#there’s even a fucking overarching plot fuck you

[earthbender]

There’s really only 3 pages on AO3 for a character I like y’all really gonna make commit to and write fanfiction & attempt to PUBLISH it for the first in over a decade huh

[queenboimler]

just so everyone knows: im refusing to engage with the idea that edwin and charles are actually minors

there is no universe where any of these characters are realistically 16

[good--merits-accumulated]

i really need to like. make a list of all the anderperry fic ideas i want to write and know i never will and put it somewhere. maybe here

[aberfaeth]

now you might be thinking hey casey don’t you find it odd that ted lasso wrapped up half its arcs in one rapid-fire epiphany montage? and that despite the increased runtime, so many important moments informing character arc happen offscreen in a way that feels more lazy than artful? and yes. yes i do find it odd. ok moving along

[spicysucculentz]

I hate hate HATE the trend of these fucking streaming shows being like 8 episodes long… where’s the time for character development?? where’s the time for worldbuilding??? Everything is rushed and shallow! Give me more fucking episodes you cowards

[sharkneto]

1, 6 and 16?

.1. fave book? MEAN why did you ask me that when it was one of the options, hard question. My default answer is Aron Ralston's autobiography, Between a Rock and a Hard Place (what the movie 127 Hours is based on). I've read it quite a few times and Twin gave me a signed copy for Christmas one year. Idk, reading about a man's mental and physical survival journey to cutting off his own arm (and all his adventures before this moment) hits me in the right spot. Books I've read recently, as I'm getting back into the whole reading thing, I supremely enjoyed Six of Crows and The Goblin Emperor.

6. fave trope? Another hard one. For this I'll say... main character denying that they're Special as they figure out they're Special. I'm listening to The Way of Kings at work and the few chapters it took for Kal to realize something was up, making excuses for why x or y happened, was delightful.

16. fave day? Fan of Thursdays. Something about it being over the hump of the week, get to look forward to the fact that tomorrow is Friday and then the weekend. It's nice.

faves ask game

[arytha]

me shaking this author and asking for something coherent PLEASE i've read too many chapters (195 out of 308) to give up on this now but im DYING for something more interesting than your tell but not show writing and asinine timeskips and weird scene jumps

[sidsinning]

Apothecary Diaries is pog as fuck bc serious political issues and dynamics from a woman's POV are rarely depicted in ANY form of media

It's always a man's world where women's issues surround him. Even if we get a female perspective once in awhile- it all comes back to how it facilitates his game in the end. She's a footnote in the overarching scheme of things. Misogyny exists. Back to the real plot.

Apothecary Diaries is strictly from a female perspective and how each class of woman has to act, what limits they have, what rights they have and don't have between each class, etc. These women have to behave a certain way under a patriarchy, which you would think makes it a man's story, but it never is. The women are THE focus of this show, their struggles are THE plot. The focus is about how the patriarch effects them.

Take the concubines for example. The show dives into how bearing a child affects their rank, how traumatizing it is to lose that child, the consequences of that, etc. We have barely seen the emperor who sired all these kids because this is not about him.

Jinshi's personal plot is secondary to Mao Mao's journey- he is mostly there to provide new cases for Mao Mao to solve and to learn more about the shortcomings of his class when taking care of citizens like Mao Mao.

Jinshi is not a bad person, but by virtue of his position in the higher classes, he cannot understand how harsh life as a poor WOMAN is specifically- he can only catch glimpses of it from what Mao Mao tells him and feel outrage but powerless in his wealth and luxury

Mao Mao is a fortunate commoner woman for what privileges someone in her class should and shouldn't have. She happened to be adopted by a knowledgeable man. She is allowed to read, write, learn, and has enough skill to be a poison tester and have a job EXTREMELY out of her class limit as an apothecary, also a job not traditionally meant for women

Mao Mao is not a "noT lIkE oThER gIrLs" protagonist, she is FOR THE GIRLIES. She only wants to help the women around her, and women are whom she has the closest relationships to. She sees a woman being harassed and can't let it stand. She sees a frail, traumatized woman dying from the recklessness of those who should be caring for her and spends day and night nursing her back to health, while also punishing the people who were so careless with her needs.

My girl has STUDIED UP on THE BODY to TEACH these upper class ladies on how to really HEAT things up in the BEDROOM

Sex depicted in Apothecary Diaries is both something women are not shamed to be enjoying, while at the same time being acknowledged as an unfortunately huge economic necessity to market themselves.

Like shit is just so real in this series???

Listen, I can go on and on about how GOATED the series and especially Mao Mao is but you get the picture

[darklordofthesimp]

Anything V (König x Reader)

The 5th instalment in the Anything-Verse

Main Masterlist 

Part 1 - Part 2 - Part 3 - Part 4

Like the characters? 

Sunshine Masterlist  || Saint Masterlist

Series Summary:  A lack of information from the chain of command results in König mistaking you for an enemy sniper.

A/N: Ya’ll are in for a treat with this series. I just figured out the plot like 10 minutes ago hahaha

Category: Angst || Hurt/Comfort || Unrequited Pining || Tension 

Warning: Graphic Language 

You glared at the woman before you, fury simmering beneath your skin. You felt like you were on fire, you felt like you could commit heinous crimes- you knew that you could kill them.

“I understand that you may feel like this isn’t needed,” the stupid fuck soothed. “But therapy is a proven solution. I can help get you back up and running.” 

Therapy. 

Your fingers dug into the armrests.

“They told me this was training.” You were chewing on the words, jaw tight and eyes narrowed. Deep down you’d known that this was coming, you’d declined ‘help’ after the initial incident but now there was no hiding the darkness that plagued your mind. Everyone had seen it. 

Everyone.

“This is training,” the doctor smiled. “Training of the mind.” 

You visibly cringed. They’d made sure to give you the most disarming person they could find. Kind eyes, an easy smile and a relaxed posture. They looked vulnerable. If the doctor was the most fragile in the room, then it would encourage you to step out and spill your trauma with tears and snot bubbles. Not you. 

You sneered, leaning forward to rest your arms on your knees. “Being chosen to be my therapist is a shit go, Doc.” 

“Actually,” the corner of their lips curled upward. “This’ll piss you off more but I’m doing a friend a favour.” 

You blinked, surprise snatching the next crude words from your tongue. The doctor leaned back into their chair, clicking the pen a couple of times as if emphasising a point. As you stared at them, they stared back, and you suddenly realised that maybe they weren’t as vulnerable as they seemed. 

“Laswell?” You queried. 

The therapist snorted softly. “Price.” 

Your spine straightened, a deep sense of anger twisting violently within your chest. 

Price. 

“Ooh,” the doctor tutted softly, leaning forward in their seat. “Didn’t like that one, did you?” 

You sneered at them, your eyes narrowed and your walls higher than ever. What did they know about what you liked and disliked? What did they know of your relationship with Price? 

“I don’t want to talk about him,” you snapped, crossing your arms over your chest.

“If you had it your way, you wouldn’t talk at all,” the doctor frowned. 

“Then take the fucking hint.” 

Their gaze trailed over your body, taking in the way you leaned away from the conversation. You were an open book and no matter how aggressive the mask you wore was- you were readable. With a huff, the therapist tossed their notebook over their shoulder lazily. It clattered onto the bench behind them, scattering the miscellaneous items in its path. 

“Alright, Birdy. Let’s go off the record then,” they gave you a smile that didn’t quite reach their eyes. “You’re shitty with Price.” 

“I said I didn’t want to talk about him-” 

“You feel like he’s betrayed you.” 

You blinked, fingers trembling even though they were curled into fists. The overarching thought that had been plaguing you for weeks was picked apart by some random fucking doctor. The words were out, you weren’t the one that had said them but they were in the air anyway. It felt good to hear them aloud rather than the screaming thought over and over in the recesses of your mind. 

“Yes.” The confirmation was bitter on your tongue. You waited for the doctor to shut you down, you waited for them to monologue about how your feelings were childish and unprofessional. They were providing you this service as a favour to the Captain, you could only assume that they were friends. 

Instead, the therapist simply nodded. “I would too, Birdy.” 

You loosed a breath that you hadn’t realised you were holding. 

“What was your name again, Doc?” You rasped, eyes narrowing. They shifted in their seat, taken off guard by the sudden change in subject but willing to share nonetheless. 

The doctor shot you a smile- genuine this time.  

“They call me Saint.” 

____

While you didn’t appreciate being ambushed with it, therapy hadn’t been as bad as you’d imagined. Your fingers clenched and unclenched in an attempt to release some tension as you walked.

Every day, you were required to present to the doctors office for a psych appointment. 

Every day, Saint had picked your thoughts apart bit by bit. 

Although you hadn’t intended to talk, you realized quickly that Saint didn’t just look disarming- they were disarming. There was no judgement as you spoke, not when you told them about your murderous nightmares and not when you told them that you’d wanted to beat down the new sniper. 

They only nodded, explaining that it- surprisingly- was natural to feel like that after what you’d experienced. 

You felt validated. 

Less like a liability and more like a recovering victim. 

Your thoughts stuttered to a halt as you laid eyes on the kitchen, the light spilling from the open doorway and out into the hall. You raised a brow at the sight, knowing that only one person would really be awake at this time of night. 

Ghost. 

The flutter in your chest caught you off guard, the thought of seeing Simon had you excited. It’d been a while since you’d both last spoken, a hand on the shoulder as he muttered a “see you soon,” and a “be safe.” All that, right before he boarded a plane with Sunshine in tow. 

“Yeah,” the newest sniper had winked at you with a curved smile. “See you real soon, gorgeous.” 

You hated them, you were sure of it. They were nauseatingly glib, each word rolling off their silver tongue with all the ease but no truth. You couldn’t believe anything they said, you’d be stupid if you did. 

As you approached the kitchen slowly, you heard hushed voices. They were arguing- aggressive and quickly spoken. 

“Is this how it’s going to be?” Sunshine snapped, their words breathless. “For the rest of our time here, this is how you want it to be?” 

From what you’d seen, the new sniper had a reputation for being self-posessed and controlled. They wanted to watch you unravel beneath their sentences, but in order for them to do that they’d have to be unphased by whatever’s thrown at them. 

Right now, there was no sign of that person. 

“What “I want it to be” is you doing your fucking job and me doing mine." The hostility in Simon's tone had you taken aback. You’d never heard him so aggressive towards a teammate and for a split moment, you felt bad for Sunshine. 

“It was!” The sniper shouted, their exhaustion and frustration painstakingly clear. 

“You were reckless.” 

“I was saving you!” 

“I don’t need you to save me!” Ghost finally snapped. The sound of something clattering followed by Sunshine’s sharp breath had you tense. “I don’t need anything from you.” 

There was a soft touch against your shoulder and your heart stuttered in your chest. Fear electrified your body as you spun around. A hand pressed down firmly against your lips, suffocating the scream rising from your throat. 

König’s eyes were narrowed, his head ducked so that he could meet your gaze head on. The look he gave you was accusatory and shame quickly flooded your cheeks. Your fingers came to rest shakily against his wrist, pushing weakly against his hold. 

His brows pulled into a frown. 

“Are you asking me to just let you fucking die?” Sunshine rasped, their seething voice reminding you of where you were. König’s eyes drifted from yours to over your shoulder aimlessly as he listened to their conversation. 

“Don’t flatter yourself,” Ghost drawled. You could hear him struggling for control, the way he drew each breath like it was painful. 

“What the fuck is wrong with you people?” The sniper exclaimed. “If it was Birdy instead of me today you wouldn’t have an issue with it-” 

“But you’re not Birdy,” Ghost snapped, “are you?” 

Silence flooded the space between you all. 

You felt ashamed of yourself. You were somewhere you shouldn’t have been, you were listening to a conversation that you were never intended to hear. This was something personal, the hatred and electricity between Sunshine and Ghost forbidden for your understanding. 

König must have come to the same conclusion. The man shot you a hard stare, his hands falling from your lips to grip your shoulders. He guided you backward quietly, trying to provide an escape that wouldn’t alert them to your presence. 

“No, Sir,” Sunshine’s voice was faint now as you pulled away from the two. “I’m not Birdy.” 

You knew then that something had changed. It was in their voice, it was in the air, it was in the venom of their words- it was a suffocating emotion that you knew too well. 

They were hurt. 

But, hurt breeds bitterness and there was nothing but hatred in Sunshine’s final words. 

I’m not Birdy. 

König sucked in a breath and you knew that he’d heard it as well. When he finally managed to pull you both through the doors of your dormitory unscathed, he let you go. There was no gentleness in his expression this time when he appraised you. 

“What were you thinking?” He growled, running rough fingers through his hair. “That was wrong.” 

“I know,” you whispered, shaken. 

“You shouldn’t have been there,” König continued with a large step away from your quivering body. He was riled up and his anger stimulated your own. Who was he to lecture you? 

“You shouldn’t have been there either,” you said, crossing your arms over your chest. 

König shot you a stern look. “I wouldn’t have stayed if I didn’t find you eavesdropping, naseweis.” 

You rolled your eyes, turning on your heel. While you weren’t falling apart at the sight of him anymore, it didn’t mean that you wanted to be around him. You still wanted nothing to do with König, no interaction, no contact- nothing.

“I don’t need you, of all people, lecturing me on being in the wrong place at the wrong time,” you threw over your shoulder as you walked. There was a huff from the man behind you, then the fall of his footsteps following in suit. 

“Doesn’t the incident make me an expert on that?” König questioned from beside you, keeping pace as though it were a leisurely stroll. You glared up at him, forcing the growing rage clawing at your chest to stay caged. 

“You think it’s funny?” You hissed. “Am I a fucking joke to you?” 

“Of course not!” König’s voice hardened. You both rounded the corner towards your room, it felt like the quicker you moved the easier it was for him to keep up. Another infuriating feature that the Austrian possessed, you’d add it to the already mile-long list. 

“Then why can’t you just leave me alone?” You spun on your heel, facing the beast head on. “It’s like you’re everywhere, König. I can’t escape you, I enter a room and you’re there. I turn a corner, you’re there. I go to sleep and there you fucking are.” 

König raised a brow, leaning his shoulder against the frame beside him. “I’m not stalking you, Birdy. If that’s what you’re trying to imply.” 

“Is that why you’re standing in my bedroom doorway?”

The man’s spine straightened as he took up his own weight, emerald gaze pinning you to your place. It was as though he were surprised, as though he was just now realising that he had been following you. Your chest was heaving as you glared up at him. You wanted him to deny it, to tell you that you were imagining it all- you wanted to be angry. 

“You’re a worrying person,” König finally said. The words almost sounded like an admission, although of what you were unsure. You jaw tightened as you retreated another step back into the safety of your room. 

“No,” you corrected, “you’re a worrying person.” 

König sighed, letting the silence fall in between you for a beat. There was conflict across his expression before finally his eyes narrowed. He stepped into the room. 

Your heart leapt into your throat. 

“Do you think I want to hurt you?” 

There it was. 

It was the question that plagued you as you lay in bed every night, staring at your bedroom door. Or lack thereof, you should say. There was nothing on the hinges, not since König had kicked it down. 

He’d thought you were in danger. You lay before him, unconscious and dreaming. He could have done anything, he could have finished the job. 

But he didn’t. 

König’s head tilted as he observed you, watching you struggle for an answer. His fingers lightly brushed against your forearm and you froze, eyes wide as you stared up at him. He was so tall, dominating every space he entered. He was a giant amongst men, a god. 

“Do you think I want to hurt you, Birdy?” König said again. He didn’t lean down, didn’t drop down to your height this time. He wanted your answer, he wanted you to look at him and take him as he was- he wanted the truth. 

“No,” you whispered. 

The truth. 

Your body trembled as though the room had dropped to subzero temperatures but your skin was on fire. Heat bloomed across your chest, racing the length of your spine, neck and cheeks.

König’s eyes softened and he swayed backward lazily, as though he were drunk fighting for his balance. Neither of you said anything for a long moment. He didn’t ask why you were still afraid, he knew that was an unfair question. He never expected you to be comfortable with his presence. 

But the shift between you both was tangible. 

“Am I right?” The words tumbled from your lips before you could stop them, desperate and vulnerable. An offering, an olive branch an extension of trust. 

 Something washed over the man before you, something you’d never seen before. His gaze was ferocious, jade fire burning beneath those lashes as it scorched your skin. Determination tightened his jaw and his thumb brushed across the skin of your arm like a promise. 

An unspoken response. 

Yes. 

Your breath left your chest as you took another step away, suffocating in his presence. König inhaled heavily, his hands falling back to rest at his sides. 

“I still-” You began, twisting your fingers anxiously. 

“I know.” 

You still hadn’t forgiven him. 

There was a long way to go, but now the path had changed. Rather than there being a straight road, shrouded in hatred, there was a fork. A split in the path that required a decision, one that you weren’t quite ready to make yet. 

König cleared his throat, softening his stance with conscious effort. It was as if he remembered that he was meant to be disarming. Watching the huge man try to shrink himself for your comfort was surreal, nothing like what you’d imagined when you’d first laid eyes on him after your recovery. 

Ghost had never made himself smaller for you when you came out of hospital. He was slower, gentler, as though dealing with a frightened animal- but he never pretended to be something that he was not. 

“Do you think they heard us?” You changed the topic as your mind fell back to Ghost and Sunshine. “How would we explain that?” 

König blinked, clearly glad for the break in intensity. He shifted backward, moving to make his escape as your interaction came to a close. For once, he was the one running from you.

“Wrong place, wrong time,” he muttered, an ironic smile playing at his lips. “They won’t have a hard time believing that given our history.” 

 The man offered you a nod, fingers tapping against the door with finality- his own farewell. You were glad that he hadn’t said ‘goodnight’, that he hadn’t bothered with niceties. You were not friends. Not allies. 

You weren’t sure what you were. 

When he disappeared around the door, his footsteps retreating down the hall, you finally let yourself relax. Jitters skittered across your body, the remnants of electricity from your confrontation buzzing beneath your skin. 

Wrong place, wrong time. 

The words struck a chord of discomfort within you. 

They followed you through your night routine, plaguing you in the shower, lingering as you made a cup of tea, whispering sickness as you laid in bed. They made you nauseous, they made you dizzy, they were disconcerting. 

Wrong place, wrong time. 

The whole accident had been such a tragic coincidence, a monumental mistake. Almost impossible in an environment where communication is key, everything working in perfect tandem to ensure your demise. 

Throughout the length of your military career, you’d always been taught to never take anything as chance. If a bush rustled beside you, there was a possibility that it was an animal- but also that it could be an enemy. If there was a light beneath a door, it could have been left on or there was someone waiting for you on the other side. You were taught not to trust coincidence. 

The failure of comms, the false intel of a sniper on a roof, the unexpected of KorTac, the largest soldier of their team being sent to find you- all of it was a perfectly timed but tragic coincidence. 

You tossed in your bed, trying to drown the thoughts from your crumbling mind. It seems you didn’t need a nightmare tonight to bring on terror. Your resolve began to slip, the sudden sense of dread gripping you by the throat. 

Wrong place, wrong time. 

You wanted to rake the thoughts from your brain with your bare fingers. You wanted to rip out the connection you’d made and go to sleep in bliss ignorance.

Wrong place, wrong time. 

The way König had brought it up, the way he’d said it, maybe he was feeling it too. Maybe you weren’t as insane as you felt. Maybe your thoughts weren’t as unreliable as they seemed. You clenched your jaw, nails digging into the skin of your palm hoping that the pain would pull you back from the edge you teetered on. 

Wrong place, wrong time. 

Wrong for both you and König … but, as you lay staring at your missing door, you couldn’t shake the thought that maybe it was all just right for somebody else.

[clearancecreedwatersurvival]

People on this website really trying to downplay the specific role of destiel in the events of November 5th 2020 ‘it could have been any other ship that went canon at that time and had the same effect’ no.

Nothing else is destiel.

Nothing else is 12 years and hundreds of episodes of extremely obvious and deliberate queerbaiting that was Vehemently denied by the production team. Nothing else is the ship about characters whose larger overarching plot is literally fighting against their own pre-determined narrative to attain free will. Nothing else proved in the 11th hour Just before the show ended that the meta narrative and queer reading by fans who insisted there was something there and who were constantly called crazy by the production and by other fans and by the rest of the internet were RIGHT.

The CW did market research! About whether to make it canon! In a show they always pretended was aimed primarily at middle (conservative) America!!!

The queer subtext was so Fucking Strong by the end of the show, because the writers constantly wrote themselves into corners that could Only be explained away by destiel, that they HAD to admit defeat and canonize it.

And THEN even after they made it canon, they denied it some more and tried to downplay it! But it happened! The angel is fucking gay!!!!

Destiel is THE great American queerbait and had been a staple of the culture of this site for over a decade before November 5 2020. There is a REASON it is the most popular ship on AO3. ‘The same thing would have happened if johnlock became canon or spirk or whatever else’ no it simply would not have because crucially CRUCIALLY those ships Never Became Canon! The fact that Destiel of all the popular queerbait slash ships of the past few decades somehow at long last DID, and in a way that Still refused to just let the shippers have it and allow any implication of full reciprocation and that the final two episodes and the entire cast absolutely refused to acknowledge in any way, is why the canonization of destiel is one of the wildest things to happen to fandom culture as a whole in recent memory, and you cannot theoretically remove the destiel of it all and have it be the same kind of event.

The reason november 5 happened like it did, why people started making jokes at all, is because the fandom cultural juggernaut that is destiel becoming canon is the only thing that could have possibly managed to trend above the U.S. election. BECAUSE it’s destiel.

[cleolinda]

The Scariest Movie I Ever Saw in a Theater: The Ring

I'll tell you up front that the story I'm going to tell you is about "The Ring (2002)," in the sense that it is about The Ring in the year 2002.

See, I don't know what The Scariest Movie Ever is. A quick google says that the consensus is The Exorcist (I haven't seen it, because I never felt like scheduling a day to freak myself the entire fuck out). But horror is specific, and not just to a person, but to a time and place, even. When I saw The Shining as a teenager in a well-lit living room with other people, I didn't even really flinch, but I bet it would play very differently to me now. I don’t think The Ring is at the top of anyone’s list, but twenty years ago, I had a personal interest in it—at the time, I was running a dinky little Geocities site devoted to movie news. Links curated and compiled from all the other, bigger sites I followed—basically, it was the linkspam format I have used on multiple platforms, including here on Sundays. And so, as someone who followed theatrical releases pretty closely for two or three years, I saw the trailer for The Ring, and I immediately knew it was going to be huge.

To locate you in time, this was just after three self-satirizing Scream movies and the Overcomplicated Serial Killer films of the '90s. The Ring was something completely different: chill aqua-blue color grading a good 5-6 years before Twilight; a mournful Hans Zimmer score; no jokes, no quips; and a slow, inexorable sense of doom. Grief, even, given that the movie begins with the death of the main character's niece. What immediately struck me about the first trailer was 1) the melancholy of it, and 2) how much it doesn't explain. Onscreen, you get the title cards,

THERE IS A VIDEOTAPE IF YOU WATCH IT SEVEN DAYS LATER YOU DIE

Concise! Understandable! A woman (Naomi Watts) is freaking out upon discovering that her young son has just watched it! Admirable job setting up the premise and the stakes of this entire movie in thirty seconds flat, without even any dialogue. That's all you need to know, and thus, the remaining minute of the trailer can do whatever it wants, and what it wants to do is be fucking weird. Echoing voices, TV static, a closeup of a horse's eye, ladders, a girl with dark hair, people reacting to things we don't see, drippy doorknobs, rain. Characters don't give us the whole plot in convenient soundbites of dialogue (like they do in a later trailer); we just hear lines, overlapping, murmured out of context—

did you see it in your head? she talks to you... leading you somewhere... showing you the horses... you saw it. did you see it in your head? she shows me things. Everyone suffers.

That you saw it has lived in my head ever since, and not once have I charged it rent. But the "best" part is Naomi Watts screaming at the end, because you don't hear her voice; you only hear this heartless telephonic beeeeeeep. It's 2002 and I'm watching this trailer, thinking, I have no idea what the fuck I just saw. This is going to be huge.

And it was, to the tune of $249 million on a $48M budget.

At risk of recapping what you might already know, Ringu, aka Ring, is a media franchise that spiraled out from a trio of Koji Suzuki novels into Hideo Nakata's film Ringu (1998), a landmark of Japanese horror, plus several other movies, some TV series, many comics, and even a couple of video games. The overarching story is about a murdered girl/vengeful ghost named Sadako Yamamura whose rage and pain have created a cursed video tape, you watch it and you die unless you pass the tape around like a virus, seven daaaaays, etc.

The "ring" in question is the rim of a well. Keep that well in mind.

The movie I saw is the U.S. remake, which itself had two sequels. (The iconic Sadako is now named Samara Morgan. Keep her in mind, too.) Director Gore Verbinski moved from The Ring to Pirates of the the Caribbean (!), and so Hideo Nakata himself would direct The Ring Two. I... honestly have only seen the first one. And I was right, it was huge, and it kicked off the American J-Horror Remake genre, for better or worse. But what gets forgotten about The Ring is its marketing campaign, which I followed pretty closely for my doofy little news site.

It was inspired.

The story of The Ring is partly the story of the sea change in the media landscape—how we watch movies. And the story of its marketing is a picture of the very last years before social media changed the wilderness of the internet into something that feels so big, like a billion people could see anything we say, and yet so small—only a tame handful of places to say it, owned by three or four companies, and corraled by algorithms.

Back around 1997-1998 or so, I worked at a video store (Movie Gallery, where the hits were there then, guaranteed) for about a year and a half. By the time I left, we had started adding DVDs to the VHS tapes on the shelves, but we hadn't replaced the entire stock. Video stores might have transitioned fully to DVD by 2002, I'm not sure, but people still commonly had both VCRs and DVD players in their homes. And I remember that The Ring was sold in both formats when it eventually hit home video. Which is to say—you know the analog horror genre today? Marble Hornets, Local 58, The Mandela Catalogue?

Analog horror is commonly characterized by low-fidelity graphics, cryptic messages, and visual styles reminiscent of late 20th-century television and analog recordings. This is done to match the setting, as analog horror works are typically set between the 1960s and 1990s. The name "analog horror" comes from the genre's aesthetic incorporation of elements related to analog electronics, such as analog television and VHS, the latter being an analog method of recording video.

Okay, but this is just what home media was like, and 2002 was at the very tail end of that—boxy black VHS tapes that degraded with time and reuse were just how we lived. At the same time, I'd been using CDs for music since about 1991, and all our software installs came on CD-ROM discs; a "mixtape" by that time had shifted to mean a rewriteable CD rather than a cassette tape. In college, I—well, I'll plead the Fifth as to whether I downloaded mp3s via Napster, but I was also taping Mystery Science Theater 3000 on VHS over the weekends. It was Every Format Everywhere, All At Once, and we kept half a dozen kinds of players around for them. Here in 2023, we stream and download everything invisibly, unless we choose to engage in format nostalgia. (I've already run into the problem of Apple Music deleting songs I really liked, due to this or that licensing issue, because I was really only renting them.) The year The Ring hit theaters was the edge of a last shimmering gasp of physical media where iTunes had only come into being the year before, and iridescent discs were still mostly what we used, but cassettes, both video and audio, were still viable. And so, people did not think it was terribly weird when they started finding unlabeled VHS tapes on their windshields.

Movieweb, quoting TikTok user astro_nina:

"Their marketing strategy was essentially 'let's get this tape viewed by as many people as possible without these people being aware of what this is, sort of raising intrigue," she says. One way they achieved this was by airing the tape, which allegedly marks its viewers for death within seven days, as a commercial with no context. The video would air between late-night programming "with no words, no mention of a movie, for like a month...so people would run into it and it would just go on to the next thing, and people would be like, 'what the f--k is this?'"

I remember seeing the Cursed Video as an unexplained ad at least twice, by the way. That TikTok also indicates that DreamWorks straight-up sent copies of the tape to Hot Topic stores, as well as planting them under actual movie theater seats. While running my movie site, I heard at least one story of someone finding a tape on the sink counter of a restroom at a club. Did the marketing department actually plant tapes in bathrooms—or did a freaked-out recipient leave it there, hoping to dodge the "curse"?

(I haven't embedded the Cursed Video here, by the way—but I could have. If you'd like to see the American take on it, you can watch both the full version and the shorter variant that appeared in the movie itself. A text description of what the fuck you're even looking at is here [content note for both: blood, insects, animal death, body horror, and suicide by falling]. The original version from the Japanese film is shorter, and it's eerie rather than gruesome.)

BUT WAIT, THERE WAS MORE: DreamWorks had something of an alternate-reality campaign going with a handful of in-character websites. This was only a year after Warner Bros. ran the groundbreaking "The Beast" ARG for A.I.: Artificial Intelligence: "Ultimately, fifty websites with a total of about one thousand pages were created for the [A.I.] game." (I lurked in the Cloudmakers Yahoo group.) Marketing for The Ring did not go anywhere that in depth, nor did it need to; it was both a smaller film and a smaller story. I saw at least two “personal” websites (seemingly amateur and a little tacky, like my own), but the one I particularly remember was about someone who owned/trained horses? I'm not sure if it was meant to be the actual Anna Morgan character—Samara's mother—or maybe someone who had noticed that the Morgans' horses were disturbed? I'm not even sure anyone even remembers this but me. Reddit users dug up a few other archived websites, but they're about Sadako, the curse and/or videotape; they aren't as subtle or character-oriented as the site I remember. (Honestly, I wonder if weird shit like "What Scares Me" or "SEVEN DAYS TO LIVE" were made by fans rather than a marketing department, but who knows.)

[The “About” page from Seven Days to Live on the Internet Archive.]

[The entirety of An Open Letter on the Internet Archive. “UPDATE” is a now-blank pop-up. I would bet $5 that it was originally a pop-up of the cursed video.]

I need to point out here that Facebook did not exist in 2002. It would not exist for another two years, and Twitter wouldn't exist until 2006. Even MySpace was not a thing until the next year. I didn't start my Livejournal until October of 2003. What we had, for the most part, were independent forums and blogs. We also had Creepy Internet Fiction like "The Dionaea House" and "Ted the Caver"; their use of the blog format, of people out there seemingly living their lives until something fucked up went down, gave the stories the shape of reality. And it helped that these blogs had comment sections, sure—sometimes more story unfolded there—but for the most part, an author could "abandon" a blog, and you'd just find the story there via word of mouth. Like the Ring blogs I remember, it wouldn't seem strange if no one replied to you, whereas today, you'd have to hire a writer to sit on Twitter, or Reddit, or even Tumblr, and interact with people in character. Could you do something like The Ring's mysterious, weird-ass blogs today? Would anyone even notice?

So: It's 2002, my head is full of Alternate Reality and eerie images and you saw it, and I'm hype as hell to go out and see The Ring. I'm perfectly happy to go see movies by myself, so I went in the early afternoon (best time to get a good seat). The movie ended up being a sleeper hit, and the first weekend, the public was still sleeping on it, so there were only 7-8 other people in that theater, grouped in maybe two clusters. I was off in my own little pool of darkness in the upper right quadrant. Functionally, once the lights went down, I was alone.

Despite some middling reviews at the time, The Ring is something of a horror classic nowadays. If you want a scary movie this Spooky Season, check out The Ring. Or don't, because it nearly killed me.

We're at the last, I don't know, third of the movie? And Our Heroine has tracked down the origin of the Cursed Videotape to some creepy mountain motel or whatever. SPOILER, it turns out that it was built over the Cursed Well (everything in this movie is cursed) that Our Villain was thrown into—that's why Sadako/Samara is a vengeful wet murder ghost crawling out of TVs now. While investigating this decrepit hotel room, intrepid journalist Rachel and her, who is it, her ex-husband? her kid's dad, idk, discover the well under the creaky old floorboards. And then, wouldn't you know it,

NAOMI WATTS FALLS INTO THE WELL

NAOMI WATTS FALLS INTO THE FUCKING WELL

THAT'S WHERE SAMARA'S BODY IS

[The rather slapstick moment when Rachel falls into the well. Does not include what actually happens next.]

I go absolutely rigid in my seat. Naomi Watts is splashing around this dark-ass death swamp of a well and I know, with as much certainty as I have ever known anything in my life, that Samara is about to pop up in all her pasty, waterlogged glory. All the sad creepy dread, all the desperation to figure out what the fuck all that shit on the tape was and stop Samara from killing Rachel's son, all the horrible contorted victim faces, all the alternate reality I’ve been soaking in, it has all come to this. I have to leave the theater. I cannot be having with this. I have to be gone from this place. My legs do not work. I cannot feel them. I am frozen. I want nothing more in this life or any other to get up and leave this cavernous pitch-black room, and I cannot. I start praying for death. I want you to understand that I am not trying to be flippant or humorous. This is genuinely what went through my head. I was too scared to even think, "You know, you could just pray to pass out or for motion to return to your limbs or something." No, I sat there in The Ring thinking, Please for the love of all mercy just let me cease being.

You know that scene in Mulholland Drive (also starring Naomi Watts)? Winkie's diner and the EXCRUCIATING tension? It was a little like that, except I wasn't watching it, I was experiencing it, and Samara was my dirt monster out behind the diner.

Except that the jump scare didn't actually happen. I mean, yes, Rachel finds Samara's body down there, but—I don't remember exactly, please don't make me go watch it again to tell you what actually happens. It's played more sympathetically on Rachel's part, as I recall, and she and her ex get Samara's body out so that she (Samara) can have a proper burial.

And then it turns out that this is not the end of the movie. It turns out that Rachel has Fucked Up.

I think I was relatively okay through the rest of it, although the climax is Samara emerging from a TV in her full glitching swampy glory to scare [SPOILER] to death. I don't recall praying for death twice. There's a point when you're so exhausted from fear chemicals that you're like, yeah, this might as well happen. Bring it, Soggy. I did have a hard time prying myself out of that seat afterwards, though, and my mom says that when I got home, I had the classic thousand-yard stare. How was the movie?

"It was great," I said, and I meant it.

I've seen things that were objectively scarier (I watched much of The Haunting of Hill House from behind a pillow, to be honest), and it's not like I've never experienced fear in real life. But I respect when a movie that can make me feel so intensely, and there's something weirdly precious about the way horror is a safe roller coaster, as it's often been said. So I love telling the story about The Time The Ring Nearly Killed Me—a movie that actually made my body stop working—and I love thinking of how embedded in a specific time and place that movie was for me. The last gasp of VHS when the Cursed Videotape still seemed plausible; the way the internet was still wild and weird and free; where I was in my life, keeping up so avidly with all the movie news, and finding myself in such a little pool of darkness early one afternoon. It's the scariest movie I saw in a theater; that's the alchemy of circumstance.

[pastelpinkkadan]

My most blunt, controversial ACOTAR opinions. Nothing is safe, nothing is sacred. Mind the tags for your own peace of mind please.

P.S.: Absolutely not directed at any other blog/person specifically. Just general fandom/shippers.

Elriel/Gw*nriel:

Gwyn is not that important of a character. She is a secondary character whose main purpose in the story was to be Nesta’s friend. She has no connection to any overarching plot. She could literally never be seen again in the books and all the main plot points would still work.

People have inflated Gwyn’s character and importance solely because they ship her with Azriel. And they ship her with Azriel because 1. She is the only other single female character (besides Elain) that he has interacted with. 2. Gwyn is enough of a blank slate for people to project/self insert themselves into and thereby romance themselves with Azriel 3. Gwyn has only been shown in a positive light, with only positive personality traits (good friend and can wield a sword) so there’s no REAL controversy on her character/personality. Because there’s not enough to actually have any controversy.

If Gwyn was actually that important, Emerie would also be as important, if not more so. But 90% of time Emerie is forgotten by the fandom. Even to the point that the theory of an Illyrian plot is somehow given to Az and Gwyn, rather than Emerie. The two people that, arguably, have the least skin in the game concerning that theory. And the reason Emerie is this pushed out of her own potential story line is because she isn’t shipped with Azriel or another Fae male.

If there was no Bonus Chapter Gw*nriel would not exist. Or at the VERY least, it would be acknowledged as the crackship that it is. Because outside of the BC, there is nothing in the main ACOSF to accurately ship them to the degree that the fandom does. Elriel, however, still has several books where canon scenes have taken place. The BC is absolutely not needed to show that Elriel have feelings for each other, we already knew.

“Well Elain gave by TruthTeller, so Elriel isn’t end game!” Is one of the stupidest reaches I’ve seen. TruthTeller was always, OBVIOUSLY, meant to be something lent to Elain for the war. It wasn’t a permanent gift, and Az didn’t say it was. He said he wouldn’t use it TODAY, implying he would expect to use it again in the future. Imagine -

“Well Gwyn gave back the books Nesta recommended to her, so they obviously aren’t friends.”

Thats what y’all sound like. It’s just purposely misinterpreting things in a scene that obviously aren’t there for the sake of your ship. It’s disingenuous and not at all the win you think it is.

You cannot call Azriel an incel/fuck boy for Elain and then ship him with Gwyn in the same breath. If he’s all those things with Elain, he’ll be the same for Gwyn. She is not magically going to make him “better” or a gentleman. Actually, he’s already a gentleman. He just didn’t have sexual thoughts about Gwyn and y’all can’t stand it.

Same vein, but if Azriel had had those sexual thoughts in the BC about anyone else besides Elain there would have been no issue/debate.

If a Gw*nriel book did somehow happen, it would 1000% be for fan service/peer pressure. No previous books have set it up, even the main story in ACOSF. Elriel has been setting up since book 2. It makes sense. Anyone who says it doesn’t just doesn’t want it to happen, mostly because they don’t like Elain. And that’s also mostly because they can’t see themselves in Elain, so they lash out.

Saying Elriels are delusional is the wildest thing, because Elriels have the most canon scenes spread throughout the books, Elain and Azriel have interacted with each other positively the most and the longest, and they are the only potential couple that actually bluntly like each other. They exist outside of misinterpreted bonus chapters and “what if” theories with no real backing.

Elain:

Whether anyone wants to admit it or not, part of the Elain hate IS misogyny. The amount of hate this character receives, compared to what she has actually done in the series, is entirely undeserving. She has received the same level of hate, if not more, than Tamlin, any of the ACOTAR villains, and Nesta, who is still a very controversial character. And for what? Liking Azriel, and not wielding a sword while doing it, apparently.

Elain liking flowers does not determine who she’ll end up with. For fucks sake we didn’t know Nesta liked to read smut or was great dancer until her book. And neither of those things determined her partner. It’s just what she likes. Same with Elain.

Nessian/ACOSF

The idea that Nesta will leave Cassian and make her own court is stupid.

Being anti-ACOSF but Pro-Nesta is a streeeeeetch, because all of Nesta’s actual good character development came from ACOSF. Like, did you like that she was angry and unhealed before? Because that’s where she would still be without all that happened in ACOSF.

People don’t understand the intervention that HAD to happen with Nesta in ACOSF. And I would even venture to say that most people against it have never HAD to have a real intervention with someone to that level. The level of, go to rehab/therapy or you are not allowed to be in my house/take up my resources. Because you will not get better on your own, you will only hurt yourself or others and I won’t enable you anymore. It’s a difficult decision that but often it is NECESSARY. Speaking as someone with several addict family members.

El*cien/Lucien:

All the theories about an El*cien plot line are completely focused on Lucien, and ignore everything built up with Elain. It’s always about Lucien figuring out his heritage, becoming some High Lord of one of the courts, or something with the Band of Exiles. Elain doesn’t have to be involved for any of that to happen. She’s pushed to the side in her own romantic story line. Nothing about her Seer powers, or the fact that she’s apparently been gaining spy abilities, or her place at the Night Court.

Lucien fans make me hate Lucien more than Lucien ever could.

The poor Lulu mindset can die.

While we’re at it, the theory that Elain likes Lucien so much that she avoids him is also stupid. That makes no sense. She loses her boldness around. She got better WHEN HE LEFT. All of Elain’s most powerful moments are when Lucien isn’t around. And that says something.

People cling to 1st book Lucien so much, but he has not been that way SINCE book 1.

Tamlin:

Tamlin already got a redemption arc when he brought Rhys back to life. He doesn’t need another one, and he certainly doesn’t need a full book.

The Tamlin/Elain ship is stupid and only benefits Tamlin, not Elain. Once again placing Elain to the side of her own romance, much like El*cien.

ACOTAR:

If you hate everyone in the IC, you don’t actually like ACOTAR. They’re the majority of the books, including half of ACOSF. And it’s actually really stupid to hate the IC and still pretend you’re an ACOTAR fan. Because, again, the IC is the MAJORITY of ACOTAR. Please read something you actually like.

If you hate the entire main story and main characters of ACOTAR, but like one or two characters, you don’t like ACOTAR. You see yourself in a character, and want the story to reflect what YOU want to happen to that character (ie, yourself), and can’t handle that it didn’t. You don’t actually like the ACOTAR series. Again, maybe it’s time to read something else.

3 Acherons x 3 Bat Boys isn’t cliche. It’s a pattern. It’s a literary motif. It’s a theme. It is a pattern that SJM has naturally set up, the fact that you can see and assume that Elriel would be apart of that just means you can recognize basic literary devices in a fantasy novel. Which is the POINT.

I have no intention of debating anything. I’m just stating my opinions on my blog, like everyone else gets to do. So take that as you will.

Anyways, thanks for coming to my TedTalk.

[orengejoshi]

Love you art. My favorite thing is definitely your coloring. Flug does give t boy swag. Hope to see more of your drawing soon. Out of curiosity what do you hope for season 2?

Thank youu🥺💜

I know what you meant but just the entire term "T boy swag" reminded me of my fav rapper who just goes by "T" and since I wanted to do that for a while anyway (his songtexts would resonate with Flug so much) I used this as an excuse to redraw one of his album covers, so I love that, I'm gonna steal that heheh

(relatively unrelated for everyone except me lol but I always throw in some art when replying to asks)

umm yeah so... we're not even done with the first season, so idk. from S1-B I predict more of what we've had so far; more or less episodic comedy, slowly easing us into a connected plot. 6th episode already kinda introduced that.

it's gonna be one of those cartoons like TOH who start off silly and episodic in the first season and develop into a melodramatic serialized show from 2nd season onwards.

this is going to be an unpopular opinion but I actually do not 100% vibe with that, I prefer episodic cartoons like SpongeBob or South Park without overarching plot; comedy over drama. but it was always obvious that Villainous is gonna have a fuck ton of lore so I'm not disappointed.

my criticism rn is that I feel it's already way too many characters I'm sorry. it's getting pretty convoluted. I'm just not a fan of that but again pretty subjective. I can't bring myself to care for absolutely any character that we haven't seen animated yet. it's been too long for me to throw too many new characters in the mix, I've been nonstop hyperfixated since 7 years so I'm skeptical about changes.

as for the plot, I have no idea. we're in so early that I can't even imagine where this is gonna go.

for the end I wish that no ship with the main 3 becomes canon. it's just going to create fandom wars, just leave it open

I just want to see Flug happy...

I'll always just hope to get as much information about Flug as possible

definitely hope they explore Miss Heed's character too, as long as she doesn't end up with Flug l'm interested in her. I would like to see her getting worse (maybe switching sides?) before finally healing and learning to love herself

I want to know more about Goldheart and consequently about Flug's past

I wish for Demencia to snap out of her brainwash some day and learn about her past. I need Flug and Demencia to become real good friends and escape together with 505. I do NOT want them to become heroes but in order to find true happiness and peace they'll have to leave this place imo

but I think most of that is WAY in the future, this won't all happen in the 2nd season. but idk how long this series is gonna be, I doubt the crew even knows, so ye!

[ganondoodle]

I probably still wouldn’t have been a big fan of the game, but I don’t think I would have been NEARLY as upset about TotK if BotW didn’t seem like it was so obviously setting up plot points for a sequel. Like, you’re very clearly MEANT to wonder what malice is, and how Ganon became the Calamity instead of just the Demon King. Fi is awake again, where are they going either that? What’s the deal with the Triforce-shaped symbol on Zelda’s hand? There were a LOT of other things like that, and many of them had to do with overarching lore for the series.

I get it if they want to reboot the series, but “BotW 2” was the single worst game you could have done that with. It could have been an amazing conclusion to the original continuity.

EXACTLY, you, you get it

botw felt like the introduction to a vast world with secrets and hints to things that were planned to become a bigger thing- a big giant game as a big giant set up, and then ... like totk likes to do alot, it lacks a pay off, and that is something it even does within itself, cosntantly, set up and no pay off, or set up and the most boring and uninspired pay off you can really not even call that, from the bigger things like the whole dragon thing being hammered into your head as irreversible and then it IS reversible.. out of nowhere without you having to do fuck all, the whole thing with the ancient hero beign a big mystery with lots of interesting ideas attached and then its some weird ass dog creature that doesnt resemble any other race with, of course, sonau armor, bc there nothing that isnt sonau in that game, even finding the old treasure maps you can find that then lead to amiibo stuff from botw id call that

botw wasnt that great with rewards either but exploring the world and wondering about those, surely intentionally, placed mysterious and intriguing designs and places did alot for making it so interesting to think about, totk fumbles it all and even the new stuff doesnt even come close to that environmental storytelling botw was so great at, sonau ruins? ha they look entirely different than in botw actually, bc those were built by hylians you see, the actual sonau stuff is in prime condition considering the time thats passed and its all the same blank blocky blocks that serve no purpose but to be a place for you to find a thing or exchange some currency- the most you can think about it is ... that the sonau hollowed out the entire underground of hyrule, every inch of the map, ... which is WEIRD and doesnt exactly make them look that good but ... thats all there is

at least with the shiekah it made somewaht more sense and it felt much less .. invasive? and you didnt have anyone from that time to talk to, other than dead monks whos only purpose is to give you their last piece of their own spirit, but in totk ... raurus ghost and mineru too are both just there to talk to but DONT tell you shit but vague hints that were already clear, the sky islands used to be on the ground? oh you dont say, you see them there in the stupid memories! and dont get to know how they got up there and theres nothing that can clue you in to that, its just sonau magic yet again i guess

dont even get me started on the whole malice/miasma thing, it made so much SENSE that there was a source of it, someone that has keep kept in a horrible place just between life and death for thousands of years trying to break free by their hate and anger manifesting to such a degree its literally spilling out and building creppy eyeballs, mouths and ribcage like structures like they are trying to rebuild themsleves outside of their awful prison no one knows about is so damn compelling, but no, actually, the guy trapped there was the msot evilest evar, was sealed bc him evil and no other motive, and the previously mentioned stuff is pretty much utterly unceonnected, and his magic beign miasma with red instead of pink and no creepy body parts was the true version of it, that pink one was its own thing heehooo SHUT UP argh

it doesnt help that really, i dont feel like the sonau were set up either, they were a tiny part in botw, really only serving to make the world seem more ancient and more full of history, having ruins from a past civilization there you know nothing about and cant find out more is so good, its compelling and sad and makes the world feel more real, just shoving them into everything, being the center of attention all of thes udden and not even the architecure fitting feels so ... forced, i really truly believe the og sonau werent meant to be more than that, but in their fear of the game being too similarly looking like botw they took the sonau to replace the shiekah with them- imo the shiekah were the ones set up to be deeper explored in botw, with their whole misstreatment by the royal family in the past, monk miz kyoshia reacting the same way a yiga commander would was deliberate and brings up even more interesting ideas, the comments about where the mysterious energy the ancient shiekah used to power everything being concentrated in certain regions?? thats a big ass set up, the fact that the center of what is signaling everything to reactivate being below hyrule castle? the fact the whole arena thing was BUILT INTO THE CASTLE or it on top of it is so??? cool??? and sso damn intriguing, we are scratching the surface of their history- but then no, actually, the sonau are the cool new shit those other ones just uh ... disappear, also the sonau did everythign the shiekah did but even better wayy before them haha

its like they didnt want to tackle the more complicated stuff with the shiekah, their relationship to the royal family and how the yiga ... have a point and a good reason- so they replaced them with entirely new purely goodest good guys that did the same stuff before them with none of the history attached :))

this is why im so insistent on it not really being a sequel, thers no follow up on anything that was set up, NOTHING, and no, a couple having a kid now or whatever isnt a follow up on an interesting set up, how hard is it to understand that-

.... listen to me rambling, you probably know all that already nhjdfkbnkd

(i know i always bring up the shiekah but ... they were so central in botw, while also not taking up every single corner- unlike some other ones >_____>, with so much interesting stuff to connect and think about, i cared about them so much i felt kicked down the stairs by their treatment in totk)

[goodluckclove]

Some Loose Thoughts on Queer Rep (Specifically Aspec Rep)

(Just in advance I'm going to dunk on Alastor from Hazbin Hotel like a lil' bit, as a treat. Mainly the team that made him and what he represents, but still. If that's rage bait for you, I suggest maybe dipping out now)

I have a theory that queer media needs both queer characters and queer genre characters. The difference is very important.

I think a queer character would be a character in a story about their queerness. For some reason the only two characters I could think of are the guy from Love, Simon (What was his name again?) and the protagonist from Rubyfruit Jungle, which should express the weird and complicated relationship I have with this particular archetype.

Queer stories centered around queerness are definitely needed, but at the same time I feel like we're just starting to come to terms with the desperate need for the alternative, which are queer characters in genre media that contain overarching plots larger than their sexuality. Not separate, necessarily (Their queerness certainly influences things), but just beyond. This is more accessible for a variety of artists, which is also the reason why it can be a flop or a massive success.

We get more of this than ever for gay and sapphic characters, as well as some trans folks and occasionally non-binary. It's definitely way less seen in aspec characters, and even less respected. I started thinking this way because the internet is flooded with references to fucking Alastor from Hazbin Hotel as an aroace character and - like - god, I don't get it.

Like you can have your serial killer comfort character, that's fine. But latching onto him as representation for the entire aspec community when he was only confirmed to be aroace through a reference in a livestream and the weakest joke onscreen is pretty disheartening. It definitely reads like this part of his identity was added pretty late in his character development, and by a team of people that didn't seem to consider what the response and reaction would be and how they'd handle it.

I also wish the newest aspec icon in media wasn't created by a team so adamant on encouraging shipping culture above actually respecting the identity they've decided to provide representation for. Like I see it means a lot to people to have an aroace character doing something cool in a fun TV show that doesn't necessarily have anything to do with their identity. Then there's like four other people right behind that person who really wants that person to be romantic and fuck.

And like, yeah, aroace people can do that sometimes. It's a spectrum, I know. But can't we start with a baseline representation before providing proof of fluidity?

I just think we deserve better. Like a character who in the media is established to be aspec, and people are like "great" and move on to fight robots or do magic or whatever. And the person can be morally grey, or even a total dick, but like I'd personally prefer something with a little more depth than Hot Topic genericism.

Like don't get me wrong, I'll take some sort of eldritch horror as my representation, but...make him at all horrifying? Like everyone talks about how he has Eldritch powers, which I know to mean unfathomable and maddening. But I've seen everything he does in the canon of the show and it is both incredibly fathomable and makes me feel normal and sane. Yog-Sothoth this man is not.

But yeah, I don't think there's a solution here besides more aspec artists creating aspec characters in their work. That way people can still like Alastor if they want, but he's not like the only viable option in terms of representation in the media. Let me see lovingly-crafted cool guys and dipshits and chaos goblins and little babies and True Horrors, all of whom have varying degrees of distaste or indifference towards sex and romance.

Do it. We need it. Please.

[fahye]

Hello!

I’m re-reading A Power Unbound and I just want to thank you so much for these ridiculously wonderful characters. I have been wishing/hoping/waiting/making sacrifices at the Altar of Enemies-to-Lovers for the Ross/Hawthorn pairing since page 119 of ART (literally 😂), so I can’t even express how excited I was to finally read a whole book about them! 🎉🎉🎉🎉🎉🎉

The magic system in The Last Binding is fascinating to me, and I wondered what research you did that informed your choices, especially about the objects chosen to represent the Last Contract. The knife, coin, and cup harken back to (what I understand to be) some ancient Celtic symbols. Was that intentional, and if so, were there any books or other resources that you found helpful in fleshing out the magic system?

Thanks so much for the gift of your writing! It’s brought a lot of joy to the past year of my life.

Peace,

K

thank you!

and the symbolism of the cup, coin and knife went through some journeys during the writing of the trilogy: when they first popped into my head in the first draft of AML I was just like uhhhh need some nice magical archetype objects, they can be changed later if need be. but as I was developing my ideas about the overarching plot, and the themes of the trilogy as a whole, I realised that I could use them very deliberately for their tarot suit symbolism.

so each book and each romance thematically resonates with the base theme of the suit of tarot cards corresponding to the contract-piece most actively being sought after in that book. thinking about it in retrospect I could have swapped the knife and the coin and still had it work, but ART always had to be the cup. and I did want the two rings -> coin thing to happen in AML, because that commingling was ALSO a theme thing and also just....fun. to lay the clues of addy's ring and the ring in the clock literally in chapters 2/3 and have them lurking in the text to be discovered.

so yes! tarot. and then I got to fuck around some in APU with the idea of a fourth piece/s corresponding to the wands suit and the theme of willpower. that was in the nature of an easter egg for anyone whose pattern recognition had perked up all WHERE IS THE WAND, FREYA, YOU HAVE LEFT NEGATIVE SPACE IN THIS TEXT!

I did fill the space. just in a less obvious way.

(and to answer your other question, nope, the closest I got to reading books to flesh out the magic system were 'a children's book of cats cradle patterns' and 'a book on the history of a wide variety of trees and the use of their wood'. I am also very much on the beginner/amateur end of tarot knowledge, so I was going off the way I personally interpret and use the suits. and also vibes. so many vibes.)