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#this advice helped me
i-am-a-fish · 2 months
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I'm very sorry to ask something like this, I've really been struggling with this question, and I wanted to ask the combined wisdom of the people on this site
I would like to know why you keep going, and what drives you to keep living. I know there are a lot of reasons to stay alive and enjoy life, I can think of a few that personally resonate with me, but I really want to know what your reasons are
You do not have to comment on this if that's too big of an ask, and I'm very sorry for asking something like this, I really need someone's help, I feel like I don't have much purpose
Also if I may ask, please don't post any suicidal ideation in the comments of this post, I really can't handle something like that right now
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podcastwizard · 11 months
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can anyone think of any other words that use o' to denote "of the?" all i can think of is o'lantern (jack o'lantern), o'clock, and o' the wisp (will o' the wisp)
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mokeonn · 1 year
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"But if college was free, then people would abuse that and get useless degrees" hell yeah I would! If I could go to college without debt I would make it my job to get a degree in every little thing that interested me. I'd get a doctorate in film studies. I'd have a bachelor's degree for every science I like. I'd try to learn at least 5 languages with varying results. I would learn something "useful" like coding and then follow it up with a ""useless"" degree like art history. I'd be the world record speed run holder for getting every degree possible.
But I can't afford college without going into massive debt, so instead I spent the last 5 years trying to figure out what I am passionate enough about to consider going into debt over, because unfortunately being passionate about everything is extremely expensive to pursue.
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maeamian · 11 months
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Hey Americans, double check that you don't have an election tomorrow, Nov 7th 2023, I know the off years are harder to keep track of, but it'd be a shame if Moms for Liberty gets their people on your school district's school boards because of it. If you don't have an election, great!, but just give it a double check for me if you're not sure ok?
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writers-potion · 4 months
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Let's Talk About Pacing Our Fight Scenes.
For Fast-Paced Parts:
Short words with single syllables. Immediately > at once/ endeavour > try/ indicate > point at/ investigate > check out.
Short sentences, the shorter the better.
Partial sentences to blaze through multiple senses and actions within a few lines.
Short paragraphs
Lots of verbs.
Few adjectives and adverbs.
Cut down on -ing form of verbs, as it can make words longer
Use simple past tense
Avoid conjunctions and link words.
Avoid internal thought - your characters are irrational, ruthless and in the flow of pure action.
For Slow-Paced Parts:
Use medium/long sentences
the paragraphs are longer: three lines minimum
Include longer words with more syllables
Use adjectives and maybe a couple of adverbs.
Insert the thoughts of the PoV character.
Words for Action Scenes
act, alter, attack, avert, back, block, bang, bash, battle, beat, beg, belt, bend, best, bite, blacken, bleed, blind, blister, blow, blunt, boil, bolt, boot, bore, bow, box, brace, brag, brash, brawl, break, breathe, brush, buck, bulgde, burn, burst, cackle, call, can, carry, cart, carve, catch, check, chop, chuck, clack, clank, clap, clash, claw, clear, cleave, click, cliff, cling, clip, close, club, cock, coil, cold, collar, come, con, connect, corner, cost, count, counter, cover, cower, crack, crackle, cram, crash, crawl, creep, crinkle, cross, crouch, rush, cry, cuff, cull, cup, curl, curse, curve, cusp, cut, dart, dash, deepen, dig, deep, dip, ditch, drive, drop, duck, dump, ede, effect, erect, escape, exert, expect, feint, fight, fire fist, fit, flag, flare, flash, flick, fling, flip, flock, force, gash, gasp, get, gore, grab, grasp, grip, grope, group, hack, harden, heat, help, hit, hop, hurl, hurry, impale, jab, jar, jerk, join, jolt, jump, keep, kick, kill, knee, knock, knot, knuckle, leak, leap, let, lever, lick, lift, lock, loop, lop, plunge, mask, nick, nip, open, oppose, pace, pack, pain, pair, pale, palm, pan, pant, parry, part, pass, paste, pat, peak, peck, pelt, pick, pierce, pile, ping, piss, pit, pivot, plot, pluck, plug, plunge, ply, point, pool, pop, pose, pot, pound, pour, powder, pray, preen, prepare, prey, prick, prickle, print, probe, pry, pull, pulp, pulse, pump, punch, pursue, push, quarry, quarter, quest, race, raise, rake, ram, rap, rasp, rear, retreat, rip, riposte, rivert, roar, rock, roll, rope, round, rouse, run, rush, sap, scale, scalp, scan, score,scream, seek, seep, shake, shape, sharpen, shock, shoot, shop, slap, slap, slash, slice, slick, slip, slit, smash, snap, snare, snatch, snipe, sock, space, spar, spark, speed, spike, spill, spin, spit, splash, spoil, spring, spur, spurt, spy, squirm, stand, steert, step, stick, strap, strike, stuff, suck, support, swat, sweat, sweep, swingm tack, tag, take, target, taste, team, tear, tent, test, thrash, throw, thrust, thud, tick, tide, tilt, time, tire, top, toss, tower, toy, trap, trick, trigger, trip, triumph, trouble, trump, try, tuck, tug, twril, twitch, weaken, wet, whip, whirl, whirr, whoop, whoosh, whop, work, zap, zip.
If you like my blog, buy me a coffee☕ and find me on instagram! 📸
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thatsbelievable · 29 days
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maelancoli · 3 days
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Writing Intimacy
i often see writers sharing a sentiment of struggling with writing kiss scenes which honestly bleeds into other portrayals of physical intimacy. i see it a lot in modernized styles of writing popularized by the recent trend in publishing to encourage short, choppy sentences and few adverbs, even less descriptive language. this makes intimacy come across awkward, like someone writing a script or clumsy recounting of events rather than a beautiful paragraph of human connection.
or just plane horniness. but hey, horny doesn't have to be mutually exclusive with poetic or sensual.
shallow example: they kissed desperately, tongues swirling and she moaned. it made her feel warm inside.
in depth example: she reached for the other woman slowly and with a small measure of uncertainty. the moment her fingers brushed the sharp, soft jaw of her companion, eliza's hesitance slid away. the first kiss was gentle when she finally closed the distance between them. she pressed her lips lightly to gabriella's in silent exploration. a tender question. gabriella answered by meeting her kiss with a firmer one of her own. eliza felt the woman's fingers curling into her umber hair, fingernails scraping along her scalp. everything inside eliza relaxed and the nervousness uncoiled from her gut. a warm buzz of energy sunk through her flesh down to the very core of her soul. this was right. this was always where she needed to be.
the first complaint i see regards discomfort in writing a kiss, feeling like one is intruding on the characters. the only way to get around this is to practice. anything that makes you uncomfortable in writing is something you should explore. writing is at its best when we are pushing the envelope of our own comfort zones. if it feels cringy, if it feels too intimate, too weird, too intrusive, good. do it anyway! try different styles, practice it, think about which parts of it make you balk the most and then explore that, dissect it and dive into getting comfortable with the portrayal of human connection.
of course the biggest part comes to not knowing what to say other than "they kissed" or, of course, the tried and true "their lips crashed and their tongues battled for dominance" 😐. so this is my best advice: think beyond the mouth. okay, we know their mouths are mashing. but what are their hands doing? are they touching one another's hair? are they scratching or gripping desperately at one another? are they gliding their hands along each other's body or are they wrapping their arms tightly to hold each other close? do they sigh? do they groan? do they relax? do they tense? are they comfortable with each other or giddy and uncertain? is it a relief, or is it bringing more questions? is it building tension or finally breaking it?
get descriptive with the emotions. how is it making the main character/pov holder feel? how are they carrying those emotions in their body? how do they feel the desire in their body? desire is not just felt below the belt. it's in the gut, it's in the chest, it's in the flushing of cheeks, the chills beneath the skin, the goosebumps over the surface of the flesh. everyone has different pleasure zones. a kiss might not always lead desire for overtly sexual touches. a kiss might lead to the desire for an embrace. a kiss might lead to the impulse to bite or lick at other areas. a kiss could awaken desire to be caressed or caress the neck, the shoulder, the back, the arms etc. describe that desire, show those impulses of pleasure and affection.
of course there is the tactile. what does the love interest taste like? what do they smell like? how do they kiss? rough and greedy? slow and sensual? explorative and hesitant? expertly or clumsily? how does it feel to be kissed by them? how does it feel to kiss them?
i.e. examine who these individuals are, what their motives and feelings are within that moment, who they are together, what it looks like when these two individuals come together. a kiss is not about the mouth. it's about opening the door to vulnerability and desire in one's entire body and soul.
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espighty · 11 days
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I use tricky plans and schemes to get my way.
There's no specific punchline to this, I just wanted to draw.
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soft5ku11 · 1 month
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Sup.
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I teased it a couple of days ago, now you're getting treated to the real thing.
Just... don't ask why there's no other furniture in the 4k Light Up Multicoloured Resin Room™. I'll sit on you, and not in a good way.
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snailfen · 11 months
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i finally finished these!! i felt bad that hunter and monk didnt have their own titlescreen art, so i started on making my own for them a few months ago. nailing the official rendering made this harder than i thought haha
also, when i originally made these, i had the idea of making this into a sort of challenge for other people to make their own title art for these two. im still standing with that! if you want to take a shot at making your own version of titlescreen art for these two, go ahead! hell, tag me if you want.
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ihatebrainstorm · 2 months
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Elegant Chaos, Inelegant Solutions
Here's my TF Reverse Bang 2024 piece to accompany @novafire-is-thinking 's tie-in fic Elegant Chaos, Inelegant Solutions! Go give it a read for some MTMTE alternate story line Percy and BS shenanigans! ;D Link: here
Thanks again to Nova for being such an awesome teammate/skilled writer, and the whole team behind @tf-bigbang for organizing the whole event!
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autumnblooms · 3 months
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I’m still not over this
I found some new Procreate brushes today~
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leupagus · 11 months
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On Voting in America
So one of the most profound comments on routine chores that I've ever encountered was, hilariously, the Pickle Rick episode of "Rick & Morty," where (after a lot of shenanigans have already ensued) this therapist absolutely lays Rick out:
"I have no doubt that you would be bored senseless by therapy, the same way I'm bored when I brush my teeth and wipe my ass. Because the thing about repairing, maintaining, and cleaning is: it's not an adventure. There's no way to do it so wrong you might die. It's just work. And the bottom line is some people are okay going to work and some people, well, some people would rather die. Each of us gets to choose."
I think about this at least once a week — usually while I'm doing my laundry or sweeping or some other task that needs doing and won't get me anything more than clean clothing or a dog-hair-free floor. There's no Pulitzer for wiping down your microwave or scrubbing your toilet; no one's awarding you for getting all the dishes out of the sink. At best you have the satisfaction of crossing it off your list.
Voting is very much the same (and I'm talking about the US here, as an American). Sure, you sometimes get a sticker; but nobody's going to cheer for you. There's no adventure here, no potential for anything more than crossing something off of a list. It's a chore, something that needs doing in order to repair, maintain, and yes even clean. So I get why people don't like doing it.
And I've decided I don't give a shit.
Do it anyway. Your country takes astonishingly little from you — taxes, the once-in-a-blue-moon jury duty, and a theoretical draft that hasn't been used in over half a century and likely will never be again — but it asks you (asks! not requires! not demands!) to vote once a year. It's not always easy; especially in conservative states, the impediments to vote can be ridiculous. But it is once a year and unlike in our nation's all-too-recent past, you will not die if you do it.
In fact, the worst outcome from voting these days is that the person or issue that you vote for loses — but you won't know if they lose until after the election. Polls are less accurate now, for a whole host of reasons; you cannot know until after the election who or what will win. This makes your vote more valuable than possibly ever before.
Use that power. Not because it's exciting or even rewarding, but because your vote is what keeps our country's metaphorical teeth from falling out and our metaphorical ass from stinking.
Brush, wipe, vote.
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reasonsforhope · 5 months
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Hey adults: Why do you like being an adult? What do you like about your life?
A couple weeks ago I told the kids at my work that "Being an adult is pretty nice, actually," and they looked shocked, laughed incredulously, and told me I was the first person they'd ever heard say that
So clearly we adults need to talk about this way more often
The past few years have been hard for a lot of people, me included. Covid sucked. I lost three relatives and three pets in one year. Right after lockdown ended, I got badly injured, and ended up housebound for six months and (much more) disabled for two years, and that sucked too.
And you know what? Literally all of that was easier and better than being a teenager.
I like being an adult. I like my life. Even when it's hard, it's mine, and I am building to the best of my ability the a life that I want to live.
I talked about a lot of why being an adult is something worth looking forward to in my last post, so right now I'll simply say this:
I love actually knowing who I am now. I love that I learned and am learning what I want and need. I love that I have independence and autonomy and don't get treated like a kid. I love the fact that I'm the one who gets to decide want I want to do and what I need. I also love that I'm learning to sew. I love that I've had pet rats, and next will have a pet cat. I love that I got top surgery. I love the way I've decorated my room. I love traveling to visit and crash and even just hang out and do work with my friends, when I can. I love that I started reading good news every day, and that I actually have hope for the future, and that I started this blog and have been able to help give so many other people hope, too.
So, here's a call to action for my fellow adults: comment or reply or tag what you like about being an adult. What you love about your life.
Let's give some kids some reasons for hope.
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good-advice-ganondorf · 10 months
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Hi Ganondorf school has been troublesome lately and lots of homework was been overwhelming! Any advice?
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writers-potion · 6 days
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Writing Character Accents in Fiction
Hey there, thanks for the question! I speak English as a second language; most English speakers I encounter aren’t native (yes, including fictional people); thus, this is a concern I’ve explored personally when I write. 
I think the core principle regarding accent writing is this: it shouldn’t be distracting. 
For the same reasons why Stephen King prescribes the basic dialogue tag “said” rather than fancier alternatives like “whispered”, “shouted” or “screeched”, dialogue must be first and foremost easy to read. It must flow like a real conversation – the pace and tone are a lot more important than how specific words are being pronounced by the character. 
Focus on what effect the accent has:
Using adjectives to describe their voice in general. Different types of English (American, British, Australian, etc.) will give off a different vibe, also partly dependent on how your character speaks in general:
Lilting: Having a smooth rise and falling quality; sing-song like. Welsh accent is often described as singing. 
Posh: from a high social class. This is the term generally used to describe the upper-class British accent.
Nasal: this happens when the sound goes through somebody’s nose when they’re speaking. North American accents are more nasal than, say, British pronunciations. 
Brash: harsh, loud, indicative of sounding a little rude. 
Slur: speaking indistinctly; words merging into one another.
Using metaphors.
Her voice was cotton and fluffy clouds. 
When he spoke, the ‘r’s scratched the insides of his throat. 
Mentioning their accent with a brief example(s). 
“Would you like to drink some wine?” she said, though her Indian accent gave extra vibration to her ‘w’s and ‘r’s, making the words sound more like ‘vould you like to drrrink some vine’.
“I want some chocolate.” His syllables were choppy and ‘l’s rather flat, saying ‘cho-ko-lit’. 
Some Tips:
Don’t phonically spell out everything. Perhaps give a few examples in the beginning, but stick to standard English spellings. 
Pay attention to word choice, slang, and colloquialisms. 
An Australian person would say “tram”, not “trolley; “runners” instead of “sneakers”
A Canadian may refer to a “fire hall” – what Americans call a firehouse or fire station
If your character comes from a non-Enligsh background:
Use vocabulary from other languages. 
“What time was the exam, ah? Two o’clock? Jiayou!” → putting “ah” or “la” at the end of sentences + Jiayou means “break a leg” in Singlish. 
“I can’t believe that 4-year-olds have their own SNS accounts now.” → “SNS” is short for “social networking service”, a term used to refer to social media in Korea. This would a subtle difference – even though it isn’t technically Korean at all!
Transpose grammar from different languages. 
For example, in French, plural nouns take plural adjectives (whereas in English, you would speak of ‘white cars’, not ‘whites cars’).
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