#those symbols are important to keep in the story

[stealingyourbones]

Scott Free was supposed to be having just a normal day with his wife, a nice calm picnic in an isolated area so they wouldn't be bothered. They were supposed to eat together and relax and not worry about a damn thing! But that plan vanished as a stranger appeared and said, "Scott Free. I have a deal for you. How would you like to never have to worry about anything to do with Darkside ever again?"

That is how the conversation started and I ended with Scott and his wife thinking about about dangerous bargin the stranger had offered. Darkside would die, permanently. Done by the hands of someone who owed the stranger a favor. The man gave no details on the other person or how they could possibly do it, but in exchange for this he needed a debt. His exact words were, "I shall call upon you for a favor at a later time. Your task will be clear when the time and place is correct." And he refused to give any more details and told them they had 24 hours to decide.

They both agreed it was incredibly Sketchy at best. But... if this person truly knew a way to kill Darkside forever? Could they throw away that chance? This is a once in a life time opportunity but... what of the favor the stranger requested?

After exactly 24 hours the one eyed man came back and asked them their decision. Scott gave a nod and simply said, "yes. Kill Darkside and I will be in your debt." The Stanger grinned and held out his hand for a shake to make it official. Scott yelped and pulled his hand back when something pricked his palm and the stranger shows a single drop of blood on their palm as they say, "a pact sealed in blood. I will be back for you soon."

A week later Danny beats Darkside in single combat, forced to kill the Dark God in order to survive. From his perch, Clockwork gets ready to swoop in, knowing that what awaits Danny on the other side of the portal home is a large number of GIW agents and his parents. Normally it wouldn't be to big of a problem but he did just finish a fist fight with Darkside.

Time freezes as the injured Boy King is forced to retreat into his core due to his massive number of injuries. Gently plucking the core from the air, Clockwork puts on his human disguise and goes to cash in a debt he created with an escape artist one week prior.

After all, Danny needs someone to protect his core until he can reform and after that he will need new parents who can help him understand his new task of ruling both the ghost zone and a hell planet.

Danny getting crazy literal God parents. I love this sm

[lunar-witches]

🌟 Types of Divination 🌟

🃏 Tarot Reading: Ah, the classic! Shuffle those cards, lay 'em out, and let the symbols tell your story. It's like a psychic storytime with beautifully illustrated cards.

🔮 Crystal Ball Gazing: Channel your inner fortune teller and gaze into the shimmering depths of a crystal ball. See visions, symbols, or just a really fancy paperweight – your call!

☕ Tea Leaf Reading: Sip your cuppa, but don't toss those leaves! The way they settle in your cup can unveil the mysteries of the universe. Get ready to decipher some leafy hieroglyphics.

🖐️ Palmistry (Chiromancy): Study the lines, mounts, and shapes on your palm. Each crease tells a story about your life path, personality, and potential. It's like reading a roadmap to your destiny right on your hand!

🕊️ Feather Divination: Feathers are more than just fashionable accessories for birds! They can carry messages from the spirit world. Find one, meditate on it, and decode its wisdom.

🌀 Runes Casting: Norse warriors used them, and now you can too! Grab some ancient runestones, cast them, and let the runic symbols weave tales of your destiny.

🕯️ Candle Scrying: Light a candle, focus on the flame, and let your visions come to life within the flickering glow.

🌿 Pendulum Magic: Swing that pendulum and ask it some yes-or-no questions. Allow the pendulum to swing freely and always keep your hand still to allow the energy to truly answer you questions.

🌗 Numerology: Numbers, man! They're everywhere, and they've got a lot to say. Discover your life path, destiny, and soul numbers.

🔍 Scrying Mirrors: Stare into the abyss... or, well, a special mirror! Gaze deep, and let the answers reveal themselves.

🌊 Water Scrying: Gaze into the reflective surface of water – be it a pond, a lake, or even a scrying bowl. Watch as ripples reveal the unseen.

🐚 Shell Divination: Channel your inner mermaid! Listen to the whispers of seashells and let them reveal their secrets. You can also collect a handful of different shells and cast them. Their placement, pattern, etc, can reveal important details!

🗝️ Key Casting (Cleidomancy): Gather a collection of old keys, close your eyes, and toss them onto a cloth. The position and arrangement of the keys will unveil symbolic messages or answers to your questions. It's like unlocking the secrets of the cosmos, one key at a time.

🎶 Music Divination (Alectryomancy): Play some tunes and let the lyrics, melodies, or even random song selections speak to you. The songs that resonate can offer messages or insights about your current situation. Let the music be your mystical DJ!

With this ever-growing list of divination methods, you'll have a magical tool for every occasion. Trust your intuition and let your inner seeker explore the mystical world of divination. Happy divining, cosmic explorers! 🔮🌠

[thewriteadviceforwriters]

The Ultimate (short) Guide to Crafting Captivating Book Titles: A Writer's Journey into Naming Novels

Embracing the Power of a Book Title

Greetings, fellow writers and wordsmiths! As we embark on the magical journey of storytelling, there exists a crucial milestone—bestowing our creations with a name, a title that encapsulates the essence of our narrative. The quest for the perfect title can be as thrilling as drafting the story itself. In this guide, we will unravel the art and significance of titling a novel, exploring strategies, tips, and the creative process behind crafting an engaging and magnetic book title.

Understanding the Importance of a Book Title

The Gateway to Reader Connection

A book title is the beacon that beckons readers to explore the universe you've crafted. It's the first impression, a snapshot that encapsulates the soul of your narrative. A compelling title can captivate an audience, generating curiosity and inviting them to step into the world you've woven within your pages.

Reflecting the Essence of Your Story

A well-crafted title encapsulates the core theme, mood, or central conflict of your novel. It should resonate with the narrative, teasing elements without revealing too much, leaving a trail of intrigue that entices readers to delve deeper.

The Art of Title Creation

Embrace the Journey: Start with a Working Title

Begin with a placeholder, a working title that captures the essence of your story in its rawest form. Let it evolve and grow as your narrative does. This title might serve as a guiding light until you uncover the perfect one.

Exploring the Heart of Your Story

Consider the central themes, characters, or pivotal moments within your book. Delve into the emotional core of your narrative and unearth words or phrases that resonate with its essence.

Utilizing Literary Devices and Techniques

Explore metaphors, alliteration, symbolism, or even poetic verses. Experiment with wordplay, juxtapositions, and contrasts. These literary devices can infuse depth and intrigue into your title.

Testing and Refining Your Title

The Power of Feedback

Share your title ideas with trusted friends, writing groups, or beta readers. Gather feedback on their impressions and the emotions evoked by the titles. Use this input to refine and narrow down your choices.

Alignment with Your Target Audience

Consider your intended readership. Does your title resonate with the genre and expectations of your audience? Ensure it's not only enticing but also aligns with the preferences of your potential readers.

Finalizing the Perfect Title

Distillation of Essence: Keep it Succinct and Evocative

Aim for brevity and impact. A concise yet evocative title can linger in the minds of readers. Often, the most powerful titles are those that say much with few words.

Research and Avoiding Clichés

Investigate existing titles in your genre to ensure your title stands out. Steer clear of clichés and overused phrases, aiming for originality and uniqueness.

Embrace the Artistry of Title Crafting

Crafting the ideal book title is an art in itself. It's the literary cloak that shrouds your creation, inviting readers into the tapestry of your imagination. Embrace the journey of titling your novel with the same passion and creativity you pour into your storytelling. Let the title be a herald, whispering the promise of a remarkable journey that awaits within the pages of your book.

As you venture forth, remember, the perfect title awaits—a key to unlock the hearts and minds of your future readers.

Happy writing and titling!

This comprehensive guide aims to take writers through the journey of creating an impactful and engaging book title, emphasizing the importance of a title and offering practical strategies to craft one that truly resonates with a novel's essence. If you need further insights, examples, or specific advice on any aspect of titling a novel, feel free to delve deeper into each section. Happy titling!

[hedgewitchgarden]

By: Lauren Diaz

The Appalachian mountains share their story with us in many forms, beginning from their wise and weathered peaks, through their towering forests, and down to the rushing roar of their rocky streams and rivers. Many of these clear, mountain rivers are inhabited by the cryptic and awe-inspiring Eastern Hellbender. Truly a living fossil, the hellbender has existed for millennia and yet sadly it has been quickly disappearing over the last century. The Hellbender is a lonely species; it is the only giant salamander in the western hemisphere, as its cousins live in China and Japan. An ancient creature that is hardy enough to withstand thousands of years of flooding and drought, Hellbenders were once abundant even in the mainstem of the Ohio river. Unfortunately, they are now being lost at an unprecedented rate, and for many reasons we don’t understand.

Although many factors implicated in the Eastern Hellbender’s rapid decline are large scale — urbanization, removal of riparian tree cover, siltation, and pollution — there is one simple issue that every one of us that recreates in the Appalachians has control over: the moving of rocks in these streams to create dams, chutes, and rock statues (also known as cairns). The rivers where we still have healthy hellbender populations, such as those within the Pisgah National Forest and Great Smoky Mountains National Park, are the same rivers that are receiving an extraordinary rise in human use. While the hellbenders are holding on for now, the very real possibility of loving these rivers to death is just around the corner.

The Hellbender relies on the spaces under river rocks for their homes and to find their favorite food: crayfish. They share these spaces with the stoneflies and caddisflies that feed the iconic rainbow trout, as well as a variety of other small fish, mussels, and salamanders. Most importantly, they require cavities under large boulders to breed. Hellbenders lay their eggs under these large boulders in early fall, and then the male Hellbender will stay in that cavity protecting the eggs and larvae until they emerge in late spring. Moving rocks around in streams disturbs the delicate homes and breeding grounds of these enigmatic mountain species.

Cairns are a recent phenomenon, and their ubiquitous presence in national park and forest rivers is undoubtedly tied with the rise of social media. You have surely seen a picture of one, probably accompanied with a quote about balance. You may think, “there’s no harm in making small ones if they only use boulders!”, but in fact small rocks are important habitat for larval and juvenile Hellbenders. Plus, just seeing one cairn in a river (even with tiny rocks) encourages others to make them too, despite nearby signs asking visitors not to move the rocks. Dams and tube chutes not only make large boulders unavailable to Hellbenders, but they also slow down water flow and essentially make pools of dead habitat. This slow, silty water can no longer support the needs of the unique species that require swift, cool, well-oxygenated water. Silt accumulates in the pools above and below rock dams, and that silt fills in the spaces that hellbenders need to live and reproduce. Moving boulders for any of these uses has the potential to crush any animals living underneath them, including hellbenders.

The motivations behind moving rocks are innocent. But the consequences for the rare species that rely on a very specific kind of stream substrate are damaging and permanent. Some hellbenders will spend their entire lives (up to 30 years!) living under one rock. We ask that when recreating in hellbender habitat, please keep in mind that you are a guest in their home. Respect the forces of nature that put each stone in its perfect place and the millions of years of evolution shaping these stream systems so that every insect, fish, and salamander can live in perfect harmony.

For more information on hellbenders, check out these resources on the article page.

[drchucktingle]

Good day Dr. Tingle. I haven't read your stories, but I've known about you from afar in this website for a while. Your recent post about separating Ideas and Message is very similar to how I teach a class. I wanted to ask you, if you could share some of your Messages, in whichever structure/length/complexity you think about them before writing, to have some real world examples to show in class.

Personally I tend to simplify and shorten my messages as much as possible, like "everyone deserves forgiveness" for example, so that I can permeate it throughout the story, and so that anyone experiencing the story can come to a similarish conclusion.

I'm curious as to how your Messages look like inside your head, during the creative process. Not the refined versions used for marketing and sales and stuff.

Thank you!

sure buckaroo.

high concept idea of the book STRAIGHT was this: zombie apocalypse story but the rage only effects straight cis people (there is also a second high concept idea in there which is: what if zombie plague only happened one day a year? how would culture handle this politically and otherwise?)

so i had this idea that i thought was good, but before i can write it i think 'well what do i want to SAY about this? what am i FEELING?'

and i realized that i was a little torn about how to write this story because of the one day a year thing. when is it okay to fight back? can you hurt a zombie if it turns back into a person the next day? is that right or wrong? and WHEN is it right or wrong? what situations?

then i realized that with the metaphor of this story what i was really asking was something bigger: why is it up to the victims (in this case queer buckaroos) to be forced to make these decisions? marginalized groups have TWO kinds of violations done to them, the first is the obvious act of violation, but the second is that they are forced to use their time and mental space and emotional tolerance to learn how to HANDLE the first violation in an 'acceptable way'

so THAT became my message. if you want to know how i feel about these questions you can read STRAIGHT and find out.

CAMP DAMASCUS high concept idea was (SPOILERS IF YOU HAVE NOT READ CAMP DAMASCUS STOP READING HERE) what if the church really DID decide the ends justify the means and instead of stopping demonic possession they were inflicting demonic possession to counter sinful acts.

but that is not the message of the book. that is just the idea. if i just had that idea i would not write it, but as things evolved i realized WHAT i wanted to say with this story

in this situation WHO is the force of 'evil'? would it be the demons? would it be the possessed? or would it be the SYSTEM AND MENTALITY that was creating this situation in the first place? so the book sets out the answer this question and express the conclusion that ive made for myself

i also noticed that many churches who are anti gay have a sort of infantilizing trot with how they handle their young buckaroos. this idea that gay feelings will just go away if they are ignored and that they can almost keep young queer buckaroos from ever aging into fully realized adults. obviously i think this is WRONG and so fighting back against this mentality became part of the message as well, and that informed most of the metaphor and symbolism in the book.

it is important to keep in mind that sometimes the message can change. as the book trots along i am LEARNING myself, working out these thoughts on the page and coming to a conclusion of my own. this is actually VERY true of BURY YOUR GAYS, which is probably most autobiographical thing i have written. i will save talking about that MESSAGE and HIGH CONCEPT for after book is out though

EDIT FOR CLARITY OF MY WAY:

when i say i write MESSAGE FIRST that does not mean i think of the message first in TIME (although that does happen sometimes) it means the message is the most important thing over plot or characters or anything like that (although those are important too). it means that i write with message as my north star, which is rare, but it is how i make art

[arecaceae175]

Hello! I noticed that some of your fics on Ao3 are tagged "Screen Reader Friendly," and I wondered what makes a fic screen reader friendly. Is it just about formatting, or does content matter too?

Hi, thank you so much for asking this question!!! Disclaimer I am not visually impaired so all of this information I have learned by seeing blind or visually impaired people talk about this issue.

It’s primarily formatting! I’ll list everything I do to try to make my fics accessible here.

Line breaks!!! Use the ao3 line break code instead of adding a bunch of symbols. This is the biggest thing I had to change once I realized my fics were not screen reader friendly.

HOWEVER some screen readers won’t pick up on the horizontal line, either. Another good option is to use a short series of symbols, for example: “~~” or “- - -“

Basically, just don’t use more than three symbols in a row. I used to use “~~~/\~~~” with a delta symbol in the middle to look like the triforce, but a screen reader would see that and say “asterisk asterisk asterisk delta asterisk asterisk asterisk” which is pretty annoying lol

Most screen readers don’t differentiate between regular text and bold/italics. It’s fine to have those in your story, but if the bold/italics significantly changes the plot or the implications of a sentence then it is not screen reader friendly

Screen readers can’t describe a line break that is just an empty space. For example, in one of my fics I have a character reading a note, and I have an extra ‘return button’ space before and after the note to make the note distinct from the rest of the text. To make that fic more screen reader friendly, instead of just an empty space, I wrote “[Line Break]”. That way, a screen reader can say “line break”, and readers still recognize it as a line break

If you have any sort of chat fic (AND this goes for hashtags on tumblr too!) with screen names, be sure to distinguish the separate words in the screen name. You can do this with by capitalizing the first letter of each word like this “ScreenNameHere” or with dashes in between each word “screen-name-here”. That helps screen readers and also people with things like dyslexia who have trouble distinguishing words if they aren’t capitalized or separated in some way.

Screen readers can read image emojis like this smiley face 😁 because they have embedded alt text, but they can’t read text emojis as an emoji, like this one “:D”. If you use any of those in your fic, add a description like this: “ :D [Image description: text emoji of a smiley face with a big, open mouthed smile. End description].”

Also, this one doesn’t have to do with a screen reader, but if you have an image embedded in your story, keep these things in mind:

Be sure to describe the image so anyone who is blind or visually impaired can still experience the image. I don’t think it’s possible to add alt text to the actual image, so I usually put this below the image: “[Image ID: description of the image. Note the important details, but be as concise as you can. /End ID]”. Including the image description instead of some sort of alt text is good for DeafBlind people who can’t see the image well enough but don’t use a screen reader.

Some blind or visually impaired people don’t use a screen reader and instead zoom in on the text. If an image is embedded in the story, be sure it is sized correctly. If it isn’t, it can make scrolling sideways to read zoomed in text more difficult because it makes the webpage much wider than the text itself.

Not all my fics have the screen reader friendly tag because 1. There might be a few I haven’t updated yet, and 2. I didn’t include the tag on fics that have weird formatting or are accent heavy. For example, in Kinship I wrote Twilight’s dialogue to represent his strong accent, and those kinds of things with apostrophes and half-words don’t come through well with a screen reader.

I personally don’t think it’s good practice to include a ton of apostrophes or shortened words to distinguish an accent. Even for people not using screen readers, it’s hard to read. For me, if I see a fic with things like that, I won’t read it. Maybe try having a few words that the character’s accent comes through on, or write something about their heavy accent outside of the dialogue.

The “Screen Reader Friendly” tag isn’t an officially recognized AO3 tag yet, but the more people who use it, the sooner it will be!

Those are all the things I can think of right now. If anyone has any other tips to add, please do so!!

[number1villainstan]

I just saw Dune Part 2 (2024) with some friends so here are some Thoughts i guess

I feel like on the whole these movies are trying to either downplay or cut out a lot of the misogyny/sexism in the book, although Herbert's view of gender roles is so pervasive in the book that it's hard to change without completely changing the worldbuilding (the Bene Gesserit especially) and/or certain characters and getting second-order effects that weaken or change the main plot. But they did a good job at least making it much less in-your-face and offensive than in the book. One of Chani's lines is about how "men and women are equal" in the Fremen, and while I don't really think that's supported by how the movie depicts Fremen I can see and respect where they're coming from

It's still a very male-dominated movie, but it's honestly pretty faithful to the book, and like--what are you gonna do? It's Dune. You can't exactly just genderbend Paul and get the same story, at least not when the Bene Gesserit are still what they are

wait now i'm thinking about an AU where the Kwisatz Haderach turns out to be a trans man. ideally you'd get both the canon critiques of white savior mythos/the Messiah trope and a deconstruction of the sexism and strict gender roles of the society of the Dune universe. also ideally you'd get a whole bunch of other queer characters in the same AU. you could also do an AU where the Kwisatz Haderach/a potential Kwisatz Haderach turns out to be a trans woman, or even nonbinary, but i feel like those would make for very different stories cuz AGAB/ASAB seems to matter like A Lot in the Dune universe

the movies did manage to completely get rid of the homophobic parts of the Harkonnens' characterization though. i did like that

although it was still using disability/deformity as shorthand for Ugly Evil Guy which :/

but enough about the Problematic Elements(TM) let's talk about the actual story

Chani was a lot more politically and generally assertive in the movie than I remember her being in the book, although it's been A While and she was also very much a Main Character who had thoughts and opinions and importance outside of the male characters she was affiliated with (as much as anyone can escape the political black hole that is Muad'dib but) AND! she actively advocated for Fremen self-governance in the beginning! although she didn't keep it up cuz she got sucked into the Paul black hole. this may have happened in the book it has been like two years since i read the first book and it was very disjointed reading cuz College(TM). I also liked the ending part, where it was implied that Chani was leaving, on her own, because she was angry with Paul, which implies More Character Development. (Also they didn't seem to do the Fremen polygamy/concubines thing in the movie, which was a good call, i feel like that part of the book was maybe informed by anti-Arab racism)

Jessica was incredible, of course. Love me a good ruthless woman. Her main character trait/motivation was definitely Paul's Mother but her main personality trait seems to be incredible ruthlessness. there is no madonna/whore complex to be found here no sir

(i may be wrong about that part but eh)

And of course the Harkonnen Blood reveal. the story definitely sets up Atreides as The Good Guys (fair, just, merciful, looking out for and caring about the people under their rule) and the Harkonnens as The Bad Guys (cruel, unjust, power-hungry and traitorous), which makes the reveal that Jessica and Paul have Harkonnen blood an incredible symbol of Paul's corruption arc. He goes from "I must do anything possible to avoid the holy war" (the Atreides way) to "CONQUER ARRAKIS AND ELIMINATE ANYONE WHO STANDS IN MY WAY" (the Harkonnen way) over the course of...technically years, in the book, although that wasn't super well communicated in the movie I feel--in the movie it was only months, cuz Alia hadn't been born yet by the end. And right before we see the worst of it we end up learning that Jessica, his mother, was a daughter of Baron Harkonnen. Jesus fuck.

there's definitely some Not Great elements about using ancestors/blood to determine morality but still

princess irulan was introduced! as an independent character and actor in her own right oh my god! although she still falls prey to the sexism infusing the original material

the dune books (at least the first two) are in this weird state where there are very strict and specific roles/walks of life that female characters are allowed in (domestic/family life and religion) and men dominate Everything Else and nobody every questions that, not to mention the whole thing about how apparently even the very female religion/psychic field is supposed to be dominated eventually by This One Man who can do it better than all the women, and yet all of the female characters are well-developed and feel like people. ykno aside from the complete lack of protest in being shoved into a sexist role

anyways irulan got more development than i remember from the books, i loved that, and that we got her POV too. these movies are really working to uplift and spotlight the female perspectives that were often somewhat sidelined in the books and i love that

also stilgar's (blind?) faith REALLY came through which i liked

overall, yeah, the movie was great. it's very faithful to the spirit of Dune while addressing some of its flaws/datedness--it understands what its message is and what it's saying, and the way it's constructed really hammers home the critiques of imperialism and racism the original was built on

I think this is gonna end up a trilogy, based on only the first book, and it very much seems like the third (and final?) movie is going to specifically focus on the war against the Great Houses after the Emperor falls, which iirc was kinda glossed over in the book/between Dune and Dune: Messiah. I can't wait to see what they do with it

[ravenclawerised]

Rewatching DS9 again and I am just so interested at how an average Bajoran would view Kira by the end of the series. How an average Cardassian would? We know that a lot of what she does is known to the Bajoran people. Shakaar mentions Furel and Lupaza bragging about her whenever they get news of the station. But lets actually take a look at this:

She is the highest ranking Bajoran on DS9 outranked only by the Emissary

Most times Sisko did anything in the capacity as the Emissary, Kira was one step behind and to the right

She was with Kai Opaka, the most widely loved and respected Bajoran, when she made her journey through the Celestial Temple and “answered the call of the prophets”

She was highly respected (and loved) by Vedek Bareil who was hugely popular on Bajor (he could very well have been Kai if he hadn’t taken the blame for Kai Opaka’s actions during the Occupation)

She and Kai Winn had a well known feud and after Kai Winn’s fall from grace at the end of the show, Kira must come out pretty great to everyone else

She is the one who found and saved the great Bajoran hero, Li Nalas, from a Cardassian work camp and then within a week saved Bajor from a civil war that had been encouraged by Cardassians.

Between her saving Li Nalas and his fellow prisoners AND finding the Ravinok and saving the Bajorans (and Cardassians and Ziyal) from the Breen mines, was she the person Bajorans turned to when searching for their lost love ones? Was she a symbol to those who kept looking for their loved ones because Kira Nerys found those thought to be lost?

She prevented ANOTHER Bajoran Civil War and helped elect Shakaar as the First Minister of Bajor. Again being associated with a widely loved and respected member of Bajoran society.

Kira was in charge of DS9 during Dominion Occupation and started up the station’s resistance cell

She was permitted to use the Orb of Time, one of Bajor’s most sacred objects

She was the chosen by a Prophet to be their vessel during the Reckoning with the Pah-Wraith...and the KAI was on the same station. But it was KIRA who was chosen

She plays chicken with a Romulan fleet...and wins!

She was a key figure in the Dominion War. She started as a resistance fighter who was assigned to a falling apart, unimportant old Cardassain station and becomes the Colonel of the single most important port in the Alpha Quadrant. She is the right hand of the Emissary. She is widely respected by many beloved figures in Bajoran society.

And this list is just the most public things that have happened to her. This doesn’t even take into account any of the stories about her that involve her dealing with whatever BS the Star Trek universe decides to throw at the characters that week. Klingons beam in and fight? Gets stabbed and keeps fighting. Emissary is transported to 2024? Kira is on the team that pulls him out.

By the end of season seven, do politicians on Bajor hold their breath or breathe a sigh of relief if Kira gets involved? Do Vedeks seek her out to ask her about being possessed by a prophet? About her experiences with the Orbs? About Kai Opaka’s last words? Do families still grieving those missing from the Occupation petition her to look for the lost?

And how about the Cardassians?

The Cardassian government would probably never publicly admit to any time she foiled their plans, but Tekeny Ghemor tells her that she has her own section in the Cardassian Central Archives and is a public figure on Cardassia

Would the Cardassians in the Breen mine whisper their thanks among their family that Kira Nerys found them?

Tekeny Ghemor, someone who was respected enough to be considered as the face for the Cardassian resistance against the Dominion controlled Cardassian puppet government, publicly considered her his daughter/family by asking her to participate in the Shri-tal ritual and give her all of his secrets prior to his death (something highly valued in Cardassian society)

She was a part of Damar’s resistance. She helped them fight the Dominion and was with Damar when he died for Cardassia. In the story of how Damar was martyred for Cardassia’s freedom from the Dominion, Kira Nerys, a Bajoran, is heavily featured.

In all Bajoran/Cardassian relations, do Cardassians seek to involve Kira as a woman of her word who will treat in good faith or do they cross their fingers and hope she is nowhere near their business?

Can you tell I think about Kira Nerys a lot?

[toorumlk]

Hi I'm so freaking obsessed with your twitter.

Also what's your favorite Romione moment in the books and why?

ohohoho thank you, friend, i’m quite proud of some of the stuff i’ve posted on there B)

and as for my favourite romione moment in the books, when i read the question i first blanked out for a couple minutes, thinking of a bunch of smaller, sillier scenes. but then i remembered that i do have a favourite and it’s from chapter 11 of DH, when remus visited the trio at grimmauld place and filled them in on he goings on of the war -including the implementation of the muggle-born registry. ron’s response upon hearing this (after his immediate outrage) was

and it’s not just the hand holding and the “‘you won’t have a choice’ said Ron fiercely” that played out so vividly in my head like this:

but this scene demonstrates so perfectly the political weight of this pairing (muggleborn/blood traitor) which i think is the immovable narrative foundation of romione. all of their silly moments and idiosyncrasies aside, there is genuine narrative purpose behind this love. ron has always had an astute understanding of the blood supremacist politics of the wizarding world (need i remind that he was ready to curse shitco at the ripe age of 12 for calling hermione the in-universe slur) and just how wrong it is. ron is a pure-blood wizard and by design has so much privilege in this society bc of it, but by virtue of having parents like arthur and molly, he’s grown up knowing the importance of fighting against blood supremacist ideology. always.

so, after hearing about the completely horrifying muggleborn registry ("People won't let this happen," said Ron. "It is happening, Ron," said Lupin.), he immediately turns to his muggleborn best friend and love of his life and says “i’m making you a family member, i’m going to use the protection my family-name has and use it to protect you from the awful injustice of our situation, no you won’t have a choice but to let me help you”

i remember having such a… visceral reaction while reading this scene like holy shit .. these kids, THESE KIDS!!!!! this is the bone-marrow-deep love that makes me feel insane. this dynamic of the blood traitor/muggleborn always there, from CoS all the way to the epilogue. We get to see that romione is the story’s pure blood/muggleborn that finally made it (rip jily and tedromeda :(). we see it in hermione keeping her muggle last name after they get married (oh my god these two actually got married) and we also see it in the hyphenated Granger-Weasley (granger being first!) in their kids’ last names (oh my gof these two had TWO kids). they are a true symbol of change and progress in their world.

also this is one of those moments where i’m so glad that our only window to romiones relationship development is through harry’s narration because it so brilliantly shows the readers this blossoming love story instead of just telling us about it because harry obviously doesn’t have access to the inner thoughts of his two best friends, he can only witness them fall deeper in love. showing the audience acts of love is always more powerful and my god is this an act of showing your love to your beloved.

(and not to go on an unrelated tangent, but this is exactly why i could never ship my girl hermione w any DE or DE-adjacent character. no fucking way. not when the concept of a muggle-born registry exists in this universe, not when the antagonists in this story wish to eradicate people like her from their society. idk about the rest of y’all but im going to keep taking the narrative seriously bc the worldbuilding obviously has real world ties/implications and i like engaging with the canon. tangently to the tangent, i saw someone (a ron basher) on twitter say that ron, OUR RON FROM THE ABOVE EXCERPT, was “one bad day away from becoming a death eater” ohhhh ohhh i ought to beat you with sticks bc HUH? this is the same kid who said he would’ve boarded the train back to kings cross if he got sorted to slytherin, the house notorious for birthing DEs, at the tender age of 11)

anyways, all this to say is that romione is incredibly, realistically, materially romantic and i love them and i love their love <3

[evertidings]

Hello! I'm thinking of starting an IF story later this year, and am completely new to coding and how to organise a chose-your-own-adventure. I was wondering whether you could share how you organise each route/the story of WTS, please. Love your work!

hi!! if you're overwhelmed by formatting and you're writing in twine, i'd actually recommend writing directly in the twine app. it has a great mind-map aesthetic that can help you visualize things.

but if you're curious as to how i write, i've attached some screenshots below. i believe i've talked about this before, but i'll go over it again because why not?

example #1: sections

one of the most important steps for me when organizing a document is having headers. it allows me to jump from section to section, rather than scrolling through for ages trying to find something. it also helps me break the chapter into smaller sections, which makes things less overwhelming for me.

example #2: choices.

in terms of the document itself, i make sure to differentiate texts with various colours to make things easier on the eyes. i also make sure they are visually different. for example, in chapter ten, i wrote my choices in a purple colour and indented them slightly. i also write each line with bullet points, just so i know the text that follows is part of that choice and not general text.

example #3: if statements.

similar to my choices, i colour my "if statements" in a different colour than the general text. i also indent them further than the choices and change the bullet point that it's written on, just so i can further differentiate the two. for those who don't know, if statements act like flavour text, which show up only if you've completed or met a certain requirement prior to the scene. in the picture below, the flavour text reveals itself if you've been rude to Blane seven times or more. otherwise, you get the general text.

overall: aside from those two formatting decisions, my word document is really standard. luckily, i'm able to keep track of a my branches in my head, so this system works for me, but it goes without saying that it won't be for everyone. as i said at the beginning of the post, if you're more visual, twine (or some sort of mindmap tool) might be useful. hopefully this is (slightly) helpful. if anyone has more questions on this, please let me know! i'm always happy to answer them :)))

p.s. if anyone is confused about all the "<" and ">" symbols, that's just part of my twine coding. i usually copy and paste what i write in word into my code, so this just saves me from typing it.

[seventeendeer]

sorry to keep bitching about frustrating rain world fandom trends, but I think if you read downpour as a pure "being alive is good, actually" metaphor with a weird dissonant twist at the end (saint's campaign), that ... reveals a shockingly surface-level reading of the story that ignores every interesting question the game poses in favor of trying to force a comfortable, one-note moral that only actually works if you ignore a significant amount of canon.

like, I'm sorry, but there's no way to in good faith pry a straight answer out of this story. I know fandom tumblr is a hotspot for disillusioned former christians, and stories about how religion isn't all it's chalked up to be are comforting for many, but this simply is not that kind of story. if that's your takeaway from it - that the world the game presents is worth sticking with, that ascension isn't the right choice - that makes sense, it's a valid personal opinion to come away with. however, to argue that the void sea endings are objectively the "bad" endings, or that saint's campaign makes no sense thematically, is to overlook a massively important reason why rain world works so well as a game in the first place: it's intended to be a choice.

saint's ascension ability is in YOUR hands. the game is asking you, the player, what you got out of this, what you think is best. it is asking you to reflect on the themes it's been trying to communicate to you for the last several dozen hours

(can you cope with a life that brings you more pain than joy? if there was another way to exist, would you choose to change? what would you give up to attempt another existence? everything? what if you're being fooled and you're chasing a terrible fate? what if powerful people are preying on your misery and it's all a scam? what is left of you when stripped of all things that cause pain? is it your true self? in a world without pain, what is even left? what if it's everything that means the most to you? what if you're going home? what if you could love without the fear of pain, loss, sickness, death? is the grand more important than the small? is it better to stick with familiar pain, or to chase something frightening that may ultimately make you happy? who can you trust to guide you? who will take advantage of you on the way there? what would get in your way? your own ego? your guilt? bitterness? love for the world you know, an ability to see beauty in the midst of tragedy? is this weakness or strength? etc etc etc don't even get me started on the commentary on religious institutions, classism, structural and familial abuse, and how this is all woven together)

like, I'm sorry, rain world is not a saturday morning cartoon trying to teach you life lessons, it's a piece of interactive fiction using game mechanics as a vehicle for some extremely interesting philosophical discussions, which it politely asks you to actively engage with as you go along. I'm sorry if that's uncomfortable to people who don't relate to those topics, but declaring bad writing on a piece of fiction for not presenting you with a clear-cut moral stance at the end that already aligns with your personal lived experience is just ... a godawful way to interact with stories.

(deliberately handwaving or ignoring major and obvious pieces of symbolism for the sake of declaring it a Good Story That Agrees With You, Actually frankly isn't much better. stop making me read analysis posts where half the story has to be a drug trip for your point to make sense)

[hiddenhearthwitch]

📚 Small Intro To Polytheism📚

One of the most frequent asks I receive is how and where to get started when it comes to polytheism. This is a fairly broad subject and I’ll try to be as general as I can for advice but I will include specific references for Norse polytheists as that’s my shit. This information can be used to help you find a pantheon or to help you pick deities to work with it. If you’d like to use it to pick a patron deity that’s super, if you want to worship 20 gods and not have a patron deity that’s cool too. You do you dude. Please keep in mind this is all reflective of my research and personal practice. 🌻

Picking A Pantheon/Deity

This really boils down to personal preference. You’ll read a lot of posts and books that tell you many different ways and it’s entirely up to you because it is your practice.  That being said, there’s a couple of different ways to go about it. 

Research! This is one of my favorite ways to delve in. There’s absolutely nothing wrong with reading the stories of multiple pantheons and picking on that calls to you. You can also talk to other devotees and see what they have to say about deities and their religions. It is important to keep in mind that some religions are closed so please do proper research!

For example, I wasn’t originally a Norse pagan. I read some stories and thought the Hellenic pantheon would best suit me. I reached out to Eros for a while but after feeling no real connection to the pantheon I continued my research! After reading up on the Norse pantheon I decided to reach out to them out. Obviously, I fucking loved it because here I am. Point being, you can pick a pantheon based on research and not some divine message or whatever. You are also more than welcome to try out a religion, decide it doesn’t suit you, and move on. 

Divination! You can use runes, a pendulum, tarot, etc.This can go a few different ways. You can write pantheon/deity names on separate pieces of paper, mix them up, and place them face down then ask the pendulum to pick. You can assign a deity/pantheon to each suit of cards or major arcana card or even do the same thing with runes. 

For example, this is how I found a devotion to Frigg and Hel. I asked if there were any deities who were interested in working with me and pulled the runes Hagalaz and Berkana which read as Hel and Frigg to me. I followed up with tarot cards and pulled Death(Hel) plus the Queen of Pentacles(Frigg).

Asking/waiting for a sign. This isn’t something I’ve personally done so I don’t have much to say on the subject. You can go about meditating, praying, doing a ritual, or whatever and essentially wait for a sign after. It can come via a dream, something you experience, symbols you see in your daily life, it’s pretty much up to your intuition to decipher it. If anyone has information they’d like me to add in here please let me know!

If there’s a god you’re curious about and don’t want to do any of the above it’s totally cool to just reach out and ask if they want to work with you. 

Idk How To Research

Same, tbh my keyword search game is weak. Anyways, good portion of us are looking up dead religions with little reliable resources. To give those curious about the Norse an easy head start here’s a compiled list of  books by yours truly(click me!!) . It’s important to take everything with a grain a salt of salt when doing research. In my experience a lot of the retold Norse sagas have been Christianized or written under heavy Wiccan influences. It’s a good idea to do research on the author before reading one of their books.

Other blogs! There are tons of great witches and pagans on tumblr that have information waiting for you. 💗 You can search their blog/tags for good references for books, websites, podcasts, etc. Plus lots of blogs are open to answer asks. If you don’t know where to start for searching it’s best to try things based around your interest like: “norse polytheist”, “hellenic witch”, “gaelic polytheism”, etc.

Media! How lucky are we that we live in the age of technology? Knowledge is right at our fingertips! There are countless documentaries, podcasts, and audiobooks on youtube full of information for different cultures and religions. I’d personally recommend almost anything by BBC, Myths & Legends, and World Mythology!

Books! I love starting on goodreads to find good books and trust worthy authors. They’ve had almost every book I looked up with bunches of different reviews so you can get varying perspectives. Check out your local library as well! A lot of city libraries have online databases now of all of their books so you can “check it out” online and read the PDF(personal fave). 

Feeling Lost Still?

That’s completely reasonable and your feelings are more than valid. It can be overwhelming and lot of information to soak up. Just do your best and take it at your own pace, there’s no rush to find a deity or pantheon. 💞 Below are a few other general concerns I hear a lot that I was hoping to address.

“I’m leaving a monotheistic(Christian, Catholic, Jewish, etc) religion and it’s giving me anxiety.” This is entirely common and almost expected in my opinion. I was raised Roman Catholic and my first year to two looking into polytheism riddled me with anxiety. I was constantly concerned that god would smite me down or I’d face an eternity in hell for worshiping false gods. While I can’t speak for everyone that fear was entirely erased for me when I found my gods. I’ve never felt so safe and strong and hopefully with time you can find the same in your gods!

It’s okay to want to learn more or to seek something more. I can’t tell you how to handle your anxiety but please know you’re not alone in that fear. There’s whole communities out there willing to support you and help you find your safe space(including me)!

“What’s UPG?” You’ll see a lot of posts, mine included, that mention UPG - UPG is Unverified Personal Gnosis. This is essentially someone’s personal thoughts and beliefs about a deity. For example, I associate Sif with hazelnuts. There’s nothing in the lore or any book that says that she likes hazelnuts; that’s just a personal opinion(aka a UPG).

“How do I reach out to the gods?” I have a lot of information on my blog about this topic although a lot of it is Norse specific. You can check out my beginner polytheist tag here and my beginner norse post/ask here.

Altar! This is my go to typically. Altars aren’t limited to the cookie cutter image that comes to mind(no hate though I have a few); one thing you can make a side blog dedicated to your pantheon/deity, make a small one in a tin can, or even make one in a video game like Minecraft or some shit. You can be as creative or as to the book as you want. It’s up to you.

Prayer! You can totally just sit down and be like, “Hey man wanna work on some shit together?”. While I’m not 100% that all gods would be down with you being that casual it’s still something you can try.😂 You can reach out to them by sitting down in a quiet space and meditating into prayer, praying in the car or in the shower, or just pray at the altar you set up if you did. Again, I can not reiterate this enough, it’s your practice, reach out to them as you please.

Do something personal! This is more like devotional work in my opinion. Let’s say you knit and you want to reach out to a creative or domestic deity, you can knit something as a devotional act to them and as a way to reach out. For example I pick up litter in honor of the Vanir and Jörð, or I play Skyrim for Thor and Týr.

Most importantly just be honest and up front with the god that you’re reaching out too. Considering that statement be honest with yourself as well. There’s no point going into a relationship with a god if you can’t be upfront, it’ll end up in nothing but grief.

“Can deities reach out through gods/signs?” They totally can. However, it is up to you and your intuition if a deity has and it’s not likely another witch will decipher that for you. Sounds, experiences, images, all have different meanings to each of us - they may show you something that’s very personal to you but would be mundane to someone else. Trust your instincts. However, please remember that not everything is magical, sometimes a raven is just a raven and not Odin.

✨Take everything you learn with a grain of salt. Including this post.✨

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[starlithumanity]

I don't even know what you can say to the people who somehow missed that all of Ed's violence is a) anti-imperial, b) protective against direct repeated threats to himself and his loved ones, or c) self-destructive in the hopes someone will respond by killing him during his suicidal spiral. (That last example is fairly indirect and performative and comes from a place of severe nihilistic suffering.)

I don't know what you can say to the people who somehow missed that the violence is triggering and traumatic and exhausting for Ed, and that he is desperate for a chance to live differently but has also never known any other life. Stede gave him the one true glimpse he's had of something gentler! Ed didn't fully know how fucked up his life was before because that was normal to him. That's what growing up traumatized does to you.

I don't know what you can say to the people who somehow missed that the suicidal spiral is a result of Ed's circumstances: of Ed being threatened by Izzy after Izzy repeatedly found ways to force Ed back towards the violent life Ed wants so much to escape, of Ed losing his one glimpse at safety and happiness through Stede and now having to face the darkness knowing he nearly found something different, of Ed feeling like the only way he can survive in this world is by being an "unlovable" monster he hates--and then he's confronted by Izzy telling him he's still not getting it right. Of course Ed gives up then.

I don't know what you can say to the people who somehow missed the show's themes about how much harm is caused by toxic masculinity and by masking your true self and by cultures founded on trauma and self-hate and burnout. (You do see the burnout in Ed, yeah?)

I do get why some people might not understand the complexities of Ed's relationship with Izzy--how codependent and enmeshed their identities are--or the layers of symbolism that position Izzy in the story as a metaphor for traditional pirate culture and its harmful impact. (Which is particularly triggering for Ed on a daddy issues level because that's his original trauma.) If you understand those things, the unique nature of the physical harm Ed does to Izzy in this story makes even more sense.

Ed also frequently communicates through metaphor himself. Him cutting off Izzy's toes is not only a show trying to convince Izzy he's playing Blackbeard right and not only a response to Izzy repeatedly threatening Stede/continuing to threaten Ed, but also is meant to physically represent the harm that Izzy has done emotionally to Ed. Ed is communicating to Izzy the only way he knows how anymore: "See how it feels to be forced to lose parts of yourself? Stede was a part of me. My hopes of softness and joy were a part of me. You cut those off too."

There is so much evidence against the thought that Ed is some irredemable, monstrous lover of violence who will hurt Stede someday. Stede would have to repeatedly and directly threaten someone else Ed loves first (which Stede won't do), and even then, Ed would really have to fight with himself.

It's not his nature, y'all, and I'm so frustrated that some people keep insisting it is. I'm frustrated about what that says about people's ability to empathize and consider reasons for or contexts behind behaviors--particularly when the character in question is an openly queer and likely neurodivergent indigenous man. Is it so hard to have compassion and forgiveness for him? Please don't get stuck in that punitive, dehumanizing mindset.

Redemption is so important, which is why I appreciate that Izzy gets a growth arc once he stops centering his entire identity on the Blackbeard persona and clinging to toxic masculinity. (Seeing Stede's impact, how different things could be, vs. the harm caused by the traditional ways, changes Izzy too!) Izzy's time, as a side character and mentor figure and piracy metaphor, does end, but first he gets to live with more meaning and unlearn many of the negative behaviors. That's the goal, right? To move forward.

[tsukinoakume]

RW&RB MovieAlex vrs BookAlex: A Rant

I'm late to the party on Red, White, and Royal Blue for a dumb reason and now I'm obsessed with it. OMG I WAS SO WRONG.

I love the book. I love the movie. I also love the difference between them that I find myself obsessing over: the lack of June.

I love June. I'm also not mad that they removed her from the movie, because I honestly don't think they had the time to do her justice. The important thing is that when they removed her, they split her personality and scenes between Nora and Alex. And the result is fascinating.

Combining June with Alex gives us a calmer, more emotionally mature, competent version of Alex. He is definitely not the hot mess that BookAlex is. (Don't get me wrong here: BookAlex is my favorite character.) But now it's implied that MovieAlex is better at keeping his temper, handles his shit without being micromanaged, advocates for himself more, and I'm pretty sure the speech he gives is his own. Probably with help, but still. Also not having divorced parents means MovieAlex doesn't have BookAlex's abandonment issues. It's never said that his parents' relationship is perfect, but it's implied that he's had a stable family background. MovieAlex still has flaws and he's not Nora Levels of Competency, but he's definitely a lot more balanced. And this actually changes his relationship with Henry, just a little.

Namely in reference to my two favorite scenes:

1) Storming the Castle.

BookAlex is a ball of rage in this scene, and it's GLORIOUS. Yelling at the windows, aggressively dripping everywhere trying to ruin the rugs, making rude comments about Henry's ancestors. He is defiant. He yells, Henry yells back. It ends in tears, but there's a lot of anger.

MovieAlex by contrast is quieter, more hurt. He hardly yells at all. (I rewatched this scene like 20 times for Repeat to be sure.) He's determined, and he doesn't back down, but you get to see that split second of fear in his eyes that Henry is asking him to leave. There's a lot more emotion and tears in this version. It's ... sweeter isn't the right word. Bittersweet, maybe.

Downside: The lack of transition in the morning from the book. I miss Alex expecting to be dumped, and Henry realizing he doesn't want Phillip's life before deliberately making the choice to be with Alex. Also the comment on Alex's hair, which made me giggle.

2) The Museum Scene

I know a lot of people are disappointed with this scene, and I feel the need to argue about why it's brilliant the way it is.

In the book, they go to the museum because Henry has made his choice, and now he's showing one of his favorite places to Alex. He's the one who brings up the music. He chooses to fulfill his fantasy with Alex there, and he chooses to play a song that embodies the romanticism of their situation, about being in love and not being able to let anyone else know. Your Song.

In the movie, they go to the museum when Henry's still trying to decide if this is something he can have, and he's sharing a part of himself with Alex when he talks about his fantasy. Alex is the one who chooses to fufill it, so of course he chooses a different song. For him, it's a song about how easy it is to love Henry. I Can't Help Falling In Love With You.

I also love that they changed Henry giving the ring to Alex to Alex giving Henry his key in return. I love the symbolism of Alex keeping Henry's ring safe for him, of their two homes side by side. But I also love the idea of exchanging parts of themselves. I love that they have those pieces of each other when they're separated and the emails are exposed.

The book tells the story better overall because it has the time to, and the bickering and friendship between the boys is everything. The movie makes me melt over the flirting and affection between them. I can't pick one over the other because both versions of this story are wonderful.

But emotionally mature MovieAlex and how soft he is with Henry, making sure Henry's taken care of? I am WEAK for that.

[azumasoroshi]

suzume no tojimari spoilers ! hi guys im Insane

literature analysis brain is going haywire so here’s a bunch of incoherent ramblings some themes motifs and symbolism i love in this movie because AAAAAAA

Love and Sacrifice.

Obviously, but like the different kinds of love and devotion and how they’re never perfect and sometimes self-destructive but they’re so powerful and just waughhh. It was so important to me how after exploding at her Tamaki (suzume’s aunt, ik im not the only one who forgets names) was like “you know I don’t feel that way all the time, right?” like not denying that yes, she has felt exhausted of taking care of Suzume and sometimes wished she didn’t have to take care of her, trying to be the parental figure she needs while also trying to not encroach on her sister’s memory. It means so much to me that she didn’t deny those feelings but instead told Suzume that it’s not how she always feels, because loving someone means sacrifice and ewughghgghfgfh im not putting this into words well but htrggfhgf.

and ALSO the reciprocation of kindness with daijin - as thanks for the taste of freedom at last, and wanting to be with someone whom you love but not really comprehending that what they want (that “suzume doesn’t love me” killed me) and how by the end daijin helped her pull souta out and sacrificed himself for suzume because he really loved her ggrgfggfhfnfnch

And just. everyday love. This is kind of a mix of themes and motifs but every time we flashed back to the memories of whatever abandoned place they were in - the simple “good morning”s and “be back soon” and “it’s so hot”s made me choke up. the mundane love of Chika and Suzume in their newly found friendship, Rumi’s kindness in picking Suzume up off the street and her love for her children, Serizawa’s platonic love for Souta letting him drive these two crazy women with crazy beef for 7 hours across Japan, there’s just so much expression of love and the hardships people go through because of it and rhgrjgrjhgdhgjhb

Mourning and Closure.

Makoto Shinkai himseld said that he wanted to write a story about “mourning deserted places” (at least according to Wikipedia) so this one is all but textual but like yeah. the motif of opening/closing/locking doors and locking the bike and things like that? AaAAaAaa

To close the gates, you need to imagine the emotions of people who once lived there - i can only imagine what Souta was thinking in the abandoned bathhouse area, but hrhggejghw the school and the amusement park and the shots we got of normal life in tokyo before the worm revealed itself in the climax, it just. really speaks to the beauty of everyday life. im a sucker for that kind of stuff as both a psychology major and just a weird person who thinks “man i wonder what happened to this person for the past 22 years of their life that led them to be here with me in this moment” whenever i pass someone in the grocery store. Hodaka could let japan be flooded in weathering with you because of his love for hina, but suzume’s whole arc was learning about the common people and living their lives and embracing all the kindness they had to offer to herself and others and it really hits that like. of course she can’t just let tokyo get destroyed to save Souta, every person in all of tokyo is just like Rumi and Chika and Serizawa and they’re all people who love and are loved. She finds herself in Souta’s place as one who stretches himself thin between being a gate closer and studying to be a teacher because he loves life as well, and-

oops i forgot i was talking about mourning and closure

anyway the doors keep getting reopened because the grief never fully goes away and the worm of “calamity” is letting yourself be consumed by the grief and destroying the people around you and not being able to move on, and it comes from the Ever-after becomes ever-after is a place where time doesn’t exist and you wish you could be there forever because it’s where you can relive the events of your past, it’s where you can live in denial that time moves forward and you have to move with it, it’s where Suzume goes after her mother dies because she wants people to stop giving her condolences and just give her her mom back. “Ever-after” in itself is a “happily ever after” - a place where mortals aren’t meant to go, no matter how beautiful it looks. Souta goes there too because he is the catalyst Suzume needs to go back and face Ever-after - and it’s no longer beautiful, but it’s torn apart by grief and everything is in flames. The idea of a keystone as well, locking the memories and hurt away, is one that Suzume removes to relive her memories and puts back in place when she’s ready to move on. htrhgfhgfghfghf. she won’t let souta be the keystone because she refuses to move on without him.

Also both Souta and his grandfather tell Suzume to just forget everything she’s seen, but it’s too late for that because connections aren’t so easily forgotten. Even when Tamaki couldn’t remember telling Suzume she’d be her new mother, that doesn’t change that she cared for her for the next 12 years anyway. Suzume visits Chika and Rumi by the end, and obviously she’s never forgotten her mother, both because her chair was still in her room by the start of the movie and because she looks like her by the end. Even though relationships change, they’re never forgotten in the movie, and I think that’s beautiful, really.

(also cool detail: 12 years ago is when the tsunami that killed suzume’s mother struck. the movie came out in 2023, and the touhoku earthquake/tsunami that inspired this film was in 2011. nice)

Reality vs Fantasy

The scenes where Suzume goes out into public again following stopping the worm from destroying Tokyo were especially poignant to me. This girl’s been going on a fantastical adventure with her talking chair and talking cat, meeting nice people and making friends, excited at the idea that she’s doing something important, but after Souta’s gone she shuts down. Her feet are bloodied, her clothes are destroyed, and people keep giving her strange looks and calling her homeless because she may have stopped the worm but even without being consumed by grief, it still isn’t pretty or picturesque. Standing out in Japanese society is discouraged, as most of us are well aware, but she’s been doing nothing but that with all the running around and talking to chairs and flying through the sky she’s been doing. Without a concrete goal in mind, without Souta as company, she’s alone in the world of adulthood and has no one to tell her what she should do, no Souta to guide her through Tokyo. And without that confidence or charm, people don’t come to her aid like they did before. It’s only once she finds her resolve to save Souta, quite literally walking in his shoes/footsteps, that the next helpful stranger (Serizawa) comes in.

She could imagine those abandoned places as alive, but the truth is that they were abandoned and will stay that way - none of them miraculously revived by the end, unless something happened in the credits that I couldn’t see through all my tears. Reality will not bring those places back, but what really matters is how we carry the memories of those places with us? I think. man maybe it’d be easier to write this post if i had actually seen the end credits

this post is really fucking long so im calling it here 😭 makoto shinkai has done it again. goddammit

[meadowmusing]

random Cabin 10 / Aphrodite kids headcanons

˚ʚ♡ɞ˚

They keep a meticulous track of who is dating who, whose crushing on who, who isn't is rejecting who, ect. They also have a betting pool around certain relationships and campers. artistic rendition of Aphrodite campers presenting their romance predictions for the summer:

˚ʚ♡ɞ˚

They host charity events around Valentines. Its important to them that people spend the day with their loved ones, but also to make sure that love is shared around everywhere and with everyone. ˚ʚ♡ɞ˚

They may not be as big readers as the Athena kids, but they do have each their own favourite couple in history and media that they are ride or die for. They can even go toe-toe with Athena's kids in debates over these couples, arguing about their favourite relationship's historical legitimacy/basis or canon. ˚ʚ♡ɞ˚

Aphrodite kids aren't known for enthusiastically participating in training or camp activities, but like water is to Percy, love is a powerful adrenaline rush. When they're fighting for someone or something they truly love, they can become incredible warriors and protectors even if its only for a short time. ˚ʚ♡ɞ˚

Marilyn Monroe was a child of Aphrodite. I will die on this hill. ˚ʚ♡ɞ˚

Despite their reputation of being quite vain, children of Aphrodite can be intensely devoted and self sacrificing when it comes to those they care about and matters of love. Being loved by a child of Aphrodite means discovering what it means to be worshipped like you are the moon to their tide, the air to their lungs. ˚ʚ♡ɞ˚

If you have a nasty break up with a child of Aphrodite, the next few dates you try to go on will go terribly and embarrassingly wrong. The bad luck will fade eventually, just long enough to create a few truly cringe worthy memories. ˚ʚ♡ɞ˚

Cabin 10 campers host make up and wardrobe workshops semi regularly, giving advice to those that want it. They also collaborate on theatre projects the Apollo and Dionysus kids sometimes put on, mostly in make up/costuming/hair, but occasionally as captivating romance leads or as script consultants for love stories (in fact they get quite offended if you don't even ask any of them to at least read over your script). ˚ʚ♡ɞ˚

Weddings or engagements where part of the couple is a child of Aphrodite is massive affair. The whole cabin gets together for it, no matter where they live at this point in their lives. They also perform some really old ancient rites to honour Aphrodite and to ask her to bless their sibling in their relationships future. ˚ʚ♡ɞ˚

When children of Aphrodite go to battle, they wear something of their lover. Sometimes something simple like a picture of them, favourite jewellery of their lover's, their lover's lucky underwear, a hair piece from their love ect, or it can be as something as intimate as a lock of hair or even an ash diamond (if they've passed away). If they don't have a lover, then they wear something symbolic of their mother for her protection. Most popularly this is a dove feather or pearl jewellery, even both at once.