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dailycass-cain · 2 years

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How do you take a minority character in Cassandra Cain, who had an ongoing series that lasted over seventy issues, was part of the core cast at the time, downgrade them from an "A-list" (to me she was) hero to D level, and her importance gone? DC Comics found a way. Tonight let's talk about it.

(2022 me: I wrote these series of tweets back in 2020. Originally, I posted my original essay of this in five parts waaaay back in 2015. Here’s part 1).

Like many things, it wasn't just a singular major cut but several ones, and lots of smaller ones that ousted the character from said position, and probably ran the fandom for the character to other places.

The first big cut is THE story of Batman in the early 2000s, Hush. Many people's "go to" or favorite story for Batman universe. Why? because it features almost every single Bat-Family and major rogues at the time appeared in it. Save for Bane and-- Batgirl.

For Bane it's quite understandable, he was in a story at Gotham Knights at the time. So his story was "being played" out elsewhere. Cass however, the story is notorious for excluding her. I believe even to this day because of the lack of appearance is a key reason why we're here.

Everything "birthed" from Hush has ruled the Batman comics roost for years since it's publication. You might say even to this day, Batman comics cannot escape the shadow of the story or some of the bad characterization within it (2022 note: Oh how right I was back in 2020 when I wrote all of this. We’ve gotten yet another addition of this story, a new omnibus, published this year with a new five page story from the same creative team).

Key among them is this mythical level that the story puts Babs' time as Batgirl. It along with the Tommy and Jason portions are given Bruce's justification for wanting to kill the Joker in it.

There is this thing. This myth that Barbara was the greatest Batgirl ever because simply, she was the one who was in live-action. The one in Batman: The Animated Series. That she should still be Batgirl was played out by writers during this period.

As I said earlier today she was given this chance. Where as Cassandra never really has ever been given a chance save for cameos and some really bad video games. But even then, Tim was in those too? Yet how did he get a pass but Cass did not?

There also lies a rather confession from now former publisher at DC for his distain for legacy characters. How they "age" characters up. I believe this also pertains why Barbara is always Batgirl as well. Since it ages her and Bruce up.

.The irony is, we always get the Robins (save poor Stephanie) in media too. So it's rather-- hypocritical and kind of sexist really that all the boys get their time in the spotlight but the gals do not? Why is that? This myth for Babs as Batgirl and viewpoint on legacies already puts a great hinder on Cassandra as a character. You already have factors going against the character. But wait there's more.

There-in lies the second big cut. A great famous comic writer once told me on a forum, if he didn't like a character he'd just ignore them. Better ignore than write them badly. This sort of thing does make sense but-- in Cassandra's case for one writer it was taken to an extreme.

After War Games event in 2004 does anyone want to play a guess how many times Cassandra appeared in the mainline Batman comics to the end of her ongoing in 2009?

The answer isn't much, just a handful. Not to mention the love affair over returning Jason as well was all over the place. Jason this and Jason that. A fact that this was so metaly pointed out in Batgirl Vol. 2 #1.

There-in lies a revelation tonight I had. I always wondered why the writer of Batgirl Vol. 2 wrote Nightwing so awful in it. Then it hit me across the face tonight: the book's writer at the time. The thing from 2006 to even now there's been an editor/writer who kind of obviously doesn't like the character of Cassandra. In fact his own contribution to this happened in Nightwing as Batgirl Vol. 2 was ending. The whole "family" subplot throughout his entire Batman run.

There in lies the second major cut, the ending of Cassandra's ongoing. Why was it canceled? Not due to sales. Other comics that survived/relaunched into OYL were selling worse than Batgirl. No it was canceled to make room for a Batwoman ongoing.

A Batwoman ongoing (by Devin Grayson) that would never see the light of day. The inker of #73 confirmed this because I guess one female Bat comic was one too many for that day and age. Oh, the sexism was high at DC.

Of course, the third major cut came not too long after. Turning Cassandra into a "dragon lady" villain.

So you take everything fans loved and adored the character. And take it into the trash to give us the worst stereotypical character ever. Worse, is the aftermath following in Robin #152.

Why is it worse? Because it downplays Cassandra's importance in the family to now being a "sad troubled" girl. .....

Fans didn't take well to this all at all during the time period. Cue this article from Wizard #182 (which came out October 2006) when fans were ticked and higher ups threw the Robin writer under the bus at conventions.

And that would come in Titans East over in Teen Titans in early 2007 where we get this crazy retcon to explain it all.

With some extra padding in some oneshots of 52 to show, "Hey Cass did good things in the missing year. Things we'll never see." Aka devaluing her story unlike say Tim who we got to see the complete tale of him at the time.

Back to Titans East, throughout the story neither Tim/Dick help Cass in her problems they instead hinder her more after learning the truth. Thankfully for Tim that characterization would later be course corrected. Dick-- not so much.

So DC said they had "plans" for Cassandra. After East we were teased things in Black Canary mini in the summer of 2007 that Cass had feld from her sect of the League of Assasins.

And as I let you all know here. Well, we all know where Cassandra ended up, as a supporting character in Batman & the Outsiders.

But this in line also ties into DC Nation blurbs where we were teased in Batman & the Outsiders #3 we would be getting a new mini for Cass.

So interesting to note during this period as you know Chuck Dixon was writing Batman & the Outsiders. He really laid out his plans for both this and Robin on podcasts (and one issue of Robin slipped into solicitations).

When I personally attended the Wizardworld Chicago 2009, Dan DiDio said at the DC panel when the subject of why eventual writer for Batgirl Vol. 2, Adam Beechen was person writing this comic. DiDio answered by saying Beechen was the only creative at DC giving him pitches on Cass.

Turns out, DiDio lied as prior to that year in December 2008, Dixon went on the Word Balloon podcast and talked about a “filler” issue of Detective Comics that could include Cassandra Cain.

Of course, as we got said mini with one hand, on the other hand several Bat Family comics were winding down. Those included Robin, Nightwing, and Birds of Prey. And as #6 was closing things out so this was being teased in the final issue of Nightwing.

That is so not Cass, but Barbara as Batgirl kissing Dick in his current Nightwing costume. The heck? Well, at it turns out (as we later learn). Higher ups already were planning Cassandra's ousting from Batgirl even though they gave us a mini. So DC giveth and DC taketh away.

However, prelim hype around the book teased Cass would be Batgirl going in. Note the bulletin board on who was listed as Batgirl (courtesy of IGN, but here’s the Multiversity article on it).

Of course, DC didn’t know WHO was going to Batgirl even at the time this article was posted as they were debating all over the place at this point. Much so in fact it made it to another DC Nation (after Stephanie was chosen):

"2010 will have big plans for our favorite non-lethal assassin".

Yes, we did get Cass in 2010 but just in Red Robin #17. Such a "big plan" that was. A single appearance. Well, okay we did get the retcon on why Cass wasn't Batgirl any longer too. But there wasn't much at all.

So you have DC downplaying the character. And then you get Black Bat.

But as I said before a few days ago, any importance of Cassandra that was coming from the new Batman writer was short-lived as the New 52 rolled out fully on Babs back as Batgirl. Many got their wish (higher ups included) Babs was back as Batgirl. The "myth" was a reality again.

At the very least, Stephanie got one final adventure as Batgirl even if, plans were in place to make her Spoiler just in case her as Batgirl wasn't allowed.

What followed was an agonizing three years of DC downplaying the two characters completely. Why you ask? The easiest answer: jealousy and sexism. Look at how loyal we fans of the two characters are. What if that love was directed at them instead of Babs.

I guess you could say now "two" female Bats were okay, but FOUR?! FOUR iS SIMPLY OUTRAGOUS!!!!

Course the controversy would be a embargo of the two characters by DC. Embargo that hit Stephanie more with the online Smallville comic and Lil Gotham.

I'm also reminded the mindset of DC higher ups at the time period post Battle for the Cowl as we recently learned from the SDCC: Batgirls panel (2020): Higher Ups: "Cassandra leaves." Writer: "WHY?!" Higher Ups: "Cause she just does-- so your book can exist."

Suddenly this begins to explain Lady Shiva and the lack of Cassandra Cain in Batman: Hush now.

That's the cruel mindset DC higher ups had with Cassandra and eventually Stephanie. So when you say, not to give either character a chance. This is what people you're defending.

So you add ALL OF THAT, four years is quite a long time. A long time for fans to move on or just forget DC Comics. But we Cass/Steph fans persisted. Better we did get them in 2014 even if it was an alternate reality (and Gail's final issue).

BUT... Cass in the main universe? Yeah, Stephanie can be slotted in because she has the Spoiler identity to fall onto. But Cass? She was Batgirl. So what do you do when you have a Batgirl, but can't use Cass?

Simply you just create a new identity, Orphan. But by not making her Batgirl you take away three key things away from the character. #1 Who she's truly loyal toward.

#2 Who mentors her.

#3 Where she is in the Family order. By including Babs as the new "daughter" figure in Bruce's life. You take away Cassandra's. Why do you think a certain DC Direct statue with the family earns my ire anytime I see it? For that.

Babs is no daughter figure to Bruce, she's an equal. That's a downgrade to her role in the family. But it is rather curious two ongoings with Barbara and not a single appearance of Cass in them (so far). Makes you wonder?

So you take away Cassandra's importance in the family, you downgrade her identity, don't give her a bat symbol, take away her mentors. What does that leave you?

You wonder why. Why do I'd stick around? I mean honestly, there are probably really vocal Cass fans out there in this world still. One of whom did a retrospective multipart video earlier this year of Cass (and he comes to the EXACT same conclusions).

Because as I said quite recently, "What is the greatest lesson for Cass fans in Batman media given all the mess DC and Warner Bros. does in treating this character?

It took almost TEN YEARS to finally see Cass in her OG Batgirl suit earlier this year. Almost TEN YEARS to see a solo story which-- dammit was like the greatest gift to us. Like seriously to all those involved going thru all of this.

I really hope the creative team realizes just how special that graphic novel is to the fans. Like literally, it showed all the greatest things we love about the character. The fighting is just the added bonus. I bow and try not to cry at being so grateful to this creative team.

But this is the road we fans and the character of Cassandra Cain have to endure. So if you're wondering why we're ticked at the Gotham Knights video game (2022) not including her outright? This is our reason.

This is why I am still grateful for BoP movie. It may not have been the role I wanted to see of Cass as the damsel in distress, but goddammit we got so much Cass comic content this year because of it. JUST FOR THAT ALONE-- I'm grateful.

That's why if any person in media can hear me. Just give Cass a chance. A short. A main role in the video game. Heck, an episode. JUST GIVE CASSANDRA A CHANCE PLEASE! You might be surprised at what you get.

Just know that Cassandra will NEVER be a placeholder. She is Batgirl, and dammit she deserves that role and that role so BADLY. I know Stephanie is too.

Gods I love Stephanie too. But I just always hate that DC did that to both characters. Pitting their fans against one another. It guts me. Like the lowest thing for DC to do is pit these two close friends against one another.

That's why it kills me. Part of me YEARNS for a new Cass ongoing, but goddammit Stephanie got screwed too in this. So if both get ongoing with Babs I am okay with this. Because dammit these characters need love, not freaking hatred.

DC really does owe it to both characters and their fans this. THEY REALLY OWE THEM for the hell these characters had to endure because of idiotic higher-ups who had horrible agendas and wanted to push a fast buck.

So now you know how DC did it. How they took this character who was a major fixture in the Batman comics and downplayed her SOOOOOOO much with bad storytelling and shuffling her off to be a side character.

I'm mentally exhausted worn now. I just hope you take these lessons to heart. To learn this shady stuff that DC Comics did and turned an amazing character-- to something less. How fans want more from that character again.

Update July 2021: Gail Simone’s tweet (that she deleted soon after) on this nugget of how the character of Cass was changed due to studio higher ups.

Update September 2021:

....

Here I go again with an UPDATE. After all these years. Confirmation at last (even if they aren't mentioned). We all know WHICH characters by now Dan DiDio is talking about here.

(You can read the whole interview here.)

#cassandra cain #dc comics #the tragedy of cassandra cain

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margridarnauds · 7 months

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wicked and epic the musical

Wicked

Oh...God the complicated relationship I have with this musical. Was obsessed with it when I was 12, but it kind of died down as I got into other musical theatre fandoms. By the time I had kind of developed as a musical theatre fan, I was kind of over it, so I was never really into looking into bootlegs as much. I didn't and don't DISLIKE it, but. It's there. It has some nice songs.

When I saw it live, I was kind of disappointed because the cast wasn't at its best (the danger with touring productions where, depending on the day, you can get some very tired performers) and the audience wasn't at its best (disruptive high school class several rows ahead of me), with both Glinda and Elphaba overacting.

Do I blame the musical as a whole? NO. I still want to get tickets the next time around because like the Bourbon kings of France, I never forget and I never learn, but I still wouldn't put it into my Top 10...or even my Top 20. There are some really impressive technical elements seeing it live, but if you have an Elphaba or Glinda who aren't putting the work in, it will REALLY show -- the show is really riding off of the hope that it has actresses who are willing to fill in the gaps. (Also...I have never been part of the fandom because I've NEVER liked the way that they talk about Fiyero especially since, imo, he has the character arc that a lot of people wish Glinda had.)

Still living in hope the movie will actually be good! Let's form a prayer circle! Should have been a proshot.

Epic

The best musical that should absolutely never become an actual staged production.

Wonderful music, you can really tell that Jay has put a lot of heart and thought into every single line and every single musical choice, I'm always amazed at the sheer RANGE and the characterization and the way that it tweaks the Odyssey to better convey the themes he's going for, I love the take on Athena in particular (she also gets the best songs), "Warrior of the Mind", "My Goodbye", "God Games", and "Dangerous" have been on my repeats for MONTHS. This musical really gave me hope for the world of musical theatre, at a time when I was really...doubting the future of the English language musical theatre scene in general. I'm always blown away looking at his behind the scenes videos because it's so clear how PASSIONATE he is about the project.

...but I am begging the man to not try to actually stage it because I think it would destroy him. It's a marvelous concept album but I do not see any way of staging it that would be less than tens of millions of dollars.

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something-tofightfor · 2 years

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oh god i played the game literally one hundred times i know the whole story from a to z, and i just finished watching the last episode and from start to finish i was just a sobbing mess… from ashley giving birth to ellie (literally omfg) to ellie’s face after saying “okay” in the last shot… i honestly have no words, for me this show has fully given back the emotions and the experience of the world of the last of us, and they better not get snubbed next awards season, if i dont see a best actor/actress, best drama series win at the globes/emmys imma go into joel-at-the-hospital-mode

I really think that the show will win awards - maybe not Emmys because there's a lot that it'll be going up against, but there's plenty of other things that it could possibly be nominated for and win.

I definitely think there will be nominations. Pedro and Bella, probably Nick Offerman, for Original Score and MAYBE even effects. I could see individual episodes being nominated for things, too - Long, Long Time for one, and then quite possibly When We Are In Need, because everything about that was gorgeous.

It'll be interesting to see what they campaign for next year, and whether or not things are well-received.

I started crying as soon as the episode last night started and I heard Ashley's breathing. I was like "alright I knew this would be the opening, but..." it was just such a great way to start the episode and give us that final piece of the puzzle when it came to Ellie and her immunity.

"You fuckin' tell 'em, Ellie" absolutely killed me. Ashley's voice in that context... I was just a sobbing mess on my couch.

And then we get THE SCENE that I was waiting for, and we see Ellie spark back to life, and then the conversation about the scar and then the HOSPITAL and then the END ... and yeah, it moved fast. And I'm sure that I'm going to have eight million things to say down the line about it, but like ...

This is what I (and so many others) have been waiting for since we played the game all those years ago. This has made sitting through every single shitty video game adaptation (I'm looking SPECIFICALLY AT YOU UNCHARTED AND RESIDENT EVIL AND SILENT HILL 2 AND HALO) worth it. I felt the exact same things I did while playing the game as I watched - and in some cases, the emotions were so much more heightened that it shocked even me. (Kin. Endure and Survive. When We Are In Need. Look For The Light.)

I'm just so thankful that they hired a cast and crew and creative team that was willing to do right by the game. I know there are people that disagree with choices that were made, and think that things could and should have been done differently - but I'm not one of them.

Could there have been more infected? Sure. Could they have stuck even closer to the source material and recreated more scenes word for word and beat for beat? Yes. Are there things that I question them including or cutting, or the way they shot specific scenes, or how things looked? Yeah, I've had a couple issues.

But I'm overwhelmingly happy with what we got. This wasn't another remake, it was an adaptation. And seeing new sides of and possibilities for these characters after already knowing them for a decade was a really special thing to get for the last 9 weeks. The characters on the show aren't the exact same ones from the game, and that's fine.

I fell in love with Joel Miller the MOMENT that man walked through the front door of his house talking to Tommy on the phone - and now I have two versions of him to love, which is perfect.

They're never going to make everyone happy with an adaptation of something like this, and the people that didn't like season 1 or don't agree with what happens in TLOU2 or are unhappy with casting or whatever other choices they made/make ... there's plenty of other things to watch on TV in 2025 and beyond.

(Sorry this got long.)

#ask something-tofightfor #thank you!#the last of us #tlou #the last of us spoilers #tlou spoilers #anon asks #i have a lot to say about tlou #and i always will #joel miller #ellie williams

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vyrim · 1 year

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Im semi excited for the full Balders Gate 3 release in a month. I have no issue with the divinity style even if some aspects of it, such as the little amount of interesting stuff that comes from leveling up, arent the most exciting. My major concern is the performance side of things. First couple of hours I was fine, able to explore the beginning of the area with a constant 60 fps. Then it just kept dipping and dipping as I played, until I basically got to the end of the ea content barely able to keep a stable 30. With that teaser video they did of the actual Balders Gate city supposedly being massive and detailed, im worried that my computer wont be able to run it at all, let alone at a non eye straining frame rate. We'll see though I guess.

Minor complaints underneath

TLDR: Wish this game looked shittier but played better. I couldnt give two shits how realistic the models or environment if it was just really well tuned. Probably gonna be one of those "Devs bit off more than they could chew" situations that Ill end up getting angry at around the second half, finish, and never play again.

-Ive always hated the spellcasting system of most tabletops. Cast a spell and its gone, if it missed or failed then sucks to be you. Its not a fun idea, and I wish most of the spells were simply made weaker or placed on a cooldown rather than limited. That was what was cool about divinity, if you figured out some really cool combos then you wouldnt have to resort to resting every couple fights just to use them again. Sucks, especially since most stuff is subject to roll rng, so your big lv 3 spellslot ability means nothing cause dipshit beat the dc by chance. Even worse when alot of spells are channeled, so if your character gets hit even once and then proceeds to fail the concentration check the spell fizzles out. Lame shit.

-THE CAMERA. The camera is atrocious, and I dont know what they did differently compared to Divinity 2, but it is a nightmare to control. If you pan too far from your character theres this, like, invisible leash that sudden kills any further movement. It also hates and form of horizontal movement, which means if your character is really high up it wont go down, and if youre trying to look up a cliff it'll just rub the wall.

-The cast is underwhelming. You have a githyanki which is neat, but otherwise its literally two human guys, a half elf, and a vampire elf. Theres not a single dwarf, halfing, gnome, or even a tiefling in the party, which is super lame. They could have easily had a dwarf with the weird magical item hunger problem, or a tiefling vampire wouldve been funny as hell.

-While the variety of extra actions are cool (I cant count how many people Ive killed by shoving them off cliffs or into lava) but theyre really clunky. The environment has so much detail that shoving or shooting in a direction is at massive risk of being just caught on some stray rock or pillar.

-The AI for npcs is still as dumb as it used to be, had a slave get mad at me for shoving its captor into lava. Guys that have never pathed will suddenly turn around out of the blue, even had one person just t-pose and vanish.

-Most of the magical equipment I got wasnt very interesting. Even the adamantite stuff I got after the big fight in the forge was just a debuff on hit. I want silly shit, I want game breaking shit, I want more stuff like those weird tentacle grenades that pull people in.

-Very buggy, and with how big theyre saying the game is gonna be I dont think its any better on release, probably worse actually. I wouldnt have such issues with it if reloading the game didnt take thirty years to complete. Poor Shadowheart made a jump only to glitch out and plummet several stories mid way.

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bells-of-black-sunday · 1 year

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Top 3 Mastery Prestige Who am I most likely to write? aka I don't play l.eague, but wanna ramble about characters

I honestly should have more prestige, but I never prestiged any of my killers before the 2nd prestige re-work and I honestly kind of fckin hate that I dumped so many bps into killers and didn't even get a single lvl when it rolled over but oh well-

Legion- Already write all 4 of them they're massive comfort killers for me. I love how they made Julie her own character and I love Frank's nuance to the point where yeah he is an edgy teenager, but you could take the lore inconsistencies as him trying to protect all of them and taking the fall if you really wanted to.

Plague- The bubonic babe my beloved, honestly one of my favorite killers in the game. She has such a fun skill ceiling, her design is incredible, I love her lore and I love her cosmetics. I used to write her, but I felt she was too hard to interact with and I've been debating on adding her back since.

Danny- One of my main muses no surprise to anyone, I love how he's not just one of the various killers from the Scream franchise and why it is like that. I loved doing research on the various masks he would've used (Drownedboyproductions is such a good resource for everything scream and funworld related) and I love how goofy he is in game. He is still one of the only killers to have a unique chase animation, his mori is great, and I don't know if he still does it but his little lockers scare is funny as fuck. He's just out here having a good time.

Survivors below cut since I have more playtime on it

Yes it is I the absolute fool that thought the legacy prestige would be somethin cool like last time, nope it really wasn't worth it and once it was revealed I decided against priestigeing anyone else, because it just wasn't worth losing all of my perks, items, add ons and offerings. Anyway-

Jane- I actually really like Jane personality wise, but her lore and tome is what really prevents me from writing her. I honestly think its really tacky and poorly written for such a sensitive subject matter as it tried to handle and that's also the general consensus I've seen from people who've read it. It's really out of place in the entire cast, but maybe it's good actually and I just haven't read it in a while that's entirely possible.

Ace- I fucking love Ace, my man's got too much luck on his side. He's the cool uncle. His lore and tomes are so much fun, his cosmetics are on point and he's goofy. I honestly don't think I could write him better then my friend Nep and if she didn't write him I would. He's such an underrated survivor.

Vittorio- If Vittorio has 100 fans I am one of them, if he has 10 I am one of them, the day he has no fans is the day I fucking die. Forged in Fog, hot take, is honestly one of my favorite chapters despite it's rocky release and honestly I think people really overreacted about it due to clickbait youtube videos. Vittorio is such a fun character lore wise, there's a lot of intrigued when it comes to him for me from his connection to the watchers, the observer himself and being the oldest survivor we know of afaik. The gaps in his lore between when him and Tarhos met to when they eventually fell out as me so intrigued as to what happened, because I can guarantee with how many cities they had been to, it wasn't the first time Vittorio had told Tarhos to find a non-violent way. I'd definitely pick him up if I didn't think Nep writes him better than I ever could.

Tagging: No one, steal it from me Tagged by: no one I just wanted to do it

#ooc #/dash games #cw; body horror #just in case for plague my belovd

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vergess · 2 years

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(reposted because??? tumblr ate or deleted the first post???)

So. Lots of pain meds at the moment, so this is a little bit nonsensical, but, I have been playing the newly released video game I was a teenage exocolonist (available on steam, not linked because tag visibility) while I am laid up in bed.

Lots of opinions, basically all positive. There’s a specific thing I want to talk about in more detail, but this post got too long so I will just link a future post on the gender politics of nature, nurture, and future as presented by the twins Dys and Tang.

So instead here’s my Most Recommendable Qualities (mostly free of spoilers):

Native linux compatibility:

you know how I am about that. I cannot believe I’ve become the very linux guy I so hated when I was working retail…

Upsettingly beautiful art

2D gaming is my first love but man the medium has come a long way since needing a flashlight to play pokemon. Sometimes I forget how far, and then games like this pop up with the gorgeous art and expressive characters, and I inevitably find myself wondering why the “”“"mainstream”“”“ video game market (in as much as such exists these days) focused so obsessively on photo realistic 3D when inevitably a well directed art style is what matters most.

The backgrounds and environments in the game are all extremely lush, with a gorgeous, colorful style that if I had become an art critic instead of a writing critic I would probably have better terminology to describe. Like, uh. Water colors or some shit. Stained glass. It’s all very luminous fuck dude I don’t know, the closest I’m going to get here is to write a poem and I’m not going to write a poem where the fuckign developers might see it. I need to be sober for that.

Characters:

I’m a character driven asshole, we all know this. It’s why I read so much fanfiction and play so much melodramatic fantasy and spend several hours of my life openly sobbing about a single fucking issue of Sandman. So, you’ll understand when I say, "people keep recommending me dating sims and I keep bouncing off of them because the characters never Do A Thing,” what my major criticism of a lot of Large Cast Of Dateable Character games is.

None of those issues arise here. I’ve played a few runs now, making a conscious decision on each to focus on a specific character. One. SIngular. Except, the thing is, you can’t do that. Not in the sense that the game won’t “let” you. You could certainly just dump all of your time into skills and one character. And the timeline of the game would change to reflect your isolationism.

Characters you don’t interact with during runs have their own “autonomous” storylines written, and each divergence your player character makes has its impacts meticulous tracked to create different character experiences every time, even as each character holds very tight to a narrow set of repeating traits. This only further emphasizes the fundamental strangeness of the player character, as the only one capable of being fundamentally different across timelines.

Also all the dateables are just, oh god, SO cute. And, by the time they are capable of fucking, very fuckable. Extremely attractive designs. Honestly everyone is super cute. The whole cast is magnificently designed. And that includes…

Monsters & World Building:

First of all, let’s get the important personal opinions out of the way. I think I would fuck the antagonist….uh….commander, whatever his title is. He looks like a fucked up centaur and I’m into that. There are also Adequate Amounts Of Tentacles. If you’ve known me long, you know that is a high bar, but the game clears it admirably and with diversity!

The alien fauna are all very FUCKING COOL. There’s a bit of throwaway dialogue from An Adult (your dad?) that talks about expecting the planet’s ecosystem to be ‘more alien’ than it is, and I respect the space program’s attempt a tpreparedness but for me, the whole uhhhhhh. Situation. With regards to the alien animals is PLENTY alien, and SO satisfying.

If you’ve ever been like, “god, I wish someone who wasn’t orson scott card would do all the cool shit they did in fucking speaker for the dead” then by GOD is this the game for you.

Accessibility:

The content warnings are extremely detailed. I reviewed them all, and having seen several of the ones I was most worried about, I feel they accurately described the situations without spoiling them. I did end up upsetting myself rather badly with one thing which happened, but it is hardly the developer’s fault that I misunderstood the context in which the “teenage pregnancy” CW would apply. I personally want to specify that (IN THE ROUTES I HAVE SO FAR PLAYED) the pregnancy is a very wanted, safe, and cherished.

The game players very well on controller, which is a must for me. There are a handful of UI elements that I have not yet been able to access by controller, but I think this is more a factor of my being bad at remembering buttons than the game’s design. If you have a mouse, that will solve the issue entirely. My GF speaks highly of the keyboard and mouse gameplay.

Turning off screen distortions and weather effects generally made the game very visually understandable for me, with large, clear iconography. If you have significant visual impairments, I don’t know if this is a good game to play. Picking up items on the ground can be tricky in some cases and there’s nothing for eg a high contrast or greyscale mode if you need that kind of thing.

Stability.

It’s easy to forget that near-launch properties are supposed to be complete games that function well. This game is very complete (VERY, INTRICATELY, COMPLETE) and very stable. With as complicated as the sets of cause-effect-timelines are, I expected it to be much easier to create minor paradoxes in dialogue.

So far, the only time events have seemed to happen slightly out of sequence due to relationship progression or what ever else, was when I made a conscious effort to be as obnoxious as possible at one point just to see if I could make it misbehave.

I haven’t been able to make it crash from within the game so far. I’m hardly a Q.A. tester anymore, but I do tend to be pretty aggressive to my games, so I feel confident in saying it’ll run steady for you if you get it.

Politics etc:

The queerness is all very excellent, super queer in very believable ways, especially given the cultural aspects of the worldbuilding. Characters behave queerly outside of just all being bi-for-the-player. The trans characters were all extremely appealing to me with strong characterization that included but did not obsess over their genders. There are at least 2 trans teens in the player character’s peer group and 2 trans adults of very different ages and character types, and there’s even a cute little intergenerational trans solidarity bit you can get sometimes. In addition, of course, to the ridiculously complete gender personalization.

You would not believe how many games forget that “bro” and “cowgirl” are gendered terms, but this one remembers.

The racial politics are, from my perspective, adequate to not interfere with my gameplay experience. The human characters do consistently refer to the environment and native animals in very colonialist terms but they’re literally colonizing the planet so…. The point is, there is not a native people being eradicated, though there are… territory wars(? I guess.) with both wild animals and antagonist peoples.

If you’re particularly sensitive to colonial narratives, handle with care, but I felt the writing in the routes I’ve seen so far handled most of the issues well. Plus I mean. THe title. Is “teenage exocolonist” like. I think the whole “colonialism is a major narrative theme” ituation should be made clear by that.

In terms of the human diversity it’s pleasingly broad. There are characters of all ages, builds, complexions, races, personality types. There’s a massive range of disabilities both physical and mental, as well as plenty of fun sci fi accomodations.

I mean just among the dateables I can remember top of the head, theres:

ambiguously asian twins who really said Autism Has Two Genders,

ambiguously brown fat girl with developmental disability,

ambiguously brown Gym Bro (derogatory) who is, and this is true, literally named 'ambiguously brown

ambiguously white farmboy who has clearly been eating his space wheaties and also helps invent space cannabis with your dad

unambiguously black girl who looks the autism twins dead in the eye and said 'no autism has one gender and is me’

unambiguously white tomboy who goes full samus

A dog (human)

Hatsune Miku (gender neutral)

Venom (twink)

There’s something here for everyone, all of these characters are super fascinating concepts honestly. I know I keep harping on that but it’s true so there.

Scenario writing:

It’s a bit difficult to separate the player character writing from the scenario writing for reasons that rapidly become clear in the game. Both are very good, though, so that’s fine. The writing is just really very good.

The variations on the timeline that you are able to uncover through repeated play are fascinatingly diverse even as certain events remain immutable, and the whole thing really plays with the concept of time travel and the other-self so beautifully. Really one of my very favourite explorations of the topic already, and I’ve only seen… IDK 4 endings along 2 routes? And there’s 29 endings???

It’s very good. The point is that it’s very good you should go play it.

It’s on steam. It’s app 1148760 on steam and it’s very good, it’s definitely worth more than what they’re charging. I mean have you seen what a $60 console game looks like these days, and then this is like. $25 and SO very much.

#Exocolonist #I was a teenage Exocolonist #Spoilers #Exocolonist spoilers

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bunglebees · 3 years

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random hanta headcanons

KING of impressions & u can fight me on this

u name it -- shaggy, kermit, JD (heathers,,, who sounds a lot like a certain dusty fella we know,,,), shakira, hades' skelly, owen wilson, mickey mouse, edna mode -- you name it. he's better at doing things around his register tho

likes to come up behind people & start talking to them like a character or respond with a character quote in their voice

is seconds from snapping at any given moment :)) they're the only one w the brain cell aside from katsuki in the bakusquad. sometimes.

absolute enabler to denki & eijirou

WIZARD with a box cutter ???

really good at throwing knives!! he can also do knife tricks >:3c

dating or not, denki & shoto are his closest friends!! he values them a lot 🥺

tries to piss off katsuki (harmlessly) at least once a day

DIE HARD ABBA FAN

single mama! talks to her every day!!! he loves her!!!!

she’s teaches yoga sometimes, which definitely fed a bit into his more bohemian vibes

used to be obsessed with patterned duct tape & was super sad he couldn't make his look like it :((

him & aizawa train together sometimes!! aizawa teaches him moves he uses for his scarf to see if hanta can replicate them

personally i don't hc him as a stoner, it doesn’t make sense to me, but he definitely got a little too excited for brownies his cousin made once & ate a few too many before realizing what they were ✊😔

used to have braces -- those perfect teeth of theirs aren't hereditary, but they take good care of em!!

toru was sad she never got anyone to do staring contests with her, so he suggested she put mina's falsies on and neither of them could stop laughing at how she looked that they forgot what they were doing in the first place

mirror pic king 🥵 def pulls his friends back if they pass by a reflective surface to take a pic!!

okay him. and denki,,, as noel and cody IM SORRY IM SORRY OKAY IM SORRY BUT I HAD TO SAY IT

he gives off maaaaaaajor streamer vibes & likes to fuck around on websites marketed toward younger kids (like dollmaker websites, barbie games, poptropica, u kno). he has a pretty large watcher ratio!!

speaking of, i love @error-thisblogisdead ‘s fanart of podcast!sero and they 1000% have a joint podcast with todoroki that features other kids from class 1a & sometimes 1b. he tries to encourage everyone to be featured on the pod for their Very Own Episode at least once (if they feel comfortable) & it usually revolves around a certain topic they’ve picked

i mentioned it before, but hanta loves true crime. hanta, shoto, momo, and mezo like to watch crime documentaries together, but it usually takes a while because they keep pausing the video to theorize and yell at each other

loves dungeons & dragons & is more than happy to DM for friends if anyone’s interested

eventually, after being pestered by izuku enough, hanta DMs a test oneshot for a few people who end up begging him to run a campaign. these people were izuku (naturally), eijirou, ochako, tsu, yuga, and katsuki (who is actually really good at RP once he loosens up). they’re still working on a schedule, but it’s always on hanta’s floor & it’s very loud. toru, kyoka, and momo like to sit in but don’t play.

everyone else is invited to watch if they want except for: shoto (tsu jokingly asked him to cast “fireball” & sho’s a shithead that almost did it), denki (wants to read the PHB/module books & wont give them up if someone needs it), tenya (backseat driver even tho the man knows Nothing abt d&d), hitoshi (also kinda a backseat driver but more of an enabler toward the party “huh, aoyama could totally use disguise self and p--” “SHUT IT, MINDFREAK”)

likes to try weird foods! so far the weirdest has been “live” tentacles, but he almost choked to death and hasn’t tried since lol

likes going shopping with tsu, mezo, and mashirao bc they’re the “clothes don’t fuckin fit me” squad. tsu can usually find things for herself pretty quick, but is generally just a good vibe to have around

ALWAYS wears fun socks. everyone wants to see which pair they’ve got on that day

did a bit of ballet as a kid, but was mainly into gymnastics!!! his mom got him into it because of the yoga classes she’d bring him to while she taught and he just wanted to see how far he could keep stretching after that!

i also really like the idea of hanta being an aerialist!! that tape technique 👀

i’m pretty sure i saw someone headcanon that he can play the cello, which i absolutely agree with

guitar, too! prefers acoustic

#drug tw #hanta sero #bnha headcanons #mha headcanons #Sero Hanta #hanta headcanons #sero headcanons #sero bnha #mha #bnha #boku no hero headcanons #class 1a headcanons #cellophane

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theggning · 3 years

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I Hate the Alternate Ending of Blind Betrayal, and Here's Why!

DISCLAIMER THE FIRST: Massive spoilers for Fallout 4 abound. This post discusses Blind Betrayal, a quest with suicide as a heavy theme. Content warning applies.

DISCLAIMER THE SECOND: This post discusses cut OFFICIAL content from Fallout 4 that has since been repurposed into multiple mods. I am not criticizing any modders or their implementations of this content. Mods are fun and people can enjoy whatever the hell kind of game experience they want with whatever mods they want.

I am ONLY interested in discussing the original cut content as Bethesda had written it, and how it would have impacted the story and lore of Fallout 4.

So, yeah, it seems there was originally going to be another way to conclude Blind Betrayal (BB).

As described in this Kotaku article (citing this post by Tumblr user tentacle-explosion,) there are unused audio files of Danse’s dialogue that show an alternate ending to his pivotal quest. These lines are the only evidence we have of this ending (suggesting that it was cut fairly early on, as no other actors/characters seem to have recorded for it.)

From what we can tell, in this alternate ending of BB, Danse comes up with a possible way out of the sticky situation re: his identity as a synth. According to the Brotherhood Litany, he is able to challenge Maxson’s authority as Elder via combat. If you agree to this idea, you go with Danse to challenge Maxson. The Paladin and the Elder duel one another, Danse wins, and Maxson dies. Then Danse names the Sole Survivor the new Elder-- or with a hard charisma check, you’re able to convince Danse to take the job himself. It is unknown how the main plot would have progressed beyond this point, as there is no other evidence of what being (or influencing) the Elder would have been like or what choices it would have given you.

There is understandable disappointment in learning that this ending was cut. Choices in games are great, and it could have been fun to have multiple different options for how to resolve the quest. In many gaming circles, people complain that this theoretical ending is superior to the one we got and shouldn’t have been axed. The Kotaku article calls it a “way better” ending, and you’ll see many players lamenting that it wasn’t implemented, saying Bethesda was bad at writing for cutting it, etc.

So why did Bethesda get rid of the Elder ending of BB?

In December 2020, after the Fallout 4 Cast Reunion, Danse’s voice actor Peter Jessop answered questions in a private signing session on his Instagram. Peter Jessop is an extremely kind and gracious man, an avid gamer, and a huge fan of Fallout. During the stream, he reflected on the alternate ending and remembered recording the lines, but stated the content was ultimately cut because Bethesda decided it was lore-breaking.

Peter Jessop is right. Bethesda was right. The Elder ending of BB is a bunch of dumb nonsense. It sucks, I hate it, and I’m glad they got rid of it. And now I’m going to tell you why!

SIDENOTE: King Shit of Fuck Mountain

There is no wrong way to play a single-player video game. If you are having fun, then you are accomplishing the task for which the game was made. Good for you! Play it on easy. Play it on hard. Mod it. Speedrun it. Make up an intricate roleplaying scenario. Perform “challenge” runs. Kill everybody you see. Ignore the story and run around collecting wheels of cheese. Games are meant to be fun and there is nothing wrong with enjoying a game however you damn well please. This is especially true for RPGs like Fallout, which are designed with player freedom in mind.

There is an RPG playstyle I like to call King Shit of Fuck Mountain: a naked power fantasy in which your protagonist is the most powerful person ever, even beyond normal RPG plot significance. Through brute strength, incredible charisma, or having completed tons of quests for world-breaking artifacts and weapons, your character wields godlike influence, able to control people, factions, and the fabric of the world itself. A game enables KSoFM gameplay when it allows the player limitless freedom to gain as much power as they like with zero consequences to plot or storytelling.

A great example of this is the Dragonborn in The Elder Scrolls V: Skyrim. If the player chooses to pursue every questline in the game, one single person can become Harbinger of the Companions, Archmage of the College of Winterhold, Listener of the Dark Brotherhood, Nightingale and Guildmaster of the Thieves’ Guild, hero of the Imperial/Stormcloak army, the chosen one of like, 11 different Daedric princes, a bard, a Blade, and otherwise just, absurdly goddamn powerful in completely unrealistic ways. And that’s not counting DLCs. A fully-kitted-out Dragonborn is King Shit of Fuck Mountain.

There is absolutely nothing wrong with playing KSoFM if you like to. But I’m not a big fan of this style, personally. Sure, my first Skyrim character became KSoFM while I was figuring out the game, but after my first playthrough I preferred my characters become coherent figures in the story of the world. I pick one or two character traits and things that my Dragonborn is good at, focus on them, and make them part of some overall story. My honorable Imperial paladin werewolf is in the Companions, and hunts vampires on principle. My Argonian sneaky archer is a gleeful thief, but would never jive with the College or the Dark Brotherhood. I like creating protagonists who fit into these settings immersively. I don’t care about power fantasies or being in charge. I don’t WANT my character to be all-powerful, because that ruins my immersion and my little story.

Additionally, in a plot-driven story-focused game like Fallout, KSoFM tears the narrative apart. Skyrim is fairly light on story, so the Dragonborn can be the leader of the Companions and the Dark Brotherhood and whatever other factions without any of them noticing or caring. But FO4’s themes, faction drama, and the main thrust of the plot don’t work at all if the Sole Survivor is able to become too powerful or too influential. The Sole Survivor cannot become the leader of every faction, solve every problem, or eliminate every inconvenient bend of the conflict because it makes the lore of the entire setting implode. Thus, the game forces you to choose between factions. You cannot be with the Minutemen and the Nuka-World Raiders. You cannot be with the Railroad and the Institute. And you cannot become Elder of the Brotherhood of Steel.

So if you’re the kind of person who loves playing KSoFM, if you like plots that your character can “solve” with relative ease, or if you just think it would be super cool for your Sole to become Elder regardless of surrounding storytelling, then you might think the Elder ending sounds super cool. You are absolutely allowed to disagree with me here. Install all the mods and write all the fic and have all the headcanons you like. I respect that. There is no wrong way to enjoy a single-player video game. Have fun!

But if you’re a big nitpicky pedantic lore nerd like me, a fan of cohesive storytelling, or if you just want to hear how the Elder ending of BB absolutely fucking ruins Maxson, Danse, the Brotherhood of Steel, and the entire plot of FO4 from a narrative perspective, read on!

1. The Synth Thing

The Elder ending requires the stupid plot contrivance of the BoS forgetting about Danse’s synthhood.

One of the biggest problems with the BoS as an institution is their strict and dogmatic beliefs, which include a widespread dislike of non-human species. Perhaps more than any other non-humans, the BoS hates synths. Synths are, in their eyes, machines given free will, a violation of the sanctity of human life and the ultimate example of technology run amok. To them, synths are not sympathetic, they are not slaves, and they are not victims of circumstance. They are weapons that left unchecked will destroy all of humanity for a second time. Synths are anathema to everything the BoS stands for, and finding out that one of their most beloved and trusted Paladins is one is an earth-shattering blow to their integrity and sense of security.

It is completely absurd that the BoS would allow a synth within their ranks, particularly as they are waging war against the Institute, who created synths in the first place. It is even MORE absurd that they’d allow one to influence their Elder, or even worse, to become Elder. It completely undermines their mission in the Commonwealth, and the core tenets of their extremely rigid beliefs. No matter the Elder, no matter the Litany or obscure BoS law, no matter how valuable the Sole Survivor is as a soldier or how much influence they wield. Danse is a synth. He’s the enemy. He is physically the embodiment of everything they hate.

Not only wouldn’t they trust a synth in general, but the BoS specifically believes that Danse is an infiltrator for the Institute. Even Danse believes that he is a danger, that the Institute may be able to take control of him and use him as a weapon. Sure, we know none of this is actually true, or possible, but the BoS don’t know that. And given how quick they are to order Danse dead without even the possibility of surrender, I don’t think there’s any charisma in the world that’s going to convince them otherwise.

According to Peter Jessop, this, ultimately, is the reason why the Elder ending was cut. He talks about it around the 11:30 timestamp in his Instagram stream, linked above:

“We recorded an ending where you keep Danse alive and you take over the Brotherhood. But there was a question of content… there’s no way the Brotherhood, once they knew he was a synth, would let him be even the right hand of the person in charge.”

Bethesda correctly recognized the incredible narrative contrivance for the BoS to shrug off the reason they’re trying to execute Danse in the first place. Whatever other beefs I have with this ending conceptually, they all come in second to just what a big dumb leap it is to get beyond this first and most important problem.

2. The Complete Death of Conflict

The Elder ending of BB destroys the conflict of the quest, and potentially the conflict of the entire game.

Greed is a poison. There is no such thing as a perfect ideal or a perfect organization. Power corrupts. Humanity has the choice to build back better. War never changes. The Fallout games are full of themes, depicted by the characters and quests and factions we play out.

Blind Betrayal is rightfully praised as one of the most powerful quests in FO4. Not only is it well-acted, but it puts the player in a very difficult position. The BoS has given you clout and glory and free power armor and lots of firepower, but now you see the price: unquestioning obedience. You are ordered to execute your friend and mentor Danse for the mere fact he is a synth. Are you going to follow that unjust order? Are you willing to give up your principles on command? Or is this where you can no longer stay quiet and stay in line?

To be honest, I’ve always thought the fact you can talk Maxson out of killing Danse but still remain with the BoS in good standing was a cop-out. BB goes 90% of the way to forcing you to choose between a companion and a faction, and then chickens out at the last second to let you have both, if your charisma is high enough.

(I believe this has the fingerprints of Skyrim’s development on it-- Bethesda’s writers got nervous about doing another Paarthurnax choice involving the fan favorite Brotherhood of Steel. That’s right. Danse is the Paarthurnax of Fallout. Frankly, I understand why they chose not to go there, but damn, wouldn’t it have been wild? You want to run with the BoS? Then kill your friend and feel the burn. THIS is what it means to follow orders without question.

As for me, I’d pick Danse every time and sleep soundly without the company of shitty bootlicking dieselpunk LARPers- but I digress.)

Anyway, you know what would have REALLY been a copout? If the game asked you to make a difficult thematic storyline choice, and you solved the problem by just not choosing at all.

You are supposed to feel uncomfortable when Maxson orders you to kill Danse, because the game is telling a story about how it is maybe a bad thing to thoughtlessly follow orders without question. It is asking you to think about what the BoS is, what they are doing, and how they are going to run things, if you choose to let them “win” the Commonwealth. It is pointing out that there is no room for gray in the BoS’ black and white. That a good, loyal man may die because of the way he was made, through no action of his own. That soon, you’ll be killing other people on command. The Railroad. Fleeing Institute synths and scientists. Others, down the line. It all depends on who’s giving the orders. Are you going to follow those orders?

Eesh, that sounds thought-provoking and unpleasant and difficult! Let’s just skip it by killing Maxson and making ourselves the boss. Now we get to tell everybody else what to do!

It’s unknown what powers the Elder ending would have granted the player, or how it would have interacted with the other factions. There is speculation that you’d have been able to ease back on the BoS’ dogmatism, or change some of the later events of the game. For instance, perhaps you could talk the BoS down from attacking the Railroad, sparing popular characters like Glory and Deacon who must die in the normal BoS storyline. Perhaps you could have made the BoS a kinder, gentler faction and directed them to run the way you want them to.

If this was indeed the case, then the Elder ending would not only suck the gravitas out of BB, but torpedo the entire main plot.

If you can get rid of any and all downsides to siding with the BoS, why in the hell would players side with anybody else? With the player given total power, the BoS becomes a perfect faction with no drawbacks, no weaknesses, no tough decisions to be made. Screw slumming it with the Railroad or the Minutemen, let’s take over the BoS. Free power armor and a giant robot! Forget the whole intolerance thing, I hereby proclaim the BoS No Longer Problematic! Now to force all the factions to get along, completely removing all conflict and nuance from the plot!

That’s some real anticlimactic “tell Legate Lanius to go home and then he does it” bullshit right there. King Shit of Fuck Mountain!

Look, it might be nice if there was a perfect path like that to take through the game. It would be cool if our characters could be that powerful and the game was that tailored to our individual choices. On the other hand, “I change all the factions to suit my exact liking” might be a fun idea for a fanfic, but it’s an incredibly boring plot for a video game. “I get to make everything in the world exactly how I want it” is Minecraft, not a story-driven RPG with a complex and intricate plot.

It would be great if complex conflicts could really be solved that easily and effortlessly, but hey, you know what? War never changes.

3. The Assassination of Arthur Maxson (Literal)

Arthur Maxson’s death is too significant and fundamentally disastrous for the Elder ending to make any sense at all.

Hero, villain, leader, monster, tortured soul, brutal dictator, immature twerp, bearded sex hunk. However you personally interpret Arthur Maxson, there is no denying that he is a venerated, popular, beloved figure in the BoS. He is the blood heir of the organization’s founder, a powerful warrior, a brilliant tactician, and a charismatic negotiator. He is responsible for reuniting the East Coast BoS with the Outcasts, leading the new, stronger BoS with a sense of shared purpose. There is a damn good reason his name is Arthur and he named his ship The Prydwen, echoes of King Arthur and the legends of his glorious kingdom of Camelot. Arthur Maxson is so beloved that many view him as a demigod, a messiah sent to lead the BoS into a mighty and prosperous future.

So I’m sure nobody’s going to be upset when some wasteland jackass recruited a month ago stumbles in with a synth, kills him, and takes over his job. Right?

It doesn’t matter that it’s “honorable.” It doesn’t matter that it’s done “by the book” via obscure BoS rules. There is no codex or litany or rule so binding that it’s going to overcome the cult of personality around Maxson. There is no way that the BoS is going to accept the death of Arthur Maxson, a man whose reverence borders on worship, especially not when he is immediately replaced by a wastelander, or a synth.

The death of Arthur Maxson removes the unifying glue that’s been holding the BoS together since mending the rift with the Outcasts. Maxson’s death eliminates the one person that both sides of that conflict agreed could steer the organization in the right direction. Some level heads may try to keep the focus on the mission and the Brotherhood tenets, but Maxson loyalists will never forgive the new Elder for his death, and that amount of passionate righteous anger will not be quelled by appeals to the rules. The new Elder’s war on the Institute is basically over before it begins, when the forces splinter and start infighting over the change in leadership.

And this is if the new Elder lives long enough to actually give any orders. I give them around 24 hours after the duel before some angry Maxson loyalist “accidentally” pulls the trigger and “tragically” empties a clip into their back.

24 seconds, if it’s Elder Danse, the dirty synth abomination.

4. The Assassination of Arthur Maxson (Figurative)

The Elder ending of BB falsely pretends that Arthur Maxson is the biggest and only problem with the BoS.

In the Elder ending, as written, the conflict of BB is considered completely and totally solved by the death of Arthur Maxson. The core problem, that Danse is a synth and considered an enemy by the BoS, has not gone away. But by getting rid of Maxson, this apparently no longer matters. Nobody else is going to take offense to Danse’s nature or protest his presence. Nobody else is going to attack him or try to follow through with Maxson’s prior orders. Nope, that meanybutt guy who gave the order is gone, and everybody else is going to welcome Danse back into the fold like nothing ever happened.

I touched on this a little bit on an ask about Maxson a few weeks back, but a lot of people seem to believe that the FO4 Brotherhood of Steel is the way they are purely because of him. That he is the one making them treat non-humans as second class citizens at best, and enemies to be slaughtered at worst. That it’s his fault the BoS is so vehemently against synths and the Institute. That he is the one influencing their imperialistic tendencies, and treating the Commonwealth like territory to be conquered and people to be ruled over by their betters.

He’s not. That’s the Brotherhood of Steel, guys.

The charitable, altruistic, virtuous BoS that many of us met for the first time in FO3 were outliers. Lyons’ group was literally disowned by the rest of the faction because their kindness to wastelanders had gone so far astray from the “core” tenets. The BoS as a whole has always been exclusive, isolated, and seen themselves as “superior” to the average wastelander. They have long disliked or outright hated non-humans (and even Lyons’ BoS in FO3 use ghouls, feral or not, for “target practice” if they get too close!) The rigid dogmatism of the BoS is not something that Arthur Maxson started, but has always been part of their fabric.

Now, it’s true that Maxson is absolutely going hard on the BoS tenets, and extremely dedicated to upholding them. His BoS are the way they are and act the way they act because he believes that this is the way it should be. Is it possible that a different leader may be a little more flexible? Absolutely. Could a skilled Elder eventually show them the benefits of a softer approach and a more generous worldview? Totally. Is getting rid of Maxson and replacing him going to make that happen overnight, or going to make the rest of the BoS who supported him shrug and follow suit?

Nope.

Blaming Arthur Maxson for everything unsavory about the Brotherhood is unfair to him and also foolishly ignoring the deep, massive problems that are far older than he is-- problems that plenty of its members wholeheartedly believe are not problems at all. Getting rid of Maxson does not make the BoS kinder or gentler. Even pretending Maxson isn’t as personally beloved as he is, any new Elder who steps in and starts trying to fundamentally alter the way the BoS operates and what they believe in is going to face some major, immediate pushback.

Like, a full clip of bullets in the back type of pushback.

In the face if it’s Elder Danse, the godless freak of nature.

5. The Un-Redemption of Paladin Danse

Last, and my personal least favorite!

At first glance, Paladin Danse is a steely jackboot, a die-hard Brotherhood loyalist who fully and firmly believes in their cause. Many immediately dismiss him as a humorless brute, or completely ignore him because they think that’s all there is. But if you spend any time with Danse at all, you’ll notice a sort of weariness in him. He is tired, overworked, and his years of service are starting to weigh on him. He has watched friends, comrades, and mentors die in horrible and gruesome ways, and he suffers from PTSD. Though he has always been told that his own sacrifices, the sacrifices of his brothers and sisters have been” worth it,” he’s starting to question if that’s true.

After telling of the incident where he personally executed his best friend Cutler, who’d been turned into a super mutant, the Sole Survivor is able to console him:

Player Default: You did the right thing. Danse: {Somber} It's what I was taught. I don't know if it was right.

This line is an excellent summary of Danse’s entire character arc. He learns to question whether to believe what the Brotherhood has taught him, or to believe in himself. His gut feelings. His sense of justice and his own ideas of what’s right and wrong.

(In the interest of not turning this into an essay about Danse’s character, I won’t even get into how this also applies to his beliefs about his worth as a person. But keep in mind, that dimension is there, Danse just covers it up by making everything about the Brotherhood.)

During Blind Betrayal, after getting the orders to execute him and hearing Haylen’s plea for mercy, we may expect Danse to be ready to fight back or flee. But when you confront him in the bunker at Listening Post Bravo, he’s compliant and suicidal. Danse is so deeply poisoned by the BoS’ rhetoric that his own feelings or will to live don’t factor into the conversation. He demands that you follow your orders and execute him, because he believes, as the BoS does, that all synths are dangerous and must be destroyed.

Danse: {Stern} Synths can't be trusted. Machines were never meant to make their own decisions, they need to be controlled. Technology that's run amok is what brought the entire world to its knees and humanity to the brink of extinction.

{Confident} I need to be the example, not the exception.

Through various dialogue options, if your charisma is high enough, you are able to talk Danse off the ledge. He is able to consider, at least, that the BoS’ merciless judgment of him is wrong and that what he was taught isn’t right. He is a thinking, feeling, self-aware synth, and that makes him as much a person as any human. Danse is no danger to humanity-- and maybe, most synths aren’t either.

Danse is an example, not an exception.

Later on, if you manage to get him out of BB alive, Danse shows further acceptance of his nature. His approvals about synths begin to soften slightly (or many of them do, at least… it’s not perfect.) He is still struggling with his identity and reconciling it with his former hatred, but his dialogue suggests that he’s on the road to being more open-minded and understanding. Along with this, Danse learns that he has value as a person beyond the Brotherhood. He no longer needs to define himself with BoS beliefs or judge himself by how useful he is to them. He learns that he is worth caring about, worth being friends with or being loved because of who he is-- not what he is, in any regard.

[SIDENOTE: Many players, myself included, are frustrated that Danse’s arc leaves off sort of midstream there. Due to the open-ended nature of the game, we don’t get a real conclusion to his arc-- even though much of his idle dialogue doesn’t change and he still espouses pro-BoS sentiments ( an unfortunate by-product of writing for a video game) there is every indication that he’s started down the right path, but understandably has a ways to go.

Also, Peter Jessop agrees with us.]

Meanwhile, in the Elder ending, Danse doesn’t get a redemption. His entire character arc, actually, hits the skids and does a total 180.

He never leaves the BoS. So scratch the need for Danse to ever think about himself as separate from them. He never needs to question what they’ve taught him or whether they’re right or wrong. He never needs to find any worth in himself beyond his use to the BoS. Why would he? He might be the Elder. The BoS is all he needs to care about anymore. The BoS is all he ever needs to be, ever again.

And I think, most horrifying of all, this Danse never needs to change his mind about synths. On the contrary, one of the surviving dialogue files includes Danse’s speech to reassure the rest of the BoS of his stance:

Danse: I want to make one thing clear to everyone. This body might be synth, but my heart and mind belong to the Brotherhood. The Institute is still a tremendous threat to the Commonwealth. They possess technologies that need to be confiscated or destroyed. And even if that means I have to pull the trigger on my own kind, I’m willing to make that sacrifice.

Elder ending Danse doesn’t grow more understanding on the nature of synths. He doesn’t accept that synths are people, or anything more than technology run amok. He won’t even accept that for himself. Elder Maxson wasn’t wrong about synths-- they’re the enemy and they need to be destroyed.

But, see, he was wrong about Danse. It’s okay for Danse to exist in spite of his nature. It’s okay for him to never fully accept his own personhood, and to outright deny it to his kind. Because his body is a machine, but he’s different from the rest because his heart and mind belong to the Brotherhood.

He’s the exception, not the example.

CONCLUSION:

The Elder ending of Blind Betrayal is dumb, contrived, stakeless, character-derailing powergaming crap at its finest and I’ll happily dance on its grave.

People give Bethesda a lot a shit for their writing-- whether it be stuff they left out, stuff they left in, or stuff that they never, ever could have made work due to the limitations of writing for a video game. Plenty of it is well-deserved, or at least worth a discussion. But from the minute I found out about its existence, I have always wanted to extend a congratulations to Bethesda for cutting the alternate Elder ending of Blind Betrayal. It was a good choice. A very good choice to cut a very dumb plot that would have fundamentally altered the story they were telling, and characters that I’ve grown to love. I think the writers deserve some credit and a hearty handshake for the wisdom of this decision.

Now as for why Nick Valentine isn’t romanceable--

#fallout 4 #fallout meta #paladin danse #arthur maxson #blind betrayal #this one was a long time coming #any thematic resemblance to any fics of mine is a coincidence #the blind betrayal manifesto #king shit of fuck mountain #the initial intrigue of the idea wears off if you think about it more than not at all

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lynkhart · 3 years

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MAJOR spoilers for the C2 finale of Critical Role so read at your own risk of you haven’t caught up!

I have so many feelings regarding Caleb and Essek’s intertwining character arcs I needed to explore, so strap in folks, you’re in for a bit of a ride! (But seriously though, this is like 4000 words long, I basically wrote an essay 😂)

At the start of the campaign, Caleb Widogast was dripping in guilt and self loathing and refused to believe he could ever absolve himself of his sins. Essek Thelyss was a cold, aloof individual who betrayed his people for selfish goals, and their differing yet mirrored narratives have been an absolute delight to watch unfold.

In the beginning Caleb truly hated himself. He shot down any attempt at a compliment, described himself as a ‘disgusting person’, outright rejected the idea that he was worthy of love, and never let the blame shift from him for what he’d done. When Beauregard and Veth/Nott pointed out that he was coerced and manipulated into killing his parents, he reacts in an incredibly visceral way, and I’ve seen several comments likening it to a victim of child abuse who was groomed into believing they were as responsible as their abuser, and I think that’s exactly how it was meant to be read. He doesn’t see himself as a victim, only a murderer, and punishes himself for it every day. We see this in the way he presents himself, dirty and unkempt because in his mind he doesn’t deserve to feel good about himself in any way. Other than Nott/Veth and Beau to a certain degree, he purposefully isolates himself from the rest of the group and it’s a long time until he feels relaxed enough in their company to drop his defences a little.

(Speaking from a purely meta point of view, Liam did an absolutely phenomenal job of showing this through body language and I’d love to see someone do a compilation video of it. He starts off very hunched and guarded, leaning his body away from the closest person to him and avoiding eye contact and physical touch; but by the end stands tall and sure of himself.)

Early on there were a few moments where he had the option to do some pretty dark shit, and I’m sure there’s a possible timeline where he gave into his desire for revenge and really lost his way, but I’m glad he stuck it out and worked through his trauma in the way he did. His PTSD and disassociation when casting with fire was tragic, but over time he was able to work through it thanks to the constant love and support of his friends who kept him from going off at the deep end.

Molly’s death was the catalyst for change in a lot of the party, and Caleb is no exception. On the verge of leaving the group prior to his death, the grief they shared, combined with their frantic attempt to rescue the other half of their party put things in perspective and gradually he learned how to be a person again, to care.

Altering time to save his family had been Caleb’s only goal in life, and so when Essek and by extension, dunamancy was introduced, you could see his eyes light up at the possibilities.

A huge turning point for him is aligned so closely with Essek’s redemption arc which feels quite apt I think. When Essek confesses to his crimes, Caleb delivers a beautifully iconic piece of dialogue where he acknowledges their similarities and how much he himself has changed as a person since meeting the Mighty Nein. (Source - CR wiki)

‘You listen to me. I know what you are talking about. I know. And the difference between you and I is thinner than a razor. I know what it means to have other people complicate your desires and wishes. And I was like you. Was. I know what a fool I have been for years. You didn't account for us. Good. That is life. Shit hits you sideways in life and no one is prepared. No one is ready. These people changed me. These people can change you. You were not born with venom in your veins. You learned it. You learned it. You have a rare opportunity here, Thelyss. One chance to save yourself, and we are offering it.’

This is not the same Caleb we met back in the Nestled Nook inn way back in the first episode. While not yet fulfilled or entirely convinced of his own worth, he knows he’s on the right path. That alone is progress enough, but that he uses his own experiences to help another escape those same chains of guilt says such a lot for his development. When he tells Essek that his ‘venom’ was learned, he’s also talking about himself and his own history of being manipulated and gaslit, with the implication being that it can be un-learned just as efficiently.

Caleb Widogast is selfish no more, or at the very least, doesn’t let his goals undermine anyone else’s anymore. Contrary to what he himself might still think, he is in no way a bad person. He loves fiercely and cannot abide seeing those he cares about in pain.

Early game Essek is what Caleb could have been if he’d rejected his friends and focused solely on his own selfish goal to undo his mistakes. Both are impassive at first and see the Mighty Nein as means to an end...until they get to know them and then their fate is sealed. The Power of Friendship wins once again!

At the beginning Caleb said he wanted to ‘bend reality to my will’ (sic) and in the end he does just that, though not in the way he originally intended. Destroying the T-Dock, and by extension the one thing he’d been building towards from the start, the chance to go back and change time, for me personally was the absolute peak of his journey. I rewatched the scene where Caleb revealed the truth about his parents death today, and it was really jarring to see just how far he’d come since then. It made me oddly proud actually.

I always felt like his plan to save his parents was the one thing holding him back from truly accepting their deaths, which is why the final scene of him in the cemetery with the letters for them hit so hard. He never truly gave up hope that they’d be reunited, but ultimately he realised he was merely postponing the inevitable and never allowing himself to live his own life. While time travel shenanigans would have been incredibly interesting to explore in game, choosing to let the past lie and not go back for them finally allows him to grieve and move on, and perhaps most importantly of all, to forgive himself at last.

I know some people were annoyed by Caleb’s decision in the finale to spend the rest of his life teaching rather than continuing to adventure, but I see it as the natural conclusion to his whole arc and his own personal victory.

He looked Trent Ikithon in the eyes, a man who he’d spent years wanting to kill and run from in equal measure, stripped him of his power and his voice (and ultimately his ability to harm anyone else) and finally spared his life so he had to live with the indignity of his defeat for the rest of his miserable existence. You couldn’t have asked for a more damning rejection of everything he’d been brainwashed into believing as a child. His dismissal of Trent’s position in the Assembly played into that as well. He never really wanted power for the sake of it; he had no desire for politics, he just wanted his family back, and while he didn’t get the one he started with, he made a new one for himself in the end.

As Caduceus once very wisely said:

‘Pain doesn’t make people; it's love that makes people. The pain is inconsequential; it's love that saves them.’

Caleb gets to break the cycle of abuse and teach a new generation of mages the way he should have been, with kindness and respect, and I’m pretty sure he’d have introduced a handsome drow as a guest lecturer from time to time. 😉

Speaking of...

Essek described himself as selfish and as a coward, forever putting his own wants and desires first, yet over the course of his journey with the Nein we see his priorities change drastically.

Having friends gives him people to care about, something he’s never had before, and it changes his outlook on life completely. For me, the first time we really see this is when he joins them for dinner in the Xorhaus and stops levitating. It’s a subtle thing, but meaningful. He explains that it had become an expectation of him, a quirk he’s known for, and so to feel comfortable enough around the Nein to drop that pretence is quite bold I think.

Much later, when he chooses to destroy the mini beacon they discover in Aeor in order to give everyone a long rest before the final confrontation with Lucian, he’s essentially giving up everything he betrayed his people for, just to keep his friends safe. The existence and context of that single artefact could have had an earthshattering impact on the Dynasty’s entire culture, forcing them to reevaluate their entire belief system and attitude to the Luxon, something he’d wanted from the start, something he helped start a war for, but he offered it up as a sacrifice without a second thought.

I’d say that’s a pretty big morality shift, and I’m super interested to see if Matt reveals if his alignment changed in the post campaign Q&A. I have a feeling he set him up as a potential BBEG but the party was like ‘no, you can’t have him, he’s ours now’ and that was the end of that. 😂

I think it says so much about the other characters too, that they befriended this person they barely knew, and when he was revealed to have done such terrible things, their first reaction was to give him comfort and an opportunity to atone. Jester held his hand while he confessed, and afterwards, while they didn’t immediately forgive him, they saw the good in him and wanted him to be better, which ultimately feels like what the entire campaign was about, leaving places (and people) better than they found them. It’s obvious that he’s never really had many friends before and has therefore never had the opportunity to be emotionally open with anyone, so seeing him gradually warm up to the Nein and allow himself to soften around them was really lovely to watch.

(Obviously, from a realistic moral perspective, he still fucked up big time. He’s still a godsdamned war criminal and really should have been put on trial for what he did, but I think from a narrative and personal point of view, his redemption arc was far more satisfying, so I’m glad it happened the way it did. (And not to derail but the rest of the gang have done some pretty horrific stuff as well, though perhaps not quite on the same scale)

He has a few moments towards the end that I absolutely love because they show that beneath the guilt and anguish, there’s an incredibly sweet and sensitive soul in there, just wanting acceptance. His dry jokes which often don’t quite hit, (the ‘I will punish the bakery’ line is such an under-appreciated one 😂) his simple joy at learning to garden in the Blooming Grove, and realising that he’d never been asked what his favourite food was before was actually kind of heartbreaking, because it highlighted how lonely his life must have been until that time. There was a moment pretty early on I think when he cast disguise on the party and Jester asked if he could cast it again to change the look of her outfit a bit and while he seemed to find it amusing, he refused, not wanting to waste a spell on such a frivolous request. Cut to their time in Aeor where he burns a fly spell just so he and Caleb can flirtatiously swoop around each other for a couple of minutes, all the while trying to beat Lucian to the city.

His breakdown when Molly’s resurrection failed really cemented to me how much he’d grown as a character. He never met Molly, his only knowledge of him was secondhand, through the eyes of his friends, but seeing it fail just broke him because he knew how much it hurt them to go through it all over again.

His comment to Caleb about not admitting defeat and wishing he could do more did get me wondering at the time if he was going to try and do something crazy, perhaps sacrificing himself via the Temporal Dock to make amends or somehow forcing another reroll, but I’m glad he didn’t. The conversation following that with Fjord was one of my favourites- he shows him acceptance and belief in his potential for the future, something he’s lacked for a long time, and when Caleb bluntly affirms afterwards that he is indeed an official member of the Mighty Nein, it’s the start of the rest of his life, and something he’s exceptionally grateful for.

It all leads to that final moment in Aeor with Caleb, when, presented with the opportunity to alter time and undo everything, he chooses to accept his decisions and carry the weight of his sins for the rest of his long life. That’s...huge.

He’s essentially choosing to live the rest of his existence as a fugitive, forever on the run, with no guaranteed peace or safety. He chooses to spend his life making up for his deeds, rather than looking for an easy way out.

I think that may have had a big impact on why Caleb ultimately made the same decision, as if Essek had been up for altering his timeline I think he’d have struggled to resist it himself. The conversation they had earlier in Aeor about their priorities and resisting temptation really comes to mind as well.

Now, to the relationship.

It was subtle, and not as ‘in your face’ obvious as the other characters, but I’ve been watching and hoping for a long time and I must say, it feels good to be vindicated.

(And if you have any doubt, both Matt and Liam confirmed on Twitter that their post finale relationship was 100% romantic)

I’d been hoping that Shadowgast would be a canon endgame relationship for a while, so the finale, and the aforementioned T-Dock scene in particular had me quite literally shaking with emotion as I watched live. Here you have two men, both damaged and guilt-stricken in their own ways, who find in each other a kindred spirit and a path to redemption.

They’re both very guarded and closed off people, but Essek in particular has a definite shift in the last arc of the campaign especially when it came to his interactions with Caleb. At the start he was quite aloof and stoic, though charming, and they had an instant connection through their shared love of the arcane, (anyone who couldn’t see them making heart eyes at each other when Essek was describing the different types of magic he could teach Caleb was clearly blind) but by the end he was incredibly open to showing his vulnerabilities and that takes a lot, especially for someone whose primary focus was to stay in control of every aspect of his life. The ‘Caleb, I’m scared’ moment during the Trent fight in particular made my heart ache.

No, we didn’t get a dramatic declaration of love or a cinematic mid-battle kiss, but I’d argue that their relationship was just as, if not more intimate than any of the other main characters were. They understood each other in a way the others didn’t, their shared guilt, feelings of inadequacy and their obsession with magic forged a deep connection from the get-go. Neither of them are big fans of PDA I think, though Caleb is tactile as hell (forehead touches and kisses, oh man, I’m so weak for those 😩👌) and some of their most iconic moments have them putting themselves in harm’s way to protect the other. Essek shaking off his forced guilt trip immediately after the now infamous forehead touch in ep140 was beautifully poetic, as was using his fortune’s favour to pull Caleb out of the rubble moments before. Caleb trying to include him in his Sphere of Invulnerability in the finale and Essek staying close to him the whole fight despite being obviously terrified of Trent was the icing on the cake. It’s clear that they care for each other a great deal; whether by the finale they’d consider it love is up for debate, but we know that’s eventually where it ended up and honestly, I love that. I deeply appreciated the fact Matt and Liam both emphasised that they took their time with their relationship, letting each other heal in their own way before they took the next step. All too often in media, and real life too sadly, a romantic relationship is seen as some kind of quick fix, and that a lover will somehow complete you or make all your problems vanish. They knew this wasn’t the case here, and that made it all the better.

While I would have *loved* to have seen them together as a couple right to the very end, the change in their relationship felt right, if bittersweet. I doubt they ever stopped loving each other, and if anything, choosing to shift to a deep and lifelong friendship over a romance that would cause them both so much pain is one of the kindest things you could do for someone you love. After all, friendship isn’t a downgrade, just another way of experiencing that same love, and it wasn’t as though they broke up and never saw each other again, it was pretty strongly implied that they remained a major feature in each other’s lives, they just changed their label slightly. Caleb would hate to have forced Essek to watch him wither away, and although his eventual passing would hurt Essek regardless, incompatible lifespans being what they are, having a period of time to adjust to it, to give them a buffer between the inevitable heartbreak was actually really sweet.

Their romance was no accident, they knew going in that it had a time limit, that it wasn’t going to be forever for one of them, and the fact they did it anyway says so much. They began their adventure wholeheartedly believing that they were both, in their own way incapable of love, only to later find it with each other. Whether their relationship lasted for a couple of years or multiple decades is irrelevant, what matters is that while it did they had a happy and fulfilled life together.

I know some folk wanted Caleb to use the transmogrification spell on himself so he could live on with Essek as another elf, or make him human instead, but that would have been way out of character for both I think. If they could have backwards engineered one of the rejuvenation stations in Aeor and used it to extend Caleb’s life by a hundred years or so, so he’d have a similar lifespan to Veth, now, I could have seen him possibly doing that, so he could spend more time with his best friend too, but nothing further I think. He longed to be reunited with his parents too much to postpone death unnaturally like that.

That both Caleb and Essek ultimately chose to live with their mistakes and make peace with themselves was incredibly cathartic, and I couldn’t imagine it playing out any better.

The fact Matt has explicitly stated Essek is Demi too means so much to me personally because the latter is a label I’ve been identifying with a lot recently, and it’s so rare for aspec relationships to get any representation! It has honestly given me a lot to think about over the last few days, and I really appreciate it.

To conclude, here’s a bit of shameless self promotion. I wrote this after watching the finale and honestly feel like it sums up my feelings on the nature of their relationship pretty well.

‘A casual hand on a shoulder, a waist, a wrist; a gentle kiss placed on a forehead is common between them now, an intimacy born of trust and mutual affection. Over time it grows, like a fire born of seasoned timber; gradual and steady, no spluttering kindling that flares and sparks, but a slow burn, one which lasts.

Their love is embroidered into every aspect of their lives together. Acts of service, of comfort, of understanding.

Sometimes a kiss leads to more than a kiss, sometimes it doesn’t. Either way they are content.‘

So yeah, I love these two wizard boys so very much and I couldn’t be happier with the conclusion of their stories. ❤️

#Critical Role #Critical Role Spoilers #CR Spoilers #shadowgast #Essek thelyss #Caleb Widogast #C2ep141 #C2ep141 spoilers #critical role finale

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collectivefandomstuff · 4 years

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Title: A Hindering Hand Type: Fanfic, crossposted to AO3 (https://archiveofourown.org/works/27270097) Status: Complete. Chapter: 1/1. Fandom: DC/Batman Rating: T Warnings: Language. Beta: No beta we die like Jason Todd and also Damian Pairings: None. Word Count: 4k+ Genre: Humour/Comedy Characters: Jason Todd, Tim Drake, Dick Grayson, Stephanie Brown, Damian Wayne. Summary: When Dick is refused the opportunity to coddle Damian, he decides to lavish his other siblings with his questionably helpful assistance. They are palpably ungrateful.

Excerpt: Damian didn’t answer the first time, so Jason made use of his annoying gene(s) and called him over and over until he picked up. “Todd,” Damian snarled, “I am at school. I realise that you were incapable of finishing your formal education but-” “Your fucking Dick of a brother broke into my apartment and re-decorated my living room.” Jason informed him.

”You have got to be kidding me.”

Jason stared at what used to be his perfectly clean kitchen; now a hollowed out shell of its former self. Cabinet doors were thrown open, his carefully organised supplies haphazardly shuffled around. Every single counter and parts of the floor was covered in flour, cocoa, and something wet and heretofore unidentified. He didn’t even want to look closer at the stove or the sink, both filled with sticky, clearly misused, pots and pans. There was a smell hanging in the air, the same one that had set his inner alarm bells off when he entered the apartment: burnt sugar and something that smelled suspiciously like rotten fruit. Jason took a deep breath to stop himself from just whipping out his guns and shooting at the mess. It would be cathartic, but ultimately unhelpful. Instead, he fished his phone out of his front pocket and thumbed through his contacts.

He got through two rings before the line opened.

“He got you too?” Tim said on the other end. His tone reminded Jason of Bruce, which was usually a clear indication that Tim was fucking done.

“How can he be this useless?” Jason ground out.

“He was raised by Alfred.”

“So was I. And you.” “Fine. He was spoiled by Bruce.” “uh-huh,” Jason agreed, daring to move into his living room. Thankfully, the carnage hadn’t spread there, though there was an oven pan, placed strategically in the middle of his coffee table. The contains looked like what Jason imagined “dubious food” in Zelda looked like in real life. “I have to stop hanging out with you,” he told Tim. “Why?” “I just made a video game reference in my head.” “Which game?” “Not the point.” “I mean-” Tim began, but before he got any further into arguing why the specific game was “of import” to the discussion -fucking dweeb -Jason cut him off: “I’m going to kill him.” Tim was quiet for a moment. “What did he do exactly?” “Hi Little Wing,” Jason recited from the note that had been stuck underneath his brand new fucking oven pan Dick you bastard that was expensive. “I made you some brownies!” Jason stopped to look closer at the brown sludge that he was pretty sure was stuck to the bottom of his new pan. Martha herself recommended it, Dick goddammit. “I hope they turned out all right! Don’t work too much! D.” There was a pause. “Did they turn out all right?” asked Tim. “No,” Jason gritted his teeth, “No, they did not.” “He’s really on a spree this week.” “Yeah?” Jason muttered absently, poking at the sludge with his gloved finger. It jiggled. Somehow, that made everything so much worse. “Mm,” Tim said, and Jason could hear the tapping of computer keys in the background which meant that he had about 30% of Tim’s attention. “He hit Cass and Steph a few days ago. I guess since Cass is staying there when she’s in town he thought it was two for one. Tried to do their laundry.” “Why haven’t they killed him?” “They’re working on big drug bust. So, no time.” “Well I have time.” Jason groused, already trying to reorganize his plans for the evening. He would need at least three hours to repair the damage Dick had done to his kitchen. “Good,” Tim said, his voice cold, “because so do I.” Jason stopped trying to figure out how many new appliances he would need to buy to focus for a moment. “What did he do to you?” Tim was silent for a long while, then: “He tried to clean my apartment.” Jason shuddered. On one hand, he understood the compulsion. His replacement’s usual idea “clean” was “nothing hazardous is currently growing somewhere��. Still, the only thing worse than Dick trying to clean was Bruce trying to clean. Or cook. Or do laundry. Or vacuum. The Batman he may be, but Jason had never met a more incompetent homemaker in his life. Once, Bruce had tried to dust a little and they had to call the fire department. “And?” He prompted. “He moved everything,” Tim said, deceptively calm, “and threw out at least thirty-four irreplaceable things.” Oh shit. There was a reason why Jason stomped down the urge to clean Tim’s apartment. He once moved an old magazine when the younger boy wasn’t even there and the next day he got received three upset calls and a computer virus for his trouble. “He re-organised my desk. My cases. My clues.” Tim continued to rattle off. “And he didn’t even manage to clean properly. I’m pretty sure he tried to scrub my TV with vinegar.” Jason bit his lip to keep from laughing. Looks like Tim got it worse. “Shut up,” said Tim grouchily. “I didn’t say anything.” “You were laughing at me.” How- Jason’s hand clenched around the phone. “I told you to stop putting cameras in my apartment.” Tim snorted. “So find them and take them down. Think of it as practice,” he said, lilting the word “practice” in the same way Bruce usually did. “You’re such a creeper.” “Says the murderous crime lord.” “At least I’m not a stalker.” “Have you checked your bottom cabinets yet?” Jason stilled at the sudden change of subject. “Why?” “Looks like the re-organising urge lived on.” Oh, he had better fucking not. Jason stepped back into his kitchen and, with the care of someone opening a bomb case, edged open the door to his pots- and pans cabinet. He came face to face with his toaster, nestled between a pasta drainer and three boxes of cereal that he had not owned this morning. It was the sugary shit too. “Son of a-” “I think he put your spatulas in the fridge,” Tim said cheerily. Jason was going to wring his little neck. Right after he had stomped on Dick until the unbridled rage in his chest went away. “This is why I don’t want any contact with this family for-” “You know why he’s doing this right?” Tim queried lightly. Jason frowned. “I don’t keep track of the family gossip, pretender. I have better things to do with my time.” Tim made an offended noise at being called “pretender”. “Fine. Then why don’t you try to make him stop and call me when he’s tried to clean your guns?” Jason rolled his eyes. The dramatics, honestly. Bruce 2.0. “Why is he doing this, Tim?” He asked reluctantly. Tim sniffed. “Damian told Dick that he wasn’t needed at the moment, which was the little brat’s way of trying to get Dick to take some time to de-stress, but obviously Dick took this to mean that Damian has cast him aside and considers him a bad parental figure.” Jason spent a good few seconds rethinking the whole “moving back to Gotham” idea. He could just… leave and never talk to this insane family ever again. It was entirely doable. Just, one little call to Roy and hasta la vista you absolute nutjobs. He sighed. “So we have to talk to the demon child?” He asked tiredly. “Yeah pretty much.” “I still think my first plan was better.” “If you kill Dick, the family will never leave you alone.” That was a surprisingly good point. Dammit. “Can I punch him a little?” “I’d encourage it.” “Hey,” said Jason suspiciously, “just what are you planning to do him exactly?” “Honestly?” Tim replied. “I’m going to send a false tip to the department of Agriculture, fabricate evidence, and make them recall his favourite cereal.” Jesus fucking Christ this family was a pizza bagel of crazy with a sociopath topping.

It took them a while to track down Robin during patrol, and when they managed to find him they were met with immediate resistance. Which, taking into consideration who they were, wasn’t all that surprising. “Calm down.” Red Hood said placatingly while he jumped out of range from Robin’s swords. “We just wanted to talk to you about N-” He dodged a batarang that was clearly aimed at his throat. Add psychopath topping to that pizza bagel. “Would you knock it off,” Red Robin snarled, spinning out of the way when Robin spun to aim a kick at his stomach. Hood seized the opportunity and darted in to restrain the tiny beast that, let’s be real, was absolute proof that Bruce should not be allowed to procreate. Robin thrashed in his hold for a good three minutes before he finally settled down, glaring murderously at Red. “What do you want?” Robin spat. Even when Hood could feel him literally vibrating with supressed rage, he still kept perfect syntax. No abbreviations here. Little freak. “We need you to call N,” Red said. He looked a little ruffled and more than a little miffed. “I will do no such thing,” Robin sniffed. “Think again,” Hood said in his ear, letting his voice drop into a menacing tone. “Look,” Red Robin said. His hair was sticking up at the back after the struggle and he looked real fed up with this. Hood could relate. “N is running himself ragged trying to prove he’s a good parent or something and you need to make him quit before he injures himself.” Robin stilled. “What would Grayson be doing that would cause him such stress?” “He’s cooking,” Hood drawled. “And cleaning,” Red added. Robin’s whole body tensed. “I will take care of it.” He declared imperiously. Hood looked at Red, who shrugged. Yeah, good enough, I guess.

It was not good enough, he guessed, Jason realised as he took in what used to be his living room, but was now a cut out of a living room no one would ever willingly ”live” in from Garishly Tasteless Designs Magazine. He had his phone up and dialling before his eyes had even swept up the full length of the dirt-yellow curtains. It took a while to get the full effect of them, because he kept getting distracted by the frills and the suspiciously Nightwing-esque pattern. “Yeah?” Tim answered on the other end of the line. His voice said he was knee deep in something and wasn’t really paying attention. Probably his revenge plan, which Jason was seeing in a whole new light right now. “He redecorated.” Jason’s voice was so low it was almost a growl. There was a pause. “It didn’t stop?” Tim sounded much more alert and aware this time. “No it did I just went out and bought this lime green couch myself from Blind, Bath and Beyond,” Jason snapped. He heard Tim groan into the receiver. “But we even talked to Damian,” his replacement whined. Like he had anything to complain about. His living room didn’t have- was that a fucking Billy the Bass? Jason was going to shove his guns so far- “I’m calling the brat,” Jason ground out before hanging up and redialling. Damian didn’t answer the first time, so Jason made use of his annoying gene(s) and called him over and over until he picked up. “Todd,” Damian snarled, “I am at school. I realise that you were incapable of finishing your formal education but-” “Your fucking Dick of a brother broke into my apartment and re-decorated my living room.” Jason informed grimly. “He- you must be mistaken.” “Look, kid, there aren’t a lot of things I know, what with my not completing my formal education and all, but if there is one thing I will never unlearn it’s how to spot Dick Grayson’s fucking taste in fabrics.” “I see.” No, you little shit. You don’t see. Jason was the one who was cursed with seeing this absolute monstrosity of a- was that crystal?! “You said you were handling it,” Jason reminded him, firmly putting his back to the living room. Looking at it was bad for his blood pressure. “I do not understand.” Damian said seriously. “I specifically told Grayson to stop bothering you and go back to Blüdhaven where he could be of use.” Oh. Oh Damian. Jason resisted the urge to smack the phone into his face. Sometimes Damian’s age and social inexperience really shone through. Jason took a deep breath to keep from screaming. “Listen, Damian.” Jason said carefully. “Dick is feeling a little neglected right now, and what he needs, what we asked you to do, was to start hanging out with him again.” “-tt-” Damian was probably rolling his eyes. Jason could have Tim check later, he was sure the little creep had cameras in every building in the city. “That is preposterous!” “No,” Jason said dangerously, “it’s not. So now would you just call him and tell him you need help with your homework or something?” It was truly a testament to Jason’s level of desperation that he was willing to be this nice and patient. “Grayson needs to rest-” “Just FUCKING CALL HIM!!” Ok, so there was a limit to that patience. Oh well, he was only human. Damian, however, apparently thought that this was one indignity too far because the call disconnected. Jason glanced behind him and immediately regretted it. Porcelain figurines. Oh, how he missed the days when he was a big-name villain, and the only thing Dick did was fight him. In the corner, a cuckoo clock struck seven and a tiny robin popped out and chirped at him. Jason’s vision blurred with sickly green for a moment. Yeah, he was staying in a safe house tonight.

It took for days of no progress and Tim having his entire coffee-stash replaced with decaf (“cheap decaf, Jason. Low-level, buy in bulk decaf.”) before they threw in the towel and went to the manor. The estate looked as menacing to him now as it had when Jason first saw it as a little kid from Crime Alley. It probably always would, no matter how many times he was back. If Tim was feeling apprehensive, it didn’t show. He just looked grumpy, like a particularly displeased cat. His replacement rapped his knuckles on the door and stepped back to cross his arms, frowning. He looked very intimidating. Like a squirrel with an anger management problem. The door swung open to reveal Steph, dressed in a t-shirt that Jason was pretty sure wasn’t supposed to be a splotchy pale blue. Her jeans looked new. “He’s not here,” Steph told them in a biting tone. “Who?” Tim asked. “Dick. Though for the record we have to come up with a new name for him because ‘Dick’ is going to be real ironic soon.” And whoa, Steph did know how to look properly intimidating. “What’d he do?” Jason asked her. Stephanie stepped back to let them inside. “There was an incident with a waffle iron,” she said icily. “He tried to cook?” Tim guessed, taking off his shoes. “He tried to laminate.” Steph corrected. Tim grimaced. “Is Damian here?” Steph snorted. “Damian is useless. We need to strike back.” She lowered her voice, her eyes cold. “And strike hard.” Damn, if this continued, Dick wouldn’t even be allowed back into Gotham. Actually, yeah he would. Only Batman could bar people from entering Gotham, apparently. Because Bruce was only one with any rights around here, that fucking- He was getting off subject. Also, not paying attention. “-alking to Dick,” Tim was saying, “trying to talk to him is a good way to make this worse.” “I wasn’t suggesting we talk to him.” Steph said, cracking her knuckles. Tim looked unimpressed, which frankly impressed Jason a little. Stephanie was scary. Not Batman scary but- Hang on. “Hang on,” Jason said, holding his hand up for emphasis, “Batman is the only one who can bar someone from coming to Gotham.” “What the hell is your point, zombie boy?” Steph asked, crossing her arms. “We don’t need to redirect Dickies attention back to Damian. We just need to redirect it. To someone.” Jason grinned at them and it probably only looked about 30% insane. “Someone with the power to stop him.” Understanding dawned on Stephanie and Tim’s faces. “Someone who deserves to have his clothes ruined,” Steph whispered reverently. “Someone who has time to redecorate because he doesn’t have a job,” Tim added gleefully, “someone who flounces into board meetings too late and does nothing.” “Exactly.”

Tracking down Nightwing turned out to be the easiest thing they’d had to do so far. He didn’t even try to avoid them. “Hey guys!” N smiled cheerily at them as if he hadn’t spent the last two weeks putting them through some kind of Donna Reed inspired psychological torture. “Nightwing.” Red Robin greeted coldly and, yeah, in costume the replacement could totally pull off intimidating. “Whoa, what’s with the murder faces?” Nightwing said, stepping off the ledge he’d been standing on and walking closer. Hood crossed his arms. “You’ve been busy lately,” he commented and even the helmet couldn’t filter away the unvoiced insult at the end. “I guess?” N replied. “Did you like the brownies?” Hood tried to remember that they weren’t here to beat him senseless. Based on Spoiler’s clenched fists it seemed like he wasn’t the only one struggling with that. “N,” Red Robin said with the calm voice he usually reserved for interrogating suspects, “we appreciate you trying to… help us.” On “help us” Red’s voice broke through the calm and straight into “I’m going to kill you and bury you in store-brand decaf coffee” territory. “But we really are doing fine on our own.” Nightwing pursed his lips. “You are all working so hard-” he started, but Red cut him off. “Yes, and that’s why we appreciate it. But we’re actually worried about someone else, who needs your help a lot more than we do.” Nightwing paused and Hood could almost see the gears in his head whirring. “Who? Damian?” “Not Damian,” Red said, because they all knew it wouldn’t work to say it was Damian, “B.” Nightwing crossed his arms. “You think B needs help?” And here was the fragile part of their plan. Hood cleared his throat. “B,” he said, trying to keep his tone civil, “works himself to the bone and he doesn’t accept help from any of us.” “He has Alfie though,” N argued. “Alfie is busy taking care of Damian, since you’re not helping him as much anymore.” Spoiler rebutted. And damn, blondie, good answer. “We struggle too,” Red said, “but we help each other, right guys?” “Uh-huh,” Spoiler agreed. “Right.” Hood lied, thankful that the helmet veiled his eyeroll. “You guys help each other out,” Nightwing said with obvious disbelief. “You.” “Red is always helping me with cases,” Spoiler said, “and studies and stuff too. And I help him with staying alive and acting like a human.” Red nodded. “And Red and I work together on cases,” Hood said truthfully. “And sometimes Hood makes sure I eat and stuff,” Red added, “and I help him with security.” “They also hang out and play video games and watch nerdy movies,” Spoiler revealed. The little snitch. “Really?” Nightwing said, looking between the three of them. “That’s great!” He shuffled around a little. “So, you guys don’t need me either, huh?” Oh god. Oh dear god it was the voice. The patented Richard Grayson sad-and-feeling-neglected voice. The voice that could inspire shame and guilt in the most hard boiled criminal. At least he was wearing the mask so he couldn’t give them the accompanying puppy eyes. “Well,” Spoiler said and Hood could see her wavering. She didn’t have the years of experience needed to withstand Dick’s manipulation. “But B does!” Tim exclaimed, dragging Spoiler to stand behind him. Good move. “And the little brat too, even though he doesn’t admit it.” Hood added. Nightwing bit his lip. “Look,” Red’s voice was genuine now, “we all really do appreciate it, but B and Dami need your help more. And frankly, the last time I saw B he looked dead on his feet. We’re all good. But he isn’t. He sleeps less than I do.” Maybe that was even true. Huh. Were they doing B a solid here? Wait, no. No they weren’t. It was recommended by Martha, Dick you absolute menace. “Ok, I hear you.” N said solemnly. “I just wanted to help out.” Martha. Think about Martha. “We know,” Red said, patting N on the back. It was really awkward. “Did I tell you B has started eating power bars for dinner?” “Wait, seriously?” Nightwing looked disturbed. “That’s so bad for you.” “Yeah,” Hood said as if he hadn’t watched Red do that at least three dozen times, “he’s really setting a bad example for li’l D, isn’t he?” He thought Red might have done the wave if he could have. Hood certainly wanted to give himself the wave for that stroke of genius. “Okay, I know you guys are manipulating me,” Nightwing told them drily. Shit. “But you have a point.” Oh thank Jesus. N stretched. “Well,” he said, “I’m going to make sure B doesn’t kill himself. And yes, I’ll stop helping you guys.” He shook his head. “You three should really open up more, you know?” They nodded, because at this point they would do anything to make him stop “helping out”. Red cleared his throat. “So, good luck, uhm...” Nightwing grinned. “I’ll stop, but you all have to give me a hug before I leave.” Fuck. N pounced on Red like a jaguar on a gazelle, completely ignoring the scandalised (and very undignified) “meep” Red let out. Hood turned around, ready to make a run for it. “If you leave before a hug I’ll make you dinner next time!” Nightwing called cheerfully, still holding onto Red Robin like he was a life vest. Triple fuck. Hood sighed. The things you do to not have your living room secretly re-decorated.

As awful as it was to get cuddled by Nightwing, it was all worth it about a week later, when Tim climbed in through his living room window for their bi-weekly movie night. This week: when the great go bad- The Godfather 3, X-Men: The Last Stand, and Matrix Reloaded and Revolutions. “I see you got rid of the ruffles,” Tim remarked. “You didn’t see that on your stalker cam?” “I’ve been busy watching Bruce lately.” “Oh?” Jason prompted, putting the pizza boxes on the coffee-table. “He tried to call me five times today,” Tim said. He walked over and got two beers out of the fridge. Jason sniggered. “It’s that bad?” “He’s only got one target now. B is about to break.” “Tell me more, tell me more,” Jason said, making himself comfortable on his new -fucking stylish thank you very much -couch. “Like, did he do something to his car?” “I can’t believe you just made a Grease reference, you absolute nerd,” Tim commented flatly. “Musicals are cool,” Jason told him. Because it was true and he would fight anyone who said otherwise. “Was Olivia Newton John your childhood crush or something?” “Who’s to say it wasn’t Travolta?” Tim gave him a deadpan stare. “Because,” he said drily, “unlike Dick, you actually have taste.” Jason mulled that over. “Touché." He shrugged. "Now tell me about B.” Tim looked up from where he was connecting his computer to the TV and grinned sharply. “You want to experience what the Germans call ‘Schadenfreude’?” “Hell yeah I do.” Tim hit a key on his laptop and the Cave flickered into view on Jason’s TV. At least, he thought it was the cave. “Is that?” “He re-decorated the cave.” Tim laughed. It was not a nice laugh. Jason approved. On the screen, Bruce had just entered through the door to the storage area and was making his way to the computer. Trailing after him with a plate of questionable looking sandwiches was Dick. Jason nabbed a beer from the coffee table and leaned back against the couch. “Oh we are so watching this tonight. Sofia can wait.” “I made a compilation of the past week,” Tim said smugly, picking up the other beer and folding himself into Jason’s new armchair. It was beige and, most importantly, neither pea-green nor suede. On screen Bruce collapsed into his new, avant-garde office chair and put his head in his hands while Dick chatted pleasantly in his ear. “You know,” Tim said thoughtfully while Dick re-arranged Bruce’s files, “sometimes I think he’s being purposefully bad at this.” “Why?” “Oh just,” Tim reached for the pizza and Jason handed him the box, “whenever he starts doing this, we all have to interact with each other to make him stop. Like how you and I only started hanging out to begin with because he kept breaking into our safe houses to make ‘breakfast’. Well, that and that time he gave you a haircut in you sleep.” Jason stilled with his beer halfway to his mouth. “He…” Oh god. “That’s totally what he’s doing isn’t it?” Tim looked at him over his slice of pepperoni. “Yeah, probably.” Jason slammed his bear down on the table. “THAT SNEAKY FUCKING BASTARD!” Jason glared at Tim, the proof of Dick's successful manipulation. He didn't even like the replacement. Why the hell was he hanging out with him? Stupid, meddling big brothers who ruin your life. "It's okay," Tim reached over and patted his hand, "I just confirmed that they're taking his cereal off the shelves this week." And yeah, that made it a little better, actually. "I still don't like you." He told Tim. "I know. Wanna watch Bruce find out that Dick redid his wardrobe?" "Yeah ok," Jason grumbled. Maybe, he admitted to himself only, the replacement wasn't all bad. The screen zoomed in on Bruce's expression as he came face to face with a sequined suit. Yeah, Jason thought, taking another sip of beer, not all bad.

#fanfic #batfamily fanfic #batfam fic #pov:#jason todd #humor #tim drake #dick grayson #damian wayne #Stephanie Brown #special appearance:#Bruce Wayne #rated t #for language #4k+ words #1-5k #oneshot

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popculturebuffet · 3 years

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Scottrospective: Scott Pilgrim Gets It Together! or Days of Summer

Hello all you happy scottaholics! Welcome back to those of you who’ve read the rest of this retrospective and welcome to those of you just joining us. This is the Scottrospective, my look at all 6 volumes of Scott Pilgrim, the game and the movie. It’s all the video game refrenes, slice of life story telling and boob punches you can handle!

It’s been three months since I left off with “The Infinite Sadness” , and while I intended to cover this one for Valentine’s Day, my schedule got away from me and with March being full up, this ended taking till April

I”m not too put off by it though as the hiatus between these two reviews is fitting for this one both in story and out. In story there’s a couple month time skip between books, while out.. this book got delayed a few times.

This is notable to me at least because this was the first volume of the series I bought when it came out. As i’ve brought up before I came into the series via the Free Comic Book Day Issue and the second and third volumes, picking one up later. I still have my original copies despite no longer really needing them thanks to having the color editions in general. Always will provided something dosne’t happen to them. So this was my first instalment that I got to read fresh and got to wait for and be hyped about and i’d saved enough money that I was able to pre-order it. So the experince of waiting and waiting for the book only to keep seeing it slide back is vivid in my mind as is the frustration I felt having the one thing I COULD NOT WAIT FOR, keep going further and further back.

So with this long wait and the fact I bought this one when it came out, as I would for the next two which didn’t get delayed thank god, this volume naturally means a lot for me. When I wrote Scott Pilgrim fanfiction, this volume’s status quo is what I based it on. It was the coolest to me and the one I loved to reread the most. It has the most contained story, the most character growth at the time, and the best art due to Bryan’s style having finally hit it’s stride. Not that the art for volumes 1-3 is bad mind you, but it’s very clear his style was changing and shaping into what it is now with each one and while it’d change a bit more, this volume is where the style and quality everyone thinks of when they think of this series and the kind you see on various art done from it comes from.

So as you can tell i’m excited for this one. Before we get started there WERE two shorter comics released between this one both for Free Comic Book day, the first of which, Free Scott Pilgrim, is the reason I got into the series and the second, the Wonderful World of Kim Pine .. was both delightful and sets up Kim moving in with Hollie for this volume. Originally I intended to cover these in this review.. but I realized they wouldn’t of helped the pacing and this review is going to be way longer than my standard as is.

So instead I came up with the compromise. I did review them.. but as bonus reviews on my patreon. For just one buck a month you can read them and help me reach my stretch goals which now include reviews of Lost at Sea, Seconds and SnotGirl, aka Bryan’s OTHER comics. You can find my patreon THROUGH THIS LINK HERE if your intrested in the exclusives or helping me reach my reviews. I also intend to do an exclusive of Monica Beetle, a short comic Bryan did starring Scott’s dad in the 70s at some point so keep your eyes peeled for that, as well as the three strips he did of Style, the comic that gave us the prototypes for Lisa and Kim.

I will talk about their connections and setups for this volume briefly: FSP sets up the next ex as a ninja, with Roxy having a bunch of posters come to live and pummel our boy, while Wonderful World has Hollie tell Kim she can move in with her. It’s not much, hence why i made these exclusives but they are good stories, so check them out. And with that JOIN ME UNDER THE CUT, as we enter Scott’s world once more as he grapples with the past, employment, and saying the L-Word... which might be Lesbians. I don’t know. Find out bellow!

So we open Two Months after Volume 3 with a beach birthday party! Complete with Kim in a swim suit!

But it’s for Julie who lobs a volley ball at Scott’s head when he and Ramona try to make out.

I also dont’ know if “Manfiesting out of all the world’s collectives sorrows” counts as a “birth” necessarily but whatever. I love a good beach story. It’s just a fun setitng for swimming, romance and battling a giant crab with the help of the bird what lives in your backpack.

So after the beach our heroes get dinner and Ramona sweetly calls Scott the nicest guy she’s ever dated. He responds with “That’s sad”. Blunt, but entirely accruate. Julie calls it pathetic and tries to counter Ramona RIGHTFULLY saying “who the hell asked you?” something that really should come after EVERYTHING Julie said with “Back off bitch i’ts my birthday”

So later that night Sex Bomb-Omb has a beach sing along, and I can’t help but notice Neil’s hairy legs.

I mean yes it does make since for a 19 year old to have leg hair, but of all the characters besides Stephen, the ONLY other character we’ve seen it with to give it to, why the character you specifically single out as “Young” it’s just a weird choice I never noticed before.

But anyways Julie has to whine about it because she’s Julie, she can’t stand other people being happy and complains the song...

One of my faviorite moments of the series. Knives puts a nicer spin on it, she’s here too and not over with Neil because, as we’ll find out later they broke up, but she just asks if Knives should be drinking. She shouldn’t but for fucks sake lady she was just trying to talk. I also do like that despite Julie trying to control Ramona’s love life, you know the thing the VILLIANS are doing, Ramona cannot stand her now.. and honestly probably never did.

But Julie, SOMEHOW turns out to be right for once as Kim and Knives have disappeared later that night, and Scott elects to go look for them. Also Ramona says she wants to marry kim while drunk after Julie asks if she does. The throuple is strong with these three... serioulsy that’s my one true pairing for all three now. I mean it ballances out their collective flaws, it’s cute and Ramona is just as into her boyfriends ex as she is her actual boyfriend even when she’s not hamered. Why the fuck not?

Scott instead finds the two making out. I will confess I shipped these two when I was younger.. but I don’t. Not because their gay or anything or because I found another ship for them but because the age gap is still just as wide as it was for Scott. The game did not get this memo and made them a couple which is... ehhhhhhhhh. I mean I wouldn’t mind either being bi, but it just brings up the same problems even if their both hammered. I also question why this scene exists. No really outside of one face punchingly dickish comment from Scott later, this never comes up again and it doesn’t effect Kim’s or Knives character any. Why have this? it’s clearly not fanservice, it’s just a thing that happened. And while Scott Pilgrim as a series does have some of those, as does life and that’s fine.. this is a bit too major, i.e. Kim and Knives, two of the main cast, making out, drunkenly or not, to just.. gloss over you know? I feel Kim would feel majorly guilty for this, as she has the most active moral compass of the main group, and Knives would be massively confused but it’s just.. forgotten because I dunno. In a story that’s otherwise pretty stellar this stands out as an utter waste of potential. I’m not saying have them hook up, gay or not it’s still not better than what Scott did, but have them at least talk about it and have both grow or something from it. Sheesh.

So we cut to.. another day. Maybe the next day I dunno but it’s August. Point is Scott and Wallace are grocery shopping and Wallace notes they can’t get fancy mayo as their barely in budget. I would’ve glossed over this scene... but @panur pointed out back around the Infinite Sadness review that this scene reveals something very intrestng: Scott.. is kind of a fincial burdern to Wallace. Before this while Scott mooched off him it wasn’t all that clear that Wallace was struggling.

But here we notice that outside of some Havarti, it’s just the simplest stuff imaginable: turkey, bread, boxed mac and cheese ramen noodles... it’s nto BAD stuff, I have all of that in my house and it’s good stuff... but it’s not the kind of thing that you need to carefully budget for. Now granted part of this probably is Wallace as he likely spends a LOT on drinks, condoms and two 2 liters of diet soda a day.. but while he really needs to adress his alcohol issues, the rest is fair. He should be allowed to have as much sex and diet coke as he wants it’s his money. Same with the havarti. He earned it if he wants some really delcious cheese with herbs, seriously Havarati is the best, then that’s his bidness. But the rest of the time he’s barely managing to get a basketfull of cheap food.. because he has to provide for Scott. It’s clearly something Scott dosen’t get and something I can relate to not getting. It took me a while to get how hard it is to budget for a full family, let alone two people on one income like Wallace has to. But Wallace is working on a nice job... but still a call center or something. He can’t pay for everything and the finccial stress is about to give as their landlord wants to meet with them. And as we’re about to learn things were even worse than we thought.

Our heroes head home where we get a truly iconic conversation when, over margeritas (again proving my point that while Scott certainly isn’t HELPIGN wallace’s finacials, it’s not all on him)

This will be imporant later.. both the Lesbians part and Scott’s struggle saying it. he tried earlier on the beach but couldn’t get it out and Ramona clearly didn’t want to hear it as she kapt sshhhhing him.. playfully of course but still.

So some time later it’s moving day! Kim is moving into Hollie and Josephs, and Scott, Stephen and Jason are helping. You might be wondeirng who the hell Jason is. He’s Kim’s boyfriend. I do not likes him. Not because he’s kim’s boyfriend, getting upset because a fictional character you fancy is dating is just patently stupid. I’ts like getting upset a celebrity crush is in a relationship: you had no chance anyway why. I wasn’t even bothered as a kid. I don’t really like him.. because he has no real personaliy and no real baring on the plot and I struggle to think why Bryan included him other than for a really annoying plot twist next time, which does not help my liking him knowing what’s coming.

But while our heroes help our heroine move in, and Scott is suprised Hollie is there despite Kim having told him a minute ago she was moving in with her, something I can relate to sadly, we get something vitally plot important; Stephen passes Joseph’s room.. and notices he has a small recording setup in his room. Stephen quickly begs him to record the band’s album and Joseph agrees if only because he finds Stephen hot. Eh i’ve seen better relationships start on less, fair enough. And yes I said relationship more on that in a bit.

So after a brief scene of Scott and Ramona having lunch where Scott fails to know her age and when Ramona says he could just ask.. hea sks and she dosen’t tell, not a bad scene character wise just not very plot important and probably should’ve bene swapped in order with the previous scene, we get to the next day. There’s a heat wave so Wallace orders Scott to go to the mall maybe find a job. He emphasises that.

Instead Scott just sorta bums around thirst but nto having any money.. until an old face shows up.

For those who forgot like Scott has, it’s Lisa Miller from the Volume 2 flashback, the girl who had a crush on Scott and was close friends with him and Kim. After a tackle hug and some panic Scott eventually remembers.... if in a curiously unique and self serving way

At the time this was just hilarous. Now it’s very clear foreshadowing for the big twist in Volume 6. The two catch up while Scott is very clearly attracted to her but very clearly dosen’t want to be, with Lisa wondering where kim is, finding about Ramona, etc, before offering Scott lunch as the two catch up and Scott is very conflicted about how he feels. It’s nice visual stuff as he’s blushing, something more clear in the color version and trying to desperatley sort things out. As for why Lisa’s here she’s moving to the states soon, but is staying with her sister for now.

So after an incdental scene with Wallace we catch up with Knives, who has broken up with Neil. And after some talk about Clash at the Demonhead, Tamra notes Knives apparently put a big x on her shrine of Scott... which baffles Knifves as she sure as hell didn’t do it and is still, sadly, obessed with Scott as ever. Granted Tamra isn’t at all helpful here claiming she did it even when she says she didn’t, is clearly confused and while yes we don’t know who else would care Tams, that just makes it all the more creepy. Stop gaslighting your bestie, she’s already got enoguh issues. She dosen’t need thinking she might have a split personality on top of the stalking, obession over a guy who has no intrest in loving her back, and attempted stabbings. Knives dosesn’t get a ton of focus in this one sadly. She kind of takes a back seat, and while sh’es not GONE from the volumle and someone close to her does impact it, she dosen’t really have any personal progression, negative or positive, like she does in every other volume, a shame since her personal jouney is one of the most intresting of the main cast.

Anyways that night Scott hangs out with Lisa, having not gotten around to telling Ramona she exists yet and plays a game of find the Kim Pine. She goes to Neil’ and Stephen’s place for practice, but finds no one there and Neil being a dick... get used to that it’s going to get about 80 times worse soon enough. Though we do get this classic panel i’ve gotten some use out of

He goes to Kim’s place, but she , Hollie and Satan’s Misterss have all left to Sneaky Dee’s, the local mexican place, for something to eat and Stephen is either high or doing.. something with Joseph.

Yeah i’m not hiding that Stephen turns out to be gay in the final volume or cheating on Bitch and a Half with Joseph. And even if I hate Julie with the power of a frozen sun, I still dont’ think cheating on her is kosher. He could’ve just broken up with her and while part of it was likely confusion, and he could also be bi and not decided which one he wanted to be with, it’s still a dick move.. and later makes him a hypocrite but that’s a rant for next volume.

So our heroes FINALLY find Kim, along with Hollie and Mouthface. And a nice thing I like is that Kim and Lisa are just.. increidbly close, happily catching up and making plans to hang before Lisa leaves, that despite Lisa having feelings for Scott the two ended up as close and She and Scott did and i’ts sweet to see. it’s also just.. rare to see Kim GENUINELY happy. I mean look at her

It’s not like she HASN’T smiled across the series but normally she’s just so miserable, likely because her best friends are a grumbly asshole who forces them to hang out with a raging typhoon of bitchiness, and an insenitive asshat who she never got closure with. This is the first decent human being whose not Ramona or Hollie, and that last one’s not going to last, in a while. It’s genuinely sweet to just see her.. enjoy the moment for once, honestly engaged with someone. Ramona shows up and finally meets Lisa, who apparently was on Degrassi.. I mean she says candaian show no one ever watched, and I watched that plenty but i’d like to think she was on there for a season or two. I liked Degrassi.. I honeslty miss it and think it could use some form of revivial and think porting it to netflix was a smart decision.. what wasn’t so smart was not having the other seasons leading into it on there. Need to watch more of it.

So the next day Ramona stumbles into Scott’s dreams and both are annoyed, with Ramona suggesting he get a job. This finally gets him to try. He asks about Wallace’s work but understandably, he dosen’t really want scott there and asks if he even knows. So Scott sets out to ask his other friends for jobs, while Knives shows up saying she’s “totally not stalking him” but someone is following HER, a mysterious spiky haired dude in a black leather jacket, shades and with a sword on his back. Whu-oh.

He tries Second Cup, with Julie annoyed that Stephen’s recording.. it’s hard to tell if she’s annoyed because she’s a bitch or because Stephen is both gneuinely annoying right now and clearly screwing around behind her back. My take?

But Scott realizes maybe getting a job at his Sister’s place of work who also works with his arch enemy might be stupid and backs out. He next tries Kim’s, but backs out of that too, admitting to kim it’d be stupid and Kim lists off all the reasons (His lack of resume, the fact them working together would be stresful and his ountain of late fees) why that’d be stupid, but in a jovial way. For once i’ts clear that while she’s still taking the piss out of them she isn’t mad at Scott.

In fact she genuinely helps him get a job, taking him to Stephen’s work since hers is dead right now anyway, a vegan place. While Scott naturally compares things to a job system as he’d start as dishwasher while Stephen taught him prep, Scott agrees to genuinely take this seriously and Stephen’s boss decides “eh why not” when he asks her to employ him. Scott is gainfully employed baby! God I miss that. Seriously i’m not pimping my patreon for shits and giggles.

But as he celebrates and Kim wishes she could punch his life in the face, they run into some trouble on the way home: Katana man who slices a motherfucking bus in half and chases them, with Scott reluctnat to fight because he has a sword and Scott does not, which is valid. He does escape though using subspace. He and Kim part awkardly and he returns home to Wallace throwing a party with two intresting charcters, a woman and a man of color, one of the few in the entire work, who are never seen again.

The next night is practice.. or rather recording, and we start to see Neil get edged out, with him unable to come due to exams and clearly not happy about it, and Stephen just kind of ignoring anything he cares about like the dickhead he is. It dosen’t get any better as “recording” ends up just being Scott, Ramona, and Ratfaced Knacker watching bored with Joseph and Stephen work. Eventaully Scott and Ramona decide to get out of there as things are getting tensed between thing one and thing bitch, and leave.. and take Julie with them for some reason.

So the three have dinner with Lisa, Kim, and Jason before The Mummies Curse thankfully leaves. Jason thought they were friends.

We also get this exchange.

I mean.. she is the better option. She his THE option. But before we can get the obvious answer of

Stephen comes in with Knives. He smuggled her in. This leads to problems when Scott returns from the bathroom to find Queen Bitch throwing a bitch fit about him having brought her and screechs at her when she dares to talk to him “How do you even know my name?” Well Ted Cruz, you see when someone is an actually thoughtful and likes other people, they keep track of things about them and don’t constnatly tear them down or assume their partneer is automatically bonking a 17 year old instead of you know, actually forming something of a friendship and not shutting her out sensing she needs this friend group. Some people are not vacous piles of vitriol who care about nothing but themself and seem to go off at the slightest thing.

Scott takes Ramona home but finds a drunken barely awake wallace so no sexy times. Not that he could anyway as the next day is the meeting with Peter their landlord.

Peter reveals they’ll have to clear out by the 27th as their lease was for one year and their paid up.. as in only the first and last month. The two part melacholy knowing this sucks and isn’t a great situation. Then it’s time for Scott to work work, angelica, work work, eliza and peggy. After grueling day, can relate, he runs into a wisp on teh wend and steels himself for a fight.. okay he bitches about it being too hot but it’s Scott. so it’s expected. He does get a hit in on his mysterious persuer.. and that’s when we meet Roxy.

Via boob punch, something Scott’s not proud of but in his defense, as Roxy keeps complaning about it, he was blindly struggling for a hit and din’t know the next Ex, or any of them, were female.. not that Ramona didn’t suggest it loudly enough by empahsising “exes” but scott’s a bit of a fuckwit. She mentions “everyone allways remmebers you”.. which is kind of ominus and tells me she tried to hook back up with ramona despite her having a boyfriend and she rejected her. Still on good terms though. But this confusing encounter ends with Roxy vowing she’ll get him next time gadget, next time.

So we get some assorted slice of life scenes with the band, lisa and what have you as Scott tries to get in touch with Ramona but she keeps avoiding him. THat’s not worrysome at all. And Lisa brings up high school while drunk and clearly hits on Scott. He sidesteps it with her drunkness.. but this clearly isn’t over or going to stop being a problem.

Speaking of problems Wallace makes Scott confront the truth: He either needs to find a new place to live or commit to staying, though Wallace is trying to nudge him toward asking Ramona to move into her place. Scott starts thinking it over, it being very hard especially since, as Stephen points out this was his very first place of his own.. but Stephen also points out these things are temoporary.. right before Scott ducks from katana guy.

At work Scott wonders who it could be, though it turns out Stephen’s met him before, as he’s brought his family in here. So he’s PROBABLY not one of the exes.. but it leaves the question why he wants to cut Scott in half like Dewey Cox’s brother. But it turns out he’s nto the only enemy Scott’s casually running into as Roxy is there too.. with Ramona.

The two talk, clearly about Scott and Lisa with Roxy trying to convince her he’s cheating and Ramona rightfully trusting Scott: while he IS attracted to her, he’s been fighting it every step of the way. Scott storms over to find out what’s going on and while Ramona is more distracted by his new job, she eventually realizes Roxy did attack him and he simply dscribed her poorly when he mentioned the incident over the phone. Scott is confused as he dosen’t get it. Is she with one of the exes what? After some hiinting from both parties, and Roxy rightfully mocking him for not getting the obvious... he finallyg ets it in the grandest way possible.

So Roxy gets ready to fight and Scott can’t because sword, and gets fired in the background as he hides in Ramona’s bag and Ramona prepares to step in. Roxy screams at her for trusting him and defending him when Ramona.. just dosen’t her boyfriend to be bisected by her ex. A fight insues and a damn cool one at that. I honestly wish the movie had taken more from this, but simply didn’t have time leading it to instead be more like the envy fight with a bit of the Winfried Hailey fight from Free Scott Pilgrim.

Roxy chases her and Ramona rightly points out Scott can’t run forever but takes him into Subspace.. where Roxy heads them off, having “taught you everything you know bitch” leading to a cool fight in the wintery version of subspace. Again why THIS wasn’t used instead I have no real idea. We also find out she’s a half ninja but she eventually leaves afer Ramona presses that button.. but Rammy is actually apologetic about it and Roxy’s “I hope you and your 24 children are happy together comment” is telling.

Upon this readthrough of the volume.. I realized Roxy is the most layered and intresting of the exes next to Gideon himself. None of them are out and out terrible, but most of them have pretty simple motives: to kill Scott, ???, profit. Or in Todd’s case to kill scott, bang around and be a dick. But Roxy.. genuinely wants Ramona back. She’s the ONLY one who does: Gideon kinda does, but only in the sense that he wants her for his collection. But Roxy geninely still loves her, admitting so during this fight. And it’s not like she has no chance: out of the 7 exes she’s the ONLY one who parted with Ramona on anything resembling good terms. While intrestingly we don’t find out WHY they broke up, Ramona didn’t cheat on her like she did everyone else she was with. The two have coffee and hang out and Ramona geninely dosen’t even consider until Roxy tries to attack Scott that she’d really try killing him and tries her best to talk her out of it. But what holds Roxy back is her anger: She’s so bitter about the fact Ramona is bi or pan, so dedicated to viewing Ramona’s very orintation as a betryal (though Ramona calling it a phase dosen’t help and the movie RIGHTLY has Roxie comment on it and fly into a rage over it), and so driven to make sure the woman she loves dosen’t get hurt again that it blinds her to the fact Ramona dosen’t love her the same way anymore, and that while Scott is objectively a dick, and a cheater, and a greasy buttcrack pooflap, he is not a terrible person. A meh one sure, but he’s got good to him. She’s so biophobic she simply can’t see he’s a harmless moron.. well harmless to Ramona even with the cheating. He’s killed two people at this point and will kill again. Also she apparently has issues with only being a half ninja but this is never adressed. Point is Roxy’s really grown on me and is now probably my faviorite ex.

Scott and Ramona talk it over on their way to Sneaky Dees and Scott finally asks to move in and gets a yes. His response is downright adorable.

So at Sneaky Dee’s Young Neil is just a bit absolutely irate with Scott.. which isn’t fair as them not playing things is entirely on the blocky face asshole. Yell at him.. which he does, pointing out that they haven’t played shows in forever, and that the lady who owns Sneaky Dees not only runs shows, in the upstairs space, but has been asking them to play. Kim is rightly curious about this and to both Stephen just keeps saying “We’re recording right now.” And some of you may of wondered why I hate him. Well while he’s not exctly stellar in the first half in the second Stephen becomes goddman insufferable, slowly destroying the band for his affair and not giving one iota of a shit what anyone else wants. He’s a selfish, egomanical cheating prick. And yes I get it their recording an album.. but doing live shows would give them extra practice, MONEY, even if likely not a lot and exposure for said album. I get professoinal bands stop touring for a bit to do an album but you are not a professional band, and said bands still often iron out the album on the road. God you suck.

But while Scott sidesteps this argument he walks into another where Ramona confronts him about lisa about liking her.. and he rightly says if there was anything, which there was not it’s in the past. And while yes he is a cheater, she does not know this yet. This plot honestly would’ve worked better if she learned about the knives thing sooner, but instead she just comes off as paranoid for listening to Roxy about something that isn’t happening. Yes Scott’s been shown to be attracted to her.. but he’s been ashamed of it, fighting it and in denial about it, and is clealry all in with Ramona. Being attracted to someone else on a phsyical level does NOT mean your relationship is doomed.

Things get worse as he goes home to ruminate.. and instead sees a man’s Penis. And Wallace..is at his second most unsymapthetic, not letting Scott get a shirt or a bus pass or something like a decent human being for no goddamn reason. Usually when Wallace is a dick to Scott, Scott’s earned it and badly needs a slap in the face. Here he’s just being a prick because.. the plot needs him to? I dunno it dosen’t work for me. It’s in character, I just don’t have to like it.

So with no other options.. Scott ends up at Lisa’s. And so we get the last temptation of Scott. Lisa admits, embarassed that she’s been wearing sexy dresses and what not specifically to attract him, with Scott also mentioning how things are rough, Lisa tries to fight it herself pointing out he’s with ramona.. and when Scott points out they didn’t do anything in the past Lisa points out they should’ve.. and maybe they should now.

We fade to black as Scott ends up in a dream and finds Roxy, who naturally has the same skill and tries to Freddy Kruger him before he wakes. He finds Lisa but they didn’t do anything: Scott pushed her away and babbled about how much he loved Ramona instead. As i’ve said.... his heart was never with LIsa... and even when he was so close to giving in he couldn’t. It’s a tangible sign of growth: He screwed around on Knives with Ramona, and given how bad things were getting with Ramona, it would be oh so easy to once again ditch a relationship the minute he found something else and oh so understandable. But... he dosen’t. He loves Ramona even if he hasn’t said it, he wants to make this work, and he’s changed. She’s changed him. He’s not quite a good man yet.. bu he’s getting to be good enough. Love turned him from a skeezy dumbass into a far more loveable dumbass. Ramona’s gotten him to stop dating a teenager (even if again he cheated), face his past with envy to finally move on and now get a job. He’s realized just hwo much she means to his life and world and so he goes to tell her.

Riggghtttt after going to get his job back and works a shift, with steven wanting to punch his life in the balls. Stephen shut the fuck up. Just because Scott is lucky and your stuck dating satan’s scrotum does not mean you get to punch his life int he balls. Kim does, because he’s put her through more shit but not you.

He goes to second cup to talk to Stacey.. only to end up at the wrong one where Knives also now has a job... and we finally get an answer to who the mystery katana guy is...

Yup turns out wielding giant weapons in vengance runs in the family. As for how he knows about Scott her aunt mentioned her boyfriend, everyone freaked out and obviously while her mom was mentioned as knowing in volume 1, they did not tell her dad whose brain turned into an engine of vengance and defaced the shrine. While part of it is apparnetly racisim for Scott being white the fact is he clearly saw Scott’s photograph. The guy is 5 years older. I get him being protective. Still dosen’t justify cutting off his head. His balls maybe but not his head.

And then Scott ran, once agian finding a subspace entracne.. and this time we see inside ramona’s head and well...

Yeah.. that’s.. kind of fucked, and Ramona isn’t happy scott saw that, though she backs down once Scott explains..a nd then gets upset over him staying at Lisa’s but before SCott can tell her he loves her it turns out Roxy stayed over. So yeah, Ramona might of cheated, she tells him to alk it off and he runs around in a psycadelic haze of emtoinal confusion. And meets.. someone new...

Scott snaps out of his funk and ignores his doppleganger heading back for Ramona... whose fighting Mr. Chau. Scott left the door to Ramona’s head open and he followed him through Subspace. Scott lures him into the house and away from her only to run into Roxy. This leads to both of his attackers fighting and her wondering if Gideons ent him “Why does no one ever belivie in me?!”

She soon realize no i’ts just unrelated and calls Scotto ut on hiding behind not having a sword and behind her being a woman, caling it a flimsy excuse. I mean she’s tring to kil lhim. It’s okay to hit an enemy combatant. Scott realizes he has to stop running... and get real with ramona leading to a truly epic, romantic and heartfelt speech and given how far he’s come and just how heartfelt it is it’s a real sign of how deep he feels. Sure we’ve seen genuine chemstiry between the two.. but htis moment is a shit.. from a simple relationship.. into true love.

I may of only had a few but Relationships are not easy, They take work, they take time, they take patience and theyt ake love.. but if your willing to work with someone, look past some flaws and help them with the rest.. then it’s worth it. And Scott has finally realized it and for the first time in a while is running TOWARDS something difficult, actually working on this relationship and talking with his partner instead of running finding someone else or wallowing. He’s truly grown up. While he still has miles to go.. he’s taken about 50 steps forward with this. And as such given the kind of unvierse we’re in, as Ramona is genuinely touched by it he levels up a glowing sword with a heart shaped hilt coming out of his chest.. and realizing what’s happening he pulls it out....

So Scott faces off with roxy and in an awesomly short battle, their sords clash.. and he bisects her.

Scott then honestly talks down Mr Chau who leaves after a nod, and Ramona tells Scott she loves him two. The two make out and all is well.

One make out fades into another, as we cut to Scott moving in with Kim and Blockhead’s help. Well kinda they only had one box but they owed him one. He and wallace comiserate over the end of their time as roomies. They’ll always be friend but it’s truly the end of an era. Also Wallace gets off another bit of dickery as he’’s very glad it all worked out for scott...

Now there’s the Wallace I know and love. Dickish but just the right loveable kind of douchebag with that swagger.

Back at Knives house she’s apparenlty into somebody though who I have no idea, Mr Chau give sher his blessing and she.. apparenlty doesen’t know chinese. I dunno. As I said her subplot this go round was her weakest overall.

And so we end with the whole gang gathered to see Lisa off. It’s a REALLY nice shot, and one of the only times Wallace is seen with the Sex Bomb omb side of the group. Oh sure he goes to their shows and what not, but generally their never in the same vincinity so while there’s no interaction I still find this neat. Seriously the whole main cast is there, it’s a really lovely shot

Also Jason and Hollie.. who are getting awfully chummy. Whu Oh. And of course Craphole and Mouth Face are as likeable as ever.

So we jsut get a genuinely nice sene. Except Stephen and Julie reconciling. Fuck that. Please move on. And as everyone fondly wishes Lisa adeu and wish she stuck arond the res tof the series we end on Scott and Ramona snuggling, Scott asking her her birthday and finding out she’s 24, and they both will be come september. Scott wishes this moment could last.

They probperly snuggle as the volume ends on a high.

Final Thoughts:

Yeah.. Gets it Together is, on rexamination, DEFINTELY my faviorite of the 6. Besides personal value i’ts hte best contained story, contaning lots of character development, great character moments, jokes, and EASILY the best art so far, with goregouness and creativty abounding.

There is a problem here or there: Stephen and Julie’s subplot feels underbaked, and not just because I hates them, and there are several scenes that don’t further plot or character stuff. Ther’es also stuff that could’ve been expanded on.. but given this is still a pretty meaty graphic novel, it’s understandable why it wasn’t.. though it is why I’d love a streaming series since while the movie is excellent, a full series could expand on stuff from the books more Brian simply didn’t have time for. Knives also didn’t get a lot to do.

But their drowned out by tons of great decisions: Lisa was a wonderful additoin to the cast and I genuinely wish she’d stuck around, adding in some energy, blending well with the Sex Bomb Omb crowd, and having great dynamics with everyone and her arc with Scott is heartbreaking,knowing she can’t have him but wanting him anyway having never gottne proper closure on the man she’s always wanted. She’s a heartbreaking character and its nice to see her end in a decent place and on good terms with Scott, having let him go for both thier sakes.

And while Lisa is a highlight everyone is on their a game here for the most part apart from knives, girl hitler, and captain dumbass: Scott grows signfigantly but is funny as hell, Wallace has an intresting arc trying to nudge Scott out without being overt about it, scared to really confront him, Kim is in a happy and serene place for once and it shows. The villians are also intresting: While Mr Chau is a tad underbaked, he’s sitll a cool imposing presence. I do think he shoudl’ve had more to do with the plot.. but is still just so freaking cool it papers over that and him just.. disappearing after this like poor Lisa.

Roxy is far more intresting, having clearly more going on than we see and while I wish we’d got her backstory, she’s easily the most engaging of the exes, being the only one to actively compete with Scott (All her and ramona end up doing is making out a little it turned out), and have bigger stakes than just “The glasses wearing douche asked me to beat up my exes boyfriend and I was like alright.

All in all Gets it Together is really magical, the series high point, and just damn fun and it was a pleasure to go through

Next Month on Scott Pilgrim: It all falls down as we take a look into what once was my least faviorite Album, vs the unvierse. Two perfect assholes try and murder scott with Robutts, his relationship and band crumble and things get sad so very very sad.

Next on this blog: More LIlo and Stitch! The Proud Family come to Kauai and get into a fight with our heroes. Also wizard kelly... who if nothing else is now far more tolerable now i’ve had to spend another volume with the wicked bitch of the west. Touche universe touche. See you at the next rainbow.

#scott pilgrim #ramona flowers #wallace wells #roxanne richter #knives chau #stephen stills #julie power #mr chau #stacey pilgrim #neil nordgraf #young neil #comics #oni press #scotrospective #lisa miller #kim pine #jospeh

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lokiondisneyplus · 3 years

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SPOILER WARNING: Do not read if you haven’t seen Season 1, Episode 5 of “Loki,” now streaming on Disney Plus.

I think it’s when Alligator Loki ate President Loki’s hand that I realized I was in love.

To be sure, I was always into “Loki,” Marvel Studios’ third Disney Plus series and the first devoted to exploring a single character: the god of mischief as played by Tom Hiddleston. From the first episode, I dug the absurdist deadpan humor imbued by head writer Michael Waldron, and I was immediately smitten with how director Kate Herron employed ’70s sci-fi brutalism and a particularly British affinity for bureaucracy to build out the world of the Time Variance Authority.

“Loki” looked unlike anything I’d ever seen in the Marvel Cinematic Universe, an increasingly difficult prospect given there are now 26 discrete iterations of the MCU — soon to be 27 with the impending debut of “Black Widow.” As the show has progressed, that feeling has only grown more acute as “Loki,” in its exploration of its title character’s identity, managed to carve out its own unique personality not just in the MCU, but also in the grander landscape of sci-fi storytelling.

To put it as simply as I can, “Loki” is a cosmic-yet-intimate time-traveling romantic action comedy about how Hiddleston’s sexually fluid narcissist finally learns how to fall in love with himself — or, rather, the female version of himself who has lived a whole lifetime of harrowing experiences apart from his own. In doing so, the show has proven that not only can the MCU work on television, it can thrive on it.

Marvel Studios’ first Disney Plus series, “WandaVision,” was a fabulous first step onto TV, proving that the MCU, itself an experiment in creating an episodic series of blockbuster feature films, could shrink itself down to the scope of an American sitcom. Its exploration of grief and the restorative power of comfort TV could not have been more relevant to an audience enduring a devastating pandemic. But as it unfolded, the escalating mystery of what was actually happening on “WandaVision” — Evan Peters showing up as Pietro-but-not-actually-Pietro, Kathryn Hahn hiding in plain sight as Agatha, Elizabeth Olsen unwittingly responsible for almost everything on the show as Wanda — began to overwhelm it. Fans and major entertainment news outlets alike began wildly theorizing each week — it’s Mephisto! it’s Magneto! — and the pressure to achieve a Marvel-sized scale, service a wide ensemble of MCU characters, and resolve all its narrative strands made the final episodes of “WandaVision” feel, to some, misshapen.

Marvel’s follow-up series, “The Falcon and the Winter Soldier,” meanwhile, was at once more conventional and more ungainly, with five separate antagonists (John Walker, Karli Morgenthau, Helmut Zemo, Sharon Carter and Valentina Allegra de Fontaine) operating at cross-purposes and overshadowing the two title characters meant to be at the heart of the show and the exploration of being a Black man in America meant to drive it.

“Loki” avoids all of that, because it’s the first MCU show that understands to its bones that the best television is about its characters first, and its story second. The lasting pleasure of longform storytelling is allowing the audience a far deeper understanding of who is on screen than a two-hour movie can allow. That sensibility is already woven into the MCU: Watching Tony Stark, Thor, and Steve Rogers grow and changed over multiple features has been central to the franchise’s unprecedented success. But while Marvel’s conviction to make their shows the same way they’ve made their movies makes sense, it’s also had the paradoxical effect of making “WandaVision” and “FAWS” feel too overloaded with their characters doing stuff than just letting them be.

Each episode of “Loki” does just that. In Episode 1, Loki and Mobius (Owen Wilson, never better?) sit and talk about why Loki does what he does; in Episode 2, they ruminate on the nature of accepted reality while trying to solve the mystery of the variant Loki’s whereabouts. In Episode 3, Loki and Sylvie (Sophia Di Martino, an instant star) spend the entire hour walking through a doomed planet getting to know each other, and casually coming out in the process. Episode 4 is when the story shifts into a higher gear, with Gugu Mbatha-Raw’s Ravonna Renslayer emerging as its true antagonist, but even that episode allowed for several extended scenes of human connection, between Ravonna and Mobius, Loki and Mobius, and Sylvie and Hunter B-15 (Wunmi Mosaku, richer with each episode).

This week’s penultimate episode, “Journey Into Mystery,” introduces several new Loki variants, a critical new location in the Void (the purgatory at the end of time into which all pruned entities are dumped) and a blockbuster movie sized enemy in the monstrous, timeline devouring Alioth (re-imagined somewhat from the comic books). And yet, there’s still time for Loki and Sylvie to sit on a hill, share a conjured blanket and quietly express how much they mean to each other, and there’s also time for Classic Loki (the great Richard E. Grant) to get a deeply satisfying character arc. After explaining how his own existential despair at his lot in life allowed him to live well past his encounter with Thanos, Classic Loki’s encounter with Loki and Sylvie reinvigorates his sense of glorious purpose — and helps Loki to understand he’s more powerful than he’s ever allowed himself to be. It’s a full meal in miniature, and Grant makes the most of it.

All the while, Herron and writer Tom Kauffman work in all manner of delightful alternate reality Easter eggs, from the USS Eldridge (purported to have been part of an experimental cloaking and teleportation device in 1943) to the Polybius video game (purported to be a government psy-ops scheme). More notably, there are also some MCU Easter eggs, including the Thanos helicopter and the Living Tribunal that flit by quickly and appear designed to tickle Marvel die-hards and pleasantly mystify everyone else. And then there’s Alligator Loki, a flawless creature who should be protected at all costs.

There is one blink-and-you-missed-it moment, though, that could be something more, when the Qeng Enterprises logo shows up on the Avengers tower. In the comics, Tony Stark sells that tower to Qeng, which is secretly connected to the same Marvel boogeyman that’s haunted “Loki” from its premiere: Kang the Conqueror. The decrepit house Loki and Sylvie are stepping towards at the end of the episode also looks like it could — could — be Chronopolis, Kang’s HQ in the comics, although the TVA itself could be that as well. In any event, it’s been well documented, here and elsewhere, that Kang could be the entity who is really behind the TVA, especially since “Lovecraft Country” star Jonathan Majors has already been cast in the role and will appear in 2023’s “Ant-Man and the Wasp: Quantumania.”

If “Loki” does introduce Kang in its finale, however, then the show is stepping onto its highest, thinnest tightrope yet. This is supposed to be a show about Loki, not about a villain that, within the world of the MCU, remains a total unknown. It’s a massive risk for any series to bring in a brand new character — let alone the Big Bad! — in the final episode, so this could be another example of an MCU series serving the larger franchise at the expense of its own story. That would be a shame. Sticking the landing, after all, has always been troublesome for TV because TV is so much more about the shared journey than the ultimate destination. And yet, if anyone in the MCU knows how to alight onto safe ground despite impossible odds, it is the god of outcasts, who lives to survive.

“Loki” streams new episodes Wednesdays on Disney Plus.

#Loki #episode 5 review #spoilers

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theflannelwizard · 4 years

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Miss Simian teaches the Special Accommodations class

First off, I would like to say that I am neurodivergent, and most of these headcanons are based off my own experiences. If I do accidentally phrase something in a way that offends you, please let me know so I can fix it! Thanks to @onceuponymous to chatting with me about this before I posted it! I will also say that TAWOG is my current hyper fixation, so this might end up being a rather long post! I’ll try to use bold and italics so my fellow neurodivergent fans have an easier time reading it if they want to :)

I think Miss Simian’s class is full of the neurodivergent kids in Elmore Jr. High. This would explain why Darwin and Gumball are in the same class, despite being two years apart in age, and why they are so blind to the rest of the school. They have their routine and their class, and they are purposefully on a separate schedule than the other students. This would also explain why Gumball and Darwin are so frequently sent to the guidance counselor for their outbursts instead of to the principal.

Almost all if not all of the students in her class exhibit common symptoms of neurodivergence, including (but not limited to) having trouble communicating, hyper fixating or having special interests, masking or feeling like the world won't like, understand, or accept them if they don’t put on a persona, fidgeting or stimming, having trouble with focus, expressing emotion intensely or in unique ways, and either adhering to a strict schedule or behaving impulsively.

Let’s start with trouble communicating. This is an obvious and easy one- almost none of Gumball’s classmates communicate in a neurotypical fashion. Juke and William have extreme trouble communicating verbally, and although Juke realizes this, he keeps trying but is unable to “switch” himself to an easily understood language. William doesn’t even realize he is unheard until Gumball declares he is silent. Banana Joe, Bobert, Sussie, and Jamie all speak in special dialects or patterns that are understandable but set them apart from what would be considered “normal.” Jamie’s is the least obvious, but I would argue that her reliance on threats, often delivered using the same formula, is a unique speech pattern that could have developed in part due to her parentage/home life and in part due to trouble communicating. Gumball has no problem with speaking in an understandable way, but he does have trouble expressing his emotions- he either locks them down or goes over the top with grand declarations and gestures. Likewise, Darwin is able to express himself rather clearly, but he canonically has trouble “learning facial expressions” and is often blind to sarcasm and manipulation, as are many of his classmates. Some students are on the end of the spectrum where they may not have trouble speaking, but they do have trouble reading social cues. For example, Molly is eager to talk to her friends, but can’t always tell whether they are engaged with her stories and doesn’t know when to stop talking. Sarah doesn’t have a clear understanding of boundaries, and neither do Tobias, Sussie, Banana Joe, Teri, Tina, Clayton, Ocho, Gumball, or Alan (despite having good intentions, he often fails to set boundaries for himself, and that’s just as important to notice as those who intrude or don’t understand boundaries for others). In fact, I would argue the entire class has, at some point, shown that they have trouble setting or anticipating healthy boundaries. Once boundaries have been clearly set, they usually are able and willing to respect them, but they can’t always tell on their own what another person is okay with.

Now for hyper fixations and special interests. I would say Teri is one of the most obvious here, with her extensive knowledge of germs and cleanliness. She’s more than just a germaphobe, she has studied hygiene and is obsessive to a point of rarely talking about anything else. Alan could likely be fixated on activism or the general concept of goodness, working overtime to make himself into the most helpful and positive person he can be. Sarah’s fangirl persona goes hand in hand with a fixation on comics, anime, and/or manga. I would even say Carrie’s intense dedication to goth/emo culture could be considered a special interest, and Leslie has a similar relationship to fashion, beauty, and the (heavily coded) LGBT community. Tobias’ obsession with video games has canonically gotten so intense that he neglected basic needs such as sleep- a classic example of hyper fixation.

As far as masking and persona goes, many of the points I’m about to make could be seen as simple stereotyping to make the characters distinct. I choose to interpret it differently. Gumball, Penny, Tobias, Carrie, Masami, Tina, Clayton, and Ocho have all had arcs or significant moments where they were either revealed to have interests or personality traits that were in direct contrast with their outward persona or revealed to think people wouldn’t like “the real them” as much as the act they put on. For example, Penny was terrified to come out of her shell, Tina doesn’t intend to be a bully but comes off as one due to her menacing mask (for self protection, perhaps, so she doesn’t get bullied herself?), and Ocho admits he has trust issues due to being used for his uncles and not respected unless he puts on an intense and aggressive front. Other students build their identities around a single aspect of themself, either something that they find important or something that they expect will be liked or respected. Tobias, Leslie, Carrie, Alan, Jamie, Tina, Idaho, Sarah, Bobert, Banana Joe, and Masami fall easily into stereotypes and seem to be glad to do so. Clayton goes so far as to commit identity theft simply so no one will see his true self and dislike him. Clayton’s compulsive lying is also a symptom of ADHD.

I’m not going to write a whole paragraph on fidgeting/stimming and focus, because I don’t think there’s too much to analyze or dissect there, but if you go back and watch any episode, you’ll likely notice that many of the characters are easily distracted and/or have unique body movements, postures, or phrases that they tend to repeat. I also think impulsivity and routine is so important to the plot that it doesn’t need to be discussed, but was worth a brief mention.

Let’s talk about emotions! Gumball has the classic neurodivergent experience of either bottling up his emotions with no idea how to express them or going over the top with grand declarations and gestures. He feels things very intensely, as shown by his often dramatic reactions, but isn’t always sure how to process or express them. Darwin is always on one extreme of that scale, with no filter as to how he expresses and feels things. He is unafraid to cry in public, declare that something makes him feel good or bad, or say very bluntly what needs to be done to make him feel better (eg declaring he responds well to positive reinforcement- that sounds like therapist or guidance counselor language to me! Good job, Darwin! I wish I was as clear as you!). Likewise, Penny is prone to meltdowns after she breaks out of her shell, and she is so intensely emotional that she messes up her (likely well-rehearsed) cheer tryout due to being rejected by Gumball, and her physical form changes based on emotion. Banana Joe, Carrie, Masami, Sarah, arguably Anton, Carmen, Teri, Tina, Hector, and Sussie also express their intense emotions in big and obvious ways. Some examples include Masami’s meltdown in The Storm, Teri’s tendency to faint or cry, Carmen’s outburst (possibly a meltdown or breakdown) at her old school, and Tina’s tendency to use violence and anger as a first response when upset, even in “small” ways. (Note- I put small in quotes because something like being told it’s a waste of time to get piano lessons might not feel small to her, and could indeed warrant chasing and attacking Gumball.) On the other side of the scale, we have characters like Alan, Idaho, Bobert, Molly, Leslie, and Hector (again, as he behaves differently with or without his music box), who are capable of being dramatic or expressing emotion, but won’t acknowledge their feelings directly and might even be perceived as not having (many) emotions. For instance, Bobert is often referred to as not having emotions or not being a real person, a harmful stereotype against autistic folks, which is increased by the fact that he is a robot, which autistic folks are sometimes unfairly compared to. Alan is seemingly incapable of feeling negative emotions, to the point where his loss of hope wrecks Elmore, implying that he has a mental or emotional block from feeling and expressing these emotions. Molly references her “special dark place,” implying that she does get emotionally or sensorially overwhelmed, but has no way to express her needs (or lacks the confidence to do so) and would rather remove herself from a situation. Leslie is the most dramatic of the characters with emotional blocks or low emotional expression, but I would argue that since he never openly owns or discusses his emotions, (verbally or otherwise,) and instead turns to petty drama or denial, he also belongs in this category.

TL;DR: Most if not all of Miss Simian’s students exhibit classic symptoms of neurodivergence, be it autism, adhd, or both. Hopefully the many (x character) has (x diagnosis) posts I’ve seen floating around can supplement this theory! And of course, if you don’t buy this interpretation or just don’t like it, you don’t have to agree with me! But I think the idea of TAWOG having a majority neurodivergent cast is comforting, fun, and canon-compliant. :)

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aconstantstateofbladerunner · 4 years

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101 Open MHA Gen Prompts

I had a very long ask game where people gave me fake titles and I came up with fic ideas to go with them. Multiple people asked to use some of them as prompts, and some of my friends have lately maligned the lack of gen prompts out there, so I decided to compile them all into a single post. Almost all of these are gen, aka not shipping, but you can do what you want I’m not your boss. Everything is free and open to use WITH CREDIT, so have fun with my word vomit.

1. In Dreams I Had the Sun - Being the number one hero isn’t all it’a cracked up to be, Toshinori realizes early on

2. The Chainlink Fence that Held the Ocean - In his new book post-retirement, All Might opens up about his regrets, struggles with mental health, and his issues with the hero system as a whole. The backlash is swift and intense.

3. Welcome to the Loud Silence - After an injury, Izuku is rendered deaf.

4. Water Since Turned Red - After a villain attack nearly kills All Might, the beach where Izuku used to go to find comfort now feels tainted.

5. all scrap left untouched is bound together - A group hero students who failed the provincial license exam for the third time, effectively ending their careers before they start, get together to take revenge on UA’s first years who beat them out.

6. You’ve saved more more times than you know - Times All Might saved people without his powers, just by being a cool, nice dude.

7. No Amount of Tragedy Can Justify Your Actions - A dying All for One tries to justify his centuries of cruelty to an uncaring Toshinori.

8. To Leave a Cage Locked - One for All is conscious and has a will of its own, one that doesn’t always line up with Izuku’s wellbeing.

9. Okay, who let in the Kraken? - Izuku is the reincarnation of an ancient eldritch horror.

10. keep us alive up above - Izuku and Shigaraki get trapped together somewhere. Izuku knows he needs the villain’s help to survive and escape, but the other would rather they both die.

11. The world will revolve around me neither less - The ebbs and flows of AFO’s influence over the years.

12. More Roulette, Not Russian - Kids get their quirks swapped.

13. Patron Saints - Toshinori teaches a class about pre-quirk superhero comic characters and their influence.

14. Don't Come Back - Touya Todoroki’s first few weeks after a severe injury resulted in his father abandoning him.

15. The Blessed and the Fool - Toshinori meets up with a few of his ua classmates after retiring.

16. Not Your Sacrifice - Some of the other kids have started adopting some of Izuku’s self sacrificing habits and the teachers are concerned.

17. Break in the Storm - Villains use a power outage as an opening to break into ua.

18. One Day Those Consequences Will Finally Catch Up - Even though the teachers don’t take her concerns seriously, Inko saves every piece of evidence regarding people hurting her son.

19. a garden in their eyes - Izuku meets a fan who got injured after trying to step into a villain fight, just like he did, and it makes him question some things.

20. what could have been, if not for you - After Inko divorces him, Hisashi’s goes to the press to say All Might stole his wife and son.

21. Promised Misery - All Might finds out the severity of Bakugou’s bullying, and warns him he’s on thin ice with him.

22. Fly Up Higher, Blossom Brighter - Izuku has to write a paper for middle school about being positive, intercut with all the bullshit he has to deal with.

23. Libre Me from Hell - One of Izuku’s new quirks is spiral related.

24. No One to Blame but Yourself - Izuku’s kindness doesn’t extend to murderers, tragic backstory or not.

25. At Its Finest - Izuku accidentally gets involved in a hero commission coverup.

26. A Rising Issue - Izuku starts developing more severe side effects of his injuries. He’s convinced he’s under the influence of a quirk, while the adults thing he’s finally gone too far hurting himself.

27. What you are in the Dark - Izuku usually keeps most of his anger to himself until he can’t.

28. nowhere to go - Inko moves into UA after their home was destroyed.

29. Something Without - My theory about the 2 OFA vestiges that are blurred out is they don’t approve of izuku as a successor. Izuku tries to figure out why.

30. Walking with a Ghost - Toshinori joins the OFA dreams while he’s in a coma. He gets to reunite with nana, and is more open to Izuku about his past and feelings. Part of his starts to wonder if it’s worth waking up, since he will die and join the others eventually.

31. Death By Crying - Izuku is affected by a quirk that will suffocate him if he expresses any emotion.

32. Justice is Subjective - The hero commission gets to Shigaraki before AFO does.

33. Undo / Underdog - Death loop fic. Izuku keeps reliving the day he met all might after being killed by the sludge villain. he has to find a way to break the loop and survive, but he gets s little weaker every time he restarts.

34. Like Wildfire - A rumor that Izuku is All Might’s bio son picks up steam, and the characters have to decide whether to deny it but risk suspicion or play along and add a new layer to the lies protecting one for all.

35. Once Upon A December - All Might and Inko actually met in the past trope.

36. Some Legends Are Told - All Might’s first interview post-retirement.

37. Will The Real Mentor Please Stand Up - Aizawa considers himself the better teacher, but a lot of the kids seem to like All Might more.

38. I don't want the cure, I want the POISON! - Inko is killed in a hit and run, and Izuku becomes desperate to find the killer.

39. I will kill my heart before I dance on stage for these bigots - Izuku is interviewed as a rising star of UA, and the interviewer brings in some of his old bullies because they claimed to be his friends from middle school. Izuku does not play along.

40. Split Ends - A quirk gives Izuku brief visions of what would have happened if he made different decisions.

41. Dreamless Sleep - A One for All dream leaves Izuku with a cryptic half-warning, and he desperately experiments to try and figure out how to trigger the visions to get the rest of it.

42. toxic flowers and pretty blades - Young Inko escapes the constricting life of her cruel wealthy family by becoming a vigilante.

43. The Suns we Orbit - Some of the other teachers believe Izuku is too codependent on Toshinori, and separate them for a time.

44. Submerged - Similar to those buried alive fics only someone’s in a box at the bottom of the ocean.

45. Deprive - Izuku also loses his stomach to an injury, and struggles to adjust to the necessary lifestyle changes.

46. The ashes fall like snow - Post Kamino cleanup.

47. Home will always be here - Inko cares for Izuku after he’s sent home due to “trouble at work study” but he refuses to clarify what that means.

48. Playing Favorites - A look at several times where Izuku was punished, while Bakugou got off scot free.

49. Elusive Dreams - Some kind of training or issue forces the kids to stay away for several consecutive day, and they start losing it.

50. Fracture - Izuku struggles through physical therapy after a severe injury that leaves his hero career in question.

51. Starlight, Starbright - Space cadet au

52. Someone in Your Corner - Gran Torino looking after Nana, Toshi, and finally Izuku through the years.

53. I cast magic missile into the darkness - Generic “the gang plays d&d” fic.

54. One Month At A Time - Izuku breaks a limb, and has to let in heal naturally over the course of several months.

55. Head Above Water - Izuku runs out of his pain meds and can’t get access to more doses for a while, so he has to endure not only the pain, but the withdrawal symptoms.

56. Are you going to leave a path to trace - All Might uses a new strategy to try and get Izuku to be less self sacrificial: what about all the young kids who are going to look up to him?

57. The View from Halfway Down - Izuku realizes that a risky move has just landed him with a potentially life threatening injury, but the fight it still going.

58. The Dust Bites Back - A villain All Might defeated early in his career is back and out for revenge.

59. The Absence of your Worth - Nighteye thinks he’s put together a rock solid case for why izuku isn’t worthy of One for All. All Might’s response is to ask if he has something against quirkless people.

60. Behind the Screens Nobody is Afraid - All Might explains some of the context of his most popular hero videos to Izuku. They are much more tragic than the media has spun them in hindsight.

61. Under the Light of the Moon - Someone gets turned into a werewolf. And I ain’t talking the wattpad piss shit. I’m talking full-on back-breaking monstrous transformations into a bloodthirsty abomination set to Bad Moon Rising.

62. some dreams were made to be broken - Bakugou crosses a line and finally gets expelled.

63. You Say You're Into Closure - Izuku finally beats Bakugou in a one on one fight fair and square, but Bakugou is a sore loser.

64. Something or Someone Missing - AU’s memories of Izuku get wiped, but those closest to him can’t help but feel an absence.

65. Too Little Too Late - Izuku’s father returns to find he’s been replaced.

66. Collecting Dust - Inko goes through the stuff Izuku didn’t take to the dorms.

67. Where the souls of wanderers go - Toshi meets up with a retired hero support group.

68. Fragility of Trust - Suspected traitor au

69. no one answered - Izuku is trapped in a cell in a building that’s collapsing in slow motion due to a quirk.

70. Eye of the Storm - One of the other kids has a panic attack for the first time between public appearances. izuku has never seen from from the outside.

71. To Whom It May Concern - The kids find a mysterious collection of letters from previous students hidden in the ceiling of the classroom. Some are ominous, some are incomprehensible. Aizawa has no answers. They enthusiastically go to try and solve the mystery within, but that excitement quickly diminishes the more they find out.

72. Of Popsicles and Ponytails - All Might gets in a discussion with the other teachers about whether the Clark Kent glasses thing would actually work. All Might bets them it does, so he goes around town with no disguise other than his hair being up, and no one bats an eye.

73. All Men are Not Born Equal - Word gets out to the public that izuku used to be quirkless. Everyone finds out just how deep anti-quirkless sentiments run when some begin to question whether a quirkless kid should be at ua, regardless of whether or not he has a quirk now.

74. Childhood is the kingdom where nobody dies - Something about encountering death in person for the first time being the dividing line between child and adult.

75. Sins of the Father - All for One has had many children over the centuries, and has made numerous attempts to groom them into the ideal heir with several different methods. None of them worked though.

76. Where The Dead Come To Rest - The kids come home after a long, grueling mission where they saw some shit, and are too tired to process what they went through. They take off their gear for plain clothes, then sit in the common room in silence long into the night, not wanting to open themselves up but also not wanting to be alone.

77. Rivalry - Nighteye tries to pit Izuku and Mirio against one another. It goes right over Mirio’s head, but Izuku becomes convinced the other boy is in on Nighteye’s plan to wear him down until he gives up One for All.

78. A Subtle Language - All Might and Nana never said out loud that they loved each other, but little things told them that they did. All Might hopes to pass a similar love down to his own successor. But Izuku is very different than himself as a kid, and he needs to learn a new subtle language of affection.

79. It’s Gone - One for All stops working one day.

80. A Sight For Sore Eyes - All Might looking after Izuku in the aftermath of the second movie.

81. Loose Lips (sink ships) - Bakugou blurts out something about One for All during a rage, so the rest of the class jump on him and Izuku for answers.

82. No Expectations - Word gets out that All Might is going to choose a successor. None of the theories or speculation online resemble Izuku in the slightest.

83. Eden was Only a Garden - Izuku gets hit with a quirk that erases some of his most traumatic memories, but in doing so loses part of who he is.

84. Run it Down - With all Izuku’s new quirks and his incredible skill, some of the other students with similar powers (Iida, Sero, Uraraka) start to feel like izuku is upstaging them. And it affects their friendship.

85. Fool's Gold - Bakugou grows even more jealous of Izuku having One for All, and his relationship with All Might. He thinks that if he could just prove himself to be more worthy, All Might would change his mind and name him his successor. But in reality, he ends up jeopardizing the relationship they already have.

86. somewhere down the road - The final deadline for Nighteye’s predictions passes, and All Might lives. He debates telling Izuku, as even though it would be a weight off the boy’s mind, he doesn’t want to jinx it. He will still die eventually after all.

87. Just For You - All Might has certain rules and boundaries for fan interactions that he completely ignores for Izuku.

88. if these walls could talk (their whispers would be maddening) - Montage of training accidents in a ‘cursed’ ua gym

89. If Only I Could... - Nighteye tells Mirio about One for All, including that he thinks he’s more deserving than Izuku and he plans to pressure him into giving it up. Mirio struggles with the knowledge that his mentor, someone he respected more than anything, only saw him as a replacement for All Might, meanwhile watching Izuku strain under the pressure of that mentor’s impossible expectations.

90. This is a Test Designed to Provoke an Emotional Response - shameless Blade Runner AU

91. Once and for All - Retelling of the Superman story “What’s So Funny About Truth, Justice, and the American Way?” with All Might. Some new heroes use much more aggressive and violent tactics against villains while also upstaging All Might. That, and there general approval from the public cause All Might to question his moral code.

92. Sitting In The Rain - Tsuyu likes to just sit out in the rain sometimes. Not do anything, just sit there. Some friends decide to join her.

93. At Sundown - Mysterious creatures start attacking ua every night. The gang works tirelessly during the day to find the cause and a solution, while defending their school and each other at night.

94. The 1000th time's the charm - Uraraka has been practicing a new move in secret but they just can’t get it right. She wants it to be perfect before showing it off. But one attempt gets her seriously hurt while training alone at night in one of the gyms, and she’s too hurt to get up to the phone to call for help.

95. Sunflower Seeds - All Might attempts to start a garden as a new hobby.

96. What It Means To Be Human - Sun god Toshi starts living among people.

97. Eyes on Me - All Might teaches Izuku some unarmed fighting moves to defend himself from bullies.

98. one remains - Izuku has developed all but one of the quirks he’s slated to, and he has no idea what it will be. Anxiety ensues.

99. Come Back Home - Izuku vanishes from campus and everyone assumes he was kidnapped, but in reality he ran away to try and clear his head after a depressive spiral. He goes by train as far away as he can until he comes to his senses and calls the others.

100. I Won - Izuku accidentally managed to kill Shigaraki during a skirmish, and while everyone around him praises his heroics, he struggles to deal with the fact that he killed someone.

101. Ivory Tower - All Might grapples with how much izuku suffered as a quirkless person, how he could have done more for quirkless rights in his time as a hero, and how now people may not care as much because he’s retired.

Reminder to credit me if you use any of these prompts, and a special thanks to everyone who submitted titles!

#mha #bnha #mha prompts #bnha prompts #mha fanfiction #bnha fanfiction #my hero academia #boku no hero academia #dad might #all might #toshinori yagi #midoriya izuku #deku #bakugou katsuki #aconstantstateoffanfiction

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