#there's no point you know

[poorly-drawn-mdzs]

Knowledge Revenge.

[swan2swan]

Whoever conceived and animated this moment, I hope they're doing well and thriving. This is S-rank romance stuff here.

[zytes]

this manatee looks like it’s in a skyrim loading screen

[druid-for-hire]

[image id: a four-page comic. it is titled "immortality” after the poem by clare harner (more popularly known as “do not stand at my grave and weep”). the first page shows paleontologists digging up fossils at a dig. it reads, “do not stand at my grave and weep. i am not there. i do not sleep.” page two features several prehistoric creatures living in the wild. not featured but notable, each have modern descendants: horses, cetaceans, horsetail plants, and crocodilians. it reads, “i am a thousand winds that blow. i am the diamond glints on snow. i am the sunlight on ripened grain. i am the gentle autumn rain.” the third page shows archaeopteryx in the treetops and the skies, then a modern museum-goer reading the placard on a fossil display. it reads, “when you awaken in the morning’s hush, i am the swift uplifting rush, of quiet birds in circled flight. i am the soft stars that shine at night. do not stand at my grave and cry.” the fourth page shows a chicken in a field. it reads, “i am not there. i did not die” / end id]

a comic i made in about 15 hours for my school’s comic anthology. the theme was “evolution”

[shitty-check-please-aus]

What we need to do is convince all the disney adults in america that high speed rail would be a preferable way of getting to disneyworld compared to driving or flying. We could maybe harness their fondness for the monorail or something, but this is a group of people that has time, income, and passion that we could leverage. If we could direct 5% of the enthusiasm they have for limited edition popcorn buckets into calling their representatives and demanding high-speed interstate rail, we could get it by 2030

[millificent]

Every Nico Di Angelo fan focusing more on the background of the episode than the actual plot

[throesofincreasingwonder]

"A story doesn't need a theme in order to be good" I'm only saying this once but a theme isn't some secret coded message an author weaves into a piece so that your English teacher can talk about Death or Family. A theme is a summary of an idea in the work. If the story is "Susan went grocery shopping and saw a weird bird" then it might have themes like 'birds don't belong in grocery stores' or 'nature is interesting and worth paying attention to' or 'small things can be worth hearing about.' Those could be the themes of the work. It doesn't matter if the author intended them or not, because reading is collaborative and the text gets its meaning from the reader (this is what "death of the author" means).

Every work has themes in it, and not just the ones your teachers made you read in high school. Stories that are bad or clearly not intended to have deep messages still have themes. It is inherent in being a story. All stories have themes, even if those themes are shallow, because stories are sentences connected together for the purpose of expressing ideas, and ideas are all that themes are.

[cognitiveinequality]

So... a bunch of NFT grifters threw a party in Hong Kong this weekend and reportedly a bunch of attendees are now at risk of permanent eyesight damage because the promoters used unsafe lighting, and people are going to the ER...

[ginnyw-potter]

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yes, I'm self-aware thank you

[tofixtheshadows]

I've been thinking a lot lately about how Kabru deprives himself.

Kabru as a character is intertwined with the idea that sometimes we have to sacrifice the needs of the few for the good of the many. He ultimately subverts this first by sabotaging the Canaries and then by letting Laios go, but in practice he's already been living a life of self-sacrifice.

Saving people, and learning the secrets of the dungeons to seal them, are what's important. Not his own comforts. Not his own desires. He forces them down until he doesn't know they're there, until one of them has to come spilling out during the confession in chapter 76.

Specifically, I think it's very significant, in a story about food and all that it entails, that Kabru is rarely shown eating. He's the deuteragonist of Dungeon Meshi, the cooking manga, but while meals are the anchoring points of Laios's journey, given loving focus, for Kabru, they're ... not.

I'm sure he eats during dungeon expeditions, in the routine way that adventurers must when they sit down to camp. But on the surface, you get the idea that Kabru spends most of his time doing his self-assigned dungeon-related tasks: meeting with people, studying them, putting together that evidence board, researching the dungeon, god knows what else. Feeding himself is secondary.

He's introduced during a meal, eating at a restaurant, just to set up the contrast between his party and Laios's. And it's the last normal meal we see him eating until the communal ending feast (if you consider Falin's dragon parts normal).

First, we get this:

Kabru's response here is such a non-answer, it strongly implies to me that he wasn't thinking about it until Rin brought it up. That he might not even be feeling the hunger signals that he logically knew he should.

They sit down to eat, but Kabru is never drawn reaching for food or eating it like the rest of his party. He only drinks.

It's possible this means nothing, that we can just assume he's putting food in his mouth off-panel, but again, this entire manga is about food. Cooking it, eating it, appreciating it, taking pleasure in it, grounding yourself in the necessary routine of it and affirming your right to live by consuming it. It's given such a huge focus.

We don't see him eat again until the harpy egg.

What a significant question for the protagonist to ask his foil in this story about eating! Aren't you hungry? Aren't you, Kabru?

He was revived only minutes ago after a violent encounter. And then he chokes down food that causes him further harm by triggering him, all because he's so determined to stay in Laios's good graces.

In his flashback, we see Milsiril trying to spoon-feed young Kabru cake that we know he doesn't like. He doesn't want to eat: he wants to be training.

Then with Mithrun, we see him eating the least-monstery monster food he can get his hands on, for the sake of survival- walking mushroom, barometz, an egg. The barometz is his first chance to make something like an a real meal, and he actually seems excited about it because he wants to replicate a lamb dish his mother used to make him!

...but he doesn't get to enjoy it like he wanted to.

Then, when all the Canaries are eating field rations ... Kabru still isn't shown eating. He's only shown giving food to Mithrun.

And of course the next time he eats is the bavarois, which for his sake is at least plant based ... but he still has to use a coping mechanism to get through it.

I don't think Kabru does this all on purpose. I think Kui does this all on purpose. Kabru's Post Traumatic Stress Disorder should be understood as informing his character just as much as Laios's autism informs his. It's another way that Kabru and Laios act as foils: where Laios takes pleasure in meals and approaches food with the excitement of discovery, Kabru's experiences with eating are tainted by his trauma. Laios indulges; Kabru denies himself. Laios is shown enjoying food, Kabru is shown struggling with it.

And I can very easily imagine a reason why Kabru might have a subconscious aversion towards eating.

Meals are the privilege of the living.

[starii-void]

going to chb must be crazy like imagine sharing a camp with

-one of the strongest demigods ever who's saved the world like at least 3 times, fought multiple gods & titans and WON (and is a tartarus survivor)

-the literal main architect of OLYMPUS who's also saved the world multiple times (also tartarus survivor)

-THE lord of the wild who's also close friends with the first two (and has helped save the world multiple times)

-an emo kid from the 1930s who again helped save the world and is also a tartarus survivor (TWICE)

-a son of apollo who survived tartarus with nothing but cargo shorts and sheer will (pun intended)

-the main designer and builder for the argo II, also the first hephaestus kid to have fire powers since hundreds of years ago (did i mention killed gaea? no? yeah he did that too)

-a girl who somehow charmspeak-ed gaea into falling back asleep (also side note daughter of super famous actor because why not)

-pretty much everybody is a two-time war veteran

-THE GOD APOLLO who just sometimes comes down to visit in the form of a teenage boy

-did i mention dionysus, god of wine madness and theatre

-also chiron, trainer of pretty much every greek hero ever

[littler3d]

I’m sorry if I was in any version of the pjo universe I would’ve clocked that Percy was the son of Poseidon as soon as the bathroom incident occurred. Tf you mean “I wonder who your dad is” he EXPLODED A TOILET. Chiron this is the second water incident you have witnessed how are you still confused

[userarmand]

Armand recreating Amadeo in the penthouse

[utilitycaster]

"why should I get invested in shows if they'll just get canceled" I was deeply invested in Heroes (2006) and it was not canceled, it just got really terrible. I also got really invested in the sandwich I had a few weeks ago despite it only lasting like 15 minutes. You must embrace the ephemeral. You must be willing to love things that may not love you back, that might betray you, or that may die an untimely death. As the great philosopher Mr. Mitchell Lee Hedberg said "I'm not gonna stop doing something because of what happens at the end."

[daftmooncretin]

my absolute favourite thing about the kirk and spock dynamic is that the whole time you’re watching the show spock is gaslighting you into thinking that kirk is this loose canon and spock is paragon of logic keeping his captain on the straight and narrow when its very clearly the other way round. aside from being turned on by everyone and fighting like an old-timey boxer…. kirk is just like.. quite a logical, stable guy. like yeah he rules with his emotions but he’s rarely reckless or erratic, even in situations of immense pressure he’s always calm and measured. sure kirk is unhinged and insane, but we knew that right off the bat. spock on the other hand tries to hide how insanely balls to the walls crazy he is by standing next to jim and hiding all his derangement with logic. i think the reason bones beefs with spock so much because he is the only one who has noticed that spock is an absolutely unhinged individual. (jim is too busy doodling <3 mr jim spock <3 all over his briefings to notice)