#this is the true niche fandom experience

[achillvs]

few things in the fandom sphere suck as much as being hyperfixated on your home campaign of a ttrpg. what do you mean only 4 people in the whole world know what the fuck happened last week? where are the fanfics? the art? the playlists? you're telling me i have to do ALL OF IT IT MYSELF?!

[whiskeyswifty]

.

[centrally-unplanned]

We (somewhat rightly) mock the 2000's era fansub translation notes for their otaku fixations and privileging of trivia over the media, but they should be understood as serving their purpose for a bit of a different era in the anime fandom. Take this classic:

Like, its so obvious, right? Just say "pervert", you don't need the note! Which is true, for like a 'normie' audience member who just wants to watch A TV Show - but no one watching, uh *quick google* "Kamikaze Kaitou Jeanne" in 1999 is that person. The audience is weebs, and for them the fact that show is Japanese is a huge selling point. They want it to feel as 'anime' as possible; and in the west language was one of the core signifiers of anime-ness. 2004 con-goers calling their friends "-kun" and throwing in "nani?" into conversations was the way this was done, and alongside that a lexicon of western anime fandom terminology was born. Seeing "ecchi" on the screen is, to this person, a better viewing experience - it enhances their connection to otaku identity the show is providing, and reinforces their shared cultural lexicon (Ecchi is now a term one 'expects' anime fans to know - a truth that translator notes like this simultaneously created and reflected).

But of course your audiences have different levels of otaku-dom, and so you can't just say 'ecchi' and call it a day - so for those who are only Level 2 on their anime journey, you give them a translation note. Most of the translation notes of the era are like this - terms the fansubber thought the audience might know well enough that they would understand it and want that pure Japanese cultural experience, but that not all of them would know, so you have to hedge. The Lucky Star one I posted is a great example of that:

Its Lucky Star, the otaku-crown of anime! You desperately want the core text to preserve as much anime vocab as possible, to give off that feeling, but you can't assume everyone knows what a GALGE is - doing both is the only way to solve that dilemma.

This is often a good guideline when looking at old memetically bad fansubs by the way:

This isn't real, no fansub had this - it was a meme that was posted on a wiki forum in 2007. Which makes sense, right? "Plan" isn't a Japanese cultural or otaku term, so there is no reason not to translate it, it doesn't deepen the ~otaku connection~.

Which, I know, I'm explaining the joke right now, but over time I think many have grown to believe that this (and others like it) is a real fansub, and that these sort of arbitrary untranslations just peppered fansub works of the time? It happened, sure, but they would be equally mocked back then as missteps - or were jokes themselves. Some groups even had a reputation for inserting jokes into their works, imo Commie Subs was most notable for this; part of the competitive & casual environment of the time. But they weren't serious, they are not examples of "bad fansubs" in the same way.

This all faded for a bunch of reasons - primarily that the market for anime expanded dramatically. First, that lead to professionally released translations by centralized agencies that had universal standards for their subs and accountability to the original creators of the show. Second, the far larger audience is far less invested in anime-as-identity; they like it, but its not special the way its special when you are a bullied internet recluse in 2004. They just want to watch the show, and would find "caring" about translation nuances to be cringe. And since these centralized agencies release their product infinitely faster and more accessibly than fansubs ever did, their copies now dominate the space (including being the versions ripped to all illegal streaming sites), so fansubs died.

Though not totally - a lot of those fansub groups are still around! Commie Subs is still kicking for example. They either do the weird nuance stuff, or fansub unreleased-in-the-west old or niche anime, or even have pivoted to non-anime Japanese content that never gets international release. But they used to be the taste-makers of the community; now they are the fringe devotees in a culture that has moved beyond them. So fansubs remain something of a joke of the 90's and 2000's in the eyes of the anime culture of today, in a way that maybe they don't deserve.

[dailyadventureprompts]

Expanded universes really are the final frontier of franchise based storytelling aren't they? The ultimate sign that the brand managers have finally squeezed out the artists and twisted things into a state of maximum profitability.

Crossovers and callbacks can be fun, continuous crossovers and callbacks make the story into a slurry. Canon and what if's and reboots all ground up and served in a trough for the undiscerning consumer to mire in. It's bland, it's exhausting, it's pointless.

Big companies and studios are risk averse, and the profit seeking wisdom steers them away from niche works of art and towards wide appeal content. Why risk money on a movie/game that only a fraction of people will love when you can spread that engagement out across a dozen different products that are just good enough to keep people invested in your extended universe, whether from genuine fandom or just cultural fomo?

Marvel feels ubiquitous as Kleenex doesn't it? It's always there in the movie theatre/store, slightly cheaper offbrands right beside it. While individual works within the marvel universe might be genuinely good in their own right their quality is secondary to their purpose in perpetuating the brand and keeping it relevant.

People like familiarity, and if it's a safe bet for you as a consumer to have a pretty okay time in exchange for your hardearned dollars then it's a safe bet for the investors to receive their quarterly returns. It's no mistake that Disney, the company that owns Marvel does most of its business in theme parks: entertainment on an industrial scale. Just like their movies the rides are made to give you and everyone else who bought a ticket a scientifically optimized amount of fun and then move you along so that that the next batch of riders can have an identical experience.

It's value production as efficient as an assembly line or slaughter house, completely atomized and divested of any trace of the individual for the sake of maximum profitability. The figured out a way to sell you your own fandoms like they sell you happymeals, endless iterations of a product just this side of bad but convenient enough that you never need to go without.

I don't blame anyone for liking things, just like I don't blame people for wanting a quick burger in the middle of a long day. Our minds need entertainment just like our body needs calories, and profit seeking conglomerates exploit that need as they always have. What irks me is the fact that even outside of the commercials I feel like I am being sold something, like the movies and games I actually enjoy are being supplanted by feature length billboards that only serve to advertise the next instalment. The desire to find out what happens next is a powerful thing in media, and that desire is being exploited by expanded universes the same way it's exploited by DLC that contains the "true ending".

You can tell it isn't sustainable.. McDonald's is so inflated in price it's competing with actual restaurants, the gaming Industry guts itself with layoffs every quarter, and Disney's competitors are producing entire movies and tv shows only to destroy them for tax befits. The cracks have been showing for a while but I have no idea what shape the landscape is going to take after the dam gives.

[erisweekofficial]

We're thrilled to shine a light on @zenkindoflove!!! Amanda is an absolute gem in the Elucien fandom AND Eris fandom and has also blessed us with Alexius, her incredible OC for her Eris x OC fics.

Alexius stands out as one of the few male OCs in the community, and the dynamic between him and Eris is nothing short of captivating. Think forced proximity, delicious yearning, witty banter, political intrigue, and all the tension you could dream of. You can see them in both Summer Heat (which has Elucien) and Pull Me in Deeper, which... y'all you gotta read this asap😍🤭🥵 Also the mods are begging you to read Taste of You, a short and delightfully smutty one shot.

And PLEASE admire this amazing art of Alexius and Eris!

Read more to learn about how @zenkindoflove was inspired to create content about Eris AND her extremely helpful tips for writing content about him. (We're taking notes)

What inspired you to start creating content about Eris?  I became curious about writing Eris after he was featured in some of my Elucien fics. When I started my multichapter Elucien fic Summer Heat, I decided that I would give him a male love interest in that fic and create an OC - which ended up being Alexius who you see featured in all of my Eris work. I originally intended for it to be a background relationship, but I decided to experiment and write the scene of their first meeting (a very smutty scene) just to do some character exploration. I didn’t intend to include it in the fic, but then once I wrote it, I knew that it was something special and Eris x Alexius became a true B storyline in that fic with a fully fleshed out love story. After that, I wanted to expand and write fics that focused on them which I've written several now and more to come for Eris Week! It's a bit niche. Hardly anyone writes Eris x Male OC but I'm obsessed now.

What's your favorite piece you've created featuring Eris and why? 

That would be my Eris x Alexius multichapter fic - Pull Me in Deeper. I love it because it was a way for me to explore Eris’ character when he is out of the watchful eye of his father and others in Prythian. It’s also just a fun action/adventure/romance story and I got to explore more lore and character building for my OC Alexius as well. Alexius was designed to be, in my opinion, the perfect person for Eris and that means often standing in contrast to a lot of his personality traits and pushing him outside of his comfort zone. So it was an incredibly fun dynamic to explore. And it’s two gay men who are on a quest to find out (*spoilers*) if unicorns exist XD.

How do you approach writing dialogue for Eris? 

I tend to lean into Eris being more careful with his words - so he is sharp, concise, and efficient in his word choice. Depending on who he’s sharing a scene with and the context, he can be severe and short or he can be long-winded and eloquent. And of course, he has banter and jabs a plenty. So I try to balance all those sides of him depending on the context.

Do you have any advice for other creators wanting to make Eris content? 

Eris inhabits a unique space in canon where he is truly a free agent when it comes to relationships. So, I would recommend if you want to write romances with Eris to lean into self-indulgence and write the pairing/story you really want to tell and try to let go of what you think will be popular. And if that ends up being Eris x OC rather than a canon character, know that it can actually be such a rewarding experience even if you don’t have a built in audience. Creating an OC to pair with Eris has been immensely fun and has broadened my creativity. Eris is a complex, interesting character with so many layers and building someone to fit him and find out what is underneath all of those layers can lead you down quite an obsessive path. But a fun one. 

Please give us a name for one of Eris’s Brothers

Kian. He is the third oldest and is more of a scholarly type. Now that second brother Conan is dead, he is next in line after Eris.

Please give us a name for one of Eris's Dogs.

Lithia. She just had puppies in PMID and Eris is worried about her. 

[max1461]

I guess I just feel like... the weltanschauung on tumblr, and this seems true in both the more mainstream corners like fandom tumblr and the more niche corners like rattumb, is one that is very concerned with engineering one's environment. People are very picky, finicky about their surroundings, and this is viewed as a good thing—you're supposed to settle on very specific requirements for your environment and then cultivate them. This is expressed in like, the presence of DNIs, the advice to block profusely, etc., but also in ways that interface with IRL life. Like how it seems kind of common for rationalists to go and live in rationalist communities, full of people who are similar to them and have their same environmental and social preferences.

It's like a general predilection to insularity.

And this is so different from the world I'm used to, in which variety is viewed as inherently desirable, in which one is considered to benefit personally from "meeting all different kinds of people" and "having all different kinds of experience", and so on. And that mindset aligns more with my own preferences; insularity makes me uncomfortable.

Sometimes I wonder if like, this is related to the thing where a lot of people here seem to have hated school. I liked school! I liked meeting a variety of people, and encountering different stuff, and so on.

It's like, there was this post going around a while ago that said "I don't want to be more like everyone else, I want everyone else to be more like me". And everyone was reblogging it, all my mutuals were reblogging it, and I was just like "I don't relate to this at all, that sounds like it would suck".

This is part of my ongoing series of posts "max thinks out loud about why they feel they are clashing with tumblr culture so consistently these days".

Anyway, I guess, I don't mind being around people who have a desire for insularity in this sort of way, but I guess what I feel is that tumblr is a bit of an eco chamber, there is no source to remind people that not everyone feels this same way. Sometimes discussions go in a weird direction because tumblr users cannot seem to imagine "guy who actually likes small talk and might find having a conversation with a relative stranger who they share little in common with to be an enriching part of life" as an actually existing type of person.

[raven-at-the-writing-desk]

“The updates are making me like Idia more, but in the same way you'd like a character for being pathetic” I’m shocked you didn’t like Idia at least from what I remember? He’s basically the same as Rollo (a character you do like I think) and in more ways than one. They’re both gloomy looking guys and traumatized big bros that are self righteous and pathetic. What kept you from liking Idia before if you don’t mind me asking?

[Referencing something I said in this post!]

Okay, confession time: when I was a little kid (I’m talking like 7-10 years old), I was SUPER into Greek mythology and more specifically the story of Hades and Persephone. I ate up ALL the Hades and Persephone retellings/reinterpretations I could find and actively hunted for more 💀 so you’d think I’d like Idia, who is twisted from Hades, given how I gravitated to Octavinelle because of my attachment to The Little Mermaid in my childhood…

I think what puts me off of Idia in spite of his similarities to Rollo, a character I do really love, is a combination of Idia's appearance and his attitude.

To tackle the shallower aspect first, I actually don't like characters that look "too" gloomy. I would say Rollo is stoic-looking, but not gloomy? He has a pretty neutral face most of the time and the only gloomy thing about him at a glance is the dark circles under his eyes. With Idia... There's a LOT going on here. The hair is definitely unique, but I've never been into super long hair. The nature of it kind of overshadows his face and Idia usually looks miserable as a default. I've mentioned before that I'm unnerved by his coloration too; the super pale skin plus the blue lips is reminiscent of a corpse and, well... while I do see there being an audience that finds him beautiful, I don't think that's a cute look for him.

Now, his attitude. I'm not going to fault Idia for being passionate about his hobbies, as we all have our niches that we're super into. What irks me is how Idia expresses himself and acts out on behalf of those interests. He talks down to people who "don't get it" and takes other measures to defend the things he likes that I think is crossing a line. For example, he tracks down the IP addresses of Ignihyde mob students that defaced his favorite idol group's website. In the EN version, Idia threatens to doxx the mobs too (though he never does, this was just a localization decision). Yeah, you could do that I guess... but should you? 😭 The other characters also do questionable things (as a J word fan, I cannot deny this) but those actions are usually so outlandish no one irl would do it (like how Azul is a high school student that runs his own shady business). Idia's behavior, meanwhile, embodies some very real and very toxic aspects of fandom culture. I think part of why I disliked Idia at first is also his manner of speaking; it's riddled with so much internet lingo that it's hard to take him seriously sometimes. This is even more true of the EN version of the game, which has added even more slang than was in JP. Like... sorry, am I NOT supposed to be giggling when OB Idia is making threats while talking like an enraged gamer (both in EN and JP)? There is a ceiling on how much pathetic I can take in one sitting, and Idia far exceeds it every time he talks. Other characters (like Rollo making cheesy villain speeches, Azul being teased, Jamil's DOKKAN, etc.) have their moments of funny ha ha-cringe as well, but at least I can still see them in a serious light.

Books 6 and 7 are enhancing my opinion of Idia solely because they focus on the "traumatized big brother" part to his character. In Glorious Masquerade too... Idia gets the courage to call Rollo out because he knows their experiences are so similar. I think the storyline was done very well, and I loved seeing how Idia grows from an event that no doubt affected him deeply and still continues to influence him to this day. It's clear that he cares deeply about both Orthos and will step up to protect them. I LOVE THAT FOR HIM, it's not as though Idia is completely throwing aside one brother for the other, he's acknowledging them both as his "true" brothers. The way he goes from laughing to crying in his post-OB flashback... Idia getting so mad at us attacking Phantom Ortho with lightning... the willingness to "go" with OG!Ortho to the world beyond... apologizing to Robo!Ortho for falling for the dream's promises of eternal happiness... Aaaah, it's just too good 😭

DIHLBASOFYIAYVYEBfsWPYWPF WHAT CAN I SAY... I like me a reliable onii-san character 🤡 I'M NOTHING IF NOT PREDICTABLE

[solsays]

okay guys hello hi so a (more serious) post before we’re back to the sillies but like I’ve seen a bit of this in the QSMP community recently and I feel like it needs to be addressed

you’re free to dislike a creator/cc’s fanbase, but don’t lump them all together. Every fanbase has its different parts, and that means that not everybody is the same. I’ve seen this most with Wilbur and Phil mains, how people are like “oh you’re oblivious and don’t care to watch other streamers” or whatever it is, and often they get accused of summing characters/creators up to all they know them as through Phil or Wilbur or their relationships with other characters. This isn’t to say that doesn’t happen, but it’s not nearly as common as many seem to think!

This is coming from someone who has been watching Phil for going on four years now; we know more than you think, and often there are actual reasons for why we don’t watch other ccs. For me, it’s because I can rarely tune in when people are actually live thanks to school and work and such, so I take to watching vods and clips to keep caught up on the events. I am also not fully bilingual (English, and I speak partial Spanish but fast Spanish still confuses me sometimes) which makes it hard to watch people like the Brazilian or French players (I don’t speak either language) outside of clips where they’re playing with the English or Spanish speakers! As a result, my knowledge of many of them (Mike, Bagi, Antoine, etc) is pretty limited. I try my best to keep up with everyone on character stuff, but it can be hard if we’re busy. Another thing is that a large part of (especially) Phil’s fanbase are adults, who have families or college or work and they can’t always keep up with every minute detail or trait of characters, and I know this is true for many other cc’s fanbases as well.

of course, everybody is allowed to have their own opinions, and it’s okay if you aren’t a fan of a cc or their fans! All I’m asking is that we don’t hate on those creators or their fans, especially if it’s because you’ve had not great experiences with some of their fans. Often I think the former DSMP members fans are seen as stupid little kids who are toxic and childish, while in reality most of us are over 16 or even adults. Phil, Foolish, Slime, Quackity, etc were never really the problematic part of the dsmp fanbase, which was kind of split into Techno’s friends and their fans (who were always pretty chill for the most part) and then dream’s friends and their fans (who were and still are pretty problematic a lot of the time). I never was a huge dsmp enjoyer, so I never really watched the lore and preferred to watch their other stuff, but I always disliked the dream team and their little group, they always rubbed me the wrong way.

I only truly watch Phil’s streams, but I’ve taken up watching Cellbit and Fit as well, even if I can’t understand Cellbit sometimes, so remember that we won’t know everything niche about characters because of the language barriers! Don’t be a dick or rude to people who are unaware of certain parts of lore and such because they don’t watch multiple creators, we want to keep the QSMP fandom a chill safe place where people don’t feel hated or excluded just because of which creator(s) they watch, so in summary just be nice to everyone and don’t hate on people just because they don’t do things the same way as you. This community was created with the purpose of bringing people together and breaking barriers, so let’s try and keep that moral in mind while interacting with other fans!

TLDR: you’re free to dislike creators or their fans, just don’t lump them all together and say they’re all clueless or don’t care about any other characters! Let’s keep the point of the QSMP fandom what Quackity intended—breaking language barriers and bringing people together/lifting them up instead of putting them down :)

[ariddletobesolved]

of preferences and headcanons.

Hi! I know I haven't posted real content in over a year, but since I've been on Tumblr the past week, I can't help but notice a discourse happening on Helsa tag.

I believe as a community, we should all respect other people's takes and opinions, especially in a fandom, where everyone may perceive things differently. Everyone has their own preferences that not everyone could get or understand, and that is okay. For example, and also to address the elephant in the room, if you prefer a ship (in this case, Helsa) to not be canon, it's totally fine. And if you would love for it to be canon, then that is fine too. It's not okay when you try to tell people how they must feel towards a certain media (in this case, Frozen) and tell fellow shippers they're not a true shipper just because they don't share the same preferences as you do. Stating an opinion of your preference is not the same as telling others to change that preference to suit the one that you like.

"I would prefer to not have them to be canon."

"If you're a true fan, you would have done THIS instead!"

See how different those two sentences are? The first one is neutral, while the other one is more demanding.

Honestly, I want to respect both, but I believe respect is earned and not given, and if the person is being disrespectful then I will return the disrespect back to their faces. Treat people the way you want be treated, remember?

I've been in between fandoms for over a decade, so I've come across discourses over headcanons and preferences plenty of time. Here's a reminder: Be respectful! It's not hard if you recognise that everyone perceive things differently and that the world doesn't revolve around you and your opinions only. You can always agree to disagree.

Being respectful also means being respectful to fanartists and fanwriters. Have some decency and refrain from using someone else's works without their permission (it's not hard to ask!). Just because you found it on Google does not mean it's public domain. As for appreciating fanwriters, you can start by reading what you want to read. You can start by filtering keywords and tropes or genres that you don't like. AO3 has a tagging system for a reason. If you don't pay attention to the tags, don't blame the writer for writing what they want to write and not how you want it. They create contents for free and you are not the boss of them. If you want something that specifically suits your taste buds, you can commission them.

Learn how to differentiate between what's canon and what's your own headcanon and interpretations, what's canon and what's a mere concept. Maybe you're reading too much into it, maybe it's in your head. Headcanons are fun, being delulu is literally my middle name, but not everything that you perceive is canon. You can disregard canon (like I do, most of the time) but you have to be clear about it, and draw a hard line to separate them, label them with 'canon divergence' or 'canon compliance' (you can look up each definition). A concept that did not make into the final product can hardly be considered canon.

This fandom community is supposed to be a safe space for everyone regardless their reason in shipping Helsa (be it because of their appealing aesthetics or others) as long as they're being respectful to each other. I didn't think I would be here writing all these to address the bad apples. Sure, the bad apples are always there in every community, but when these bad apples are the loud majority, I feel like I have to say something to clear up some misconceptions about this fandom. Helsa fandom isn't exactly popular, even back in the day, and it's mostly because shippers of other ships and fandom purists have already assumed the worst when they interacted with the ship before they did the shipper, which once again is out of the shippers' control.

From my experience, name-calling fellow shippers over these niche stuff will drive people away and discourage some creators from creating content (I already am on this stage). So, in my opinion, let's just agree to disagree. It's probably just me, but it's not like we have the power to make the writers write what we want anyway (Frozen 2 is already a proof that they would write what they want to write).

[nalyra-dreaming]

In regards to popularity, IWTV is one of AMC's more popular shows on their streaming platform. Despite some pretty bad marketing. The first real ad was actually aired during the Super Bowl, so irs clearly a show they care about. AMC seems to be playing the long game rather than aiming for instant success, and it’s clearly a passion project with big ambitions. Like I can at least see them get to s4-5 before any fear of cancellation happens.

Also while the marketing is outdated, they’re also targeting a niche audience because a gay gothic horror and romance show on a very unknown streaming platform, limits its reach. Still, the core fanbase is super strong, like who else are even buying $5,000 coffins 💀 ⚰️ also compared to a lot of other shows from my experience a big part of the fanbase includes regular folks who might like the books or regular people aren’t very active online. it’s clear at least to me that most of the people interacting with the show aren’t deep into fandom culture and a little older than fans of similar shows

I’m so happy that the show is reaching a lot more people especially from word of mouth by critics and passionate fans because it’s such a good show with such great acting and a lot of love being put into it, and being on Netflix has helped it reach more people. But I don’t think it’s the end all be all

This show has a way to go yet and I do think it will go that way, too.

And I think AMC has made some very clear statements re IWTV with Rolin's contract and the renewal in secrecy :)

What you say is true, the fanbase for this is 50 years old. And widespread, not the least maybe because of Anne's... endeavors -.-

But I do also think it is very strong, and yes, god, the coffins. LOL. I would love to know who bought them^^.

I do think IWTV is slowly gaining momentum. Not as fast as anticipated on Netflix, but by now I think that is a good thing. There's a lot to discover in and about this show after all, and so much has happened in two years. A slower growth lets people catch up.

And then season 3 with the rockstar arc will blow all our minds *g*

[laniusbignaturals]

I genuinely confused about the whole drama fuss is all about. All fandom always at least have that one toxic ship, it's inevitable. And master/slave trope is not a new concept either, heck people seems fine about the trope as long as two party are attractive i suppose (shrug).

Plus dead dove do not eat also is a thing. It's unavoidable, if someone really didn't like a content there's literally a mute or filter

TLDR: It was always gonna go this way.

The long version: people originally started arguing about Caesar/Arcade because bickering over how to write characters’ romantic lives is time honored fandom tradition. This has been happening since the days of Star Trek and Harry Potter, it’s nothing new. These scuffles become especially aggro & self-serious when related back to a popular blorbo - those (usually male, almost always white) characters that are kinned, stanned and projected onto moreso than others. Arcade is absolutely that guy, right? He's a lot of people's favorite. He's special.

This spat featured casual racism, offensive name-calling and some brazen, truly nonsensical appropriations of AAVE, because those are also time honored fandom traditions. (Even if you niggas are cagey about acknowledging that.) Art in western culture is heavily influenced by white supremacy, and fandom, including the FNV fandom, is just one niche within that culture. White people, especially the young n cool™ ones, value their position as consumers & beneficiaries of black culture more than they value black people. They are known for selecting parts of our identity, language music clothes hairstyles etc, removing them from the original context, and bastardizing them so they can be used as a cultural commodity for nonblacks. Something that is put on and taken off for funsies, cosplay style. That FD Signifier video I was hyping up over the summer had a whole section about this. He also just released a new video on black cops which is worth checking out.

Now, tumblr's userbase generally believe themselves to be more enlightened than fandoms as you see them on reddit and twitter. And this is true, on a superficial level; you are much more likely to be met with slurs and open hostility on those sites than on this one. I also believe that, because the demographics which form the majority of tumblr's userbase - white gays and white women - have traditionally been marginalized & subjected to mistreatment within mainstream pop culture, they are especially resistant to identifying and dealing with the ways in which they fall short of their own progressive ideals. No one wants to see themself in the same light as their own bullies.

The problem is that, when it comes to their behavior, tumblr's FNV fandom can be pretty damn regressive, especially on the topic of race. They tend to have an excellent grasp on liberal terminology and identity politics, so they are comparatively much better at keeping these misgivings covert. But in practice, you will find them to be no less self-centered, entitled and anti-black than the FNV fanboys you would expect to find on reddit and twitter. I got into this game right around the time it was revealed that some white users were producing extreme anti-native content behind closed doors, an experience which has fostered an increased sense of isolation and paranoia among the remaining people of color in the community, as far as I can tell.

Okay, so, some white users start doing the ~Oooh Chile You'sa Lame Ass Homeskillet~ routine characteristic of digital blackface. They go out of their way to be as disrespectful and verbally abusive as they can in the process, because atp they're still on the offensive. And they misuse the black words they're "borrowing" because they don't know what they actually mean. When myself and a few others respond in kind, they double down, carrying on with the nastiness and the bizarrely racialized talking points. (Unironically calling people you don't like "degenerates??" Really?? School failed some of y'all smh)

A couple days go by and, instead of moving on and finding something else to do, they press the proverbial self-destruct button and engage in civility politics. The malignant tone of the original posts is abandoned, and instead, the people who once adopted it become… shocked and confused and wounded. They start talking about how, instead of matching their energy, their contemporaries should've just been "nice" and "civilized." They start complaining about being “canceled” just for having “opinions,” going back and forth between making half-assed apologies and insisting that the original issue wasn’t that big of a deal because they didn’t have “the intention of being racist” as if “having the intention of being racist” is something people ever do.

You would never guess that 1.these were the people all but outright referring to their peers as unwashed subhumans not last week, or 2. that they did so while identifying as left wing. Because rhetoric like this is borne from a place of privilege. Expecting that no one you’re denigrating will be allowed to meet you with an equal level of vitriol, because your space considers doing so to be taboo, is the kind of behavior that arises from too long spent insulated from the nonwhites who created the language they were mimicking. Nonwhites who might take umbrage with their broken attempts to use it while in the same breath calling them & theirs a bitch.

And if theres anything I would like people to take away from this, it's that the parts of fandom culture which they might have expected to have evolved in the past decade or so have, by and large, not evolved. Even some predominantly queer spaces will readily adopt the talking points of the right wing and prove themselves to be every bit as hostile to poc if you don't abide by their rules and center their perspective. So you should think before you speak and make an effort to not throw rocks and hide your hands, as is the parlance of our time.

Lastly, please do not go find these people and bother them on my behalf. I'm gonna take the poor english language comprehension between the both of them to indicate that they’re probably all, if not minors, young adults, which means they’ll likely learn not to act like this on their own. Or not! Maybe they'll be like this forever. Maybe one day I’ll see their names in the news after getting their shit rocked for saying a slur on campus & crying to the press about how they’re the real victims here. I can't influence whether or not that happens, because I’m not their counselor or their mom, even if they expect me to act like it.

[pumpumdemsugah]

I couldn't be an author in this day and age and also have any social media presence because if someone tried to guilt trip me ( not simply wonder, relate to or ask ) into saying a character I wrote was a different identity, when what the character is is important to the story, I'm telling everyone to suck their mum. Some of you genuinely think the author's intent is completely subservient to your head cannon and fandom nonsense. Fandom stuff was never meant to compete with the actual story but something you do when you're waiting for new material, you want to discuss whatever, silliness or pet theories. Some genuinely think that's more important

It's one thing to ask questions and to mention how X reminded you of whatever experience that's common in X group and you felt connected to that ( lovely and touching ) and straight up guilt tripping or cornering people. It's like the whole Gaylor thing ( the Gaylor fallout is worse because real people). That was never meant to breach containment but people became so used to having access to people through social media and having their wildest ideas treated as sacrosanct they're hurt that something they made up in their head isn't true and is surprised someone might be uncomfortable being treated like an empty vessel you can project theories on.

So many people need to reorient what they think appropriate behaviour is. It's not even about parasocial but some things are only meant to exist in niche internet subcultures and never see the light of day and people are forgetting that as fandom stuff is all over social media.

[isalisewrites]

A little word of motivation from Isa

It's Sunday for me again where I attend a Mormon church meeting. Going used to burden my mental health, but now I am unaffected. To me now, it is a gathering of people who like to participate in rituals and community surrounding their fandom niche. Even if they take it a step further and believe their fandom is based in reality

After posting my latest chapter for Terrible, But Great and seeing the overwhelmingly beautiful responses to my personal conflict with a Mormon family member, I felt such gratitude on a multitude of levels. Sometimes, I question myself about sharing such things because I'm really NOT trying to vent or garner attention through the experiences in my life.

If I'm to attract attention, I'd much rather it be from my writing

I want to lift and to inspire. I am more assured of my path even more now. To those of you out there who still attend your religious meetings to keep the peace in your homes, all while you no longer believe, please acknowledge your strength and your endurance.

You are powerful.

You have awakened and that was an immensely difficult process. You've gone through a terrible loss, yet you're still here.

Remember, even while you're still physically attending meetings, the beliefs of others have no power over you. Your essence, your soul, your consciousness, whatever you call the you within, it cannot be bound by their beliefs. You are spiritually free.

Keep hanging in there. You are so strong for holding your tongue, for keeping your silence. There is nothing wrong in not telling anyone your beliefs. You owe nothing to anyone.

It's going to be okay. It's going to get better.

I might know that Mormonism isn't true, but that doesn't mean I don't believe that we all have special paths and journeys unique to us.

I was always meant to go through a faith deconstruction. I was always meant to share my story with others, so that it could comfort at least one person. I send you hope, comfort, and love. You will not only survive, you will thrive.

Remember, you are loved.

[princesscolumbia]

Ranma 1/2 Thoughts, Meta Edition

I have consumed...a lot of Ranma 1/2 content.

I mean, this is kinda what happens when you're a repressed transgirl who discovers the manga a year into a marriage that you got into to "fix" being trans and be "a real boy" in a desperate bid to fill the hole that you wouldn't learn for two decades could only be filled by living as your true self.

I've encountered precisely four (4) types of Ranma 1/2 fans in that time:

Transwomen who see Ranma as their idealized expression of the gender experience ("I'm not like this because I want to be, it's a curse. A curse that gives me a smokin' hot body and HUGE tits! But it's tooootally a curse, for realsies! I'll find a cure any day now, see how hard I'm looking? I'm trying sooooo hard to find a cure...")

Transmen who see Ranma as their perfect representation of their gender experience ("I'm a guy, damnit! This body...it's a curse! I hate it and I want nothing better than to be cured, but all sorts of Life Bullshit keeps getting in the way!")

Lesbians who kin either Ranma (butch NB lesbian) or one of their love interests (Akane - comphet closetted butch lesbian, Shampoo - Strong, smokin' hot bad bitch who goes after what she wants, Ukyo - transmasc coded genderfluid NB)

Completely clueless nimrods who miss the FUCKING POINT and are only into the show for the martial arts and think it would be better if Ranma got cured and they stopped having funny stuff happen.

(In case it's not obvious, IMHO the last group are the worst parts of the fandom and need to Go Away. Most of the toxic stuff that exists in R.5 fanspaces is because of this group of assholes which includes the incels that think everything would be better if Ranma just did stuff that's questionable from an ethics and morality perspective and chased after Shampoo because she's the closest thing to a Barbie-doll these closet fascists can allow themselves to fantasize about playing with, completely ignoring that she's a complex character that's a subversive pastiche to the Japanese racist stereotypes of the 1980s.)

I'm not kidding when I say that in the early days of the public Internet (before Facebook and Twitter ruined it for everyone), Ranma 1/2 was the SINGLE largest fandom by a MASSIVE stretch. I once checked my math on this by going to Fanfiction.net (before the massive purges) and brought up the Big List of All Fandoms and right there at the top with a MASSIVE number of fics was Ranma 1/2 by a HUGE margin. It took three fandoms (Star Trek, Doctor Who, and I believe Naruto if I'm recalling correctly) to have their combined total number of fics exceed the number of R.5 fics on FF.net...and that was JUST FF.net. There was an entire separate index (The Penultimate Ranma 1/2 Fanfic Index) that had the single task of listing, not even curating or reading or reviewing, ONLY Ranma 1/2 fanfics. Not fanart, not commentary, no RP blogs or chat transcripts or whatever, JUST fanfics. And only about half of those linked to FF.net, meaning that if you dig up the archives you'll find at least 60% of all fanfics that people had managed to index in the Ranma 1/2 fandom are missing because they were never properly archived and just...faded from the Internet as the public servers and places like Geocities started disappearing. You can find teasing, tantalizing hints of larger works that all we have left, like scraps of ancient papyri revealing a quote from a missing book of the Bible, are single chapters backed up on niche sites that managed to get spider-crawled by Archive.org, but many great works are just...lost. (There's an ero fic called "Playing with Water" that was SUPER hot and featured elements that we have tags for on porn sites but didn't really have proper words for back in the day...but even back when it was first being written finding the thing was hard...and today? Nearly impossible.)

(If you wonder why I'm such an absolute RABID advocate of AO3, this is why)

For me, Ranma will always be the transfemme coded genderfluid hero that we needed in the late 80s and early 90s. We were on the tail end of the AIDS pandemic, and just like COVID-19 there were a bunch of assholes who used it to ride to power and marginalize queer folk. It was easier to do with AIDS, of course, given the absolutely massive numbers of queer cis men and transwomen who contracted it and died. (Sidebar: the reason "L" comes first in "LGBTQIA+" is because it was the Lesbian nurses who were the caretakers of the Gay men who were dying in numbers large enough to be counted as a tragic statistic instead of a mere tragedy) and while the world was starting to acknowledge (again) that gay men was a thing that existed and they weren't actually trying to corrupt the youth, what we now call "transgender" was still listed in the DSM as a mental disorder that required treatment to "cure." According to the cultural majority in damn near every field you can imagine, the Gender Binary was the only way to exist and if you didn't fit neatly into one or the other then you were Damaged™ and had to be Fixed™ for The Good of All People™ (but specifically so cis-het-white folks, usually men, could feel comfy and not be confronted by things that made them feel icky and might have cooties). It's a truism that's treated as a joke that transwomen get into coding and wind up doing IT work in such massive numbers that between us and the furries we ARE the foundation of the modern Internet. And into the fanspaces packed to the brim with closetted AMAB transwomen who hadn't yet had their egg cracked came this plucky martial artist that gets to swap their gender with a splash of water but somehow still winds up the best of the best, the finest martial artist of their generation. (Goku can suck it, Ranma would turn the Kamea-meha right back on the over-muscled, braindead loser with a food fetish and still make it home in time for Kasumi's dinner)

I'm no sociologist, anthropologist, behaviorist, whatever, but I suspect that the reason Ranma Saotome spawned such a large fanbase so early in the modern Internet's history was specifically because the series created a safe space where people could talk about gender issues with a degree of separation that helped strip away the stigma surrounding feeling like you were in the wrong body.

I get why people like the martial arts aspect. I mean, Ranma kills a demigod. This is NOT something to sneeze at. I also understand the transmen who latch onto Ranma as a kin because I get the feeling like you have no control over what your body's doing and you're going through your days in existential dread of what might be dragging you further and further away from what you always knew was right and correct about yourself. It's a terrifying thing and here's someone who (esp. the anime version) IS a guy trapped in a girl's body.

For me, though, and for a LOT of transwomen out there, Ranma is transfemme. And, yes, canonically Ranma states right near the end of the manga that they're both and they kinda forgot about the 'cure' when they had to pick between that and the really important stuff and that they're okay with being fluid ('cause water, gettit?!) about their gender and it's a damn shame this was the 80s 'cause a continuation might wind up showing Ranma embracing being both...

BUT, and this is a transfemme thing, I know, if you continue the parabolic arc of Ranma's character development, the logical conclusion (for us) is that she eventually decides that she's a woman and just lives in her "cursed" form the majority (or all) of the time.

And yes, this is because that's the transfemme story arc. In the manga in some distant part of the multiverse that peers into our universe and for some reason decides to make me the MC (god, that must be a FUCKING BORING manga by our standards, I weep for those fans), my story arc is the gradual progression of uncracked, closetted transgirl to transitioned out and proud transbien mom. At one point I swapped back and forth between gender presentations because it was safer for me to appear in some spaces as the male that they thought I was. Now I would prefer to die before being forced to go back to pretending to be a man again.

Ranma has the choice, and good for them. Until the Kaisufuu is permanently destroyed, even if the "curse" is locked, they have the option of going one way or the other based solely on their own, personal desire. I can't say I'd be comfortable with that option being available. In that theoretical manga where there's a reboot that gives me a condition like Ranma's, I'd probably wind up destroying the equivalent to the Kaisufuu just because of the threat to my mental wellbeing it presents.

So it's not a stretch to imagine Ranma making the same choice. She's a woman now, she has the life she never realized she wanted because she never had the choice so didn't know she was allowed to imagine it, but now she's happier than ever and why would she ever go back to that struggle of being a guy that only ever brought her pain and challenges and heartache?

[7grandmel]

Todays rip: 21/03/2024

Poké Village

Season 5 Featured on: SiIvaGunner's Highest Quality Rips: Volume C

Ripped by XxFemBu55yL0V3RxX

I've yapped on and on before on here about what the true core of SiIvaGunner is, be it comedy, emotion, shitposting, community, lore, what have you. There obviously isn't one true answer to that question: it's all subjective, not just based on your own reading of the channel, but your own experiences with it. As an aspiring writer, I love digging deep into its narrative and theming, the stuff found in Nice, Slick, Blackness and NIGHTMARESCAPE 〜Unrestrained HyperCam 2〜 (Final Boss Phase 2) - but other people are far more invested in the act of ripping itself, the people who go the mile beyond that even I do and keep up with all the various fan channels, or even make rips themselves. But no matter your angle, there's one thing that binds everything together, the thing that Poké Village and so many other rips represent. To share what you love, and love what others share.

I'm sure that at this point, Violet Snow Memories is one of my most-linked posts on this blog, but that's exactly because it represents that theme so well. Kyle Hyde's duology of DS Adventure games aren't exactly worldwide phenomenons, yet there are still people out there - people like Uncle Fill - who wish to share their love for the games in any way they can. And in turn, I myself have enjoyed hundreds of rips representing games and franchises I've never really engaged with much, franchises like Touhou with Imperial Touwer or Sable with Sable's Stickerbush. But it doesn't really matter whether or not I'M a fan of these series, when its ever-so-evident just how much the people making these rips love them, the love you can see in the rips themselves. And hell, I've said it before and I'll say it again: It was Chaze the Chat's love for Maroon 5 as a band, its early history and distinct style highlighted in the rips on SiIvaGunner, rips like As Miku Collides, that got ME invested in the band in return. Each ripper on SiIvaGunner, each contributor and fan submitter, wishes to share a piece of themselves with SiIva's audience, and it's truly heartwarming to see how many of us are able to look beyond the boundaries of fandom to appreciate real quality.

Which, then, brings us back to Poké Village - a rip featuring the Pokke Village theme from the Monster Hunter series. First appearing when the series was still primarily on the PlayStation Portable, and only reappearing on the core-fan installment Monster Hunter Generations. The franchise is far from niche, the song far from obscure - but it still isn't exactly a theme known to those *outside* of the Monster Hunter sphere, in the way that we for instance all know the tune of Green Hill Zone without having played a Sonic game. SiIvaGunner isn't exactly a gathering spot for the Monster Hunter community (the games themselves have a pitiful amount of rips on the channel), but by just Poké Village alone, you may be fooled into thinking otherwise.

What XxFemBu55yL0V3RxX's created here is a beautiful 7-minute arrangement of the aforementioned Pokke Village theme, initially led by the very same nostalgic Game Boy hum that leads much of the Johto Pokémon games' soundtracks. The extensiveness of the arrangement alone speaks volumes - it reminds me of rips like Jesus of the Underground right off the bat - but its hardly where the rip stops to impress. For one, I think the choice in game to use for this "bait-and-switch" arrangement is incredibly smart and quite deliberate. As an outsider, I need not have played a Monster Hunter game to get a sense for what Pokke Village is like, due purely to my associations with Ecruteak City and how those feelings are leveraged in the rip. I have no nostalgia nor attachment to any Monster Hunter game, yet the emotion present in just the rip's first half alone, the way the theme swells and settles, it conveys the rural village atmosphere pitch-perfectly. And all of it is, of course, elevated by the rip's unexpected twist - the remarkably seamless switch from the Pokémon GSC sound, to something far closer to a ground-up arrangement.

At first, I drew the conclusion that it was directly based on the Ecruteak City or Cianwood City theme of Pokémon HeartGold/SoulSilver, the 2009 remakes of the Johto Pokémon games for Nintendo DS. And while the arrangement feels incredibly similar to the sound of the DS, from the samples used to their quality, I can't directly connect the instruments used to either of the two city themes (which share a melody but with differing arranges). Yet the vibe is what truly matters, XxFemBu55yL0V3RxX is able to harness the warmth and comfort of those familiar DS-era samples to further bring home the sheer vibe of the Pokke Village theme that elevates the rip beyond its starting point, beyond its initial concept. I love pleasant surprise escalations like this, like I covered back in Plantasia 2, and much like that rip itself - I love how Poké Village is using it purely to further push a message of affection for a piece of media XxFemBu55yL0V3RxX seemingly holds very close to him.

Melody swaps between themes with such similar atmosphere are always some of the most surefire hits on SiIva, I'm reminded of just how quickly Aquadial enchanted me to name just one. And Poké Village certainly fits that mold, but I'm enamored by just how far XxFemBu55yL0V3RxX went to celebrate this theme that many of us are likely still rather unfamiliar with, to champion a franchise otherwise so underrepresented on SiIvaGunner with a seven-minute tribute covering two entirely different styles of arrangement. And it makes me so happy that it all worked, that the rip was able to hit the way it does without me having ever played a Monster Hunter game. Or in other words, that I was able to love the piece of himself that he shared in this rip.

[virtual-winter]

Frozen memories #002

My Frozen story - Part 2

"But, isn't that just a kids movie about some reindeer?"

My dear mother had no idea what her 22-year-old son was getting into on November 20th 2014 😅 Following my introduction to Frozen via ABC's Once upon a time-series, I was eager to find out what all the fuzz about the original movie was about.

I still lived at home at the time (in the countryside) and I had asked my parents to see if the movie was available at the local library. I can’t remember if I watched it the same day I got it or not. Probably a few days later (on my old Philips not-even-full-HD monitor 😅).

Prior to watching it, I had learned a few things about the plot and it sounded unlike any other movie I had previously seen. In addition to that, I had watched the Let it go-scene which was very captivating and I was very much in love with the song and the animation!

My original Swedish copy of Frozen

Seeing the movie for the first time was a bit of an otherworldly experience. I’m not sure how to describe it. I think everything about the characters, the story and the setting just clicked for me. Even though I don’t even have a sibling, I was awestruck and very touched by the tragic story of Anna and Elsa. And the theme of isolation and feeling of being an outcast was something I could relate to, always having been the introverted quiet one with very niche interests. I think I saw a lot more of me in Elsa than I even realised at the time. I think I watched the movie three times in just a couple of days.

From the first day of experiencing it “properly”, I was very much in love with Anna and Elsa and their world of Arendelle, which seemed so familia to me, being from Norway's neighbour Sweden and having experienced the wilderness of this real-life Disney-like nation just around the corner. I still vividly remembered going there on vacation some 8 years earlier. So, it wasn’t just the characters and the story that made it feel like it was “my movie”. The landscape, the art, the culture and the folklore (trolls) also felt so close to home!

Sisterly love

Midsommarstång

Scandinavian trolls

Old Norse revival architecture

I had not expected to get pulled into a fandom the way I was because I usually never do and this is still true till this day - I haven't found anything else that I enjoy as much as Frozen. But this movie was just… I couldn’t get it out of my head! All the songs were so incredibly catchy! I think I spent most of winter 2014/15 just replaying them constantly in my head (and on my phone). I also couldn’t get rid of the feeling of how incredible it would be to get to see Anna and Elsa in real life. I guess this was really the first time I got to experience something like this 😊

And so, my journey into the Frozenverse had begun. I was thrilled when I learned there was a new Frozen short film coming out in 2015 (along with some Cinderella remake that I wasn’t really interested in) and I even brought my mother with me to see it in theatres. She had no clue at this time what Frozen was! She probably liked Cinderella better but I was a blessed Frozen fan! Funny enough, it was my mother who told me Disney had just announced they were gonna make a Frozen II…

I’ll cover my continued journey through the Frozen fandom in part 3.

See ya soon!