I finally finished reading the fourth volume of svsss in full, and thing is--the first time through I only read the bingqiu content because I was ravenous for more of their happy ending.
Turns out that was a perilous mistake.
Because I started reading the airplane extras. And I swear to god. MXTX is trying to kill me
What do you MEAN demon lord Binghe was sitting on his big fucking throne. All stoic and forbidding. Surrounded by his demon generals who don't know shit about human courtship. Asking them what he should do, fully demoralized by constant rejections from sqq, only to have airplane tell him to act more pathetic and needy. Which is already hysterically funny and insane, UNTIL LBH'S RESPONSE IS THIS, KILLING ME INSTANTLY:
LUO BINGHE. WHY DOES HE SAY IT LIKE: "I already tried that, didn't work--nothing works :/ not mean, not maidenly, not housewife, not spicy, not capable disciple. Is doubling down on clingy really all it will take? What's a born hater with only one love in his life to do????"
The dichotomy of him sitting there like 'how can I reach the unfathomable depths of shizun's heart?' A HEART HE'S ALREADY WON OVER, MIND and then in the Holy Mausoleum solving the puzzle without blinking and being like 'oh yeah you just have to hit the acupoints, no sweat.' Literally the comedy writes itself I'm so--
How am I supposed to be normal about this. MXTX understands the juicy quintessential queer joy of a person with the world's power at their fingertips wishing only for love. Willing to do anything to earn that love, when unbeknownst to them it's already been freely given. Totally not screaming and yelling and clawing at the walls
And that's not even touching airplane's uproarious account of events. The way he's like 'lol what's next, lbh and sqq are best friends now? smfh' only to see lbh TACKLE SQQ LOVINGLY. FOR SQQ TO BE BASHFUL ABOUT IT BUT SO SO FOND OF THE LITTLE SCAMP. This when we've been experiencing sqq's constant inner monologue of 'I'm so cool and so dignified about my role, truly the epitome of propriety and poser-level fortitude.' Meanwhile, in their universe:
Airplane constantly flaming???? Sqq and lbh in his observations????? His absolute bewilderment and confusion????? Legendary. No notes every single second of this shit was hilarious.
Airplane's comment that sqq + older adolescent lbh traveling together was just watching a couple in their honeymoon phase. OR the fact that lbh is exceedingly petty and refuses to share their food in the wake of airplane's interruption of their time together, until sqq relents sheepishly and insists airplane eat what's left (ONLY AFTER PLACATING LBH WITH MORE FOOD FROM HIS PLATE, SOBBING)
Watching airplane salivate over Mobei-Jun and acting like that's totally normal behavior. Finding out mbj and airplane got together first. Finding out sqq encouraged airplane. LIKE THIS. WHILE HE IS STILL IN DENIAL ABOUT HIS OWN FEELINGS:
Mobei-jun clearly thinking their arrangement is a forever thing, heartbroken his human abandoned him with all the hapless fury of a scorned wife swept away by false promises of fidelity. Airplane writing demons to be the type to beat up their crush lovingly and still unable to connect the dots about mbj's feelings. Mbj letting him go and respecting his wishes, only relenting when there's indication airplane was poorly processing his own feelings and didn't actually want to leave. Mbj caring for him and listening to him as soon as airplane voices what he needs directly and with clarity. None of these gays are functional and it's everything to me
Unrelated, but I physically can't hold this information in anymore:
I'm still reeling from younger lbh having his sexual awakening from the image of sqq wrapped in the immortal binding cables. Condemn me as you like he was so, so real for that.
And no I will not be taking any comments about how luo bingge couldn't bear to see luo binghe cherished in ways he never got to have and all the haunting implications of that. I will also not be taking any comments about luo binghe's instinct to look for sqq in that alternate universe, only to be shaken to the very core to be unable to find his shizun anywhere. The unspeakable and latent horror of his relentless mind likely piecing together what happened, but unable to say it; to suspect what is true, and live with the harrowing confusion of his double's actions. To blame himself, to assume that he had let his anger get the better of him in that world and result in unspeakable folly...
I also refuse to talk about how heartrending it is to hear Tianlang-jun weakly say "In the end, I really can't bring myself to hate humans." The implication that the foolishness of that hope and bright-eyed fondness--the very thing that put him through such unspeakable agony--couldn't be beaten out of him entirely. To discover that his faith in Su Xiyan hadn't been misplaced, to the contrary: his beloved hadn't scorned him at all, but rather fought to the miserable end to protect the fruition of their genuine feelings of love when she couldn't protect tlj or herself.
How MXTX has sqq deliberately draw parallels between their situation and that of ygy+sj and tlj+sx; desperately wishing it might not be too late for them. The concept of breaking cycles of abuse and harm pervasive throughout the newly devised story, how it evolves for the better only when love takes the place of power, pride, and domination. How the moment sqq chooses vulnerability instead of saving face, the genre shifts to the so-called "cringe" girly genre where most if not every character is more fulfilled, more true to themselves. How the "male-oriented" former genre was aimlessly sensationalized and sexualized, how it was a sustained performance of aspirational toxic masculinity. How men objectify other men without end. All of the unspoken gendered implications that come with that.
Anyways. Going to go put my head in a sandbox and try to process everything I just witnessed because even a second reading is not enough to find a modicum of closure.
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Before leaving for the Neath, to find his daughter’s killer, August Shaw told only one person: his wife. His letter was poorly worded, rambling, and utterly incoherent. Before leaving to complete his Ambition, heading into Parabola on a quest he does not think he will return from, Shaw did not want to make the same mistake. The following messages were addressed to (In order): @neathyingenue ‘s Silvia Salcedo, @gmalaart ‘s Emon Cavendish, @elleryhart ‘s Ellery , @viric-dreams ‘s Robin Jones, @letheology ‘s Mina Azoulai, @capn-twitchery ‘s Twitch, and @t6fs, here addressed as Logan.
[You haven’t heard from Shaw in several days, any mail you sent has gone unanswered. A letter arrives out of nowhere, written in his curling handwriting. The script is messy, blotted with ink and wine.] “Dear Silvia, I apologise for the state of myself as I write this, though you must understand that this message is of the utmost importance. The time for half truths and polite obfuscation is past, between us. I will not insult you by dancing around the truth. When I first came to London, I came with only one purpose: to avenge the death of my daughter, Lenore, and to meet my own end in the process. Since then, well. I’ve found something quite worth remaining for. I set off now to end what I have started, and I may not return. For that I am so, so sorry. You have become… so much to me, Silvia. In all your endeavours, I wish you the best. Your talent and passion for what is right has inspired me, and I’m sure you have inspired many. I am proud to consider you family, a bond not forged by blood but by ink and will. I… I hope you will be well. No matter what happens. If I do not return, know that I am deeply proud of you. Your Friend, August Shaw.”
- x - x -
[The letter does not arrive on paper. It is scrawled across the cosmogone sky, familiar handwriting curling across the surface of parabola like a rock skipping across the surface of a lake.] “My Dearest Emon, it rends my heart to know that I cannot send you this letter. I dare not post it, knowing the reflection that takes your place.” [A few words are heavily scratched out.] “I have no idea if I will see you again, you as I know you, vibrant and sharp and maddeningly brilliant. I wish, more than anything, you were at my side. If I return from the journey I now set out to take, know that I will find you. My window of opportunity is brief, and I cannot linger, though I know how selfish it must seem. I set off now to defeat the ghosts that haunt me, to lay my daughter to rest. When I began, I thought that this would be my undoing, a death I welcomed. Now, though. I must succeed. I will find you again, Emon. These words will reach you - they must. I have to return. Wherever you may be, know that… I will find you, my love. Yours, Always, August Shaw.”
- x - x -
[A stained letter is delivered to you by an anonymous urchin. It’s dated to a few days after you left on your trip… the handwriting is familiar.] “Dear Ellery Hart, I hope this letter reaches you well. I’ve scheduled it to be delivered as soon as you return, as its contents are quite important to me. Once you receive this, I will have already departed on a journey. I dare not tell you where I go, or why, but know that-” [A section of text is scratched out.] “I may not return. In such a case, I… Where do I begin? You’ve come so far in the time I’ve known you, Ellery. In all senses, I’m deeply proud of the man you’ve grown into. Wherever your path takes you after this hunt, I know you will do well. If this is goodbye, then know that I count you both amongst my finest pupils, and amongst my dearest friends. Hunt well, Ellery. Your Friend, August Shaw.”
- x - x -
[The dead drop has remained quiet for a while now. The next missive you receive from the Black Rook isn’t encoded, or tucked away - it’s left in your mailbox, like any other letter.] “Dear Jones, I apologise for the unorthodox - or perhaps more accurately, deeply orthodox - method of communication. This message has nothing to do with our work, though I understand if you dispose of it as if it was. Simply put, I am… leaving London, for a time. This journey is not one I had expected to return from for a long time, but I know that I will be fighting to return to the city now. Should all go wrong, well, I know that we have not always seen eye to eye. I know that I may never truly win back your trust, something that would be well within your rights. But I could not leave in good conscience without saying goodbye. The letters we used to send, as Suzette and Jacques, they provided me a great deal of light during my darkest days. After everything I am, in truth, not sure what to call us. But whatever you are to me, Robin Jones, I hope I get to see you again, once all this is over. Play Well, August Shaw.”
- x - x -
[Shaw hasn’t been at the university for a while, now. A letter is slipped into your desk when you return to Benthic, tucked neatly into the top drawer. No cipher, plain script - this isn’t a game.] “Dear Mina, I hope the Khante has been treating you well. I’m unsure as to when you’ll be back, and a part of me hopes that this letter will be quickly corrected by my presence at your door, but nevertheless. I’m setting off on a mission, you could say, one of great personal significance. One I am unsure if I will return from. In the case I… do not return, I leave my network to you, Mina. Take this letter to Demirkan, he will know what to do. …We can do great things with this Game we play. We have done great things. I trust you to carry on that, if I cannot. You have been a great friend to me, and a most trusted confidant. I can only hope that I do not betray that trust now. Your Friend, August Shaw.”
- x - x -
[A letter from your former protege arrives, carried by bat. It’s uncommon enough that he’s writing to you, but the contents of the letter are stranger still.] “Dear Captain Lazaret, I must apologise for the suddenness of this letter. I hope it finds you well, and in a space where you can read it without fearing immediate retribution. Though I know we only occasionally brush paths these days, it seemed unwise to not inform you of my current state of affairs. Simply put, Captain, I’m going to be away from London for some time, and I am unsure if I will ever see home waters again. For all my gripes and bristles (and indeed, all the years I fear you’ve taken off my life) I could not have become the man I am today without your guidance. I know I may have seemed ungrateful, but… well, thank you for all you taught me. And for all the times we have spent together, many of which were at the worst lows of my time down below. You are vexing, and caustic, and I dare say my days in London would be a great deal duller without knowing you. Let none of my sarcasm lead to you forgetting this fact, Captain - as you are indeed someone I owe a great deal of happiness to. I hope to see you again. Your Friend, August Shaw.”
- x - x -
[Shaw’s not home, when you return to London, but tonight, six apocyan eyes beckon you to the window. Laying out is a phonograph, one Nigel plays, though there’s no music recorded - just Shaw’s voice, thick with emotion.] “Logan, I- /ˈdæmɪt/, I hope this thing is working right. I hope you’re well? The Tomb Colonies, can be quite draining, I know. I… I’ve left this for you, as I didn’t quite trust my No`çuk" script, and… well, this is quite serious.” [A pause. The sound of drumming fingers on the table.] “This is harder to say than I thought, I, ah…” [A deep, shaky breath.] “The reason I first came to London was not a good one. My daughter had been- she had been taken from me. I came here for revenge, to find the one who’d… and, in all honesty, to lose myself in the process. Now, I’ve left to finish what I’ve started. If I do not return, I… Logan, you’ve become so dear to me. The kindness you’ve shown me, all of it… it is something I will never forget. You are impossible, magnificent… and I love you. Terribly so. What else is there to say?” [A laugh, clearly through tears.] “I will find you, if I make it back. I swear. Xïmo`tu`no` szokh, Muszhka`. If I can’t, I… no. I will. I love you, Logan.” [The recording ends there. Nigel offers it to you.]
- x - x -
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If I remember correctly, you said before that you didn’t choose Zelda’s gender, but had written or had plans for her life that would work either way, and then just refined them when you knew what you were working with. And that’s why Josephine and Antoine are a brother-sister duo; if Zelda were born a boy, he’d be with Josephine. And of course you mention pretty frequently that Giorgio has become SO much more than he was ever intended to be.
Can you tell us a little about what would be different? Who would Antoine be with?? And Josephine with a baby.. I can hardly imagine 🫢
AHHH friend!! This is such a delicious question, and so timely at that 😉
So yes, that’s correct. I didn’t change any of the birth sex or genetics for our first generations of Darlington babies. I was still in a phase of writing/planning where I was functioning more on general ideas than deadset plans. So before our heir was born all I really knew was that they would end up in New Orleans by 1920, and that the decade was going to explore the artistic scene in that era. I also knew that if they were born female, they were going to be a jazz singer while if they were born male, they were going to be a writer who documented the whole era almost like from an “outsider’s perspective.”
In both of these scenarios the heir’s personality would have been very similiar, in that they would get pulled into this world by the Duplanchiers and kind of be swept up in it beyond themselves. I had a very vague sort of F. Scott/Zelda Fitzgerald vibe visualized for our potential 1920s male heir and Josephine, and I think a lot of the tempestuous conflict between her and Giorgio was originally born from that vision.
Beyond that, I didn’t really have much planned. More that the characters were envisioned and waiting there for us. So I couldn’t tell you the route Antoine would have taken if our male heir had ended up with Josephine, mostly because their actual arcs and plot points came after Zelda was born, and even much of it when she was already in New Orleans.
Josephine especially, who’s character I had visualized since before Zelda was born, didn’t actually come to life until they met. Still one of the first things I knew about her (plotwise) is that one of her partners was our impetuous to move out west. So the figure of Giorgio the first time we see him, was meant to be one of her partners, and a different one to who we eventually met in Strangerville. Only over time in the 1920s, they just kind of…became soulmates? Like I know they are absolutely fucked, but simultaneously the more I wrote them together the more it was like a puzzle piece that was missing from Jo’s character, and perhaps left there by my original idea of who she would have been if Zelda had been born male. So gradually the Giorgio we knew in New Orleans and the faceless partner out west became one in the same, and I bridged the gap between the two of them into one character.
And Josephine with a baby you say??? 👀👀👀
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