#there’s no way I’m 25 years old with those top artists | Explore Tumblr Posts and Blogs

celtfather · 2 months

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Memories of Ireland #670

Sing a song to the Dublin girl on the Irish & Celtic Music Podcast # 670. Subscribe now!

Celtic On the Inside is now on sale in our store. Support the podcast by buying one of these limited-edition CDs and Album Pins. Shop now!

Dublin Gulch, Wylde Nept, Enda Reilly, The Crowfoot Rakes, The Ciderhouse Rebellion, Molly Donnery, Natalie Padilla, Kevin Meehan, Fig for a Kiss, Blackthorn, Derek Warfield & The Young Wolfe Tones, The Drowsy Lads, Charlene Adrima, Bealtaine, Drumspyder, Ironwood, Hayley Griffiths

GET CELTIC MUSIC NEWS IN YOUR INBOX

The Celtic Music Magazine is a quick and easy way to plug yourself into more great Celtic culture. Enjoy seven weekly news items for Celtic music and culture online. Subscribe now and get 34 Celtic MP3s for Free.

VOTE IN THE CELTIC TOP 20 FOR 2024

This is our way of finding the best songs and artists each year. You can vote for as many songs and tunes that inspire you in each episode. Your vote helps me create next year's Best Celtic music of 2024 episode. You have just three weeks to vote this year. Vote Now!

You can follow our playlist on Spotify to listen to those top voted tracks as they are added every 2 - 3 weeks. It also makes it easier for you to add these artists to your own playlists. You can also check out our Irish & Celtic Music Videos.

THIS WEEK IN CELTIC MUSIC

0:02 - Intro: High Octane

0:11 - Dublin Gulch "Rick O'Shay Reel" from Tap 'Er Light

3:10 - WELCOME

5:14 - Wylde Nept "The Butterfly" from All's Fair

7:12 - Enda Reilly "My Dublin Girl" from Hy - Brasil

9:31 - The Crowfoot Rakes "The Marion Jig (Live)" from Off She Goes

11:27 - The Ciderhouse Rebellion with Molly Donnery "Jimmy Murphy" from A Little Bit Slanted

14:41 - FEEDBACK

18:46 - Natalie Padilla "Sailor's Love" from Paths and Places

22:24 - Kevin Meehan "The Living Bridge" from Spanish Point

25:45 - Fig for a Kiss "Johnny Be Fine" from Wherever You Go

27:35 - Blackthorn "Almost Every Circumstance/Galloping Ass" from Here's To You

31:22 - Derek Warfield & The Young Wolfe Tones "The Lough Sheelin Eviction" from Let the Free Birds Fly

37:51 - THANKS

41:19 - The Drowsy Lads "Memories and Moments" from Everyone In

44:50 - Charlene Adzima "The Old Flail/Pauline Conneely's/Sizzling Bacon" from The Initiation

49:21 - Bealtaine "Star of the County Down" from The Founders' Room Vol 2

52:14 - Drumspyder "The Templehouse" from Green Mantle

56:15 - Ironwood "The White Gypsy" from Gretna Green

60:23 - CLOSING

1:01:14 - Hayley Griffiths "Black Is the Colour" from Far from Here

1:05:10 - CREDITS

The Irish & Celtic Music Podcast was produced by Marc Gunn, The Celtfather and our Patrons on Patreon. The show was edited by Mitchell Petersen with Graphics by Miranda Nelson Designs. Visit our website to follow the show. You’ll find links to all of the artists played in this episode.

Todd Wiley is the editor of the Celtic Music Magazine. Subscribe to get 34 Celtic MP3s for Free. Plus, you’ll get 7 weekly news items about what’s happening with Celtic music and culture online. Best of all, you will connect with your Celtic heritage.

Please tell one friend about this podcast. Word of mouth is the absolute best way to support any creative endeavor.

Finally, remember. Reduce, reuse, recycle, and think about how you can make a positive impact on your environment.

Promote Celtic culture through music at http://celticmusicpodcast.com/.

WELCOME THE IRISH & CELTIC MUSIC PODCAST

* Helping you celebrate Celtic culture through music. I am Marc Gunn. I’m a Celtic musician and podcaster. This podcast is for fans of Celtic music. It’s here to connect you with some of the amazing musicians who are performing Celtic music around the world.

If you hear music you love, please email artists to let them know you heard them on the Irish and Celtic Music Podcast. Musicians depend on your generosity to keep making music. So please find a way to support them. Buy a CD, Album Pin, Shirt, Digital Download, or join their communities on Patreon.

You can find a link to all of the artists in the shownotes, along with show times, when you visit our website at celticmusicpodcast.com.

Do you make Celtic art? We’re looking for a design to incorporate into our shirts, album pin and CD in 2025. We’d love your contribution. Email some design ideas with or without our podcast name.

Speaking of CDs and Album Pins, Celtic on the Inside is the name of the latest compilation CD and album pin by the Irish & Celtic Music Podcast. The album is now officially on sale. Only 100 copies of the CD and 100 copies of the Album Pin are available. This is a great way for you to preserve your memories of the Best Irish and Celtic music of 2023. Plus, it’s a great way to financially support the podcast so we can keep bringing you great Celtic music each and every week.

Preserve your memories at magerecords.com where you can get the CD and album pin.

Oh! And do you know what an album pin is?

An album pin is an enamel pin themed to a particular album. You get a digital download of the album. And you can then wear your album on your sleeve… or attach it to another piece of clothing. It’s a visual way to tell others that you are Celtic on the Inside.

If you are a Celtic musician or in a Celtic band, then please submit your band to be played on the podcast. You don’t have to send in music or an EPK. You will get a free eBook called Celtic Musicians Guide to Digital Music and learn how to follow the podcast. It’s 100% free. Just email Email follow@bestcelticmusic and of course, listeners can learn how to subscribe to the podcast and get a free music - only episode.

Plastic Free July. Plastic Free July® is a global movement that helps millions of people be part of the solution to plastic pollution – so we can have cleaner streets, oceans, and beautiful communities. Will you be part of Plastic Free July by choosing to refuse single - use plastics?

THANK YOU PATRONS OF THE PODCAST!

You are amazing. It is because of your generosity that you get to hear so much great Celtic music each and every week.

Your kindness pays for our engineer, graphic designer, Celtic Music Magazine editor, promotion of the podcast, and allows me to buy the music I play here. It also pays for my time creating the show each and every week.

As a patron, you get ad - free and music - only episodes before regular listeners, vote in the Celtic Top 20, stand - alone stories, you get a private feed to listen to the show or you can listen through the Patreon app. All that for as little as $1 per episode.

DONATE: Make donation to the podcast.

A special thanks to our new and continued Patrons of the Podcast: Frank D, Sean C, Michael H, Tim S, Miranda Nelson Designs

HERE IS YOUR THREE STEP PLAN TO SUPPORT THE PODCAST

Go to our Patreon page.

Decide how much you want to pledge every week, $1, $5, $25. Make sure to cap how much you want to spend per month.

Keep listening to the Irish & Celtic Music Podcast to celebrate Celtic culture through music.

You can become a generous Patron of the Podcast on Patreon at SongHenge.com.

TRAVEL WITH CELTIC INVASION VACATIONS

Every year, I take a small group of Celtic music fans on the relaxing adventure of a lifetime. We don't see everything. Instead, we stay in one area. We get to know the region through its culture, history, and legends. You can join us with an auditory and visual adventure through podcasts and videos.

The Celtic Invasion of Scotland’s Whisky Distilleries is now booked. The next Celtic Invasion will go to Galicia in Spain IF I can get enough people to explore that region with me. I need a minimum of 6 to make it happen. It’s not yet open, but if you’d like to join, sign up to our mailing list. Learn more about the invasion at http://celticinvasion.com/ #celticmusic #irishmusic #celticmusicpodcast

I WANT YOUR FEEDBACK

What are you doing today while listening to the podcast? Please email me. I’d love to see a picture of what you're doing while listening or of a band that you saw recently.

How are you listening to this podcast? I’d love to know that as well. The show is available on a bunch of podcast apps like Apple Podcast, Amazon Music, Podcast Addict, iHeartRadio, Player.FM, Pocket Casts, Cast Box, Pandora, Podbean, and my favorite Overcast

Email me at follow@bestcelticmusic.

Cheryl Arvio emailed: “Hi Marc, My boyfriend went to an Irish set dance yesterday. Since it was Pride Day in Chicago, he wore your Pride Month with the Irish & Celtic Music Podcast T - shirt to the gathering, prompting several of his fellow dancers to tell him that they, too, are listeners of the podcast!

Just thought you'd like to know you've got fans here in Chicago ☘️☘️🎻🪗😊”

Daniel Ide emailed from Fallbrook, CA: 'Dia duit Marc - I am delighted to officially become a patron of The Irish and Celtic Music Podcast.

I have been a fan of your show since this time last year, and an Irish and Celtic music fan most of my life. I stumbled upon your podcast while searching “Celtic Music” on Sirius Radio.

I played in an Irish Folk music band in college 40 years ago (when The Chieftains ruled and Sinead was kicking ass). We called ourselves “The Rakes of Kilarney”. I was a guitarist and singer back then, today I am a full on percussionist (congacero mostly) with a passion for Latin - Jazz and Afro - Cuban rhythms. This past year I have been practicing my Bodhran playing to a level of session quality performance (thanks to your podcast). My plan is to travel to the West of Ireland in the end of October and session hop my way from Galway up to Sligo and beyond. I will be hitting you up for recommendations as the date grows closer.

I am 5th generation Irish - American. My ancestors fled the hard times In Ireland during the 1870’s, landing in Boston. Very few of them, generationally, have ever returned, myself included. I have been a student of Irish and Celtic history and culture with a romantic notion of returning “home”. My parents have been there a few times, making connections with distant relatives in Castlebar and Derry. I intend to return to the origin point of most of my family, feel what needs to be felt and embrace what ever is to come of it. Ever since I read John O’Donohue’s “Anam Cara” I have been absolutely smitten with my imminent return to the home of my ancestors.

So, as you can see, I am experiencing a delightful homecoming to my ancestral roots, and The Irish and Celtic Music podcast is providing me with a lovely springboard for weekly indulgences. What I love most about your show is your authentic love of the music, and the wonderful new connections being made for Irish and Celtic Music right in our own backyards.

Blessings of Peace and Love to you and your’s.

Slainte, Daniel"

Check out this episode!

#celtic #Irish #Scottish #music #Ireland #Scotland

2 notes · View notes

rank-sentimentalist · 2 years

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I posted 5,514 times in 2022

65 posts created (1%)

5,449 posts reblogged (99%)

Blogs I reblogged the most:

@fravery

@ascoltolelune

@thatsbelievable

@infected

@artfulfashion

I tagged 5,367 of my posts in 2022

Only 3% of my posts had no tags

#art - 902 posts

#fashion - 480 posts

#books - 249 posts

#water - 196 posts

#cats - 185 posts

#celeb - 176 posts

#reading - 162 posts

#style - 149 posts

#thatsbelievable - 133 posts

#vintage - 125 posts

Longest Tag: 126 characters

#female railroad workers employed during wartime eat in the break room of the chicago and northwestern railroad in clinton iowa

My Top Posts in 2022:

(partial)

Nana Visitor appeared alongside Chase Masterson and Alexander Siddig at the convention Star Trek: Mission Chicago, and during a conversation about how well the show has aged, Visitor shared an interesting tidbit about how audiences viewed Kira during the show versus how she’s viewed now. Visitor explained she first saw the shift around the same time Deep Space Nine was first made available to stream on Netflix, and a young fan came to talk to her at a convention. Said Visitor:

The attitude towards me, my character, has certainly changed. Where I was [once] viewed as, ‘Oh, why is she always angry?’ Now, I remember when it happened, it was just when the show went on Netflix. I went to a convention, and there was a 15-year-old boy, and that is telling. He was like, ‘I have a big crush on you.’ I was like, ‘Wait, what? Wait, wait, let’s talk about this. I’m not too angry? I’m not threatening you in any way? He’s like, ‘Oh, I think it’s great.’ So that has changed.

Kira was once seen as “too angry” or brash back during the first run of Star Trek: Deep Space Nine, but decades later, when strong women who take charge are one of the more celebrated archetypes of modern pop culture, she’s viewed differently (similar to Jeri Ryan's return to the franchise as Seven of Nine). It’s always cool to see a show’s characters age well or when they’re brought in and given character growth that deepens their character’s meaning, like what Picard recently did with revelations about the titular captain's parents.

11 notes - Posted April 25, 2022

Desire of the Endless and Rio of the Duran Duran

Neil Gaiman

@neilhimself

Yes. Patrick Nagel was the artist and I suggested Mike Dringenberg use his art style as an inspiration.

Quote Tweet

squash157

@squash157

· Jan 16, 2019

@neilhimself was Desire from The Sandman inspired by the album cover for Rio by Duran Duran? Was listening to the album and I couldn't get the thought of Desire out of my head. Thank you for writing such fantastic stories!

7:32 PM · Jan 16, 2019·Twitter for iPhone

23 notes - Posted August 7, 2022

The West Wing: "The Short List"

THE WEST WING'

THE SHORT LIST' (1 x 09)

STORY BY: AARON SORKIN & DEE DEE MYERS

TELEPLAY BY: AARON SORKIN & PATRICK CADDELL

DIRECTED BY: BILL D'ELIA

westwingtranscripts.com

FADE IN: INT. THE OVAL OFFICE - DAY

Bartlet and Harrison are now with Sam and Toby.

HARRISON

Judges are bound to interpret the Constitution within the strict parameters of the text itself. The Constitution doesn't provide for a right of privacy. The right doesn't exist.

SAM

The third amendment says soldiers can't be quartered in private homes. The fifth provides protection against self-incrimination, and the fourth against unreasonable searches. You deny the right to privacy lived in those passages?

HARRISON

No. I do not deny it, but the fact that the framers enumerated those specific protections is all the more reason to believe that they had no intention of making privacy a de facto right.

SAM

They just fought a revolution but they had no question of their freedom. The Bill of Rights wasn't meant to codify the most crucial of those rights not to limit the others.

HARRISON

I do this for a living, Mr. Seaborn.

SAM

So do I, your honor.

BARTLET

Peyton, do I have the right to put on an ugly plaid jacket and a loud polka-dot tie and walk down Main Street?

HARRISON

Yes.

BARTLET

Where in the Constitution is that right guaranteed?

HARRISON

First Amendment. Freedom of expression.

BARTLET

See the full post

34 notes - Posted May 3, 2022

"With sorrow"

“With sorrow — for this Court, but more, for the many millions of American women who have today lost a fundamental constitutional protection—we dissent.”

--Justices Stephen Breyer, Sonia Sotomayor, and Elena Kagan

dissenting to the decision to strike down Roe v Wade

35 notes - Posted June 24, 2022

My #1 post of 2022

Quotes from viewers included in the article:

“If you’re planning to see Thor: Love and Thunder and are sensitive to cancer/cancer treatment, it is an extremely prevalent theme and plot driver in the movie,” one viewer warned, adding: “Prepare yourself and take care of yourself if you need to.”

Another viewer said: “No spoilers, but Thor: Love and Thunder SHOULD have had a trigger warning for graphic depiction of cancer and the fact that we didn't know going in is atrocious.”

“If you have medical or cancer triggers, I’d do some light googling on the plot before deciding to see it or not,” another added, with one person stating: “I knew in the comics that Jane has cancer. It’s been mentioned many times since this movie was announced and yet the cancer scenes still hit hard. Prepare yourselves, if you’ve lost anyone to cancer.”

82 notes - Posted July 12, 2022

Get your Tumblr 2022 Year in Review →

#tumblr2022 #year in review #my 2022 tumblr year in review #your tumblr year in review

0 notes

a-silent-symphony · 3 years

Text

NIGHTWISH Singer FLOOR JANSEN Signs Solo Deal With ADA

ADA, the division of Warner Music Group dedicated to independent label and artist distribution, has announced the signing of Dutch powerhouse singer Floor Jansen.

Jansen is best known as the frontwoman in the multi-million selling and internationally successful symphonic metal band NIGHTWISH. As part of the band, Jansen has landed two number one albums in Finland, and Top Five albums in Austria, France, Germany, Greece, Hungary, the Netherlands, Norway, Sweden and Switzerland.

Born in the Netherlands, Jansen joined her first band, one of the world's first symphonic metal bands, AFTER FOREVER, when she was only 16 years old. The group went on to release five albums from 2000 to 2007, before they broke up in 2009.

Jansen's next band, REVAMP, released two albums in 2010 and 2013, before she joined NIGHTWISH as a full-time member. NIGHTWISH's first album with Jansen as the lead singer was 2015's "Endless Forms Most Beautiful", which landed in Top 10s around the world. This was followed by 2020's "Human. :II: Nature." , which was also an international success.

Jansen has toured extensively with the band and appeared on three of NIGHTWISH's live albums "Showtime, Storytime", "Vehicle Of Spirit" and "Decades: Live In Buenos Aires".

In 2019, Jansen participated in the popular Dutch TV show "Beste Zangers" where she scored a big hit with "Phantom Of The Opera" together with Henk Poort. She was recognized with a Dutch Popprijs award — a prestigious accolade for artists that has made important contributions to Dutch music. In the same year, her first solo tour sold out in less than 24 hours.

Jansen said: "I'm delighted to partner with ADA as I move into this exciting phase of my career and start my journey as a solo artist. ADA is the perfect partner to help me reach as many people around the world as possible, while staying true to my indie roots."

Sander Stijnen, head of A&R and ADA Benelux, added: "Floor has one of the most iconic voices and is a true legend in the music industry. I'm so happy we can work on her solo material, which has seen her grow and develop as an artist and songwriter. I think people are going to be blown away with the direction she's taken with her new music."

Jansen will release her debut solo single, "Fire", under ADA on March 25.

Less than two months ago, the 41-year-old Dutch-born singer, who made her live debut with NIGHTWISH nearly a decade ago, stated about the musical direction of "Fire": "It's a pop song, so it's not metal, it's not rock, but it's definitely me." Jansen went on to explain that the track will not necessarily be representative of all the new solo music she has been working on in recent months. "I guess it's more of a mash-up [of styles] actually," she said, referring to her upcoming collection of solo material, "though it's not so extreme as in genres, like all of a sudden it becomes… Here's a metal song and here's a rock song and this is more poppy… I mean, pop music — the word of it — [it's short for] popular music, and it kind of describes a lot, and within that it falls. I can only say that it's not metal and it's not rock, but it will have its influences and it will have a part of the sound. It can't even be so that the first song is how everything else will sound like because, yeah, if you know NIGHTWISH and also for us, it's always so hard to pick just one song that's gonna be like the kick-off of an album but it can never really represent everything. And I guess it's the same for this first song that comes on the 25th of March."

Last summer, Floor said during an appearance on the "Breaking Absolutes With Peter Orullian" podcast that she had been working on a solo album since shortly before the beginning of the pandemic. "And it really kickstarted my own creativity that I haven't really been able to use over the years," she said. "It's nice that it gets out. And I would like to do more of that and actually finish that album and make those steps and find a way to combine a solo career with NIGHTWISH and my life at home, which I even more value after spending so much time here in this green heaven [in Sweden] where I live."

Jansen discussed the prospect of making a solo album during a 2020 interview with Metal Hammer magazine. At the time, she said: "After 20 years of rock and metal, I think I would like to do something else. I don't mean stop with NIGHTWISH, but something alongside it.

"I was recently involved in a TV show in my home country in the Netherlands [reality TV show 'Beste Zangers', which translates to 'Best Singers']. That really inspired me to start writing, and the stuff that has come out is very calm.

"I would love to make an album where less actually is more. Something different — not because I'm bored, but because if you are already in one of the biggest bands in your own genre, and you have someone like Tuomas Holopainen as a songwriter, I don't really see that I'd be adding anything by making another metal album myself."

Earlier in 2020, Jansen spoke about a possible musical direction for her solo album during an Instagram Live chat. She said: "I cannot imagine it would be rock or metal — just because rock now I've done, and metal I've done a lot. And I'm already in one of the best bands, I think, that are out there, in my opinion, to my taste. Plus, if you're in a band with a songwriter such as Tuomas Holopainen, it's a little bit hard to come up with something — anything — better, I would say, and I only say that out of love and respect for him. Plus, after 20 years of metal, wouldn't it be lovely to do something completely different for me? That's how I feel."

Jansen performed live with NIGHTWISH for the first time on October 1, 2012 at Showbox Sodo in Seattle, Washington following the abrupt departure of the band's lead singer of five years, Anette Olzon. Jansen officially joined NIGHTWISH in 2013.

This year will see Jansen become the Dutch ambassador for Record Store Day on April 23, as well as participate in Germany's "Sing Meinen Song".

#floor jansen #NW members side projects #Floor solo career #2022 news

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kmclaude · 3 years

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Forgive me Father, I have no awful headcanons for you, only a general question on comic making. How do you do it, writing-wise/how do you decide what points go where, how do you plot it out (or do you have any resources on the writing aspect that you find useful?) Not to get too bogged down in details, but I attended a writer’s workshop and the author in residence suggested I transfer my wordy sci-fi WIP into graphic novel script, as it might work better. (I do draw, but I don’t know if I have it in me to draw a whole comic—characters in motion? Doing things? With backgrounds? How dare, why can’t everyone just stand around looking pretty)

I was interested but it quickly turned into a lot of internal screaming as I tried to figure out how to compress the hell out of it, since novels are free to do a lot more internal monologuing and such compared to a comic format (to say nothing of trying to write a script without seeing how the panels lay out—just for my own sake, I might have to do both concurrently.)

As an aside, to get a feel for graphic novels I was rereading 99RM and was reminded of how great it was—tightly plotted, intriguing, and anything to do with Ashmedai was just beautifully drawn. I need more Monsignor Tiefer and something something there are parallels between Jehan and Daniel in my head and I don’t know if they make sense but it works for me. (As an aside, I liked the emphasis on atonement being more than just the word sorry, but acknowledgment you did wrong and an attempt to remedy it—I don’t know why that spoke to me the way that it did.)

I thought Tumblr had a word count limit for asks but so far it has offered zero resistance, oh well. I don’t have much else to say but on the topic of 99RM, Adam getting under Monsignor’s skin is amazing, 10/10 (about the Pride picture earlier)

wow tumblr got rid of the markdown editor! or at least in asks which means the new editor probably has no markdown....god i hate this site! anyway...

Totally! So first, giant thank you for the compliments! Second, I have a few questions in turn for you before I dive into a sort of answer, since I can give some advice to your questions in general but it also sounds like you have a specific conundrum on your hands.

My questions to your specific situation are:

did the author give any reason for recommending a, in your words, "wordy" story be turned into a graphic novel?

is the story you're writing more, like you said, "internal monologuing"? action packed? where do the visuals come from?

do you WANT it to be a comic? furthermore, do you want it to be a comic you then must turn around and draw? or would you be interested in writing for comics as a comic writer to have your words turned into art?

With those questions in mind, let me jump into the questions you posed me!

Let me start with a confession...

I've said this before but let me say it again: Ninety-Nine Righteous Men was not originally a comic — it was a feature-length screenplay! And furthermore, it was written for a class so it got workshopped again and again to tighten the plot by a classroom of other nerds — so as kind as your compliments are, I'm giving credit where credit is due as that was not just a solo ship sailing on the sea. On top of that, it got adapted (by me) into a comic for my thesis, so my advisor also helped me make it translate or "read" well given I was director, actor, set designer, writer, editor, SFX guy, etc. all in one. And it was a huge help to have someone say "there is no way you can go blow by blow from script to comic: you need to make edits!" For instance, two scenes got compressed to simple dialogue overlaid on the splashpage of Ashmedai raping Caleb (with an insert panel of Adam and Daniel talking the next day.) What had been probably at least 5 pages became 1.

Additionally, I don't consider myself a strong plotter. That said, I found learning to write for film made the plotting process finally make some damn sense since the old plot diagram we all got taught in grammar school English never made sense as a reader and definitely made 0 sense as a writer — for me, for some reason, the breakdown of 25-50-25 (approx. 25 pages for act 1, 50 for act 2 split into 2 parts of 25 each, 25 pages for act 3) and the breaking down of the beats (the act turning points, the mid points, the low point) helped give me a structure that just "draw a mountain, rising action, climax is there, figure it out" never did. Maybe the plot diagram is visually too linear when stories have ebb and flow? I don't know. But it never clicked until screenwriting. So that's where I am coming from. YMMV.

I should also state that there's Official Ways To Write Comic Scripts to Be Drawn By An Artist (Especially If You Work For A Real Publisher As a Writer) and there's What Works For You/Your Team. I don't give a rat's ass about the former (and as an artist, I kind of hate panel by panel breakdowns like you see there) so I'm pretty much entirely writing on the latter here. I don't give a good god damn about official ways of doing anything: what works for you to get it done is what matters.

What Goes Where?

Like I said, 99RM was a screenplay so it follows, beat-wise, the 3-act screenplay structure (hell, it's probably more accurate to say it follows the act 1/act 2A/act 2B/act 3 structure.) So there was the story idea or concept that then got applied to those story beats associated with the structure, and from there came the Scene-by-scene Breakdown (or Expanded Scene Breakdown) which basically is an outline of beats broken down into individual scenes in short prose form so you get an overview of what happens, can see pacing, etc. In the resources at the end I put some links that give information on the whole story beat thing.

(As an aside: for all my short comics, I don't bother with all that, frankly. I usually have an image or a concept or a bit of writing — usually dialogue or monologue, sometimes a concrete scene — that I pick at and pick at in a little sketchbook, going back and forth between writing and thumbnail sketches of the page. Or I just go by the seat of my pants and bullshit my way through. Either or. Those in many ways are a bit more like poems, in my mind: they are images, they are snapshots, they are feelings that I'm capturing in a few panels. Think doing mental math rather than writing out geometric proofs, yanno?)

Personally, I tend to lean on dialogue as it comes easier for me (it's probably why I'm so drawn to screenwriting!) so for me, if I were to do another longform GN, I'd probably take my general "uhhhhhh I have an idea and some beats maybe so I guess this should happen this way?" outline and start breaking it down scene by scene (I tend to write down scenes or scene sketches in that "uhhhh?" outline anyway LOL) and then figure out basic dialogue and action beats — in short, I'd kind of do the work of writing a screenplay without necessarily going full screenplay format (though I did find the format gave me an idea of timing/pacing, as 1 page of formatted script is about equal to 1 minute of screentime, and gave me room to sketch thumbnails or make edits on the large margins!) If you're not a monologue/soliloque/dialogue/speech person and more an image and description person, you may lean more into visuals and scenes that cut to each other.

Either way this of course introduces the elephant in the panel: art! How do you choose what to draw?

The answer is, well, it depends! The freedom of comics is if you can imagine it, you can make it happen. You have the freedoms (and audio limitations) of a truly silent film with none of the physical limitations. Your words can move in real time with the images or they can be a narrative related to the scene or they could be nonsequitors entirely! The better question is how do you think? Do you need all the words and action written first before you break down the visuals? Do you need a panel by panel breakdown to be happy, or can you freewheel and translate from word and general outlines to thumbnails? What suits you? I really cannot answer this because I think when it comes to what goes where with regard to art, it's a bit of "how do you process visuals" and also a bit of "who's drawing this?" — effectively, who is the interpreter for the exact thing you are writing? Is it you or someone else? If it's you, would you benefit from a barebones script alongside thumbnailed paneling? Would you be served by a barebones script, then thumbnails, then a new script that includes panel and page breakdowns? What frees you up to do what you need to do to tell your story?

If I'm being honest, I don't necessarily worry about panels or what something will look like necessarily until I'm done writing. I may have an image that I clearly state needs to happen. I may even have a sequence of panels that I want to see and I do indeed sketch that out and make note of it in my script. But exactly how things will be laid out, paneled, situated? That could change up until I've sketched my final pencils in CSP (but I am writer and artist so admittedly I get that luxury.)

How do I compress from novel to comic?

Honest answer? You don't. Not really. You adapt from one to another. It's more a translation. Something that would take forever to write may take 1 page in a comic or may take a whole issue.

I'm going to pick on Victor Hugo. Victor Hugo spent a whole-ass book in Notre-Dame de Paris talking about a bird's eye view of Paris and other medieval architecture boring stuff, with I guess some foreshadowing with Montfaucon. Who cares. Not me. I like story. Anyway. When we translate that book to a movie any of the billion times someone's done that, we don't spend a billion years talking at length about medieval Paris. There's no great monologuing about the gibbet or whatever: you get to have some establishing shots, maybe a musical number, and then you move tf on. Because it's a movie, right? Your visuals are right there. We can see medieval Paris. We can see the cathedral. We can see the gibbet. We don't need a whole book: it's visually right there. Same with a comic: you may need many paragraphs to describe, say, a space station off of Sirius and one panel to show it.

On the flip side, you may take one line, maybe two, to say a character keyed in the special code to activate the holodeck; depending on the visual pacing, that could be a whole page of panels (are we trying to stretch time? slow it down? what are we emphasizing?) A character gives a sigh of relief — one line of text, yeah? That could be a frozen panel while a conversation continues on or that could be two (or more!) panels, similar to the direction [a beat] in screenwriting.

Sorry there's not a super easy answer there to the question of compression: it's a lot more of a tug, a push-pull, that depends on what you're conveying.

So Do I Have It In Me to Write & Draw a GN?

The only way you'll know is by doing. Scary, right? The thing is, you don't necessarily need to be an animation king or God's gift to background artists to draw a comic.

Hell, I hate backgrounds. I still remember sitting across from my friend who said "Claude you really need to draw an establishing exterior of the church at some point" and me being like "why do you hate me specifically" because drawing architecture? Again? I already drew the interior of the church altar ONCE, that should be enough, right? But I did draw an exterior of the church. Sorta. More like the top steeple. Enough to suggest what I needed to suggest to give the audience a better sense of place without me absolutely losing my gourd trying to render something out of my wheelhouse at the time.

And that's kinda the ticket, I think. Not everyone's a master draftsman. Not everyone has all the skills in every area. And regardless, from page one to page one hundred, your skills will improve. That's all part of it — and in the meantime, you should lean into your strengths and cheat where you can.

Do you need to lovingly render a background every single panel? Christ no! Does every little detail need to be drawn out? Sure if you want your hand to fall off. Cheat! Use Sketchup to build models! Use Blender to sculpt forms to paint over! Use CSP Assets for prebuilt models and brushes if you use CSP! Take photographs and manip them! Cheat! Do what you need to do to convey what you need to convey!

For instance, a tip/axiom/"rule" I've seen is one establishing shot per scene minimum and a corollary to that has been include a background once per page minimum as grounding (no we cannot all have eternal floating heads and characters in the void. Unless your comic is set in the void. In which case, you do you.) People ain't out here drawing hyper detailed backgrounds per each tiny panel. The people who DO do that are insane. Or stupid. Or both. Or have no deadline? Either way, someone's gonna have a repetitive stress injury... Save yourself the pain and the headache. Take shortcuts. Save your punches for the big K.O. moments.

Start small. Make an 8-page zine. Tell a beginning, a middle, an end in comic form. Bring a scene to life in a few pages. See what you're comfortable drawing and where you struggle. See where you can lean heavily into your comfort zones. Learn how to lean out of your comfort zone. Learn when it's worth it to do the latter.

Or start large. Technically my first finished comic (that wasn't "a dumb pencil thing I drew in elementary school" or "that 13 volume manga I outlined and only penciled, what, 7 pages of in sixth grade" or "random one page things I draw about my characters on throw up on the interwebz") was 99RM so what do I know. I'm just some guy on the internet.

(That's not self-deprecating, I literally am some guy on the internet talking about my path. A lot of this is gonna come down to you and what vibes with you.)

Resources on writing

Some of these are things that help me and some are things that I crowd-sourced from others. Some of these are going to be screenwriting based, some will be comic based.

Making Comics by Scott McCloud: I think everyone recommends this but I think it is a useful book if you're like "ahh!!! christ!! where do I start!!!???" It very much breaks down the elements of comics and the world they exist in and the principles involved, with the caveat that there are no rules! In fact, I need to re-read it.

Comic Book Design: I picked this up at B&N on a whim and in terms of just getting a bird's eye view of varied ways to tackle layout and paneling? It's such a great resource and reference! I personally recommend it as a way to really get a feel for what can be done.

the screenwriter's bible: this is a book that was used in my class. we also used another book that's escaping me but to be honest, I never read anything in school and that's why I'm so stupid. anyway, I'd say check it out if you want, especially if you start googling screenwriting stuff and it's like 20 billion pieces of advice that make 0 sense -- get the core advice from one place and then go from there.

Drawing Words & Writing Pictures: many people I know recommended this. I think I have it? It may be in storage. So frankly, I'd already read a bunch of books on comics before grabbing this that it kind of felt like a rehash. Which isn't shade on the authors — I personally was just a sort of "girl, I don't need comics 101!!!"

Invisible Ink: A Practical Guide to Building Stories that Resonate: this has been recommended so many times to me. I cannot personally speak on it but I can say I do trust those who rec'd it to me so I am passing it along

the story circle: this is pretty much the hero's journey. a useful way to think of journeys! a homie pretty much swears by it

a primer on beats: quick google search got me this that outlines storybeats

save the cat!: what the above refers to, this gives a more genre-specific breakdown. also wants to sell you on the software but you don't need that.

I hope this helps and please feel free to touch base with more info about your specific situation and hopefully I'll have more applicable answers.

#writing #making a graphic novel #writing a graphic novel #tutorial #writing tutorial

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warm-like-autumn · 3 years

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Little Witch academia theories

Since now there's the possibility of an upcoming Lwa season I thought it was the perfect time to share this theory I've had for a long time, along with what I think the upcoming season could be about, possible episode ideas and… maybe future villains. And as I’m rewatching this show , I developed this theory that I had for a long time and even came up with ideas for the new season and what it could be about.Let's speculate!!

My main theory is about Croix Meridies and how she could possibly be related to the Hanbridge family.

This might be me over analysing things, but after seeing someone on Tumblr point out to how similar Andrew and Croix's eyes are, I believe they are connected in some way, but the creators didn't have time to develop on that. Especially in how in ep 24, there was put a strong emphasis on both of their eyes. In a scene that was supposed to parallel their reactions.Especially in a show like Lwa, where all the important characters have unique eye shapes that match their personality, having two important characters have the same eye shape and the same eye color raises some questions.

And this is not the only evidence I have to Croix being related to the Hanbridge family. In episode 19, Andrew even states that him and Diana are sort of related. And now on to the Paul Hanbridge part, it would be weird for a man who claims to dislike magic so much to be related to witches. So, what if his wife was a witch, because I think there's a reason we never saw Andrew's mother, and even though we don't see all of the characters parents and flashback moments in this show, Andrew's backstory seems to be pretty important and his father is always present throughout the story.

And for a father that is so strict it raises some questions that his mother is absent. So what if his mother is… dead, and what if her death had to do something with witchcraft, possibly being a reason why Paul hates witchcraft and forced his son to have the same opinions , thinking magic is a dead practice, and his hatred seems too personal to be political in the first place.

Another interesting factor is how Paul's hatred for witches seems to be different from Blackwell's hatred for witches. Whereas Paul's reasons are more justified since he hates the art, not the artist and thinks magic and witches are outdated and have no place in the modern age, Blackwell holds this opinion out of pure bigotry.

And as much as he hates witches, Paul still tries to keep a good relation with them, even if trying to "keep his enemies in debt"

as he says in ep 6 and he seems to have had a good relation with witches and Luna Nova for a long time. So something must have happened along the way for him to hate witches and that something may involve… his wife. What if witches or witchcraft were involved in his wife's death.

And this gets us to the important part of the theory, Croix and how she could possibly be Paul's daughter. What if Andrew isn't the only child Paul has, and this theory is plausible since Croix is around 28 years old,(she graduated in 2007, the anime takes place somewhere around 2017)

and Paul seems to be around his middle or late 50s, basically old enough to be her father. Another piece of evidence I have to that is how there not anything known about Croix's past before she joined Luna Nova, and despite her achievements and the fact that she was described as a "magic prodigy" she was also described as timid and reserved during high-school days, and back then she wasn't as confident and over the top villainous as she is today, her stance being much more distant and reserved, compared to Chariot, who was much more extroverted, even a bit of a show of, always surrounded by people.

She seemed as if she was hiding from something… or someone. What if Croix ran away from home in order to pursue witchcraft, since Paul could have been just as strict about witchcraft to her as he is to Andrew.

And it would make Andrew and Paul's connection to the Chariot and Croix storyline deeper and better, since even the magic shop owner was more relevant to the plot than those two at this point, and they acted as spectators in the second half of the story. Another interesting factor is how Paul constantly says that magic is dead ,obsolete and not necessarily in modern times, while Croix's main motivation is to prove that this exact thing is wrong and that magic is still useful by fusing it with science. And think about it for a second, the damage Croix's monsters did, how Croix fueling the protests for her experiments almost sparked into ww3, all of these things affect the government, which Paul is a part of. Her villain plan might have also been a revenge plan at her father, for being an awful parental figure.

On top of that, neither Andrew or Paul ever directly interacted with Croix or even saw her, and all of the important characters saw Croix and interacted with her, except those two. And at the end of episode 25, right after Croix was arrested and left the scene, Andrew appeared, almost as if the creators didn't want the two characters to interact just yet.

And knowing that Andrew and Diana are cousins, this would also make Croix be part of the Cavendish family, Meridies being possibly a fake name she took to distance herself from both of the well known powerful families. Andrew and Diana often parallel each other in the show, and Croix and her relationship to Chariot is also supposed to be a foil to Akko and her relationship with Diana. Therefore Andrew and Croix were supposed to be a foil to each other, Croix kind of showing Andrew what can happen if he quietly held a grudge against his father and not standing up to him at the right time for two long until he eventually could snap and do the same thing as Croix. Her story of being misunderstood,missguided, filled with jealousy could serve as a cautionary tail.

And Croix being Paul’s daughter would also make sense given her overambitious personality and her constant need of validation from others , including Profesor Woodward and desire to be on top.All of these factors could have easily shaped her into the sort of person that despite having good intentions doesn't have the best ways of achieving them , often putting others in danger to do so.Her being Paul’s daughter would also make sense of why she is jealous of Chariot , since Chariot not only has the shiny rod , but also support from others and appreciation .

A reason my theory could work is how Andrew was originally supposed to be Akko’s love interest , but the creator of the show , Yoh Yoshinari scrapped that sconcept at the request of staff and voice actor , he ended up making Akko a “girl who’s not interested in boys” , so Andrew needed a new purpose in the story , and maybe him discovering Croix is his sister and potentially also becoming a wizard could be those purposes , since they already been kinda set up.

But this theory also raises some questions .How did Andrew’s mother die?Is Andrew a wizard?Did he know he had an older sister? These could be interesting themes to explore in the potential upcoming season .Other things that would be cool to see in this potential season what happened after the missile, Croix redemption arc, my theory becoming cannon and Croix and Chariot having to deal with the mistakes they made, how Akko feels about all of these, and more stuff with the nine new witches, are they considered like superheroes, are they famous now??

Now , onto what the upcoming season could potentially be about :

- As I stated in my theory , Croix and Andrew having to deal with the fact that they are siblings

-Croix redemption arc , maybe more development with her relationship with Ursula/Chariot

-Maybe another episode focused on nightfall , maybe Akko using a spell to make the Nightfall characters real for Lotte’s birthday.

-More flashbacks about Chariot and Croix’s years as Luna Nova students

-Lore behind the golden age of magic and the nine new witches

-New villains

-Return of the shiny rod , but in a unique way

-Maybe the stories could deal with Arthurian Mythos via Appleton Academy

-Male Wizards , maybe more episodes with Andrew and Frank

-More action scenes and serious moments

-The preparation for the spring festival mentioned at the end of episode 25

-More references to other pieces of media (maybe more kingsman , marvel and star wars references as well…)

I should go in depth with some of these aspects :

1.For example , even after episode 25 showed everyone cheering for the 7 witches,they were happy and cheering because otherwise the missile would have killed everyone.They now are happy that they are saved by the witches , and possibly entering a new age of magic , but what if somehow , it is discover that it was because of Croix’s magic that the missile attack almost happened in the first place.How would they react knowing a single witch was capable of such a feast.Especially how would the politicians react.Because at the end of episode 25,Paul was willing to learn more about Andrew’s opinions about witchcraft and even be open to it .But maybe after he finds out the truth about the missile attack,his hatred for witchcraft is even more reinforced , maybe ruining all the progress Andrew has been trying to make in teaching his father about magic ,for him to hate it even more now.Maybe it would even push him to become a villain in the show.

2.Another idea for a villain in the upcoming season I theorize about is Daryl , Diana’s aunt , even though she was kinda redeemed by the end of the season , she is a strange figure , possibly using dark magic , maybe after Diana became head of the Cavendish family , Daryl does not agree with some of Diana’s ways of improving the Cavendish family title and returns to villany , maybe serving as a possible introduction to dark magic (Like she literally can go through walls and has a snake as a pet AND HER EYES GLOW RED)

3.After rewatching episode 17 (Amanda O’Neill and the holy grail) I came up with this silly idea for a plotline , what if that episode wasn't just about an epic fight scene and showing us Croix’s first experiment test , but set up something even more interesting.Even if the title of the episode is a reference to “Monty Python and the Holy Grail” , in the Arturian legend of the holy grail it is Galahad the knight who is chosen to find the Holy Grail. Galahad, in both the Lancelot-Grail cycle and in Malory's retelling, is exalted above all the other knights: he is the one worthy enough to have the Holy Grail revealed to him and to be taken into Heaven , so Galahad is the one to have found the holy grail.And for a first test , Croix’s monster worked quite well , and we also know in Lwa , spirits and ghosts exist and they tend to attach themselves to objects.And if Croix’s pixels were in the grail before Louis broke it , why didn't they start working yet.My theory is that Galahad’s ghost was attached to the Holy Grail and the cubes only powered the ghost up , making it able to separate form the grail ,but decided to stay still until Louis broke the grail , pissing the ghost of Galahad off and thus punishing Louis by possessing a nearby knight armor along with Blackwell himself, combining both into a violent berserker.After Amanda destroyed the armor she could’ve weakened the ghost of Galahad , thus everything instantly went back to normal , but what if the ghost started regaining strength , adjusting to life not being attached to the grail , but planning to stroke again , to punish Louis and the other students of Appleton for ruining the reputation of the school with their hatred for witches .Appleton academy could possibly have lore connected to Arthurian legend to it , with how much they hold the importance of tradition , duels , and gentleman like behaviour , almost knight-like.Maybe the next season could have a plotline that involves stopping the Ghost of Galahad.

4.Last but not least , even after the shiny rod vanished in episode 25 , i think there is a way for it to return without ruining the impact it had in the show. There are seven words of arcturus , and seven of the Luna Nova students are part of the nine new witches , right ?So since the rod became a constellation at the end of the show , seven of those stars could be the seven words , so what if each of the seven words materializes as weapon of their own on earth and each of the seven witches(Akko ,Diana, Lotte,Sucy, Amanda , Constanze , Jasminka) get one of the seven words that became weapons .Because even if the rod disappeared , it came to Akko’s help in a different way , since even if the quest to bringing a new age of magic is far from complete.

#little witch academia #andrew hanbridge #Akko Kagari #Diana Cavendish #Croix Meredis #Chariot du Nord #Ursula Calistis #Little witch academia theory #Anime Theory #Anime headcanons #Lwa #Lwa theory

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1ddotdhq · 4 years

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❌Wed 25 Nov ‘20🎫

Harry and Louis are having another competition, clearly! This time, they’re competing for which one keeps us updaters busier - Louis won today, by the way. The tickets for his livestream went up today as promised, and, like clockwork, the Veeps website went down. Sighhhh come on, guys! We WARNED you about this - PLEASE don’t have this happen on the day of! But fear not, Louis was around and tweeting the whole time, assuring fans that it would work, and everyone could get a ticket. (It took the Intern about six hours, but I finally got mine! Discourse got it in two hours, so that’s the time discrepancy on ticket purchase time). Louis expressed his surprise that site was having issues (literally howwww??? It’s been TEN YEARS!), and said, “you’re all legends! Here we goooooo” , and told fans that we “deserve it!” - it being a chance to watch him perform lmao I stan a confident king! He also promised “one or two” surprises during the concert, said of a piece of fan art “boom! That’s fucking amazing” (it really was, congrats to the artist for a phenomenal piece), confirmed that he loved all his fans, saying yes that one and also that one to various countries for a while before presumably realizing that could continue all day if he didn't draw a line, and promised a bucket hat in his next merch drop. AND! Speaking of merch! You can get a shirt with the cool backlit stage pic they used for his new socials and the veeps background that says CREW on the back and comes with a 'crew' lanyard, or a black mask (!!!) with xx smiley face! All proceeds go to his chosen charities, so go get the merch while it LASTS!

And now for Harry’s valiant entry to today’s competition: He won best international artist at the ARIAS!!! It’s a fan voted award, and, in a rare move, he made a thank you video to the fans for voting: “...thank you to the fans who voted for me, and for the support that you’ve given me offset the last couple of years and also the years before that. So thank you so much. I hope you’re staying safe.” You too, man! Especially with how BUSY he is going to be in the next month! And now for the “people around Harry talk about him” portion of the update: Anne reminded us that Harry used to be a (Star) baker in her Grammy congrats tweet, Molly Hawkins posted some pictures yesterday celebrating the Grammy nomination, including one behind the scenes picture in which she had fully blacked a person out. Fans were quick to wonder why she had done that and who it could have been (Louis. People were wondering if it was Louis. There were paps and fans with cameras all over that filming but I mean sure anything is possible!) And Stevie Nicks came back to, uh, suggest a Sunflower Vol 6 music video that depicts a love story between *double checks* a flower and a bee. I wish I was making that up, but there you go - hey, at least H already has the tattoos for both parts of that story! She also goes on to say that she’s happy he decided to become a rock star and eschew the pop roots that were forced upon him in One Direction (and that he's apparently being forced to continue to celebrate and honor and enjoy in his free time mhmm), and that she has the perfect role for him in a miniseries based on Rhiannon (“a magician who doesn’t want to be king”). And in that same vein,Greg Berlanti's hot footie player husband, has signed with CAA,who is producing the upcoming My Policeman. The article says that it is “starring Harry Styles and Lily James”. The last we had heard about this, they were in negotiations... is this an update or simply careless phrasing? Seems a done deal either way, so let's have that exciting announcement! Or not, we do have a lot of other excitement to keep us busy right now.

Niall is being funny on twitter again, making fun of Trump with an “I WON THE GRAMMYS” tweet which landed really well with me and so I'm excited to report it! He also says that he wasn’t snubbed by the Grammys, “I’ll make the music and it’s ok if they decide it’s not Grammy worthy this year, I’ll try my best and hopefully it happens next time or another year.” It was a show of grace, sense, and maturity, love to see it. Also, his merch is 25% off today, and it’s all super high quality, so now’s your chance to get some at, well, cheapER prices anyway. And Liam’s thirst traps are BACK: Liam posted a shirtless selfie with necklaces around his neck and a few tattoos on display, and uh, a really YOUNG looking Maya making a silly face in the background. I don’t say this a lot, but sometimes I am reminded of how she is not even twenty years old, and it is...disconcerting. The picture is captioned “Work starts in 8 hours” and I HOPE that means work on his Christmas concert, which will go really well, if Naughty List is any indication: the song has been number 1 on the Top Triller US Charts for two weeks!

(update from Discourse: there was an error in early versions of yesterday's post, apologies to anyone who saw that one-- Harry is not the first member of 1D to receive a Grammy nod, that was technically Zayn, who hit so many of those milestones first, but Harry got the first solo noms and is well positioned to become the first winner amongst them, get in Harry! )

#louis tomlinson #Harry Styles #Niall Horan #liam payne #Zayn #also about Louis' newsletter discourse: the newsletter does say copyright Louis Tomlinson instead of copyright Sony #BUT i unsubbed and then resubbed and I still have to go through Sony Music #so there's that!#anyways!#song of the day!#Kampfire Vampire by Gerry Cinammon

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seagreen-meets-grey · 3 years

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When Lightning Strikes Ch. 19

When your life is nothing but a cloudless sky, lightning can come and strike you so unexpectedly, you won’t even know what hit you.

Or: When Hiccup and Astrid meet, it is as if lightning strikes.

[Chapter 1] [Chapter 2] [Chapter 3] [Chapter 4] [Chapter 5] [Chapter 6] [Chapter 7] [Chapter 8] [Chapter 9] [Chapter 10] [Chapter 11] [Chapter 12] [Chapter 13] [Chapter 14] [Chapter 15] [Chapter 16] [Chapter 17] [Chapter 18] [Chapter 20]

Crossposted on ao3 and ff.net

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Hiccup first brought it up on a sunny afternoon in mid-July, one year after that fateful rainy Sunday.

It was a Friday and Astrid’s parents had invited them over for a barbecue. They were both still at work, but Astrid and Hiccup were already at the house and had prepared the food. There was a green salad waiting in the kitchen, the meat was seasoned on a covered plate in the fridge, herb bread was ready to be gratinated in the oven and drinks were cooling in the minibar.

While rifling through the closet for napkins, Astrid had found an old bag of water balloons and, unbeknownst to Hiccup, had filled them in the sink before she’d attacked him in the garden. He’d just arranged the garden furniture and wiped the table with a damp cloth when something cold and wet had exploded all over his back, followed by the hearty laugh of his girlfriend.

“Hey, that’s not fair, I’m unarmed!”

She rolled a handful of balloons over the table and he had to be careful to catch all of them before they fell to the ground and burst all over his feet. He made a show of fumbling with his ammo, catching her off-guard when he suddenly hurled one right at her. It exploded on her chest and while she was momentarily distracted, he escaped from her immediate attack zone.

In no time, they were out of ammunition, with large water stains all over their clothes. Balloon shreds were scattered all over the lawn, some had hit the house wall and there was a wet imprint of a water explosion on one of the living room windows.

But Astrid was in no way done with their water fight, despite her dripping hair and wet left butt cheek. From the garage, she produced two dusty Nerf Blasters, and the battle carried on. The chairs and table were converted into shields and hiding spots, the water faucet was a safe zone to fill up on ammo, and the hammock was off-limits.

After Hiccup accidentally shot a blast in her face, she dropped her gun and wiped at her eyes. He rushed over. “Oh my god, I’m so sorry, are you okay?”

As soon as he was right in front of her, she made a grab for his Blaster, picked up her own in lightning speed, and pointed both of them at him. “Gotcha. I win.”

“Oh, you!” He tackled her and when they stumbled a few steps backwards, he steered them right into the hammock. Swinging back and forth from the momentum, he pinned her down and started tickling her sides. She writhed underneath him, tried to kick him, but it wasn’t that easy in a hammock. Tears from laughter were gathering in her eyes until, finally, she managed to free a hand and attempted to push him out of the hammock. “Okay, okay,” he relented and rolled off of her.

A light breeze was rustling through the leaves of the apple and plum trees above. Catching their breaths, they made themselves comfortable, gazing at the bright blue sky through a sea of green. The breeze was brushing through their wet clothes, providing a nice change to the summer heat.

He moved his head to the side, watching the game of cat and mouse that sunlight and shade were playing on her face. When the hammock came to a stop, she stuck one leg out to lightly kick at the ground. “Hey,” he said, voice barely above a whisper.

“Hm?”

“Do you ever want to get married again?” Her eyes widened slightly as she looked back at him. “Just a general question,” he quickly added. “I’m- I’m not proposing.”

“Yeah, I know. I just…” She wrinkled her forehead, focusing back on the ceiling of leaves. “I’m not sure. I once thought getting married was the right idea and now I’m divorced.” She glanced back at him. “I’m not saying things aren’t different this time. But I don’t know if I want to go through that again.”

For a while, he was quiet, fiddling with a loose thread on her top. He understood what she meant. Maybe it had been a bit too early to ask, anyway, even as a general question. It had only been a little over a year. That didn’t mean his stomach didn’t make a traitorous drop, though.

“That’s okay.” He reached out and played with a strand of her hair, twirling it between his fingers. “As long as I get to be with you, labels don’t matter, anyway.”

“Good.” She kissed him. “Because that’s all I need.” Then she produced a water balloon out of nowhere, probably a stray one that had rolled off earlier, and held it in a threatening way over his head. “Get merked, Hiccup!” He had just enough time to jump out of the hammock before the bomb hit and doused him. The game was back on.

Not much later, a car pulled into the driveway and soon enough, Frederick Hofferson stepped onto the patio. Astrid immediately hid behind him, using him as a human shield. Hiccup just about managed to hold back his throw. The last thing he wanted to do was shoot his girlfriend’s father with a large water gun. Especially since he felt like the man was still not quite used to him, still regarding him as the guy that ended her daughter’s marriage.

“I’m not a part of this!” Frederick shouted and ducked out of the way. While Hiccup was still mindful of the splash area of his projectiles, Astrid had no such reservations. She took her Nerf Blaster apart, dashed over and emptied the small water tank over his head. It seemed the winner was obvious this time, but he would get his revenge soon enough.

The warm weather had dried most of his clothes by the time the first steaks were ready. Frederick offered him to trade places so Hiccup could take over with the meat, but he declined. It was obvious the man was in his element. Astrid leaned over and whispered, “I think he’s trying to bond with you. He’s looking for shared interests.”

“Really?” he whispered back. “That’s great, but I’m really not interested in barbecuing techniques.”

She shrugged. “Then find something else to talk about. He’s finally making an effort. We shouldn’t let that go to waste.”

Hiccup nodded and wracked his brain for a topic to strike up a conversation with Frederick about. He’d never really been alone with the man so far, there had always been at least one other person present to save them from any awkward interactions.

He was so lost in thought, he almost didn’t catch Wilma’s announcement about the party. She and her husband would soon have their 25th wedding anniversary and wanted to celebrate it with family and friends. Hiccup was naturally invited but, after a quick check with Astrid, so was Eret. After all those years he’d been considered part of the Hofferson family, and considering he and Astrid were still on such good terms, Astrid’s parents wanted him to be there with them.

Astrid sent him a sidelong glance, asking with her eyes if he was okay with that. He sent back an answer of, Do I have a choice here?

I can talk to him and ask him not to come, she offered.

He shook his head. No, that’s stupid. We’re adults. I’m okay with him coming. He’s family.

Well, she raised her brows, if you’re sure…

“…no, I don’t think she’s listening. Astrid!”

She looked up. “Sorry, what?”

Frederick chuckled. “Your mother just asked you whether you could help her carry the dishes into the kitchen.”

“Oh, sure, yeah. Of course.” She got up and started collecting the plates, sending Hiccup a conspiratorial smile before she followed her mother into the house. That left him at the table with Frederick.

For several minutes, they busied themselves with their beers and the last pieces of bread still on the table. From inside the house, voices and the clattering of dishes carried over, not quite loudly enough to provide sufficient white noise and deeming a conversation between the two men necessary to drown out the awkwardness settling over them like heavy snow.

Whatever you do, Hiccup firmly told himself, just don’t talk about the weather. Really, anything but that. Or sex. Especially with his daughter. He gulped down the rest of his beer, looking anywhere but at Frederick, infinitely glad that mind-reading wasn’t a thing.

His fingers drummed on the legs of his chair and he couldn’t sit still, shifting around, accidentally bumping his knee against the underside of the table, grimacing through the pain. He was just about to jump up and flee into the house when Frederick spoke.

“So,” he started, leaning forward a little, “I’ve always meant to ask…”

Please don’t be an embarrassing question, Hiccup mentally prayed. “Yes?”

“What exactly is it that you do at your job?” Oh, thank god. Hiccup exhaled. “Astrid mentioned it a couple times, but I never really caught it.”

“Ah, well, I illustrate uh, books?” Why had that come out as a question? “Yeah, um… Mostly covers and artwork for fantasy novels, and I’ve done some children’s books… Uh. Do you like to read?”

“The newspaper.”

“Oh. Yeah, I don’t do that. Illustrate that, I mean. I do read it, though!” Please come back, he mentally cried, hoping Astrid would pick up the brain waves. The other man just nodded and another silence engulfed the table. Hiccup continued drumming on the chair. When Astrid had met his parents, she’d immediately gotten along with them, especially with his dad. Why couldn’t he do the same with hers?

“I’m not very artistic myself,” Frederick continued in an attempt to keep the conversation going. He really was trying.

“You’re a construction engineer, right?”

“Exactly.”

“Don’t you need a certain level of artistic ability for that, too? Designing constructions is still designing, after all.”

Frederick shrugged. “Sure, I can think up construction plans and put them neatly on paper, but I could never draw, say, a dragon. I just don’t have the imagination or patience or creativity.”

“I’d argue you are creative. Where else would you get ideas for constructions from?”

“Well, if you put it like that… Maybe you’re right.”

Hiccup felt a surge of confidence. They were having a conversation and Frederick was agreeing with him. “When I was little, I always wanted to become an engineer. I had a whole room full of Lego Technic stuff and I would spend entire days building, taking apart, and rebuilding all kinds of machines.”

Frederick raised his head in interest. “What changed your mind?”

“Nothing, actually.” He scratched his neck. “There was this engineering school I wanted to go to, but they were full the year I wanted to start. And instead of applying somewhere else, I took their offer to start the next year. In the meantime, I enrolled in a number of illustration courses and liked it so much that I stayed.”

“Do you ever regret it?”

“No, I don’t.” He didn’t even have to think about it. “I love my job. And, well… Through a chain of events it’s what’s led me here.” Frederick gave him a quizzical look. “I mean, uh, my friend and colleague Fishlegs, he… Um, long story short, he introduced me to my ex-girlfriend. And she has a brother who has this best friend and… Ah, you see, this best friend had a fiancée…”

An understanding light went on behind Frederick’s eyes. Nervously, Hiccup waited for the reaction that told him the other man wasn’t very amused by the story, taking into account that he’d probably exchange Hiccup for Eret on the spot if he could…

What he hadn’t expected was for the man to burst out laughing.

“Well, in that case, the engineering school not taking you gave me a second son-in-law.”

“Oh, ah…” Hiccup felt his face heat up at the term. He felt a ramble bubbling up in his chest, about how he’d only barely discussed that with Astrid and how she wasn’t even sure she wanted–

“Don’t worry, I’m just teasing you, son.” With a chuckle, Frederick leaned back in his chair and Hiccup exhaled. “So tell me, what machines exactly did you build as a kid?”

Once he started talking about his Lego inventions from his childhood, Hiccup lost track of time. An indefinite time later, Astrid and Wilma returned to the table, finding the two men deep in conversation. Wide smile on her face, Astrid gave him a kiss on the cheek and shared a pleased look with her mother. At the end of the day, he had to promise Frederick to continue their conversation the next time they saw each other.

Maybe he wasn’t yet an Eret when it came to being an integral part of the family, but he was getting there.

_______________

On the night of the Hofferson’s anniversary party, Hiccup found himself surrounded by several of Astrid’s great-aunts, great-uncles, grandparents, and various other older folk somehow related to or friends with the family.

He’d actually just wanted to take a break from socializing and had retreated to one of the tables in the corner while the party continued on the dancefloor and at the bar. Astrid’s cousins were doing shots, but he’d just so managed to escape. Her uncle had claimed dance after dance with her. Wilma and Frederick were moving from group to group, having a drink here and a conversation there, dancing with friends and family in-between. And Eret stood with the cousins as if he was one of them.

It had been quite a tad awkward when great-aunt Phyllis had walked past the two of them earlier, cheeks red from brandy, and said with a cheeky wink: “Let’s hope she sticks with this one.” Once she had moved on, Hiccup wanted to sink into the ground and Eret was guffawing.

Now, Phyllis was sitting opposite him, another Cognac in front of her, giggling with the group about something he’d said. He’d discovered he had a knack for entertaining the older generation of his girlfriend’s family. They questioned him about every single detail of his life, his family, and their favorite topic, the story of how he and Astrid fell in love. Even after hearing it for the third time that night, they still aw-ed and ah-ed, hanging onto his every word.

“Then what happened with Eret?”

“Larry, he’s right there,” great-uncle Greg groaned and pointed at the tall man downing tequila with cousin Beth.

“But I don’t know the details, old fart!”

“Who are you calling old?! I’m younger than you.”

Grandma Rosie, 93 years of age, lifted her walking stick and threatened to whack them both over the head if they didn’t stop bickering. The men let their squabbling go and grinned as the rest of the group watched, amused, as Rosie’s façade crumbled, revealing the humor in her eyes. Eleven wrinkly faces returned their attention to Hiccup, expectant and curious, some a little wary. They hadn’t heard this part of the story yet and they had caught on to Eret’s change of lifestyle.

Hiccup hesitated. This wasn’t his story to tell anymore. And part of his audience was quite conservative, already scrunching up their noses. Then again, Eret had come here with an official male date. He wasn’t hiding anything. And to their credit, even the most conservative person in this hall had been nothing but supportive towards Astrid’s life choices so far, first a divorce not even two years into her marriage, then bringing both her current and her ex-partner to a family event.

Also her supposed choice of having kids out of wedlock, but since she was currently drinking a glass of wine on the other side of the hall, Hiccup expected that particular rumor to dissolve during the night. Not that it hadn’t given him a minor heart attack, though, when he’d first been asked about it by great-uncle Charles. Hiccup had told her that dress looked a little baggy when she was sitting down, no matter how gorgeous she looked.

“Well,” he started, searching for the right words, “Eret’s date went great. But after a few weeks with Tim, the spark faded.”

“And then he was with that girl from the bakery, right?” Susan, one of the Hofferson’s neighbors, chimed in, leaning forward and lowering her volume just a bit, as if she was passing on a secret. “I saw them together a few times.” Astrid had warned him about Susan. That woman was probably the worst gossiper in all of Berk. That’s why he’d made sure she was the first to hear that Astrid was, in fact, not pregnant.

“Yeah,” he confirmed, “he dated Christina for a short while.” He didn’t specify that this short while had only been three consecutive weekends on which they had hooked up. He also deliberately left out the part where Eret had tried to figure out the exact nature of his sexual orientation, having short flings with several women and men. “But then he found love in unexpected places and that’s been going strong for several months now. And counting.” Finally, he might add. He and Astrid had had quite the bet riding on that one. She still owed him several, well, favors.

“Aww,” cooed the group. No comments or expressions of disgust regarding the homosexual nature of Eret’s relationship. If they didn’t like it, they were keeping that to themselves. These people were here for love, no matter the manifestation. And as a bonus, they liked him. Astrid’s entire family, from first cousins to the great-aunt’s third husband, had welcomed him with open arms. Some more wary at first, some with a sassy comment, but warm and openly, nonetheless. He started to feel like he belonged.

“So Hiccup, tell me,” Susan shuffled her chair a little closer to his, expectant look in her eyes, and asked the question he’d feared would come up eventually. “When are you and Astrid getting married?”

“Ah… Um, I- I–”

“Susan, come on,” Rosie chided the nosy woman with a sharp glare that Astrid had obviously inherited from her, “it’s only been a year. This generation is different from yours or mine. Kids these days don’t want to settle down first chance they get. Let them live life!”

Susan pouted, but she listened to Rosie and dropped the topic. Hiccup smiled gratefully at the old lady, even though the truth was a little more complicated than what she’d said.

With a little wink in his direction, she added, “We old folk don’t need to understand everything the youths are up to. Our time is over. Now we just do our job keeping them humble by telling them horror stories about wars and an age before the facebooks and twittle existed.” She raised her glass of white wine spritzer at Hiccup. “Right, my boy?”

Suppressing a laugh, he mimicked the motion with his empty beer bottle. Individual discussions broke out among the table, varying from rants about kids these days to how old Florence had recently bought a 4k TV set. Susan continued to do her best contributing her share of gossip.

Hiccup was just considering leaving the table to it when he felt it. It was subtle, a twitch of his heart, a prickling in his neck, before not a moment later two arms wrapped around his shoulders from behind.

“What are you kids up to over here?” she asked, her lively voice right next to his ear coating his chest in honey. He didn’t register the following conversation, only felt the vibrations of her laughter, distracted by the warmth of her arms around him, her perfume, her general proximity. Despite being used to it by now, the rush of the feeling still turned his insides into an out-of-control carnival ride.

She shifted behind him, bringing her face closer, and whispered in his ear. “Want me to save you?”

There was no need, he was sure he could just leave the table on his own, but he would never turn down the offer to be saved by Astrid Hofferson, who he was sure was descendant from literal Valkyries… He was getting distracted again. “Yes, please,” he whispered back.

She took his hand and pulled him out of the chair. “Come on, let’s get a drink.” They waved goodbye to the table of elders and made their way over to the bar. Immediately, one of her cousins asked him what he wanted to drink, handing him a glass of rum and coke, and in no time, he found himself included in the conversation. And not just because he was Astrid’s boyfriend. He saw it in their eyes, felt it in his gut. He was part of the family.

At some point a little later in the night, the music switched to hits from the 90s and 2000s, and most people left the bar to dance. Hiccup used the opportunity for a minute to breathe, now alone at the bar except for Astrid and two of her cousins. Olive and June were busy with whatever endless row of texts June was receiving, and Astrid had leaned her head on his shoulder, watching the mob on the dancefloor. He slid an arm around her.

“Look at Hank,” she said and pointed at the crowd. A middle-aged man, her dad’s best friend Hank, was raving in the middle of the dancefloor, completely lost in the beat. His shirt had come out of his pants and there was a large beer stain on his chest. People around him were cheering as the usually so composed office worker was letting loose in their midst.

Hiccup spotted a shock of fiery red hair dancing its way over to him and grinned. “Looks like he found a friend.” Astrid chuckled as they watched Dagur join Hank with his ridiculous dance moves, and the two men took over the entire floor. “I’ve never seen anyone so passionate about the Crazy Frog.”

“I have. Dagur and Eret, at a college party.” She grinned and joked, “I really should have seen this coming when Eret ditched me half the night to dance with Dagur.”

Scanning the crowd for Eret, Hiccup found him talking to the DJ. He’d never forget the day Astrid and he had been over at the man’s place for brunch when all of a sudden, the door to Eret’s bedroom had opened and a yawning Dagur, clad in only boxers and a loose bathrobe, had strolled out, disappearing down the hall into the bathroom.

Eret had cleared his throat. “Yeah, so, when I said I had news, that’s what I wanted to tell you.” However he’d thought Hiccup and Astrid to react, he probably hadn’t expected them to instantly start haggling over winnings and unwritten betting conditions. By the time Dagur had joined them at the table, Astrid had admitted defeat and settled for an I told you so-face directed at everyone.

They really made an odd group, even more so with Heather thrown into the mix. Astrid always got a kick out of explaining to other people how they all met, watching them try to figure out the specific relations and histories between all individuals involved. Hiccup had to admit, it was kind of funny.

The song ended, fading over into a beat he loved to hate, or hated to love, accompanied by a honking sound and a distinct 90s beat. Next to him, Astrid bobbed her head from side to side to the music, and the next moment, Eret’s outstretched hand appeared in front of him.

“Hofferson, this is our song!”

Astrid thrust her drink into Hiccup’s hands. “Hold this for me, babe!” Then she pulled Eret onto the dancefloor, instantly falling into a series of dance moves clearly coordinated with Eret’s. Hiccup blinked a couple of times at the sight.

A snort next to him shook him out of his stare. It was Frederick, ordering a tray of drinks. “Whoever has an elaborate choreography to the Vengabus song figured out, deserves to be best friends. Don’t you think?”

Hiccup smirked. “Oh, sure.”

Frederick saw his expression and mirrored it. “You’re not going to let her forget this, are you?”

“Nope.” He took in every little aspect of the show. Oh, she would never hear the end of this. In perfect sync, she and Eret dragged peace signs in front of their eyes, swung their arms around, twirled, and did something vaguely resembling the chicken dance. This even blew Ross and Monica’s Routine from Friends out of the water.

“You can still run and never come back,” Frederick suggested.

“Are you kidding me?” Hiccup laughed. “Why would I ever leave a girl like her?”

“Good answer.” Frederick boxed his shoulder, then took the tray over to the table of elders. The friendly violence seemed to run in the family.

When the song ended and another took its place, Dagur wedged himself between Astrid and Eret, claiming his new dance partner. Shaking her head with a humorous eye-roll, she walked back over to Hiccup and took her glass back. Upon his grin, she asked, “What?”

“Oh, nothing.” His grin didn’t fade. “That was… Beautiful. Graceful. I- I don’t have the words.”

“Shut up, you’re just jealous.”

He wrapped both arms around her, mindful of the drink in her hand, and kissed her temple. “Yeah, totally. I wish I had moves like that.”

“Yes, you wish.” She was grinning now, too, turning her head to give him a kiss, and then another one. He would be crazy if he ever even considered leaving her.

A few songs later, the beat slowed to a Cranberries song. Astrid put her glass away and tugged at his hand. “Your turn.” She didn’t pull him onto the dancefloor, just stepped a few feet away from the bar, put one hand on his back and laid the other in his. Together, they danced on the spot, her face resting in the crook of his neck.

After a while, he mumbled into her hair, “Susan brought up the question.”

She didn’t need to ask what he meant. “What did you tell her?”

“I didn’t. Before I could say anything, granny Rosie came to my rescue. She said something about generational differences and Susan shut up. We should steer clear of her, though, I don’t think she was satisfied with that answer.”

She huffed. “I can handle Susan.” He knew she could. He just didn’t want to face that question again without feeling the need to explain Astrid’s decision to not get married again; it was none of Susan’s business. If Astrid changed her mind, though, he wouldn’t waste any time. Even if they were in the pharmacy aisle of a rundown big box store, surrounded by diarrhea medicine, and Snotlout was the officiator. Although, come to think of it, he might be able to make himself wait until they’d moved to at least the garden center.

As if she’d read his mind, Astrid lifted her head and looked up. “You want to get married, don’t you?”

He didn’t answer straightaway. “I know you don’t and that’s okay. I want to share a life with you, be by your side, as your partner in everything, no matter what a document says or what last name I have.”

She chuckled. “Oh, so you’d take my name?”

“Sure! Hiccup Astrid Haddock, that has a certain ring to it, doesn’t it?”

She groaned good-naturedly. “You’re ridiculous.” After a short pause, she continued, “You know what? If I ever end up changing my mind, I’ll take yours.”

“Wait, really? What about your family pride?”

“Oh, I’ll make sure my kids know their roots.”

His lips stretched into a smile. “Your kids, huh?”

Hiding a blush, she buried her face in his shoulder. “You know whose kids.” Her voice came out muffled and was nearly drowned out by the next song, louder and faster than the last, but he’d heard her.

“Okay. Deal.”

#httyd #hiccstrid #fanfiction #hiccup haddock #astrid hofferson #eret #dagur the deranged #when lightning strikes #modern au #a bit of angst with a dash of drama #or the other way around #maja writes #ff #fanfic #how to train your dragon #dagret

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ophiexb · 4 years

Text

Coming Out

Julie learns a little more about her boys- or how Julie found out Alex was gay.

-------------------

Julie doesn’t know much about…..any of the guys really, even her knowledge of Luke is pretty limited and was only expanded slightly by the guys' help. She knows his birthday, that he ran away from home after a nasty fight with his mom, and that he wrote all their songs. Besides that she really doesn’t know very much at all about the guys. Google isn’t help only the one article about this tragic death of a great band, their names, and nothing else.

She starts to pick up little bits of information here and there, she learns quickly that they are totally willing to talk and share way to much. She just has to make the effort on her end. Because she’s mostly banned them from the house(though she’s very aware it’s ignored completely while she’s at school.) Which means she has to come to them to learn anything or get any kind of conversation on who they used to be before they died. She starts spending more and more time in the studio, practically all her free time in there now listening to them, talking to them, and creating new music.

She learns Reggie likes country music. A lot. Almost more than rock music and it’s actually pretty funny, she makes it a personal mission to start showing him more of it and catching him up on the last 25 years of country. Reggies absolutely thrilled. She also learns he’s a huge Star Wars fan, though that doesn’t go over as well as the country music. There’s little small personal things she learns, like how his parents fought a lot. She makes mental notes to close doors a little softer and even when irritated with them she keeps her tone light. She learns that hes definitely weird, really weird. But he’s also incredibly sweet, he cares about the guys almost to a fault and loves them with everything he is. He’s a bit of a dork, but a lovable one and she finds his love for her Dad a lot more endearing. To have a true example of a loving father she can’t take that from him.

Luke is a bit harder, he’s totally willing to share a plethora of music, songs, and band related stories with her but outside of that she had to really catch him off guard. His songs exposed a lot of his feelings, it’s easy to pick things up from there. Things about his parents, about their band. Luke loves music, almost to much. He eagerly takes in all the new songs Julie shows him and asks her all kinds of questions about various artists and music related topics. He loves movies, and she loves showing him all the top movies over the last couple years. The cgi really gets him at first and she cracks up over it for far too long when she shows him a movie from this year first. She learned very quickly that starting with older movies and working up was better-he for a little less horrified at what he was warching. She also learns that the band is everything to him, which she knew but she saw the extent of how much they were a family. Luke shows love in gentle touches and concern. She watched the way he checks on the guys and touches their shoulders confirming they're okay. That they're there with him and okay.

It’s Alex she finds impossible, he’s definitely a lot softer spoken than the other two, but he’s far more sarcastic with them than her. She finds him constantly rolling his eyes at Luke, giving snide remarks and making jokes at their expense. Which means the side he shows her isn’t completely who he is. He gets worked up a little more than the other guys two, she’s caught him pacing a few times when she’s gotten off school but he immediately stops as soon as she comes in. He’s still not quite ready to open up to her the same way the others are and she’s not sure how to get him to.

“Alex...is I mean he’s just a little more…” Luke pauses looking for the right words to describe the blonde. Julie had come to him asking how to create the same bond she had with the other two. To learn about him and show him things he was interested in. Not just stuff the other guys like. “He’s just-you’ve gotta wait until he comes to you about things.”

She pouted, crossing her arms a bit. “But he’s got you guys he won’t come to me.” She gestured.

“I can’t really help you Julie….it’s. Alex is just a little more reserved I guess? We’ve known one another since we were like ten….” There was at least something. So him and Luke were friends long before the band.

She starts to pick up small things from Luke mostly about him. That after hed run away from home he wasn’t the only one living at the studio. It wasn’t full time but from the sound of it Alex spent almost all his time here as well. Enough to have bags of old clothes and personal items they’d found cleaning the loft. He didn’t cave to any of he questions about why, or when or how or anything and it was so frustrating.

She hadn’t gone to see them today, having dinner with her brother and Dad, getting caught up in homework and now she wanted to just unwind with a show curled up in her pajamas and catching up on some new episodes. Her thoughts kept drifting to them though, she should of at least checked in. There’s a soft knock and she turned slowly to see it wasn’t her Dad, the ghost hand coming around and she laughed. “Come in.” She said softly expecting Reggie, or Luke. Only it’s Alex that comes in wearing his shorts and soft pink shirt that she’d grown familiar with. She pauses her show sitting up. “Hey what’s up? Are you okay?” She worried mostly because he was alone and she’d never really seen the other alone before.

“Me?” He asks looking around a little nervously before nodding. “Oh yeah-Yeah. Luke and Reggie have been busy all day-and I guess….” He hesitates and she smiles, patting the bed next to her. This is her chance.

“Come on, I’m in the middle of a show. Your welcome to come watch it with me.” She encourages and he moves quickly at the invite coming to sit in the bed with he. He’s got his shoes off and she adjusts slightly to give him space to get comfortable before hitting play. She’d never invited any of the guys in like this and she’s sure he knows it, he’s being careful not to look around her room to much, to be respectful of her space.

“What’s it called.” He asked softly slowly unwinding more and more as the show played. His body relaxing next to hers as he curled around his knees.

“Its called Shadowhunter's.” She explained shifting slowly to sit up better with him. “It’s based off a book series; it’s pretty good. It’s about these people-they’ve got angelic blood and I guess they fight demons...there’s so much more to it than that but you get it.” He hummed falling silent as they just watch it together. He seems pretty interested and she wonders if she should ask if he wants to rewatch the whole show with her. If he’d like that. She’s so focused on thinking about Alex she’s completely stopped paying attention to anything going on in the show now.

“A-are they together?” Alex asked his voice so soft she barely catches it but her brows furrow and she looks at the screen. Catching the two characters and nodding.

“Oh yeah, Magnus and Alec-there together. In the books they get married and adopt kids and stuff it’s really cute.” She pauses because his eyes are so wide. For a moment she worries because he is from the 90s and who knows what his mindset is on all this.

“Married? But-but they can’t.” He protested softly. “I guess it’s a book or a show or-it’s fantasy but-but that’s-“ He’s stumbling and Julie can’t help but cut him off.

“Alex gay people can get married, like in real life. Not only that but they can adopt and everything-they’ve got rights now.... It got passed a few years ago.” She sits up a little better, his tone is off. It doesn’t sound like someone whose disgusted or repulsed and she’s absolutely floored to see tears coming to those blue eyes when she gets a better look at him. “Hey-woah. Woah what’s wrong I’m sorry.” She said quickly and he sits back further away from her a bit rubbing at his eyes and trying to wipe away the tears but they keep coming.

“No-no it’s. It’s not your fault I just. I never thought I’d see it.” He whispered looking away. “I never thought-I mean. It-it’s a lot.” Julie pauses for a moment looking at him and he’s really crying now his hands pressed against his eyes tightly. Her heart breaks and she wishes she could Comfort him in some way, hoping he doesn’t vanish before they can talk. It clicks now and she’s hesitant as she speaks.

“It’s come a long way in 25 years...it’s not perfect. But rights have come far, education. Acceptance. We’ve got a long way to go but it’s in media, actors are openly out...do. Do you want to see more? More stuff like this?” He nods slowly, his hands slowly moving away and she grabs her laptop, they gently lay out together Alex on his stomach alongside her the two of them close as they can be and she shows him anything she can think of. More shows with open characters, different actors who are out, she shows him when the laws passed and various couples that have adopted. He’s not crying anymore but his eyes are dark, red around the edges and he seems so deflated and yet she senses ease. He’s crying still, a slow silent cry that hurts her more than anything.

“I met a boy.” He says softly, there watching another show together, he’s curled around her pillows and she’d tossed a blanket over him. He looks cozy, his eyes still red and rimmed with tears but she smiles at him.

“Yeah? Recently?” She asks encouraging him opening up to her, just opening it up and being himself in general. She was kind of excited to hear about this guy he met to.

“His names Willie. He’s a ghost like us.” He confirms and once he says his name it’s like he can’t stop. “And he-he makes me feel like I’m alive. He gives me these crazy butterflies and he has the sweetest laugh.” He confides and Julie beams at him.

“He sounds pretty awesome. Is that where you go when your gone all day?” He nods in confirmation a soft shy smile on his face as he tells her about some of the stuff him and Willie get up to. How he’s really helped Alex adjust to being a ghost and become more comfortable with this huge change in his life. Julie listens smiling and laughing along with his stories softly about how they went to museum and screamed, or walking around talking about celebrities and tourists.

“I’m glad you found him Alex…..you deserve to be happy.” She encourages and it seems like her words truly catch the other off guard his eyes wide and surprised and so soft. He melts almost, his cheeks red.

“Thanks Julie…” He said softly.

Alex unravels after their night together, she learns so much about him and she feels a little proud, the warmth all across her chest when she comes into the studio now and is able to talk with all of them. It’s finally happened the last piece falling into place that truly, and completely makes them a family now.

#willex #julie and the phantoms #Alex Mercer #reggie peters #luke patterson #willie nolastname #julie molina

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tarantulas4davey · 3 years

Note

HELLO BESTIE I am currently having Ralbert Brainrot and you're the best person go come to for this, obviously,, so PLEASE share! I would like to hear about ufc albert or youtuber race, or dancing partners!! I love them smm

HI YES HELLO USING THIS AS AN EXCUSE TO WRITE UFC FIGHTER AL PART 2 THANKS BABES

i just witnessed a literal crime and i’m Feeling The Rage (boxing judges at mma events can catch these hands) so here is. my brain on anger.

also the first half of this is pretty fight-talk heavy but the second half is more al/ralbert central so message me/send me an ask if i don’t explain something well enough <3

here is the ask i sent to @we-are-inevitable (thanks jac i’m in love with you mwah) and here is part 1 for this au if you haven’t read that one yet !!

also,,,,, this is fairly obvious. but trigger warning for violence/physical fighting, as well as blood. (it’s a rough gig y’all fjdhdb) oh and swearing but that’s pretty much just me LMAO

here i am, bein mad and writing ralbert. therapy time with chandler ig

OK SO

this is after his debut. duh. continuation

i think he’s probably 5 fights in with 5 wins. he’s been running people through, especially with four full camps after a short notice start, and he’s never even seen a decision in the ufc

let’s just say the hype train is moving FAST and it’s moving LOUD

everyone has to have those people that watch their fights just to see them lose, on top of the majority male fan base that have to have a little bit of toxic masculinity and homophobia in there

so there’s A LOT of people that are waiting for him and his hype train to get derailed. but there’s also a fair amount of fans, so you win some you lose some (the way i would die to see this be a real fighter pls)

now albert’s not always the most confident guy, and he’s never been cocky, but none of this shit gets to him. he’s got his coaches, he’s got his friends and he’s got race behind him. he knows he’s got the skills, and he’s got his support system, so who gives a shit what a bunch of cowards on the internet have to say?

and then they put him against someone known for his grappling and stamina. and the “it’s a wrap for dasilva!” bandwagon starts. it happens every time a rising striker and early knockout artist fights a well known grappler with any semblance of later round power (even if al has a background in wrestling and has gone 5 rounds and won outside of the ufc. it’s a bandwagon for a reason)

and it’s not Upsetting, it’s not really getting into his head in any way that’ll make him do worse, but it’s kinda pissing him off. which is bad for his opponent

the last person on earth you want to be fighting is an annoyed albert dasilva who thinks he has something to prove

he works his ass off in camp, and the press tour is a self-assured albert vs. a loudmouth who thinks he’s hot shit cause a few people on twitter think he’ll sweep

and, to be completely honest? it’s starting to look that way 2 rounds in.

it’s a 5 round fight, co-main event on a big card, and so far all al’s opponent has done is pinned him to the cage and kept him there. a few strikes worth anything - at least enough make al’s cheek bleed, no takedowns, which would at least give him some activity, and so submission attempts, so he can’t even gain any ground that way. he’s just- Stuck. and if THIS is how he loses, he’s gonna be pissed

the bell for the second round sounds, and you can actually see al’s chest heaving on camera as he walks to his corner - not because he’s tired or out of breath, but because he’s MAD, and fuck if he’s not going to do something about it

not only that, but he can not only see race and jack standing up by the cage - plus race’s expression, which is slightly annoyed and super anxious, which hurts his chest to think about - but he can hear them too

jack is yelling profanities, as per usual. he doesn’t that regardless of how the fight is going, but it’s less encouraging when you’re the one losing.

race though,,,, race isn’t really yelling, he’s more talking to himself than anything, but he’s close enough to cage and al knows him well enough to figure out what he’s saying. and if the muttered almost-prayers while he paces back and forth weren’t enough, the shiny gold engagement ring on race’s hand definitely is

round 3,,,, let’s just say it goes a little differently than the first 2 had gone.

he opens with a spinning back kick, of all fucking things, and that truly sets the pace

he’s the taller guy by a few inches, like usual, which makes his arms longer. the only reason crushing his against the cage worked is cause the guy he’s fighting cuts weight like a wrestler, so he’s easily got 20 pounds on albert come fight night

but once he finds his rhythm and starts throwing, he starts connecting too. he manages to stay out of range of his opponent and stay his comfortable distance to start t-ing off

this isn’t a one punch power ending. this isn’t a beautiful head kick, or a giant knee, or even just a clean right hook.

this is albert, who’s arms are starting to feel the 3rd round a little bit, hitting this guy with everything he has cause he refuses to lose this fight.

i mean- everyone watched him get up at the start of the round with a set jaw and a scary determined glint in his eye. he’s not a person you fuck with, and he’s definitely not a person you publicly ridicule before being locked in a cage to fight with

the guy he’s fighting is absolutely battered, but he manages to survive until round 4. the first of the championship rounds, something al’s never seen in a ufc fight before, and it feels like the arena is holding its breath

so when al comes out and does the same thing as round 3 to better results - fight ending results - everyone’s a little shocked, honestly

the commentary team’s in disbelief, cause albert is NOT a slow starter, regardless of what this fight would tell you, and the fact he managed a win at all, let alone such a phenomenal one, is fucking astounding

he gets his hand raised, obviously, but the really interesting part is the post fight interview

“albert, man, what changed between round 2 and 3? what second gear did you find?”

“bro, i just— it was pissing me off, honestly. i don’t come in here to get pinned down for 25 minutes. and, y’know, my team gave me good advice. i had all the pieces, straight from the jump, someone just had to force me to put them in place…”

and then he looks over at race, who gives al one of those half grin, half smirks and winks at him, and al just chuckles to himself and finishes answering the question

“the thing that really forced my hand is race. i won’t get cheesy on you, but watching someone who loves and supports you through everything panic cause he’s scared for you - it’s a big motivator. everyone would figure out a lot more of my motivations if they went and watched race’s expressions back instead of whatever the hell i’m doing in here. he’s always been the brains, i’m just the brawn.”

and that’s a better answer than anyone was expecting, plus he’s just had the fight of a lifetime that’s probably earned him a title shot, so he’s done soon after that and gets to have his little in-cage celebration

he hugs his team and jack, who razzes him a little bit as per usual, and makes some dumb quip about going over tapes later like he’s a coach. and then comes race

he hugs him, all tender and cute and also very sweaty cause That’s How It Works, and the camera’s focused on him, so they can tell they’re whispering back and forth. but there’s no mics on them, so what’s said is missed entirely on the audience, but it’s their usual cheesy, in love mess

“congrats, baby. i’m proud of you.”

“oh please. it was 90% you anyway. i meant what i said, it wasn’t just for the cameras.”

“i know that. i’m gonna have to get you back somehow for telling everyone to go back and watch my awful anxious expression. i’ll think of something.”

“i’m sure you will, sweetheart.”

and then al does that awful, adorable lil nose bump thing, and then kisses race. and then jack covers his eyes and whines until they stop like the actual 12 year old boy he is inside

and then they leave the octagon, race and al holding hands, and al throws his arm over jack’s shoulder and shoves his head down and pushes him, cause even though he was just in a literal cage match he’s still a roughhousing teenager at heart

and he’s got interviews and press shit that separates him from his people, and he’s gotta slide that bulletproof mask back down over all the happy and in love shit he’s feeling so he can not smile like an idiot on camera constantly

but every once in awhile he’ll catch jack giving him the finger and laugh before returning it below view of the camera

or he’ll catch race’s eye from where he’s standing behind all the studio lights and do a little wave under the camera and return the wink from earlier, and the unbothered fighter facade will crack a little bit

but he’s not completely convinced that’s such a bad thing

GOD THIS POST IS SO MUCH LONGER THEN I MEANT IT TO BE IM SORRY

but Yeah. Them.

i love this au a helleva lot more than i should but that’s Fine cause i’ve got thoughts for days on it

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a-silent-symphony · 2 years

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NIGHTWISH Singer FLOOR JANSEN Releases Music Video For 'Fire' Solo Single

Dutch powerhouse singer Floor Jansen has released the official music video for her new solo single, "Fire". The track was made available on Friday (March 25) via ADA, the division of Warner Music Group dedicated to independent label and artist distribution.

Jansen has toured extensively with the band and appeared on three of NIGHTWISH's live albums "Showtime, Storytime", "Vehicle Of Spirit" and "Decades: Live In Buenos Aires".

This year will see Jansen become the Dutch ambassador for Record Store Day on April 23, as well as participate in Germany's "Sing Meinen Song".

#floor jansen #NW members side projects #Floor solo career #Fire #2022 news

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meruz · 4 years

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Aforementioned long ask post please excuse me while i try to figure out tumblr's new text editor. I’ll get into the art meme questions first and then the rest at the end.

Ok first of all thank you all for sending in questions! Giving me an excuse to talk hehe. I’ll address these in number order. Here’s a link to the ask meme for reference but also I’ll restate the question for ease of reading.

1. When did you get into art?

Super cliche answer but I don’t remember a time where I WASN’T the weird art kid! I started keeping a dedicated sketchbook when I was about 12? But here’s a page from my kindergarten journal about what I want to be when I grow up.

2. What art-related sites have you ever signed up for?

LOL this is a weird question. Not sure why so many people want to know. Anyways I definitely had a dA. more than one dA account. I used to browse oekakis when I was a kid but I think I was only signed up to some small ones that internet friends owned. What else...? Mangabullet,Tegakie, Paintberri, iscribble back when that was a thing, instagram if that COUNTs, I used to post art on livejournal and dreamwidth too. Patreon, I guess. Gumroad, inprnt, bigcartel, storenvy all for selling stuff.

In terms of resources.. I have a schoolism account that I’m sharing with friends. Used to take classes on coursera for free. I signed up to textures.com for work recently haha. I can’t remember if I ever had an account on posemaniacs. Did they have accounts...? I definitely used to visit all the time.

3. Show us your oldest piece of art you have on hand.

Alright here’s me actually logging into my old deviantart account. These are from September 2008 So I was 13 years old. I don’t have a deviantart account from before then because 13 was the required age for having an account and I didn’t want to lie about my age because I wanted people to be impressed by how young yet clearly incredible at art I was LOL.

4. What defines your artistic style?

You guys are probably more equipped to answer this than me but uh... I wanna say... Focus on colors. And... a slightly heavy hand? Like confident... not always well-considered mark making HAH...

Also I think I have a pretty healthy mix of american comics/manga influences. I feel like people who are into american comics always think my art is too manga and people who are into anime/manga always think my art is too american. And I’m taking that as a good sign.

5. Do you practice other styles/have you tried other styles in the past?

I like to think I switch it up a bunch! I mean, these are pretty different, right?

I think I’ve mentioned this before but one thing I really took away from art school is that, for an illustrator at least, art style shouldn’t be consistent. Your greatest weapon is changing the aspects of your style based on the task, the emotions and message you want to illustrate etc. So depending on the project I’m working on, the fandom I’m drawing for, whether I want something to be funny or serious or dramatic, I’ll change things about my style all the time.

One thing I don’t rly post on here is really tight polished work and that’s because I do that for my day job haha. If you’re not paying me... I’m probably not gonna color in the lines.

6. What levels of artistic education have you had?

I have a whole ass diploma LOL. Bachelor of Fine Arts in Illustration. from the Rhode Island School of Design. And I had a great college experience tbh. Besides the student loans. If any of you guys are thinking about art school feel free to e-mail or message me questions or concerns, I’ll be happy to help. Be as honest as I can be.

7. Show us at least one picture you drew or sketched recently that you did not put on a public site.

heres the wandavision kids. Uhh what else do I have...I feel like I’m rummaging for loose change here...

assorted valentines prep doodles

8. What is your favourite piece that you have done?

Well, obviously this is gonna change all the time and generally it’s gonna be my most recent piece LOL. So yeah, why the hell not. I’ll say it’s this one. I have a pretty short memory which I count as a blessing for an artist. I don’t dwell that long on older work and it keeps me moving forward.

10. What do you like most about your art?

I like that it’s something that only I would make! I had this thought fairly recently and I wrote it down in my sketchbook, it’s pretty cheesy and rambling but it felt revolutionary at the time:

So yeah. I like my art best when it’s the most me and for me. And I like it least when it feels like I’m just making something for social media or for other people’s expectations or whatever.

14. What do you like drawing the most?

Kids in baggy clothing are like my go-to LOL idk if that’s obvious. but also I like being challenged so lately I’ve really loved drawing multi-character compositions, environments, weird angles, etc.

oh i LOVE drawing the underside of shoes lol. And bandages. People that are kinda beat up.. I think it comes from getting a bunch of cuts all the time. I’m always patching myself up and I want to patch characters up too.

15. What do you like drawing the least?

mmm I try to find something to like in every drawing but lets see... I don’t like doing commissions of people’s dogs. Just because it’s normally like... a family friend and my mom volunteered me without my consent and I don’t even really know what they’re expecting me to draw and I don’t even get to meet the dog. Also I’m not that great at dog anatomy. Trying to learn though.

18. What is your purpose for drawing?

This could have a million answers! Uhhh to GIT GOOD??? But also to express myself... and also to make money... I mean it depends on what the drawing IS. I draw fanart mostly to connect to people in the fandom so if you ever see me drawing fanart please take it as like an open invitation to talk to me about the character haha.

20. How would you rank your art? (poor, mediocre, good, etc.)

Good!!! I have a lot of self-confidence primarily born out of ignorance and a short attention span. If I don’t think too hard about how many other artists are mindblowingly unfathombly good... its easy to think I’m good too! LOL

In all seriousness though, I think the opinion a person has of their art is like a crazy balancing act, right? Like you have to think you suck enough to want to get better but also you have to think you’re good enough to not want to give up. I think we’re all walking that line, I know I am! But also I’m a glass half-full type of person so. Most of the time I feel good about it.

22. List at least one of your “artspirations.”

This is a good question because I’ve been trying and failing to put together one of those “influence map” memes for like a full month now. What’s giving me a hard time is I feel like none of these are actually really obvious “““influences”““ in my art? Like it’s hard to see a lot of them in the work I make...? But idk maybe you guys’ll see what I can’t.

And these are just a couple! God there’s so many more. I could talk about other artists for ages, from all different genres of art. Daumier, Rockwell like every illustrator out there, Dana Gibson, Alex Toth, Hiroshi Yoshida, a lot of the Brandywine School. Lots of current working artists too, Karl Kerschl, frikkin Masashi Kishimoto lol, Jake Wyatt, Richie Pope, Edouard Caplain, Matt Cook, Sachin Teng, - lots of big internet artists, Sophie Li, Freddy Carrasco, Milliofish, Angela Sung... like all my friends from art school too. I could just keep going but I’ll stop for now lol.

24. Do you have a shameful art past? (recolour sprite comics, tracing art, etc.)

I mean if that’s how we’re defining shameful?? sure LOL. It’s not sprite comics but I used to do pokemon sprite recolors all the time. And I used to trace manga panels and color them... Granted this was all when I was like under 12 yrs old so it’s not even embarrassing. Can you really call it shameful when a 7 year old wets the bed or whatever? Not really. In fact some of these are cool as fuck. Look

25. Draw a picture!

Man I’m so tired now but here.

I used to get a lot of compliments for drawing people smiling lol but I don’t think I’ve drawn a lot of smiling lately.. here’s proof I’ve still got it.

OK MEME DONE. onto the rest.

I read this ask first thing when i opened my computer in the morning and it made me really emotional.. I’m so glad my sketches could help you!!

I think a lot of artists on social media talk about the struggle of making art but imo not enough people talk about the joy! Like I know it’s corny but. I really meant what I said at the beginning of that sketchbook about re-contextualizing art around process and progress > product and perfection. I think its super important..! The strength of messy, unfinished, and energetic art! For the feeling of it, for the love it!

That's crazy!!! I hope you like 'em. The whole line of x-books is really good rn imo.

Hi! I totally have the answer for digital stuff on my faq lol. But in terms of drawing on paper.. it varies! I tend to use sketchbooking and any on-paper doodling I do as a way to loosen up/warm-up or experiment. But right now my go-to aresenal is:

from top > bottom

- kuretake no.55 doublesided brush pen

- tombow fudenosuke

- muji 0.38 ballpoint

- medium size poscas

- grey tombow double brush pens

- good ol bic mechanical pencil

not EXACTly sure which inking you referring to from my sketchbook but if I had to take a guess it'd probably be the kuretake no55. That's been my main inker, lately. Great for sketching with the thin end too.

You can print out and eat my art if you like. Just please don't mass produce or re-sell. <3

Thanks! I've come to accept that my art is always gonna be sort of gestural and painty naturally. It's getting it to tighten up enough to be legible that's hard lol...

uh yeah lol I agree actually. I think yolei is great.

I assume these asks are related? LOL

1) Yeah totally true. I love David.

2) I don’t take requests, sorry! But if you want to commission me to draw Legion i would be MORE than happy to. Just e-mail me at [email protected].

<33333333333333333333333333

#ask #anonymous

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natromanxoff · 4 years

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How prog were Queen?

By Dave Everley

On 9 January, 1971, Kevin Ayers and Genesis played a show together at the Ewell Technical College near Epsom in Surrey. Ayers was 18 months out of Soft Machine, and making a name for himself as a psychedelically-inclined art-folk rake. Genesis had released their second album, Trespass, a few months earlier, and were carving out a place in the vanguard of the burgeoning progressive rock movement.

There was a third band propping up the bill that night, a bunch of transplanted Londoners calling themselves Queen. In contrast to the wilfully artful approach of the headliners, their music was more straightforward: a heavy, if ornate blend of Led Zeppelin’s earthiness and the flights of fancy of Yes.

Not everyone in the small crowd watching them was impressed, but they caught the attention of one person. After the show, Genesis frontman Peter Gabriel pulled Queen’s blond-bombshell drummer Roger Taylor to one side. Gabriel’s band were about to dismiss their own drummer, John Mayhew, and were looking for a replacement. Was Taylor interested in joining Genesis? The reply was instant: thanks but no thanks. Taylor was utterly dedicated to Queen – there were gigs to play, places to go, and many musical adventures to embark on.

Had Taylor accepted the offer, the course of music – and specifically prog – would have been very different. Genesis would have flourished with Gabriel upfront, though whether they would have survived and prospered as they did without a Phil Collins to step into the breach after their talismanic singer’s departure was another matter.

The knock-on effect on Queen would have been greater. Taylor was an essential part of their carefully balanced four-way chemistry; a chemistry that would go on to throw up some of the most ambitious and game-changing music ever recorded. While Queen weren’t a capital ‘P’ prog band, they were infused with the spirit of the movement, combining its forward-looking values with its absolute disregard for the existing rules. Taking their cues from the likes of Yes, Genesis, Van der Graaf Generator and even Pink Floyd, their flamboyantly cavalier approach would go on to inspire such modern masters as Dream Theater, Queensrÿche and Muse. And, in Bohemian Rhapsody, they ensured that one of the biggest-selling singles in history was, at heart, a prog song. Forget the luxuriant moustaches and sawn-off mike-stands that would come to define them: if the prog ethos meant avoiding the expected, then Queen were definitely a prog band.

“Diversity was probably their greatest asset,” says former Dream Theater drummer and confirmed Queen devotee Mike Portnoy. “From song to song, they could be so different. You could have something that was folk followed by something that was rockabilly followed by something that was metal. And that’s one of the biggest things about prog, having that open-mindedness.”

Queen’s schooling in prog came early on. Brian May’s very first band, 1984, played a 4am slot supporting Pink Floyd at the Christmas On Earth Continued all-nighter in 1967. A year later, his next outfit, Smile – also featuring Roger Taylor – played with Floyd again, this time at London’s Imperial College. By the time of their gig opening for Kevin Ayers, Smile had changed their name to Queen and recruited Freddie Mercury. Collectively, they admired Yes, Van der Graaf Generator and especially Genesis. “Foxtrot is a prog rock classic,” Roger Taylor later wrote in the sleevenotes to Genesis box set 1970-1975. “Arrangements were highly complex in these early days, setting a benchmark for the style of the times.”

When it came to finding someone to produce their debut album, Queen’s first choice was John Anthony, who had worked with both Genesis and Van der Graaf. With Anthony and co-producer Roy Thomas Baker behind the desk, the eponymous album trod heavily in Led Zeppelin’s footsteps. But there was another, altogether more visionary band straining to spread their wings: My Fairy King was a filigreed slice of flamboyant rock’n’roll, while Liar metamorphosised through several different time changes and timings.

Those wings were fully unfurled on the follow-up, 1974’s Queen II. The title was the most prosaic thing about the record: the music inside was as fevered and baroque as rock gets, informed equally by Zeppelin, Yes and crazed Victorian artist Richard Dadd, whose 1864 painting The Fairy Feller’s Master-Stroke inspired one of the album’s most prog-leaning tracks. It may have been rooted in the heavy rock of the times, but its cavalier approach and sheer sense of scale pegged Queen as a defiantly progressive proposition.

“Queen weren’t like Yes, who had a dualistic role of guitar and keyboards, where both shared the terrain,” says Yes guitarist Steve Howe, supported by Queen at Kingston Poly in early 1971. “Brian had the terrain to himself. The remarkable thing was that he was the front and the back man. It required him to come up with more than guitar solos… He had to come up with a semi-thematic approach to play the guitar. And what he did was keep colouring.”

Queen’s prog inclinations would be deeply woven into the fabric of their early albums, from the audacious multi-part theatrics of Queen II’s March Of The Black Queen to the schizophrenic attack of the two-part Lap Of The Gods from 1974’s Sheer Heart Attack. Even in their more commercial moments, they marched to the beat of their own drum. What other band would have dared serve up something so unusual as Killer Queen?

“It was their diversity,” says Mike Portnoy, who first heard Queen as an eight-year-old in the mid-70s and covered many Queen songs while in Dream Theater. “Their albums took the prototype that The Beatles laid down with the White Album, where you had four different artists bringing in very different styles. Every song was so diverse. You get to A Night At The Opera, and you had this giant multi-layered epic like Bohemian Rhapsody next to something like Seaside Rendezvous or Love Of My Life.”

A Night At The Opera was Queen’s grand artistic statement and their most unashamedly prog album. Pitched around the epic twin tentpoles of The Prophet’s Song and Bohemian Rhapsody, it married their far-reaching vision to a distinctly British barminess. Taken on its own, the eight-minute The Prophets Song, with its incredible ornate a cappella middle section, would be enough to grant Queen access to the Prog Hall Of Fame. But even that sits in the inescapable shadow of Bohemian Rhapsody. Time and success might have lessened its impact, but that song remains the most dazzlingly unique piece of music ever to sell five million copies.

“There are epic things that come along every so often,” says Steve Howe. “There’s Sgt Pepper, there’s Bridge Over Troubled Water. And there’s Bohemian Rhapsody. I don’t know when I first heard it, but once it was there, it was such a formidable thing. You’re thinking: ‘How many tracks did they need to do those vocals? How did they write it? Who invented it? It really was astounding.”

Bohemian Rhapsody encapsulated one of the key things that gave Queen such a distinct identity. Like The Beatles and Beach Boys before them, they used the studio as an instrument – not least when it came to their vocals. And Bohemian Rhapsody raised the bar about as high as it could go.

“They sang each of those parts and triple-stacked them,” says Mike Portnoy. “You heard all three of their voices singing in all three vocal ranges. That’s what made the depth of their music so complex. It wasn’t the instrumentation, it was the vocals. That’s unusual for prog music. When I think of my favourite prog music, it’s always the musicianship that draws me. But with Queen, it was the vocals. It was so deep.”

For all its success, A Night At The Opera would be Queen’s grand kiss-off to their prog roots. Later albums streamlined their sound into a more conventional format. Much like Genesis, the 80s found them swapping experimentalism for chart rock.

It wasn’t until the end of their career as an active band that Queen would again sound so adventurous. During 1989 and 1990, the band began work on their penultimate album, Innuendo, in London and Montreux. In the summer of 1990, Yes guitarist Steve Howe paid a flying visit to the Swiss city, where a chance encounter with a former guitar tech found him being invited to Queen’s studio to hear the album as a work-in-progress.

“Inside, there’s Freddie, Brian and Roger all sitting together. They go: ‘Let’s play you the album,’” says Howe. “Of course, I’m hearing it for the first time: I Can’t Live Without You, I’m Going Slightly Mad. And they saved Innuendo itself until last. They played it and I was fucking blown away.”

If that was surprising, then what happened next was utterly out-of-the-blue. The members of Queen asked if Howe wanted to play on the title track. The Yes man politely suggested they’d lost their minds. It took the combined weight of Mercury, May and Taylor to persuade him.

“They all chimed in: ‘We want some crazy Spanish guitar flying around over the top. Improvise!’” recalls Howe. “I started noodling around on the guitar, and it was pretty tough. After a couple of hours, I thought: ‘I’ve bitten off more than I can chew here.’ I had to learn a bit of the structure, work out the chordal roots were, where you had to fall if you did a mad run in the distance; you have to know where you’re going. But it got towards evening, and we’d doodled and I’d noodled, and it turned out to be really good fun. We have this beautiful dinner, we go back to the studio and have a listen. And they go: ‘That’s great. That’s what we wanted.”

Released as a single in January 1991, Innuendo gave Queen their third Number One single. Like Bohemian Rhapsody 25 years before it, it was as unlikely as hit singles get: a six-and-a-half minute musical jigsaw, complete with flamenco runs, classically-inclined orchestral overloads and maverick 5/4 timing. Queensrÿche covered the song on 2007’s Take Cover album, while you can hear its echo in Radiohead’s Paranoid Android and Muse’s more elaborate sci-fi epics.

“In the world of rock, Queen stands out as a good example of the clash between guitar and piano in songwriting,” Muse’s Matt Bellamy has said. “I think that’s where you stumble across those more unusual arrangements and chord structures.”

Today, Queen have left a bi-polar legacy. They’re arguably best known for their pop hits – Radio Gaga, I Want To Break Free and of course, Bohemian Rhapsody, that ultimate prog Trojan Horse. But their spirit of adventure remains unmatched by all but the boldest of their peers.

“There was no rulebook for Queen,” says Mike Portnoy. “They broke most of the rules that existed, and then they wrote a new set.”

#queen #queen band #roger taylor #freddie mercury #brian may #john deacon

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derekfoxwit · 3 years

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Doctor Dorpden’s Critical Tips of Prestige

Note: This post was made with satirical intentions in mind. I’m only emphasizing because I’ve had a couple of comments on previous joke posts I’ve did take it seriously. With that said, here we go.

Tip 1: For starters, remember that when looking at the work, if the Mystic Knee twitches fast enough to punch a hole in a wall, this suggests that the work should be near the lowest of the low. No further development of opinion is needed.

Tip 2: For an equal degree of sophistication, give the warm comfort of nostalgia at least 5 times more chances than the new thing that MAY seem actually poggers.

Tip 3: If you have the anecdote of encountering shitty fans, then use them as a scapegoat for the show they flaunt over being shitty. Clearly, they’re always making the show the way it is.

Tip 4: If you haven’t heard much about a newer film or show you’re yet to watch, there’s an 85% chance that film or show is actually not worth your time. The Father (2020) isn’t as widespread as Joker (2019) for a reason.

Tip 5: At this point, just go for the Asian Artist Dick. I’m actually in the mood to see merit in that because I want to look edgy against cute doodles. Stop attacking Uzaki-Chan, you cowards!

Tip 6: Avoid the electronic tunes. They’ll make you smell like a bum, for there’s no structural in a music album that’s nothing but wubs.

Tip 7: If you see a Tweet that looks dumb, use it as a means of generalizing all the fans of a work as sharing that same opinion.

Tip 8: If the cartoon I’m given doesn’t provide me with mature ideas such as slicing an Arbok in half or fake boobs, then the cartoon might as well be on the same level as Teletubbies.

Tip 9: You know the music is (c)rap when it brings up drugs, regardless of lyrical context.

Tip 10: Raw mood is the indicator of quality cartooning. If you’re quick to assume the worst in the newest HBO Max original cartoon, then you got thyself a stinker. Same thing if you were super bummed out when watching a new thing, regardless of anecdotal context.

Tip 11: When you’re not given continuous throwbacks, ensure you’re as reductive and over-generalizing about the works shown as possible.

Tip 12: If your hazy and imperfect as hell recollection of a children’s film, whether it’s Wall-E or Lilo & Stitch, would describe said film as “too sugary” or “key-waving schlock”, then that HAS to be the case. No meat on that bone whatsoever.

Tip 13: Simpler, more graphic style that isn’t as realistic as old-school Disney or Anime? You got yourself a lazy style with zero passion put into it.

UPA? Who’s THAT?!

Tip 14: Don’t trust anyone saying that western children’s cartoons had any form of artistic development after 2008 (with, like, TWO exceptions). If it did, why didn’t we go from stealing organs in a 2001 cartoon to showing opened stomachs in a 2021 cartoon?

Tip 15: Big booba is always important to the strong female character’s quality.

Tip 16: Only MY ships count, for they provide me with a feeling of intelligence.

Tip 17: “PG-13″ and “R” rating just simply mean you’re not caring for expressing themes in a sophisticated manner. It’s just THAT simple until I dictate otherwise.

Tip 18: In this age of smelly radicals, “Death of the Author” is more important than ever. Without it, this’ll imply that a classic like The Matrix was secretly toxic, due to what the Wachowskis have to say about it being an “allegory of trans people.”

Tip 19: Turn the fandoms you hate into your torture porn. Ask in Tweets to Retweet one sentence that’d “trigger” them. Go out of your way to paint all of them as blind consoomers. That’ll show them, and it’ll show how much more intelligent you are compared to those clowns.

Tip 20: Whatever the Mystic Knee dictates upon the first viewing of a work is what shall indicate the full structural extent of the film.

Tip 21: The mindset of a 2000s edgelord is one that actually understands the artistry of the medium of animation. Listen to that crazy but ingenious man.

Tip 22: Because sheer ambition makes me feel manly, the high pedestal you bestow upon a cartoon work should be based mostly on the mere mention or mere suggestion of serious topics. This means that pure comedy is smelly.

Tip 23: Is the new work tackling subjects that you’ve loved a childhood work of yours for covering? Just assume it’s super bare-bones in that case compared to the older case, for there’s nothing the older work can do to truly prove itself otherwise. Seriously, Letterboxd. Stop giving any 2010s cartoon anything above a 4/5

Tip 24: If the Mystic Knee is suggesting that the work is crummy, then consider any explanation off the top of your head for why the work in question is crummy.

Tip 25: Sexual and gender identity is inherently political, so don’t focus on them in the story. It’s no wonder why Full Metal Alchemist has caught on more than the She-Ra reboot.

Tip 26: Since I got bothered by a random butt monkey type character in a crummy cartoon, I’m now obligated to assume that having a butt monkey will only harm the writing integrity of the cartoon.

Seriously, Mr. Enter....what?!

Tip 27: We’re at a point where pure comedy for a kids’ cartoon is doing nothing but dumbing down the children. Like seriously...... I doubt Billy and Mandy would ever use farts as a punchline, unlike these newer kids comedies.

Tip 28: The difference between the innuendo in kids’ cartoons I grew up on and the ones Zootopia made is the sense of prestige they give me. Just take notes from the former instead.

Tip 29: Wanna make a work of artistic merit? Just take notes from the stuff I whore out to. It’s just THAT simple until I dictate otherwise.

Tip 30: Always remember this golden rule: If the newer work, or a work you’ve recently experienced the first time, was truly great, why isn’t it providing the exact emotions from your younger, more impressionable years?

Tip 31: If the Mystic Knee aims to break the bones of a character doing certain things (.i.e. having body count of thousands; lashing out to character; etc.), that means the character is bad and deserves no redemption.

Tip 32: If you want me to believe there’s any intrigue or depth in your antagonist, give them redemption, for I am in need of that sorta thing being spelled out. Looking at you, Syndrome. Should’ve taken notes from Tai Lung.

Tip 33: In a case where you’re going “X > Y” (.i.e. manga compared to western comics), ALWAYS CHERRY PICK! Use the recent controversies of the “Y” item while pretending that the “X” item has never had anything of the sort.

Tip 34: BEFORE you bring up those comments that shat on the original Teen Titans cartoon back when it was new, whether for making Starfire “more PC” or whatever.......the DIFFERENCE between them and me is that THEY were just bad faith fools that couldn’t see true majesty out of blind rage. I, however, am truly certain that calling any western TV cartoon from 2014-onward a work that transcends its generation suggests a destruction of the medium.

Tip 35: Based on fandom growth, it shows that any newer show isn’t being watched much by kids, but rather loser adults that act like children. Therefore, there’s more prestige in what I grew with.

Tip 36: The focus on children is bad at this point since the children of today have attention spans that flies would have.

Tip 37: A select few screenshots (or even one) of either a less elaborate attacking animation, less realistic game graphics, or a less on-model image in a cartoon indicates EVERYTHING about the work’s quality.

Tip 38: Consuming or writing media where characters go through constant suffering is little more than gaining pleasure out of it. YOU SICKOS!

Looking at you, Lily Orchard!

Tip 39: Whether it’s a sexual awakening story or just simply a romance, focus on a character being lesbian, trans, bi, etc., then it shouldn’t be in a kids’ work. It’s too spicy for them by default. Kids don’t want romance anyway.

Tip 40: The very idea of a western cartoon with no full-blown antagonist (i.e. Inside Out) is a destruction of animated artistry. Sorry, but it’s just THAT simple until I dictate otherwise.

Tip 41: Unless it’s my fluffy pillow, such as Disney’s Robin Hood, it should be obligated to assume the inserting of anthros is only there to pleasure the furries. Looking at YOU, Zootopia!

Tip 42: With how rough and rash The Beast was, it shows that he was more of an abusive lover. Therefore, I refuse to believe that Beauty and the Beast has any of the meticulous moral writing that most of Disney’s other 90s films has.

Tip 43: When you suggest one work should’ve “taken notes” from another work in order to do better, BE VAGUE! Those who agree will be shown to be geniuses.

Tip 44: Remember how morally grey Invader Zim was? That really goes to show how little the Western Animation scene has been trying since that show. Really should just be taking notes from that series (and of course anime).

Tip 45: Even if I have a radar that clearly indicates such, hiding the item I look for inside an enemy is always bad, for I refuse to believe it would be inside the enemy.

Goddamn it, Arin!

Tip 46: People struggle understanding your gender identity or pronouns? All there is to see in that is a giant cloud of egotism that reads “My problems” zapping another smaller cloud that reads “other people’s problems”. Seriously, kids are starving, so WHAT if you identity confused someone. Grow a spine!

Tip 47: Stop pretending that adaptations should colorize how a story or comic series should be defined. No way in FUCK can a cartoon or film incarnation become the definitive portrayal of my precious superhero idol.

Tip 48: Enough with your precious “limited animation” techniques, YOU WESTERN HACKS! All you’re doing is admitting to sheer laziness and lacking artistic integrity. Now if you excuse me, I’ll be watching more anime, since that gives me a sense of prestige.

Tip 49: If getting five times more detail than the 2D animated visuals have requires someone getting hurt, so be it. No pain, no gain after all.

Tip 50: Yes, I genuinely struggle to believe there’s this majestic level of layered material without having the most immediate yet still vague re-assurance practically yelling in my face. But that’s STILL the work’s fault, not mine.

Tip 51: Every Klasky-Csupo cartoon has more artistic integrity than any of them cartoons with gay lovers such as Kipo or the Netflix She-Ra show.

Tip 52: If Sergio Pablos’ Klaus is anything to go by, we have no excuse to utilize those smelly as fuck digital animation “styles” found on Stinky Universe, Suck-Ra or Rise of the Teenage Mutant Ninja Turds.

Tip 53: Stop projecting your orientation onto works of actual talent. Seriously, how does Elton John’s I’m Still Standing expel ANY rainbow flag energy?

Tip 54: Hip hop and electronica have been the destruction of music, especially the kind that’s actually organic and not farting on the buttons of a beeping or drumming gadget.

Tip 55: The audience for cartoons has become significantly less clear over the years. We should just go back to Saturday mornings of being sold toys or shit kids actually want.

Tip 56: PSAs for kids shouldn’t be about ‘woke’ content. They should be actual problems such as doing drugs; not playing with knifes / outlets / matches; or acceptance.

Tip 57: The instant you realize a detail in a childhood work that’s better understood as an adult, you’re forced to paint that work as the most transcendent thing in the world. It’s just THAT simple until I dictate otherwise.

Tip 58: Before you lash out on ALL rich people, remember this: #Not All Rich People.

Tip 59: There’s nothing to gain out of the (c)rap scene other than becoming a spiteful, gun-wielding thug that sniffs weed for breakfast.

Tip 60: Since the Mystic Knee told me to get anal about prom episodes in several gay cartoons, this shows that writing about one’s younger experiences just makes you look pathetic.

Tip 61: Another smelly thing about Zootopia is how it was painting a police chief as stern and exclusive. #Not All Chiefs

Tip 62: Me catching a glimpse of Grave of the Fireflies as a kid and turning out fine shows that you may as well show kids more adult works without worry. No amount of psychological questions being asked will suggest otherwise.

Tip 63: There’s a reason why the Mystic Knee keeps leaning more toward the 90s and early 2000s than most decades. That knee KNOWS where there’s a sense of true refinement.

Tip 64: The BIG difference between rock and electronica? Steward Copeland actually DRUMS. All that the likes of Burial, Boards of Canada, Depeche Mode and several others did was push drum buttons.

Tip 65: One exception to the golden nostalgia is when the work in question doesn’t stuff your face with fantastical, bombastic stories. At which point, there can only be rose-colored blinds covering Nickelodeon’s Doug. Nothing of merit or personal resonance to be found.

Tip 66: Remember that the sense of nuance in the work comes down to there being everything including the kitchen sink, whether it involves multiple geographic landscapes; giving us hundreds of characters; etc. Only through the extremes will I be able to tell there is nuance.

Tip 67: Once you see a joke that has an involvement with sexual or violent content, just ignore the full picture and just reduce it to having nothing to it but “sex, violence, gimme claps.”

PKRussel has entered the chat

Tip 68: With all the SJWs messing up the art of comedy, lament the times where you could be called a comic genius, NOT a monster, for shouting out the word “STAB,” calling a gay weird, painting Middle Easterns as inherently violent, etc.

Tip 69: Guitar twang will always win out over (c)rap beats. There’s a reason your grandma is more likely to listen to Lynyrd Skynyrd than Kendrick Lamar.

Tip 70: Once the Mystic Knee notices a lack of squealing at the video game with linearity, that shows there’s more artistry in going full-blown open world.

Tip 71: Related to Tips 66 and 68, ensure your comedy gets as much information and mileage out of each individual skit as possible. EMPHASIZE if you need to. Continuously spout out your quirky phrase of “STAB” if needed.

Tip 72: Based on the onslaught of TV shows with many seasons and episodes, animated or otherwise, it shows that there’s more worth going for that than simply having a miniseries or a 26-episode anime.

Tip 73: Building off of the previous tip, you’re better off squeezing and exhausting every little detail and notable characterization rather than keeping anything simple and possibly leaving a stone unturned, especially if there’s supposed to be a story.

Tip 74: Playing through the fan translation of Mother 3 made me realize how much some newer kids’ works just try too hard to get serious. Why even make the kids potentially think about the death of a family member?

Tip 75: The fear I had over Sid’s toys from the first Toy Story and similar anecdotal emotions are the be-all indicators of what kind of show or film is fitting for the children.

Tip 76: Seeing this British rapper chick have a song titled “Point and Kill” just further exemplifies the fears I’ve had about rappers being some of the most harmful folks ever.

Tip 77: The problem with attempting to make a more “relatable” She-Ra is that kids aren’t looking for relatability. They want the escapism of buff fighters or something similar. This is why slice-of-life is so smelly.

Tip 78: Based on seeing the rating of “PG-13″ or “R,” I can tell that the dark humor is little more than “hur dur sex and guns.” Given the “TV-Y7 FV” rating of Invader Zim, the writers should’ve taken notes from that instead just so I can sense actual prestige.

Tip 79: The original He-Man has more visual intrigue in its animation than any of those smelly glorified doodles found in the “styles" of the 2010s and early 2020s.

Tip 80: It’s always the fault of the game that my first guess (that I refuse to divert from) on how I have to go through an obstacle won’t work.

Tip 81: Zootopia discussing prejudice ruins the majestic escapism I got from my precious childhood films from 1991-2004. Them kids might as well be watching the news. Now to watch some Hunchback after I finish these tips.

Tip 82: There is no such thing as an unreasonable expectation, and there’s especially no wrong way to address the lack of met expectations! For example, if you expect some early 2010s cartoon on the Disney Channel to be a Kids X-Files, yet you get moments such as some girl getting high on stick dipping candy, you got the right to paint the worst out of that show for not being “Kids’ X-Files.”

Tip 83: Related to my example for Tip 82, if you get the slightest impression of something being childish, you know you got yourself a children’s work that does little than wave keys and has basically nothing substantial for them. In this situation, those malfunctioning robots found in Wall-E are the guilty party.

Tip 84: Without the extensive dialogue that I’m used to getting, how can one say for certain there was any amount of characterization in the title character of Wall-E?

Tip 85: Ever noticed yourself gradually being less likely to expect an upcoming work or view a work you’re just consuming as “the next best thing”? That’s ALWAYS the fault of smelly “artists” (hacks really) and their refusal to give a shit.

Tip 86: It’s obligatory for your lead to be explicitly heroic just so there is this immediate re-assurance that they’re a good one.

Tip 87: Without the comforting safety net of throwbacks, one cannot be for certain that there has been an actual evolution of a series or the art of animation and video games.

Tip 88: Don’t PSA kids on stuff they give zero fucks about. That means no gender identities or pronouns, race, etc.

Tip 89: Don’t listen to Mamoru Hosoda saying that anime women tend to be “depicted through a lens” of sexual desire. He’s just distracting from the superior prestige found in anime women.

Tip 90: If you’re desperate to let others know that your talking points are reasonable, just repeat them over and over with little expansion on said talking points.

Tip 91: 7 or more seasons of art is better than 26 episodes of art. EVERY TIME!

Tip 92: Always remember to continuously talk up the innuendo and mature subject matter of the childhood work as the most prestigious, transcendent thing of all time. With that in mind, there’s a high chance that your favorite childhood work will be better known than Perfect Blue (1997), and there’s likely a reason for that.

Tip 93: An art style that gives many characters relatively more realistic arm muscle details will always shine through more than any sort of art style done for “simplicity” (laziness, really).

Tip 94: Seeing a few (like, even VERY FEW) people show more enthusiasm for Steven Universe over Invader Zim really shows the lower bar that has been expected out of the western animation scene compared to anime.

Tip 95: Electronic music makes less conventional time signatures cheap as hell. REAL music like rock makes them the exact opposite.

Tip 96: If your Mystic Knee suggests that the 90s cartoon being viewed doesn’t showcase a vague sense of refinement or artistic integrity, then every related assumption of yours is right. EVERY TIME!

Tip 97: Doing everything and the kitchen sink for one series or movie shows a better sense of refinement and prestige than any form of simplicity. THIS includes character design as well.

Tip 98: The advent of that Star Wars: Visions anime really shows just how stinky western cartoons have become.

Tip 99: For those wondering, no, Europe isn’t being counted in my definition of “western animation”. Doing so is a complete disservice to prestige.

Tip 100: If even less than half of these tips aren’t being considered, you can kiss that prestige badge goodbye. After all, I SAID SO!

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