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#there were other people dying in that episode but it felt extrem forced to have him die
gottagobackintime · 2 years
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Having a queer “will they, won’t they” with a slice of “they have a past”. One of them is clearly ashamed of himself for being in love with another man. The other one isn’t ashamed and is desperate for the man he loves to admit his feelings and commit to a life together. They almost kiss several times. Finally gets to kiss while the “not ashamed one” is dying after he saved the man he loves.
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xnewtiebooty · 1 month
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Newtmas headcanons, some NSFW (Post-Death Cure, AU in which Thomas time travels to save Newt/or WICKD found Newt and revived him.)
. They are extremely codependent and obsessive, mainly on Thomas' end. He can't stand being away from Newt, not being able to see him. If he doesn't know where Newt is, he spirals into panic. He feels like Newt could just slip between his fingers again at any moment.
. Newt has a love/hate relationship with Thomas's unfaltering attention. It used to be all he ever wanted, was for Thomas to look at him, but there are times at which he feels ready to explode. He's sick of feeling treated like an incapable child, or like he's something fragile. One day, he snaps, and they get into a huge fight over it. He storms off, and Thomas is shocked and hurt but realizes Newt is right. Thomas tells him he'll try to give him space, when he needs. Newt apologizes, acknowledges that it's partly on him, and that he'll try to communicate what he needs better from now on. That he understands the need to be together- really, of all people, he does- and how much of a comfort it is for Thomas, but that he needs space to just be "Newt" sometimes, not just "Newt & Thomas."
. They both have nightmares about that night. Newt dying.
. Because of this, they can't sleep without the other. They always need to be close and able to reach out and touch the other for reassurance.
. Newt avoids mirrors. Often, he'll see his reflection and see the version of himself afflicted by The Flare. Bordering on inhuman, pupils blown so wide they eclipse everything else, stark black veins trailing up his face and neck.
. Thomas knows this and always makes it very clear to Newt how he sees him. That he's the most incredible person he's ever known. That he's the glue that binds everyone together, the one they turn to when they need comfort and advice. That he's beautiful, and that Newt isn't a monster. That Thomas loves/loved even that version of him.
. Newt will often find himself slipping into the same patterns he experienced during The Flare. He'll grow short-tempered, feeling like he's ready to boil over and scald anyone who dares get too close. He'll ruminate and become obsessive. When this happens, he showers in ice cold water, the shock helping to bring him out of the dark haze and ground him in reality. After these episodes, he is completely drained, and simply collapses into bed. Thomas will find him and join him, softly carding a hand through his hair.
. Thomas makes sure to say "I love you" at every opportunity. He never wants to miss another chance, given that he wasn't able to say it to Newt before. When he died.
. Thomas is extremely touchy. He prefers to be holding Newt in some capacity, touching him at all times. Newt secretly very much enjoys this.
. Having sex helps to pull the both of them out of the haunted echoes in their heads, bringing them together as closely as humanly possible and being able to convey their love for each other when words fail them.
. Newt will sometimes ask to be restrained in some way. Sometimes Thomas will bind his arms behind him, others he'll just pin him down with his full strength. Newt needs the reassurace that he can't hurt Thomas even if he somehow were to lose control and Crank out. At first Thomas is hesitant to do this. The last thing he wants to is potentially hurt Newt. But he realizes it makes Newt feel secure, safe and comfortable. They both grow to enjoy it very much.
. Thomas is the most gentle, attentive service top. He is more than happy to sit back and let Newt take control, or to take charge when the other needs that feeling of security. He and Newt both know he secretly loves it when Newt dominates him however <3
. He felt shame in it for a long time, but Thomas finally forced Newt to admit he just wants to be taken care of. There's nothing quite like giving himself over to the other man and allowing his brain to shut off. He doesn't have to be the responsible one or the one providing for others for once.
. Newt will often gently talk Thomas through it and tell him how proud he is of him, how good he is, and how much he loves him. Thomas melts at the praise.
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lumpyorganelle · 4 months
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Heartbreak & losses quotes pt.2
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Ah, merciless Love, is there any length to which you cannot force the human heart to go?” ― Virgil, The Aeneid
“How starved you must have been that my heart became a meal for your ego.” ― Amanda Torroni
“every loss, every mistake, was seared into her soul, creating a different kind of tattoo, one made from rage and abandonment, heart break and tears” ― Kami Garcia and Margaret Stohl
“He started to estrange her… And they became strangers Who knew each other's heart, So broken as they drifted apart.” ― Ana Claudia Antunes, Pierrot & Columbine
“Did the destruction of one dream leave a vacuum that required filling with another? Is a broken heart more vulnerable?” ― Cinda Williams Chima, The Exiled Queen
“Thoughts are as simple as the process…a message from the soul; conveyed through the heart; received in the mind” ― Jeremy Aldana
“She ached so badly to be held it felt like a sickness had invaded her muscles and bones. As usual, her own arms provided little comfort.” ― Helen Hoang, The Kiss Quotient
“When the heart is down and the soul is heavy, the eyes can only speak the language of tears” ― Ikechukwu Izuakor
“Then I feel I have given away my whole soul to someone who treats it as if it were a flower to put in his coat, a bit of decoration to charm his vanity, an ornament for a summer's day.” ― Oscar Wilde, The Picture of Dorian Gray
“A faint cry; I can't figure out if it's mine or if it's echoing the other half of my broken heart—the one beating in his chest.” ― Aura Biru, We Are Everyone
“There has to be a whole other level of pain when your soul gets ripped in half.” ― Karen M. McManus, One of Us Is Back
“Those words created in my heart and stomach a physical effect so sickening, so painful, that I have never since doubted that these vibrational frequencies traveling upon air can land a knock-out punch more excruciating than any fist or weapon.” ― Erin Zelinka, On Love and Travel: A Memoir
“My wounded heart, too burdened by scars, struggles even to fathom the concept of love, let alone embrace its gentle touch.” ― Paulo Coelho, The Alchemist
“An Ocean full of thoughts, a broken heart, and a tragic shore of insane storms. I am trapped in a body that is not my own, a world that's too alien for my soul and an evil wounding my heart.” ― Sapppho Khizar
“When stranded in a desert, and you’re dying of thirst, a mirage is the cruelest trick the mind can play. And when you are a stranger among regular folks, and you’re in search of love, a disillusioned or misguided heart is the cruelest thing.” ― Soroosh Shahrivar, Tajrish
“That was the end of the integrity of their love. The succeeding days were a shambles of falseness and hypocrisy, mingled with her tears and moments of animal passion to which she abandoned herself with a greed made indecent by the hollowness of their days.” ― Ian Fleming, Casino Royale
“…my father explained to me in a hushed tone that in times of extreme stress or trauma, humans of all ages will resort back to the fetal position, because it is an instinctual way to protect all our vital organs and because it reminds us of the safest place we all began, thee womb.” ― Lucy Keating, Dreamology
“This was just the world. You trusted people, you loved them, you offered them the dignity of your time and the intimacy of your thoughts and the fraility of your hope and they either accepted it and cared for it or they rejected it and destroyed it and in the end, none of it was up to you. This was just what you got. Heartbreak was inevitable. Disappointment assured.” ― Olivie Blake, The Atlas Paradox
“Being of heart resists no hurt, they savor poison like fine wine. The benevolent takes no notice of betrayal, while the somnolent just moan and whine.” ― Abhijit Naskar, Yarasistan: My Wounds, My Crown
“How can I be reasonable? To me our love was everything and you were my whole life. It is not very pleasant to realize that to you it was only an episode.” ― W. Somerset Maugham, The Painted Veil
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thewiglesswonder · 1 year
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I'd be hard pressed to say I don't enjoy collector at all (I have merch of him after all). But my feelings towards him are complicated, he was great in s2, but in s3 I couldn't help but feel like the crew felt like they couldn't redeem him as is. That they felt they needed to absolve him of doing anything actually wrong so all his potential crimes are either nonexistent, blamed on other collectors/belos, or pretty much swept under the rug.
When we saw that collector back in KKKOHD it was like " Oooo this is intriguing, who is this and whats their deal?". Dana even showed off her half of collector's face during the charity event and saying "you've technically already met them" . So it was like "oooo the collector who caught the owl beast!".
And then it keeps ramping up, we have Philip find him, he's introduced as childish but sinister, he has a murder cult who worships him, he slams belos into a wall and angrily forces king to stay with him from luz.
And then-
Nah, he's unaware of death, misunderstood, hates said cult, and not even the same collector we met who caught the owl beast.
It felt like we were building up a very different kind of collector then what we got. This child who played with his food and didn't care who got hurt unless he was having fun, who caused the curse and pissed off the titan so much he hid his son away, and then everything that made him more grey just.... was not his fault at all.
And then on top of this there are just things between ep2 and 3 that don't make sense or are dropped, he doesn't understand death but crosses out a whole chapter in his book explicitly about genocide, which implies he does understand death? Belos tricks him into thinking King wants him dead and collector litterally gets over it by the next episode that i kinda don't see what the point was? He is shown to feel jealous over luz and angry about her arrival, but by the next episode he litterally starts the episode claiming to want to be her friend? How does he know about the cult but not know about death given they KILL titans?
Heck, FTF ends on him sinisterly saying he wants to play a new game, but WAD claims the dream sequence was belos's idea, not his, so its extremely misleading.
I'm not even opposed to the idea of a character being built up to be sinister only to reveal they never actually were and it was just a lie built on misunderstandings and paranoia. But it didn't feel nearly as well built up as it could've been.
And then on top of this, collector cries over luz dying as if its the first time he's felt this way, despite knowing her as a friend for a few hours max? He's never cried before? Not when the titans who were his friends were killed or when he got locked up? And then despite this being here to teach him about death being permanent, luz basically instantly comes back.
And after all of this, after what he did to the people on the isles, he just....leaves. he doesn't stay to help repair the isles that he partially damaged, and despite the show having a found family message and collector not wanting to be alone....he leaves....to be alone. So his redemption rests on a few hours of life lessons with luz, luz's not permanent death, and then thats enough to change his whole world view so its perfectly fine if he goes off on his own now I guess.
Collector pretty much goes out entirely unpunished for anything, the isles shows no lasting anger to him, he keeps his friendship with king, luz didn't actually die, so there's really no strong consequences for what he did. He feels bad for the draining spell and stuff but thats really it, he doesn’t stay to repent or anything. I know he's a child but he might be the child character who got off the easiest for his actions this entire series, and what he was responsible for wasn't light either.
I like the idea behind collector, but I don't understand entirely the love surrounding him because the writing surrounding him and his arc is confusing and it read to me like they were bending over backwards to erase any trace of him doing anything bad of his own violation or just not taking it as seriously as they should of.
Trying to redeem a collector who did intentionally hurt others , who does work hard to repent, and who learns over a longer period of time, would of felt more satisfying and would've been more interesting.
I hardly have anything to add to this, you've summed up pretty much every issue I take with the little guy! I'm not denying that he's a bad concept or a bad character, the execution of his supposed arc and intensely conflicting information we were given about him through the course of the last half of the show, coupled with the fact that he's always kind of felt like he appeared out of nowhere to me, I hate to say it, but he really hurts the narrative more than he helps it as-is. More energy, time, and really thought put into him would soothe a lot of these issues.
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buggirlbutt · 5 months
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FIRST OF ALL. SPOILERS. I AM SOSO SCARED OF SPOILING PEOPLE. ANYWAY. OK so I don't ever make original posts and I never go here any more than just reblogging art from my mutuals but. Restoration was so weird I feel like I have to put my thoughts down somewhere. Other people have mentioned some specific stuff that also confused me but since it was already covered I won't go over it unless I feel like it. In no particular order:
-Why was everyone separated. Where was Carolina. Why was Wash in a hospital. WHY DID DR. GREY ACT LIKE THAT. WHY WAS DOC DEAD??????? Where the fuck was Donut. Lopez and Sheila completely disappeared after 5 minutes. Why was nobody friends
-What the fuck was up with Sarge dying. None of it felt real and not in a denial sort of way it just felt like they were gonna have a fakeout with it. Someone else said that Grif and Simmons didn't even try CPR or aloe vera and like. Right???? I kept expecting Sarge to get back up and say something insane like "oh I got all my major organs moved to different parts of my body 10 years ago to keep the blues on their toes heheh"
-On top of that everything Sarge said and the way they all acted felt so weird and fake. He would not fucking say that even on his deathbed. Everyone felt so out of character
-Why the fuck were they trying to straight up fucking abandon Caboose. None of them would ever ever do that what the hell. Running away yes but Leaving??? Not in a million years. It felt like it was only there to pad the runtime a little bit, you 100% could've had Sarge die trying to rescue Caboose without them trying to leave first. Not that I think Sarge should've died because it made no sense
-Where was Donut. Why was Doc dead
-Why did no one care that it was still Tucker in there. Why did Tucker even still have the meta armor?? That feels like something that should've been taken off after the fight, not something Tucker should've kept on for several months afterwards. And I say several months because there's an extremely brief line about how Tucker has been missing for months "again." This was just something that happened multiple times and nobody cared or noticed???? What on earth
-Wash being in the hospital made so little sense. Why was he there. What the fuck happened on Chorus that killed Doc and why was Wash so haunted by Doc specifically. As other people have mentioned, why was his hospital room number the same as his prisoner number??
-Why did Dr. Grey act like that. Wash having an episode and saying stuff about "we" as if Doc were there I can understand but the fucking. The news report? That everyone can see with their eyeballs? Why did she act like that wasn't real either. Everything with Wash in the hospital felt like it was supposed to lead to some reveal of like, the hospital is fake and the government is keeping him there and Dr. Grey and all the other staff are being forced to act like that but no. Apparently they did that of their own free will. What
-Where the fuck was Donut. Why was Doc dead
-For that matter where was EVERYONE?? Why were they all separated??? Nobody fucking cared that Wash was hospitalized and Donut was missing and Carolina was god knows where??? Are they not a fucking family
-Why were the reds so mean???? Grif especially was so mad about everything and like yeah he gets stressed out easily but not to that extent. Good lord
-Also if Wash broke his leg and Doc wasn't real how did his leg. Get unbroken lmao
-OK I think that's everything I can think of. Byebye
-Wait one more thing why the fuck did Grif leave Simmons alone in blood gulch. Simmons now the only fucking member of red team and Tucker and Caboose are the only members of blue team?? That's not. That's not right in any capacity. LOPEZ AND SHEILA ARE STILL AT THE UNDISCLOSED LOCATION. The ending was so fucked up in so many ways
-OK byebye for real
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solarsavoy · 2 years
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Fandom Saturday, Astra: Lost in Space
Recommended to me by Hailey.
I'll admit, the overall idea of the anime intrigued me, but I started to get a little bored during it, until some of the big reveals came...
I did not expect it to go that way.
I listened to most of this anime in the background until the reveals came and at that point my eyes were glued to the screen. I almost want to rewatch it just because of the stuff I missed the first time.
I do have a few qualms with it though. I felt like for a bunch of kids that don't really know what they're doing, they had it extremely easy. Traveling 5012 lightyears away to get to home as ill experienced as they are should've come with a lot more losses, but they point that out in the end and I can appreciate the overall message they were trying to portray with that. Yes, it can be dangerous. It can be scary. But it's important to always move forward and to interpret things for yourself. If they had filled the trip with more hardship, then people would be more hesitant to travel and less curious.
Also, absolutely love Luca! I won't spoil why, but I really love how they a person like him. If you've seen the anime and enjoy his as well, I recommend reading this fic from tuuli, as she has a character going through a similar situation. (Don't you dare click on it tuuli! Spoilers. No!) But I also love his attitude about it. So many awkward scenes only made more awkward by him playing into it. XDXDXD Anyway, I love this kid. Not enough to adopt him into my harem, but I love him. He's my favorite. 💙 Incorrect quote, but... "What will you always remember?" Luca: "I'll remember being forced to strip naked in front of everyone at gunpoint on the beach." XD Oh my god, I'm dying...
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I really liked it though. They were really creative with the habitats of the different planets they visited and it actually made me wonder for a moment if the creator was inspired by this space documentary on Netflix because they shared a lot of ideas with each other. 😅 But like I said, the twist? It really catches you by surprise. So I recommend putting it on in the background, paying some attention to it, and right around the last few episodes, it'll probably have you restarting the episode so you can watch it. It's just so good. And it's only 12 episodes long. Highly recommend. And yes, Kanata, it needed to have an ear pick and not a gun upgrade. XD
Have a lovely day everyone!
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gellavonhamster · 1 year
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monthly media recap: may 2023
the lusty month of May! this one is gonna be long
read:
The Terror by Arthur Machen - a properly unsettling short novel about strange murders happening in England and Wales during World War II. I gotta say, I think the narrator is wrong :D as in, based on the story, I have a slightly different opinion on the cause of what happened
The Great Return by Arthur Machen - a novella about the reappearance of the Holy Grail in a small Welsh village; short, but beautiful
The Empty House and Other Ghost Stories by Algernon Blackwood - not bad apart from, as usual, certain period-typical yikes, but after Machen and M.R. James it just doesn't seem as good, and the endings to many stories felt too abrupt to me. However, I am a big fan of the character whose rooms were haunted by his friend's ghost, so he went to his other friend's place to study because "there's no hallucination about that exam; I must pass that whatever happens."
Issues No. 1-3 of the Hellebore zine - yep, still reading this, still in an absolutely random order. Witch trials, poison plants, the cult of Pan and other good shit; I've bookmarked the names of some books I might give a try later. I feel like the articles in earlier issues were more, uh, informal and essay-like and became more scientific as the zine continued to be released, which I think is a good change tbh
Temeraire series, Books 4-7 (Empire of Ivory, Victory of Eagles, Tongues of Serpents, and Crucible of Gold) by Naomi Novik - hell yeah! I started this series in 2019 (I believe?), read the first three books, loved them, but then kind of forgot to continue. Catching up on it now and greatly enjoying the alternate history (in very broad strokes: Napoleonic wars with sentient DRAGONS in the air force), constant adventures, anti-colonialist themes, and the extremely likeable cast.
+ progress on Lancelot-Grail: done with The Quest for the Holy Grail, The Death of Arthur, and the first part of Post-Vulgate (The Merlin Continuation). Currently reading the Post-Vulgate version of the Grail quest and Book 8 of of Temeraire - Blood of Tyrants
watched:
Daisy Jones & The Six (2023) - there were changes in comparison to the book that I liked (loved Simone's storyline in the show, for example) and that I disliked. I think the novel and the adaptation work together best. The soundtrack is amazing, and the original songs are very good even out of context
Valkoinen peura / The White Reindeer (1952) - older horror films often are more haunting than the newer ones despite limited special effects and mostly relying on things like lighting and music - or maybe because of that - and this Finnish film is a good example of that. God forbid women do anything (turn into a murderous reindeer)
November (2017) - fascinating folk horror set in 19th century Estonia - mundane magic, deals with the devil, and the unrequited love no spells can fix. Beautiful and sad and very well-made
Yellowjackets (season 2, 2021-?) - AAAAAAA!!! I know many people found this season much worse than s1, but I honestly enjoyed it, even if I didn't agree with all decisions (they better do something unexpected about Van's cancer, or I'll be mad). The finale is devastating, but I kinda expected that to happen :( it was one of the most likely character deaths. Alas, the only one of these women I'd be ready to let go is the one who's certainly not dying unless they all die in the end (which is not that unlikely, I guess). Anyway, this is one of my favourite shows at the moment, and I'm really excited for season 3 (and the mysterious bonus episode?..)
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rcksmith · 3 years
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Spring breeze part.4 — Spencer Reid
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Icon by @obiwansjedi
Part.1 Part.2 Part.3
Sumarry: After the breakup, Spencer and the Reader follow different paths and lives. But, after 8 years, Gideon's death brings an avalanche of emotions, putting the two face to face again in a reencounter that could break their hearts again — season 10 —
Couple: Spencer Reid /Gideon's daughter!reader.
Warnings: mention of death, mention of violence, death of the father, depressive thoughts, murder, crying, swearing, a lot of anguish, mention of love, fluff (but it has a very fluff too, I'm not a monster)
Word count: 5k.
A/N: This is the most sad chapter that has, I promise that the next will be very cute.💖
I saw Gideon's death episode again to make it as faithful as possible for you guys. I used the original Criminal Minds chronology too, being 8 years from Gideon's last appearance until his death.
English is not my first language, so I so sorry if have a mistake.
Let me know if you want to be added for a taglist for a specific fandom (Criminal Minds, The Umbrella Academy, Riverdale, Roman Godfrey, or all)
Requests are open. Love you ❤️
— — — — —
Hunting bandits. Save people. Improve the world a little bit every day. Those were the three things Spencer believed it was worth to be at BAU. It was worth fighting for, holding on, staying sleepless for days, being haunted by murderers by day and nightmares at night. For what it was worth looking at the abyss, even when it looks to you
Reid could deal with human perversion, with the thousand and one ways to practice heinous crimes, the sowing of evil and cruelty. He could cope with constantly being inside insane minds, learning his whys and mechanisms. He could take it. He put up with it day after day, case after case. He endured being tortured, stay being held at gunpoint, having a piece of his essence plucked with red-hot iron month after month. Spencer knew he could handle it.
But he couldn't handle death. Goodbye. It shattered his soul far more than difficult cases, pushed his own sanity to the limit. Perhaps burying his feelings as deeply as possible was just a method of delaying the wave that would drown him at one time or another. Inevitably.
Each farewell took a piece of Reid away. His father, his mother, Ellie, you, Gideon, JJ, were just a few of the people who left, living their lives elsewhere. But what about those who died? The victims, the children, Hayley, Maeve, Emily (even if only for a short time) and so many others. These took much more than a piece of him. Maybe costu his whole soul.
Spencer felt himself harden over the years, the cases, loss after loss, day after loss. He felt the purity of his own heart slip through his fingers like sand, the faith in humanity to be put to the test. Sometimes even faith in himself.
Was that the price to pay for that job? Being constantly vulnerable? See his life and the lives of the people his loved most at gunpoint?
It was worth?
Maeve's death shook him more than any other, sucking all the pink glow from his world, leaving him with only the cold feeling of hopelessness. A very deep void. It took a long time for memories of she not to hurt like red-hot iron, for his breathing not to be heavy. It took a long time to be happy again.
And when Spencer felt healed from the deepest wounds, the most visceral pains, he was hit again. Deeply. If Maeve's death was a wave that brought him down, Gideon's death was the tsunami that destroyed him.
“It's Gideon.” Hotch's voice confirmed the fear of everyone in that cottage.
Then Spencer felt shattered. Torn apart. Torn like a rag doll and placed on the fire. He wanted to scream, to scream so loudly that he would never regain his voice. He wanted to break something, destroy some, run away.
But run away from whom? From what? That pain or himself? If Spencer had been able to tear off his own skin at that time and be someone else, he would not have hesitated. Not having dropped to his knees in that cottage was a miracle, because Spencer no longer knew what was holding him upright.
Jason Gideon, in many ways, was all that Spencer had. He knew that they took different paths and traveled different roads, living different lives, but he believed that they always end up on the same, even one they was old. Spencer was sure that if he was dying on his knees, Gideon would be to rescue him. For all those 8 years, it was extremely comforting to think that Gideon was out there, living life, finding the hope he had in college, finding the brilliance the world had.
And Reid knew that Jason had you. And you had Gideon. That was the most soothing and comforting thought. No matter what, he knew that you would take care of Jason, just like he would take care of you. But now... now Spencer's world had dissolved in the air. Like a sandcastle knocked over by the wind.
And the pain was surreal.
When he realized, he had left the room, close to the... body. If he could, Spencer would have moved away from himself. How would he take it? One more death, another psychopath. How many other people he love will are died at the hands of the work he did every day?
The answer to all of these questions was frightening, and Spencer wasn't sure if wanted them.
The trip to the coroner was the worst Reid had ever done, talking about the body was the worst conversation he had ever had. And when Morgan put his hand on his shoulder and said that he couldn't close himself now, that they were going to get that son of a bitch, all Spencer wanted to say was that he couldn't take it anymore. That he couldn't breathe. The emptiness was too oppressive. So much visceral pain.
But that was not what Spencer said. He just clung to the only lifeguard in the middle of the rough and deserted sea: justice. Gideon deserve it.
Reid doesn't know how he managed to get back to the Gideon’s house, how he managed to hear Hotch and Rossi talking about what could have happened. But he was there, standing, by some miracle.
“Do you know who might want to have done this?” Hotch asked Stephen, who had arrived, his eyes red from the crying he struggled to hold.
“No. I know he had a list of things he wanted to do before he died... That's how we came back to speak, one of the things was to get back in touch.” His voice was so reminiscent of Gideon's that it was stabbed in the heart of Reid.
“Didn't he talk about being chased? Feeling anything strange?” Rossi commented.
Reid watched Stephen's expressions carefully, first because he reminded Gideon a lot, and second because he looked for any clues in his reactions.
Stephen took a second to think before saying: “No, but we both don't keep in touch daily, you know?” He swallowed a sob, probably with regret, but then his eyes lit up with some information: “'But Y/n surely know, they both spoke to each other every day, if my father was thinking differently, surely she know.”
The mention of your name hit Reid with a very different wave. Bringing a very different feeling than it should. At that moment, he felt himself holding the air.
For a second, a lapse of consciousness, Spencer had not connected any of this with your physical presence. The notion that you were Gideon's daughter was obvious but, for some reason, Spencer didn't think about the fact that you were going to be there. That you would share the same air with him again, the same place...
“We will have to call her, bring her here to see if something has been left, or taken. If there is anything important on the scene.” It was Hotch.
“I called her as soon as you guys called me.” Stephen said “She arrived from California the day before yesterday, my father and she were going to travel.” He tried to swallow the crying, his eyes trembling.
"And you weren't going?" Rossi added.
“I have a son and a wife.” He gave a smile broken by the sadness of the mourning “They would stop by before I go… Y/n was going to tell me the news, since our schedules hardly match much, she works as an astronomer in…”
“Caltech.” Spencer completed, without even realizing it, like a thought out loud.
“Yea.” Stephen agreed.
Spencer felt a chill go from head to toe, and another ton of feelings were thrown at his back. The reality that he was going to see you again hit him hard. Like an arrow. Suddenly, Reid wanted to get out of there. Run as far as possible.
He couldn't see you. He had no ability to deal with those feelings now. Not now, when his life was so overwhelmed with emotions for Gideon’s death that he still hadn't dealt Not when you aroused the feeling of... hope. Spencer can’t could hope, of any kind. Not for them to be taken from him with visceral force. Reid was already hurt enough for handling another fall.
“... But I don't think it's a good idea for my sister to be here, anyway.” Stephen continued to speak.
Rossi and Hotch frowned: “Why?”
“They were very connected. Seeing this scene is not going to do her any good...” he sobs this time “Y/n is not like me… she is sentimental, emotional. ”
“As long as you're trying to stay calm, she'll be the opposite.” Hotch completed.
“I just don't want my sister to suffer anymore and...”
But it was too late for Stephen to complete. It was too much for Spencer to escape. It was too late to be born again, in a different life.
A gray car moved forward on the stone road, at too high a speed not to have washed several road fines. That was so much typical of you who hurt Spencer's heart pieces more than he thought possible. More than he thought he could feel at the time. You were always so wild at the wheel. But Reid didn't have time to finish a thought, not even Rossi, Hotch, Morgan who was with them or even Stephen. Because car brutally stopped it, the door opened and…
And it was as if the sun came out from behind the clouds after years. As if summer had finally come after decades of overwhelming winter. In a burst, everything you've ever represented for Spencer has come back for him once again. And he felt the same thing that he felt when he first saw you, 8 years ago. And he was catatonic.
You got out of the car in a very hurried and desperate way. And as much as there were tears in your eyes and redness in cheeks, Spencer has never seen anyone so beautiful. Your hair was longer, in a brighter shade, maybe you had dyed it. Your features were more lyrical and beautiful, and Reid thought that the passage of time had no effect on you. While he considered himself just less clumsy over the years, you proved to be blooming like Romania's most superb rose.
“DAD!” But that was when your desperate voice brought Reid's consciousness back to earth.
You weren't calling your brother, you weren't asking why, you weren't in mourning. You were in denial. Disbelieving. You called out to your father, with the certainty that he would show up. And the despair in your eyes hurt Reid more than being shot.
But before the agents could do anything, you were running towards the house and Stephen ran towards you, taking you in his arms, trying to keep you from getting inside.
“LET ME GO, STEPHEN!” You struggled, trying to get rid of your brother's arms, your hair messing with the wind, tears streaming down your eyes. “They are wrong! It's not our father! Let me fucking go! DAD!”
“Y/n” Stephen had a broken heart in his eyes, some tears streaming down his eyes “You need to calm down before you get in there !”
“LET ME GO!” Yours sobs broke the hearts of the four agents over there “DAD!” You was cryng out, almost like a prayer, in a desperate call.
"He's gone, Y/n.” Your brother kept his arms stronger in you, trying to contain you while you struggle in trying to break free and go inside the house, under the illusion that you would find your father there.
“NO!” Now your crying was continuous “I spoke to him yesterday! It's not him, Stephen!” Then your brother turned you to him, holding you tight, and you melted into a visseral pain “It can't be him!”
“I know...” he sobbed, looking at you with the same shared pain “I know...”
So you gave yourself up to a painful, loud and desperate crying, the kind that won't let you breathe. And, unlike Reid, you fallen down. Your knees found the stone and grass floor, your hands clasped on Stephen's shirt, who knelt on the floor with you, delivered the pain you both shared.
You knew what your father's risks were in working in such a dangerous profession. Expose yourself to constant and frightening danger. You always knew about the risks, you just tried to ignore them all your life, sinking your fears about your father not coming home at night. Then, when he let the BAU, that fear dissipated. You felt a colossal weight being lifted off your shoulders, like tons of lead, and you let go of a fear so great that you didn't even know you had it.
For 8 years you thought that the chances of him not coming home were over, that the chances of seeing him the next day had increased dramatically. For 8 years you two traveled together, stopping at every type of diner for milkshake, chocolate ice cream and mint - his favorites - For 8 years you had your best friend, the only thing you knew you had in the world. You always knew that if you were drowning in the ocean, it would be your father who would give his lungs for you to breathe.
You didn't see a life without Gideon.
For you, you were crying for hours in what one day was your father's backyard, totally devastated, but for the rest of the world it was a matter of minutes.
Your sobs were so loud and real that Hotch and Rossi caught themselves with watery eyes, perfectly understanding the pain you were going through, the devastation. The two had lost many people, many of them being essential pieces to be able to continue breathing. Many of them felt wounds that would never heal.
But it was Rossi who approached you, the pain at the top of his throat, his mind wandering the day Gideon said he was going to have a little girl. Unlike Stephen, Rossi never saw you in person, but the sparkle in Jason's eyes whenever he talked about you, or with you on the phone, was enough to know that you were one of the essential pieces to keep breathing.
“Hi, my name is Rossi.” He knelt in front of you and your face went towards him, your cheeks and nose as red as your eyes.
“M-my dad talked about you."” You were still sobbing, slowly letting go of Stephen's shirt.
"Good things, I hope.” The two of you laughed like a sigh, and soon the pain returned to your eyes in a visseral way. “I know this is not fair, and I know it is asking too much, but I need you to go inside and try to find something out of place. Something that whoever did this to your father may have taken or left. ”
You closed your eyes in pain, tears streaming as you sobbed. Your hands, trembling and cold, went to your face, perhaps trying to hide from reality, perhaps wiping away tears. Maybe both. When you looked back at Rossi again, you saw the pain in his eyes too.
"I don't know if I can do it.” You admitted, your voice shaking.
"I know.” Rossi took his hand to yours, squeezing comfortingly “But only you can help us now, help other daughters not lose their father to the same killer. Being inside in the house can bring information that is in your subconscious. I promise you will make it, we will all be here with you.”
His handshake got stronger, and it reminded you of your father. That should have been the same way he comforted the victims' relatives, the way he was supposed to act with people.
'Everyone is somebody's son.' That's what Gideon said. It hit you like an atomic bomb. And, for a moment, you thought it was possible to die of sadness.
You squeezed Rossi's hand tightly, as if you were looking for courage. When you opened eyes again, you gave a weak nod. Carefully, as if any sudden movement is capable of causing you more pain, you stood up, your legs wobbly, your heart bleeding, sadness clouding your vision. Rossi put his hand behind your back, in a way to make sure him were there, as an anchorage in reality that would not let you get lost in the valley of sadness and pain.
As you walked up to the house, you didn't see the other agents, you didn't see the trees, the cars. At that time, you didn't even know what color the sky was anymore. It was like a suspended moment, when the world is in slow motion, the hemisphere is terrified. The sadness was palpable in the breeze, in the way that the rays of the sun did not reach the ground. The whole land looked like mourning.
As soon as you stepped inside the house, the smell of home and Gideon hit your nose, and you felt your face tighten in an expression of pure pain. You didn't notice the agents coming in behind you, you didn't notice Penelope and JJ. You just saw the furniture, the decor, his stuff. As if Gideon had just left for the market and was going to come back.
Everything was in was there. Minus the most important thing: him.
You did not notice when Rossi left you, you did not notice who approached. Everything was in a haze of pain.
But that's when you saw the strong blood marks on the floor, stuck to the wood with possession. A cold shiver as sighed from death ricocheted through your entire body, bristling all over your skin. In a burst, like the bursting of a violin string, the mist dissipated, the state of tupor burst, and reality hit you with overwhelming force.
And then the plug fell.
Jason Gideon had died.
You fell again, barely noticing the sobs and loud crying starting to come out again, the most desperate and painful in you life. But this time the arms that took you were different, bringing with you sensations that you haven't felt in a long time. That a long time ago you forgot that you could feel.
They were long, thin, and contained a vigor hidden beneath the thin facade. The smell of his presence was… heaven. That feeling was your anchorage on the high seas, in the valley of despair, and you clung to him for fear of drowning, of not finding your way back home.
You didn't have to see it to know who it was.
You turned to the arms that took you, now Spencer kneels with you on the floor, and you cried in a way that you never cried before, with a visseral pain. Your hands went to the brown cardigan he wore, closing there as if the fabric was your only chance for salvation.
So you looked at the immensity of the his brown irises.
"He was the only thing I had, Spen.” You sobbed loudly with the crying, gently swaying his coat, your voice utterly torn.
Spencer felt his eyes sting, his throat lock and the remains of what was his heart ache in a hideous way.
“I know.” He felt a tear run down his left cheek, his hands on your arms.
At this time, the two of you supported each other. Gideon meant a lot to you two. An irreplaceable role in yours life. And Spencer knew that was what you were talking about when you said:
"He was the only thing we both had.” You closed your eyes, your hands still firmly on his coat, your heart pounding.
But this time Spencer's voice was just as broken when he said: “I know.”
Then he hugged you.He hugged you for everything. He hugged you because it was a pain that only you two could understand. He hugged you because you needed it, and because he needed too.
Jason Gideon had a special connection with you two, a connection that only the two of you had ever experienced. Each relationship with Gideon was different, special in different ways, but only the two of you had him as a protector, mentor, a much more paternal and confidant figure. He was the kind of person you could leave your life in his hands, the kind who would teach you the secret of the worlds, show you what goodness was and at the same time strength. And you two had that.
You stained Reid's coat with tears, and Reid stained you with the strong smell he had. He stepped far enough away to be able to see your face perfectly, at a considerable distance, and, against everything he had ever done before with anyone, he took your face in his hands, his eyes fixed on your in pain shared.
“We will catch how did it.” Reid assured you, as if he had tattooed this words on your skin. You closed your eyes in pain, but he brought you back “Hey, keep looking at me."
So you did it. Because you would always follow Spencer. To hell if he asked.
"Don't take your eyes off mine, okay?” His voice was so sweet, so gentle, and you couldn't have done anything but agree. “When was the last time you spoke to Gideon?”
“Yesterday.” You replied “We were going to travel to the beach today, I took a vacation from work.”
“Was he at home when you two talked?”
The team looked at each other, with several questions in those look.
You denied it, the hiccup now because of the shortness of breath you had because of the crying.
“He stopped at Roanoke for...” and that's when you seemed to remember something.
Your eyes widened softly, your lips trembled, and you let out a stammering sigh as you try to remember something very important.
“What do you remember?” Spencer stroked your cheeks with his thumbs, trying to calm the beating of your heart that went back to being frantic and making you focus on the question, not the sea of ​​emotions you felt.
“He…” was when your eyes fluttered before meeting Reid's again. “He said he saw a woman on the news who was found dead. And ... and that he had to make sure of one thing ”
Rossi looked at Hotch, who gave an attentive and objective expression.
“Did he tell you why?” His eyes closed again and you sobbed. Reid moved closer, bringing your face back in his direction again “Look at me, Y/n.”
As soon as you did, he gave you a gentle smile, but contained all the pain in the world. He understood what you were felling.
“Why was he interested in the case?” He changed the question.
“I-it was something about...” you searched in your mind “Girl named Tara. I don’t know. He mentioned about a blue butterfly tattoo on her ankle as well, and that it was something to do with a… a case or something.”
“1978” Rossi interrupted and everyone looked at him “Gideon and I worked on a case in 1978, the suspect was never caught and Tara was a teenager who we thought had been kidnapped by him. The killer left dead birds in the hands of the victims ”
“But he didn't mention birds and...” That's when your eyes, fluttering, darted around the room and you stopped abruptly.
Spencer turned his attention to you again, seeing that you were staring somewhere. His hands slowly left your face and he asked:
“What?”
“The board.” You pointed to your father's board, which had a beautiful brown bird.
“Does say anything to you?” Rossi turned his attention to you.
You shook your head, your body too exhausted to go to the painting and examine it.
“He shot the board.” You looked at the agents “My father loved that painting, he never would have done that. Even though my father is stunned, he has the best aim I have ever seen.”
“The devil is in the details." Rossi went to the pinting and, after two seconds, turned to the team and said “I already know who did this.”
You let out a gigantic sigh of relief as the agents split up to continue the case, speaking so fast that you couldn't keep up.
“I helped?” You looked at Spencer, tears still shining in your eyes.
He smiled and nodded “Very.”
But when he got up, you took his hand, making Reid turn his attention back to you again, a questioning look on his face.
“You're going to get it, aren't you?” The sob invaded your voice "Promise me that you will catch him, Spen."
Reid took his hand in your, giving you a strong, comforting squeeze before saying:
"I will. I promise.”
And then he left, along with the other agents.
- - -
You thought you knew what pain was, the loss, the tightness in the heart. You thought that your many relationship breakdowns showed you what it was like to suffer. But you have never been so wrong. None of that compared to how you were now, to what you felt.
You would trade that feeling for anything in the world.
This was terrible. A cold, coercive, brutal and cruel feeling. As if you were at the bottom of a black ocean, unable to breathe, falling deeper and deeper, consumed by the overwhelming cold of the water.
It was impossible to say in words how you felt. But if it were you had to define it in one word you would say: pain. A pain that bends you, a pain that makes you want to scream, that pierces your lungs so that it is not possible to breathe, but that even so, you fight for air.
It was pain at its rawest, most brutal, sharp and atrocious like a dagger blade. You would go through Dante's hells for eternity instead of living one day with that pain.
Since Spencer and the agents went after the person in charge, you have sat on the steps of the front door, watching the nature, the shaking of the trees, but your attention was so far, far away. Perhaps unattainable.
Gideon always loved watching the seasons go by, and in that moment, you wondered if looking at the same thing he looked at every day would make you feel close to him. Feel with him. It had only been three days since you last saw him, when he picked you up at the airport, but you felt like you were past three lives. How would you go without it? How were you able to think of living without it?
You pulled your knees up against your chest, hugging your legs, the metallic, atrocious and icy taste of devastation stuck to yours in your mouth. The trees shook hard, forcing the birds to fly away, but you didn't feel cold. You were not feeling the cold breeze hit your body, nor were your muscles contracting in exhaustion from the hard wood of the steps you were sitting on.
The hunger, the cold, the heat or the craving could not reach you, as if the pain had paralyzed all your system. Probably your soul.
You didn't see when Stephen put father's blanket over your shoulders, nor did you hear his sobs for seeing you so devastated. But you smelled Gideon, and the warmth of the blanket was like having his arms around you again. Then the rest of the water in your body found its way to your eyes and crying was as automatic as breathing.
You were clinging to Spencer taking the son of a bitch who did it, trying to chase away any other thoughts that weren't about that. You didn't want to think about what would happen after he was caught. Which meant his capture for you. It would bring justice to Gideon, honoring his name, his life, but it wouldn't bring him back. What was taken from you would not be repaired, regardless of the end of that damned man.
When he was caught, you would have nothing else to focus on instead.
You don't know how long you stayed there. Hours? Days? The those peach and gold tones in the sky is from dusk or the dawn of a new day?
You had lost track of time, as if your watch had stopped since the time Gideon died.
The sound of cars on the road was the only thing that pulled you out of your fucking valley, and as soon as the black SUVs stopped, you stood up as if you had been waiting your whole life for that moment. The blanket fell from your shoulders, heart accelerated at an alarming rate, and for a second, everything was gone from your mind.
Rossi was the first to get out of the car, but yours eyes darted to Reid. You wanted to run, ask what had happened, listen to the answers. But you were paralyzed in place. Afraid of the truth, of reality.
What would become of you after that news?
Spencer came towards you without hesitation, and you couldn't take your eyes off him for a second. He didn't say anything, nor did he explain anything. It was not needed. The way he reached out his hand and placed your father's rings in your palm were enough answers.
Your whole body shook and you looked at Reid with more emotions than askers.
"He is dead." He told you, and it made you fall down again.
But this time you fell into his hugging, clinging to him in despair. There were many meanings in that embrace: gratitude, relief, fear, pain and grief. And Spencer hugged you back in the same way.
You two stayed that way for a while, even when the agents went to talk to Stephen, even when Garcia and JJ left the house, even when the cold wind hit you both.
“Thanks." You heard yourself say it, and Spencer shook his head, signaling that it wasn't necessary, and the two of you moved away.
So you went to Rossi, and hugged him too. In that second, Rossi could feel Gideon in that hug, and it took a second to not cry.
“Your father was a great man." He told you when the two of you walked away, and you agreed on a sad smile.
"He was." You looked down at the rings in your hand, staying a second there before turning to the agents and saying: “You guys are going to the funeral, aren't you? I ... my dad would like it w-very much.”
"Of course." Rossi guaranteed it.
As they walked away and went back to the car, heading for their own houses, your eyes met Spencer's and he whispered in the air to you:
“I will see you at the funeral."
You nodded, giving you a sad, grateful smile. And while everyone was leaving and you were looking at the rings in your hand again, you had a feeling that your story with Spencer had just started over.
A/n: I also lost a very important person to death, and for everyone who went through it too, I mean that no one is alone! My message box is open if you need anything! Love you❤️
Tagged @gublersuvula
@peculiarinsomniac
@measure-in-pain
@nobutalsoyes
🍒 @misshale21
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captnjacksparrow · 3 years
Note
I just got into the fandom and I love it so much. However, there are parts where I just cringe. I’m going to be completely honest when I say I can’t see SS being a thing, a healthy one at that. A rumor said that Sasuke always had feelings for Sakura but he didn’t know how to show them because hatred blinded him. I just... find it utterly bullshit. Hell, even I do ship narusasu, I tried to be open minded and not fall too far off canon or the characters. I don’t understand how Sasuke had those feelings for her when all he did was shown the opposite and it felt genuine. He seem always annoyed and pushes her away. She kept forcing her feelings on him when he makes it clear that he’s not interested. I don’t hate the ship because it’s not my ship but because it’s extremely toxic. It feels one-sided (Sakura’s side) more than anything and it’s makes it hard to believe he had those feelings for her. I mean, on the second episode of season five, she confessed and poured out her heart and he blew it off. I cringed hard and was beyond disappointed because she’s making it about herself. That’s literally how I feel about their damn “relationship”. She made it about her and her only. When he’s hurting, it’s about her. It’s so annoying and it makes me see how self-centered Sakura. When she said she understood Sasuke, I wanted to scream (I nearly did but my family is sleeping and I don’t need a lecture.) She doesn’t know Jackshit about Sasuke besides he’s the only survivor of his decease clan, he’s a loner who cares only about himself, and he’s attractive. She’s just like every other fangirl expect she’s on his team. I’m trying my best not to hate her but Damn she’s really pushing it. Anything that annoyed me was that she made it seem like they were dating, again making it about herself and her feelings. She sent Naruto to get Sasuke for her benefits, so she can keep him. Again, disregarding Sasuke’s feelings and what he wanted. Naruto should’ve said “I’ll bring him back because HE wants too, to keep HIM safe, not for you.” I just can’t with this ship. I’m still wondering why the hell is it even a thing? Also find it beyond pitiful how she stayed with Sasuke in Boruto when he left for 12-13 years?! No note. No checking up. Nothing. Hell, Sarada doesn’t know how her own father looks like or the truth of her mother. Both of them were miserable and I find it absolutely ridiculous when SS shippers still say “they’re in love” or they’re OTP. If that’s what true love looks like (good thing it’s not), then I’d die single. I can’t be the only one who thinks this ship is just as bad as Harley Quinn x Joker.
First off, Thanks for this lovely ask @larrycherry04 ❤️❤️❤️❤️ I've always wanted to write about this and your ask is the perfect timing.
Disclaimer: SS shippers, Sakura fans!!! Don’t read  this post!!
Me being an SNS shipper, I am just going to write this from a non-SNS perspective. Meaning, I am going to consider Naruto and Sasuke are just friends or rivals. 
Bear with my lengthy answer.
Where do I even begin?
A rumor said that Sasuke always had feelings for Sakura but he didn’t know how to show them because hatred blinded him.
I think this rumor is from a light novel called Akatsuki Hiden or whatever shit. But for me, it looks like a pathetic attempt to convince those horny women shippers who would pay any money to read a romance which mirrors their own love life where they desire an ‘unreachable & handsome’ man who has this ‘cool & overbearing’ aura and carries this ‘bad boy badass’ vibe. They would do anything to get the attention from this boy. Until this point is where the reality ends. 
What they really wants to happen and fantasize is somehow that handsome man, one day, will look only them and recognize their love and becomes a ‘soft’ guy who would bring the heavens for them and treats her like a princess. That fantasy led them to buy these novels and believe everything while completely disregarding the canon material. And those novels are aimed at these type of women.
You must have been wondering now, ‘I have seen these type of shit somewhere’!!!!!
That’s right.
50 Shades of Grey, Twilight, Beauty and the Beast, 100′s of K-Drama, C-Drama follow this shit romance trope and it’s regrettably fucking popular. 
In other words, Don’t believe anything apart from the canonic resources. 
Let’s dissect the canon materials about SS.
TEAM 7 
This is how it all started
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Does anyone see anything positive here???? 
Well, I am not.
Sakura wanted to impress Sasuke. Since, Naruto always picks fight with Sasuke, she badmouthed Naruto in the hopes that Sasuke will recognize some common ground with her which may develop into a friendship. But she shot her own foot. 
[Regardless, I hated her here and she never redeemed herself, for her being completely insensitive & oblivious towards Sasuke’s life, the boy she loves]
Technically, Sasuke should have said ‘You’re Annoying’ towards Naruto for kissing him before the class and tying him up later. Here, Sakura is simply badmouthing another guy. He, somehow, find this very annoying than anything Naruto did earlier. 
Sasuke always had feelings for Sakura but he didn’t know how to show them because hatred blinded him.
Am definitely not seeing any feelings here.  
ZABUZA ARC
Alright, much later, somehow Sasuke started to integrate into team 7 and started to see them as a Family. No denial here. He started to care about everyone in his team at some point. Which was evident from the way he thought to himself, ‘That was Sakura’s voice... What is Kakashi doing?’
But does it means he hopelessly fell in love with her??? Nope. 
It’s just a team camaraderie where he was worried about his teammate. If he has special feelings towards her, he should have said ‘I must go save Sakura’ or something along the line. 
But, later in that episode, he went on to die for Naruto and even at his dying moments he didn’t think about Sakura or Team 7. It was all about someone else.
Even seconds before falling into Naruto’s arms, Sasuke was smiling with no regrets. 
It was funny very later that after he got up from his temporary death, rather than consoling her like ‘Sakura, Don’t cry. Am alright’ or anything, he was asking ‘Where’s Naruto?’. LOL.
Even much later, when Sakura was asking him about a date, he bluntly said ‘I refuse’.
So, you’re telling me, throughout this arc, a boy blinded with hatred can able to pout, play childish games, train and die for a boy but when it comes to Sakura he can’t show his feelings???
Sorry, I don’t see romance here. Not in this arc.
Whether you agree or not, every parent has their favorite child, every child has their favorite parent. Even within your family, you always have a special person.
For Sasuke, Itachi was that person in his real family. Sakura was not that person in his Team 7 family. It was Naruto.
CHUNIN EXAMS ARC
This arc is where those SS shippers celebrates a lot and I know why. Remember earlier I talked about that shitty 50 Shades of Grey romantic trope??? The following scene vaguely falls under that pattern.
A guy loses his control because of a cursed seal and beats up the guys who hurt one of his teammates which happens to be a girl and calms down after seeing the girl. 
That Infamous back hug. 
I understand why SS people lose their mind with that scene. And I don’t blame them. I am going to throw their own proof at them.
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So, this First databook, tells us that he finally sees both Naruto and Sakura as comrades and his heart softens from the path of revenge, a little bit.
Definitely, Sakura’s tears or love towards him stopped his rampage. But nothing says about whether Sasuke loves her back.  
Much later, Sasuke also stops his cursed seal on his own after thinking about worried Sakura and a screaming Naruto (Who don’t know about this seal thingy at that time). 
Well, whatever. That databook has another funny fact, that too in the same page. 
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LOL. Weird!!!! This accidental kiss unravels Sasuke’s heart ❤️❤️???? 🤣🤣🤣
So, influencing Sasuke’s heart can be attributed to both his teammates,according to this databook. Atleast upto this arc. There are no special feelings for Sakura alone, guys. 
Proof?
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If Sasuke really considers her in a romantic light (this is after that back hug), he doesn’t have to do this at all. Believe me, Love is all about subconsciously or purposefully enjoying or feeling little touches. Those touches can be through eyes, memories or physical. Sakura is delighted with his touch because she loves him but Sasuke just see her as a comrade and keeping his distance but this time very politely.
If Kishi really likes these couple, he doesn’t have to make this scene at all. It’s not just this one instance, he rejected her twice very bluntly before this saying ‘Don’t cling to me!!!’, ‘Sakura, you’re heavy!!!’. 
If you say her back hug is a token of romance, then I can say ‘this’ kiss is also a token of romance. You can’t ignore one while keeping the other.
Anyways, at the end of the arc, Orochimaru is the best judge to identify who can change Sasuke’s heart. And that person is not Sakura.
DEPARTURE
she confessed and poured out her heart and he blew it off. I cringed hard and was beyond disappointed because she’s making it about herself. That’s literally how I feel about their damn “relationship”. She made it about her and her only. When he’s hurting, it’s about her. It’s so annoying and it makes me see how self-centered Sakura. When she said she understood Sasuke, I wanted to scream (I nearly did but my family is sleeping and I don’t need a lecture.) She doesn’t know Jackshit about Sasuke besides he’s the only survivor of his decease clan, he’s a loner who cares only about himself, and he’s attractive.
You know what, Larry??? You are 1000% right. 
But, atleast, I thought she was genuine in the first part of the proposal, like saying ‘Revenge is not good’.....bla bla.. Because, Revenge will never satisfy a person completely and I agree. Then she took a 180 degree by saying ‘Take me with you, Sasuke-Kun. I’ll make you happy’. This is where I lost it entirely. ‘Alright Bitch, So you really don’t care about his revenge or health. As long as you have the chance to get inside his pants, you are okay with it. So you are okay with Sasuke going to Orochimaru as long as you are with him..... Fucking Shit!!!!’  This is not okay at all. 
How did Sasuke respond?
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“Why should I have to tell you anything”
“I’m telling you to keep your nose out of my business”
“Stop bothering me over everything I do”
Ummm..... where I come from, this screams ‘Irritation’ to me. Added to it, throughout the whole conversation he never saw her face. There was evidently no pain or anything from his face. On top the cake, here comes the cherry
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“You really are...annoying”
This is where he saw her face throughout that painful confession before knocking her out. Umm... When you love someone or atleast feel for someone, you will look in their eyes and speak some farewell words before you leave. Or atleast show some pain??? There’s visibly nothing from Sasuke’s face. 
Alright, I know what SS wankers will pull out here. That Databook 2 with some vague words. I am going to throw this at them. 
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Again, like I acknowledged before, he considers her as a comrade and part of a family. So, her existence also eased his loneliness. But you have to look at the word choice here. “The one that filled his lonely existence was Sakura”. It’s not the ‘Only’ person. Before he left he said ‘Thanks’. Meaning, Thanks for all these days. That’s all between us. 
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This piece was about the Team 7 picture. So he acknowledges, he was not alone during his genin days because of his companions and Kakashi (so it’s not just Sakura to ease his loneliness). Whatever he said to Sakura was real. 
So can we safely confirm “You’re annoying” is real????
But what’s really interesting is the way Sasuke projects himself before Naruto. I am going to refrain myself from attaching all those rollercoaster of emotions flowed throughout the fight in VoTE 1. Otherwise, it will become an SNS post. 
However, this particular scene caught my attention.
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Ummm.... Initially Sasuke walks without looking at Naruto. Then he looks back and answers him. 
Naruto was pretty much asking the same question as Sakura. “Why does it come to this?”
But Sasuke pauses and surprised for a moment and asks him pretty much “Why do you care about me?”
Why couldn’t Sasuke do the same with Sakura???? Kishi can pretty much make a panel or two rather than making some insulting panels.
Anyways, If they throw the databook, then I can also throw the same.
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Alright, can someone explain the highlighted sentence for me???? Because I want to confirm whether I have a blurry vision.
Here, Sasuke is trying to punctuate Naruto as a different person from the rest of his companions. ‘his companions as well as that with Naruto’, I mean, Come on!!!! Naruto is also one of your companions along with Sakura. Why differentiate????
‘The village, companions, Naruto,....’ . Again....He is differentiating his home (village), companions (his friends), and Naruto. So who is Naruto for him? What is the need to make exception for Naruto? It’s very clear he is placing Naruto at a high pedestal for some unknown reasons.
Before this Databook dissection, remember I said something about saying Goodbye, ‘ When you love someone or at least feel for someone, you will look into that person’s eyes and speak some farewell words before you leave‘
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Sasuke is doing exactly that here in this scene without saying anything.
Am sorry SS shippers, you can scream all you want about Sasuke knocked her out and left her on the bench. But there was no emotional distraught when he left her. Sasuke seemingly spent a longer time staring at Naruto than looking at Sakura when she confessed. 
OROCHIMARU HIDEOUT
Well, there is nothing I can say about here for SS. He pretty much saw her and said, “Sakura, huh?”.. And that’s all. He didn’t give two shits about her. 
His attention was completely on someone else. 
UNDER THE BRIDGE
She sent Naruto to get Sasuke for her benefits, so she can keep him. Again, disregarding Sasuke’s feelings and what he wanted. Naruto should’ve said “I’ll bring him back because HE wants too, to keep HIM safe, not for you.”
Naruto pretty much said the same thing in this arc, Larry. Naruto, in part 1, was happy for Sakura feeling the same about Sasuke as him, that is ‘To bring him back’. And also sad that his crush really loves someone else. But after Sakura gave up on Sasuke and faking her confession, Naruto decided, ‘Alright, I want to save him personally. I don’t care about our promise anymore”. 
This is where, SS ship goes into a crazy ride and it’s not a positive one.
Sasuke was on a rampage. He lost the ability to differentiate between his friends and foes. He stabbed Karin. And when he find her alive, he was about to Chidori her. 
And then comes the pink princess, full of lies and deceit. And Sasuke being impatient and disgusted with her lies, he does this
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Well, in part 1, she had a degree of power to change his heart. But not here. He, instead, got riled up more and even tried to kill her without a warning and that too by not looking at her face. Pathetic!!!!
This scene screams ‘Trust issues’ from both sides. 
Did it stop here???
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Fucking Shit!!!!!! Is there any people who still ship this nonsense?. If you are a Sakura fan, you should hate her for the lack of trust and backstabbing the person she loves, 
If you are a Sasuke fan, errrrmmm.....I have nothing to say. You know what to do. 
There is nothing positive here, that can make me ship them. He is killing her like a Mosquito.
If you truly loved someone in the past, even in your darkest moments, you will be honest and you cannot fake before that person.   
Proof??
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Here, Sasuke had a clear resolve to kill his brother, Itachi. He lived for this moment for about 8 years and immersed himself in Darkness for 3 years with Orochimaru. He could have run away, dodge or look away from Itachi. But Sasuke simply couldn’t!!! You know why?? Sasuke loved Itachi once more than anything in this world. At this moment, he is letting all those defense loose and embracing the moment and see what Itachi was about to do. Because somewhere in his heart he trusts Itachi. 
But killing Sakura doesn’t make Sasuke feel anything. She is just another victim like Danzo or Karin or all those Samurais or a fucking mosquito!!!!
So you are telling me that Sasuke had feelings for her but kept it hidden all along and still tried to kill her like a pest???
Give me a fucking break!!!!
And you all know, who changed Sasuke’s heart here in this scene. It was not Sakura. There’s absolutely no reason for Sasuke to listen to that person and what’s more, Sasuke even made a promise (despite being in darkness, he had it in his heart to listen to that person) to destroy Konoha only after killing that person .. 
WAR ARC
Well, this is the arc where Sakura behaves like a rabid dog on heat waiting for Sasuke and shamelessly trying to wag her tails. But Sasuke didn’t give two shits about her, not once or twice but multiple times.
MOMENT 1
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An explosion was about to kill the whole shinobi alliance and this dude wants to save Jugo, his companion and Naruto, the person who will challenge his Revolution, his rival and the one whom he wants to kill. Why only Naruto??? Why not Naruto and Sakura???
Pink cherry Queen doesn’t even crossed Sasuke’s mind.  Because he already threw her away in part 1. 
MOMENT 2
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Alright Bitch!!! The entire shinobi alliance was dying on the other side of the battlefield. And this asshole is doing a clownshow before Madara just to get inside Sasuke’s pants????
I mean, Come On!!!! 
Well, if Sasuke truly likes her, he should be the one to have catched her or atleast should have asked her, ‘are you alright??’ 
I am sorry, where are the romantic feelings???
MOMENT 3
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ROFLLLL🤣🤣🤣🤣🤣
For the first time, Kishimoto is trolling those Sakutards through Sasuke’s words, what we, readers were right about all along. He is calling her useless here. And still these fake feminazis trying to ship her with him???
Don’t you guys have any self respect??? If so, this should be the moment to jump out of this trash ship.
MOMENT 4
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Geez!!! You are still on this ship????? 
He clearly doesn’t want to save her at all. The hawk can clearly lift 3 people. Sasuke is not even making an effort here. 
And you are still yapping that he is blinded by darkness??? 
MOMENT 5
This is the moment SS calls it as ‘eyesmex’... While in reality, he was just looking at her and silently thanking her for helping him out. Do you know what is a real ‘eyesmex’??? I will attach it at the end.
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If you guys pull this as true love, then he should have stayed in the same love till the end. But Sasuke has other ideas. 
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This is the one of the funniest thing in this arc. LOLLLLL
Instead of being relieved that Sakura was saved, Sasuke was wondering about Kakashi’s Susanoo.....and Sharingan. 
Do people still think he cares about her????
MOMENT 6
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Am cackling here, while dissecting the sorry state of this ship guys 🤣🤣🤣🤣🤣!!!! If something good happens to me because of SS , it’s just the way you guys are making me laugh by making a clown out of yourself!!!!
Do you guys know something? There was a man named Itachi. Before massacring his clan, the very first person he killed was his ‘supposed’ Girlfriend, named Izumi. I wouldn’t say Itachi loved her like a lover boy. It was just one sided on her part. He just talks to her when he finds a spare time and considers her a good friend. 
Do you know how he killed her? 
By putting her in a ‘Tsukuyomi’. And what kind of Tsukuyomi, you ask?
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Can you see how he fulfilled her dreams gracefully before he was going to kill her???
Why didn’t Sasuke do this???? Why particularly select a murdering genjutsu????
MOMENT 7
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He said it, finally.
He don’t love her at all. There was no hidden feelings. He admitted from his own mouth. 
One day later, after the final VoTE battle ends.... After exchanging some intense feelings and even crying tears of happiness with Naruto....
Sasuke tells Sakura, ‘Sorry’....
Ummm.... That’s all???
All those negative shits happened before cannot be solved by just simply saying ‘Sorry’ and ‘Thank you’. If someone has an ounce of self-respect, they should know this is not OKAY at all...🙅🏻‍♀️🙅🏻‍♀️🙅🏻‍♀️🙅🏻‍♀️
Am Sorry, but Sasuke was just being politely blunt, kind of insincere towards Sakura and turned his attention somewhere else in a matter of minutes. He was not even bothered by Sakura’s tears here. Instead staring at someone on his left. Remember I talked about touching the person physically and visually?
Sasuke is subconsciously or purposefully touching someone on his left through his eyes. Definitely it’s not Sakura. You know who it is. Remember SStards’ infamous ‘eyesmex’... I seriously believe this is a perfect example of ‘eyesmex’.
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All these intense looks and feeling pain still doesn’t serve Sakura, even after pulled out of darkness. If there is a moment, where SS wants to shine, then this is where it should be. He should have told her, how he missed her all along, how he felt about hurting her, should have wiped her tears and some corny shit. But instead, Sasuke went for a long ass monologue for his friend and talking about sharing his pain. 
What about your kween’s pain???? 
You don’t have to ship SNS. But you should know where Sasuke’s priorities are. 
It’s not Sakura. 
Sasuke said ‘Sorry’ to Karin too. ‘Thank you’ to Kakashi as well. 
And what’s even more pathetic is, still Sakura wants to get inside Sasuke’s pants by accompanying him. Bitch, you can help your village, console your best friend Ino who lost her father, try to surpass Tsunade, improve your skills or whatever... Why bother him???
So, if you really think ‘Thank you’ as a token of love, then I can’t help it but term Sakura as a rabid dog who waits for her master to come home and throw some bones whenever he finds time. Your standards for a romantic love is piss poor and you will suffer just like Sakura in Boruto with just emptiness. All Sasuke did was poke her forehead just like Itachi which symbolizes keeping someone at a distance. He also said the same words to her just like Itachi said to him many times ‘Mata kondo da’ meaning ‘Maybe next time’. And we all knew that next time never came for Sasuke. 
Now all we see is a Sasuke as an absentee father in Boruto for which I don’t blame him. He was never a marriage material in the first place. Sakura and the Manga Editors forced him and she is paying for it. 
Hell, Sarada doesn’t know how her own father looks like or the truth of her mother. Both of them were miserable and I find it absolutely ridiculous when SS shippers still say “they’re in love” or they’re OTP.
All I want to say to SS shippers is, Your Ship Has Sailed Already. You cannot expect Sasuke to go lovey dovey towards Sakura with a 12 year old daughter around and for fuck’s sake, this is not a romance manga, it’s a battle manga. So stop dreaming about this kind of non-existential romance and pull yourself altogether.
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jangofctts · 4 years
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Sink Your Teeth In (Part 2 of Are You In Or Out?)
Rated: Explicit (Paz is in the next chapter DONT WORRY)
Word count: 7.5k
Warnings: mentions of violence, blood, the cold?, reader is in PERIL YET AGAIN, vaginal fingering, oral female receiving, unprotected vaginal sex (wrap them schlongs yall), brief hand jobs, swearing, angst, very VERY light choking, din is a sub sorta?? bottom energy 
Summary: Well. At least you aren't dead. After a solo hunt gone wrong, you’re dumped in a cave on Csilla. Hopefully someone finds you before you freeze to death.  
a/n: hey…so uh. HOW ABOUT THAT EPISODE HUH?!? aheM anyway--yall I just wanna thank everyone first off for all the love and support!!! I see all of your comments and tags and AH IM SO LUCKY TO HAVE ALL OF YOU GUYS. ALSO SPECIAL SHOUTOUT TO @djxrxn​ THIS WOULDNT HAVE BEEN DONE WITHOUT YOU BB GORL
Well—
Here you are. 
Taken by surprise by another bounty, further proving how irrevocably incompetent you are at this line of work. You blame the binders. An older, clunkier model—easy to pick if you’re clever enough and yes. Maybe you should’ve asked to borrow a carbonite chamber, but hey—where’s the fun in that? 
Not much, as it so happens. 
Your feet had been kicked up on the dashboard, dozing and unaware of the freed bounty creeping up behind the pilot’s seat. Something delightfully blunt smashed against your temple, jolting you into a brief conscious state where the only thing you could think before passing out again, was a resounding— 
Oh, fuck me sideways with a fucking lightsaber—
The rest is hazy. A blur of colors and the fuzzy shapes of your bounty’s face sneering in amusement when she bound your wrists and ankles and left you in the cargo hold. Vaguely you recall your ship being commandeered, swung into an unidentified atmosphere and landing on said unknown planet Or planets. Planet hopping to cover up a trail. 
The bitter cold, sharper than a needle through skin is what shook off the last dregs of unconsciousness. The bounty’s hand was hooked into the collar of your clothes, dragging your limp body through drifts of snow and ice. You would’ve fought back—should’ve even though each extremity felt like a numb block of lead. Not very useful in a fight…
Soon, the snow turned to mud and the mud to stone as a mouth of a cave slid over the impossibly blue sky. Dumped in a cave, and left to die—perfect way to bite the dust. Your bounty turned captor lands a sharp kick to your ribs, mouthing some curse in a language you don’t understand, and left without a second thought. 
Seems about right. You have a knack for lying helpless and half dead in places you ought not to be in. 
Two days and counting, you’ve been holed up in this blasted cave with no food, no supplies and no comlink. It’s going be a fucking chore to find you—nearly impossible. You’re lucky in that aspect you guess—you know enough bounty hunters to sniff out a a needle in a whole stack of needles, so all it is is a race of time against the elements and how long it takes for one of them to notice.            
Aeris is no help. He left a day before you had—hired as personal protection for some syndicate leader halfway across the galaxy. Ives is in a similar boat, off-world and unavailable to drag your ass out of the hole you’ve dug. Which leaves…
You sigh and pinch the bridge of your nose between your forefinger and thumb. Anytime you even think of those two a migraine cumulates behind your eyes. It’s…it’s not like anything bad happened in the aftermath—there’s been no fallout or arguments with barbed words as weapons. It’s been quiet. Like stepping onto a sheet of cracked transparisteel in a library full of tight-lipped academics. 
The questions lurk under the surface of every conversation and longing look cast your way. You’ll need to clarify and sort things out eventually, but fuck—it’s such a mess of frazzled heartstrings and fine strands of impossible thoughts that lead into an endless void of doubt. You’re shoving that emotional time bomb to the very back of your mind—everything is still so raw…  
So you ran. 
Picked up any and all jobs that the Guild provided just to escape the looming decision of confronting a certain pair of Mandalorians. That and with them having their own tasks to complete, it was rare to see them, let alone together in the past few weeks. A simple run in here and there in the halls of the Covert, but you were too busy to stop and chat—forced a chaotic schedule upon yourself as an excuse to avoid staying in once place at a time.    
Coward.
The word knots in your stomach like gnarled tree roots escaping their prison of dark soil on untrodden land.  
Maker—how did everything become so tangled? 
You draw your knees up to your chest and release a long, drawn out exhale that echoes through the cave. You sniff and force the swell of tears that prick at your eyes away. You’re pretty sure they’ll freeze and you’re not hoping to find out. 
The only good thing about being dropped on this Maker-forsaken, wasteland devoid of anything but snow, is the free ice for the nasty gash on your forehead. A nice little parting gift. 
It’s shallow…you think—it stopped bleeding the night before and is now just a scabbed over, tender wound that throbs whenever you move your head too fast. Concussion maybe—a mild one.  
Maker willing when someone finds your sorry ass they’ll have bacta. Or a blanket. Either would be peachy.     
Sitting up with a wince, you shuffle to the mouth of the cave for the thousandth time and scour the skyline for a familiar ship. Or, any ship really. The only thing you do see is a lonesome wisp of cloud against the grayish blue sky much to your chagrin. You scowl and stalk back into your little hovel and slump back onto the ground. 
The hours drag on, the watery light of the dying sun barely doing anything to warm you. Sulking is hardly what you should be doing—not great for the burdened mind and all that, but ah, it’s so fun to wallow in misery. You curl your knees up to your chest and you must slip into a doze because when you’re snapped back into the present, footsteps punch through the frozen tundra outside your cave.  
Adrenaline crackles down your spine—the bounty changed her mind. Ultimately decided she’d be safer in the long run with you dead. Fine.
If this is where your grave is going to be, might as well get in one or two punches. What’s another black eye anyway?
A shadow flickers at the mouth of the cave, curling around the wall as she draws closer. A brown boot kicks through the snow and— 
“Changed your mind? I—“
Your words die on your tongue as relief floods your veins. Din Djarin stands before you, a sight for sore eyes in these trying times. 
Frost glitters on the burgundy chest plate, glinting in the dim sunlight that touches the mouth of the cave. A delicate feathering of the dainty crystals that no high end lace maker could ever hope to mimic curls up the front of Din’s visor and eats away at the edges of his cloak. His heavy step forward reverberates off the walls, some of that ease replaced by the prickle of dread. His silence is unnerving. 
“Din,” you say again, just so he’ll say something. “I can—“
You move to stand, but he interrupts with a halting;
“Sit.”       
Your mouth snaps shut and you drop back on the floor. This…is not good. His footsteps are heavy as he approaches you and every muscle in your frame tightens like a fist wrapping around your ribcage and squeezing. The precise edges of his helmet are not a forgiving sight and even when he kneels onto one knee you have to resist the natural urge to flinch. Like this, despite hunching over, Din is broad. All hard muscle and sinew amplified by the bulky layer of beskar.   
Your tongue runs over the insides of your teeth as you track his hand that he thrusts foreword. You hiss and jerk away at the sudden needly pain when his gloved thumb finds the edges of your head wound. A low sound of disapproval filters out through the helmet in a low metallic buzz. 
“You won’t need stitches,” he says. Din reaches into one of his various supply pouches and pulls out a tiny vile of bacta. He casually pulls off his right glove, unscrews the vile and smears the bacta over his thumb. This time you don’t make a sound, even though your nerves scream at the razor like sensation of his thumb working the bacta into the damaged flesh. He doesn’t ask how the injury happened and you don’t care to tell him. There’s a time and place for stories about battle scars and near misses—it’s much too fresh to be spoken of right now. 
The brief torture finally ends after once last glance over for other presenting injuries. He finds none, replaces his glove and stands with a muted grunt. You know what’s next. You’d rather avoid it—you aren’t keen on the berating lectures—as deserved as they are.      
“I found your ship on Sato 3,” Din begins with a growl. “Imagine my surprise when I found your bounty selling it for parts.”  
Ah, there it is. You wince and study your fingernails. “Pile of junk anyway…”
“I thought you’d be smarter about these things,” he snarls, his sharp tone deadly enough to slice through bone. “Was the hole blown into your lung not enough for you?”
You swallow and bite your tongue.  
The bristling Mandalorian, continues and jabs an orange tipped finger at you. “You are reckless.”
Your chest constricts as you look away, shame blooming in the pit of your stomach.This is a new facet of Din you’ve never encountered. You aren’t naïve—even the most docile of people can harbor a temper, you know that. And you know Din is by no means passive—he’s an elite warrior equipped with a small arsenal at his disposal. You don’t expect him to coddle you or treat you different than any other companion; but…but it’s hard not to take his ire to heart. Not when it’s the kind of anger that boils deep in your chest and erupts with molten streams that leaves scathing wounds and blistered feelings.  
You chew your lip hard enough to taste blood and avoid his piercing gaze. You think if you do you might catch fire and burn to a crisp. “I’m sorry.”   
The meek apology settles in the air like a heavy fog. Din’s anger still brews, looming and dark but he reigns in his temper and switches out the searing cadence of his words with chilly informality. You’re not sure which is worse.   
“No more bounties.” 
“What?” Your brows knit together. The fuck does he mean.  
“No more hunts alone—“  
You interrupt with a scoff. “You’re grounding me?”
He strides across the small space and plants himself on the opposing wall. “Until you’re competent enough, you have no business being out in the field. You might as well be bait at this point.” 
“Competent.” You echo through clenched teeth.  
His helmet dips, leveling a steady glare of indifference. “The Crest is a half cycle’s walk from here. In the morning I’m taking you back to Nevarro.”   
“I’m not a child. You can’t just,” you throw your hands up in dismay, “ban me from bounty hunting.”    
Din’s armor clinks together as he moves to sit. He rests one elbow on his propped up knee, extends his other and rolls his helmet to meet your eyes. “Your actions reflect the Covert now. We can’t risk discovery because of one stupid mistake or a careless loose end.”    
That hadn’t even crossed your mind. Stars, you want to smack yourself. Your ship, as shitty as it was, hosted a good chunk of sensitive information, all encrypted and translated into binary. A mediocre slicer could hack through it in hours. Not exactly foolproof but hey, at least you had something. Good thing your bounty wasn’t in the market of selling stolen ships to the Empire. 
“Din?”
The Mandalorian makes no noise of affirmation that he heard you. You sigh and take his silence as a go ahead and clear your throat. “How long was I gone for?”
Here, in the cave it’s been nearly three days, but the rest of it you’re not exactly sure. Hunting the bounty down took up at least a week or two and even longer to capture her and there’s no accounting for the time lost after your ship was commandeered. Your teeth roll over your bottom lip as you wait for him to respond. 
“Almost two months.” He replies evenly. “Your transmissions were cut three weeks ago and I didn’t think anything of it. Comms are always patchy in Wild Space."
Leather creaks as his fist balls at his side. “You didn’t answer for days. Paz and I tracked the ship to Sato 3, but you weren’t there. Do you know how difficult it was to pick through all the planets recorded on your log?”
You blink and return to picking at your fingernails. 
“You weren’t easy to find, I—“ He severs the rest of his sentence with a crackling sigh and tilts his head back. “You’re lucky.”    
The hesitance lacing his words makes you bite your tongue, the snarky retort crumbling to ash in your mouth. Din doesn’t bother to filter his words—he’s blunt. Efficient and to the point when he does decide to speak. That…well that was different.   
He was worried—
You rub at your cheek—numb with the cold and curl into yourself. Din was worried. Easily the most feared bounty hunter in the parsec, worried that he couldn’t find you.   
A different cold—one that settles deep into the marrow of your bones and hugs your soul with a sheet of frost, makes a home in your heart. The severity of what could’ve happened replaces that sheen of hilarity and fuck. You were closer to freezing to death than Din finding you here—alone in some stupid kriffing cave.  
Somehow the idea of that is worse than the brief brush of eternal slumber you had on Nar Shaddaa. Up to that point you expected to die young—no harm and no foul in it either. You had no attachments, no debt to pay—a drifter in an endless galaxy.    
Now you’re here, buckling under the weight of mismanaged friendships and your uncanny skill at weaseling into any and all trouble. 
Neither you or Din jump to fill the silence. The ashes of disaster settle in nicely with the frozen echo of an endless winter.      
It’d been a couple hours shy from sunset when Din arrived, the sun providing weak light that hardly touched the mouth of the cave. Now as the shadows grow longer and with the temperature dropping, the two of you are swallowed up by the unyielding darkness of night. 
Din shuffles and fishes out the solar light from his supply bag. It clicks on and warm, orange light illuminates the cave. It bounces off his beskar, fracturing the light like a million tiny suns in the tempered metal and in the impossibly dark visor. He looks up, and tosses the light over. 
You catch it easily and despite the warmness of the light it emits, it offers no heat for your chilled fingers. You set it to the side and tuck your hands into your armpits. 
By no means is the cave warm—the natural thermal vents kept the ground dry and free of the ice and snow that rages outside, but it doesn’t protect you from the occasion chilly draft that cuts through each layer you wear. Then again, you weren’t planning on taking an unexpected vacation on Csilla. No time to plan really.  
You sigh and pull your knees up to your chest and cast a glance at your ever radiant ray of sunshine across from you.  
He looks nice and cozy—leaned back against the cave wall, one leg crossed over the other while his hands sit intertwined just below his navel. The beskar must provide insulation—maybe a fancy heater in that bucket of his, or maybe he’s just too stubborn to show anything other than indifference.   
Another bout of shivers tear through your frame and you’re certain Din can hear the enamel of your teeth clack together. You shove your hands deeper into your armpits and tuck your chin into your chest to preserve heat and pray that sleep isn’t far off—can’t be cold if you’re unconscious.    
Metal scrapes over stone as Din readjusts himself and you can feel him looking at you. It’s not a terrible weight to bear; intense and analytic, sure and in the past it would’ve unnerved you. Now, instead of it feeling like he were peeling back each fibre of your soul each time he stares, it’s familiar. A pattern of sorts—
It happens each time Din wrestles with an uncertain question. He deals in absolutes, and it’s no surprise he rarely knows what to say to you. 
“You’re shivering,” he states. You roll your eyes. “Are you cold?”
“Boiling, actually,” you snip. “Why else would I forget a jacket?”
A sharp hiss of air crackles through the vocoder. “Don’t get mouthy with me. It was a simple question.”
“Well—there’s not much to do about it,” you sneer, watching your breath condensate in the air. “I’m freezing, exhausted, and hungry.”       
You know you’re being snide—but your nerves feel like they’ve been severed at the root with a dull vibroblade. You have neither the time nor energy to spare for simple questions. Din should understand that—seeing as he’s a man familiar with short temperament.
The space between you is ripe with crackling tension, and maybe—if you weren’t so fucking cold—you’d play the mediator. Thread stitches into the gash you both sliced into your friendship, as small it may be. You’ve lost friends over less—this could end up no different.
You sigh and turn your head. This is a problem for tomorrow. 
Irritated and upset, you squeeze your eyes shut and chase after sleep. You slip in a doze faster than expected, any and all discomfort fading away a you toe the line between a deeper sleep and waking dreams. You think you imagined Din saying your name—Maker you can’t even escape him in your own fucking head—  
It doesn’t end—like a nagging buzz that swells until it’s right near your ear. Spite spurs you to ignore It and exhaustion convinces you to drift further away. That is, until a hand, gentle and warm curls around your shoulder. You once again hear your name rumble low through Din’s helmet, but it’s much too difficult to open your eyes. Why can’t he leave you be? You barely feel the cold now…
“Stay awake.” Din sounds distant, in some other plane of existence despite the steady hold he has on your arm. “Maker—you’re colder than kriffing ice.” 
“Go away,” you grumble through numb lips. Such a pest.  
He’s talking—but the words don’t make sense. Muddled—split between that hazy line of dreaming and consciousness where you can’t decipher what’s real. His hands however—you can feel those plain as day. A bare palm cups your cheek—shreds through the layer of frost you’re positive has crystalized over your skin and rouses you to a more coherent level of presentness.       
“Don’t quit on me yet—“
“Nah,” you mumble. “I’m hard to…to kill. L-like a scrap rat…”  
Din grunts in response. “Rat is a compliment. You’re more of a spider-roach.”
The ends of your mouth quirk. It’s the best you can do—a full smile just might push you to the brink of death.        
“C’mon—I won’t let either of us freeze,” Din sighs. His fingers find the magnetized latches on his cuirass and it slips off with practiced ease, the armored thigh plating following a moment later. He neatly sets it to the side and grabs his cloak to fasten it around you. With another sigh, Din shuffles in behind you and wraps an arm around your middle, nestling his legs and body snuggly around yours.   
Maker—you don’t have time to bother about the intimacy of this because all you’re drawn to is the furnace like heat. Fuck, he’s so warm. You have only a second to enjoy it before your body begins to thaw—bringing forth waves of achey pain.   
His chest molds to your back, both arms curling over your own arms that are scrunched up tight around your chest. You shake in his hold, vicious waves of cold clashing against his body heat—it hurts—like sticking your bare foot into hot coals.     
You squirm, little gasps of discomfort slipping out that echo around the cave. Din shifts, tucking you further under his body until he’s nearly crushing you. It’s a bit tricky to breathe like this but hey—you’re not complaining. Not when your nose is buried in his soft undershirt that smells purely of Din.   
Your fingers and toes still throb as they thaw, but it’s working. Cuddling Din Djarin to stave off hypothermia—sounds kriffing ridiculous. 
“You’re still shivering,” he says. “I might…”
Your breath catches in your throat as he trails off. “Might what?”
Another shiver wracks through your body as his frosty helmet catches on bare skin when he dips his head in embarrassment. You don’t quite catch what he says and he doesn’t bother to clarify. “Forget it.”  
You turn your head as much as you can, straining your eyes to meet the strip of visor. “Tell me.”
He mumbles under his breath again and cuddles closer, slotting his hips against your ass. “Might know…know another way to keep us warm…”
Oh. 
A spark breathes to life in the pit of your tummy. You wiggle onto your back, your nose brushing the vizor. “Does it involve me taking off my pants?” 
Din huffs, his hands, previously latched onto your hips, starting to crawl up your waist. “It could…”    
You smirk and rock your hips back, eliciting a low growl that rumbles through his chest. With your whine of approval, Din’s hand slips between your legs and gives the meat of your inner thigh a squeeze. You let your knees fall open as far as they can in this position and it’s all Din needs to cup your cunt through the thin material of your trousers. 
Crackling pleasure flood your veins as the heel of his palm grinds into your clit, and while the pressure is nice, it does nothing to satisfy. Only feeds the growing flames of desire with brittle kindling. 
You pull at his undershirt and whimper, thrilled once his deft fingers, calloused and thick unlace your pants and yank far enough down to fit his hand. His fingers trace your outer lips, a ghost of a touch as arousal swells in your stomach. He parts your folds once your wetness begins to dribble out and coats his fingertips with your arousal. 
Stars—you need him. You arch into him and whine. “Touch me. Din, please—“ 
You jerk as Din’s thumb swirls a slow circle over your clit, a rush of endorphins surging out like unrefined fire whiskey. Din’s head tilts to watch you writhe over his fingers and the sudden chill of his helmet touching the inside of your flushed neck steals away your next inhale. Goosebumps race down your entire being, adding to the influx of your excitement that pools in your lower belly.       
Your hands tangle into his undershirt, pulling him closer until you can’t find where he begins and you end. His heart pounds in his chest, thrumming to the dance of your own heart that yearns to break free from your ribcage. Your breath catches when two of his thick fingers tease at your entrance. Your walls flutter around him as the slip in easily.   
His fingers roll forward and stroke against something devastating inside of you, and he when his palm rolls back, it bumps against your clit with that divine firmness you need. Your cunt tightens around the two digits as they curl.  
“Fuck. Can you hear yourself?” He pants, groping your breast to elicit a high pitched wail. “You always make—make such pretty noises.” 
Butterflies erupt in your stomach at his words and fuck. You’re already dipping head first into release. A moment later you’re arching into his chest as every muscle stiffens in a crescendo of bliss, your stuttered breathing harsh even to your own ears.  
Your quick pants fog up his visor as Din rests the crown of his helmet on your forehead, the metal a cool relief to your flushed skin. He slips his fingers out of your dripping cunt, your chest still heaving with exertion as the last strands of your high fizzle and ebb away. Din shifts and and snakes his fingers, still shiny and wet with your arousal, beneath the lip of his helmet and sucks them clean with an appreciative groan.  
“Fuck—“ You breathe, pushing your face into his hand as he cups your cheek. Din’s thumb brushes over your cheekbone and swings his leg over your hips to hoist himself over you. 
“Do you remember...” He starts, his voice buzzing through the vocoder. His fingers tickle down your cheek and trace the parted outline of your lips. “When you let me taste you?”
You nod, and it’s all you’re able to do. You’re not even sure you can formulate words, let alone voice them right now. 
Din’s thumb pulls at your plush bottom lip, and you can’t help but slide your tongue along the digit. He grunts and slips his thumb into the wet heat of your mouth. “I think about you every night…how you came on my tongue—”
Your stomach flips as a rush of arousal sweeps through your tummy. You groan and you’re half sure you’re gonna dissipate into the floor from how hot your cheeks burn. “Din—"  
He continues without missing a beat. 
“You were so fucking wet for me—dripped all over my hand,” he murmurs, nuzzling his helmet, still chilly and frosted over, into the crook of you neck.  “I want to do it again—can I?”
You’re nodding before he even finishes his sentence. He wasn’t the only one longing for his head between your thighs on those long nights apart. Remembering those plush lips and addictive touches could only get you so far and well—he’s here now. You said it once and you’ll say it again—there’s no chance in hell you’d be passing up this opportunity. 
Din lifts his head and as you watch the light glitter in the reflection of the beskar, a sudden stray thought ricochets into the forefront of your mind. “Din, the light—your helmet.”
He pauses, his body tensing as he mulls over his options. “It’s—I—it’s ok…It’ll be ok.”
Din inhales a stuttered breath and casts a brief glance over his shoulder. It’s a dim light, kicked into the corner and laying on its side. From this angle, his face would be partially obscured in shadow…but still. There are easier ways to go about this. Ways that don’t risk jeopardizing the very foundation of who he is—what he stands for and what he so devoutly follows.    
To say you know anything about his religion is laughable. Everything you know can fit on the back of a thumbtack and even still, you’re sure that half of that is still based upon rumor and speculation. But this—what Din is hinting at, you know is not something to be taken lightly. 
He’s stripping his soul bare for you—allowing you to glimpse at that bleeding heart of his he guards so securely within layers of flesh and bone and impenetrable beskar. Din is gifting you his trust and there’s no where else to put it except for the space beneath your breast bone.   
Yet, even still—this could mean nothing at all. You have no way to know the exact magnitude of what this means to him. If he’s alright with this, who are you to question?
He mumbles one last thing about the light and sits up. Goosebumps rush up your bare skin at the loss of the heavy warmth of his body. You whine and curl up closer to his legs, greedy for any spare iota of heat like you’ve been denied it your entire life.   
Maker you hate this fucking planet—   
Your attention snaps back to Din when he makes a noise of uncertainty. His hands are cupped around his helmet—hesitant, nervous and you suspect if Din’s hands weren’t plastered so tight around the metal, he’d be shaking. You chew on your lip and prop yourself up. 
Cautiously, so as not to startle, you reach up and curl your fingers around his wrist. You can feel his pulse thrumming through his veins—alive, flesh and bone like you. Not some heap of sentient metal built for the horrors of war. You don’t know why you do it—just seems right to pull the fragile and vulnerable skin of his inner wrist to you mouth. You plant a gentle kiss there and smile when he cups your cheek.           
“You don’t owe me anything, Din,” you say, staring into the darkened depths of his visor. “Least of all this.”    
Some of that tension held in Din’s shoulders melts. He utters something in that clipped language of his people, and the only thing you can make out is your name. He lurches foreword and fuck—you’re terrified for a split second he’s gonna cave your skull in but instead he lightly bumps the crown of his helmet over your forehead.      
“I want to. For you—only you.”
Din doesn’t leave any time to unpack all of that. He sits up again, wraps his hands around the beskar— 
The metallic thunk of the helmet reverberates through the cave like a crack of thunder.    
You were right. 
You can barely see his face—if you really look, you can see the murky outline of his nose, dark hair and a sliver of his tan skin that the light touches. Attractive—but you knew that already. You touch his cheek and smile, your thumb catching over wiry facial hair and soft skin. Din makes a sound low in his throat and pushes his cheek into your hand. 
“I still want to taste you,” Din says, his voice richer when stripped of that tinny vocoder. You like listening to him speak without it, you think, and it’s a damn shame you never get to hear it. “Please.”     
Before he can escape and fulfill that fantasy, you yank him into a blinding kiss. He kisses the same—all wild edges and with desperation lining each motion—but there’s a new found tenderness here. Like he’s savoring each gasp and every brush of skin you grace him with like it’s your last night left in the galaxy.   
He breaks away from your mouth and peppers kisses and nips down your jaw, then lower as you arch and expose the bare skin of your throat. There’ll be a plethora of bruises tomorrow, and with no hope to cover them either but fuck it—Din can leave as many hickeys and teeth marks as he wants. 
If not for the cold still latching onto your very soul, you’d ditch the shirt; give Din better access instead of him needing to shove a hand up under and grope at your breasts. He gives the fabric an annoyed tug, but it’s fruitless. There’s no use when there’s better things to be sought. 
He shoves your shirt as far up as it goes, shivering as he mouths down your stomach, licks around your bellybutton and sucks a bruise onto your hipbone. Your pants are already pulled halfway down—one sharp yank and they’re around your ankles and off in the next breath. 
Cupping your knees with both hands he gingerly spreads your legs and drapes them over his muscular shoulders. Din rubs his patchy haired cheek along your thigh and hooks his hands under your ass, his ivory white teeth catching the light as he smiles.  
“Fucking perfect—“ He groans, planting his lips over your inner thigh. His tongue swipes a wet line up, stopping just before your aching cunt to dig his teeth into the sensitive flesh. You jump at the burst of pain and shoot a hand down, tangling your fingers into the soft curls atop his head.  
Din grunts and jumps to your other thigh, leaving no inch of skin neglected and without evidence of his teeth and lips. By the time his thumbs touch the outer lips of your cunt, the aching need for him is burning you from the outside in. He has to still your twitching hips with a calloused palm, and only after you settle does he surge forward. 
His tongue meets your swollen clit, ripping a tangled cry from you vocal cords. He’s just as eager as the first time he tasted you, if not more—every action backed by needy abandon. He sucks at the bundle of nerves then sweeps his tongue lower. Din’s thumbs part your lower lips as he runs his tongue though your soaked folds, the tip of his nose bumping against your clit that send delicious sparks throughout your whole body. Little noises and breathy gasps fill the cave, encouraging Din to push his tongue deep into your aching entrance. 
Your hand fists into his hair as your hips stutter and rock into the searing heat of his mouth. The noises you make are obscene, and Din is no better. Each pass of his tongue over your pussy is matched with his own deep moans that vibrated against your clit. Fucking hell he’s devouring you alive.          
Your orgasm sneaks up on you, robs you blind and crashes over you in deep waves that drag you out to sea and never to be found again as you spill onto his greedy tongue. Your fingers are threaded tight in his hair as you squeak and press harder into his mouth, riding out your pleasure until it shifts and becomes raw and sore.  
Din doesn’t pause for even a second—all too happy to stay put between your thighs for eternity. Your legs are trembling when you force his head away, a nice, tingly warmth settling into your limbs 
A dark thrill rushes down your spine when he looks up, wild hair and mouth covered in your slick. If not for the low lighting you imagine his eyes would be glazed over and Maker you want him again. Din swoops down and presses his mouth to yours, the taste of yourself heavy on his tongue that slips past the seem of your lips. 
You whine after he breaks away and sits up—an opportunity for your eyes to roam down his body. He’s still got his trousers on, a considerable bulge tenting the front. With a smirk you reach up and grab a handful, delighting in Din’s startled grunt. “Easy.”
You flash him a wry smile and give his clothed cock a playful squeeze. “Take them off.” 
Din huffs and pulls at the drawstrings. “Needy.”
He says it with no bite and no coquettish retort on your end springs to mind—especially when his thumbs hook into the waistband and pull. A slow reveal of sun-kissed skin and a sparse happy trail that your eyes eagerly drink up. 
Din’s cock bobs as his trousers fall around his knees, tip shiny and wet and curling towards his navel. You bite the inside of your cheek and reach out, a rush of arousal pulsing through your core at Din’s low moan. He’s heavy in your hand, deliciously thick and throbbing—and all of it for you. 
Din gasps out your name as you lightly squeeze and stroke down, your pace dreadfully slow and teasing. Who knows when you’ll get another chance like this—a Mandalorian willingly on their knees for you.           
Your other hand slips up his chest as you stroke him, intent on grabbing a handful of his thick hair that curls softly against the column of his neck. Your fingernail lightly scrapes across his nipple and he sways, pitching forward before he catches himself and straightens. Din’s eyes are squeezed tight, chest heaving with shallow pants as a smirk tugs at your lips. 
“It’s ok, Din,” you whisper. “I won’t break.” 
Your fingers twist into the hair at the base of his skull and guide him back. He slumps forward with a sweet moan, laying his weight onto your body that you’re all too happy too bare. His nose is nestled into the slope of your neck as his hands lock around the dip of your lower back while the other cradles the back of your head, drawing you into a loose semblance of a hug. 
Something snaps and crumbles deep in your soul that bleeds the heartstring blues, humming with broken chords in the presence of Din’s soft fragility. Your hand moves from between his legs to instead wrap around the wide expanse of his back, squeezing him tight to your chest. You hold each other like there isn’t tomorrow to look forward to and you wonder if this is how it feels to fall apart. Two spinning halves of a supernova torn apart and destined to collide and shatter into a million fragments of dazzling light.  
Yes, you’re scared he might blind you or burn you with his brilliance, but you can’t look away.      
Your fingers crawl up his muscled thigh and settle on his hip. “Lie down for me?”
There’s no hint of hesitation or complaint as he maneuvers himself onto his back, patiently allowing you to clamber over his legs and straddle his hips. His cock rests on your inner thigh, pulsing and leaving a dribble of wetness every time it twitches.    
“Good boy.” It’s subtle but it ripples out like a heavy stone thrown into a still lake. Din shudders and says your name in a cracked whisper. He rolls his hips, both of you groaning at the sensation of his cock running along your dripping center.     
Another time for that game maybe. 
Your desperation is running hot and wild to have him inside you and you know he’s in a similar boat. You grab the thick shaft of his cock and grind the tip of him through your lips, breath hitching when it extracts such a perfect moan from the man below you. 
“Ride me,” he pleads, clamping his large hands over your hips. “Fuck—I need you.” 
How can you deny such a request?
You line the wide head up with your aching center and slowly work him in. Shivers wrack through you, and Maker—he’s splitting you apart, molding your insides to the shape of him. Beads of sweat dot your hairline by the time you’re seated fully on his member, the both of you pushed even closer towards madness.  
Din squeezes your ass and props his knees up, rolling his hips up into you. You whimper and tip forward, propping your palms over his chest as he sets the pace. You may be on top but there’s no changing the bold colors of power and lust that cloud his mind, fueling the brutal movements of fucking up into you. Your thighs burn already and Maker—why the fuck are you already tired? You’re not doing any of the work.  
Quicker than lightning, Din curls forward and manhandles you onto your back. You squeak as he grips your thigh and yanks it around his narrow hips, thrusting in deeper. His right hand crawls up the front of your shirt and wraps his fingers around your throat in a loose hold. His thumb hovers over the dip at the base of your neck but he makes no move to press down—just allows the weight of his palm to do the work. And fuck—it works. 
Choked garbles of his name pass through your lips as you buck and squirm in his hold, feeling your arousal begin to drip down the back of your thighs. You’re skirting the edge of sizzling release that alights your nerves with liquid wildfire. Your nails harpoon into the meat of his shoulders as your eyes squeeze shut. Din won’t allow it.      
“Look at me,” Din snarls, yanking your head back by your hair. “I want to—to watch you cum for me.” 
A blush scalds your cheeks but you listen. Your eyes flutter open for him, sliding to the dark shadows of his eyes that sweep you into their own gravity well with no hope to escape. You don’t mind. 
“You’re so g-good for me—always so perfect.”
White hot light bursts behind your eyelids, and that’s all it takes. Your body seizes, your cunt squeezing impossibly tight around his cock as you cum. This one is different—steals your breath away and leaves you a broken husk of a person lost in most delectable forms of agony and pleasure. The cry of his name pierces the air only spurring the Mandalorian into a jarring pace to seek his own peak of ecstasy.  
Din’s nose nuzzles into your neck, his pants hot and sharp against your flushed skin. “You f-feel so—fuck. Say—say my name.”
You leap to his request and with a playful nip to his earlobe, you whisper it to him with the sweetness of starcherrries and the promise of better things. 
He tips over the edge, his hips faltering into no discernible pace as he cums. Din buries his teeth into the skin below your jaw, a mess of whines and begging gasps of nonsense as he fills your cunt to the brim. 
Your harsh breathing mingles as you both lazily slip down from your high. He rests his head over your sternum, listening to your beating heart that drums in a wild staccato as your fingers carefully comb through his hair. If not for the ache in your hips you’d keep him here forever. Din pulls out and you both groan at the loss. 
He doesn’t completely move away and you’re glad for it. He brushes his knuckles down the expanse of your cheek and dots a tender kiss to your hairline. Your name rumbles low in his throat as he shifts lower and gives your ear lobe a playful nip. His stubble scrapes along your neck, and you can’t help but giggle and squirm—but the weight of his body keeps you pinned. Your name slips from his lips a second time, breathy and drawn out in a sweet sigh, like he’s savoring the sound of each syllable and roll of the tongue. 
Din lifts his head, only slightly—near enough that his nose bumps into yours and his lips scrape along yours that are still parted and wet. “I—can I tell you something?” 
You cup his cheek and steal a kiss. It’s supposed to be quick—but instead he leans into it, guiding your mouth into a slow dance of sticky sweet movements that are caught in a slow draw, like crystalized honey abandoned in a glass jar. You’re enraptured by his touch—his skin mottled with scars yet somehow still unfairly soft. He smells of snow—like metal and soap and something gentler, that’s uniquely Din.            
Fuck—you can feel your mind slipping away, wrapped up so snugly in his presence you almost forget to answer. “Yeah—anything.”
Crackling static suddenly rips through the cave, startling you both. A distorted voice chatters on the comlink that lies forgotten beside your pants. It blinks and the transmission ends just as abruptly. With a sigh Din brushes it off and tilts his head to tempt you into another kiss but—
Whoever’s trying to patch through is persistent. 
His lip curls in a scowl and snatches the comm. “Jorhaa’ir.”
You only catch your name being mentioned twice as rapid Mando’a is exchanged. Aeris maybe judging by the tone, but no that’s not right.   
“Wait—is that Paz?”
The muscles in Din’s shoulders tense, confirming your suspicion.
“Is everything ok?” Din doesn’t resist you when you pry the comlink out of his fingers and patch in. “Paz?”
Your heart skips a beat. 
“There you are,” the comlink crackles and you smile. “You’re a pain in my ass, you know that?” 
Stars—you didn’t think you’d miss hearing Paz’s voice. Your chest aches. 
The conversation is short, he asks you how you are and when you’re coming home and in the time it takes to answer, Din is peeling himself from your body. While you're distracted, he pulls on his pants and sits at the edges of your vision.
You both pretend when you say goodnight to Paz, return the comlink and crawl into his arms that nothing has festered with savage detachment. You don't remember to ask him what he was going to say and he lets you forget. The golden heart that bleeds molten ichor slips from your sight and becomes shut behind walls of beskar and bushes of thick thorns and overgrown ivy.         
He still holds you, but it’s the coldest you’ve ever been. 
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b612sunsets · 3 years
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Ahhh I’m happy to see someone else loving The Devil Judge - it truly is amazing 😭😭🖤✨ I love Yo-Han and Ga-on’s relationship I swear let them be destructive together!
I hate waiting for new episodes so please tell me one of your theories, it can be about anything! 🥰
Right?! I love it so much, it's really good to have our lilttle fam getting bigger, can't wait until it airs on Netflix, we will have even more people going crazy about it in here! (at least I hope it will become a Netflix series after the show ends like Beyon Evil - another love of mine) and yes, lawful husbands can be destructive together but only to the bad people pls 🥺
It's tough waiting for new episodes every weekend and at the same time I wish for it not to end so soon. It hasn't finished but I already want Jisung and Jinyoung in a second season or working together in another drama. Their chemistry on screen is too good to stop there
About the theories, there's a few I saw on reddit/twitter and I make my own based on it and after watching every episode, but I think it's too early to talk about them. However, since you requested it, there's some that come to mind as interesting enough to mention.
The fire and the story behind it narrated by Yohan
1- Some people think Yohan did start the fire because he found out about the dirty politicians real intentions and decided to destroy them all in the same place before Isaac could donate the money bc he is "a devil" and capable of that since he was a kid as told by the priest with the school incident and the nanny with the maid and dog thing. side note: not for pranking some kids who bullied him because that's all it seems like, right? But in terms of observing, thinking strategically and being one step ahead when needing to punish the whole classroom who wronged him even as young as he was and feeling satisfied while watching the result and staying out of it. A type of mentality probably encouraged by Isaac and the books he gave him to read, unlike a regular kid who would just fight back or endure it. And we still have to see if it really was Yohan that contributed to the maid's death or if it was something/someone else and the nanny thinks it was him.
They think that Elijah even saw him in front of the door right before the fire started and smiled at him instead of smiling at her parents, like she did in the gates of the cathedral in the previous scene, so that's why she hates him so much now because she can remember seeing him as the responsible for it. But Yohan didn't intend to kill/hurt Isaac and the rest of the family, thinking he could save them or something, and felt guilty that he couldn't do so. Some even said that Yohan delayed too much in trying to save them after entering the church and seeing Elijah getting her legs hurt, that it may have been shock but why would he remember everything and everyone so clearly if he was in shock?
It's a good theory but I have my own remarks: why wouldn't he tell Isaac about the politicians himself if he knew the dirty about them then? They had a close relationship and Isaac gave him books about punishment and everything, it wasn't like Isaac was too naive and wouldn't believe his half-brother. He wouldn't have donated if Yohan told him. "Oh he was being the devil and finding a way to punish them instead of just letting is slide and not donating" still, Yohan wouldn't risk Isaac and Elijah with such a dangerous plan if he could avoid having Isaac and Elijah at all in the destruction scene by telling Isaac about it. It could have been shock and Yohan wanting to look and commit to mind everyone's face in that day responsible for hurting his niece and not caring about anyone else but themselves, pushing him away and delaying his attempt to get to them in time, leaving Isaac and the family behind (after they almost donated them their money) and things like that. So he can avenge them now, like he did in the school with the kids. That's why as soon as he could, he canceled the donation in the most easy way by saying his brother wasn't sane enough to make that decision before dying.
There's also the theories about Isaac being the insane/evil one, which wouldn't surprise me because I've considered it since episode 3 but at the same time I'll not be touching that topic now and I don't know if I ever will unless proven otherwise in some other episode
2- The other theory I have and saw people discussing (the one I'm most inclined to believe because I'm Yohan biased but again it's too soon to be sure) is that the story Yohan narrated is mostly if not completely true and he experiences extreme guilt for not coming back and saving Isaac when the church collapsed on him, as seen in the character introduction by tvN translated in this tweet that we now know it's about Isaac:
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The last words Yohan said to Isaac was that he was going to come back for him, so he experiences nightmares like the flashbacks we saw in episode 1 and that's why we don't see any scene of Isaac in the middle of the church after the fire staring at Yohan or during the fire and turning to stare directly at Yohan when he narrates it. Because they're dreams and his guilty conscience and he remembers them when looking at Gaon. The flashback of Yohan kneeling down and touching Isaac with Elijah's bear close to him could be after he got Elijah out from there and he went back to put the bear next to him kinda like a "Sorry for not coming back in time", a reassurance that his daughter for whom he died for is safe and will always stay with him, a "Goodbye". He wouldn't just let Isaac's body lying there, he would go back even if it was too late.
Another thing is that when Yohan is showing Gaon his scar after telling the story, there's a book fallen at his feet. I think it was the thing that fell when Yohan standed up from the table and choked Gaon (trying hard not to comment on that choking scene as a 🔥 Gahan moment for our delight and imagination bc that's not the point right now lol)
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This is the book:
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And the first page of this book says "Never again will a single story be told as though it's the only one." - John Berger
I searched about it and it can mean that never again will a story be told as if it's the only one that matters. It could also mean that never again will a story be so encompassing of the elements it tackles that no other story need be written about these elements. A story has many perspectives that cannot be understood by just a single viewpoint. Isn't that what this kdrama is all about?
One of the translations of what Yohan said after Gaon left was:
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But there's also another version:
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The meaning of what he said changes a bit depending on which translation is more accurate, more so when we add the book quote to the equation.
Kim Gaon and his connection to Kang Yohan
People think Gaon could be Isaac's relative in some way or just a look alike (I think it's just a look alike to contribute to Yohan's obsession/curiosity and their proximity from the start, that's why no one really comments on it, not even Gaon when he sees Isaac's picture). Dear God, let them not be related because it would make shipping our lawful husbands really strange, to say the least.
What I'd like to say and almost everyone is forgetting is that in the tvN character introduction we already have Gaon's past and know he wasn't always a goody two shoes, the man was a juvenile delinquent and can even fight (the rebellious phase he said he made the tattoo in episode 3?). He too sought revenge for his parents when he was 16 because they committed suicide after losing their money and being deceived by multi-level con artists posing as social service workers. But the teacher and Soohyun were able to hold him back.
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Yohan's father could be one of the reasons for their death. He was a loan shark and might have lend them money after they lost it all and it caused them to have a great debt, that's why Yohan did a thorough research on Gaon and was interested in him (not only because he resembled his half-brother). They shared one enemy in common and maybe even a place (churches, Yohan's father tended to confess his sins in a church when his debtors killed themselves). Or Yohan might have researched about him at the time he knew Gaon was chosen to be the associate judge sitting on his left side instead of way before, because it's important to Yohan to know who he is dealing with and the dirty of their past if they have any. And then Yohan discovered everything and saw his picture and resemblance to Isaac.
The thing is: they have the same distrust/repulsion of powerful people who deceive the world and had a painful loss because of that. Both of them think they have the other exactly where they want but they get more confused about what it is that they really want from the other and get closer (as said in the summary of episode 5 that tvN released) while figuring it out. They will come to an understanding and probably join forces at some point. We saw it in the end of episode 4, the scene of episode 5 when Gaon says he can understand Yohan's pain but can't trust him if he doesn't tell him everything and then Yohan says Gaon needs to decide if he will get in his way or stay by his side. Gaon might go back to his rebellious days and stay with Yohan to seek revenge together while distancing himself from Soohyun and Jungho who prevented him from doing so
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And that's about it! Thank you for your ask and hope my answer is satisfying enough! 💙 The hardest but also most awesome part is having to wait to see.
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thegeminisage · 3 years
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birthday meta for the birthday boy <3
[this version of the meta is behind a cut. if you’d prefer the no-cut version, it’s here.]
a fun little fanon from Ye Olde Days of spn (when seasons 1-5 were airing) was that sam always had the absolute worst birthdays. a big part of this is because sam’s birthday is in may. supernatural tends to align itself with “real time,” meaning that they like to use either the date the episode was filmed or the date it aired as the in-universe date, even when two canon dates conflict each other. (they’re so intent on doing this that they pretended the gap years between s5 & s6 and s7 & s8 right out of existence - season openers also usually tend to pick up right after season finales in-universe but still somehow be set several months later.) that means sam’s birthday tends to line up with the airdates on either season finales or episodes right before the finales, which means that every time sam gets a year old, shit hits the fan. 
here’s a list of things that did happen or could have happened on some of sam's birthdays:
0-22: we don’t have much in the way as far as concrete dates go for preseries stuff, but it’s perfectly possible sam walked out all that bullshit the day he turned 18, even if i prefer to think he left at age 19 as that aligns rather tragically with some adam-related canon.
23: we don’t have any dates for the end of s1/opening of s2 either, but it’s likely that sam’s birthday took place between 1.20 (dead man’s blood) and 2.01 (in my time of dying). he could have been doing anything from hunting vampires to saving one of YED’s special children to almost shooting his possessed father to getting hit by a semi to using a ouija board to talk to his not-quite-dead brother.
24: here’s where the real fun starts >:) sam died in cold oak in 2.21 (all breaks loose pt 1) and in the episode he says he’s 23. but according to the lore (extra-canonical material), dean made the deal to bring him back on his 24th birthday...
25: ...which means that on his 25th birthday, he was forced to watch dean get dragged to hell...
25b: ...except that sam had TWO 25th birthdays, because mystery spot took place in february, and sam lived in an alternate timeline where dean stayed dead for 6 months, putting him well past may 2nd. which meant that the first time he turned 25, he was actually getting tortured by gabriel. while his brother was getting tortured (or torturing someone else) in hell.
26: 4.20 (the rapture) took place in very late april/very early may (the wiki says may 3, but that’s just a guess), and 4.21 (when the levee breaks) picks up immediately where it left off. so it’s not only plausible but EXTREMELY LIKELY that sam was locked up in the panic room suffering withdrawals when he turned 26, dude
26b: ...except that in 11.17 (safe house), bobby and rufus’s half of the episode presumably takes place at the same time during season 4, and he mentions sam and dean are in reno?? so you know they could have been doing that instead.
27: we have no hard and fast dates for the end of season 5, but it’s my personal headcanon that sam’s birthday took place during 5.22 (swan song), and he beat the devil and leapt into hell on the day he turned 27 - because at this point, why not. however, his birthday could also have taken place during either 5.20 (the devil you know) or 5.21 (two minutes to midnight), meaning he was reconfronting his old college pal who turned out to be a demon brady, or helping bobby and a human cas destroy the factory with the croatoan virus.
28: there’s a gap year between s5 and s6, so sam’s 28th birthday took place while he was soulless, hunting with the campbell family...
28b: ...except spn likes to say “a year passed” without adding one to the calendar, so sam ALSO had a 28th birthday during the airing of s6. there’s some conflicting information about s6′s timeline, so this could have happened anywhere from 6.18 (frontierland) to 6.21 (let it bleed). sam could have been doing anything from time traveling to fighting eve to grappling with cas going dark side to rescuing lisa and ben.
29: sam’s 29th birthday almost definitely took place during 7.20 (the girl with the dungeons and dragons tattoo), during which he met charlie. in case you’ve forgotten, that was actually a great day for him - in a moment of true little brother antics and justifiable homophobia, he got to laugh at dean gay flirting with the security guard.
30: there was another gap year between s7 and s8, which means that sam spent the big three-oh with amelia richardson while dean and cas were in purgatory. he got to have a picnic!
30b: ...but since spn ignores gap years, sam ALSO had a 30th birthday during s8 (a big season for him). there isn’t an exact date for the episodes leading up to the finale, which takes place in late may, after sam’s birthday, so his birthday could have taken place in either 8.21 (the great escapist), where he nearly died of his trial-induced fever and confessed to dean that he always felt unclean, or during 8.22 (clip show), where he met sarah blake again after nearly a decade, only to have her die right in front of him.
31: the s9 timeline is pretty vague, but the best guess for this one is 9.18 (meta fiction), in which sam finally gets to confront gadreel, the angel who possessed him and killed kevin with his hands
32: the s10 timeline is also short on dates, so sam’s birthday could have taken place anywhere between 10.16 (paint it black) and 10.21 (dark dynasty). a few possible things sam could have been doing: dealing with a hunt involving soulless people, helping cas and bobby break metatron out of heaven’s prison, catching up with charlie and giving rowena the book of the damned, battling the cursed werther house (don’t click that unless you’ve seen the episode, the twist is TOO good), reuniting claire with her mom, or building charlie’s pyre.
33: the last quarter or so of s11 happens really quickly sequentially, every episode picking up soon after the last one left off, which means that sam’s birthday either took place at the very end of the season or the beginning of s12. it’s most likely he turned 33 either the day dean saved the sun and sam himself got shot and kidnapped by toni bevell, or a few days later when he was being held captive and tortured in her basement.
34: unfortunately, sam’s 34th birthday almost definitely took place during 12.21 (there’s something about mary). i was really hoping it’d be 12.22 so he could be kicking the bmol’s asses, learning lucifer was back, and hugging mary, but no...instead he was mostly likely learning that ketch had had eileen killed. 
35: because of some weird canon, the timeline for season 13 is actually batshit insane and makes no sense whatsoever, which means sam’s birthday is really early this season - either during 13.17 (the thing) where he rescues his brother from a frisky tentacle monster or 13.18 (bring ‘em back alive) where he hangs out with gabriel and cas in the bunker. since that’s garbage, you’d be forgiven for ignoring canon and pretending sam’s birthday fell on one of the following episodes - 13.19 (funeralia) is very touching, as he and rowena clash and then make up with each other; 13.21 (beat the devil) has sam capturing lucifer, then dying and getting revived and captured by him; 13.22 has sam getting a little revenge by leaving lucifer for dead; 13.23, of course, has lucifer finally dying for good.
36: there’s no dates whatsoever on the back half of s14, so theoretically sam’s birthday could take place in any episode after 14.13 (lebanon). the likeliest and COOLEST candidate is for sam to turn 36 during 14.20, in which he shoots god himself point blank. other admittedly inferior  scenarios include his stint as justin the 50s househusband, mary’s death, or putting jack in the ma’lak box.
37: we saw this birthday happen onscreen during 15.14 (last holiday) at a party thrown by mrs. butters. unfortunately, not too long after that, she wound up torturing him by pulling out his fingernails.
38: that’s this year! because the timeline of s15 is also so weird and vague, partially fucked up by covid changing the shooting/airing times, and because sam’s birthday is SO early in s15, it’s possible that he has another one this season, right at the end, or maybe post-canon, which means............................................
...................................................that he’s spending it with dean and jack and the newly revived eileen and cas, in the bunker or somewhere else he feels safe and loved :)
happy birthday, sam winchester <3 after all the unhappy ones...u deserve it
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[spn masterpost]
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furiousgoldfish · 4 years
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I haven't been writing a lot lately because my recovery has been taking a wild turn and in lack of anyone to talk to or therapy, I'll be writing about it here! I'll put it under a cut. There are some descriptions of recovery going very wrong, and also explanations of things I was wrong about.
So since the pandemic started I've been deteriorating badly, first I've been processing trauma extensively, having intense breakdowns and gradually it turned into depression from lack of stimulation, I've been completely alone for months without speaking to, or seeing anyone. I thought it was the isolation getting to me, and decided I just need to endure that, indulge in whatever coping I could and wait for it to end. And then things got worse.
Even as normally I was seeing some very slow progress in recovery; now it was going backwards; I was having less and less ability to get anything done, I wasn't able to force myself to do my job for months, I kept getting stuck in bed for weeks, chronic pain got so bad I couldn't move on most days. And, it only kept going worse.
My breakdowns stared to be about the present instead of the past; I couldn't handle being in pain all the time. As in before I would recover from a breakdown within a day or two, now it took 4 days to a week, and the trauma episodes would last for hours, so intense I'd find myself hoping I would die during it.
And then, I started losing all mobility and this seriously freaked me out. Everything above I've already experienced before, without long term consequences, but now my body was losing function in a way that felt permanent; I could no longer move for more than few minutes, and without extensive pain. Sometimes I would try to get up and end up collapsing and screaming from how much it hurt, I would move my arm and my whole body would experience a shock of intense pain. I was scared, I no longer knew what was going on, I was suspecting something more than ptsd was wrong. I've forced myself into physical activity, trying to fight this, I tried stretching, exercising, running, punching, and every single one of these activities made it incredibly worse. I thought I had broken my body by laying down too much. I no longer felt anything but terror and dread, and kept spiralling into scenarios of my own death; it felt inevitable, I wasn't going to survive without ability to move, nobody would take care of me.
I tried out medicine that helps relaxing, it had minimal effect. Then, in desperation to check if this was all ptsd, I attempted self harm, to see if it erases the pain. It did. It lowered the pain significantly It was a big relief, even though I wasn't happy with resorting to that, at least I could move around for a while, and I was grateful for that. Times couldn't be more desperate, and the measure felt fitting. I was still in a very bad shape, and the pain was only somewhat lessened.
It was about that time someone sent me the Complex PTSD book; I had wanted it for a while and immediately went to read it. I felt some relief reading it, and I was struck with the realization that I have not felt any relief in more than a year. It also surprised me with some of the exact descriptions of my behaviour, that I didn't realize was a symptom. I thought it was necessary and smart of me to live in hiding, to avoid interaction and never connect to anyone; it kept me safe. It turns out it's a regular freeze response to trauma; I got very called out for it. It also explains that a freeze response is what people use when anything else doesn't work, and it's true! I had been fighting, fawning and perfecting myself desperately prior to realizing that absolutely nothing helps, and froze to survive. It also described that freeze types are capable of surviving prolonged isolation because their brains produce hormones that relax the body as if they're going thru a moment before death; also true for me, I've been aware my brain does that, only I get that way too often, and it only helps me marginally because I'm too used to it.
Another thing I was very wrong about was my concept of my inner critic; I thought I had already won that battle, because I did not allow any voice in my head to criticize me (my alters can drag me affectionately), and I generally didn't experience a lot of shame or guilt for what I was going thru. The book describes inner catastrophizer, which is an extention of the critic, and it causes you to spral into extremely negative scenarios of your own demise. Now that.. was happening to me every single day, I saw myself dead around every corner. But I always thought my fears about that were perfectly reasonable. I had been tortured into suicidal state as a kid and nobody cared, I barely escaped with my life from there, I was living illegally, in hiding, without a normal job or regular income, without close friends or any family, with ptsd i couldn't get diagnosed for, without ability to work due to ptsd, in a capitalistic society where being able to work is only thing between you and dying. I had, by that point, gained many skills of survival, but it still felt very reasonable to fear that I would die if I don't get better soon.
The book described people who had families, jobs, social circles, friends and community, who spiraled into deep fear of becoming homeless and dying on the street; somehow their spiraling was exactly the same as mine, and it made me realize that it was, in fact, a symptom, and not reflection of reality. Because I was spiraling even when laying in my bed or eating or sleeping, knowing I could still afford rent for months because I arranged my life to allow myself to lay down a lot. I kept fearing my parents were coming to end my life, even when I arranged my entire existence specifically to prevent this from happening. And even if I was sick and without a real job, I had in fact, survived for 5 years after running away, I wasn't getting worse at it. My spiraling into death scenarios was a symptom of being trapped within a flashback.
The book guided me to try to challenge these fears, I immediately went for it, had a breakdown, screamed "I can't" for like an hour, had additional few breakdowns afterwards, and miraculously, recovered from them in only few hours. And then, I woke up from my flashback.
I won't describe what the flashback was, because it's too gruesome and horiffic, but it was in fact, bad enough to warrant every single bit of that pain I was experiencing, and a very convoluted, complex trauma. I was waiting to be killed in that flashback. Whats concerning is, I've been trapped in that same flashbacks for more than a year. After I broke my way out of it, it felt like I woke up to being alive for the first time in years. I got out being frozen in bed.
For 5 amazing days, I was able to do whatever I wanted. Chronic pain? I didn't know her. It was absoluely exhilirating to get to move again, I was not getting tired either, I was out there making up for months of doing nothing and I was not collapsing at any point. I felt actual joy again, and hope, and being free from pain was so extremely good, that alone made me ecstatic. I was able to create, to be organized, to take care of myself, to follow a checklist, to focus, I was a Normal Person for those 5 days.
And then, predictably, I was getting back stuck in that flashbacks and my levels of terror and dread spiked again. I went to re-read the book, and it took me a few days to really figure it out again, I don't know exactly how the book works on me, I feel like it says just the right keywords to trigger me into realizations and causes breakdowns that set me free. I found myself able to stop some spiraling, but sometimes I can't, that flashback holds immense power over me and is actually mixed with 10 other near-death scenarios that are too extreme for me to process, so this will keep happening. I did break free again, and got to experience additional few days of movement and happiness; I also started working extensively with my child alter, who was until recently extremely suicidal and dangerous to work with.
I am still kinda lost in all of this, and unsure whats going on, but I do believe I wont get trapped in a flashback again for a whole year. I became so anxious and helpless due to isolation, I forgot how to fight trauma, I forgot I actually had to do it. I used to do it constantly in the beginning, but it had made me suicidal back then to face all this, so I tried to just let it heal naturally, which I believed would eventually happen; but it didn't, I got trapped and suffered without knowing how to get out. I also believed my own spiraling was a reflection of reality and not trauma, and that fueled it a lot.
It explains very eloqently in the book how inner catastrophizing comes from being massively neglected; children who are not looked after start to realize just how unprotected they are, so their own sense of danger becomes hypersensitive and starts to lock on possible dangers everywhere. This is then further aided by media that points out every possible bad thing that could happen to a person, and the child who isn't guided by adult who could actually make a reasonable distinction between real and unlikely danger, will clock it all as absolute possibilities and be on alert. It's also fueled by the line of disasters and dangers that happen to them in the context of their own home, and for me, the strongest factor was my parents constantly convincing me that I would die without them. Even though I proved this wrong, and understand they did it precisely because they knew there was a lot of survival ability in me and that's why they worked so hard to destroy it, the fact that it was brainwashed into me under circumstances of torture still makes it impossible for me to fight it.
Maybe one day I will be able to.
I'm writing this because writing things down helps to make sense of it all, and I need to find my way thru this. I also hope someone else will see themselves in what I'm describing and it will help them find a way forward. Complex ptsd is the only book I found that speaks from the point of view of a person who survived cptsd, healed from it, and had so much experience with other traumatized people they're able to draw parallels and create patterns and statistics out if it, it was that more than anything that convinced me of their words, and gave me hope. The book also warns many times of how essential it is to reduce inner critic and catastrophizer before getting other recovery work done, other therapy might only do further harm before this work is done. It was true for me.
If you wanna read this book, here's a post with the links!
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hello-nichya-here · 3 years
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Ok, so what in your opinion is the WORST mistake that the showrunners for Game of Thrones made in terms of content, either it's addition or redaction?
WARNING: Looooooong post ahead
Themes are for eighth-grade book reports
This absurd quote by one of the showrunners explains why exactly the show fell appart. They wanted to make a story... without themes. Anyone with a minimally functioning brain will tell that this is impossible because every story, even the simplest and least complicated story there ever, has a theme. Even a nihilistic story has a theme "Nothing matters". Every. Story. Has. A. Theme.
But Game Of Thrones didn't, at least not after the writers ran out of books to adapt and did their own thing. Everything every character did was no longer to build a narrative, but to essentially act as click-bait. The focus was to make people keep watching, not on making any content that was worth watching.
The first four seasons had it's problems, just like the books had it's problems, but Martin's writting was so brilliant that it managed to stay good even while being handled by absolute clowns. The moment season four ended was the moment the show stopped being an adaptation and became it's own thing - and like I explained before, said thing wasn't a story.
Shock
Both the show and the books had MANY shocking, heart-breaking and downright horrifying scenes: Daenerys being raped by Drogo; Bran being pushed out the window after accidentally seeing the queen fucking her brother; the whole deal with Craster and his daughters; the Dotrakhi destroying Mirri's village and her revenge against them and Daenerys; Ned's death; Melisandre giving birth to a shadow baby that killed Renly; The Red Wedding; Jeoffrey's death; Tyrion killing his father; Theon being tortured by Ramsay...
The difference is there were REASONS behind the shocking scenes Martin created. Even when you look at things like rape and torture scenes and threats of rape/torture - Martin used those scenes to remind us that the world he created is an EXTREMELY dangerous and downright vile place, and that the characters are never truly safe, and that there are WAY worse things than just being killed.
Dumb & Dumber on the other hand, gaves us scenes like an evil, former man of the night's watch evily making an evil speech to his fellow evil men, evily drinking whine from a human skull while nameless women were being raped in the background - but little does he know that Jon Snow, the hero, is about to wreck his shit. It takes something that could realistically happen (and that did happen in the books) and takes it up to eleven because the writers think shock is the same as quality and that the audience is SO STUPID that they need to practically make the actor jump out of the TV, grab us by the shoulders and scream "I'M EVIL! I'M THE BIG BAD! ROOT FOR THE HERO TO KILL ME!"
Pretty much every bad guy became a parody of Jeoffrey, ironically enough because the writers took Jeoffrey too seriously. He was a cruel, sadistic character, who had WAY too much power - but he was also a spoiled baby whose reply to Tyrion bitch-slapping him wasn't a threat, but "I'M TELLING MOM!" Jeoffrey worked because he was only allowed to do his thing whenever smarter, more competent characters like Tyrion and Tywin where not around, meaning his actions, while inhumane, never reached the point of no longer being believable.
The horrible things that happened to the characters no longer felt "right". For instance, Sansa had just been taken to the Eerie by Little Finger, who has a weird complex in which he sees her both as the daughter he never had with Catelyn AND as a replacement for Catelyn, and she was starting to truly be a player instead of a pawn... and then the writers realized "Oh shit, we should have not cut the Jeyne Pool/Fake Arya' plot, that was important" and forced it on Sansa, making Little Finger hand her on a silver plater to Ramsay and turning her into a victim AGAIN, this time to a man that dramatically fights his enemies without a shirt own, practically saying "come at me bro"
Compare this to Ned's beheading, or Catelyn and Rob being betrayed and killed by the Freys. These moments were shocking and downright depressing - but they were earned. The writting was on the wall for anyone to see: Ned was at the mercy of Jeoffrey, and the Starks had given the Freys, who are notoriously disloyal, a reason to resent them. These twists felt completely natural, were the only logical way for the situation the characters were in to play out, AND they had consequences to plot instead of just making the audience gasp and then being forgotten about.
Plot armor
It's kind of ironic and almost tragic that the show that became famous for killing characters later became the worst type of high-stakes series, putting the characters in situations they could NOT survive, not even if a goddamn miracle happened, and having them live anyway. What's even worse is that it happened repeatedly. If I had to see Jon Snow almost die and then survive anyway one more fucking time I was going to lose my mind.
There's no bigger proof that there were just no consequences for the "main" characters anymore than watching the second, third, and fourth episodes of season either. The first sets up that this battle against the night king and his army of undead is likely going to kill the majority of them, if they're lucky... and then in the third we see the plot armor in all of it's "glory", and then in the forth we find out that the Dotrakhi, who had ALL been killed, actually still have half the numbers they had the night before, somehow. Even red-shirts weren't dying anymore.
DORNE
This disaster needed it's own session because HOLY SHIT, it's a miracle/tragedy that everyone didn't go "Fuck it, I'm never watching another episode of this stupid show."
The Dorne plot in the books isn't perfect, but what the show did to it was so fucking bad that I'm pretty sure the writers didn't even read the Dorne chapters in the books, they just looked at a wiki, wrote down the names of a few characters and then did their own shitty thing.
In the books, Doran Martel is a clever, dangerous man, who pretends to be harmless so people will understimate him and step right into his trap. In the show, Doran Martel... died. That's it. I can't remember anything else that happened to him. Add him to the list of "Brilliant characters that became stupid due to shitty writing", I'm sure Tyrion, Varys and Little Finger will love making him company.
The sand-snakes, one of the main driving force of that plot, were all distinct characters in the books, with their personalities, goals, methods and motivations - basically they were created by a writer who knew what he is was doing. In the show they were all the same "character" who could be perfectly described by that horrible, cringy, PAINFUL line one of them (I can't even remember which) said to Bron "You want a good girl, but you need the bad pussy" (Seriously, if that actress ever kills the show-runners as revenge for having to say that, she'll be 100% justifyed in doing so)
And we cannot forget the driving force behind that unwatchable shit show: Ellaria Sand. In the books, the death of Oberyn made her believe that revenge only leads to more blood-shed. In the show, his death enraged to the point of wanting to avenge him and his family, and she did this... by killing his family. If that doesn't explain how insane and stupid this plot-line was, I don't know what will.
Hype = Character assassination
Many shows are based around the conflict between the bad guys and the good guys. Game Of Thrones is not one of these shows. Or at least it wasn't. As they ran out of ideas, the writers started mutilating every single character until they could be label as "Good" or "Bad", regardless of what felt right to the story and to the point that there was nothing left of said characters. Stannis's actor, Stephen Dillane, straight up said that the only thing he got from being on the show was money and that his character's motivations and decisions were nonsense - ironically enough, that kind of brutal honesty means that the writers had THE perfect actor play Stannis, and wasted his fucking time.
Here's a list of the characters that fell victims to this horrible fate: Catelyn Stark, Tyrion Lannister, Sansa Stark, Arya Stark, Jon Snow, Melisandre, Stannis, Jorah, Daenerys (bonus points for being mutilated into being both a generic, shitty "hero" and a generic, shitty "villain") Greyworm, Rhaegar Targaryen, Lyanna Stark...
Pretty much the only character who became more complex in the show than she was in the books was Cersei. While her book self was never just a "Generic Evil Queen", the show version of her was far more sympathetic, which made the stories she was part of interesting. Too bad the writers ran out of ideas of what to do with her after season six and just left her by the window drinking whine until Dany showed up to kill her. Which brings us to...
Why is this happening?
Cersei was seen as a threat in the last two seasons based on nothing but the things she HAD done. Her story just ended the very second season six did, but since she was still alive despite being one of the bad guys she had to die... I guess. She (and by extention Jaime) joined the list of characters that had nothing to do, but were still around: Davos, Theon, Yara, Melisandre, Bron, Sam, Gendry, Bran (the last one being SO unnecessary that he was cut from season five and no one noticed)
To combat that issue, the writers gave characters "motivations" that made no sense. For exemple: Sandor Clegane. His only reason to be in the show was so he could kill his brother. The problem was that Gregor was already dead. He was a walking corpse. There was nothing left of the abusive brother Sandor once knew, meaning he had no reason to fight him, and that, to keep Sandor around, the writers should have come up something new (like the redemption that book fans have been waiting for, and that has a lot of backing evidence). You might as well have had HIM be the one to randomly fly out of nowhere and kill the night king despite having no connection to him.
And since we're talking about the night king... Arya was the one to kill him. Why? Because the writers ruined Jaime's redemption arc, meaning that the only fitting ending for him was to die with Cersei, and so Arya could not kill Cersei despite wanting to, having the ability to do, AND having heard a prophecy that said she'd "Shutting brown eyes, blue eyes, and green eyes forever", the last one being the only one she had not done AND applying to Cersei. But Dumb & Dumber admitted they had no plan for this, so now that they were at the last season, they needed to do something with it, and they retconned it to mean Arya would kill the night king...
But Arya killing him meant Jon had nothing to do, so Dany had to go mad so he could kill her. To "hint" at that, they ignored all the not at all subtle foreshadowing the previous season had of Dany and Jon having a kid, and they even showed her getting jealous that he was technically the true heir... even though that made no sense since they were going to rule together anyway, and even after Dany went full "Mad Queen" she ASKED HIM TO RULE WITH HER. But anyways, he kills her and becomes king...
Except he doesn't actually become king and him being a secret Targaryen has no effect in the plot, because Bran needed to become king so there'd be a reason for him to be alive, because his magical powers turned into a plot-device. A plot-device that wasn't used at any goddamn point. Seriously, the only thing as bad as Bran becoming king was Euron's existence - dude was THE most useless villain ever AND the worst Jeoffrey parody.
A darker story (literally)
I could not end this rant without bitching about this. What is the point of spending an ungodly amount of money on sets, costumes, make-up, special effects... and then using such poor lighting that no one can see what the fucking is going on?
Anyway, this disaster of a series was so absurd it should be used as an exemple of what NOT to do.
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dodo-begone · 3 years
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Loyal here, and back from the dead! Had some health issues and family drama, but I should be completely back now! I hope this all makes sense, I had to take Benadryl so I’m kinda out of it at the moment.
——
For those who have been interested in the idea of a reader from Undertale, I’m so happy! Anon who went into detail with how y/n might be forced into bringing out their soul? *chefs kiss* I love it. And with Ranboo or Techno doing it on accident because of the voice(s)? Then, when they snap out of it and see y/n begging this ‘Frisk’ person for mercy? AAAAAAA YES P L E A S E. I live for the angst and that concept quenched my thirst for it. When it comes to the resets, I think that most of what happened during them felt like dejavú to y/n when going through the Underground, making them give reactions similar to the monsters who seem to recall certain things when you play the game again. However, when it comes to the genocide route, I feel like they don’t remember anything. At least...not until they’re put under extreme stress, panic, trauma, etc., or if they’re in an intense life or death situation. Only then would they remember. But it’s messy when they do. They get thrown into a memory and basically have a mental breakdown. Whether they remember it once they calm down or not...? Up to you. Anyway, here’s some of my own ideas based off all this!
- In Ranboo’s case, I feel like he’d know who Frisk is and quite a bit about y/n’s world. He just seems like the type of person you could tell anything to and he’d listen. Because of this factor, I can see y/n having either already shown him their SOUL, or having planned to in the near future. He’d recognize the situation—a panic attack—and do everything in his power to calm y/n down. He isn’t the type to pry, so he wouldn’t mention the reader’s SOUL unless it seemed to be in really bad condition. He’d rather y/n come to him and open up on their own.
- It’s a cry fest. They’re both tearing up and telling the other not to cry. Y/n knows it wasn’t Ranboo’s fault and doesn’t want him hurting himself over it, especially because his tears hurt him. They forgive him, it’s okay. Ranboo feels incredibly guilty for what he’s done. And seeing them crying over what he did and the trauma he accidentally brought onto them? He’s crushed. You know those sappy movies where the main characters are comforting each other, crying but letting out choked/hiccuping laughter? Not because they find the situation funny, but because they both react the same way and just want what’s best for each other and it’s all around adorable? That’s them.
- But, if it’s yandere Ranboo? He’d probably see this as proof that y/n is far too fragile for this world. Clearly, they need someone to protect them. He’d most certainly feel guilty about what he’d done, but he may play it up a bit to get as much attention/sympathy/whatever from them.
- For Techno, unless he was there when y/n initially woke up in the SMP, I don’t think he’d believe them. So he probably doesn’t know shit (or, he at least knows the basics), unless he found out from someone else. That’s just my opinion tho. Either way, I believe he’d think it’s all bullshit. However, he wouldn’t force an encounter to prove his point. He has at least some decency. No he doesn’t. I feel like he’d remind y/n of just how hostile monsters Underground were in the beginning, so they’d be weary around him. (I’m doing flat out yandere for him from now on bc that’s all I can think of rn)
- If he doesn’t know who Frisk is, I see him being slightly insulted that they think of some random stranger—as far as he’s aware—who clearly hurt them. He’d never do that! He—oh shit, he kinda sorta did do that...
- If he does know who Frisk is and is romantically interested in y/n, he’d probably be peeved that they’re basically referring to him as their sibling. He gets that they’re going through a traumatic episode but c’mon! He’d end up pushing the thought aside to help them. However, he may be slightly petty for the next few days.
- Keeping on the romantic yandere side, I see him possibly making the situation worse even if it isn’t his intention to. Whether he’s told by y/n or someone else, he at least knows what their SOUL is and what it stands for (even if he didn’t believe it till now). So here’s his little darling, all curled up and clutching their SOUL to their chest like it’s their lifeline. Oh, wait, it is. Sure, he’s surprised that it’s real, but any shock he would’ve felt is replaced by awe and he can’t help but notice how mesmerizing it is. So, he forcefully gently pulls their arms away from their chest, cooing at them and saying that everything’s fine, and removes their hands from the entity so he can get a better look at it. He watches as the (color) heart bobs slightly up and down, and can’t help but be surprised by how warm it feels against the palms of his calloused hands when he cups it. Any whimpers and pleas from y/n begging for their soul to be returned are blocked out. All he can focus on is the SOUL in front of him, the very culmination of their being, and how small it is. This little thing, that takes damage whenever their body does, that physically appears whenever they are in a fight, is what keeps them alive? That won’t do. Not at all. This land is far too dangerous for them! They better get used to his cabin, for as far as Techno’s concerned, it’s their new world home.
——
And Tommy forcing them into an encounter because he thinks it’s all bullshit? That would definitely happen. He’d feel so guilty once he sees the look of betrayal in y/n’s eyes and the disappointment that shows on the faces of anyone who had seen the forced encounter. As if they too weren’t curious. He noticed that no one stopped him. Let’s be honest. Most would be too curious to interfere.
- Y/n probably falls to their knees, cupping their SOUL in the palms of their hands. They know that Tommy wouldn’t actually hurt them, but they can’t help but feel as though their boundaries have been pushed aside, as though one of their only requests meant nothing to everyone. Tears slip and it takes watching the glowing heart, being lost in their own world as they mentally count every rhythmic bob to ground them. Once their breathing calms and their sobs turn into hushed whimpers, they push their SOUL back into their chest and stare at the ground, unsure of what to do next.
- Tommy definitely acts a hundred times more mature in the following moments. Depending on when in the DSMP timeline this occurs, he’d either be confident—and rightfully so—in his ability to help someone during a panic attack, or be hesitant, unsure of what to do, fumbling with his words and motions, but trying his damn hardest to help nonetheless. Either way, I see y/n appreciating it. Y/n literally come from a world where they would befriend creatures ten seconds after they genuinely tried to kill them and their sibling. I don’t see them holding a grudge. They’d most likely be slightly weary in the following twenty to thirty minutes, but get over it. After all, they’ve always chosen MERCY. Can’t say the same for their sibling, though. Tommy’s extra cautious about what he says or does around them after that.
- I feel like after a few weeks or months, y/n may bond enough with Tommy to want to show how much they trust him by bringing out their SOUL. Especially if they’re there through all the hell that Tommy goes through story-wise. To them, it’d probably be their way of telling him that they trust him with their life, and that they’ll always be on his side.
- Yandere or not, he does everything in his power to protect y/n if they remain weary of encounters. He’ll either find a way to avoid a fight, not wanting to hurt y/n by doing anything that would make him gain this supposed LOVE that comes from their world, or he’d do enough damage to allow them to escape without anyone or anything dying.
- If y/n discovers that they’re able to befriend the monsters of this world like they could their own, regular Tommy would respect that. He may be a bit antsy if the encounter drags on or if y/n sustains some damage, but he knows that they know what they’re doing. As previously mentioned, he’ll get involved if things go south, but he won’t kill anything. At least, not in front of them. Gotta get bones, blaze powder, and spider eyes somehow. But even then, he does it sparingly out of respect for y/n’s wishes. That, or he’ll have someone else get materials for him.
- Yandere Tommy wouldn’t risk shit. You can’t just talk to mobs, you idiot! You’ll die if you do that! And you’ve only got one life! He’d threaten to kill mobs right in front of y/n if it’d get them to stop trying to play house with disgusting monsters. That, or he may force y/n into killing. Their HP, AT, and DF increase when their LOVE increases, right? So they have to if they want to survive!
——
I agree with the anon that Dream and Vilbur would definitely force y/n into an encounter. Yandere or not. If yandere, they’d probably become obsessed with the concept of SOULS and constantly pressure them into bringing it out. They use it as a nightlight JKJKJK.
- Ya know how in Deltarune, Kris yeets their SOUL into a cage? Well, imagine that, but it’s forcefully taken by Dream. He’d put it in a glass container and show it off like some damn trophy. That, or he hides it away where no one can find it. Vilbur would do the same but keep the SOUL on his person at all times. That way no one forgets who y/n belongs to. To him, it’d show power and ownership. Much to his pleasure and mostly everyone else’s disgust.
- I’d also add Schlatt to the list of people that force an encounter, as well as yandere Sam. Schlatt would pull it out in front of everyone to show how much power he can hold ever someone, or, to use as a shield when he thinks Pogtopia will attack. They wouldn’t want to hurt an innocent person who’s got a little sibling waiting for them at home, would they? With Sam, he’d do it to make sure that y/n is in perfect health. Can’t risk there being any cracks or the SOUL being dim! Following Tommy’s death and revival, he’d probably do the same as Vilbur, keeping their SOUL with him and never letting it out of his sight. However, instead of doing it out of a show of power like Vilbur, it’s out of paranoia. He can’t lose you too. He has to know that you’re okay!
——
For some fluff, here’s who I think y/n would eventually trust enough to show their SOUL:
- Tommy (as mentioned earlier)
- Ranboo (also mentioned earlier)
- Tubbo (he reminds them too much of Asriel to not trust him with their SOUL)
- Captain Puffy (same as Tubbo, but for Toriel)
- Ghostbur (he’s just so nice!! How could they not? Besides, he sometimes reminds them of Napstablook! They probably call Ghostbur Blooky a lot on accident and the ghost just learns to roll with it LOL)
- Karl! (After hearing about this person who comes from a world with timelines and basically time travel, he can’t help but be interested. He’s losing so much, he needs someone who might possibly understand. They both share a similar hatred towards the concept of time travel/resets and the amount of pressure it puts on a person’s shoulders. That, and the lack of memories, even if they‘be both been effected by this in different ways)
- Bad (before he’s corrupted by the egg, of course. He’s so sweet omg. Besides, his personality gives me Toriel vibes)
I personally don’t see them trusting Philza enough, no matter how much he reminds them of Asgore. Then again, the King of Monsters is the one who basically put a bounty on their SOUL. He also refused their MERCY and forced them to FIGHT. Besides, when they hear from others—or see it for themself—that Philza kills his own son? I don’t think they’d ever forgive that. No matter what happens. You should refuse death, because there’s always another option. They’d know first hand, after all. With having their SOUL broken in half and pieced back together thanks to their own sheer will to live. To protect their sibling and save their friends. The battle against Asriel taught them so much, and they’d never take life for granted again thanks to it. “Asgore, though I may not stand by his methods of taking the SOULS of innocents—children, no less—I understand why he did it. He lost both of his children, his pride and joy, at the hands of humans. The real monsters of this w—of my world. He would have given anything to get them back. And you, you just throw your son’s life away? How could you?! Do you know how many beings, Monsters and humans alike, would sacrifice everything just to see their loved ones one more time? To take their place? To save them from a brutal death by the hands of those who want your SOULS? To see their small body covered in blood and burns or spears. Only for their death to have been meaningless, for their SOUL had shattered before it could be collected and used? When it should have been you, their big sibling, to take their place?” Yeah... they’ve definitely got some issues they need to deal with LOL. I personally headcanon that even if Frisk wasn’t able to reset, their soul would have been useless when it came to breaking the barrier because that thing shattered into PIECES. What would the monsters do? Use gorilla glue and hope the damn thing stays together?
——
Imagine how different characters, Yandere or not, would react to y/n’s soul shattering. Especially if it’s because y/n took a hit for them.
ALRIGHT THATS IT AND IM GOING TO SLEEP LOL
Omg that’s so much. It’s all so fucking good but I am just overwhelmed by how much is here because I want to answer it all but,,,
IT’S SO GOOF NIGHTLIGHT SOUL JANSJS PLEASE HAHA that’s just hilarious.
Also putting the soul in cages? YES THAT’S SUCH A GOOD CONCEPT TO BRING UP!!! Vilbur wanting to own while Sam wants to protect. Both lead to a similar end. An emotionless reader with no care for themselves or others. Just a rogue being. A zombie, I’d you will. But not dumb. Oh not dumb at all.
Also putting the soul in a jar??? I ca see DreamXD doing the same, if not similar. Ooo maybe he wears their souls on him? Trapping it in a piece of jewelry to display your “loyalty” and “love” to him.
I’m sorry I’m just not feelin too good.
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sailordiavolo · 3 years
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suicide prevention month 2021 - things that helped me stay alive
i heard that this month is suicide prevention month in the united states. as someone who’s struggled for many years with suicide myself, and is currently in the mystical “better place”, i feel it’s my duty to open this can of worms. i am unafraid of the stigma that comes with discussing such things.
i’ll go over things that helped me to cope during dark times. these may also apply to being depressed in general (?) because no offense but “drinking water” doesn’t help as much as google seems to think it does. note that these aren’t be all end all solutions, more like techniques that helped me to stay sane on some of my worst days.
1. get rid of everything that’s an immediate danger to your health.
if you’re actively a danger to yourself, safety-proof your home. don’t keep sharp objects lying around, or anything dangerous of the like. get rid of anything toxic or chemical, and don’t keep medicines in excess.
2. if you can’t make yourself happy, try to mildly amuse yourself instead
thinking “happy thoughts” doesn’t really work for me, especially if i’m in the throes of a depressive episode. i do have many things that make me happy, but i seem to forget about all of them in dark times. that being said, really dumb jokes get me every time. if i can make myself laugh, smile or chuckle, i’ve already made it 10 times easier for myself. and if i can do that, usually it’s easy to make myself forget about the original reason i was upset in the first place.
dear reader, i don’t know what would count as “mildly amusing” to you, but here’s some things that work for me.
i have a self care playlist on youtube. mine’s pretty dumb, but making a playlist like that of things that you find entertaining or amusing might help. another amazing one is distantcry’s worst beat ever collection.
very specific songs that really get me going include metrostation’s shake it, botdf’s bewitched, rm’s expensive girl, and she past away’s ruh.
3. do some self care activities
self care is very very important. when you feel like you’re absolute worst, that’s a free pass to be as selfish as you need to be until you feel better. no job, no person, no drama is worth dying over. all of that can wait until after you’re finished what you’re doing. if you’re not really sure what to do as self care activities, i’ll list some suggestions.
take a hot bath, if possible. if you have the resources, add bubbles, flower petals, bathe salts or candles. i did this the other day and sat in the bath and ate crumpets. it was amazing. if not, have a steaming hot shower. (i know it’s hard to find the energy, but it’ll help, i promise)
watch your favourite childhood show, or your favourite show at the moment, or play a video game.
sleep all day, or take the day off.
eat your favourite food, or the best food available to you right now.
spend some money if you have it. personally, i never spend all my money in a week, i save some in case i have a panic attack or something so then i can spend money on something totally random to make myself feel better.
change up your appearance. i usually end up cutting my hair short or randomly dying it, but this can also mean dressing in a way that makes you feel good, painting your nails, or doing your makeup.
4. know how to comfort yourself
this is related to the last one but knowing what brings you comfort is very important. it took me a very long time to figure out what things i find comforting. list the things that you find comforting, and you can use those to help yourself feel better. it might be music, interests, even something abstract.
if you can’t think of anything, then make sure to pay attention to things that make you feel nice/comforted, and list them down. it’s also important to know what will send you over the edge, so you can avoid it.
5. distraction topics
this may help with anxiety as well, but having distraction topics can help you to calm down and forget about what you were worried about. it’s good to have a few distraction topics up your sleeve in case of emergency. i’ll list a few of my favourites, but if you ever need one don’t be afraid to ask me directly, or send me an ask on my blog! i have a ridiculous amount of misc knowledge just floating around.
dinosaur fossils of mothers protecting their nest have been found, meaning that dinosaurs probably felt some form of motherly love. love on earth is billions and billions of years old. creatures have loved each other on this planet since before the dawn of history. imagine being the first organism to love on this planet and what that must’ve been like
some cave paintings were animated. they had different frames painted over each other, and the flickering of a flame in the cave would cause the images to appear as if they were moving. isn’t that extremely profound?
i saw somewhere, that scientists attempted to see what an electron was made out of, or something to that effect. it’s made of a pool of energy, which is essentially nothing. no form, no matter. everything is made out of nothing.
6. romanticise your future
a lot of us probably don’t have a concept of the future, or if we do, it’s something that sounds absolutely horrible. well, forget about that! think instead about how hot n sexy you’ll be in your 30’s, 40’s, etc. don’t worry about how you’ll get there for now, your future self can take care of that. think about your ideal life, and get excited like it’s absolutely going to happen. the more you think about it, the more it will become true.
7. romanticise your current self
nobody in your life understands you? that’s because you’re the hot brooding mysterious one. struggle with very dark thoughts? omg you’d be so powerful as a jujutsu sorcerer. people are staring? it’s because they’re in love with you. people whispering as you go by? also in love with you. no friends? the universe had to keep you humble because otherwise you’d be too perfect. hate the way you look today? you’re just a littel troll babie. the more amusing these thoughts are, the better. and if you think these things for long enough, eventually it will trick your brain into thinking it’s true. who’s gonna check you? the telepaths?
8. put things into perspective
i am prone to delusional thoughts when i’m panicked, and i have to remind myself to reel it in. think about it, you’re more afraid of answering the phone than you are of death? doesn’t sound very cash money of you, bro.
think about how many years you’ve really lived, especially if you think you’ve failed in life. take 12 years off your age, because childhood doesn’t count. also take off any other years which you were forced to live the way someone else wanted you to live, rather than for myself.
for example, i’m currently 23. my household was pretty strict, so i couldn’t really do anything before age 18. which gives me a grand total of 5 years of me trying to figure out life by myself. it helps me to remember how young i actually am in the grand scheme of things, and that i have plenty of time to still figure things out.
9. find a safe outlet for dark urges
for me, art and journaling really helped. music too, especially when i felt like i could relate to either the lyrics, or just the tone/mood/feel of the song. it might be exercise, or you may like to do creative writing or make oc’s. sometimes you may just need a friend or someone to listen.
if you don’t have anyone to talk to, you can message me or shoot me an anon
10. sleep it off
sleep is not going to cure anything, but if i’m pushed over the edge and am struggling with dark thoughts, going to sleep almost always helps. most of the time i still feel like shit in the morning, but no longer in the mood to try anything hasty.
lastly: suicide is not the easy way out
note: i’m gonna be discussing my own experiences with suicide in this part, so if you don’t want to see that, then don’t read past this point
suicide is not the easy way out. it’s messy and it’s ugly and it’s painful and it’s gonna bring out the worst in people. i’ve been struggling with it since age 19.
one particular attempt landed me in the hospital after i swallowed a bunch of painkillers. i couldn’t think or speak properly, i was slurring my words and tripping over myself. my doctor brushed me off and said that it “would probably get better” with time, but it never did. it improved, but my mind has never been the same as it once was, and one of my biggest insecurities to this day is when i struggle to learn new things or get things mixed up that i shouldn’t. i struggle to learn the simplest of things, and my reaction times tend to be very slow.
the point is, sometimes you don’t die, sometimes you just end up hurting yourself in a way that won’t get better. nobody needs that. if had’ve known how to calm myself down back then, i might not’ve tried.
i don’t mind talking about it now, since i’ve dedicated so much time in learning how to uplift myself. i may be in the “better place” now, but you don’t need to rush yourself to be better immediately. sometimes you need to be patient, use baby steps, or learn to accomodate yourself where you are. these things take time. that’s okay.
and remember, you are loved and very much needed to be here on the planet with us.
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