#the world of king arthur

[hanzajesthanza]

women, magic, power... grail

andrzej sapkowski interviewed 2000 / lysistrata, illustrated by norman lindsay / mother goddess, wikipedia / seated woman of çatalhöyük / tower of fools / cybele / świat króla artura / hecate / tower of fools / catholic mariology, madonna of the rose bower / pietà of the lubiąż abbey (lower silesia, poland) / warriors of god / samson and delilah, master e.s. / the last wish / the vampire, by philip burne-jones / tower of fools / sir galahad receives the holy grail, edwin austin abbey / świat króla artura / lady of the lake

[terf/radfem DNI]

[revoevokukil]

Sapkowski the Pagan: The Grail & The Goddess

Andrzej Sapkowski and Stanisław Bereś. 2005. Historia i fantastyka

One of the more fascinating features of Sapkowski's writing is the intertextuality of his works; their relation not only to preceding legends and fantasy, but also to his own works. There are several topics and ideas that repeat, in various shapes, throughout. As I am going through the Hussite Trilogy right now, I am taking notes.

Among his works I herein count The Witcher, The Hussite Trilogy & The World of King Arthur. Maladie. The latter must constitute the closest we have gotten so far to authorial research notes on ideas of interest.

The ley lines (so far):

Humanim, i.e. decency

(Erotic) Love's salving & dooming qualities Amantes amentes. Those who love are out of their minds. Take heart. Have pity.

Woman, the Grail of being

Fairy tales brought to life (but there's a snag)

Prophecies/Grand narratives

Folk stories & beliefs

Witchcraft

The Cult of the Goddess, the Great Mother, The One who is Three

The perishing of the old (but not quite disappearing) & the brutal onset of the new. Change and upheaval.

Common sense vs idealism vs pragmatism

Anti-taxes, anti-clergy

Anti-fanaticism

The Grail & The Goddess

"For the Goddess has many names. And still more faces."

First, Andrzej Sapkowski construing Ciri as The Holy Grail is documented. It's not merely conjecture based on the text(s), although the text overwhelmingly declares it.

Cutali, Daniele. 2015. Interview with Andrzej Sapkowski

But so what?

The Witcher is an extremely allusive and meta-literary work. It deconstructs mythical matter and fantasy canon in the same breath as establishing itself in the eternal mythical present of legends. It completes itself as a self-aware analogue, because everything has already happened, and everything has already been written about. And Ciri - Cirilla Fiona Elen Riannon - sits at the centre of its method and madness; not only the axis of plot events, but also the spindle of its meta text. It's apparent already in her name. O Elaine, O Rhiannon. All Christian legends have a pagan origin. This Polish newborn has Arthurian origins. And Arthurian itself…?

In The World of King Arthur, Andrzej Sapkowski gives his account of the Arthuriana's transformation through centuries of re-writes. It is self-evident for him that for anyone to understand anything at all about Arthur, they need to orient in the history of the British Isles and in Celtic mythology.[1] Arthur was, in all probability, a Celt. And so was the Grail, if not even more ancient. 'The Grail - like almost every element of the Arthurian legend - has its origins in Celtic mythology. This is absolutely certain and has been confirmed many times,' he writes in Świat króla Artura. So what did Arthur believe? What views and values lay at the heart of the world in which he originated? Why is this relevant for a more meaningful reading of The Witcher?

Because the world of the Celts, as so many pre-Christian cosmologies, was a living world - an animistic, self-eating and self-renewing entity, cyclical, circular, without beginning or end, embracing life out of death - and Ciri is a living Grail. Ideas repeat in Andrzej Sapkowski's writing.

Ciri, a living Grail. A girl. A young woman. A Goddess. She who is Triple. A source of rebirth and hope, of death too. Strange magic is enclosed in her veins, as in Ceriddwen's Cauldron, that is of the essence of life. Cauldrons abound in Celtic mythos (be you Dagda, hero Cuchulainn, Brân or Pwyll, you got your hands on a cauldron eventually). But Ciri does not need to be rendered an artefact in order to hold power, because… she is a woman. That alone is enough.

Sapkowski's appreciation for compelling female characters should be well-known.

Sapkowski, A. 1995. The World of King Arthur. Maladie

'Celtic mythology,' Sapkowski notes in Świat, 'is mainly about the love life of the gods.' Gods fighting, scheming, and transcending themselves for goddesses. It's called the oldest story in the world; girl meets boy. But that's not quite the beginning of it: in the beginning, we're all born to a mother.

The Grail's functions and characteristics are notably maternal and feminine, and the mystery and nature of the Grail's power is love.

Sapkowski, A. 1995. The World of King Arthur. Maladie

Great, White, Triple

Who? And what features?

The ability to provide food is the property of the Grail most often referred to. Nourishment. Revitalization. Mother is the only parent who may truly feed her child with her body. Or give birth. The Chalice symbolically representing the "Womb of the Mother" is a very old idea. Old and basic. The most basic. Bernard of Clairvaux even calls upon Mary, saying: "Offer your son, sacred Virgin, and present the blessed fruit of your womb to God. Offer the blessed host, pleasing to God, for the reconciliation of us all" (qtd. in Bynum, 268). But we'll talk about the role of Christianity and symbolism another time. For first, we are pagans.

"Drawing from various sources, I assumed that – although I am not a blind follower of this theory – the feminine element dominates in nature. If there is any cult not related to politics, it is the cult of the Great Mother, the Goddess. The belief in the male God, Yahweh, worshiped by Jews, had a political character – Yahweh was invented because he had to be invented to maintain certain social structures. For primitive people, the mysterious, divine element was exclusively femininity, the ability to give life. However, I emphasize that I am not defending these theories from a religious studies standpoint; they simply resonate with me." - Andrzej Sapkowski and Stanisław Bereś. 2005. Historia i fantastyka

This idea that resonates with Andrzej Sapkowski so strongly as to appear in virtually everything he has written was re-kindled as an ideology by the neo-Celtic, neo-pagan Wicca movement (Gardner, Murray, Starhawk, et al). Foundational text: The White Goddess by Robert Graves. The idea precedes the Celts though, and, at heart, revolves around nature and man being inseparable.

Ceridwen is one of the forms of the Celtic Goddess, and her cauldron is the womb-cauldron of rebirth and inspiration. In early Celtic myth, the cauldron of the Goddess restored slain warriors to life. It was stolen away to the Underworld, and the heroes who warred for its return were the originals of King Arthur and his Knights, who quested for its later incarnation, the Holy Grail. The Celtic afterworld is called the Land of Youth, and the secret that opens its door is found in the cauldron: The secret of immortality lies in seeing death as an integral part of the cycle of life. Nothing is ever lost from the universe: Rebirth can be seen in life itself, where every ending brings a new beginning. Most Witches do believe in some form of reincarnation. This is not so much a doctrine as a gut feeling growing out of a world view that sees all events as continuing processes. Death is seen as a point on an ever-turning wheel, not as a final end. We are continually renewed and reborn whenever we drink fully and fearlessly from “the cup of wine of life.” - Starhawk. 1979. The Spiral Dance

Nature's heartbeat resounds in reincarnation through reproduction. The gentle fury of love.

“Listen to the words of the Goddess, whose arms and thighs are wrapped around the Universe!” called the shaman. “Who, at the Beginning, divided the Waters from the Heavens and danced on them! From whose dance the wind was born, and from the wind the breath of life!” “I am the beauty of the green earth,” said the Domina, and her voice was like the wind from the mountains. “I am the white moon among a thousand stars, I am the secret of the waters. Come to me, for I am the spirit of nature. All things arise from me and all must return to me, before my visage, beloved by the gods and mortals.” “Eiaaa!” “I am Lilith, I am the first of the first, I am Astarte, Cybele, Hecate, I am Rigatona, Epona, Rhiannon, the Night Mare, the lover of the gale. Black are my wings, my feet are swifter than the wind, my hands sweeter than the morning dew. The lion knows not when I tread, the beast of the field and forest cannot comprehend my ways. For verily do I tell you: I am the Secret, I am Understanding and Knowledge.” "Worship me deep in your hearts and in the joy of the rite, make sacrifices of the act of love and bliss, because such sacrifices are dear to me. For I am the unsullied virgin and I am the lover of gods and demons, burning with desire. And verily do I say: as I was with you from the beginning, so you shall find me at the end." Sapkowski, A. 2002. The Tower of Fools

It is for this reason the Irish recorded so many songs of aitheds - motifs of female abduction. It is for this reason one of the earliest legends of the search of the Grail is the tale of the hero Culhwch's quest for the hand of Olwen, who, wherever she stepped, made four white clovers bloom under her feet.[2] It is why Ciri, the living Grail in whom the function of the Goddess has been doubled, finds herself in a double-bind; as the keeper of power and immortality she is more frequently seen as means to an end rather than an end in herself. Not unusual for any failed relationship where the parties confuse love for something else. And while we are confusing notions of erotic and spiritual love, the Question of the Grail which must be asked of the Fisher King, undoubtedly, still comes down to a question about love.

Sapkowski, A. 1995. The World of King Arthur. Maladie

Celtic mythology is about the love life of the gods. The longing for a union; that completes. That turns the wheel and closes the cycle. That revitalizes, heals, nourishes, allows for flourishing. That immortalizes; if not oneself, then at least a moment. And what is life but fleeting moments, grains of sand passing through an hourglass?

Sapkowski, A. Something Ends, Something Begins

It can get confusing. The Goddess has many names and many faces, and three aspects.

Sapkowski, A. 1995. The World of King Arthur. Maladie

As to the inherent eroticism of the Grail, well…

Sapkowski, A. 1995. The World of King Arthur. Maladie

He wanted to tell her everything, but the words stuck in his tight throat. She saw it. She knew. How could she not? For only in Reynevan’s eyes, stupefied by happiness, was she a maiden, a trembling virgin who was embracing him, eyes closed and biting her lower lip in painful ecstasy. For any wise man—had there been one nearby—the matter was clear: she was no shy and inexperienced young lass, but rather a goddess proudly receiving the homage due to her. And goddesses know and see everything. And do not expect homage in the form of words. She pulled him onto her and the eternal rite began. - Sapkowski, A. 2002. The Tower of Fools

Sapkowski's interest for the fates of men in the power of the Goddess is only surpassed by his hope for the triumph of common sense and humanism. And the mystery of the Grail - what unleashes its power? - is of both sexual and platonic variety. Humanity is important. Heart. As in Wolfram von Eschenbach's Parzival. As per Campbell: 'The big moment in the medieval myth is the awakening of the heart to compassion, the transformation of passion into compassion. That is the whole problem of the Grail stories, compassion for the wounded king.' [4]

Thanks to Ciri, the story of Geralt of Rivia - a grail knight who set out with his hanza in search of a dream - is ennobled and raised on par with King Arthur. It is Yennefer and Geralt's love and compassion and sacrifice for Ciri, which ultimately heals them. An echo of love for his daughter melts the ice shard in the heart of an Emperor. The mystery and nature of the Grail's power resides in love.

"Love has many names,” said Hans Mein Igel suddenly, “and it will determine your fate, young herbalist. Love. It will save your life when you won’t even know that it is love. For the Goddess has many names. And still more faces.” - Sapkowski, A. 2002. The Tower of Fools

By the end of The Witcher, Ciri's journey as the Goddess has barely begun. And what has begun has begun traumatically. Her journey to know herself, to find, forgive, understand, and accept (or reject) the Grail within, has not yet dawned. She remains in a liminal space between the Maiden and the Woman after having, already and much too early, worn the guise of Death, the Crone. The author doesn't tell; he lets the reader wonder. For before Ciri is everything. But Grail, the Goddess, requires something, and also empowers with what she requires.

Sapkowski, A. 2002. The Tower of Fools

Love leads spring into the Waste Land of the human heart.

Love, compassion, willingness to suffer with and for another, readiness to transcend one's own pain, selfishness, and rage. For three things last forever: faith, hope, and love - and the greatest of these is love.[3]

-----

[1]: Sapkowski mainly used Mythology by Thomas Bulfinch, Celtic Myth and Legend, Poetry and Romance by Charles Squire and Mabinogion. [2]: In order to marry Olwen, Culhwch must take her from her father, but Ysbaddaden will first set him on an endless quest; a list of long and laborious tasks. In the name of a woman. [3]: Or, as The Tower of the Swallow renders it: 'Are, then, Chaos, art and learning according to you, the Powers capable of changing the world? A curse, a blessing and progress? And aren't they by any chance Faith? Love? Sacrifice?' [4]: Campbell, J. 1991. The Power of Myth

[tiredcowboyy]

is there any fics from the last ep of merlin where when kilgharrah says “no man, no matter how great, can know his destiny” merlin just flips the fuck out

Like kilgharrah would say it and merlin would just be like

Merlin: no- NO MAN CAN KNOW HIS DESTINY??? ARE YOU FUCKING KIDDING ME??!???! oddly enough I remember a million times you SPECIFICALLY state mine or arthurs destiny so what the FUCK do you mean by that huh??? You didn’t consider to mention this early on???!? ARE YOU KIDDING ME RN???? man this is why I should have NEVER listened to a stupid fucking dragon omd ‘no man can know his destiny’ FUCK YOU???

Like hes so overwhelmed and sad about losing his best friend and thinking hes failed his lifes mission just for this THING to say “welp idk couldnt have seen that coming, its silly to think you can know how the future will play out”

Like I knowwww that was his last straw

[ambriel-angstwitch]

Merlin: You really put aside everything and came all this way for me? How did you even get here so fast?

Elyan: Several traffic violations.

Arthur: Three counts of resisting arrest.

Gwaine: Roughly thirteen cans of energy drinks.

Lancelot: Also, that's not our car.

[apk02]

Okay but let's look at it from Arthur's point of view.

He's an arrogant prat and then this twink comes into his life and makes him rethink every decision and his way of thinking. He starts to loosen up and make real relationships with people.

Then he is betrayed by his father. His sister. His uncle. And let's face it. His girlfriend. Because this is Arthur's view and he doesn't know what is going on behind these betrayals.

He doesn't know his sister was his sister or had magic. He didn't know when she turned on him. And he loved her and cared for her. And she's standing there giving that evil smirk and blaming him for everything and the poor sod doesn't even know how this came about.

Then he sees his uncle whom he trusted despite everything with a sword in his hand and he doesn't even know where he went wrong or what he did to get in this situation.

Then there was also his girlfriend who he loved with all his heart. And she went ahead and kissed Arthur's knight who he had chosen. The knight who represented the biggest change that had come in Arthur because he was the first knight Arthur chose.

And despite all this, he forgives and loves and still trusts people who come in his life.

And then there's a new knight who represented the growth and prosperity of Camelot. And let's face it, Arthur was not wrong in killing Kara. He gave her a trial and heard her side. But this knight then betrayed Arthur and stabbed him and went to the sister whose betrayal Arthur still had not come to terms with.

And then the twink. The best friend. The one constant in Arthur's life lied to him. About a core part of him. And the first reaction Arthur has is that 'he would know'. That despite everything, Merlin was someone Arthur knew. And yet, all it took was a little time and some stilted conversation to overcome one of the biggest fears of his life. Magic was something that had disrupted his entire life and yet, all it took was this one peasant having it because that's the kind of person Arthur is.

Arthur trusts and loves and gives it his everything. But he also forgives and grieves and blames himself more than he blames others. Even if he had no fault in it. He is resilient and stupidly brave.

'I want you to always be you' will stay with me forever because despite not knowing about the magic, Arthur did know Merlin. Arthur knew what Merlin needed. And he has come a long way from an Arrogant Prat to becoming the Once and Future King.

[arthurpendragonsass]

yk there's a lot of talk about the way merlin is practically a god but lives as an unassuming servant, and seeing this surprises druids/other magic users. i wanna see kind of the same thing happen to arthur with the people of his kingdom. we know arthur so intimately, from merlin's pov, but i wanna see him as a living legend. stories of his valor spreading across land, blown out of proportion and missing details. “the prince slayed the great dragon and gifted its head to the king!” “some say the goddess blessed him when he was born, when she took the queen back. how else does one survive an attack by a questing beast?” “he held out his hand and the sword stuck in solid stone flew to him! iwan says meredith’s aunt saw it herself!” “the word has come, king arthur defeated annis’ champion—a giant of a man!” old men discussing arthur’s policies, comparing them with those of previous rulers, and being glad that it's him on the throne “finally, a good fucking king.” people having faith that their ruler is generous and fair and can be approached in times of need, and having the comforting knowledge that he would do his best to help because that's what he did with the other village last year! young boys dreaming to join his army and young girls daydreaming about a fairy tale ending with him (or vice versa, obv). just... arthur of his people.

what I'm saying is i want an outsider pov character study of arthur pendragon king of camelot. hope that helps

[glitterghost]

Please, I just need a 2023 version of Colin Morgan and Bradley James singing to You're the Voice.

[hoarder-of-dragons]

Arthur: Camelot is my very essence. Okay, and as I climb the ladder to lead a prosperous kingdom, I want you there right with me.

Merlin: Next to you?

Arthur: Behind me. That's how ladders work.

Merlin:

[dailyfigures]

King Arthur ; Eiyuu Senki - The World Conquest ☆ Gift

[regulusrules]

Ranking the best 10 Merlin episodes + a fic rec based on each one:

(absolutely not based on how gay they were) ((no order for the eps; they're all chef's kiss)) (((last two fics have a hold on me that levels the show itself; worth scrolling for)))

1. The Poisoned Chalice

Look. There is something just absolutely entrancing about introducing this episode in the first five of the entire show. Like, this hands-on was the sole reason everyone fell for those two idiots. It beautifully captured how the saving each other thing is reciprocal, because the first three episodes you just have to watch Merlin run around saving Arthur, never the reverse. Producing it early on in the show was the decision that, in my opinion, held everyone in their chokehold for eternity.

Fic rec: you are my favorite mistake (it can only be fate) by @multifandom-jess.

2. The Death Song of Uther Pendragon

I could go on and on for how this episode singlehandedly carried s5 on its shoulder. Like, okay I unfortunately love s5 with all my fucking heart, but this episode was perfect. Ghosts? Check. Banter? Check. POETRY?? Check check. A slap to Uther's face? Oh how beautifully checked.

It's so easy to recall how Arthur truly loved his father, but in this episode, the turmoil you see in his eyes from the actions of his father and how he resorts to saving the ones he loves (Merlin) over his father, is just too beautiful to be overlooked. Ever since Arthur became king, we see him struggle from his father's legacy. But in this episode, he begins to detach both consciously and subconsciously from him. Whether it's in his decision to save the old sorceress in the beginning, or to shun Uther's ghost, both the literal and the figurative, from his life any longer. This was one of the episodes that captured the true essence of King Arthur.

+1: the innuendos of this episode were 🤌. They knew what they were doing, you can't convince me otherwise. (are you threatening me with a spoon? / I'm teaching him some poetry.. he can't get enough of it! / what was that? h-horseplay. why don't I show you?)

Fic rec: My heart is readily yours by @regulusrules. (absolutely love how after all this introspection, i decided to throw it all away and made uther stab merlin in the fucking heart instead. but still it was my honourable attempt to shit on the finale and give them the happy ending everyone deserved).

3. The Sword in the Stone pt. 2

OKAY. This episode! Aside from how badass Merlin was in both pt.1&2, but here, especially in the part where us audience were impatiently waiting for the revival of the sword in the stone, there could've been nothing more perfect. Just like their adaptation of the round table scene, this was perfect in its own way for how different it was. They didn't make it so that people will finally find a king; they made it so that the people believe in their king. And more than that, for Arthur to believe in himself. With the estrangement and losing his crown, the writers gave him the best way to re-establish his inner glory. And Merlin being this guide; what more perfect culmination to their relationship?

You have to believe, Arthur.

Iconic.

Fic rec: Couldn't choose between Only Friend by @captain-ozone, and Fathom Me Out by @supercalvin. Brilliance ahead in both of them, I tell you.

4. The Eye of the Phoenix

Magic. Gwaine. Quests. Need I say more to explain that this was the show's holy trinity?

Fic rec: From Past to Present by flowersheep. (Prince Merlin. Archer Merlin. Perfection my friends).

5. A Servant of Two Masters

Look look; if there's an honourary wall of opinions for all the people who've watched Merlin, I DARE you to find just one who disliked this episode. Like, the series was so full of BS sometimes, but this episode was above all. The level of brilliance in this episode; showing Dark!Merlin, who's at the same time hilariously funny, and seeing him BAMF his way with Morgana, even when he's chained and tortured.. oh dear holy Lord. His "do me a favour, could you? let Arthur know." was able to steal all breath from my lungs the first time I saw it (and until now).

And don't get me started on the Protective!Arthur we got. Caring for Merlin, screaming for him when the rocks fell between them, silencing Agravaine immediately when he told him he's sorry for losing such a loyal servant because bullshit if he doesn't reign down hell before he loses Merlin. And ofc, Courage and Strength on their way to find Magic, which just filled my heart with an 'aaahhh!' moment, because we didn't get enough Gwaine-Arthur-Merlin shenanigans. And at last, the Hug™. Fucking screamed let me tell you.

It is an episode that truly showed everything; from comic elements to fluff and angst and everything. The only thing it lacked was, as always, giving Arthur the space to know. Because ffs what would they have lost if they made Arthur understand that Merlin's under Morgana's control? It wouldn't have exposed shit. It would've just been a plus to us to see Arthur caring for Merlin even more. They tried so hard that it completely backfired sometimes.

Fic rec: Still I Surface in Morning Light by @queerofthedagger. (I swear to you, anything written by this author, I readily throw whatever in hand to read it).

6. The Dragon's Call

Let thy gif caption speak.

No but really, that first episode was the stuff of legends. I could list down tens of tropes they did in just that episode alone. Honestly, no "family" show I've ever seen had started this powerfully. Just the music alone, the beauty of beginnings, not the CGI, was truly so gripping. Also bonus points for just Colin Morgan's sass abilities. None can compare.

Fic rec: This Time Around... series (incomplete) by Oneiric (lkdaswani). (this is a time travel AU, but the way the writer rewrote this episode was one of the best deviations I've read for an episode I already find near faultless).

7. The Sins of the Father

I might be subjecting myself to true wrath with my upcoming statement, but here we go:

S2 sucked.

From the beginning of the season, Arthur's shift in characterization from the honourable lovable prat of s1 to a letting Merlin act as a horse stool got me going wtf? It was like they deliberately ruined everything in their relationship and started out fresh just to force the Arthurian narrative of Arwen. And it's fine by me, truly, even if I'll never ship them, but they could've developed Arthur's character SO MUCH in that season beyond comic relief and romantic rendezvous.

Anyway so that I don't stray so much from the topic; this episode was, by fair comparison, the best in the entire season. By now it's pretty obvious that I gravitate towards all the episodes that give Arthur a semblance of agency. Him going against Uther and his maniac murderous agenda was the start of actually seeing King Arthur in front of us. Also, him listening to Merlin when he was on the verge of committing patricide was one of the things that gave me hope in how there's still hope in them. Even if they ruined it with making Merlin lie to Arthur, but the writers practically ruined every good episode with this.

+1: Morgause's intro was badass.

Fic rec: The Sins of the Father (and how to right them) by @cupcakezys. (what we deserved. to see arthur with agency, with an ability to decide for his future without being lied and deceived to).

8. Diamond of the Fucking Day

No matter how much I hate this episode, I can't, in good conscience, deny its hold on my heart. As I wrote before, there could've been no better magic reveal than this. And for all of my bitterness over their decision to kill Arthur, I sanely admit how it was a decision that insured the immortality of this fandom. It's been ten years since that episode aired, and I bet my ass off that it will still feel the same even after countless more decades.

Fic rec: literally the entirety of the fandom's fix-it fics. We all started from there, didn't we? Choosing only one would be so undervaluing to all the brilliance I've seen. However, my tags filter for it usually include: fix-it, angst with a happy ending, court sorcerer merlin, shitting on bbc writers 101, canon era, not canon compliant, everybody lives especially king arthur you mfs.

9. The Wicked Day

Throw me from the highest tower there is because every time I remember this scene, I just want to fade into the light. The sheer level of love and understanding shimmering between those two. Sometimes I marvel at the choice of bringing Colin and Bradley together, because no two could have achieved such chemistry, platonic or not, as those two did. This whole episode of showing Arthur's grief, and Merlin's desperation to heal it, was truly unforgettable. I try not to linger on its ending, Arthur denouncing magic for the millionth of time, but other than that it was a gem served to us on a silver platter.

Also seeing Uther finally die was a plus.

Fic rec: As much as I'd love to recommend my own fic for this, but honestly, whenever I get the chance, I will always take it to scream and wail about one of my absolute favourite fics of all time, which really isn't given ANY of the goddamn credit or attention or kudos it deserves. Beauty in the Ashes of Our Lives by Fulgance. I swear to you, you will never read something as beautifully heartbreaking as this. This fic resides in my mind rent-free. Basically any work by Fulgance is amazing, but this fic— oh God, my heart cannot take it sometimes.

10. Arthur's Bane pt. 1

Fuck, that episode was a masterpiece. You know, if it was all in my hands, I would've magic revealed at this particular episode. It was just.. the perfect opportunity. King Arthur in his glory, beginning of the season, enough time for Arthur to fully understand the depth of what Merlin did for him. Also, the range Arthur was given starting from here; God it's what we deserved. I always blame the writers for being inconsistent with his characterization (s2 and all), but they beautifully crafted it in the end, and it was their perfect chance to even explore the whole extent if only they made the magic reveal earlier.

Fic rec: Our broken pieces by @aramblingjay. Okay so this fic rec isn't necessarily linked at all to the episode, but I can't, in good conscience, recommend fics and not include it. Technically context wise it fits s5, for in it you see Arthur in his grandeur as king. This shall be my only exception because it's the only fic that was able to make me cry. Truly, I never shed tears, but in this, my heart stuttered. The fact that it is so unnoticed makes my blood boil because of how much praise it deserves. I can never recommend it enough.

To conclude, BBC Merlin has a powerful hold on everyone because of the fact that they knew how to eternalise it. It is significantly unique in its interpretation of legendary figures. I think I watched nearly all adaptations of King Arthur throughout the years, but even with how great some really are, to me none compare with this sword-swishing, banter-driven, CGI-messing, emotionally-killing 2008 show.

Honorary mentions:

| The Labyrinth of Gedref | Gwaine | Le Morte D'Arthur | Lancelot | The Coming of Arthur | The Moment of Truth | The Hunter's Heart | His Father's Son | The Darkest Hour |

[Short fic recs]

[Long fic recs]

[lilsjames]

MERTHUR WEEK 2022 | DAY 2 For the prompts “What does Merthur represent to you?” and “Orange”

[hanzajesthanza]

people getting into the witcher without expecting intertextuality with the fantasy canon

[revoevokukil]

Crevan ESPANE (???) aep Caomhan Macha. But what if... Iberian elves?

Neolithic populations of the British Isles reveal genetic threads leading to present day Northern Spain and Portugal. Of particular interest, in relation to the later Celtic culture (6th century BC) then would be the Celtiberians.

The oldest identified population of the Islands belonged to the same group as the Greek Pelasgians or the Italians Etruscans. Anglo-Saxon historians call this mysterious people Iberians, because they are believed to have come from the Iberian Peninsula. It is not known from where they came to the Iberian Peninsula, when they landed in the British Isles and whether they found and conquered any indigenous, ancient races there.3 The Iberians did not leave many traces of themselves in the Islands (if, of course, we do not count the Stonehenge and New Grange), which leads to the conclusion that they did not develop like the Etruscans, but remained at a rather primitive level of civilizational development until the arrival of the Gallic Celts (around 6th century BC), an ethnic group of particular interest to us. Part of the indigenous primeval population of Britain (the alleged Iberians), survived, however, they did not integrate with the Gallic Celts and were not conquered. These were the tribes that inhabited the wild, inaccessible highlands and mountains in the north of the Island - Albany, which is today's Scotland. These northern tribes, as we will see later, defended themselves against foreign pressure very effectively and for a very long time. - A. Sapkowski, The World of King Arthur

Truthfully, this is not meant as elves = Celts. Or that elves = Iberians. It is merely to repeat: elves are migrants. A wave of migrants shrouded in myth and dreams, who - by mixing history and legend - would have given Celts many of their deities, places of worship, and culture (possessing similar language, traditions, cultural mores/taboos, etc). Strange folk, who arrived one day in their white ships, only to - in time - forsake these shores just as suddenly; leaving behind an ubiquitous mark of their presence. If you were Irish, then you might have called them Tuatha Dé Danann - Tribe of gods, or, later, Children of the Goddess Danu. If Welsh, then Ellyllon, or Tylwyth Teg, the host of Annwn. If Scottish, then Aos Sí, Sidhe.

The British Islands, as we call them today, were exceptionally lucky in terms of the people living there. They have been visited over and over again since time immemorial. After defeating the indigenous population, the invader quickly became an "aboriginal" only to be defeated and conquered by someone else who became an "indigenous" again, and so on. Thanks to this, it is not known who was the "real native" there. I mean, it wouldn't be known if it weren't for myths and legends. - A. Sapkowski, The World of King Arthur

Making Espane in Avallac'h's name a homage.

Everyone has the right to some roots. Even legends.

---

[3] "Quite recently, a Bulgarian philologist, on the basis of a study of the Hittite and Etruscan languages, proved that these languages derive from a common root. The Etruscans, the Bulgarian continues, are the people who came to Italy from Asia Minor. To be precise, it is none other than the Trojans of Homer and Virgil. And if the Etruscans and the British Iberians are related, the legend of Brutus, a descendant of Aeneas unexpectedly shows us its second bottom."(Sapkowski, A. The World of King Arthur)

Sapkowski is herein drawing the connection between the settlers of the British Isles and the exiles of Troy.

My second favourite theory comes from @lladmie

[multifandomsbabe]

Merlin AU: where everything is the same but Merlin (and only Merlin ) curses and every time he does everyone( especially Arthur) looks at him like he’s an alien. And then Gawain shows up and he too can curse and he receives the same reaction every time

[geekysteven]

[dailydccomics]

Aquaman by Riccardo Federici Titans: Beast World Tour - Atlantis (2024)