth, the planet that is supposed to be central to the Great Plan.

It's obviously, at its core, about control and keeping the angels ignorant of anything that would broaden their perspective. But listen to how the angels themselves talk about it. When Gabriel sees Aziraphale eating sushi, he asks, "Why do you consume that? You're an angel." (Subtext: You don't need to eat, so what's the purpose of indulging in this experience?) When Aziraphale suggests he try the food himself, Gabriel starts talking about sullying the temple of his body or whatever. (Subtext: It's not technically forbidden but it would be a deviation from my function as an angel so I'm suspicious of it.) And look at Aziraphale himself. He lives on Earth for many hundreds of years before he can be persuaded to even try human food, and Crowley has to work at convincing him it's okay. He seems to know it's not forbidden but he's deeply distrustful of it anyway. (I have a theory that a holdover of this mindset is why he's so set in his ways, behind the times, and still more ignorant of humans that you'd expect in the present day, but this post is already too long.) The attitude cultivated among the angels is These things are not meant for us, we don't need them, and they are a distraction from our higher purpose, so it's better if we don't.

No matter how hard you try to measure up, you're ultimately at God's mercy. So, if you're an angel, you're meant to be doing God's will, and if you fail badly enough you can be punished forever by falling. But the rules are unclear, the way falling works is unclear, in most cases you're kept ignorant of everything but the bare minimum you need to know to do your job, God isn't talking to anyone, and the (seemingly) officially appointed Voice of God is also pretty remote and mysterious most of the time.

So the only time you'll ever know for certain that you've crossed the line is once you've already crossed it, when it's too late to do anything about it. At that point, the only thing that could save you from falling would be if God just...decided to be merciful, to grant you a pardon (i.e. to forgive you) and not do the casting out thing.

Believe it or not, I had to work really hard to keep this as short as it is. If you've read this far, I salute you. Now, what's the point?

Aziraphale and the other angels are part of a system where they understand very little, they have no real power, the stakes are eternal, and their only hope of escaping endless punishment if they fail is the possibility that God will decide to show mercy and forgive them.

Yes, in the real world this is all just bullshit spread by religious leaders to scare and confuse and manipulate people into compliance and in the world of Good Omens it's actually real. But the emotional impact of feeling that confused and powerless and at the mercy of a higher authority is going to be the same. Of course Aziraphale has some Big Feelings about the subject of forgiveness. Of course it's one of his favorite things. It's not just a nice thing you do for people. It's powerful enough to rescue someone from eternal punishment when nothing else can. Powerful enough to wield as a devastating weapon by withholding it. It's a tool of control in Heaven, but it's also the source of salvation.

I was going to segue from here into what I think the specifics of Aziraphale's mindset are, but it took me so many more words than I expected just to lay out the parallels between GO Heaven and (my experience of) real-world toxic Christianity so I'm gonna stop here. Next time I'm going to dig into what I think is happening in Aziraphale's head when he forgives Crowley, and also when he does things like shelter Jimbriel (a very forgiving action, even if the words "I forgive you" don't accompany it).

[bucksdaffy]

fwiw i've been in the fandom for a long time and took tim's comments the same way you have.

to me it sounds like he was temporarily influenced to keep them apart as close friends to avoid any hint of potential queerbaiting accusations and it caused him to veer off course re: how he would naturally write their story as the very close friends (family, really) that they always have been. and now he sees how that was a mistake and is going to write them their (wonderfully close) platonic friendship the way he always intended, potential looney queerbaiting accusations be damned.

i guess caveat that i'm not a hardcore buddie shipper and don't read something into every work/touch/glance/action between them so perhaps someone with different goggles on will have other examples that could sway you but yeah, i agree with your read on the situation 100%.

it's a relief there are people with more insight into how things work around here who share my view on this. i was afraid maybe i missed some quotes that suggested otherwise, but i'm fairly certain now that is not the case and people are just reading too much into it as usual.

personally, i kind of shipped buddie through s2, but once s3 rolled in, i lost the vision. i think throughout the rest of the seasons, the writers did a pretty good job highlighting how platonic their relationship actually is. i know people in this fandom seem to disagree with this, so i was afraid maybe i don't see the obvious clues that everyone is giving because, for some reason, i developed some kind of aversion to the idea of buddie being involved romantically, and i'm just biased. but when rational buddie shippers interpret such comments the same way i do, it's actually really comforting.

i'm still baffled by how many people are convinced tim, oliver, and ryan are just straight-up lying when they say buddie is not in the works right now. but i guess people cope in their own ways. it's just sad they present it as a fact, not a speculation, and as a result, spread misinformation everywhere. i truly believe they are just baiting themselves at this point. saying tim wants buddie to end up together because he was once afraid of queerbaiting accusations is such a wild take, i just have to laugh.

[shizunitis]

Luo Binghe & Tianlang-Jun: Origins. And a Bit of Projection.

Disclaimer: This is basically just a collection of quotes from The Scum Villain's Self-Saving System, Volume 3, accompanied by (adjective) thoughts, and then even more relevant quotes listed at the end. If I could, I’d paste the entirety of Chapter 18.

“As expected, I can’t bring myself to hate humans.” — Vol. 3, Chapter 21: Always Together

I will always be conflicted on the topic of Tianlang-jun, and it annoys me. There is so much I could say about him, and so little I can successfully articulate. He is, to me, more confounding, complex and tragic than Shen Jiu.

He’s pitiful and awe-inspiring, wicked and affable, cunning and wide-eyed in his curiousity. He is a compelling, heartbreaking character. He alternates between emotionless wisdom and mournful apathy. I admire how his knees don’t buckle under the weight of his grief, but how he crumbles at the barest hint of hope. How rage claws at him and, still, he can’t figure out how to make it stick.

I empathise with him. I understand him.

But then, in the distance, Luo Binghe's indifferent voice disturbs the silence, causing me to drop my drink onto the floor and this post onto your screen:

“He’s not my father.”

It’s an interesting exercise, exploring their relationship in reconciliation fics. To see them interact (semi-)honestly, watch them take turns filling up the chasm between them. It’s wonderful. Every fic I’ve read centred around them was a delightful read that I still think about.

However. I cannot see Tianlang-Jun, as I understand him, as Luo Binghe’s father. And not just because of the 3rd Novel’s events.

But because Binghe had hoped for something; he did have that wide-eyed wonder. He did hold one last window open, for the sake of an improbability he couldn’t quite, just yet, dismiss.

It’s what (most) orphaned and/or adopted childred do.

Though Luo Binghe had never said a word about it before, Shen Qingqiu knew that he harbored some fantasies about his birth parents. […] In fact, he’d always secretly fantasized about whether his parents might still be alive, and how well they’d treat him, and how they’d never let him suffer the mildest slight. — Vol. 3, Chapter 17: Tianlang

It is the most human thing; to want to be helped, accepted, invited by those given to you. A family is given to you. Whether you believe it an act of the divine, of nature, of coincidence, it isn’t something you fight for. It’s the first and, arguably, only thing you don’t have to fight for in life.

Depending on a multitude of factors, that can be a blessing or a curse; but where there is room for interpretation, questions left unanswered, most childred—Binghe included—will turn to their imagination, and try to make sense of it. Usually, to comfort themselves, to reassure themselves that surely, if their family could, they would have.

And, yeah. Most likely, if the Palace Master had gotten punted into the Sun like he fucking deserved, they would have. But does it matter?

In the face of a bleak reality, what comfort is a could-have-been?

He liked to call Luo Binghe “that son of mine,” but he didn’t seem to possess any concept of fatherly affection. […] Luo Binghe was in fact…someone who was unloved by even his own parents. — Vol. 3, Chapter 15: Holy Mausoleum

What use are good intentions to an abandoned child? What consolation is it, to say, They gave birth to you, when that child has seen no evidence of their care? Does it dry their tears, that their mother can’t be here, but she surely would have wished to be? That their father would protect them, if only he knew of them?

(And don’t make me tell you about the visceral horror I felt reading the Origins chapter. I’ve yet to make my peace with it. MXTX, Airplane, whoever: you’ve ruined me.)

The washerwoman was and continues to be, to Binghe, his only mother. And I would argue, that’s healthy. Even independent of his other traumas (Abyss, Shizun’s betrayal, Xin Mo’s influence, living on the streets, etc, holy shit Binghe) Luo Binghe will not accept anyone else as his mother.

“Who is this Su Xiyan?” Luo Binghe asked coldly. “My mother was a mere washerwoman.” — Vol. 3, Chapter 18: Origins.

It may seem callous. It probably even is! But it is a healthy line he’d drawn by his own initiative. It’s what helps him, what he feels he needs to do in order to do right by his mother, and his own heart.

And! Tianlang-Jun doesn’t seem to give much of a shit, either!

Won’t, probably, even in the future, once the dust will have settled. He is exhausted, weary with carrying the corpse of his love, the loss of his nephew. Whatever goodwill he shows, it’s a perfunctory sort, because he can’t afford more.

So. Uhh.

Tianlang-Jun is not a character I can love, nor one I can hate. Usually, I can’t help but be inclined to love complex characters. Like them, too—though that’s more of an action-based thing rather than just said character’s personality.

But with Tianlang-Jun, I’m stuck whichever way I turn. If I want to love/like him, I’m drawn back by Binghe’s pain and disappointment. If I try to hate/dislike him, I’m drawn back by his own history and grief.

In conclusion:

I don't know! I'm not really trying to, like, prove anything. I still love the aforementioned TLJ & LBH fics, I still love their dynamic. I started walking and ended up exactly in the same space. This, perhaps, could be considered a Heavenly Demon Family Mobius Strip!

I'm not really trying to say anything. It just… makes me feel conflicted, and angry, and whenever I allow myself to think about it a bit more, sad.

But.

However!

Alas.

Nonetheless, even.

As a reader and—on my better days—a writer, all I can say is:

As promised/threatened: some selected passages, for your reading pleasure:

So, it looked like neither the father nor the cousin had any intention of acknowledging Luo Binghe. — Chapter 15: Holy Mausoleum

He liked to call Luo Binghe “that son of mine,” but he didn’t seem to possess any concept of fatherly affection. — Chapter 15: Holy Mausoleum

Tianlang-Jun lifted his hand, took a look at Luo Binghe’s snow-pale face, and commented indifferently, “He looks like his mother.” “His eyes look like yours,” came a chill voice from the side. — Chapter 15: Holy Mausoleum

The faint hopes and dreams Luo Binghe had held in his heart for many years had been mercilessly pulverized into so much dust. […] [Tianlang-Jun] refused to speak a single word of their relationship and had been utterly ruthless back in the Holy Mausoleum. […] To his parents, Luo Binghe was an unwanted child. — Chapter 18: Origins

“If he was my father, why didn’t he bring it up earlier? Why not tell me?” The most Tianlang-Jun had said was that single line he offered while beating up Luo Binghe, devoid of either praise or criticism: “He looks like his mother.” He looks like his mother. What of it? But that was all. There was nothing more. — Chapter 18: Origins

Luo Binghe was indifferent. “He’s not my father.” […] Luo Binghe shook his head. It was unclear what he was stubbornly clinging to, but he repeated, “He’s not my father.” — Chapter 18: Origins

Luo Binghe raised his smiling face, his eyes shining brightly. “Mother was the kindest person in all the world to me.” — Chapter 19: Shen Jiu

[fallingdownhell]

Could I request Cyno with an s/o that enjoys and tells dad jokes?

Imagine them teaming up and telling bad jokes to Tighnari and everyone else around them 😂.

I pity Tighnari in this scenario.. I really do..

Content: crack, if you want to call it that; just some funny stuff and bad dad jokes

Word count: 640 words

Hope I could deliver this the way that I pictured it in my head. Still, have fun with it!

If you are to date the one and only General Mahamatra Cyno, you WILL have to deal with his jokes one way or another

because by becoming his partner, you also gain the privilege to hear all the jokes he comes up with as the very first person

if you actually, honestly laugh at his jokes, Cyno is awestruck. He can't get another word out of his mouth for the next ten minutes straight, only stares at you

and if you were to actually share his humor and come up with such jokes on your own?

you better prepare yourself because Cyno might just propose to you on the spot

of course he would not do that, since you guys have only been together for a short time, but for him that was the moment he knew that he had to do everything in his power to keep you by his side and eventually, put a ring on your hand

After that, he was convinced that you were the one fated for him, the person he wanted to spend the rest of his life with

he loves how you come to him all excited when you came up with a new joke

"Cyno! Cyno! I got a new one!"

"Oh really? Let's hear it then."

"Okay okay... I only know 25 letters of the alphabet. I don't know y."

He looks at you and cracks a small chuckle, as he gets out his notebook where he writes your joke down to make sure he remembers it

He always makes sure to take you with him when he goes to visit Tighnari at Gandharva Ville

Because, and Tighnari hated to admit that, he actually likes you and the influence you have on Cyno, even though the both of you enjoy to torture him with those terrible jokes

Luckily though, you don't have the habit of explaining said jokes, that would always be Cyno's part to take over. And Tighnari truly hoped that it would stay that way. He and his sanity would not be able to handle two of the exact same sort

and while he had build up a pretty high tolerance over the years towards Cyno's bad jokes.. there's only so much the poor fox can take, especially now that he has to deal with two people

"Hey Tighnari, did you hear the rumor about butter?", you said, excitedly looking at him, while Tighnari just gave you a blank stare. "Well, I'm going to spread it!"

While Cyno let out a quiet laugh at your joke, the fox boy just looked at you, an expression on his face that could only be interpreted as 'are you serious right now?'

Then Cyno cleared his throat and went ahead to tell a joke of his own. ""Wanna hear a joke about paper? Never mind—it's tearable."

you snicker at that, when Tighnari suddenly stands up, not being able to take it anymore

"Both of you, leave. NOW!"

Let's just say neither of you were welcome at Gandharva Ville for the next two weeks straight.

But that just gave you both ample time to come up with even more jokes, which Tighnari would all get to hear eventually

Over time, people all over Sumeru would know you for one of two reasons. Either because you're the partner of their General Mahamatra, or as his "partner in crime", as some people began to call you, seeing as you torture the people around you with bad jokes as much as he does

If other people got a say in it, they would forbid both of you from ever talking outside of work, so they can maintain their sanity. But alas, that request didn't go through, so you and Cyno continue to tell terrible jokes both to each other and every person around you currently available

I had to actually research dad jokes for this one... I require compensation for the things I had to read...

[theheirofthesharingan]

In defense of my pov and maybe I wasn't very clear in the ask... I do think the point of Itachi in the earlier arcs is that he is meant to come across as one dimensional (of course to writers and those who read a lot this actually should equal something potentially being incredibly fishy), so when we get the conspiracy reveal after his death I mean that I wasn't surprised there was more to it and I love how it threw every interpretation of his actions from beginning to end into a new light. (And I realize I forgot to fix a sentence and I love Itachi now, but when I first encountered naruto in my early teens, he honestly didn't scare me that much 😅, he comes into town, doesn't kill any of the main characters because that point in the story wouldn't have made sense for such a thing, and then he leaves, seemingly on a tactically considered whim which fits his characterization at that time)

I also think it's actually incredibly important that Orochimaru and Itachi are both meddling in Sasuke's lives at the same time, which is why I brought them up as a "comparison" even though their motives are never even remotely the same! Orochimaru is horrific as an individual and a villain, but from a narrative standpoint serves as an incredibly effective smokescreen. Orochimaru is an immediate threat from the moment he is introduced, he's a constant and threatening presence and Sasuke goes and exposes himself to that for years which leaves him very little time to introspect on the circumstances around his family's death.

Itachi on the other hand is more of a goal than a threat. He's dangerous, we see enough of him vs other cast members like Jiraiya and Kakashi for that, and he very badly wants Sasuke to pursue him (seen as early as the hotsprings town attack and later made abundantly clear to be because he wants Sasuke to spend his vengeance on him, although even that reasoning is multi layered). He's one of Sasuke's primary enemies, but he functions so differently from Orochimaru that the audience just sees him as a different kind of big bad is all.

(Sorry for the long explanation, I just don't want you to think I'm stupid 😅 but I also might be coming at my interpretations from a different place than you and that's fine too! I appreciate your first answer regardless and thank you for those panels! The manga is so long that I definitely forget things.)

For the purposes of my own work, I often think of how information is compartmentalized in the village... because other members of the konoha 11 also come to the conclusion Sasuke should be killed, but the tactical ones have different justifications than Sakura if I'm remembering correctly? I think they're mostly meant to parrot the village policies, esp since they're secondary characters at best, just cementing the way that villages sacrifice individual members for the sake of less war (which is different than real peace!), but it still makes for some interesting considerations of how much/what other characters know and where they get their information from.

Anyways, sorry again for the long ask but thank you for so much uchiha content!

Oh, of course. Initially, he is meant to be a one dimensional villain, and there are hints dropped to give him more nuance, which make sense after the truth reveal. When we move towards the chapters/episodes leading to his death, the story starts to explore his fragility while he's still a villain.

His reveal didn't surprise me. It devastated me. I've been one of those who had some gist of him not being evil, but the tragedy was entirely unexpected.

If you love Itachi too, then welcome to our hell because we suffer forever here, loving both the brothers.

Don't worry, I loved reading your interpretation of both Itachi and Orochimaru and their influence on Sasuke. Itachi is a big deal because even though Sasuke faces an actual threat from Orochimaru, he isn't scared of him. But whenever he sees Itachi, his reactions are always intense. And even after their battle, he was completely shaking, even if he knew Itachi would have exhausted his chakra too. The only person Sasuke was really scared of was probably Itachi. Other than Itachi being invincible, there were a lot of feelings. Itachi had been cruel to him. Not only physically or psychologically but also emotionally. The only one who could dismantle him was Itachi. And Sasuke had all the unanswered questions in his mind because from his POV, his beloved brother one day stopped loving him when he'd always been so supportive of him.

I think other Konoha Shinobi wanting to kill Sasuke is different from her wanting to kill Sasuke. They didn't love him, they didn't care about him, and that also includes Kakashi. She claimed to love him, and concluded that he needed to die for his own sake. I have no expectations from Konoha 11 and I don't care about their opinions on Sasuke either. But she married Sasuke and never bothered to know why he changed so suddenly and why he would want his brother back. Does she even know anything about the Uchiha clan and its history? And what happened with Itachi and all? Probably not.

Don't worry about the long ask. It's totally fine. Thank you. :)

[kneelingshadowsalome]

ahh~ i’m so glad you liked my little essay~!! i have a knack for analyzing and interpreting stuff, i just think it’s so fun. plus i needed a way to vent out my thoughts and feelings on the little hyper-fixation i’ve developed from your story, my brain just went into overdrive because of how unique it is so i couldn’t resist.

anyway, thank you, seriously thank you for enjoying it, and i’m super happy to say that i have come up with few a headcanons of my own. these are mainly könig headcanons, so they’re more of my interpretations and analysis on him. let me know what you think~! i hope you have a wonderful read, and please keep doing you, you are a wonderful writer, and incredibly talented!!

okay, so first:

despite könig’s openness and acceptance to engels interest in his weaponry, i highly doubt that he would actually allow her to indulge in using any of them. i would even consider that he wouldn’t even teach her how to use one, especially his guns. sure, he’s gifted her knifes but notice that they’re quite feminine and dainty even, könig does try to engage with engel and her interests but emasculates them in a way that should suit her, a cute little knife is practically harmless compared to the massive destruction of his guns. the furthest he would go to showing her anything is how to hold it, but he still wouldn’t want her to hold it herself, and he won’t even shoot it in front of her considering that would damage her hearing, and he can’t bring himself to do that to his baby.

with that, i do think könig is careful and cautious with his engel. i feel like he tries to filter through the good and the bad for her. yes, we’ve been given instances in which the exact opposite has happened, i.e. him stabbing her boss right in front of her, but that was acted purely on impulse. i think after that, he tries his best, and i mean he really tries to shield her from that ever again unless absolutely needed. however, if she were to ask for that twisted ruthless side of him again, because she has the tendency to be twisted herself, then i’m sure he would have to lay down some ground rules, and although hesitant, in the end, he would do anything for her. but despite that, he does not allow angel to consume things that he perceives to be negative for both him and her, and what i mean by that is that he doesn’t allow her to consume any material that could be triggering for him or anything that could alter her behavior that would negatively effect both of them. so, stuff like world news, social media, anything that could give her a sense of empowerment, he doesn’t allow her to have her own phone, she’s constantly monitored, and she’s never alone once she leaves home because könig has to always check in on her. könig absolutely does not want her to be influenced by anything, it’s another reason why she doesn’t have friends, and knowing she isn’t influenced by anything other than him helps keep him from being paranoid, anxious, and violent.

now, back to könig being a raging misogynist at times, he would definitely believe in the value of gender roles, and i mean nothing is more important to him than the normalcy and complacency of the ideal of gendered roles and relationships. also, i hate to admit it, but he just can’t see his woman doing or portraying anything too masculine, it’s a turn off for him, he prefers if she were to just stay at home and do “womanly things” and be a woman, whatever that entails. i think he would even encourage engel to quit the job that she has now, he probably never liked the fact that she worked in such a masculine environment, working such a dirty job in the first place. the only times when he’ll allow engel to even be remotely dominant is during sex, and it’s only if she wants to be, but even through sex he still has the upper hand and has this, ‘this is only happening because i’m allowing it to happen’ mentality. plus it’s a nice thing to let go, relax, and allow her to take control for a little bit, but he would always remind her, both sexually and domestically, where her place is.

könig is completely shameless when it comes to his physicality. he knows what he’s capable of and he knows engel loves his body, so he uses that to his advantage to show off and impress her more. so that means, more unnecessary bouts of strengths used in front of engel, more commitment to his workouts, wearing less clothes around her (he honestly prefers to be casually nude more than he likes to admit, i also think it’s a kink for him to see her so flustered from it too), and insane sex positions. i think he would really enjoy fucking/eating her out standing up, just anything that involves comfortably lifting her up and possibly manhandling her, in a safe way at least.

also, könig is the most expressive when it comes to his sexuality. again, he has little shame, but it’s only because there’s something so special in sex that allows him to let go and just do what he wants in such an intimate environment, and it’s because of engel that it only amps up way more. so, with that being said, the guy is incredibly kinky and experimental. like i said, he likes casual nudity, but only done on his part, he doesn’t really like engel flaunting her body the way he flaunts his and prefers for her to stay modest, it’s really because of the innocent aspect that she tends to play that gets him going because of it. i also see him thriving in animalistic, predator/prey type of sex, especially if it’s outdoors. every time they’re out hiking, camping, or just happen to be in a large remote wooded area, expect some wild sex happening between these two. he just really enjoys pushing his limits and boundaries through sex for the purposes of showcasing the emotions he is unable to communicate normally, which is why he often has an intense sexual drive, but he also enjoys letting go once in a while, being taken cared of, and feeling loved by engel. könig really bonds well when he has this outlet where his emotions, something he constantly suppresses, can be catered, and very often is his emotions expressed dominantly, whether as a hard dom or soft one, it’s mainly about control and acceptance for him.

something könig would slightly be ashamed of though, is receiving open comfort and affection. his upbringing is super fucked and his lack of affection and love as a child definitely shaped himself as a very undeserving man of any of that, although he craves it immensely. so, as contradictory as it is, while he loves giving devotion and intimacy for selfish reasons, he does have trouble accepting genuine love and warmth for himself. it’s something that takes time for him to recognize that he needs and accepts, especially with the right person. so, yes, he’s very hesitant of these instances, but by god, does engel make it so much easier for him. it’s no wonder he’s so indulgent with her and why he’s constantly pushing her limits, it is not because he’s consciously choosing to do the most insane shit but rather, he doesn’t realize it and it’s inappropriateness. i think if engel were to teach him how to properly love and care more respectfully and appropriately, you know something he wasn’t taught as a child, i think he would be a bit more mentally stable in his behavior. however, i do not think she will, it’s because of his dangerous behavior that drew her in the first place and his toxic, overwhelming personality that solidified her place in their relationship, so there’s no way she’s getting rid of könig’s obsessive, possessive, dominant traits that practically has made him into a sex god, but she will suggest therapy from time to time if he continues to exhibit insecure-like behaviors and especially when he’s going through ptsd episodes. i’m pretty sure he has both ptsd and c-ptsd, and to top that off, personality disorders, and mood disorders, soooo…

last but not least, and this one is purely self-indulgent on my end, he is a serial spender for his engel. dude makes an absurd amount of money for what does, and has no reason to use it… until engel walked into the picture. even since then, könig will buy anything for engel and help her splurge to keep her happy, comfortable, and away from society. this man will get her all the material items that she wants, clothes, a big new house, lots of land, entertainment, all the foods that she wants. want a dog and/or cat? sure! he’ll even supply her with weed if she’s that type of girl, but anything to keep her sane and occupied, he is willing to buy, just nothing too illegal, and definitely no vacation spots, dude is way too paranoid to travel and is not willing to risk it.

IM AM SO SORRY THAT THIS WAS SO LONG 😭😭

These were just pure gold, *chef’s kiss* exquisite!! Every single sentence is perfection. So well thought out, and so well put! I don't even have the words to express how incredible this is (and I call myself a writer lol). Seriously, thank you again!! 💖

Also I want to participate (teacher teacher lemme participate please) by adding a few things:

The first one I wholly agree with, but I also believe König might have a little teeny tiny kink for watching how his innocent Engel brushes her fingertips down the barrel of his huge shotgun or holds one of his biggest knives in her *cute* little hands... The contrast between a woman’s softness and a massive, cold, brutal weapon drives this man crazy.

To indulge in his dark fantasies, he might allow Engel to come to the range with him once or twice. I imagine König getting off on showing a “fragile woman” how to handle and shoot a rifle 🙄 He thinks it’s both horrifying and drugging to see how her smaller body tries to absorb the recoil from his guns. Soon enough he’s like “Ok that’s enough” but not before he has enjoyed that peculiar scene a while longer.

And the fourth oh god. Gave me butterflies. He's shameless. I just know that König sleeps naked. Guy associates nighttime with masturbation – and nowadays, sex with his Engel – so off with his clothes, and off with hers, too. König also gives me semi-somno vibes: he would try to wake Engel up with his dick if he can't sleep. (Give me attention and love and provide me with a distraction from my anxiety! Now...!)

The sixth: yes, I don’t see things getting any "better" as in them suddenly calming the fuck down and learning healthy ways to live and love. They are too enamored with their dark side and as you said, I don't know if Engel would be that fascinated with König if he suddenly developed a conscience and healthy ways to cope with his trauma(s). Their escapades resemble a shared psychosis sometimes, but with time and patience this couple will perhaps find true love and relief together – something bigger and better, a way out of the spiral. They learn to dance on the knife’s edge, so to say. They might even start to behave 🩷

And the last one: YES he would spoil her to bits! One of the reasons for this is that König feels guilty. He doesn't know how to show love and devotion through emotional intimacy so he will try to show it through spending money on her. So yes to all of this.

I see Engel wishing for a pet to keep her company while he's away on longer missions. And König is so thick-skulled he wouldn't even bother to ask what type of pet she wants or if she has allergies, he just shows up with a cat one day like: "Hier. I brought this to you. Do you like my gift? I will bring you a different pet if you don't like this one. 🤨"

(And omg the image of Engel smoking a fat one or using a cute little bong on their porch, perhaps chilling out with that cat and giggling when König comes home... ^^)

Thank you so much for bringing these to us! Tbh I never wanted this essay to end 🩷���� You're amazing I hope you know that!!

[nopanamaman]

do you read the fanfic people make? if so, do you have any personal favourites?

Oh man this is gonna be a LONG post

I do read fanfics about my OCs whenever I can! It's always interesting to see different interpretations of your characters. Sometimes they even influence my own perception of them a little bit!

Of course I wouldn't go as far as to say that fanfics have altered any canon story beats, but certain minor character details have definitely been planted in my mind that way. Like I think at this point I'll just accept Arthur's last name as Sokolov because I read it in some fanfic and it stuck lmao

I remember being very impressed with the character writing in Everything Turns Out Fine for Once - I think that was the name? It was a longer work about Sanya and Yura looking for Anya and Dmitry after they escaped. The author got a really nice read on everyone's personalities!

I also recently read a (fairly depressing) Temnova/Olya fic that I enjoyed quite a bit. Just for Today was the name, I believe. The atmosphere of being stuck at a corporate party you don't want to be part of was spot on🥴

There are also a bunch of nice fics in Russian. I read Грань not so long ago and it was a very interesting little exploration of Tsar.

My all-time favourite fic was also a Russian one, and was written by my friend. It was a very poetic exploration of Nadya's relationship with religion, and it had contributed a lot to how I saw that character myself back in the day. Sadly, I don't think it was ever published publicly.

Also I started doing consistent character writing relatively recently - that is, began writing out the events of PAFL in a straightforward novel format a little over a year ago. While it has helped me flesh a ton of things out both character- and storywise, it's also given me a bigger appreciation for fanfic writers that manage to put out huge chapters semi-regularly hahah

It's also very interesting to see how the written canon differs from fan interpretations, sometimes in rather surprising ways. I think if I ever end up releasing that massive slab of text, expectations on how certain characters behave would be somewhat broken

[dragonworshippersblog]

Let's discuss some topic that I frequently read on tumblr about house of the dragon (if u do not agree then u can express ur opinion by comment, but always be educate. And if you want another topic to be discussed let me know and i will make a post)

“Aegon is the rightful king of the seven kingdoms by law”

GRRM in an interview said this “ Well, the short answer is that the laws of inheritance in the Seven Kingdoms are modeled on those in real medieval history… which is to say, they were vague, uncodified, subject to varying interpretations, and often contradictory” so we can say that male primogeniture is based on traditions, not law. King Jaehaerys with the great council of 101 at harrenal let the lords decide who should succeeded him, so he gave them a choice. But this is not the same about king viserys, he named rhaenyra as his heir and alway defended her, so viserys did not give them a choice. By usurping rhaenyra’s throne the green imply that the king’s word means nothing, and this is the thing that causes war and crisis. As we see in the book fire and blood most of the houses support rhaenyra’s cause, so otto’s word “the realm will not accept her” are revealed to be false. Again the war come from the fact that otto and alicent decide to crown aegon, so houses actually have a choice to decide who they wanted to support, if aegon hadn’t been present as an option the few houses that didn't agree with viserys choice will bent the knee alike.

“Alicent always defended rhaenyra before she lied to her about her purity”

In episode three the show let us see a conversation between otto and alicent where he said “aegon has been robbed of his own inheritance because he is the king’s first born son” and after he said that is alicent’s aim to guide the king in his decision, the second after she went to viserys’ chamber claim that there is something she want to discuss with him (viserys stopped her and they start talking about the stepstones). How do you know that she did not raise this matter anymore? In episode six when older alicent was question rhaenyra’s children she say she already talk about this before but the show didn't let us saw it, so its completely possible that she proposed aegon as heir even before rhaenyra’s lie when they were still friend

“Alicent always defend rhaenyra and yet rhaenyra send otto away when she had the possibility leaving alicent alone”

Let’s go deep into it. Queen Aemma, rhaenyra’s mother, died in order to gave the king a son, she was literally open without any kind of anesthesia so she felt every cut the maester were doing to her (and in the original script rhaenyra saw her body so she is aware that the death of her mother wasn’t a miscarriages like the other). After all of it viserys named rhaenyra his heir and married alicent, and at the time they had two children together, aegon and haelena. In this scenario otto was the second most powerful man in the realm, he ruled when viserys can’t, and he had great influence as he had great ambitions. So, rhaenyra had the chance to demonstrate that her mother’s death was not vain, and all of her miscarriages and pain had an aim now that her daughter is heir, but then there is otto and he will always be an obstacles in her rise to the throne; you, in her position, had the chance to get him go away, you choose to let him stay at court so your best friend is not alone or you choose to let him go so your rise will be more easy? Because if I were in rhaenyra’s position I would have not hesitate a second

“Alicent did not knew the council were plotting to crown aegon”

You all act like she had not the huge part in rhaenyra’s usurpation. First of all she tormented rhaenyra for a lot of years in king's landing, she moved to dragonstone (which is however the seat of the heir to the throne, rhae is the princess of dragonstone) because she couldn't take it anymore to be targeted by alicent and it was her aim in my opinion because rhaenyra not set the council would let Alicent have all the power to influence everyone about how her son is more worthy. Then she said to aegon “everyone in the realm know that one day you will be our king” so also if aegon was not meant to have the crown alicent let him believe that, and he was a boy at the time so he was easily manipulated. Then there is the petition about driftmark, you are really claim that alicent was willing to do so because she care so much to vaemond to have driftmark because its his blood rights and not because when the war she and otto create will follow she will have the velaryon flee support her? And when she said that viserys whisper to her about how aegon should succeed him? You can be team green or team black, but everyone can agree about how pathetic she was claiming that after viserys defend rhae for 20 years, and he suddenly change his mind where only her was here to listen him

[fandom-zoomer]

I think I may have come up with the best worst tma time travel “fix-it” au (imho)

Inspired by Ketakoshka's 'dread spawn' idea in their dread child jon series, Dribbledscribbles' origin story for the dread powers and extinction entity interpretation in their extinction!jon fic (and some more of the latter in their post-eyepocalypse fic too), as well as my own love for making unholy (aka fun) fusions of things and sandboxing eldritch interactions with the 'mundane' . . .

. . . I have created a post-canon, Somewhere Else, time travel ""fix-it"" story that I think might be unique (at least I've never seen any fics like it– but if I'm wrong then please please share the link!! or dm me if it's your own work hehe but no pressure!!)

(mag 160+ spoilers after this point!)

(i'm about to wax poetics here (hopefully coherently)—so you can read the story-ramble OR you can scroll to the TL;DR at the bottom to skip it & spoilers to read the nutshell & see if you're interested :3)

so get this...

The big Change happens right? But this time the Extinction is a bigger player in the game than canon, and ultimately deeply marks Jon throughout the eyepocalypse.

So when the finale happens, since Jon is now connected to the epicenter of the whole show, his 'death' and the panopticon's destruction has the simultaneous effect of baiting the Dread Powers into the Hole (via his voice in the spools of tape)– and also killing everyone trapped by the Dread Powers in the world via Jon the walking detonator thanks to being entrenched in the Extinction's influence. —Combining both his best and worst plans and realizing his worst nightmare: killing everyone and spreading the Powers to an unknown number of worlds to wreak even more havoc.

How did this happen?

Simple—but first some backstory for context.

The Extinction was more of a 'lurker', much less "outgoing" than its 'siblings'. And when it was "grandiose", well. . . it tended to leave no survivors. Thus its unrecognition by those like Robert Smirke or Jürgen Leitner.

To go back even further, the Dread entities were originally one cohesive entity with many faces and limbs. Its faces reflected the same developmental complexity as the sources of their manifestation. So those with the most diverse species feeding them held the widest capacities. Namely: the Hunt, End, and Extinction. But being a singular entity, it didn't mean much.

But as human species' family lines develop and grow more complex cognitive ability, more esoteric Dreads developed, and more faces become more complex. And the Extinction was right there from the beginning as more species died out one by one. Quietly. (...maybe? 👀)

Over time humans discovered the Powers and bonded with them, then started to classify them. From here, the Dread entity fragmented into Dread entities.

They developed their own 'consciousnesses' distinct from the hive 'mind' they once were. And, eventually, sapience. Self-awareness. Desires. Personalities. But they were still connected, part of the 'system'.

The Extinction and the Web (newer, but always sapient) are a quirky pair, the Web seeking control over everything and the Extinction seeking ultimate entropy and change upon its catastrophe.

It's hard to distinguish the Extinction exactly, its work misidentified for others with few under its own unique umbrella. Things 'unique' to it get missed due to being a misnomer and not getting clocked. (But that is the nature of the Dread Powers after all.. being a fragmentation of their original singular mass.)

...

The Extinction represents the fear of disaster that will bring about the end of everything—everything you know, love, need to survive. Everything you built, worked for, hoped for. The destruction of stories and of life, of the very history written by your land—your home.

Your community. Your society. Your species.

You.

Annihilated in totality.

The Extinction represents the fear of those that come after you to replace you—worse than you, different from you. Leaving you and your history and stories (the driver of your continued existence) forgotten forever. The fear of life moving on after you, ignorant and apathetic. Your story meaningless, irrelevant.

Your community's story. Your society's story. Your species' story.

Your story.

Erased and written over.

The Web represents the fear of being controlled, fate being out of your hands—by malevolent authorities out of reach, by abusive companions or relatives, by invisible forces far beyond the human comprehension. Spinning, winding, twisting, pulling each decision in your life made for you. Until destruction of the self by your own hand.

Your struggle for change futile. Your feet following the same path. Your fate determined for you.

You forfeit control—your feet march you to your bitter demise.

The Web represents the fear of being conspired against. Scheming, plotting, planning your downfall. The loss of everything you hold dear, worked for, bled for. Spinning, twisting, scripting lies about you. Your credibility falls to pieces, your world shatters, and your story distorts.

You are kept alive by the spreading of your story. And the people have decided to trust the manufactured tale.

You are forgotten—twisted into an image of something wrong.

...

Sometimes they're at odds. Where one seeks to manipulate the threads of everything endlessly, the other seeks to destroy it all so thoroughly, with such finality, as to mutate it– the schemes, the pawns, the gameboard itself.

Sometimes they're complementary. Where you watch as you lose everyone you cared for one by one, spiraling down a path darker into entropy, the irreversible nightmare, and wondering if you ever really had free will in the first place– if anyone did.

What if the end for you really was just another game to them? What if this wasn't their first round? What if you're just the next step in the grand scheme, larger than even your own universe?

Alright, now with that out of the way, let's bring back the question.

How did the Extinction change Jon, and how did this cause the altered result of the finale?

The Web has been there since the near beginning, pulling Jon along and guiding him to his next milestone in the plot. She had known the world would come to an end one way or another, and wanted to bring it about on her own terms so that she—they all—could escape it.

So when the Web saw what the Eye was doing, she had an idea. So she aided their acolytes, seeing her sibling as the perfect way to bring all of them together for the final step. And the Web set her own card onto the board: Jon.

Jon had a natural disposition for the Eye; from stubborn curiosity to the reckless pursuit for answers to even the coldest cases. Whether he knows it or not, his mind is a gaping maw for horrible knowledge—chasing after experiences disguised as answers to his burning questions so dreadful they leave scars on him like sigils of a looming doom.

While he has no affinity for the Web's machinations, he is still hers. She has no issue with guiding agents from across the court, she knows how to share. Especially when it benefits her. Jon archives each event, every little detail, with such care and readiness that he makes the perfect vessel to pull them in—to guide them out. He'd flourish best as her tool in the Watcher's sphere.

After the Watcher's Crown and the Dread Powers came into the world, the Extinction started to make its presence known. It seeped into other Domains and fed on the people's dread for permanent catastrophic change, on their fear of ruin and total desctruction. And as Jon traversed them and lived through their fear, so was he marked by the Extinction.

It seeped into his skin like oil and burned through his veins like acid. It tainted his trails with the radioactivity of human hubris and greed, twisting and mutating both the mundane and Dreadful as he passed. It closed its grasp on him with the tightness plastic rings and infected his Perceived routes with the stench of mountainous landfill and the thickness of city smog.

The Web and the Extinction had a complex relationship, but in this moment they guided the Archivist in synchronous song like a soldier being led to his final mission: dropping the nuclear bomb.

Did Jon know?

...

No.

The twines of manipulation layer labyrinthine over everything, above and below and through every angle and dimension. Even the Nigh-Omniscient Antichrist and his All-Knowing God will never fathom its depths.

He might never know that he helped start the Extinction's ritual: Raze the Earth.

Or that both the Web and the Eye knew and did nothing. (honestly, the latter's only there for the show)

So when Martin stabbed Jon and Melanie lit the gas mainline, the threads around the world snapped and the glowing light of humanity's greatest sins exploded over everything—

—and they prayed—

—and they wept—

—and the Dreads rushed out torrentially. (pulling a few strays with them)

Now for the part you were all waiting for (well I was)—the Heart of this AU

The Dread Powers and the ones who were dragged with them were transported Somewhere Else– a parallel world in a parallel universe. But they were. . . Changed from their previous/original selves.

The tag-alongs—Martin & Jon of course, but also Annabelle Cane, Oliver Banks, Simon Fairchild, and Arthur Nolan—replaced their parallels at birth, and gained partial or full amnesia to their past lives. But their personalities are altered, reflecting some aspects of their pre-finale personalities.

Except for Jon. Jon, the Pupil of the Eye, the Warhead of the Extinction, the Spools of the Web, the Archive of the Dreads and linchpin to their escape. . . was significantly destroyed in the center of the storm. He got it and so much worse—a stick so short its existence was inverted.

While they did get reach the new universe, they had to reconstruct their linchpin/Archive that they're still connected to so that his total destruction doesn't tear them apart as well (being an Extinction avatar that's now deeply connected with them, he's capable of "taking them down with him").

When Jon was reborn, he was literally thrown into the world like a meteorite, landing with an explosive blast that rendered the surrounding area a lifeless wasteland in moments. High radioactivity and a deathly curse left few flora or fauna returning before wasting away soon after. Those that 'survived' did so by being infected by the Extinction or Corruption.

It would permanently remain uninhabitable, and it would take months before the withered stillborn spawn of the sapient eldritch Dread Entities would crawl out of the jagged crater on its own, none the wiser to its tragedies.

TL;DR

The Web manipulated Jon's attempt to put a stop to the Entities' reign, utilizing the Eye's easy influence to help the Dreads escape the world and into a fresh new one before they were also destroyed in the Extinction's "Raze the Earth" ritual (set up by using Jon to weave toxic-filled veins throughout the world he was traversing that'll explode at once 'grand finale' style).

Jon, now deeply binded to the Entities' purest forms and still an Extinction time-bomb, was mostly destroyed during the trip to Somewhere Else and the Entities had to reconstruct him so his death wouldn't destroy them too. This led to Jon being reborn a near completely different being (with some of him preserved) as functionally the direct spawn of the Dread Powers, replacing his parallel counterpart from the new world.

[vveakfish]

do you have any thoughts about the core four whose gender(s) are basically just a trans fruit cocktail that you would like to talk about? because I would love to listen

oh boy DO I !!!

I have So Many thoughts about them Anon, so thank you for giving me an excuse to try and put it into words beyond “Damn, these bitches trans! Good for them.”

Honestly, there are so many different ways to explore these characters genders based on how you choose to interpret their life experiences, and their aesthetic changes, and their relationships with each other. I am of the belief that any of them could be trans in any direction

But, that said, I Do have particular gender headcanons for YJ that i am very fond of, so thats what I’ll be talking about today.

(Small disclaimer. I have not finished all of the comics referenced in this. I am using the information i have to inform these, but you know, i might come back to this post at some point in the future and look at it like “wow, i don’t agree with any of this anymore.” And i think thats okay.

I’m just here to have fun, and i thoroughly enjoy these little guys, and think abt them alot, so enjoy

(also if you dont want to read 4.1k words of blorbo gender analysis, or would like to avoid spoilers for Superboy (1993), Young Justice (1998) & (2019), and Red Robin (2009) in varying degrees of detail, or you just want to see what lables i assigned them, scroll down to the bottom <3))

lets get started.

Bart:

Bart's gender is the most complex, but his thought process about it is also the most simple. I think his view of gender would be very much influenced by the fact that he grew up in VR in the future like…

A body is just an avatar, do what ever the fuck you want with it.

That said, the lil guy has always given me transmasc vibes. These vibes, however, are by no means binary.

He understands that in the 21st century a lot of people do not have his sort of “throw things at the wall and see what sticks” approach to gender, so he’s okay with being put in the box of Boy™. But his gender is a lot more * hand waves vaguely *

Clothes don’t have gender in his eyes, they’re fabric you put on your body. Wear what ever you want forever!

Bart in skirts is something i have seen many people draw/talk about before, and its something i agree with wholeheartedly. He likes hair clips, and like, those loud (actually loud and visually loud) beaded bracelet type things that ravers wear. He like nail polish. He doesn’t grow facial hair, but he wouldn’t care if he did. He’s not on hormones, but he definitely considered it for the bit. “Gotta drink my boy juice” Kind of vibes.

For him gender has Nothing to do with performance, its all about comfort. About wearing what feels right, regardless of whether or not he’s adhering to expectations of masculinity.

Yes, he Will wear that god awful outfit out of the house, haters can die mad

Cassie:

Anon, I need you to understand how much i love early yj98 cass. She is everything to me — her process of coming to terms with herself, and being able to watch her start to feel at home in her own skin. It makes me absolutely feral.

lets see if i can explain why… succinctly

When we first meet her in yj98, her identity as “Wonder Girl” is this sort of amalgamation of What it Means To Be A Hero in her eyes. She has her party city blunt bob wig (Because Diana is who she looks up to), the gloves, leather jacket, goggles combo (that so clearly take inspiration from Kon).

At this point in her life Wonder Girl is not really her. Its very clearly a mask she’s putting on. which is what makes it the perfect avenue for her to explore gender expression without it having to actually be about her gender.

I think the part that specifically makes me feral though is her… we’ll call it admiration of Kon.

The girl is a self proclaimed Superboy stan + theres all the weird not-drama between Cassie and Cissie over wanting attention from Kon. (And i say Not Drama bc its like… Kon flirting with cissie (which like… have you met 90’s Kon?? he flirts with everything that moves) and Cassie being upset that he’s Not flirting with her. and cissie is just along for the ride. She’s not quite as much of a flirt as kon is, but she has her moments)

All of this to say i feel like its impossible to have a conversation about Cassie’s gender without also talking about her experiences with comphet and lesbianism.

At the beginning, Cassie sees Kon — this cocksure, conventionally attractive boy with powers that (at first glance) seem very similar to hers, and felt something about it. And, in the way of teen girls who have been told since grade school that they’re supposed to like boys, Cassie comes to the conclusion that what she feels for Kon must be romantic in nature, right?.

All of this, the jealousy over Kon and Cissie flirting, basing her costume off Superboy’s (intentionally or otherwise), the fact that she wont let her team see her without the wig and goggles at all for so much of yj98. To me it all reads as the tangled mix of undiscovered lesbianism and gender dysphoria that the poor girl simply doesn’t have the words to define yet.

So, then what IS cassie’s deal with gender???

i am so very glad you asked.

She, too, is a transmasc of the nonbinary variety.

I think her relationship to femininity is complex, and ever changing. She doesn’t feel comfortable performing femininity the way the world expects her to, but she is also part Amazon. And i think having a relationship with both Diana and Donna would greatly influence how she felt about femininity as a whole.

The Amazons are strong, their femininity isn’t about beauty, or being soft spoken — it isn’t about Men at all. On Themyscira, to be a Woman is about bravery, honor, skill, and in some ways, divinity. Getting closer with her Amazonian sisters would change her relationship to womanhood immensely.

But it still wouldn’t feel Right. She would be able to see that womanhood can be defined differently, but that wouldn’t change the connotations that womanhood had as she was growing up. She’d never be able to lean into it the way Diana or Donna do — they both grew up only having woman defined as strong and brave and confident. Their experiences are not analogous.

The baggage of growing up a girl under the patriarchy wouldn’t just… vanish because she sees that it Doesn’t have to be that way. In some ways, the knowledge that it didn’t have to be that way could make her dysphoria all that stronger (especially if she hasn’t quite deciphered that dysphoria is what she’s feeling).

but i think there would be a point where two things sharpen into focus for her.

fiirstly she has a big fat crush on cissie king-jones.

and second (which would only come AFTER realizing her feelings for cissie) is that what she feels for Kon is Not the same as what she feels for Ciss.

She didn’t want to be with Kon romantically, she just wanted his gender.

I could see her experimenting with wearing a binder, liking that she can get rid of her boobs if she isn’t feeling them that day.

She already has her short hair, and her leather jacket and jeans, and shes big and buff and strong (because she deserves to be butch!!! okay???).

I still think she would use she/her pronouns, but she wouldn’t be picky ab it (if she gets called sir while at the pizza place, she’s not going to correct them.)

But here’s the kicker — I think leaning hard into her masculinity would be EXACTLY what she needs in order to actually ENJOY expressing femininity again.

When putting on the mask that is ‘womanhood’ becomes something that she can Choose to do, rather than something that is being forced on her, it can be pleasant. Like playing dress up.

She has a new appreciation for it, especially since her friends respect her gender, and she knows at the end of the day, when she takes the makeup, the clothes, and the wig off, underneath it all she’s just her.

(Small addendum re: TT’03 Cassie’s fem phase. I have Many thoughts about this as well, and while they end up in roughly the same place, i exploring her experience with comphet and her decision to dress in a more traditionally feminine in that run is something id like to explore in another post (once i’ve actually read the run too.)

Cissie (bonus):

This one should be shorter than Cassies, mainly because my reasoning for it is much simpler.

YJ'98 (#11)

She lists all these names, all of them feminine except for Fucking Ralph. “One weird phase” she calls it.

To me, Cissie is a transgirl through and through. She has this huge list of femme names she tried on while she tried to find the one that fit best. She mentions ralph in this off handed way, as if its not important, and i think thats just her way of dismissing her deadname as something of little consequence.

(that said, i think there’s lots of fun to be had with transmasc cissie, or tried transing-her-gender and realized it wasn’t for her Cissie. But as a transfemme, tgirl cissie is So important to me <3)

Kon:

other people on here have made posts about Kon’s gender that are much more coherent than this will be, but i’m putting the words down anyway. bear with me.

Kon’s experience with identity (especially in his earlier years) is almost entirely about the external rather than the internal.

Kon has his whole life planned out for him from the moment he opens his eyes. It’s simple really — become Superman.

So you have this freshly hatched teenage boy, saving the world as Superman (not the Only one, but definitely the coolest one (Kon would argue)). All eyes on him, all the time. In some ways, performance is inseparable from who he is. From the very beginning, everything he does is on display.

He starts his life with a Name (Superman), a life path (…again, Superman), and all the confidence of a sixteen year old jock with nothing but wins under his belt. then it all gets taken away.

Turns out Clark ISNT dead, and the world doesn’t need its pint sized superman anymore now that its got the real thing.

enter Superboy

Kon’s entire identity, his whole purpose for being alive, was to step into the shoes of a dead man who is no longer dead. So where does that leave our genetically engineered test tube baby?

lost, and extremely confused.

But he’s good at using his charisma as a shield, and even better at keeping himself busy. His problems aren’t there if he doesn’t have the time to think about them, right?

and i think that’s true about his gender as well.

Similar to Cassie, his discovery and exploration of his gender feels incredibly tied to his sexuality (to me). If you’ve read sb93, you know Kon’s deal with women. He is cute & conventionally attractive & he's like superman with a fashion sense, so of course there are people fawning over him.

And he loves the attention. He likes that people want him, or that they are looking at him. The issue is he doesn’t have the life experience to realize that their reasons for paying attention to him are often very shallow, manipulative, or selfish.

He isn’t treated as a person very often. He’s a brand, a product, a tool, a weapon. He’s arm candy, he’s a photo op, he’s a headline, he’s a paycheck. And it takes him a long time to be able to tell the difference between someone Liking Him & someone Using Him.

For the longest Time, Superboy is all he is. He doesn’t have a name outside of that identity (except for the various pet names the women in his life give him (kid & pup, mainly)).

And even when Clark does give him his real name, Kon-El, its still Attatched to his identity as Superboy.

I dont think that he would really even be able to start dissecting how HE feels about his identity until he’s much older.

Part of this would come from the space to be someone else that gaining a civilian identity would give him. As Superboy, the goal has always been to stand out, to be seen, to shine like the sun.

As Conner Kent, he has to blend in. He doesnt want to draw attention to himself, or the Kents, or Clark. He has to fit in, which was never something he had to do as Kon. And i think it would kind of chafe at him — but he wouldn’t really know why.

I think he’d chalk it up to how different of an experience it is. Not being loud, having to be normal™. And so i think he’d just… continue to play the part. For a while anyway.

And like, part of being Normalest Boy Conner Kent would also involve actively un-queer coding himself for the sake of fitting into the ecosystem of Smallville High. and its like…

Young Justice, as a friend group, is SOOO queerplatonic. The lines between romantic and platonic intimacy are so blurred, and Prior to Kon’s YJ days he he was also like… living with these woman who he had complicated relationships with that also blurred the lines between platonic, romantic, and sexual (…looking at you, Knockout).

So learning where the line is when it comes to how he can acceptably interact with his civilian friends (particularly the boys) would Really open his eyes to just how close he is with Bart and Tim, and how similar his feelings for them are to his feelings for… lets say, Simon Valentine.

But i dont think That is what would actually tip the scale. I think realizing that these feelings for his friends aren’t considered ‘normal’ would make him shove them down deeper. As ‘Conner’ anyway.

from here it could go two ways, right?

Either we get Teen Titans ‘03 t-shirt Kon, who sheds his GNC 90s swag in exchange for adhering closer to traditional (read; boring) masculine gender roles.

or we get a Kon who leans Harder into his punk roots, but its a conscious choice now.

(this isn’t even digging into how he would feel once Jon comes into the picture, because while Kon cares for that boy Deeply, his feelings abt the new kiddo in the family could also be very complicated. But that’s a post for another time.)

Personally i prefer the second one.

Kon has always been a curious kid, i love the way he makes pop culture references, and how he bases his behavior off of 90’s teen tropes that he Most Definitely learned from TV. In his early days this wasn’t done in a research way necessarily, but he Did want to learn what it was like to Be a Teen™, and TV was the easiest way to figure that out.

(and, playing in the space of Kon adaptations, his love of media/pop culture, and just over all thirst for knowledge, are present both in the Reign of the Supermen Movie, and in his iteration during the n52 (which is one of the few things i personally have internalized from reading n52 Superboy/Teen Titans)).

But post gay awakening, i feel liked he’d be interested not just in behaviors, but also the context of them. Digging into punk as a subculture rather than as an aesthetic. Learning about its connections to queerness, and community, and self expression. And i think this would be extremely freeing for him. (especially if this were around the time of Jon becoming Superboy v.3, but again, not the point of this post.)

this all culminates in Kon being like yk? gender just… isnt for me. Like, it takes im a long time to get to this point, but realizing that the path that was set out for him is just one of the potential paths he can take, and while he might not know where this new path will take him, its his, that that matters.

And also like, Because his friends are who they are, he’s seen different versions of queerness, and transness, but i think it would take him a bit to see himself as someone who Isn’t Cis bc like… he doesnt have dysphoria in the traditional sense.

He’s still the beefcake he’s always been, but i think he’d start playing with makeup when he realizes it makes him feel good (he shows up the the cave one day with smudgy eye liner and Cissie is immediately like a) you look so good and b) can i Please do your makeup? (and then she does it, and he looks so pretty, and he gets these weird giddy feelings that he doesn’t realize is gender euphoria until his friends start talking abt gender euphoria)

His uniform starts to get more personalized too, like the designs where he has knee patches, and all his little belts, and stuff. maybe he starts experimenting with showing skin. bc he deserves it

(’its for maximum sun exposure!!!’ is the what he tells clark… he’s not sure if clark bought it or not)

And hey, exploring gender presentation more as Superboy might help him do the same as Conner. Cassie will take him thrifting, he’ll try of a flowy skirt or a sun dress or something and then its Over. Gender euphoria part two, electric boogagloo.

In the end, its about realizing that adhering gender roles (and truthfully, any socially imposed ‘rule’ about self expression) is something he can simply Choose not to do. And i think this freedom would be something that benefits him in his civilian life as well.

His gender is: literally what ever, man.

Tim:

Ok, here’s the thing about Tim and gender, right? I think he’s kind of just comfortable as he is. He’s good at playing the roles he needs to in what ever situation hes thrown into. ‘Robin’ and ‘Tim Drake’ (and even ‘Tim Drake-Wayne’ if you want to split hairs) might be masks he wears, but that doesn’t mean they’re any less him. if that makes sense. like…

Lets look at the differences between Bruce (or Brucie) and Batman for a second. They really are different people. Batman is who bruce is at his core, ‘bruce’ is this sort of liminal space between the cowl and his public persona, and then theres Brucie™, and well, you know how he is. These are personas that Bruce puts on.

With Tim its like he just highlights different aspects of himself when a situation requires it. (oh no, the autistic!Tim head canons are being loud today.) But like, he’s Always been masking. And i think this is something he would look at as like… getting a good grade in adapting. or something. He’s comfortable, all the roles he plays are ones he’s familiar with, and he doesn’t really question who he is outside of who he needs to be.

That is, until Caroline Hill makes an appearance.

I feel that the decision to go undercover as a woman was a wholly practical decision in the moment. It’s what the mission required, and therefore tim stepped up. Its just another mask, right? Surely this wont awaken anything in him…right?

But this is an entirely new mask. And i think it might like… shift the way he looks at/thinks about the other masks he puts on. He was able to step into a role that was very foreign to him, and it Worked. (and he felt pretty, which like… woah, thats a new feeling. and he kinda liked it? file that under ‘thoughts he doesn’t have the bandwidth to process right now.’ Bruce needs him back at the cave! its time to debreif! and he has a biology test tmrw! no time for gender scaries!!!).

I think it would take a while for him to be able to admit it to himself though. Because like… hes Not uncomfortable with his body, but he also keeps thinking about how good he felt dressed up femininely, and how he felt powerful, in a way. That putting on that mask felt just as good as putting on his domino.

Personally, i think itd be funny if instead of coming out right away, Tim doing undercover missions essentially in drag becomes a recurring thing. And i imagine some people give him a hard time. (not in a transphobic way or anything, i just mean like, teasing him fondly or what ever.) (Also, i like to imagine that when cissie Did kons makeup, bart and Tim jumped in there too bc like hey why not, and hoooooo boy, if Tims egg hadn’t cracked before then, it sure would have cracked after.)

The thing about him is, i’m not sure if he’d come to the realization himself. You know, that he would like to present femme sometimes, in a situation that has Nothing to do with a mission.

I could see Tim convincing himself that its a pointless or frivolous desire, which is Why he relegates his time presenting femme to when he can prove that it’s useful.

but i have this image in my mind, right? Of him, taking his makeup and wig off, and hes chatting with whoever is in the room with him (literally anyone else mentioned above… or Dick). And Tim’s just talking about how he wishes he could present this way in situations other than missions.

and the other person in the room is just like… i mean, you literally can.

and hes just like…. shit you’re right. i Can :0

I could probably go further into depth abt this, but i think this just frees him to start playing with gender more as Tim. and start to recognize when he’s feeling more masculine, more feminine, or somewhere in between.

His gender isn’t consistent, its this thing he’s constantly listening to, and trying to understand. but in the mean time, he can paint his face, and wear pretty clothes, or dress like just Some Guy, or be a hedgehog dressed in traffic light colors, or what ever his heart desires.

As far as like… how He describes his gender, i think he’d say something corny like bi^2 (bi of both the sexual and the gendered varieties). Or shrug, handwave, generally give a non-helpful vague description. Or tell who evers asking to buzz off.

(small addendum wrt Kon and Cassie in TT’03. I haven’t read this run yet, so i didn’t really include it in this post. But i Do have thoughts about what might cause the two of them (my gnc besties from my comics books) to lean sooooo hard into traditional gender roles after being So Queercoded in their other appearences. Before i talk abt that though, i want to read the comic. So, that will have to be a post for another time)

ANYWAY, heres that TL;DR i promised.

Bart: NB Transmasc Cassie: NB Lesbian (of the transmasc variety) Kon: Agender Tim: Fluid (bi-gender) + Cissie: Transgirl

Thank you soooooo much for giving me the opporrtunity to ramble abt the silles and how Not Cis i think they are. Love you forever.

[gay-jesus-probably]

(Feel free to ignore this-! I’m just happy to hear someone’s deep takes on Zelda)

I really love your deep dives and interpretations/discussions on the Gerudo people and their history, influence and life in BOTW/TOTK (I totally agree with all you’ve said)

I just want to ask/Point out (after reading your imperialism post about TOTK) didn’t the Zora for many years like- not want to serve or be a part of the Hylian families army either? Like, even before Mipha’s death, weren’t the Zora very much against conforming to the Hylian’s rules and such? (In every game?) I’m a bit confused on how Hyrule is split up, the Zora’s having their own kingdom(s), the Rito and Goron’s having elder’s/their own leaders but still serving the royal family??

It’s always bothered me how these separate races all still have statues to the Goddess Hylia (Started in BOTW) and not their own deity’s to pray to or follow (Like the Zora praying to Nayru makes sense, or even something like Jabu Jabu to bring back- or the Rito could’ve prayed to Valoo, a great dragon or something.)

It just feels like Nintendo COULD’VE put so much care into all their races stories and histories! But oops no this game will be for Kids(TM) and we can’t put anything too deep or serious. Makes me sad :( I wanted to see them in a deeper context.

Oh yeah, it's very weird that they just put zero effort into explaining some of the worldbuilding. I mean, in BOTW it makes perfect sense to have the races be off doing their own things! It's post apocalypse, Hyrule does not exist anymore, these different communities have no real reason to interact with each other! And I really liked that BOTW outright showed that there was no particular effort for diplomacy, but people still got along as individuals - I liked that we saw different races hanging around each other. I loved that there were Gerudo in Goron Town to trade for their gems, I loved that Goron were allowed into Gerudo Town because they're a race of rock people that legitimately don't have any real need for gender and just use masculine terms by their own choice, and the Gerudo understood that. And I loved the whole Tarrey Town sidequest, because it actually felt really satisfying to build up a new town that had inhabitants from all the races, not for any particular reason, but just because they were people that wanted to live there and work together. They didn't need a big central government to make it a whole Thing; they were just getting by.

And we also saw the less good side of these things, like that one guy in Hateno that greeted you at the gate, and decided Link was trustworthy specifically because he was Hylian, making it clear that xenophobia still existed. I like that Kass was kind of thrown by Link asking if he was a giant bird, and the implication that Link was being kinda insensitive there and Kass was choosing not to be offended. I liked that there was a Hylian couple on their honeymoon in Rito village because the guy genuinely loved the town and its culture, while his new wife looked down on the Rito and hated being around them. And I liked that the older Zora still held a grudge against Hyrule for many things, up to and including the fact that Mipha died defending it, and the older generation would rather risk everyone's wellbeing than accept help from a Hylian that had been involved. And I like that you can run into other Hylian's near Zora's domain that outright tell you Zora have been trying to recruit them to do something important, but they all refused to get involved because they don't think that those weird fish people could have anything serious going on and it all seemed really sketchy.

My point is, BOTW really did feel like it'd been a hundred years since the end of the world, and everyone was just trying to get by and live their lives. You saw people being open minded and accepting other races for no other reason than the fact that they were all people, and you saw people being petty and bigoted just because they didn't trust people that looked and acted differently from them, but for the most part people were all just getting by and doing their own thing. BOTW gave the impression that Hyrule had been an equal alliance between the Hylian's, Zora, Goron, Rito and Gerudo (and with the Sheikah having a considerably less equal role, specifically built on the Sheikah having been forced to submit to cultural genocide to save their own lives, and the Yiga clan being the survivors that fought back instead), with Hyrule acting as sort of the core of the alliance, if only due to literally being in the geographic middle.

I mean fuck, the existence of the Divine Beasts suggests that things are equal! Yeah, Hyrule has a royal family with holy powers due to literally being the descendants of a Goddess, and they're the ones that always get the reincarnation of the Hero that's the only one who can wield the bullshit OP magic sword... but they don't get a Divine Beast (Link's dinky little DLC motorcycle doesn't count). The Divine Beasts were specifically made to be weapons of mass destruction, and they were specifically made for the non-Hylian races. That really does suggest an active effort being taken to balance the scales, that the ancient people saw that only Hylian's were granted divine favour, and so if the gods wouldn't give that power to other races, they'd fucking make it themselves. The existence of the Divine Beasts feels like a promise to keep everyone on equal footing, and say what you will about pre-Calamity Hyrule, but they didn't even question keeping that promise.

...And then in TOTK, all of that's just gone. The Sheikah aren't their own people with a complicated relationship to the throne, now they're just Hylian's with a different aesthetic. The 'alliance' between the races turns out to be built on Hyrule's first King and Queen pointing their stockpile of magical nukes at everyone and asking them politely to become their subjects, and pretending not to notice the implied threat that they'd magically nuke anyone who refused. In BOTW the Sheikah race being sworn servants of the Hylian royal family was acknowledged as a fucked up situation, and that power imbalance being horribly abused in the past was what created the Yiga clan. In TOTK, we're outright told that Rito, Goron, Zora and Gerudo all exist for the sole purpose of serving the Hylian royal family, and that is framed as a good thing and the proper way of the world; the first sign of Ganondorf being evil is that he refuses to submit.

And even putting all that super gross ancient past stuff aside, the present day is equally fucked. Hyrule has been gone for a century. In BOTW, few people even remembered that Zelda had ever existed, and of those people not many of them cared. Nobody was really interested in having a central government, they were all getting by just fine on their own. And again, it was made pretty clear that the pre-calamity situation had been an actively maintained collective alliance between independent nations. There was a reason that people were predicting that Hyrule's monarchy would be abolished in TOTK, and that's because we all saw that there was literally no reason for anyone other than the Sheikah to respect Zelda's authority as a ruler - the Zora were the only other people to still remember her, and they were completely done with the Hylian royal family anyways. If Zelda rolled up declaring herself the Queen of Hyrule anywhere else, she'd be laughed out of town, because that's the standard response to a random teenager showing up and informing you she was actually the highest authority in the land. Zelda had no inherent authority left at the end of BOTW, if she wanted to be in charge, she'd need to earn it. That's the state of the world that we were shown.

Except nope, nevermind, Zelda's the almighty God Princess of the world and literally everyone mindlessly accepts her ultimate authority. She can order people to strip naked and walk into a monster den to die for her amusement, and they would immediately do it without asking any questions (yes I know the underwear thing was a misunderstanding, but the fact that everyone jumped to follow the misheard order without a single question is horrifying). And the imposter Zelda arc just hammers home the point that Zelda is in a completely unearned, lifelong position as dictator of the world, and literally nobody cares if she abuses that power. Zelda brainwashed Yunobo and forced him to ruin his own business and nearly destroy his own people? He's just worried she'll be angry that the mask keeping him brainwashed was destroyed. Zelda summons a giant monster to attack Yunobo and Link then walks away? Oh my god, the giant monster Zelda just summoned to kill us might hurt her, we have to save Zelda from it! Zelda literally openly attacks King Dorephan and tries to murder him? He'd rather go missing in the middle of a crisis and suffer alone in hiding than let anyone know that Zelda just tried to kill him. I don't understand why they bothered with the fake Zelda arc, because literally nothing the fake Zelda does is allowed to have consequences.

It just doesn't make any goddamn sense. Nobody feels real anymore, there's no politics between the races, there's no reason for anything being the way it is now. The entire world of Hyrule has been reduced to just Zelda's Fanclub, and nobody would ever consider doubting her for a second. I don't understand why the fake Zelda arc is in the game, because it's never actually allowed to be part of the story. Nobody actually cares about 'Zelda' tormenting people, and so we're told that there is literally nothing that can possibly happen to make Zelda lose her authority. There's no stakes. We're not supposed to care about anyone who isn't Zelda, we're not given any real reason to care about Zelda herself, and so why the fuck are we still here?

...I've distracted myself a lot here lmaoo, I'm not really sure where I was going with all of this beyond just rambling about shitty writing and bad continuity. The point is, BOTW had some really good writing and worldbuilding. That Hyrule felt like a real place inhabited by actual people, and the different races were their own, independent people. When they worked together, it was a sign of them putting time and effort into reaching out to each other and meet on the same level. Meanwhile TOTK feels like it's made of fucking cardboard most of the time.

(Also for the record I agree that the Goddess statues being Literally Everywhere was kinda fucked, BUT I'm willing to let it slide as a matter of just game design; that's where you go to trade spirit orbs for upgrades, so you want a spot to do that in every major town for player convenience. And using different deities in different areas wouldn't work, because the players are introduced to the mechanic with a goddess statue; they're not gonna naturally assume that the statue of a giant fish can do that too, so most of them would assume the statue is scenery and just ignore it. I thought it was at least a nice touch that the goddess statues had different decorations in some towns, and that some towns put the statues away from the main areas; it gave the impression that while everyone while worshipping Hylia was widespread, everyone was doing it differently, and in some places it wasn't very popular - just look at the Kakariko statue being in the middle of town with a well maintained pond surrounding it and torches to draw more attention to it, then compare that to the Gerudo Town statue being down a side street on the edge of town, away from the main gate, with nothing of any real importance nearby, and nothing to get people's attention. It really works with the Sheikah's culture being built on their devotion to the Goddess, while the Gerudo's history with Hylia and her followers is a lot more complicated, and so their statue's location implies that worship of Hylia is pretty unpopular among the Gerudo.)

[theconstitutionisgayculture]

Why do you care so much about AO3? The fanfics in that place, most of them, are just as bad written and cringe as the ones in Tumblr or Wattpad. Most fanfic writers aren good writers, they can't write anything of their own so they climb to IPs that aren't theirs, mischaraterize the characters and plot to the point of acting completely different.

And when they get a job as writers or directors in the intertaiment industry (like Nia DaCosta in Marvel), they do a terrible job.

Because I disagree completely with your assessment of fanfiction and fanfiction writers and I don't think art should be censored. I also lived through the FFnet days of having your favorite stories disappear overnight because of the obtuse, unevenly enforced, and constantly changing content restrictions on that site. A place like AO3, that was founded to be a place where all content is welcome and protected, is rare and important. Increasingly so as time goes on and the "art is literally harming me" crowd gets more and more influence.

Most fanfic writers aren good writers, they can't write anything of their own so they climb to IPs that aren't theirs, mischaraterize the characters and plot to the point of acting completely different.

So, they're so uncreative that they need to latch onto established IPs because they can't think up their own ideas, but then they change those characters and plots to be something completely different than what they read? Interesting. Anyway, all art is derivative in some way. Depending on which analyses you want to believe, there are only 6-9 story types. Every single story falls within one of these types. You can sprinkle in genre tropes, anti-tropes, subversion, modern inventions, etc to make your own story more unique, but nothing is wholly original. So I don't consider that a valid criticism at all.

And when they get a job as writers or directors in the intertaiment industry (like Nia DaCosta in Marvel), they do a terrible job.

Now this I do agree with, but I don't blame fanfiction, I blame producers and studio executives and DEI policies. If the best person who applied was hired for the job, it wouldn't matter how many fanfic writers and Booktokers tried to get mainstream writing jobs, none of them would be chosen because objectively better writers would be hired. But when the studio policy says "you must hire a woman for this" and all the talented women are unavailable, and the applicants you get are a bunch of no name, no resume, women, but one of them has a built in following from their fanfic days, an executive who only cares about filling in a name on a hire sheet so the project can move on is going to probably pick the one with a following and hope that translates to ticket sales in the future. The entertainment industry as a whole is going through a massive depression right now, and exactly none of that can be blamed on fanfiction or fanfiction writers.

Fanfiction is a blessing. It's thousand of novel length stories written by people who like the same things you like, delivered for free on an easily accessible and searchable site. It lets you experience new interpretations of your favorite characters and stories, or lets you continue those stories as they might have been continued by the original writers. The quality varies, wildly sometimes, but you can pretty much always find something you like unless you just hate the entire concept of fanfic as a whole. Which is, of course, perfectly fine. But let's not pretend that we need to find objective reasons to subjectively dislike something. We can all just dislike the things we dislike, and we don't need a reason other than "I don't like this thing".

[kedreeva]

I generally stay out of any discourse but there's one thing I read that makes me feel like I'm losing my mind and since I've been in love with your Good Omens meta since season 1 I figure you might help me shed some light on the issue.

I've read in a post that Crowley only stops Elspeth from offing herself because Aziraphale inspired him to do so with his own attempts to save Elspeth's soul and I feel this is...canonically incorrect? Like, not ambiguous or free for interpretation but literally canonically incorrect. The point of the minisode was foreshadowing on Aziraphale's lack of...not understanding of but willingness to accept Heaven's cruelty. It's Crowley who always jumps in first to sace everyone: Siti when she's about to curse God, the humans at the ball, Maggie and Nina when Saraquiel wants to turn them into pillars of salt.

Am I losing my mind or is the take about Aziraphale being the reason for Crowley rescuing Elspeth absolutely not canon? Because I fear if it was, I'd thoroughly misunderstood Crowley's entire character. The whole point is that he is good, that he protects and saves the innocent, without having to be inspired or prompted to do it, right?

I'd be very much obliged if you could shed some light on that for me 😅

I'm gonna level with you, I don't know who Elspeth is, or have recollection of Crowley saving her, or whether Aziraphale did or did not influence anything. I watched S2 once and went "ah, it's not finished, no thank you. I will await the finish before I engage again" and set it gently and lovingly back down. Through this method, I generally avoid wank like whether or not Crowley was influenced by Aziraphale to do a thing I don't remember anything about to a person I equally may as well never have met.

But, if I may say this, you're allowed to have a different headcanon to someone else. Heck, you're allowed to have a different headcanon than anyone else. You are allowed to interpret canon in a complete 180 way from someone else, and can do so without worrying about what they think happened, because the characters are fictional and canon is merely a corpse whose pockets we rifle through for loose beliefs the moment we're finished consuming it. Make your own post about how you think it went, there are bound to be people who agree with you. Maybe you'll find them, maybe you won't. Won't know til you try.

Good luck out there friend!

[the-world-of-nai]

birth chart analysis: harry styles

today we are analyzing our air king, harry styles. i have noticed i've only been analyzing women so i wanted to switch it up. harry's chart kinda scares me, at least his big 6. anyways, let's get to it!

DISCLAIMER: this is just my interpretation of and opinion on his chart. it is not absolute truth, nor do you have to agree with it, but i'd like to hear your thoughts in the comments :) every sign has its shadow traits. i have aquarius and libra in my chart, but i will be pointing out the shadow traits of these signs. astrology is just for fun, not that deep. i feel the need to make this disclaimer as people are seemingly offended by some of my astro notes...

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sun in ♒︎, 11°

ah yes, the aqua sun. what is there not to love? the pickmeisha behaviour? the emotional unavailability? the know it all syndrome? LOL ANYWAYSSSS BEFORE ALL THE BUTTHURT PEOPLE COMMENT I WAS JUST KIDDINGGGGGGG (i am an aqua myself, okay? i'm allowed to make these jokes💅). so this placement makes harry a mercury influenced aqua (if u are dumb that just means he is an aqua with some gemini vibes sprinkled onto him). off the bat, we can say that harry is a humanitarian at heart. he wants to change the world and be known for some big innovation. he has a way with words. he likes to learn new things, but he is quite set in his own convictions. harry believes that he is smarter than most people, and he is probably right. developed aquarians are open-minded, but they are hardly wrong about things so their beliefs/convictions don't change much. the shadow side to this is (drumroll plz) KNOW IT ALL SYNDROME!!! with all that aqua in his chart, harry believes himself to be a genius but he is also above the school and education system. 2 cool for skool. did i mention how rebellious he is? harry is a stubborn person in general. he is either super traditional, or super liberal in his beliefs. he does not like to follow the crowd. he likes to come to his own conclusions on things and he has a dislike of sorts for those who cannot think for themselves. harry is eccentric, social, friendly, accepting of others, and a bit flighty if anything. he has some special snowflake syndrome for sure. he likes getting attention for his innovative ideas. he wants to be a pioneer of sorts. he likes to stand out for his uniqueness, so to speak. he wants to help the world and make it a better place. i mean, just look at his merch LOL. he wants to encourage people to be their most authentic selves, because he cannot imagine not living that way.

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moon in ♎︎, 11°

bro idk what it is with these celebs and libra moons! 3/4 of my analysis now have libra moons. it does add up though because libra moons value social status and luxury. harry is charming, emotionally aloof, attractive, and likeable. he is someone who does not like conflict. he values peace, harmony, and manners. MANNERSSSS. he is polite and sweet to people. he may be fake sometimes and pretend to like people who he doesn't like lol. he knows how to make others like/trust him and he can easily use this to his advantage (read: take advantage of other ppl after making them feel special and showering them with compliments!!). overall, he is very concerned with what is right. he will stand up to bullies, esp with that aqua influence. he likes fashion, luxury, status. he cares a good deal about his looks. he can be quite experimental/unique in his fashion tastes. he is not a very emotionally reactive person. it is rare to see him yell or get very angry. he is calm, cool, collected. a people pleaser at heart. he may have a strong conscience/gets guilty easily. he is indecisive on his feelings. he is a romantic and he longs to be in a partnership. he is very social and always wants to be around people because it energizes him, gives him meaning. the approval of others is important for his self esteem. without it, he may feel empty inside.

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asc in ♎︎, 28°

again, it is all about the MANNERSS with this man. he is so polite and charming. all smiles and compliments. a 'gentleman' so to speak. he is medium tall, beautiful smile, pretty boy. always well kempt and effortless beauty. quite aloof and detached when you meet him (and lowkey always cuz like he's all air). he is the type of person that u meet and u swear he was flirting with you, but then u see that he flirts with everyone LOLLLLLLLLL. he may be a hugger. makes people feel quite special. again, cares a good deal about his looks. to harry, meeting new people is like a game: how fast can i make this person like me???

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mercury in ♒︎

okay harry, we get it. you are not like other girls!! with mercury in aqua, harry likes to learn. he likes to write. he may be good at learning languages. he has a way with words, albeit a bit of a unique way. he is curious. he is fun to speak to. he may be interested in weird niche things like the occult, anime, poetry, etc. he likes to know about the world. could also be into debating and/or politics, esp with that libra in his chart.

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venus in ♒︎

more aqua, are we shocked?? taylor swift also has a venus in aqua,,, soulmates? so basically this means many things. harry treats his lover like his best friend. this can make his lover wonder if they're even special at all lol. to his loved ones, harry is generous, caring, friendly, accepting, understanding, and quirky. though he is non-committal and flighty as well. he values mental connection above all else. he wants someone who he can have good conversations with; someone who stimulates him mentally. he may be the type who is open to poly relationships LOLLLLLLLLLL or like sexual experimentation?? with all this aqua lmao. he has a very unique/eccentric sense of style.

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mars in ♒︎

harry does NOT CAREEEEEEE. he does not get mad or vengeful, he is a just a go with a flow dude who wants to have a good time. harry does not hold grudges either lol. again, he is rebellious and marches to the beat of his own drum. he does not like to be told what to do. he honestly could not give less of a fck what other people r sayin. he has his own methods when it comes to getting his projects done. his work ethic is: i will work when i feel like it! and if u tell him to work, he is less likely to do it because it triggers his aqua rebellion instincts.

anyways it's kinda hard to elaborate further cuz this man is just an aquarius through and through LOL.

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thank you all for reading! lmk your thoughts below. who should i do next??

[resonancewitness]

Reading (into) xz's vlog from Milan (part 1)

First of all, I am interpreting this vlog as a statement/ message from a person who said at least once that he would be scared/ annoyed/ disappointed if he was perceived as only a pretty face. Or a clothes rack, I would assume; all excellent exterior and no substance.

A person who wants to be appreciated for the efforts he makes in trying to understand the characters he portrays, — that also means effort in understanding people in general better, — the efforts of empathy and the efforts that result in exceptional regulation of embodiment and emotional expressions, which allows to touch people’s hearts, transport them into a different position in their inner journey, invite them to become better people, transform them, entertain them, bring them joy, and possibly even heal them. Give them access to meaning, hope, and persistence.

A person who is not just an _object_ of adoration, pursuit and attention, a means to the end of somebody’s profit-making, but a subject, a human being with his own personal feelings, principles, values, choices… and boundaries. 

A message addressed, I would say, “to whom it may concern”, to the best and deepest meaning of the word “concern”. A message into which time, effort and careful thought was put in, and makes sense to put time, effort and careful thought into reading it, which I will attempt to do. Even if I don’t manage to receive the exact meaning that was put in, I am showing up and making an effort of understanding. This vlog is a piece of art, and as any piece of art, it resonates with people differently. 

I will first give due attention to the symbolism of a coin-shaped token, that is either running across the showed scapes on its edge, or being tossed like a coin. There is no difference between “heads” and “tails” sides, therefore it is not a coin.

This is important, because a coin toss when there is a difference between “heads” and “tails” is a way of making a decision in a situation when the two existing options are equally unpleasant and the result does not matter much, or a person just feels very tired and confused to make a good decision in a different manner. But a token that does not have “heads” or “tails” implies the futility of decision-making in a situation where there is no choice. The protagonist tosses the token and looks at it, but it makes no difference, there are no alternatives to choose from. 

The token first appears when the protagonist boards the train that travels through the sky. The token falls, the clock is ticking. A token nowadays is usually a means to either enter some form of public transportation, or to switch on a gaming machine like “grab a toy”. 

For me the symbolism of a flying train is about the “traveling between worlds”, “slightly psychedelic or magical experience”, and also “time when you are a passenger and the speed and direction of your travel does not depend on you”. I can’t tell for our protagonist, but for me travelling by plane is always an experience of “shedding my responsibilities at least for a while”: no matter what I do or how I do it, unless i do something completely outrageous, it is not going to influence the movement of the plane. I can’t fulfil my usual responsibilities while on the plane. So it is a form of mental rest and relaxation, some form of surrender: “nothing is in my power at the moment; I need not try to fix things; I can let go”. 

Our protagonist is — blissfully? — alone in the carriage; he does not look particularly blissful, neither in reality on the plane he would be alone. But no one interacts with him, nobody mobs him, stalks him or presses on him from all directions. And even if the noise on the plane and the stress don’t let him sleep, it is still an experience of having space for himself. 

The token starts rolling on its edge when the protagonist is almost asleep. For me the metaphor of “on edge” is significant here. The token can only roll along while it is capable of maintaining its balance. You get to participate in what you want, be it travel or a game, if you keep your balance, move at the necessary speed for doing so, and navigate carefully… but the flip side of this is that you are on edge. 

The train-plain lands, the protagonist is shown holding a camcorder. He is not just the object of other people’s gaze. He looks at things himself, choosing how and to what he is going to pay attention. What experience to preserve and remember is his choice. We see some of the views he pays attention to. The token rolls by him on the floor. It is getting dark. The atmosphere and the pose of the protagonist gives a message of profound exhaustion. The token, against the laws of nature, jumps up from the floor onto the table and is caught by the protagonist. This balancing on edge needs to stop, I am stopping it. 

(to be continued)