USA please listen to me: the price of “teaching them a lesson” is too high. take it from New Zealand, who voted our Labour government out in the last election because they weren’t doing exactly what we wanted and got facism instead.
Trans rights are being attacked, public transport has been defunded, tax cuts issued for the wealthy, they've mass-defunded public services, cut and attacked the disability funding model, cut benefits, diverted transport funding to roads, cut all recent public transport subsidies, cancelled massive important infrastructure projects like damns and ferries (we are three ISLANDS), fast tracked mining, oil, and other massive environmentally detrimental projects and gave the power the to approve these projects singularly to three ministers who have been wined and dined by lobbyists of the companies that have put the bids in to approve them while one of the main minister infers he will not prioritise the protection of endangered species like the archeys frog over mining projects that do massive environmental harm. They have attacked indigenous rights in an attempt to negate the Treaty of Waitangi by “redefining it”; as a backup, they are also trying to remove all mentions of the treaty from legislation starting with our Child Protection laws no longer requiring social workers to consider the importance of Maori children’s culture when placing those children; when the Waitangi Tribunal who oversees indigenous matters sought to enquire about this, the Minister for Children blocked their enquiry in a breach of comity that was condemned in a ruling — too late to do anything — by our Supreme Court. They have repealed labour protections around pay and 90 day trials, reversed our smoking ban, cancelled our EV subsidy, cancelled our water infrastructure scheme that would have given Maori iwi a say in water asset management, cancelled our biggest city’s fuel tax, made our treasury and inland revenue departments less accountable, dispensed of our Productivity Commission, begun work on charter schools and military boot camps in an obvious push towards privatisation, cancelled grants for first home buyers, reduced access to emergency housing, allowed no cause evictions, cancelled our Maori health system that would have given Maori control over their own public medical care and funding, cut funding of services like budgeting advice and food banks, cancelled the consumer advocacy council, cancelled our medicine regulations, repealed free prescriptions, deferred multiple hospital builds, failed to deliver on pre-election medical promises, reversed a gun ban created in response to the mosque shootings, brought back three strikes = life sentence policy, increased minimum wage by half the recommended amount, cancelled fair pay for disabled workers, reduced wheelchair services, reversed our oil and gas exploration ban, cancelled our climate emergency fund, cut science research funding including climate research, removed limits on killing sea lions, cut funding for the climate change commission, weakened our methane targets, cancelled Significant National Areas protections, have begun reversing our ban on live exports. Much of this was passed under urgency.
It’s been six months.
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something i love about huntress (1989) is just how succintly its opening scene builds up helena as a character & the overall themes of her narrative.
the comic opens on western society’s prototypical idea of a victim, a young white woman (that fact having its own horrid political history should be acknowledged)- fashionable for her era- walking alone at night, and being followed by a man with a knife.
Immediately, the scene visually cuts between the young woman & helena, tying them together in the eyes of the audience. it then plays out as so:
Huntress (1989) #1 by Joey Cavalier & Joe Staton
Both through the very explicit paralleling of the two women, and the lamp-shading thereof on the writer's part within the scene itself, helena is framed within the eyes of the audience as someone who herself has once been a victim. the creative team presents you with the one most archetypal examples of a victim they possibly could, though, again, the problems within the history of that fact can't be ignored either- one that for all its commonplace is still powerless and meek as ever, and said "our hero has once been her."
"I knew somebody with a name like that... a long time ago..."
By allowing the audience access information so early on, the creative team is quickly able to position helena as existent within a dichotomy of the struggle between the ongoing disempowerment of trauma, and the fight to regain one's sense of power thereafter, as seen through the lens of non-linear trauma recovery. It is planting the seeds of what will grow to be a major theme in helena's arc.
Additionally, it very quickly posits helena as a character who is, in part, motivated by the phantom of her own vicitimization. She is very quickly suggested to the audience to be a character that is doing this- doing all she can to fight, stave off, prevent acts of violence- as a form of penance both to herself and to the world for the moments in her own life in which she was unable to do so. It is put into the mind of the reader that she is followed by the wraith of her own suffering, and of knowing that the weight of trauma is one that others can also be forced to bear.
This is further reinforced by the immediate narrative focus the collaborators chose to place on helena as a figure of compassion. from her first scene in main canon, her focal point is the victim, so much so that when choosing to return to the scene to comfort the young woman, she is able to notice something as innocuous as a wallet and return it. Moreover, due to its atypical nature in the context of comics, the 'alley-way victim' being named with such a sense of gravity in this scene takes on an added layer of importance besides the aforementioned. The victim is humanized, emphasizing their centering in helena's concious motives. To further compound this, the first time we ever see helena speak on-panel is when she chooses to comfort this young woman. her words, her actions, her passion are all motivated by her own needs & wounds, yes- but the victim, the person being hurt, that is what is at the centre of them. if further evidence were required, one may even point to the fact that the first face we see at all is that of the victim's.
And, emphasizing the overall themes present within the introduction to an even more extreme extent, is the nature of the visual story-telling taking place on pages 4 & 5.
Page 4 begins with helena fighting the perp, her back turned away from the audience, but ends with her walking toward us, body language confident. This draws our attention both to helena's capacity to be imposing, to inhabit the position of the unknown in order to illicate fear, and to helena's individual power as a character.
Conversely, the first time we see helena on page 5, when her face is finally revealed to the audience, she is talking to the victim. It ends with her back to the audience, standing as if fixed in her position, taking up fairly equal panel space with her fellow as she watches helena k. walk off, and falls into a memory. this places the audience's focus on the fact that helena b. is just as, if not more so, consumed by her victimhood as her counterpart.
(this also sets up the following scene, in which we are given helena's backstory, exceedingly well btw)
Moreover, the visual choice to hide her face temporarily gives helena a sense of being quite guarded as a person, which will be expanded upon later, and shows that the dedication to character building started very early-on for Stanton & Cavalieri, which i really appreciate.
From the first breath of life given to her story, helena is deliciously presented as a byronic heroine- an unusual type of female character to see at all, let alone in comics- and it is done through focus on her agency as a character & her dominating sense of compassion for others.
Truly, I adore beyond my heart’s capacity just how much Staton & Cavalieri chose to dedicate their opening to showing just how much Helena is a character who finds the power to find personal redemption, empowerment, & rebirth- as violent and bloody as that rebirth may grow to be- in the ability she has to do good unto others, to try to allow them to retain the innocence that was taken from her by force & the closure she was denied. They put such energy into making it clear that she is a character so very deeply driven by a sense of compassion, one so consuming it may as well be keeping her heart in chains, and they portray it as equally served by her violence as tender-heartedness. it’s enrapturing, it’s enchanting. like, really, heart’s honour, i live for it.
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i got rickrolled today but it didn't work because i have adblocker installed, so youtube just told me i violated the terms of service. yesterday i was trying to edit a picture as a joke for my girlfriend, and google made me check a box to prove i'm human because i wasn't "searching normally".
it isn't just that capitalism is killing fun and whimsy, it is that any element of entertainment or joy is being fed upon by this mosquito body, one that will suck you dry at any vulnerability.
do you want to meet new friends in your city? download this app, visit our website, sign up for our email list. pay for this class on making a terrarium, on candlemaking, on cooking. it will be 90 dollars a session. you can go to group fitness, but only under our specific gym membership. solve the puzzle, sign up for our puzzle-of-the-month-club. what is a club if not just a paid opportunity - you are all paying for the same thing, which makes you a community.
but you're like me, i know it - you're careful, you try the library meetings and the stuff at the local school and all of that. the problem is that you kind of want really specific opportunities that used to exist. you are so grateful for libraries and the publicly-funded things: they are, however, an exception - and everything they have, they've fought tooth-and-nail to protect. you read a headline about how in many other states, libraries have virtually nothing left.
do you want to meet up with your friends afterwards? gift your friends the discord app. you can choose to go to a cafe (buy a coffee, at least), a bar (money, alcohol) or you can all stay in and catch a movie (streaming) or you can all stay in bed (rent. don't get me started) and scream (noise complaint. ticket at least).
you want to read a new book, but the book has to have 124 buzzwords from tiktok readers that are, like, weirdly horny. you can purchase this audiobook on audible! your podcast isn't on spotify, it's on its own server, pay for a different site. fuck, at least you're supporting artists you like. the art museum just raised their ticket price. once, they had a temporary exhibit that acknowledged that ~85% of their permanent art galleries were from cis white men, and that they had thousands of works by women (even famous women, like frida! georgia o'keefe!) just rotting in their basement. that exhibit lasted for 3 months and then they put everything away again.
walmart proudly supports this strip of land by the street! here are some flowers with wilting leaves. its employees have to pay out-of-pocket for their uniforms. my friend once got fined by the city because she organized a community pick-up of the riverfront, which was technically private property.
no, you cannot afford to take that dance class, neither can i. by the way - i'm a teacher. i'm absolutely not saying "educators shouldn't be paid fairly." i'm saying that when i taught classes, renting a studio went from 20 bucks an hour to 180 in the span of 6 months. no significant changes to the studio were made, except they now list the place as updated and friendly. the heat still doesn't work in the building. i have literally never seen the landlord who ignores my emails. recently they've been renting it out at night as an "unusual nightclub; a once-in-a-lifetime close-knit party." they spent some of those 180 dollars on LEDs and called it renovating. the high heels they invite in have been ruining the marley.
do you want to experience the old internet? do you want to play flash games or get back the temporary joy of club penguin? you can, you just need to pay for it. i have a weird, neurodivergent obsession with occasionally checking in to watch the downfall and NFT-ification of neopets. if i'm honest with you all - i never got into webkins, my family didn't have the money to buy me a pointless elephant. people forget that "being poor" can mean literally "if i buy you that toy, i can't afford rent."
you and i don't have time to make good food, and we don't have the budget for it. we are not gonna be able to host dinner parties, we're not made of money, kid. do you want some kind of 3rd space? a space that isn't home or work or school? you could try being online, but - what places actually exist for you? tiktok counts as social media because you see other people on it, not because they actually talk to you.
there was a local winter tradition of sledding down the hill at my school. kids would use pizza boxes and jackets and whatever worked, howling and laughing. back in september, they made a big announcement that this time, rules were changing, and everyone must pay 10 dollars to participate. when im not scared shitless, i kind of appreciate the environmental irony - it hasn't gone below 40. so much for snow & joyriding.
i saw a bulletin for a local dogwalking group and, nervous about making a good first impression, showed up early. the first guy there grimaced at me. "sorry," he said. "there's a 30-dollar buy-in fee." i thought he was joking. wait. for what? the group doesn't offer anything except friendship and people with whom to walk around the city.
he didn't know the answer. just shrugged at me. "you know," he said. "these days, everything costs money."
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Because I'm only seeing other Jews posting about this, non-Jews I need you to be aware that for the past month or two there has been a wave of bomb threats and swattings at synagogues all across the US. They usually do it when services are being livestreamed. I haven't seen a single non-Jew talking about this. High holidays are coming up in a few weeks, which is when most attacks happen against our communities. We're worried, and we need people to know what's happening to us.
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